DOCSLIB.ORG

PDF Download Guillermo Del Toro Cabinet of Curiosities

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Download Guillermo Del Toro Cabinet of Curiosities GUILLERMO DEL TORO CABINET OF CURIOSITIES: MY NOTEBOOKS, COLLECTIONS, AND OTHER OBSESSIONS PDF, EPUB, EBOOK Guillermo del Toro,Marc Zicree | 263 pages | 16 May 2014 | HarperCollins Publishers Inc | 9780062082848 | English | New York, United States Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions PDF Book Everything there has a story, some of which are detailed here in the book, but I want more , dammit. Enlarge cover. Like you do. To see what your friends thought of this book, please sign up. Return to the wizarding world and discover how director David Yates and producer David Heyman brought J. Return to the wizarding world and discover how director David Yates and producer David Heyman Indeed, well over two- thirds of my notes were from his comments. This collection is basically a "Guillermo del Toro's brain" collage, discussing his films, the elaborate, gorgeous notebooks he has kept throughout his career, and his mansion of a wunderkammer, or dream house, or memory room, or cabinet of curiosities. Alas, it has never happened. More Details An awesome insight into the workings of one of the most creative minds in the business. For fans of Jason Reynolds and Kwame Alexander, a poignant and timely novel about race, class, and second chances. No trivia or quizzes yet. He is one of my favourite directors across all genres and this book is amazing. For a book about del Toro it certainly isn't a load of bull. Ratings and Reviews Write a review. But my point is, this is a very specific book for a very specific sort of reader and movie-fan. I just saw Cronos this year and thought it was great, especially considering it was such an early work of his. The book was published in , so the section ends with Pacific Rim and some mentions of the then in-progress Crimson Peak. However, what really struck me was how he determines to live his life based on who he is and what is important to him Since the publication of the book, del Toro has made two television shows The Strain, based on the trilogy of novels he wrote with author Chuck Hogan, and the Netflix series Trollhunters and directed the feature films Crimson Peak and The Shape of Water , the latter of which has garnered accolades galore. Read an excerpt of this book! Everything I wrote about and my thoughts and feelings he evoked within me he explains in parts of this boo Other than the interview just being really obvious and poor at interviewing. Watching the Making Of and other featurettes lets me get into the minds of the directors and other creative forces behind these productions and see where their inspirations come from. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Javascript is not enabled in your browser. The result is a startling, intimate glimpse into the life and mind of one of the world's most creative visionaries. Are we still talking about Hellboy?? We were two people who loved film, and that was reason enough to talk. He has appeared as a media expert on hundreds of radio and TV shows and is the author of the bestselling Twilight Zone Companion. It's a collection of excerpts from his work notebooks, all of his sketches, ideas, thoughts, questions, and dreams for movies he's currently working on and ones he hopes to accomplish in the future. One note on Pan's Labyrinth : In this book, the director claims he thought it was unfair for that film to get an R-rating. After a brief thematic description of each film, subsequent pages show sketches and ideas for various creatures, mechanisms, and sets, along with some photos from the films showing the final result. Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions Writer This collection is basically a "Guillermo del Toro's brain" collage, discussing his films, the elaborate, gorgeous notebooks he has kept throughout his career, and his mansion of a wunderkammer, or dream house, or memory room, or cabinet of curiosities. Add to Wish List. But this is one of the most important books I've read as a writer. Everything I wrote about and my thoughts and feelings he evoked within me he explains in parts of this boo Other than the interview just being really obvious and poor at interviewing. Recommended, highly for del Toro devotees. Jan 21, Clarissa rated it really liked it. But other love letters here were written by people I do respect, like Ron Perlman, whose open letter to del Toro is one of the sweetest things I've ever read. Nov 05, Joseph R. He's awesome. It allows me a chance to savor everything he does. Dec 22, Michael rated it it was amazing Shelves: kick-ass-wordage-repositories. This is one of my favorite things. See details. Related Searches. Back off while I do some serious fan-girl-ing. My only complaint is while there are some photographs from the Don't Be Afraid of the Dark in this collection, that is not one of the movies that was discussed in its own chapter. Be the first to ask a question about Cabinet of Curiosities. Oct 28, Gabbi Zurlo rated it it was amazing. An absolutely stunning insight into the limitless imagination and surreal brain of one of the most interesting and creative artists of all time -- a must-read for anyone who wants to understand GDT better or wants to appreciate his work on a more visceral level. This book was fascinating. Before I go, though, take me to this man's crazy curiohouse. Now she returns to the subject, and her glorious full-color pictures add a new dimension to the excitement and fun of Dec 17, Frank rated it liked it Shelves: writing , film , art. Aug 30, Cassandra Stevens rated it really liked it. Check a book's in-store availability beneath the "add to cart" button. He lives in West Hollywood with his wonderful wife, vile little dog, and affable big dog. Indeed, well over two-thirds of my notes were from his comments. The bulk of the text is an extensive interview with del Toro on all aspects of his creative works and inspirations, which is al This book is a remarkable glimpse into the singular and visionary world of Guillermo del Toro, truly a creative renaissance man. In addition to personal creations, he has many books the house has multiple libraries , collectibles, paintings and sculptures including specially commissioned works , toys, and memorabilia from films and pop culture. However, I was fascinated by the pictures of all the items and the rooms. Jul 21, Paquita Maria Sanchez added it Shelves: actuals-n-factuals , art-collections , pitcher-books. Complete with running commentary, interview text, and annotations that contextualize the ample visual material, this deluxe compendium is every bit as inspired as del Toro is himself. Bill o'Reilly's Killing Ser. Not only does it give you an insight into the thoughts of a genre-loving director, there is enough imagery in there to inspire any budding writer or director. This book takes you on a trip through his movies, thoughts, ideas and other obsessions. Reading this book A wonderful look into the mind of a talented director. Buy It Now. I waited until he was done and then sincerely thanked him for his observations and perspectives at the seminar session. John Landis writes of the Ackermansion and Bleak House. In the middle of a couple of his rants, he would slip into these wonderful little live-action book reviews about Lovecraft or Machen or Borges, all insightful stuff. For a coffee table-style book, this isn't one you can just flip through and truly walk away feeling like you know anything about it. I'm insatiable. The Night Eternal Strain Trilogy 3. Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions Reviews It's a collection of excerpts from his work notebooks, all of his sketches, ideas, thoughts, questions, and dreams for movies he's currently working on and ones he hopes to accomplish in the future. Feb 07, Stewart Tame rated it it was amazing. Skip to main content. Over twenty-five years ago Tana Hoban stunned the children's book world with her innovative black-and-white photographs in Count and See. So I stopped reading. For me, the most important part of the book was the first one, when Del Toro talks about color-coding his stories from the very beginning, and when he talks extensively about his greatest influences such as painters and classic writers. This book is a remarkable glimpse into the singular and visionary world of Guillermo del Toro, truly a creative renaissance man. Yet, Guillermo del Toro did it in his film, and he was completely unapologetic if it was not done for sensationalism and if it strengthened the story. Return to Book Page. Stock photo. More than once this collection made me think of Jodorowsky's Dune , a fantastic documentary about a movie that never came to be. Coincidentally, one of those visitors to the Ackermansion was a young Guillermo del Toro. No trivia or quizzes yet. A must-read for anyone who loves Del Toro's movies and the bizarre, horrific, beguiling aesthetic he creates. About this product Product Information Over the last two decades, writer-director Guillermo del Toro has mapped out a territory in the popular imagination that is uniquely his own, astonishing audiences with Cronos, Hellboy, Pan's Labyrinth, and a host of other films and creative endeavors.
Load more

Recommended publications
  • Guillermo Del Toro’S Bleak House
    GuillermoAt Home With Monstersdel Toro By James Balestrieri Guillermo del Toro’s Bleak House. Photo ©Josh White/ JWPictures.com. LOS ANGELES, CALIF. — The essence of “Guillermo del Toro: At Home With Monsters,” the strange and wonderful exhibition at the Los Angeles County Museum of Art (LACMA) through November 27, is this: Guillermo del Toro, born in 1964, is a major writer and director whose films include Cronos (1993), The Devil’s Backbone (2001), Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013) and Crimson Peak (2015). He is a master who creates worlds that embrace horror, science fiction, fantasy and fairy tales. He insists that, as fantastic as they are, these worlds are located and grounded beside, beneath and in the real world, our world — a world, he might argue, that we merely imagine as real. The membrane separating these worlds is thin, porous and portal-ridden. The worlds are distorted reflections of one another. This distortion becomes the occasion for his ideas and art. Page from Notebook 2 by Guillermo del Toro. Leather-bound notebook, ink on paper, 8 by 10 by 1½ inches. Collection of Guillermo del Toro. ©Guillermo del Toro. Photo courtesy Insight Editions. Jointly organized by LACMA with the Minneapolis Institute of Art and the Art Gallery of Ontario, this first retrospective of the filmmaker’s work arrays sculpture, paintings, prints, photography, costumes, ancient artifacts, books, maquettes and film to create a complex portrait of a creative genius. Roughly 60 of the 500 objects on view are from LACMA’s collection. More belong to the artist.
    [Show full text]
  • Reading for Fictional Worlds in Literature and Film
    Reading for Fictional Worlds in Literature and Film Danielle Simard Doctor of Philosophy University of York English and Related Literature March, 2020 2 Abstract The aim of this thesis is to establish a critical methodology which reads for fictional worlds in literature and film. Close readings of literary and cinematic texts are presented in support of the proposition that the fictional world is, and arguably should be, central to the critical process. These readings demonstrate how fictional world-centric readings challenge the conclusions generated by approaches which prioritise the author, the reader and the viewer. I establish a definition of independent fictional worlds, and show how characters rather than narrative are the means by which readers access the fictional world in order to analyse it. This interdisciplinary project engages predominantly with theoretical and critical work on literature and film to consider four distinct groups of contemporary novels and films. These texts demand readings that pose potential problems for my approach, and therefore test the scope and viability of my thesis. I evaluate character and narrative through Fight Club (novel, Chuck Palahniuk [1996] film, David Fincher [1999]); genre, context, and intertextuality in Solaris (novel, Stanisław Lem [1961] film, Andrei Tarkovsky [1974] film, Steven Soderbergh [2002]); mythic thinking and character’s authority with American Gods (novel, Neil Gaiman [2001]) and Anansi Boys (novel, Neil Gaiman [2005]); and temporality and nationality in Cronos (film, Guillermo
    [Show full text]
  • The Ghost Is Just a Metaphor: Guillermo Del Toro's Crimson Peak
    EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org The ghost is just a metaphor: Guillermo del Toro’s Crimson Peak, nineteenth-century female gothic, and the slasher Evangelia Kindinger NECSUS 6 (2), Autumn 2017: 55–71 URL: https://necsus-ejms.org/the-ghost-is-just-a-metaphor- guillermo-del-toros-crimson-peak-nineteenth-century-female- gothic-and-the-slasher/ Keywords: final girl, Guillermo del Toro, horror-ghost film, nine- teenth-century gothic A brief overview of American film and television since the 1990s affirms Ma- ría del Pilar Blanco and Esther Peeren’s conclusion: ‘It seems that ghosts are everywhere these days.’[1] With the release of Crimson Peak in 2015, Mexican filmmaker Guillermo del Toro did not only add another horror movie to his oeuvre,[2] but as a horror-ghost film[3] Crimson Peak joins a long list of cine- matic representations of ghosts. It also displays del Toro’s unique style, his vision of movies as ‘durchkonzipierte und bis ins letzte Detail kontrollierte Gesamtkunstwerke [conceptualised and detailed, total works of art]’.[4] Set in Buffalo, New York, around 1900, the film introduces Edith Cushing, the young, white, upper-class daughter of industrial mogul Carter Cushing, who spends her time writing ghost stories and trying to get them pub- lished.[5] When English baronet Thomas Sharpe and his sister Lucille arrive in Buffalo to find investors for Thomas’ clay mining invention, Edith falls in love with him. Her father is very suspicious of the siblings and after black- mailing them to leave Buffalo following the revelation that Thomas is already married, he is killed by an unknown figure in black who is later revealed as Lucille.
    [Show full text]
  • The National Bank of Indianapolis Summer Nights Film Series Returns to Newfields 6/4 Tickets Go on Sale May 21 for Members, May 28 for Public
    FOR IMMEDIATE RELEASE Images available upon request. The National Bank of Indianapolis Summer Nights Film Series returns to Newfields 6/4 Tickets go on sale May 21 for members, May 28 for public INDIANAPOLIS, May 17, 2021–The beloved summer tradition, The National Bank of Indianapolis Summer Nights Film Series returns to Newfields on Fridays and select Saturdays this June, July and August. Over the summer, 14 films will be shown —everything from classic black-and-white films to modern blockbusters. “Supporting the Summer Nights Film Series is a way for us to give back to our city, and to support our community in an engaging and meaningful way,” said Ann Merkel, senior vice president and chief market development officer at The National Bank of Indianapolis. “We dedicate our resources to activities that create a stronger community and enhance the quality of life for all who live here. We are pleased to be celebrating 10 years as the title sponsor of this beloved program.” New this year and to maintain a safe social distance and reduced capacity in The Amphitheater, Summer Nights tickets will be sold as boxed seating that can accommodate one to four individuals. Each box will be seven feet by eight feet and be spaced six feet apart from others. For everyone’s health and safety, the boxes will be sold at a fixed price with a maximum of four tickets. Tickets go on sale for members on May 21 at 11 a.m. and for the public on May 28 at 11 a.m. Ticket boxes of four are $36 for members and $48 for public.
    [Show full text]
  • Ramin Djawadi
    RAMIN DJAWADI AWARDS & NOMINATIONS 67th ANNUAL GRAMMY AWARDS GAME OF THRONES: SEASON 8 NOMINATION (2020) Best Score Soundtrack for Visual Media HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM THE ETERNALS Chloé Zhao, dir. Marvel Studios Mitchell Bell, Kevin Feige, Nate Moore, prods. THE MAN FROM TORONTO Todd Black, Jason Blumenthal, Steve Tisch, prods. Sony Pictures Entertainment Patrick Hughes, dir. ELEPHANT Alastair Fothergill, prod. Disneynature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir.
    [Show full text]
  • Green Horror: the Use of Environmental Themes in Modern American Horror Cinema
    Green Horror: The Use of Environmental Themes in Modern American Horror Cinema by Dana (Devorah) Gordin August 2019 Master’s Thesis School for Environment and Sustainability, University of Michigan Thesis Committee: Associate Professor Rebecca Hardin, Chair Associate Professor Julia Wondolleck Abstract This study began with the question of what environmental themes may be present in contemporary American horror media and what any trends in these narratives or works may suggest about American understanding of, beliefs towards and fears about the potential environmental future. With guidance from current and former staff at the Askwith Media Library at the University of Michigan, I conducted a review of films that elicit much of their audience engagement through horror while having clear environmental themes or narratives, then selected twelve cinema-released films for critical analysis. Each shared a central premise in which nature shows a widespread response to collective human abuse of the natural world. My criteria excluded numerous examples of works with similar themes, but which did not have as direct a message. I also privileged films that were critically acclaimed and more widely discussed. Finally, I honed for comparative analysis of tropes and themes on storylines with an overall sense that the environment itself is not as much of a threat as other humans when it comes to survival. My results and discussion raise concerns with some of the messaging in recent environmentally progressive discourse that uses a similar framing of threat to bolster environmental support. While there has been an understanding that specific discussions of human threat in relationship to the environment compels people emotionally, it is not the result of greater environmental care or understanding, but often heavily influenced by other fears, including anxiety about increasing human mobility, demographic pressures, and cultural differences.
    [Show full text]
  • El Hollywood: Alejandro González Iñarritu
    EL HOLLYWOOD : ALEJANDRO GONZ ÁLEZ I ÑARRITU, ALFONSO CUAR ÓN, AND GUILLERMO DEL TORO By ANA-MARIA LUNGU Bachelor of Arts in Film Edinburgh Napier University Edinburgh, United Kingdom 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, 2018 EL HOLLYWOOD : ALEJANDRO GONZ ÁLEZ I ÑARRITU, ALFONSO CUAR ÓN, AND GUILLERMO DEL TORO Thesis Approved: Dr. Jeff Menne Thesis Adviser Dr. Stacy Takacs Dr. Graig Uhlin ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee, Dr. Jeff Menne, Dr. Stacy Takacs, and Dr. Graig Uhlin for their guidance throughout my time at Oklahoma State, especially during the thesis writing process. I would like to thank my colleagues Dillon Hawkins, Jared Ashburn, Skyler Osburn and my husband Jacob for their continuous support and their dedication to reading my work and providing helpful comments. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: ANA-MARIA LUNGU Date of Degree: AUGUST, 2018 Title of Study: THESIS Major Field: ENGLISH Abstract: The three Mexican filmmakers, Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro, dubbed The Three Amigos by scholar Deborah Shaw, have received a lot of critical attention in recent years. While the term Three Amigos and the scholarship that analyzes their early works from a transnational perspective seeks to other them and distinguish them from Hollywood, I argue that the three filmmakers did not depart from a place of difference, and that they embraced Hollywood filmmaking all along, from the beginning of their careers, to the most recent Academy Award recognitions.
    [Show full text]
  • A Conversation with Sue Kroll
    MAKING IT IN THE MOVIES A Conversation with Sue Kroll Join us as we speak with H ollywood Producer, Production Company owner, and Rowan alumna, Sue Kroll, about what it takes to succeed in the entertainment industry. SUE KROLL Sue Kroll founded Kroll & Co. Entertainment, a Warner Bros. based production company, in 2018. Prior to forming Kroll & Co., Kroll worked at Warner Bros. Pictures for 25 years, where she ultimately served as President of Worldwide Marketing and Distribution. Throughout her career, Kroll has worked closely with some of the most respected and accomplished directors in the industry, including Ben Affleck, Alfonso Cuarón, Guillermo del Toro, Clint Eastwood, Peter Jackson, Patty Jenkins, Nancy Meyers, Steven Spielberg, and Bradley Cooper. Under Kroll’s marketing leadership, Warner Bros. won an Academy Award for Best Picture for “Argo” as well as a Best Animated Feature Oscar for “Happy Feet” in addition to numerous Academy Award nominations for Best Picture. In her current role, Kroll served as a producer on DC’s acclaimed Harley Quinn girl gang movie “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” and executive producer on John Crowley’s “The Goldfinch” based on Donna Tartt’s Pulitzer Prize- winning novel; Edward Norton’s “Motherless Brooklyn”; and on Bradley Cooper’s Academy Award®-winning hit drama “A Star Is Born.” In a career spanning three decades, Kroll has built a stellar reputation of integrity, drive, creative instincts and visionary leadership. Friday, September 24, at 12:30 p.m. EDT A virtual event, free and open to the public. Advance registration: go.rowan.edu/womenincommSueKroll For more information, Co-sponsored by contact Dr.
    [Show full text]
  • Cinematic Auteurs: Cuarón, Del Toro, & Inárritu (Or… the “Three Amigos”) FILM 3390 / CHIC 4350 T / Th 10:30 – 11:50 Am LART #205 CRN: 25122 / 28867
    Cinematic Auteurs: Cuarón, del Toro, & Inárritu (Or… the “Three Amigos”) FILM 3390 / CHIC 4350 T / Th 10:30 – 11:50 am LART #205 CRN: 25122 / 28867 Spring Semester – 2020 Instructor: Roberto Avant-Mier, Ph.D. Office: Cotton Memorial Bldg. #304 Phone: (915) 747.6588 Office Hours: Tues. / Thurs. 8:00 - 10:30 am, and 1 - 3 pm (or by aPPointment) Email: [email protected] Required Texts: REQUIRED Textbook: The Three Amigos: Transnational Filmmaking of del Toro, Iñárritu, and Cuarón Author: Deborah Shaw Year: 2013 Publisher: Manchester University Press Course Description: The aim of this course is to increase understanding of a specific film director (in this case, the three Mexican directors: A. Cuarón, G. del Toro, & A. González-Iñárritu)… with the goals of enlightenment about cinema, filmmaking, and critical thinking about media. This course will introduce you to background information about the director(s), and will helP you aPPly this knowledge in understanding cinema as meaning-making cultural Practice. From a communication Perspective, it will imProve your understanding of communication from both transmission and ritual/symbolic Perspectives. From a cultural Perspective, the course will focus on social, societal, cultural, structural and historical dimensions of film Production as well, and therefore also emPhasizes racial, ethnic, class, and gender analyses of film/media Production. Finally, this class will emPhasize a critical/cultural aPProach to communication overall. Course Objectives: In this course you should, • Become familiar with the director and his body of work, and develoP a familiarity with the director’s style, thematic concerns, and commitments. (In this case, the three Mexican directors) • DeveloP a basic understanding of how the director’s films have been received by the Public and understood by academics.
    [Show full text]
  • 101 Films for Filmmakers
    101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
    [Show full text]
  • ZOLOT, Andrew
    ANDREW ZOLOT LINE PRODUCER TELEVISION THE STRAIN (Seasons 1-4) FX Prod: Carlton Cuse, Guillermo del Toro, Dir. Various (Line Producer – New York) Chuck Hogan HAMMERHEAD (Pilot) Prod: Kerry Orent, Tony Gilroy, Andy Zolot Dir. Dean Imperial (Producer) CURB YOUR ENTHUSIASM (Season 8) HBO Prod: Larry David, Jeff Garlin, Gavin Polone Dir. Various (Production Manager) FEATURES ALL THESE SMALL MOMENTS Moving Picture Artists Prod: Jed Mellick, Lauren Avinoam Dir: Melissa Miller (Executive Producer/Unit Production Manager) LITTLE ROOTIE TOOTIE River Bend Pictures Prod: Daniel Algrant, Paul Condoleon, Dir: Daniel Algrant (Co-Producer) Stan Erdreich, Frederick Zollo PERMISSION Ball & Chain Prod: Rebecca Hall, Margot Hand, Giri Tharan, Dir: Brian Crano (Unit Production Manager) Joshua Thurston LILY OF THE FEAST Jackson Leonard Prod. Prod: Craig Cohen, TJ Sansone Dir: Frederico Castelluccio (Line Producer, Co-Producer) TRUTH Sony Pictures Classics Prod: Brad Fischer, Doug Mankoff, Dir: James Vanderbilt (Line Producer - New York) Brett Ratner, William Sherak COLUMBUS CIRCLE Oxymoron Ent. Prod: Christopher Mallick, William Sherak, Dir: George Gallo (Line Producer - New York) Jason Shuman WIN WIN Fox Searchlight Pictures Prod: Lisa Maria Falcone, Michael London, Dir: Tom McCarthy (Production Supervisor- Reshoots) Tom McCarthy, Mary Jane Skalski LIMITLESS Relativity Media Prod: Leslie Dixon, Ryan Kavanaugh, Dir: Neil Burger (Production Supervisor- Reshoots) Scott Kroopf I HATE VALENTINE’S DAY Blue Star Pictures Prod: Madeleine Sherak, William Sherak, Dir: Nia Vardalos (Production Supervisor) Jason Shuman DEATH IN LOVE DI Love Prod: Boaz Yakin, Joseph Zolfo Dir: Boaz Yakin (Associate Producer/Production Supervisor) THE ILLUSIONIST Bull’s Eye Entertainment Prod: David Koppelman, David Levien, Dir: Neil Burger (Post-Production Supervisor) Michael London, Cathy Schulman SHAFT Munich Film Partners Prod: Mark Roybal, Scott Rudin, Dir: John Singleton (Post-Production Supervisor) John Singleton WIDE AWAKE Miramax Prod: Cathy Conrad, Cary Woods Dir: M.
    [Show full text]
  • Memory and Film in Post-Dictatorial Spain" (2014)
    Connecticut College Digital Commons @ Connecticut College Self-Designed Majors Honors Papers Self-Designed Majors 2014 Unveiling the Monster: Memory and Film in Post- Dictatorial Spain Juan Pablo Pacheco Bejarano Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/selfdesignedhp Part of the European Languages and Societies Commons, and the Film and Media Studies Commons Recommended Citation Pacheco Bejarano, Juan Pablo, "Unveiling the Monster: Memory and Film in Post-Dictatorial Spain" (2014). Self-Designed Majors Honors Papers. 10. http://digitalcommons.conncoll.edu/selfdesignedhp/10 This Honors Paper is brought to you for free and open access by the Self-Designed Majors at Digital Commons @ Connecticut College. It has been accepted for inclusion in Self-Designed Majors Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Unveiling the Monster: Memory and Film in Post-Dictatorial Spain Fig. 1. Francisco de Goya, El sueño de la razón produce monstrous (The sleep of reason produces monsters), 1799, Museo del Prado, Madrid, Spain An Honors Thesis presented by Juan Pablo Pacheco To Professor Luis González, Ph.D. In Partial Fulfillment of the Requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2014 Table of Contents Acknowledgements………………………………………………………………………………..2 Abstract……………………………………………………………………………………………4 1. Introduction……………………………………………………………………………………..6 2. Haunting Spain through Deformed Pasts: Historical Memory, Cinema and the Gothic and the Grotesque………………………………………………………...........11 Critical Memories: Beyond Forgetting and the Moral Imperative of Remembrance……….12 Representing Abject Pasts: Film, Narrative and Historical Memory………………………..22 The Gothic and the Grotesque: Radical Possibilities of Cinematic Aesthetics.............…….26 3.
    [Show full text]