DOCSLIB.ORG

Victor Wooten Bassist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Victor Wooten Bassist February 2018 VOLUME 85 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. Jack Maher, President 1970-2003 John Maher, President 1950-1969 SUBSCRIPTION INFORMATION: Send orders and address changes to: DOWNBEAT, P.O. Box 11688, St. Paul, MN 55111–0688. Inquiries: U.S.A. and Canada (877) 904-5299; Foreign (651) 251-9682. CHANGE OF ADDRESS: Please allow six weeks for your change to become effective. When notifying us of your new address, include current DOWN- BEAT label showing old address. DOWNBEAT (issn 0012-5768) Volume 85, Number 2 is published monthly by Maher Publications, 102 N. Haven, Elmhurst, IL 60126-2970. Copyright 2017 Maher Publica- tions. All rights reserved. Trademark registered U.S. Patent Office. Great Britain regis- tered trademark No. 719.407. Periodicals postage paid at Elmhurst, IL and at additional mailing offices. Subscription rates: $29.99 for one year, $54.99 for two years. Foreign subscriptions rates: $56.99 for one year, $106.99 for two years. Publisher assumes no responsibility for return of unsolicited manuscripts, photos, or artwork. Nothing may be reprinted in whole or in part without written permission from publisher. MAHER PUBLICATIONS: DOWNBEAT magazine, MUSIC INC. maga- zine, UpBeat Daily. POSTMASTER: Send change of address to: DownBeat, P.O. Box 11688, St. Paul, MN 55111–0688. CABLE ADDRESS: DownBeat (on sale January 16, 2018) Magazine Publishers Association. Á 4 DOWNBEAT FEBRUARY 2018 FEBRUARY 2018 ON THE COVER 32 Christian Scott aTunde COURTEST OF ARTIST Adjuah ‘Speaking to All Human Beings’ BY JENNIFER ODELL The trumpeter discusses his ambitious three-album series, The Centennial Trilogy, which was inspired by current events as well as the 100th anniversary of the first jazz recordings. We 26 sit down with one of the most exciting artists in jazz in his hometown of New Orleans. FEATURES Danny Janklow’s leader debut is titled Elevation. Cover photo of Christian Scott aTunde Adjuah shot by Erika Golding at the New Orleans Jazz Market on Oct. 24. 38 Victor Wooten Shared Awareness BY DAN OUELLETTE 5-Star Review 44 Houston Person +++++ Always Close-by Blues BY TED PANKEN 48 Sharon Jones ‘The Work I’ve Done’ BY GEOFFREY HIMES 53 209 Great Jazz Venues 80 Stacey Kent 83 Adam Rudolph 87 Nestor Torres 91 Marta Sánchez The Best Places To Hear Live Jazz Worldwide RECORDING SCHOOL DEPARTMENTS 96 Affordable, 106 Toolshed High-Quality 8 First Take Dave Pietro Studio Mics Wee Willie Walker BY KEITH BAUMANN 10 Chords & Discords 77 Reviews 100 Master Class 13 The Beat BY BRIAN LANDRUS 110 Jazz On Campus 26 Players 104 Transcription Benny Golson Sax Solo Danny Janklow 114 Blindfold Test Akiko Tsuruga Tia Fuller 6 DOWNBEAT FEBRUARY 2018 First Take BY BOBBY REED BOBBY REED Ingrid Jensen (left) onstage with her sister Christine Jensen at Dièse Onze in Montreal on July 1, 2016 Concerts That Defy Time A GREAT CONCERT CAN FREEZE TIME. A The entire room felt electric. The band roared great concert in a great venue can be one of life’s like an unstoppable machine. most memorable, fulfilling experiences—and Another particularly memorable night was I’m speaking as a fan and journalist, not as a July 1, 2016, when I went to Dièse Onze in professional musician. Montreal to see a quintet co-led by the gifted Some performances are so dazzling that siblings Ingrid Jensen (trumpet) and Christine they get seared into our memory banks, cap- Jensen (saxophone). The music was adventur- tured for decades, and we’re able to call them ous yet entirely engaging, the room had great up repeatedly, just like accessing a clip on acoustics, the crowd was attentive, and the YouTube. I saw Wynton Marsalis perform on food and beverages were superb. Everything July 11, 1986, and I remember it like it hap- about the show—the sight lines, the music, the pened last month. In my mind’s eye, I can still cuisine, even the temperature of the room— see his nimble fingers working those pistons as coalesced into a transcendent experience. As the stage lights shone on the bell of his trumpet, a patron, I felt like the club’s staff cared about creating sunbursts. I was hypnotized. my comfort. But more importantly, Dièse Onze That same year, I saw a memorable perfor- had created an atmosphere in which the Jensens mance by Lionel Hampton at an outdoor fes- could create mesmerizing improvisations. tival. He had stepped in to take the place of a Whenever I go to a jazz club, I care more scheduled headliner who had recently died: about how the venue treats the artists than how Benny Goodman. it treats me as a patron. After all, if the artists Those two shows stand out in my mind par- are treated well, they’re more inclined to do tially due to the overall context. The Wynton their best work. show was the first time I had seen the trumpet- On page 53 you’ll find our International Jazz er in concert, and his staggering chops matched Venue Guide, which includes listings for 209 the hype that I had read in the press. clubs around the world. We hope that this guide The Hampton show was bittersweet event. will help you discover artists and venues that On one hand, I was savoring the opportunity you’ve not previously encountered. Within the to see and hear the flurry of the vibraphonist’s guide, you’ll also find features on several clubs, mallets in action. But I was also lamenting the including Dièse Onze (see page 70). fact that I would never get to see Goodman— We’d love to hear your thoughts about your the man who had provided the soundtrack to favorite (and least favorite) jazz clubs. So, the many afternoons spent at my grandparents’ next time you have a particularly memorable house when I was a child. experience at a jazz venue, please send an email Other shows are special because of the to [email protected] and tell us about it. venue and the entire sensory experience. Such And be sure to tell the venue operator, too. Your was the case when I caught the Lucas Pino No constructive feedback might be the key that Net Nonet at Smalls in New York on Sept. 26. helps a venue to flourish. DB 8 DOWNBEAT FEBRUARY 2018 Chords Discords Way More DownBeat Material I am a longtime reader who started sub- scribing to DownBeat in 1974 while I was in col- lege. John McLaughlin and the Mahavishnu Or- chestra was my gateway to jazz and DownBeat was my monthly cover-to-cover read. Here we are 40-plus years later and I always seem to want more than what I get monthly from the print magazine. I’m wondering if you might start delivering much more daily content CENTER FOR THE ART OF PERFORMANCE on your Facebook page—perhaps things that don’t make it into the magazine, plus photos, RACHEL MURRAY/GETTY IMAGES FOR UCLA’S videos, reviews, etc. KEN HUNT SACRAMENTO, CALIFORNIA Editor’s Note: Check out downbeat.com, where you’ll find hundreds of interviews, reviews and news stories that are exclusive to our site. And please like us on Facebook, which we often use to link readers to exclu- John McLaughlin at the final stop on his farewell sive articles posted at downbeat.com. U.S. tour at Royce Hall in Los Angeles on Dec. 9 David Virelles (left) at Ravi Coltrane Satisfied Customer at the 2017 Winter Jazzfest in New York I started reading DownBeat back in the 1960s and have read it on and off ever since. I was spurred to write this note after reading Frank-John Hadley’s Xmas record reviews in the Holiday Gift Guide of your December issue. That’s just one example of how DownBeat leads me to great new artists and albums. PETER J. LOGAN SAN FRANCISCO JATI LINDSAY Defining a Masterpiece Digging the Digital Edition The soul-searching First Take essay by I want to compliment you on the digital Bobby Reed in your January issue rightly subscription.
Load more

Recommended publications
  • TSLP 009 MICHAEL LEONHART Seahorse and the Storyteller LP
    SIDE A 1) Seahorse and the Storyteller 2) Have You Met Martina 3) Scopolamine 4) Gold Fever 5) The Story Of Echo Lake 6) Dr. Killjoy SIDE B 7) Jaipur 8) Madhouse Mumbai 9) Dreams Of An Aquarian 10) Avramina Comes Up 11) Shh..They’re Sleeping 12) Dragonfish LP includes a free download card Born into a musical family, Michael Leonhart has been making mythical creatures who meet, fall in love and begin piecing waves in the music and entertainment world since he was 17, together the mysteries of each others past.” when he was honored as the youngest Grammy recipient in history. Since then, he has become a highly sought after trumpet To help see his vision to fruition, Leonhart enlisted the service of player, producer, composer, songwriter, and arranger. a group of New York Studio musicians that have provided the backdrop for records by El Michels Affair, TV on The Radio, Over the past 10 years, Michael Leonhart has performed and/or Dap-Kings, Antibalas, The Phenomenal Handclap Band, and The recorded with some of the best names in music. Some of those Plastic Ono Band. Those musicians include Luke Riverside, names include Yoko Ono, Mos Def, Steely Dan, Brian Eno, Binky Griptite, Yuka Honda, Jamie Leonhart, Dave Guy, Leon James Brown, Bill Withers, David Byrne, and Todd Rundgren, Michels, Thomas Brenneck, Homer Steinweiss, Nick Movshon, not to mention the 50 plus recordings he has appeared on for Stuart Bogie, Jamie Leonhart, Chochemea Gastelum, Mike Truth & Soul. However, Seahorse and The Storyteller, is the first Williams, Katie Sheele, and Sunny Jain.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • American Jazz Museum
    AMERICAN JAZZ MUSEUM ANNUAL REPORT | FISCAL YEAR 2014 OUR MISSION To celebrate and exhibit the experience of jazz as an original American art form through performance, exhibitions, education, and research at one of the country’s jazz crossroads: 18th & Vine. OUR VISION To become a premier destination that will expand the in!uence and knowledge of jazz throughout greater Kansas City and the world. OUR HISTORY Many years ago, 18th & Vine buzzed with the culture and commerce of Kansas City’s African-American community. The infectious energy of the people gave life to a new kind of music… and the music gave it right back to the people. Over the years the area languished, but the music and the musicians became legends! In 1989, the City of Kansas City, Missouri committed $26 million to a revitalization of 18th & Vine, led by the visionary and tireless efforts of then City Councilman and now Congressman Emanuel Cleaver II (former Kansas City Mayor.) By 1997, the city had a vibrant new complex housing the Kansas City Jazz Museum and the Negro Leagues Baseball Museum, as well as the Horace M. Peterson III Visitor Center, with a newly refurbished Gem Theater across the street. Soon after, the Museum and its board and staff determined that the Kansas City Jazz Museum’s name should be changed to the American Jazz Museum to re!ect that the museum is the only museum in the world that is totally devoted to America’s true classical music -- jazz. The American Jazz Museum continues to ful"ll its mission by serving as a good caretaker of its collections and artifacts, as well as managing the Blue Room jazz club, the Gem Theater, the Changing Gallery, and the public spaces of the Museums at 18th & Vine.
    [Show full text]
  • ID-78-62 U.S. Munitions Export Controls Need Improvement
    BY THE COMPTROLLERGENERAL Report ToThe congress OF THEUNITED STATES U.S.Munitions Export Controls Need Improvement The U.S. munitions export control system is seriously weakened by lack of an export in- spection program which is essential to assure export compliance with regulations and li- censes. This report recommends ways to improve munitions export controls and provide assur- ance that such exports conform to law and authorized munitions export licenses. 10-78-62 APRIL 25, 1979 : . .( . .-. 1 COMPTROLLER QENERAL OF THE’UM1TED STATES w&swmToN. O.C. Nma B-172255 To the President of the Senate and the Speaker of the House of Representatives This report identifies weaknesses in current muntions export controls and recommends ways to improve the controls and provide reasonable assurance that such exports are in conformance with law and with authorized munitions export licenses. Copies of this report are being sent to the heads of executive agencies which participate in munitions export controls and to the Director, Office of Management and Budget. &*er 4ra& of the United States COMPTROLLER GENERAL'S U.S. MUNITIONS EXPORT REPORT TO THE CONGRESS CONTROLS NEED IMPROVEMENT ------DIGEST The U.S. munitions export control systp is not working as it should, and cannot‘xe depended upon to ensure that munitions are not exported without a license or that ship- ments made under license conform to the license terms.2 Controls over commercial munitions exports are less effective because munitions export shipments are not inspected for compliance with the law, regulations, or export license terms. c Responsibility for export controls is di- vided between the Commerce Department, the State Department's Office of Munitions Control,i':'f:)'ii" ') and the U.S.
    [Show full text]
  • On Record: the Dap Kings
    MUSIC HOME THEATER ON RECORD: THE DAP KINGS NEW RELEASES THE LATEST DVD, BLU RAY & VOD RELEASES BY JOHN MOORE The Funky Band Returns with Jon Batiste BY LEE VALENTINE SMITH It was exciting. Not just to pick covers, can recognize it. You could say that about KILLING FOR LOVE (IFC Films) OR NEARLY TWO DECADES THE but to work on some his new tunes. We Philly or Memphis too, but I don’t think If the March 1985 murder of Derek and Dap Kings were best known for their were able to get in there and tweak some any other place has such a definitive feel. Nancy Hanson in soulful collaborations with the late arrangements with him and that’s when it their Lynchburg, Sharon Jones. After the Augusta native’s really became fun, working on the music You can feel that culture the second you VA home had F and learning where he’s coming from. He’s happened in the death in late 2016, the band continued, step foot in the city. from New Orleans and there’s a certain feel It’s like a different country. Internet era it working with a number of artists including would have been their latest endeavor, a string of live shows and a certain way things swing. To me, if you’re not from there, you really can’t do Music is such a part of our lives. You were major news for with multi-instrumentalist Jon Batiste, months on end. the musical director of Late Show with it right.
    [Show full text]
  • 47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
    181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of
    [Show full text]
  • JULY 2016 F L U I D Machined Chain Drive
    JULY 2016 F L U I D Machined Chain Drive Fluid Design = Fluid Motion. Responsive, accurate, powerful and decidedly DW. The all-new MCD pedal represents the convergence of engineering and art. mfg Coming to your favorite DW retailer soon. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12©2016Modern DRUM Drummer WORKSHOP, JuneINC. ALL 2014 RIGHTS RESERVED. MCD Chain Drive Pedal Ad- 2016 (MD)-fav.indd 1 4/20/16 11:20 AM Jason McGerr | DEATH CAB FOR CUTIE ©2016 Vic Firth Company ©2016 STAR POWER The Ultimate Drum Set? With several hundred years of combined experience, Tama’s master craftsmen set out to pursue their vision of the ultimate drum set. Their work centered on one essential goal: to inspire the artists that have inspired them. By now it’s fair to say, STAR drums have inspired some amazing drummers. Regardless of musical style, STAR drums and innovative STAR hardware continue to surprise, impress, and inspire even the most discriminating players. Armed with an array of smart mechanical inventions, luxurious looking finishes, and rich, soul-stirring sound—STAR drums unbeatable sound. offer drummers a musical medium that’s as singular as it is powerful. VicKick Beaters® from Vic The first time Jason McGerr of Death Cab for Cutie tried out his VicKick Beaters®, his sound engineer said, “Hey man, what did you do? Your kick drum sounds amazing!” That’s because the VicKick Beaters® were designed from the ground up with sound quality as our absolute #1 priority. Check them out for youself. From the first beat, you’ll hear a difference.
    [Show full text]
  • Wavelength (June 1983)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio.
    [Show full text]
  • ARIA TOP 100 SINGLES CHART 2020 TY TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS TY THIS YEAR ARIA TOP 100 SINGLES CHART 2020 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 BLINDING LIGHTS The Weeknd <P>6 REP/UMA 00602508575167 2 ROSES SAINt JHN <P>5 SME G010004171096L 3 DON'T START NOW Dua Lipa <P>4 WUK/WAR GB-AHT-19-01121 4 DANCE MONKEY Tones and I <P>13 BAD/SME G010004106308O 5 ROCKSTAR DaBaby Feat. Roddy Ricch <P>3 INR/UMA 0736661 6 WATERMELON SUGAR Harry Styles <P>4 COL/SME G0100041839043 7 CIRCLES Post Malone <P>6 REP/UMA US-UM7-19-15699 8 BEFORE YOU GO Lewis Capaldi <P>3 UMA 853105 9 INTENTIONS Justin Bieber Feat. Quavo <P>3 DEF/UMA 0878731 10 SAY SO Doja Cat <P>4 RCA/SME G010004182077K 11 ADORE YOU Harry Styles <P>4 COL/SME G0100041839051 12 SAVAGE LOVE (LAXED - SIREN BEAT) Jawsh 685 x Jason Derulo <P>3 COL/SME G010004406250H 13 SOMEONE YOU LOVED Lewis Capaldi <P>8 UNI/UMA 7730892 14 THE BOX Roddy Ricch <P>3 ATL/WAR US-AT2-19-06978 15 YOU SHOULD BE SAD Halsey <P> CAP/EMI 0832271 16 BREAKING ME Topic Feat. A7S <P>2 UMA DE-UM7-19-06724 17 MOOD 24kGoldn Feat. Iann Dior <P>3 COL/SME G0100044072345 18 RIDE IT Regard <P>6 MOS/SME G010004125628A 19 WAP Cardi B Feat. Megan Thee Stallion ATL/WAR US-AT2-20-05344 20 DEATH BED Powfu <P>3 SME G010004262147O 21 MEMORIES Maroon 5 <P>5 INR/UMA US-UM7-19-13350 22 BAD GUY Billie Eilish <P>10 INR/UMA US-UM7-19-00764 23 HEAD & HEART Joel Corry & MNEK <P>2 NEON/UMA 0742305 24 NEVER SEEN THE RAIN Tones and I <P>5 BAD/SME G010004122663J 25 WHATS POPPIN Jack Harlow WAR US-AT2-20-00162 26 SUPALONELY Benee Feat.
    [Show full text]
  • Luqman Hamza Luqman Hamza Died in Late April
    JUNE + JULY 2018 Mutual Musicians Foundation: History Looking Forward... and Broadcasting Brandon Draper: Never a Single Drum Set Jam’s Wonder Woman Retires TheTheB L U ROOM Mutual Musicians Foundation Saturday Jazz Ambassadors Magazine and July 28, 2018 Jackson County Historical Society 6:00-10:00 p.m. present Bennie, Basie & Bird PHOTO BY HEINRICH KLAFFS Mutual Musicians Foundation 1823 Highland Avenue, Kansas City, MO 64108 Tickets $35 Join us for food, drinks and jazz; an exploration into the sounds and styling from Bennie Moten, Count Basie and Charlie "Bird" Parker. Enjoy live performances with original and contemporary arrangements of their classics. For more information, visit www.mutualmusicianslive.com proceeds benefit PRESIDENT'S CORNER STEPHEN MATLOCK Jam Online...and We Don’t Mean a PDF Jam is about to be showcased its own website. At long last, get together with our members and anyone else who would like you’ll be able to read the magazine not just in print or in an to join us. This time we’re at Hush Speakeasy at 1000 Broadway awkward PDF, but with links to each article on its own web at 5:30 p.m. We start with a quick update meeting followed by page which will automatically adapt to the size of the screen jazz, dining and drinks. Music by Eclipse Trio starts at 6:30. on which you’re viewing it. Our articles, photos and ads – all We’d love to see you there. about Kansas City jazz – are going to be searchable all over the We’d also love to see you at 2018’s Supper Club, an eve- world.
    [Show full text]