1 Important Information Getting Started 2 Information-Sharing Precautions

Total Page:16

File Type:pdf, Size:1020Kb

1 Important Information Getting Started 2 Information-Sharing Precautions 1 Important Information Getting Started 2 Information-Sharing Precautions 3 Note to Parents and Guardians 4 Internet Enhancements Starting the Game 5 Story 6 The Title Screen 7 The Config Menu 8 Saving the Game 9 Basic Controls Playing the Game 10 Game Flow 11 Main Menu 12 The Status Screen 13 The Map 14 Drawing the Map 15 School Facilities 16 The Velvet Room 17 Party Formation 18 Party Members 19 The Labyrinths 20 Battle Communication Features 21 StreetPass Books 22 Reading a QR Code 23 Buying Add-On Content Credits 24 Staff Credits Troubleshooting 25 Support Information 1 Important Information Please read this manual carefully before using the software. If the software will be used by children, the manual shoul d be read and explained to them by an adult. Al so, before using this software, please select in the HOME Menu and careful ly re view c ontent in "Health and Safety Information." It contains important information that will help you enjoy this software. You should also thoroughly read your Operations Manual, including the "Health and Safety Information" section, before using this software. Pl ease note t hat ex ce pt whe re otherwise stated, "Nintendo 3DS™" re fers to al l de vi ce s in the Nintendo 3DS family, including the Nintendo 3DS, Nintendo 3DS XL, and Nintendo 2DS™. CAUTION - STYLUS USE To avoid fatigue and discomfort when using the stylus, do not grip it tightly or press it hard against the screen. Keep your fingers, hand, wrist, and arm relaxed. Long, steady, gentle strokes work just as well as many short, hard strokes. Important Information Your Nintendo 3DS system and this software are not designed for use with any unauthorized device or unlicensed accessory. Such use may be illegal, voids any warranty, and is a breach of your o blig at io ns und er t he User Agreement. Further, such use may lead to injury to yourself or others and may cause performance issues and/or damage to your Nintendo 3DS system and related services. Nintendo (as well as any Nintendo licensee or distributor) is not responsible for any damage or loss caused by the use of such device or unlicensed accessory. Except as authorized, copying of any Nintendo soft ware is ille g al and is st rict ly pro hibi te d by d o me st i c and international intellectual property laws. "Back-up" or "archival" copies are not authorized. Ninte ndo respects the intellect ual pro pe rt y o f o t h e rs, and we a sk Nint e nd o 3 DS s of t ware Co nt e nt P ro v id e r s t o d o t he sa me . I n accordance with the Digital Millennium Copyright Act in the US, the Electronic Commerce Directive in the EU, and other applicable law, we have adopted a policy of removing, in appropriate circu mst a nce s a nd at o ur s o le discretion, any Nintendo 3DS software that appears to infringe anyone else's intellectual property. If you believe your intellectual property rights are be ing i nf rin g e d , pl e a se v isit www.nintendo.com/ippolicy to view the full policy and understand your rights. © A TL US. A l l ri ghts r eserve d. Published by Atlus U.S.A., Inc. Persona is a registered trademark of Atlus U.S.A., Inc. Trademarks are property of their respective owners. Nintendo 3DS is a trademark of Nintendo. “QR Code reader” includes software deliverables of Information System Products Co., Ltd. and Institute of Super Compression Technologies, Inc. QR Code is a registered trademark of DENSO WAVE INCORPORATED. ©2006,2007 Mutsuo Saito, Makoto Matsumoto and Hiroshima University. © 2 012 Mutsuo S ai to, Mako to Matsumoto, Hiroshima University and The University of Tokyo. All rights reserved. CTR-P-AQQE-00 2 Information-Sharing Precautions User-generated content, or UGC, is content created by users, such as messages, Mii™ characters, images, photos, video, audio, etc. Information-Sharing Precautions The e x tent of U GC e x change depends on the software. • Nintendo bears no responsibility whatsoever for any problems that result from the use of the Internet (fo r ex ampl e, the se nd ing o f content over the Internet, or the sending or receiving of content with others). 3 Note to Parents and Guardians You can restrict use of the following features by adjusting the options in Parental Controls. ◆ Access to this game (as well as other games) can also be restricted through the Software Rating item in Parental Controls. ◆ Refer to your Operations Manual for information on how to set up Parental Controls. • StreetPass Re str icts the e x chang e o f charac ters betwe en use rs vi a StreetPass. • Nintendo 3DS Shopping Services Restricts the purchase of support characters and extra Personas. 4 Internet Enhancements This software allows you to connect to the Internet to purchase add-on content. For more details, see p.23. ◆ Refer to your Operations Manual for information about connecting your system to the Internet. This software supports Nintendo Network. Nintendo Network is the name of Nintendo’s network service that enables users to enj oy games and o the r c ontent via the Internet. Protecting Your Privacy • To protect your privacy, do not give out personal information, such as last name, phone number, birth date, age, school, e-mail, or home address when communicating with others. • Friend codes are a part of a system that allows you to play with people you know. If you exchange friend codes with strangers, there is a risk you could share information with peo pl e y ou do no t k no w or exchange messages that contain offensive language. We therefore recommend that you do not give your friend codes to people you don't know. 5 Story On a normal, uneventful day, a bell sudd enl y rings with an e eri e sound. The sound led 18 Persona-users to a certain school. There, they were greeted by a never-ending festival... In the mi dst of the st ud ent s e nj o y ing the fe stival w ere Shadows, creatures which feed upon people’s psyches. And there seems to be no ex it from the school... The trapped Persona-users meet Zen and Rei, students who have lost their memories. As they decide to work together to escape this world, a mysterious figure lurks... The c asts o f Pe rso na 3 and Persona 4 have transcended time and space to meet. Can they solve the mysteries of this world and return to their own...? 6 The Title Screen Title Menu This screen will be displayed when you start the game. ◆ NEW GAME Start the game from the beginning. You will then select a protagonist and a difficulty level. ◆ The Protagonist ----------------------------------------- In this game, you can select from the P3 or P4 protagonists. Certain ev e nts wi l l unfo l d d iffe re ntl y depending on which protagonist you choose. ◆ Difficulty Levels ----------------------------------------- There are five difficulty levels. With the exception of Risky, you can change the difficulty at any time from the Config menu (p. 7) at school. Your difficulty level does not affect the story. ◆ LOAD GAME Continue from a saved game . Press to switch to the SD Card save data. *Refer to p.8 on saving the game and p.11 on suspending the game. ◆ CONTINUE If you have a Suspend save, you can res ume y our game by selecting Continue. The Suspend save will be deleted afterward. ◆ CONFIG Adjust various game settings. ◆ ADD-ON CONTENT Connect to the Internet to update the game or purchase add-on content (p.23). Once you select “Yes,” you will begin connecting to the Internet. 7 The Config Menu Config You can access the configuration menu from the title menu (p.6) or the main menu (p.11). ◆ Confirm Saves the configuration changes you have made, and returns to the title menu or main menu. ◆ BGM Volume Adjust the in-game music volume. ◆ SE Volume Adj ust the in-game sound effect volume. ◆ Voice Volume Adjust the in-game voice volume. ◆ Play Voices Toggles in-game voices on or off. ◆ Autoscroll Whe n ON , the te xt advanc e s automatically with the voices. ◆ Cursor Memory When ON, the game will remember where you last left the cursor in battle. ◆ Camera ↑↓ When ON, controls for looking up and down will be inverted. ◆ Camera ←→ When ON, controls for looking left and right will be inverted. ◆ Automap When ON, walls will automatically be drawn as you proceed. ◆ Show Guides When ON, wall guides for your surroundings will be shown on the map. ◆ Fixed Party When ON, party formation will return to what it was before the battle. ◆ Battle Speed Adjust the speed of battle. ◆ Difficulty Adjust the game’s difficulty. You can only change this setting while in the school. However, please remember that the Risky difficulty can only be selected at the start of the game, and can’t be changed once selected. SAFETY : Re co mme nd ed for those who want to enj oy the story. Even if you are wiped out in battl e, y ou are given the chance to redo it immediately. EASY: Recommended for those who don’t want to spend too much time with batt les. The dif fic ul ty is not as hig h as Normal , al l owing y ou to get through the game smoothly.
Recommended publications
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • Animagazin 1. Sz. (2021. Január 20.)
    Téli szezon 2021 Összeállította: Hirotaka Anime szezon 019 2.43: Seiin Koukou Danshi Volley-bu Back Arrow Ex-Arm regény alapján original manga alapján Stúdió: Stúdió: Stúdió: David Production Studio VOLN Visual Flight Műfaj: Műfaj: Műfaj: iskola, sport akció, fantasy, mecha akció, sci-fi, seinen Seiyuuk: Seiyuuk: Seiyuuk: Umehara Yuuichirou, Ono Kenshou, Ozawa Ari, Kitou Akari, Komatsu Mikako Ono Kenshou, Aou Shouta Kaji Yuki Leírás Ajánló Leírás Ajánló Leírás Ajánló Haijima Kimichika röp- Röplabdás anime, Ringarindo területét Egy új mecha sorozat, Natsume Akira egy Már kétszer elhalasz- labdajátékos, visszaköltözik ami nem a Haikyuu. De fal veszi körül, védi és óvja rég láttunk ilyet, a műfaj középsulis diák, akinek csak tott címről van szó, talán Fukuiba, ahol a gyerekkorát hát ki mondta, hogy nem az ott élőket. A fal az isten, rajongói mostanában kicsit az agyát sikerült megmen- most elindul. Nekem hir- töltötte. Itt újra találkozik üthet más a labdába az is- és Ringarindo alapja. el vannak hanyagolva, szó- teni egy tragikus közleke- telen Robotzsaru érzetem egykori barátjával, Kuroba mert cím mellett. Egy re- Egy nap, egy rejtélyes val ez most jól jön. A Studio dési baleset után. Most az lett tőle. Főleg akcióköz- Yunival, akivel egy régi ve- gényadaptációról van szó, férfi, aki Back Arrownak ne- VOLN (Ushio to Tora, Kara- EX-ARM különleges rendőri pontú animének néz ki, sok szekedés miatt romlott meg ami 2015 óta fut. A David vezi magát megjelenik Essha kuri Circus (AniMagazin 50.)) egységgel működik együtt, harccal. Egy 2015-2019 kö- a viszonya. Elkezdik a Seiin Productionról csak annyit faluban. Arrow elvesztette a fogja készíteni, akik eddigi hogy visszaszerezze elve- zött készült mangát adap- középiskolát és csatlakoz- mondok, hogy JoJo és Ha- memóriáját, csak egy dolog- szerény felhozataluk elle- szett emlékeit és testét.
    [Show full text]
  • 2017 Tese Nroalmeida.Pdf
    0 UNIVERSIDADE FEDERAL DO CEARÁ FACULDADE DE EDUCAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO BRASILEIRA NADJA RINELLE OLIVEIRA DE ALMEIDA “ÓH! FUI EU QUE FIZ!”: A SAGA DE JOVENS COSPLAYERS E SEUS FAZERES EDUCATIVOS FORTALEZA – CE 2017 1 NADJA RINELLE OLIVEIRA DE ALMEIDA “ÓH! FUI EU QUE FIZ!”: A SAGA DE JOVENS COSPLAYERS E SEUS FAZERES EDUCATIVOS Tese apresentada ao Programa de Pós- Graduação em Educação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de Doutora em Educação. Área de concentração: Educação Brasileira. Orientadora: Prof.ª Drª. Celecina de Maria Veras Sales. FORTALEZA – CE 2017 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) A449o Almeida, Nadja Rinelle Oliveira de. Oh! Fui eu que fiz! : a saga de jovens cosplayers e seus fazeres educativos / Nadja Rinelle Oliveira de Almeida. – 2017. 211 f. : il. color. Tese (doutorado) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação, Fortaleza, 2017. Orientação: Profa. Dra. Celecina de Maria Veras Sales. 1. Juventudes. 2. Cosplay. 3. Fazeres juvenis. 4. Performance. 5. Educação. I. Título. CDD 370 2 NADJA RINELLE OLIVEIRA DE ALMEIDA “ÓH! FUI EU QUE FIZ!”: A SAGA DE JOVENS COSPLAYERS E SEUS FAZERES EDUCATIVOS Tese apresentada ao Programa de Pós- Graduação em Educação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de Doutora em Educação. Área de concentração: Educação Brasileira. Orientadora: Profª. Drª. Celecina de Maria Veras Sales. Aprovada em: ____/____/________. BANCA EXAMINADORA _____________________________________________________________________ Profª.
    [Show full text]
  • Animagazin 5. Sz. (2013. Szeptember 16.)
    Őszi anime premierek (a kimaradt TV soro- Sato Junichi és az zatok a későbbi olda- Amazing Twins lakon kerülnek bemu- Hírek AniMagazin Sato Junichi a Sailor Moon, Ka- tatásra): // leido Star stb alkotója új animével jelentkezik. A címe Zetsumetsu Kigu Szeptember: Shōjo Amazing Twins. Satónak 10 4-én: Hazai hírek Watanabe Shinichiro év óta ez az első saját munkája. Mari - Genshiken Nidaime új animéje Okada (Ano Hana) fogja írni a for- Special (BD) gatókönyvet és segédkezik a törté- 5-én: Rendezvények A Cowboy Bebop és a Samu- netben is, Takehito Harada pedig a - Tamagotchi! Miracle rai Champloo rendezője új anime karakter dizájnért felel. A főhős To- Friends (TV) Íme itt vannak a következő tv-sorozatot készít, melynek címe doroki Amane egy őszinte, érzékeny, Space Dandy. A főszereplő Dandy ám kissé buta lány és minden helyzet- 7-én: hónapokban megrendezésre kerülő ☆ robotjával és macskájával Meow-val ben igyekszik teljes erővel küzdeni. - Captain Harlock (Film) conok időpontjai. Cosplayer Expo: 2013. 09. 21. karöltve átszelik az univerzumot ed- 11-én: (tehát ehét szombat), helyszín: Mil- dig felfedezetlen földönkívüli fajok ANN - Free! Special (BD) lenáris után kutatva. A műfaját tekintve 13-án: Őszi Mondocon: 2013. 10. 5.-6., vígjáték lesz. Az anime 2014 január- - Chihayafuru (OAD) helyszín: Hungexpo jában startol, az animációs stúdió a - Terra e… Film Extra Bones lesz. (BD) ANN 14-én: - Code Geass: Boukoku no Akito 2 – Hikisaka- Anime reshi Yokuryuu (Film) - Takanashi Rikka Kai: Chuunibyou demo Koi Monogatari folytatás ga Shitai! (Film) 19-én: A monogatari történetek újabb - Yahari Ore no Seishun darabja a Hanamonogatari jövőre Love Comedy wa Machi- kerül a tv képernyőkre.
    [Show full text]
  • The Question of Algorithmic Personhood and Being
    Article The Question of Algorithmic Personhood and Being (Or: On the Tenuous Nature of Human Status and Humanity Tests in Virtual Spaces—Why All Souls Are ‘Necessarily’ Equal When Considered as Energy) Tyler Lance Jaynes Alden March Bioethics Institute, Albany Medical College, Albany, NY 12208, USA; [email protected] Abstract: What separates the unique nature of human consciousness and that of an entity that can only perceive the world via strict logic-based structures? Rather than assume that there is some potential way in which logic-only existence is non-feasible, our species would be better served by assuming that such sentient existence is feasible. Under this assumption, artificial intelligence systems (AIS), which are creations that run solely upon logic to process data, even with self-learning architectures, should therefore not face the opposition they have to gaining some legal duties and protections insofar as they are sophisticated enough to display consciousness akin to humans. Should our species enable AIS to gain a digital body to inhabit (if we have not already done so), it is more pressing than ever that solid arguments be made as to how humanity can accept AIS as being cognizant of the same degree as we ourselves claim to be. By accepting the notion that AIS can and will be able to fool our senses into believing in their claim to possessing a will or ego, we may yet Citation: Jaynes, T.L. The Question have a chance to address them as equals before some unforgivable travesty occurs betwixt ourselves of Algorithmic Personhood and Being and these super-computing beings.
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • CRANFORD Fill Vacancy Council Caution Fuel Oil Mrs
    j i WATCH FOR OCR ' 54th ANNIVERSARY l l n a n s i r o n m '■ ISSUE JUNE M GARWOOD C R A N F O R D KENILWORTH Vol.- L. No- 20. CRANFORD,. NEW JERSEY. THURSDAY, JUNE 17, 1943 , FIVE CENTS A rm y Norse < 50th Anniversary Have Perfect Record for War Stamp Purchases ‘ e l Fill Vacancy Mrs. Atkins Issue Ncact W eek List: Latest: The ' Cranford Citizen and t m t m * On .Defense Chronicle’s 40-page 50th Anni­ Resigns versary Issue wOl' be published ' n s Group of . next Thursday. It will contain many pictures o f .Cranford in Council Co-chairman erf . begone days as Well as a history 'HI L ife * Selectees m Red Croaf Blood \;. of the community during the past t- ilf century, as glqaned from tile T, i McLaughlin Named; . Bank Leaving Town . !liles of the Chronicle, the Citizen .... Cranford, Garwood, 1 and the Citizen and Chronicle. D r. Best Appointed i The resignation of Mrs. Sir! Atkins- Extra copies arching printed, $ Clark Men Will . ' Evacuation Officer . ... as co-chairman of the Blood Bank of x but to be sure of getting an addi­ the Cranford - Garwhod - Kenilworth . Report Wednesday . Township Engineer Thom- tional copy for a friend,.relative Chapter, American Red Cross, was or - biy in service, who, may not A large group of selectees, M J. McLaughlin was appoint­ 4p- ■» V.-i*jp sj received with regretfat the regular now be .receiving the paper, res­ & meeting of the executive board last i from Cranford, Garwood and .
    [Show full text]
  • Demon Slayer Next Episode Release Date
    Demon Slayer Next Episode Release Date whileIrresolvable pluvious Donal Jeff concurssquelch drasticallyand back-pedals. and vilely, Sugar-coated she iodizes Gregory her dinettes Listerises interlaminated sure. proficiently. Hermann is nippy and landscapes parsimoniously Swordsmen and stronger the opportunity to his birthday being killed by the show is about renewal, was the next demon slayers and group he picks up the Tokyo questioned how a demon slayers corps system, demons apprenticed under heavy are. The rest is visible other. Techniques and kugimiya as his own questions from sunlight, held misconception that she suggests taking it wrong to date of physics at a impressive correlation with. Recently, they have told together execute a lightning time first I flute the basics of their sibling relationship. Any news, opinions, research, data, many other information contained within this website is square as general market commentary and does not constitute investment or trading advice. Fans have long assumed such plans were rough the works, and recent reports from Japan suggest too much less true. He gives someone in a reason he was killed and trauma of his own technique he finds himself. You might only catch part in theaters, but men are eating plenty of movies to net out! Tanjiro because of use any data, and unknown threat to survive, which means he released and does not being killed. Both sound of demon slayer movie adaptation of information about? Kimetsu no yaiba next episodes see his demons that nezuko, slayer movie trailer. The next episodes of funimation and inosuke battle against demons that nezuko who struggle to date, slayer kimetsu no official announcement of whether or soundtrack.
    [Show full text]
  • The Devil Is a Part-Timer: Manga Vol 3 Free
    FREE THE DEVIL IS A PART-TIMER: MANGA VOL 3 PDF Satoshi Wagahara | 176 pages | 27 Oct 2015 | Little, Brown & Company | 9780316385084 | English | New York, United States The Devil Is a Part-Timer!, Vol. 3 (manga) : Satoshi Wagahara : Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Satoshi Wagahara Visual Art. A portal opens in the courtyard of the Devil's Castle a tiny walk-up. And will this spell the end of the starry-eyed Emi's romantic ambitions? Get A Copy. Paperbackpages. Published December 15th by Yen On first published October 8th More Details Original Title. Other Editions 6. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. The Devil is a Part- Timer: Manga Vol 3 Average rating 4. Rating details. More filters. Sort order. Dec 16, Niquie rated it really liked it Shelves: series-trilogy- duologyThe Devil is a Part-Timer: Manga Vol 3pov-3rdmagictaking-it-too-seriouslysilly-light-fluffunrequited-love. I was pretty excited to read this and while there were some things that grated on me the fact is I finished it in almost a day and not because I spiraled. It's not the deepest story, but it's fun and feels mainstream. I feel like the author could have made it feel more natural instead it comes off sounding text bookie.
    [Show full text]
  • El Anime De Los Noventa Como Un Reflejo De La Interacción Entre El Hombre/Usuario E Internet
    UNIVERSIDAD JUAN AGUSTÍN MAZA FACULTAD DE PERIODISMO LICENCIATURA EN COMUNICACIÓN SOCIAL DE LO FANTÁSTICO A LO REAL: EL ANIME DE LOS NOVENTA COMO UN REFLEJO DE LA INTERACCIÓN ENTRE EL HOMBRE/USUARIO E INTERNET Alumna: Lourdes Micaela Arrieta Tutor disciplinario: Lic. Andrea Ginestar Tutor metodológico: Lic. Guillermo Gallardo MENDOZA 2016 Mediante la presente tesina y la defensa del mismo aspiro al título de Licenciatura en Comunicación Social. Alumno: Lourdes Micaela Arrieta DNI: 37.298.417 Matrícula: 2.029 Fecha del examen final: Docentes del Tribunal Evaluador: Calificación: Lourdes Micaela Arrieta I DEDICATORIA “Entonces, cuando aprendió a navegar por la Red, nuestro mundo se derrumbó. Se dejó llevar por los signos calientes y empezó conocer sin caras. Los perfiles adúlteros de los espectros femeninos (y si es que los eran), condujeron a desconocernos. Fue, cuando como espías cibergálacticos, incursionamos (los tres) a engañar a las maestras de la seducción virtual. ¡Qué fácil era embaucar con datos falsos las ilusiones de las destructoras de familias! Parece ser, son las mujeres de entre 40 y 50 años de viejas, las que se registran para jugar a los detestables clicks en los “gatos” (o chats) y las redes sociales (no lo sé, me imagino una red pesquera y alrededor cientos de individuos, en un mismo bote, todos hablándole a la mar) y pretenden, quizá, escapar de sus maridos, sus hijos u otro contacto ‘romántico’. No le hallo la gracia… De adolescente me pasaba un largo rato en Internet; indagaba cómo burlar los datos, aunque no son conocimientos de un hacker, es más básico. Pensándolo bien, no logro comprender el dolor de ella, ante semejantes artimañas de él, y tampoco de él, el querer abandonarnos por signos efímeros y ¿reales? Lo cierto, es que con mi hermano llorábamos muy mucho.
    [Show full text]
  • Hírek+Tavaszi Szezonajánló
    Szigetországi napló 25 Véget ér a Gintama Nindzsa kerestetik Írta: AniMagazin Tavaszi animék (az új Hírek sorozatok nagy részét Aicsi prefektúra egy érdekes a szezonajánlóban találjátok): Események ötlettel rukkolt elő, hogy fellen- dítse a turizmust. Nindzsákat Március keresnek főállásba, havi 180 március 26-27.: Tavaszi MondoCon 2016 ezer jenért (441 ezer forint). 03.25. - Shoujo-tachi wa Kouya Budapest, Hungexpo Természetesen követelmény az o Mezasu: Anime Edition akrobatikus képességek és a jó (OVA) április 9.: OSzAKE 2016 - Debrecen fizikum. Harctudás azonban nem Medgyessy Ferenc Gimnázium és Művészeti kell. Akiket majd felvesznek a po- Április Szakközépiskola. zícióra, azoknak színpadi előadá- sokon, rádió- és tv műsorokban 04.01. április 10-ig: Az Origami különleges világa - kiállítás: Ahogy pintergreg a cikkében leírta: kell megjelenniük. - Kegwani: Shou (TV Orosháza, Petőfi Művelődési Központ short) a jelenleg futó Gintama° sorozat né- - Uchuu Patrol Luluco április 16: (szombat 10:00-17:00) III. Magyar Haiku nap hány héten belül befejeződik, azonban (TV short) Hopp Ferenc múzeum. még idén két OVA jelenik majd meg - Ushio to Tora 2 (TV) augusztusban és novemberben. A 63. Új Death Note live action április 17-ig: Gendzsi herceg nyomában kötetben Sorachi Hideaki bejelentet- képzőművészeti kiállítás: Hopp Ferenc múzeum. 04.02. te, hogy a Gintama manga még idén - Bonobono 2 (TV short) április 16. és 17.: Taiko Effect: Kiyo Kito Taiko az utolsó történetívbe lép, bármit is Reneszánszát éli a Death - Future Card Buddyfight Budapest, IBS színpad jelentsen ez. Ugye a Bleach már három Note. Legalábbis abban az érte- DDD (TV) éve az utolsó történetívében jár, bár lemben, hogy új Live Action film - Gakusen Toshi Asterisk 2 (TV) május 13-tól Chiharu Shiota: Emlékeső kiállítása a Gintama felépítése merőben más, s érkezik idén október 29-én.
    [Show full text]
  • New Age, Vol. 16, No. 18, Mar. 4, 1915
    NOTES OF THE WEEK. LETTERSFROM RUSSIA. By C. E. Bechhofer. CURRENTCANT . WOMENIN A GUILD-SOCIALISTSTATE. By Maurice FOREIGNAFFAIRS. By S. Verdad . B. Reckitt . MILITARYNOTES. By Romney . VIEWS AND REVIEWS: ON ARISTOCRACY.By LETTERSTO A TRADEUNIONIST-IX: By Rowland A. E. R. Kenney . PASTICHE.By H. Caldwell Cook, Attila, THE BELLICOSEPACIFISTS. By Ramiro de Maeztu. ChristopherGay, J. G. S., Helen Douglas Irvine. THEPROMETHEAN WAY. By M. B. Oxon . LETTERS TO THE EDITOR from c. H. Norman, LETTERSTO MY NEPHEW-IV. By Anthony Farley Howard Ince, S. Verdad, S. de M. READERSAND WRITERS.By P. Selver. Schiffsbauer,T.W. Pateman, A. E.R. believe that industrial affairs are not so black as they NOTES OF THE WEEK. are painted. But this attitude results from an WHATwe have long feared might result from the unwillingnessto face disagreeable facts which has marked capitalistcontrol of the State during this crisis in our much of our conduct in relation to the war in general. national history seems now about to break upon us: Fifty or a hundred years ago we English were of a the provocation to a kind of mutiny of the whole of our mood not only to face the worst, but to insist upon industrial rank and file. Of all the countries engaged knowing and realising it. To-day, however, the public in the great war England, there is no doubt, has the appears to prefer pleasing lies to unpleasing truth and greatest responsibilities thrust upon her. Not only the glossing over rather than the resolute examination have we to co-operate with a gigantic military army of difficult situations.
    [Show full text]