Bittersweet Anniversary December 2020 Marks 50 Years of the Warrandyte Diary
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1-3 Special Lists ______
__________________________________________________________________ SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1-3 Special Lists __________________________________________________________________ SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1 Special list __________________________________________________________________ 1. Aarons Way 1.1 Pt 1 & 2 - Third Draft Revised Dec. 22 1986. 2. Australia 2.1 Screenplay - Provisional Title, June 1987. 2.2 Screenplay - Working Title, May 1988. 3. The Battlers 3.1 Screenplay - First Draft, Feb. 1989. 3.2 Screenplay - Second Draft, June 1989. 3.3 Screenplay - Third Draft, Aug. 1989. 3.4 Screenplay - Fourth Draft, March 1991. 3.5 Story for Mini Series - (Master Copy) Second Draft, Dec. 1988. 3.6 Story for Mini Series - 1988 3.7 Story for Mini Series - 1989 3.8 Mini Series - Second Draft (with added notes) 1989. 3.9 Mini Series - Third Draft, July 1989 3.10 Synopsis - Brief outline of story for the Mini Series. 4. Blue Fin 4.1 Screenplay - Third Draft. 4.2 Screenplay - Fourth & Final Draft. 4.3 Screenplay - May 3rd 1978. 4.4 Screenplay - Script for Rewrites, May 11th 1978 (short and long version). 4.5 Continuity Script. 4.6 Folder includes : Script notes, Revisions and Amendments, and correspondence from the S.A. Film Corporation. 4.7 Folder includes: Media Releases, Posters, Newsletters, Minutes regarding promotion of Blue Fin, the Project Blue Fin School Package and merchandising of Blue Fin products. 4.8 Synopsis - Brief outline of Story. 4.9 Production Notes - include Synopsis, Photo’s, Character Biographies and Newspaper clippings. 4.10 Trailer - TV Advertisement Script. 4.11 Shooting Script. 5. Breaker Morant 5.1 Script - First Draft by Michael Craig, Nov. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Partnering for Impact Annual Impact Report 2018
PARTNERING FOR IMPACT ANNUAL IMPACT REPORT 2018 MONASH SUSTAINABLE DEVELOPMENT INSTITUTE | 1 2 | ANNUAL IMPACT REPORT 2018 CONTENTS From the Chair From the Director Partnering for Impact 04 05 06 Impact at a Glance Recognition of Our Work Leadership on the Goals 08 10 14 Sustainable Cities & Communities Climate Action Social Inclusion 20 24 28 Inspiring Change Creating the Leaders of Tomorrow Thank You 32 38 44 MONASH SUSTAINABLE DEVELOPMENT INSTITUTE | 3 FROM THE CHAIR At MSDI, we see our future in harnessing The Sustainable Development Goals are a ‘light has been so successful is Rebekah’s strong focus the research, education and engagement on the hill’. They provide a vision for a better world on the future. This is consistent with the very notion strengths across Monash to address the in the future and key targets for all of us to work of sustainability that underpins everything we do. towards. But by themselves the goals are not complex and interconnected challenges In 2018, Professor Brown initiated an important enough. In order to achieve them we will need some process for MSDI staff to consider the Institute’s posed by the Sustainable Development Goals. big societal transformations. future direction and strategy. This has been MSDI can play an important role in helping identify enthusiastically taken up by the staff. As well as these big shifts and the research and education considering the big societal transformations, we needed to achieve them. Already we are working on have identified that the Institute’s key capabilities some of these transformations, including the shift include many of the processes that will help society to a net zero economy, more sustainable cities and understand how the transformations can be achieved. -
Introduction
Introduction Most history, when it has been digested by people, becomes myth. Myth is an arrangement of the past, whether real or imagined, in patterns that resonate with a culture’s deepest values and aspirations. Myths create and reinforce archetypes so taken for granted, so seemingly axiomatic, that they go unchallenged. Myths are so fraught with meaning that we live and die by 1 them. They are the maps by which cultures navigate through time. modern aesthetics is an aesthetic of the sublime, though a nostalgic one. It allows the unpresentable to be put forward only as the missing contents; but the form, because of its recognizable consistency, continues to offer to the reader or viewer matter for solace and pleasure.2 HIS BOOK EXAMINES THE NATURE AND DIMENSIONS of the white- vanishing trope – recurrent stories about white Australians who be- T come lost or disappear into the landscape – as an enduring and powerful myth in white Australian settler culture. By identifying white vanishing’s mythic and discursive dimensions, by naming and illustrating its recurring ideological features, and by looking in depth at white vanishing broadly, across all its types or sub-genres, this book offers an overarching way of reading white vanishing as a trope – that is, as an interconnected tissue of stories that sorts history into culture by embedding, narrativizing, and naturalizing politicized values, categories, and relationships. Only then can we begin to understand how an apparently-innocent storyline, such as being lost in the bush, can also have powerful political dimensions that hold us locked in the categories of our colonial past. -
“Icontrol You,Debbie!”
EVILJOE! PLUS! ITH “I CONTROL Liv YOU,DEBBIE!” jailed? – They’re back with a big secret! “I’m so excited aboutwhat’s to come!” £1.85 17 – 23 MAR 2018 11 CORRIE SHOCKS! Tyrone slaps David Ruby! suffers Passion with 9 770966 849166 in silence! Michelle’s son! Issue 11 • 17 – 23 Mar 2018 and Kev, and even a baby Sarah in her pushchair – Yo u r s t a r s just for the haircuts alone! s psychic Street episodes that are Now, we know even this week! Rosemary currently airing on ITV3. the most dedicated Inside channels the It’s been a real treat to Soap reader can’t watch 40 spirits of some dearly look back at the likes of everything (there’s two deeparted Street episodes a day of old folk this week, “Old Corrie is like a Corrie!), but if you want I feel I’ve been some quiet Weatherfield given my own nice, warm cuddle!” time away from the big coonduit to dramas of Phelan, David CorrieC characters of Jack and Vera Duckworth, and the current cobbles oldo – not via some Mike Baldwin and Deirdre crew, try to catch a couple scatterbrained Barlow in their heyday. of episodes. They’re lik clairvoyant, but There’s also the terrific a nice, warm cuddle! Sandra thhrough the repeats fun of seeing the younger Steven Murphy, Editor Marvin of 80s Coronation versions of Jenny, Sally [email protected] “Jessie’s family is still to be discovered…” The BIG 44 stories... Nah, more like Max Branning! Coronation Street Oh, he looks 4 David in turmoil after his attack just like Phil 16 Ali locks lips with Carla! Mitchell… 22 Fiz frets, as Tyrone lashes out 26 Sally -
Dirty Dozen Brass Band Takes It to (And From) the Streets by Alan Back Had Experience with During Our Time for Nearly 100 Years
ENTERTAINMENTpage 23 Technique • Friday, April 20, 2001 • 23 A ‘Dozen’ reasons Cross this! Come find out why this atypical If your last test of verbal ability was ENTERTAINMENT brass band from New Orleans is the SAT, check out “Onward and gaining a following. Page 25 Crossword.” Page 27 Technique • Friday, April 20, 2001 It’s hot, it’s loud, it’s nuts, it’s Music Midtown 2001 By Alan Back bill. Look for a few local alumni with more than 60 craft vendors Drinks flat Coke for fun such as John Mayer and the Josh and its own stage for cultural Joplin Group to pop up during performances. Image Film and Being on semesters has an the weekend as well. Video will exhibit short works, advantage or two over the quar- Hungry? Take three steps in and the PushPush Theater is slat- ter system, especially when it any direction and you’ll proba- ed to put on one-act plays. Pack comes to the 8th Annual Music bly trip over somebody selling the wee folk off to Kids Town in Midtown Festival. Instead of giv- good things to put in your face. SciTrek (5/5 and 5/6, noon to 6 ing up a weekend of valuable Take your pick of German (Edel- p.m.) and let them play with study time to join the party, you everything in sight. They even can wrap up all your finals and get a stage of shows just for them, celebrate by blowing out your Over 130 bands sponsored by Radio Disney. eardrums in style. -
Geoff Paine – Corporate Profile Just Quickly the Bio So What Can Geoff
Geoff Paine – Corporate Profile Just quickly As one of our most experienced and sought after MCs, Geoff describes himself as both a glue and a lubricant – holding an event together and making all the elements run smoothly. An improviser, actor, writer and director, Geoff has worked as a creative consultant for ABC TV and the Seven Network. Coming up with creative solutions is what he does, whether it’s training, culture change, motivating or rewarding your workforce. Between writing and producing videos, Geoff’s hosted hundreds of events and understands the MC is there to read the room and bring out the best in the presenters and the audience. His style is natural, engaging and warm, with enough wit to keep everyone on their toes. Any conference or event relies on planned spontaneity; that’s Geoff’s specialty. He’ll keep things moving if that’s what’s required or fill in the gaps if they’re running ahead. The Bio Geoff started out on Neighbours (he was the very first doctor on the show). He went on to appear in shows about Flying Doctors and Blue Heelers, comedies like Frontline, The Games and Lano and Woodley, and more recently Slideshow. So he’s been around for a while and can put a room full of strangers at ease. As a producer of corporate events, training films and TV and stage productions, Geoff’s learnt how important it is to make an audience feel included. Whether it’s energising, entertaining, interviewing or wrapping up, Geoff’s skill as a communicator keeps him busy on the conference circuit. -
SCREENING MOTHERS: Representations of Motherhood in Australian Films from 1900 to 1988
SCREENING MOTHERS: Representations of motherhood in Australian films from 1900 to 1988 CAROLINE M. PASCOE B.A. (Honours) M.A. UNIVERSITY OF SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy September 1998 ii The work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text. The material has not been submitted, either in whole or in part, for a degree at this or any other university. CAROLINE MYRA PASCOE iii ABSTRACT Although the position of mothers has changed considerably since the beginning of the twentieth century, an idealised notion of motherhood persists. The cinema provides a source of information about attitudes towards mothering in Australian society which is not diminished by the fact that mothers are often marginal to the narrative. While the study recognises that cinematic images are not unconditionally authoritative, it rests on the belief that films have some capacity to reflect and influence society. The films are placed in an historical context with regard to social change in Australian society, so that the images can be understood within the context of the time of the making and viewing of the films. The depictions of the mother are scrutinised with regard to her appearance, her attitude, her relationship with others and the expectations, whether explicit or implicit, of her role. Of particular significance is what happens to her during the film and whether she is punished or rewarded for her behaviour. The conclusions reached after analysis are used to challenge those ideas which assume that portrayals of motherhood are unchangeable and timeless. -
Representations of African American Women in Blues Lyrics Written by Black Women
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2007 Images and lyrics: Representations of African American women in blues lyrics written by black women Danette Marie Pugh-Patton Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the African American Studies Commons, Ethnomusicology Commons, and the Mass Communication Commons Recommended Citation Pugh-Patton, Danette Marie, "Images and lyrics: Representations of African American women in blues lyrics written by black women" (2007). Theses Digitization Project. 3235. https://scholarworks.lib.csusb.edu/etd-project/3235 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. IMAGES AND LYRICS: REPRESENTATIONS OF AFRICAN AMERICAN WOMEN IN BLUES LYRICS WRITTEN BY BLACK WOMEN A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Danette Marie Pugh-Patton December 2007 IMAGES AND LYRICS: REPRESENTATIONS OF AFRICAN AMERICAN WOMEN IN BLUES LYRICS WRITTEN BY BLACK WOMEN A Project Presented to the Faculty of California State University, San Bernardino by Danette Marie Pugh-Patton December 2007 Approved by: Date Dr. Nathan Carter ABSTRACT The purpose of this thesis is to examine to what extent representations of double jeopardy and the stereotypical images of African American females: Mammy, Matriarch, Sapphire, and Strong Black Woman emerge in the blues lyrics of Alberta Hunter, Gertrude 'Ma' Rainey, Memphis Minnie, and Victoria Spivey, using the theoretical framework of Black feminist rhetorical critique. -
The Films of Peter Weir
THE CINEMATIC MYSTICAL GAZE: The films of Peter Weir RICHARD JAMES LEONARD Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy August 2003 Cinema Studies Program School of Fine Arts, Classical Studies and Archaeology The University of Melbourne Abstract Peter Weir is one of Australia’s most critically acclaimed and commercially successful directors. Ever since Weir’s feature film debut with The Cars that Ate Paris in 1974, his work has been explored for unifying themes. Scholars have analysed his films from many perspectives: the establishment of identification and identity especially through binary oppositions in the diegesis;1 the creation of an oneiric atmosphere as a way of exploiting the spectator’s dream experience;2 a clash of value systems;3 the ambiguous nature of narrative structure and character motivations leading to the creation of a sense of wonder;4 the experience of the protagonist placed in a foreign culture wherein conflict arises from social clashes and personal misunderstandings;5 and at the particular ways his films adapt generic codes in service of a discernible ideological agenda.6 To the best of my knowledge there has been no study of the mystical element of Weir’s work in relation to the construction of a cinematic mystical gaze or act of spectatorship. Within a culture defined by its secularity and a national cinema marked by quirky comedies and social realism, almost all of Weir’s films have been described as mystical, arcane or interested in metaphysics. Such an observation could warrant no further investigation if it is held that this critical commentary is but hyperbole in its attempt to grasp what constitutes a Peter Weir film. -
Bootleg: the Secret History of the Other Recording Industry
BOOTLEG The Secret History of the Other Recording Industry CLINTON HEYLIN St. Martin's Press New York m To sweet D. Welcome to the machine BOOTLEG. Copyright © 1994 by Clinton Heylin. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010. ISBN 0-312-13031-7 First published in Great Britain by the Penguin Group First Edition: June 1995 10 987654321 Contents Prologue i Introduction: A Boot by Any Other Name ... 5 Artifacts 1 Prehistory: From the Bard to the Blues 15 2 The Custodians of Vocal History 27 3 The First Great White Wonders 41 4 All Rights Reserved, All Wrongs Reversed 71 5 The Smokin' Pig 91 6 Going Underground 105 7 Vicki's Vinyl 129 8 White Cover Folks! 143 9 Anarchy in the UK 163 10 East/West 179 11 Real Cuts at Last 209 12 Complete Control 229 Audiophiles 13 Eraserhead Can Rub You Out 251 14 It Was More Than Twenty Years Ago . 265 15 Some Ultra Rare Sweet Apple Trax 277 16 They Said it Couldn't be Done 291 17 It Was Less Than Twenty Years Ago . 309 18 The Third Generation 319 19 The First Rays of the New Rising Sun 333 20 The Status Quo Re-established 343 21 The House That Apple Built 363 22 Bringing it All Back Home 371 Aesthetics 23 One Man's Boxed-Set (Is Another Man's Bootleg) 381 24 Roll Your Tapes, Bootleggers 391 25 Copycats Ripped Off My Songs 403 Glossary 415 The Top 100 Bootlegs 417 Bibliography 420 Notes 424 Index 429 Acknowledgements 442 Prologue In the summer of 1969, in a small cluster of independent LA record stores, there appeared a white-labelled two-disc set housed in a plain cardboard sleeve, with just three letters hand-stamped on the cover - GWW.