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A Case Study of Russia and Ukraine's Use of the Eurovision Song
Lund University FKVK02 Department of Political Science Spring 2020 Peace and Conflict Studies Supervisor: Fredrika Larsson The Battle of Eurovision A case study of Russia and Ukraine’s use of the Eurovision Song Contest as a cultural battlefield Character count: 59 832 Julia Orinius Welander Abstract This study aims to explore and analyze how Eurovision Song Contest functioned as an alternative – cultural – battlefield in the Russian-Ukrainian conflict over Crimea. With the use of soft power politics in warfare as the root of interest, this study uses the theories of cultural diplomacy and visual international relations to explore how images may be central to modern-day warfare and conflicts as the perception of. The study has a theory-building approach and aims to build on the concept of cultural diplomacy in order to explain how the images sent out by states can be politized and used to conduct cultural warfare. To explore how Russia and Ukraine used Eurovision Song Contest as a cultural battlefield this study uses the methodological framework of a qualitative case study with the empirical data being Ukraine’s and Russia’s Eurovision Song Contest performances in 2016 and 2017, respectively, which was analyzed using Roland Barthes’ method of image analysis. The main finding of the study was that both Russia and Ukraine used ESC as a cultural battlefield on which they used their performances to alter the perception of themselves and the other by instrumentalizing culture for political gain. Keywords: cultural diplomacy, visual IR, Eurovision Song Contest, Crimea Word count: 9 732 Table of Contents 1 Introduction ............................................................................................................ -
Karaoke Catalog Updated On: 20/12/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 20/12/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Perfect - Ed Sheeran Grandma Got Run Over By A Reindeer - Elmo & All I Want For Christmas Is You - Mariah Carey Summer Nights - Grease Crazy - Patsy Cline Bohemian Rhapsody - Queen Feliz Navidad - José Feliciano Have Yourself A Merry Little Christmas - Michael Sweet Caroline - Neil Diamond Folsom Prison Blues - Johnny Cash Killing me Softly - The Fugees Don't Stop Believing - Journey Ring Of Fire - Johnny Cash Zombie - The Cranberries Baby, It's Cold Outside - Dean Martin Dancing Queen - ABBA Fly Me To The Moon - Frank Sinatra Rockin' Around The Christmas Tree - Brenda Lee Girl Crush - Little Big Town Livin' On A Prayer - Bon Jovi White Christmas - Bing Crosby Piano Man - Billy Joel Jackson - Johnny Cash Jingle Bell Rock - Bobby Helms Can't Help Falling In Love - Elvis Presley Baby It's Cold Outside - Idina Menzel Friends In Low Places - Garth Brooks Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston Last Christmas - Wham! Let It Snow! Let It Snow! Let It Snow! - Dean Martin You're A Mean One, Mr. Grinch - Thurl Ravenscroft Uptown Funk - Bruno Mars Africa - Toto Rudolph The Red-Nosed Reindeer - Alan Jackson Shallow - A Star is Born My Way - Frank Sinatra I Will Survive - Gloria Gaynor The Christmas Song - Nat King Cole Wannabe - Spice Girls It's Beginning To Look A Lot Like Christmas - Dean Take Me Home, Country Roads - John Denver Please Come Home For Christmas - The Eagles Wagon Wheel - -
The Cultural Politics of Eurovision: a Case Study of Ukraine’S Invasion in 2014 Against Their Eurovision Win in 2016
Claremont-UC Undergraduate Research Conference on the European Union Volume 2017 Article 6 9-12-2017 The ulturC al Politics of Eurovision: A Case Study of Ukraine’s Invasion in 2014 Against Their Eurovision Win in 2016 Jordana L. Cashman Brigham Young University Follow this and additional works at: http://scholarship.claremont.edu/urceu Part of the European Languages and Societies Commons, International and Area Studies Commons, International Relations Commons, and the Slavic Languages and Societies Commons Recommended Citation Cashman, Jordana L. (2017) "The ulturC al Politics of Eurovision: A Case Study of Ukraine’s Invasion in 2014 Against Their Eurovision Win in 2016," Claremont-UC Undergraduate Research Conference on the European Union: Vol. 2017, Article 6. DOI: 10.5642/urceu.201701.06 Available at: http://scholarship.claremont.edu/urceu/vol2017/iss1/6 This Chapter is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Claremont-UC Undergraduate Research Conference on the European Union by an authorized editor of Scholarship @ Claremont. For more information, please contact [email protected]. Claremont–UC Undergraduate Research Conference on the European Union 45 4 The Cultural Politics of Eurovision: A Case Study of Ukraine’s Invasion in 2014 Against Their Eurovision Win in 2016 Jordana L. Cashman Brigham Young University Abstract Politics is officially banned from Eurovision, and songs that are too political can be prevented from being performed. However, the complete separation of culture and politics is impossible, and cultural performances often carry both indirect and explicit political mes- sages. -
The Ukrainian Weekly, 2017
INSIDE: l WFUWO at U.N. Commission on the Status of Women – page 5 l Vitaly Portnikov: sober voice in post-Maidan Ukraine – page 8 l Our community: Miami, Boston, Philadelphia – page 14 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXV No. 21 THE UKRAINIAN WEEKLY SUNDAY, MAY 21, 2017 $2.00 Portugal wins Eurovision Song Contest, Poroshenko lauds closer ties with EU, Ukraine touts contest as great success admits ‘there’s much left to be done’ KYIV – Portugal was the top vote-getter inspired by the Soviet authorities’ mass in the 2017 Eurovision Song Contest, the deportation of Crimean Tatars to Central annual festival traditionally watched by a Asia in that year. The Crimean Tatar singer television audience of an estimated 200 returned to the contest this year, singing her million people. Some 4 million people new song “I Believe in U” as an interval act watched the contest’s grand final, breaking during the grand final on May 13. previous records, according to the official President Petro Poroshenko met with website of Eurovision 2017. organizers and hosts of the European Singer Salvador Sobral was declared the music contest and congratulated them on winner early on May 14 in the Ukrainian the successful completion of the contest. capital of Kyiv, giving Portugal its first victory “My sincere congratulations to you all. since it initially entered the contest in 1964. Eurovision 2017 was organized at a very The winner was determined by a combina- high level. This is the result of a very effi- tion of points awarded by national juries and cient coordination and interaction of your voting by telephone and text message from and our team,” he said. -
Præcis Og Koncis
Praktisk Swahili-Dansk Kortfattet ordbog med grammatikforklaringer Morten Munk Jakobsen Praktisk Swahili-Dansk Kortfattet ordbog med grammatikforklaringer Praktisk Swahili-Dansk Kortfattet ordbog med grammatikforklaringer Af Morten Munk Jakobsen Hillerød 2003 First edition December 2003 2003 Morten Munk Jakobsen Praktisk Swahili-Dansk downloaded from www.kiswahili.dk Indholdsfortegnelse Indholdsfortegnelse side 5 - 7 Forord 9 - 10 Kort 11 - 12 Indledning (introduktion til swahili): Hilsen og henvendelse 13 - 16 Swahili udtale 17 Stavelser og tryk 17 Vokalers udtale 17 Konsonanters udtale 18 Simpel ”sætningsdannelse” med udsagnsord 18 Tidsbestemmelse 18 - 19 Subjektpræfiks 19 - 21 Objektpræfiks 21 - 22 Personlige stedord 22 Simpel nutid 23 Spørgsmål og spørgeord 23 - 24 Navneord: Indledning 25 M WA klassen 26 - 27 M MI klassen 28 - 29 JI MA klassen 30 - 31 KI VI klassen 32 - 33 N klassen 34 - 36 U klassen 37 - 39 KU Klassen 40 - 41 Mahali klassen (PA, KU, MU) 42 - 43 Morten Munk Jakobsen 5 Tillægsord & biord 44 Tillægsord 44 - 46 Biord 46 - 47 Forholdsord 47 Udsagnsordsformer Navnemåde (Infinitiv) 48 Bydemåde (Imperativ) 48 - 49 Passiv (-wa) 49 - 50 Applikativ (-ia/-ea/-lia/-lea) 51 Kausativ (-sha/-za) 52 Kausativ applikativ (-shia/-zia) 52 -53 Reciprokke form (-ana) 53 Relativformen (som/der) (amba-) 53 - 56 Når, da (-po-) 56 Hvor (-po/-ko/-mo) 56 - 57 Der er – (pana-/kuna/-mna) 57 -ki-/-sipo-/-ka- formerne 58 - 59 -nge-/-ngali- formerne 59 - 60 Hu- formen 60 At være (-kuwa) 60 - 62 At have (-na) 62 At give (-pa) 63 At gøre og omgøre -
Anika Gauja – the Politics of Eurovision
>> Welcome to the podcast series of Raising the Bar Sydney. Raising the Bar in 2019 saw 21 University of Sydney academics take their research out of the lecture theatre and into bars across Sydney all on one night. In this podcast, you hear Anika Gouja’s talk The Politics of Eurovision. Enjoy the talk. [ Applause ] >> Good evening, Sorry Hill’s. [ Applause ] I’m just taking a very quick look at who’s in the audience so I can work out what I can and can’t say tonight. The results of the latest Eurovision fan survey were released today. Did anyone see those on social media? Okay. It’s a survey of Eurovision fans in Australia and overseas. And the Australian results showed that the typical Eurovision fan is aged 18-24, male. [ Laughter ] Part of the LGTBQI community, and is single. So if you’re not interested in politics, I don’t know why you’re here. [ Laughter ] I’ll wait for it. So I’m going to take you back to May 13, 2018. It’s 8:30 AM and I’ve been awake for more than 24 hours. I watched the delayed broadcast of the Eurovision first semifinal, the delayed broadcast of the Eurovision second semifinal. I watched the, you know, 50 Years of Eurovision documentary special. And I watched whatever ABBA retrospective was available. And that took me up to the grand final, 5:00 AM. I was at a Eurovision party with a group of friends like I am every single year. And the winner of the Eurovision Song Contest, Netta Barzilai with her song Toy was announced. -
Balkan Beats 35 – Intercultural Dialogue
Balkan Beats A BIMONTHLY MAGAZINE BY THE VOLUNTEERS OF THE UNITED SOCIETIES OF BALKANS Photos from the photo contest of the greek network of the Anna Lindh Foundation Special Edition by Anna Lindh Foundation: #35 PRESS FREE Editorial The 35th Edition by Michael Magee and Livia Kallmeyer Τhe Mediterranean basin has always been the and culture have the opportunity to par- womb of civilization from which prominent cul- ticipate and formulate new ideas and propos- tures were born, flourished and for centuries als for the future of Foundation’s member countries. coexisted and interacted. It is a sacred place of great religions and the birthplace of important Due to the pandemic, FORUM 2020 was canceled scientists and people of spirit. But at the same and replaced by an online Marathon of actions, time, it was and often is a field of battles and hos- seminars and activities. In this context, this is- tile conflicts. sue, which I am pleased to preface/prologue, is dedicated to the ALF. It is a patchwork of articles For almost two decades, the Anna Lindh Foun- by young and thinking people that touch upon the dation (ALF), that I have the honor of being co- principles, values and pillars of the Foundation, head for the last seven years, has been working while articles by members of the Greek ALF net- to bridge diversity and promote intercultural and work are also hosted. interreligious dialogue, human rights and peace- ful problem-solving. -The texts are a spiritual and freedom of thought product of the authors exclusively- The tradition of the Foundation is the implemen- tation of a FORUM every 3 years. -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
Polarization, Bias, and Other Imperfections
Cyber-physical Computing Group Polarization, Bias, and Other Imperfections Tarek Abdelzaher University of Illinois at Urbana Champaign Analysis of Polarization ~50% ~25% • Some users are highly polarized, and mostly forward tweets favoring camp they belong to • Pro-Morsi or Anti-Morsi Egypt Social Network of polarized sources 3 Anti network Pro network Sources Model of a Polarized Network S3 S2 S1 S6 S5 S4 Assertions A7 A6 A5 A4 A3 A2 A1 Sources Polarized Sources Neutral Green Red Assertions Assertions Polarized Neutral Green Red Neutral Network Polarized Network Matrix Factorization Approach Minimize error of factorization Account for the social network Source i dependent on j i’s scores should be consistent with j’s Regularization Gradient descent 5 Quality of Classification True Positive Rate (Rate of Pro) 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 0 1 0 Receiver Operating Characteristics 0.2 False Positive Rate (Rate of Anti) 0.4 0.6 0.8 Random Fact finder Factorization Sentiment 1 6 Pro or Anti? Eurovision winner, Jamala, performed this song in Kiev a year ago. A year later it wins Eurovision. Eurovision Pro Jamala Pro Jamala Anti Jamala Anti Jamala Incredible performance by #Jamala, giving Crimean Tatars, suffering @marcelsardo @jamala Next year #ESC2017 i represent Serbia,with song persecution & abuse, reason to celebrate https://t.co/XWOZADrywH 1999, its not about @NATO bombing, its personal, and im hotter than her Breaking: #Russia launches harassment campaign against #Jamala's Eurovision rules stipulate a song must be NEW (since Sept). @Jamala sang @Twitter a/c. -
KT 15-5-2017.Qxp Layout 1
SUBSCRIPTION MONDAY, MAY 15, 2017 SHABAN 19, 1438 AH www.kuwaittimes.net ‘Dean of Saudi North Korea Portugal’s Hamilton journalism’ fires missile big-hearted wins thrilling Sudairi that lands in crooner wins Spanish passes away5 sea near7 Russia Eurovision38 Grand18 Prix 200,000 victims hit by Min 28º Max 41º High Tide global cyber attack 03:18 & 13:35 Low Tide Businesses brace for new week as ransomware threat lingers 08:20 & 21:12 40 PAGES NO: 17228 150 FILS LONDON: The unprecedented global cyber attack has hit more than 200,000 victims in scores of countries, Europol said yesterday, warning that the situation could escalate when people return to work. An international manhunt was well under way for the plotters behind the world’s biggest-ever computer ransom assault. The indiscrimi- nate attack, which began Friday, struck banks, hospitals and government agencies in more than 150 countries, exploiting known vulnerabilities in old Microsoft com- puter operating systems. US package delivery giant FedEx, European car facto- ries, Spanish telecoms giant Telefonica, Britain’s health service and Germany’s Deutsche Bahn rail network were among those hit. Europol executive director Rob Wainwright said the situation could worsen today as workers return to their offices after the weekend and log on. “We’ve never seen anything like this,” the head of the European Union’s policing agency told Britain’s ITV televi- sion, calling its reach “unprecedented”. “The latest count is over 200,000 victims in at least 150 countries. Many of those victims will be businesses, including large corporations. We’re in the face of an esca- lating threat. -
Ukraine: Crimea, Donetsk and Luhansk
Country Policy and Information Note Ukraine: Crimea, Donetsk and Luhansk Version 3.0 September 2017 Preface This note provides country of origin information (COI) and policy guidance to Home Office decision makers on handling particular types of protection and human rights claims. This includes whether claims are likely to justify the granting of asylum, humanitarian protection or discretionary leave and whether – in the event of a claim being refused – it is likely to be certifiable as ‘clearly unfounded’ under s94 of the Nationality, Immigration and Asylum Act 2002. Decision makers must consider claims on an individual basis, taking into account the case specific facts and all relevant evidence, including: the policy guidance contained with this note; the available COI; any applicable caselaw; and the Home Office casework guidance in relation to relevant policies. Country information COI in this note has been researched in accordance with principles set out in the Common EU [European Union] Guidelines for Processing Country of Origin Information (COI) and the European Asylum Support Office’s research guidelines, Country of Origin Information report methodology, namely taking into account its relevance, reliability, accuracy, objectivity, currency, transparency and traceability. All information is carefully selected from generally reliable, publicly accessible sources or is information that can be made publicly available. Full publication details of supporting documentation are provided in footnotes. Multiple sourcing is normally used to ensure that the information is accurate, balanced and corroborated, and that a comprehensive and up-to-date picture at the time of publication is provided. Information is compared and contrasted, whenever possible, to provide a range of views and opinions. -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine.