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A Case Study of Russia and Ukraine's Use of the Eurovision Song
Lund University FKVK02 Department of Political Science Spring 2020 Peace and Conflict Studies Supervisor: Fredrika Larsson The Battle of Eurovision A case study of Russia and Ukraine’s use of the Eurovision Song Contest as a cultural battlefield Character count: 59 832 Julia Orinius Welander Abstract This study aims to explore and analyze how Eurovision Song Contest functioned as an alternative – cultural – battlefield in the Russian-Ukrainian conflict over Crimea. With the use of soft power politics in warfare as the root of interest, this study uses the theories of cultural diplomacy and visual international relations to explore how images may be central to modern-day warfare and conflicts as the perception of. The study has a theory-building approach and aims to build on the concept of cultural diplomacy in order to explain how the images sent out by states can be politized and used to conduct cultural warfare. To explore how Russia and Ukraine used Eurovision Song Contest as a cultural battlefield this study uses the methodological framework of a qualitative case study with the empirical data being Ukraine’s and Russia’s Eurovision Song Contest performances in 2016 and 2017, respectively, which was analyzed using Roland Barthes’ method of image analysis. The main finding of the study was that both Russia and Ukraine used ESC as a cultural battlefield on which they used their performances to alter the perception of themselves and the other by instrumentalizing culture for political gain. Keywords: cultural diplomacy, visual IR, Eurovision Song Contest, Crimea Word count: 9 732 Table of Contents 1 Introduction ............................................................................................................ -
Karaoke Catalog Updated On: 20/12/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 20/12/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Perfect - Ed Sheeran Grandma Got Run Over By A Reindeer - Elmo & All I Want For Christmas Is You - Mariah Carey Summer Nights - Grease Crazy - Patsy Cline Bohemian Rhapsody - Queen Feliz Navidad - José Feliciano Have Yourself A Merry Little Christmas - Michael Sweet Caroline - Neil Diamond Folsom Prison Blues - Johnny Cash Killing me Softly - The Fugees Don't Stop Believing - Journey Ring Of Fire - Johnny Cash Zombie - The Cranberries Baby, It's Cold Outside - Dean Martin Dancing Queen - ABBA Fly Me To The Moon - Frank Sinatra Rockin' Around The Christmas Tree - Brenda Lee Girl Crush - Little Big Town Livin' On A Prayer - Bon Jovi White Christmas - Bing Crosby Piano Man - Billy Joel Jackson - Johnny Cash Jingle Bell Rock - Bobby Helms Can't Help Falling In Love - Elvis Presley Baby It's Cold Outside - Idina Menzel Friends In Low Places - Garth Brooks Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston Last Christmas - Wham! Let It Snow! Let It Snow! Let It Snow! - Dean Martin You're A Mean One, Mr. Grinch - Thurl Ravenscroft Uptown Funk - Bruno Mars Africa - Toto Rudolph The Red-Nosed Reindeer - Alan Jackson Shallow - A Star is Born My Way - Frank Sinatra I Will Survive - Gloria Gaynor The Christmas Song - Nat King Cole Wannabe - Spice Girls It's Beginning To Look A Lot Like Christmas - Dean Take Me Home, Country Roads - John Denver Please Come Home For Christmas - The Eagles Wagon Wheel - -
Please Join These Inspirational Women and Many More As Part of the Campaign to Reduce Maternal Mortality
‘WIVES AND HUSBAND OF G8 LEADERS’ Laura Bush, Svetlana Medvedev, Laureen Harper, Veronica Lario, Kiyoko Fukuda, Carla Sarkozy, Sarah Brown, Joachim Sauer A MATTER OF LIFE AND DEATH Dear G8 First Ladies (and First Man), Every minute of every day a woman dies in childbirth. That’s half a million women dying each year - and over 80% of these deaths are avoidable. But here’s the good news – the person with whom you live can help stop this happening. Really. The 26 of us, write to the 8 of you, women to women (and, with respect, also to you Herr Sauer), on behalf of all women... please do what you can to put this issue at the top of the political agenda. We now have the knowledge to crack it – we just need the political will. At this year’s G8, your 7 husbands (and 1 wife) have an opportunity to make history here. There is a real chance. Please do what you can – on behalf of us all. With respect, Emma Thompson Annie Lennox Christiane Amanpour Donna Langley Kirsty Young Lady de Rothschild Claudia Schiffer Wendi Murdoch Elizabeth Edwards Misia Actress, UK Singer, Songwriter, UK CNN Chief President of Broadcaster, CE, LE Rothschild Supermodel, Actress, Chief Strategist, Attourney, Singer, Japan International Production, Presenter, UK LLC Germany Myspace China Campaigner Correspondent, USA Universal Pictures, USA Margaret Fiorella Mannoia Margherita Hack Claudie Haigneré Katja Riemann Elisabeth Murdoch Christy Turlington Christine Ockrent Gwyneth Paltrow Sarah McLachlan MacMillan Singer, Songwriter, Scientist, Italy Astronaut and Actress, Germany Chairman, CEO, CARE Ambassador, COO, France Actress, USA Musician, Canada Historian, USA Italy Advisor to ESA, UK/USA Supermodel, USA France Please join these inspirational women and many more as part of the campaign to reduce maternal mortality. -
Listen to “Circles and Squares”, the Official Song of the ISU World Figure Skating Championships 2021
February 19, 2021 Lausanne, Switzerland Listen to “Circles and Squares”, the Official Song of the ISU World Figure Skating Championships 2021 Today marks the unveiling of “Circles and Squares”, the official song for the 2021 ISU World Figure Skating Championships. The song is performed by international artists Måns Zelmerlöw and Polina Gagarina and was specially commissioned for the event, which will be held at the Ericsson Globe in Stockholm (SWE) from March 22 – 28. The songwriters Måns Zelmerlöw, Stefan Örn, David Lindgren Zacharias, Sandra Bjurman, and Jon Eyden, took their inspiration from Figure Skating. “We wanted to write a song with a slightly serious tone and at the same time bring out the beauty that exists between two Figure Skaters, the passion, the art, and of course mutual respect. This is mirrored in the arrangement of the song that has an intro full of expectation before we bring in the full orchestra that takes the song to the heights we wanted to hit,” says Stefan Örn. They wanted to create a soaring sound, which they did by recording the song in the historical Atlantis Studio. Everything was recorded live, except from the string orchestra, which was recorded by Erik Arwinder. “It’s always fantastic to start with an idea, and then develop it into a full-scale production. Few people have the privilege of working at this level, and I’m humbled to have had this opportunity. Circles and Squares is crafted by a team that I’m proud to work with and right now we’re looking forward to the release of this world-class track!” Örn adds. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Sister Helen Martinez - Journal for November 17-21, 2014
UN Update - Sister Helen Martinez - Journal for November 17-21, 2014 Saturday morning I went to meet a former colleague from Presentation Elementary- Noreen Greene Fraize, and her daughter, Alanna. Alanna is in her fourth year of studying opera at the Metropolitan School of Music with a focus on Opera. We had brunch at the French Café. I worked all day on Sunday on an analysis response to the Open Working Group proposals for Sustainable Development Goals. My contribution was sent to Elsa who is working with two others. Monday morning, we were fortunate to have some time to hear the experiences of Sister Mary Jo Toll, SNDN, Veronica Brand, RSHM and Justine Gitanjali Senapati, CSJ. They shared their experiences of coming to work at the UN as NGO representatives of their congregations. It was helpful to hear that it takes time to learn how to contribute to various groups according to interests. I feel proud that IPA is part of the UN that influences and impacts systemic change for the world. It fits into how our focus here is on the social protection floor for human rights of people. I learned that NGOs have grown in their influence in draft resolutions by their ability to contact Permanent Missions – in part because religious are involved on the ground level in so many countries. Time here is spent doing research, meeting and participating in working groups, task forces, attending the various sessions at the UN and then sharing this information with those who can influence change. Advocacy work consumes about half of their time. -
The Cultural Politics of Eurovision: a Case Study of Ukraine’S Invasion in 2014 Against Their Eurovision Win in 2016
Claremont-UC Undergraduate Research Conference on the European Union Volume 2017 Article 6 9-12-2017 The ulturC al Politics of Eurovision: A Case Study of Ukraine’s Invasion in 2014 Against Their Eurovision Win in 2016 Jordana L. Cashman Brigham Young University Follow this and additional works at: http://scholarship.claremont.edu/urceu Part of the European Languages and Societies Commons, International and Area Studies Commons, International Relations Commons, and the Slavic Languages and Societies Commons Recommended Citation Cashman, Jordana L. (2017) "The ulturC al Politics of Eurovision: A Case Study of Ukraine’s Invasion in 2014 Against Their Eurovision Win in 2016," Claremont-UC Undergraduate Research Conference on the European Union: Vol. 2017, Article 6. DOI: 10.5642/urceu.201701.06 Available at: http://scholarship.claremont.edu/urceu/vol2017/iss1/6 This Chapter is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Claremont-UC Undergraduate Research Conference on the European Union by an authorized editor of Scholarship @ Claremont. For more information, please contact [email protected]. Claremont–UC Undergraduate Research Conference on the European Union 45 4 The Cultural Politics of Eurovision: A Case Study of Ukraine’s Invasion in 2014 Against Their Eurovision Win in 2016 Jordana L. Cashman Brigham Young University Abstract Politics is officially banned from Eurovision, and songs that are too political can be prevented from being performed. However, the complete separation of culture and politics is impossible, and cultural performances often carry both indirect and explicit political mes- sages. -
Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS .................................................................................... -
The Ukrainian Weekly, 2017
INSIDE: l WFUWO at U.N. Commission on the Status of Women – page 5 l Vitaly Portnikov: sober voice in post-Maidan Ukraine – page 8 l Our community: Miami, Boston, Philadelphia – page 14 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXV No. 21 THE UKRAINIAN WEEKLY SUNDAY, MAY 21, 2017 $2.00 Portugal wins Eurovision Song Contest, Poroshenko lauds closer ties with EU, Ukraine touts contest as great success admits ‘there’s much left to be done’ KYIV – Portugal was the top vote-getter inspired by the Soviet authorities’ mass in the 2017 Eurovision Song Contest, the deportation of Crimean Tatars to Central annual festival traditionally watched by a Asia in that year. The Crimean Tatar singer television audience of an estimated 200 returned to the contest this year, singing her million people. Some 4 million people new song “I Believe in U” as an interval act watched the contest’s grand final, breaking during the grand final on May 13. previous records, according to the official President Petro Poroshenko met with website of Eurovision 2017. organizers and hosts of the European Singer Salvador Sobral was declared the music contest and congratulated them on winner early on May 14 in the Ukrainian the successful completion of the contest. capital of Kyiv, giving Portugal its first victory “My sincere congratulations to you all. since it initially entered the contest in 1964. Eurovision 2017 was organized at a very The winner was determined by a combina- high level. This is the result of a very effi- tion of points awarded by national juries and cient coordination and interaction of your voting by telephone and text message from and our team,” he said. -
Balkan Beats 35 – Intercultural Dialogue
Balkan Beats A BIMONTHLY MAGAZINE BY THE VOLUNTEERS OF THE UNITED SOCIETIES OF BALKANS Photos from the photo contest of the greek network of the Anna Lindh Foundation Special Edition by Anna Lindh Foundation: #35 PRESS FREE Editorial The 35th Edition by Michael Magee and Livia Kallmeyer Τhe Mediterranean basin has always been the and culture have the opportunity to par- womb of civilization from which prominent cul- ticipate and formulate new ideas and propos- tures were born, flourished and for centuries als for the future of Foundation’s member countries. coexisted and interacted. It is a sacred place of great religions and the birthplace of important Due to the pandemic, FORUM 2020 was canceled scientists and people of spirit. But at the same and replaced by an online Marathon of actions, time, it was and often is a field of battles and hos- seminars and activities. In this context, this is- tile conflicts. sue, which I am pleased to preface/prologue, is dedicated to the ALF. It is a patchwork of articles For almost two decades, the Anna Lindh Foun- by young and thinking people that touch upon the dation (ALF), that I have the honor of being co- principles, values and pillars of the Foundation, head for the last seven years, has been working while articles by members of the Greek ALF net- to bridge diversity and promote intercultural and work are also hosted. interreligious dialogue, human rights and peace- ful problem-solving. -The texts are a spiritual and freedom of thought product of the authors exclusively- The tradition of the Foundation is the implemen- tation of a FORUM every 3 years. -
Amar Pelos Dois
APANHADOS NA REDE AMAR peLOS DOIS ÓSCAR FELGUEIRAS Universidade do Porto Este ano, pela primeira vez, Portugal venceu o Festival da Eurovisão da [email protected] Canção graças à música “Amar pelos Dois” de Salvador Sobral, a qual ob- teve um total de 758 pontos. Até que ponto é que esta votação poderá comparar-se com a de vencedores anteriores? Festival Eurovisão existe desde 1956 e conta com a volvendo sistemas de votação significativamente diferen- Oparticipação portuguesa desde 1964. Devido à sua tes. Basta dizer que se o resultado final da votação deste grande popularidade, é possível encontrar-se na Internet ano tivesse sido calculado com base nas regras em vigor várias análises comparativas entre os resultados da vota- em 2015, então Portugal teria obtido 417 pontos num má- ção de canções vencedoras de diferentes anos. Uma des- ximo de 492, o que lhe daria uma percentagem de 84,76%! tas1 exibe um ranking comparativo de todos os vencedores Isto colocaria a canção de Portugal em 2017 na liderança desde 1975 com a percentagem de votos obtidos relativa- destacada deste ranking. mente ao máximo possível. Na tabela 1, apresentam-se os Para se perceber um pouco melhor a influência do sis- primeiros 10. tema de votação na ordenação final das canções, observe- A prestação de Portugal em 2017 surge num honroso -se o que aconteceu em 2016. A cantora Jamala venceu 8.º lugar. No entanto, esta posição é bastante distorcida pela Ucrânia, mas a Austrália teria vencido caso estivesse devido ao facto de ser estabelecida uma comparação en- em vigor o sistema de votação de 20152. -
KT 15-5-2017.Qxp Layout 1
SUBSCRIPTION MONDAY, MAY 15, 2017 SHABAN 19, 1438 AH www.kuwaittimes.net ‘Dean of Saudi North Korea Portugal’s Hamilton journalism’ fires missile big-hearted wins thrilling Sudairi that lands in crooner wins Spanish passes away5 sea near7 Russia Eurovision38 Grand18 Prix 200,000 victims hit by Min 28º Max 41º High Tide global cyber attack 03:18 & 13:35 Low Tide Businesses brace for new week as ransomware threat lingers 08:20 & 21:12 40 PAGES NO: 17228 150 FILS LONDON: The unprecedented global cyber attack has hit more than 200,000 victims in scores of countries, Europol said yesterday, warning that the situation could escalate when people return to work. An international manhunt was well under way for the plotters behind the world’s biggest-ever computer ransom assault. The indiscrimi- nate attack, which began Friday, struck banks, hospitals and government agencies in more than 150 countries, exploiting known vulnerabilities in old Microsoft com- puter operating systems. US package delivery giant FedEx, European car facto- ries, Spanish telecoms giant Telefonica, Britain’s health service and Germany’s Deutsche Bahn rail network were among those hit. Europol executive director Rob Wainwright said the situation could worsen today as workers return to their offices after the weekend and log on. “We’ve never seen anything like this,” the head of the European Union’s policing agency told Britain’s ITV televi- sion, calling its reach “unprecedented”. “The latest count is over 200,000 victims in at least 150 countries. Many of those victims will be businesses, including large corporations. We’re in the face of an esca- lating threat.