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2020 Conservation Outlook Assessment
IUCN World Heritage Outlook: https://worldheritageoutlook.iucn.org/ Malpelo Fauna and Flora Sanctuary - 2020 Conservation Outlook Assessment Malpelo Fauna and Flora Sanctuary 2020 Conservation Outlook Assessment SITE INFORMATION Country: Colombia Inscribed in: 2006 Criteria: (vii) (ix) Located some 506 km off the coast of Colombia, the site includes Malpelo island (350 ha) and the surrounding marine environment (857,150 ha). This vast marine park, the largest no-fishing zone in the Eastern Tropical Pacific, provides a critical habitat for internationally threatened marine species, and is a major source of nutrients resulting in large aggregations of marine biodiversity. It is in particular a ‘reservoir' for sharks, giant grouper and billfish and is one of the few places in the world where sightings of the short-nosed ragged-toothed shark, a deepwater shark, have been confirmed. Widely recognized as one of the top diving sites in the world, due to the presence of steep walls and caves of outstanding natural beauty, these deep waters support important populations of large predators and pelagic species (e.g. aggregations of over 200 hammerhead sharks and over 1,000 silky sharks, whale sharks and tuna have been recorded) in an undisturbed environment where they maintain natural behavioural patterns. © UNESCO SUMMARY 2020 Conservation Outlook Finalised on 02 Dec 2020 GOOD WITH SOME CONCERNS The conservation outlook for Malpelo Fauna and Flora Sanctuary is positive compared to the situation of many marine protected areas in the World. This is because of the size and remoteness of the site, the existence of a large no-take area and the encouraging conservation efforts by governmental and non- governmental actors, including foundations, research institutions and tourism operators. -
1-3 Front CFP 10-4-10.Indd
Area/State Colby Free Press Monday, October 4, 2010 Page 3 Weather Gun rights, mental health on 2010 ballot Corner From “BALLOT,” Page 1 tional guarantees to the individual right to section of the law in the 1970s when the paign to let voters know why the revision bear arms, the federal constitution does, Constitution was last updated on a grand is needed. The U.S. Supreme Court ruled in a Dis- providing protection for citizens. scale, but left the mental health exception. “A voter with mental illness doesn’t trict Columbia case that individuals have “The federal constitutional right sets the Sweeney said had the changes been made mean someone who is in a state hospital,” the right to bear arms, striking down a ban minimum,” Levy said. “States might give later in the decade, the mental health excep- Sweeney said, “but someone with anxiety, on handguns. But the case was not viewed greater rights than the federal constitu- tion also would have been nixed. Mental depression, a soldier coming back with as far-reaching because of D.C.’s unique tion.” illness was just beginning to be understood, (post traumatic stress disorder). It’s our federal status. Then this June, the high For example, states may specify greater leading to changes in treatment and diagno- grandparents and our neighbors.” court struck down a Chicago handgun law, rights for carrying concealed weapons, li- sis that otherwise would have led to a “hos- Sweeney said Kansas isn’t the only state declaring that Americans have the right to censing of fi rearms or necessary training. -
Patricia Murray Patricia Clum & Patricia M
PATRICIA MURRAY PATRICIA CLUM & PATRICIA M. MAKE-UP DESIGNER CANADIAN CITIZENSHIP & RESIDENCE / US RESIDENCE / IATSE 891 / ACFC HEAD OF DEPARTMENT FEATURE FILMS DIRECTOR/PRODUCER CAST THE ART OF RACING IN THE RAIN D: Simon Curtis Amanda Seyfried Fox 2000 Pictures P: Joannie Burstein, 2nd Unit Make-up Vancouver Patrick Dempsey, Tania Landau, Make-Up FX Artist Neal H. Moritz THE PACKAGE D: Jake Szymanski Daniel Doheny, Luke Spencer Roberts, Netflix EP: Shawn Williamson, Geraldine Viswanathan, Sadie Calvano, Brightlight Pictures & Jamie Goehring, Kevin Leeson, Eduardo Franco Red Hour Productions Haroon Saleem HOD & Make-Up FX Artist P: Ross Dinerstein, Nicky Weinstock, Ben Stiller, Anders Holm, Kyle Newacheck, Blake Anderson, Adam DeVine STATUS UPDATE D: Scott Speer Ross Lynch, Olivia Holt, Netflix P: Jennifer Gibgot, Dominic Rustam, Harvey Guillen, Famke Janssen, Offspring Entertainment & Adam Shankman, Shawn Williamson Wendi McLendon-Covey Brightlight Pictures HOD TOMORROWLAND D: Brad Bird Raffey Cassidy, Kathryn Hahn Walt Disney Pictures P: Damon Lindelof Make-Up Onset FX Supervisor Co-P: Bernie Bellew, Tom Peitzman PERCY JACKSON: D: Thor Freudenthal Missy Pyle, Yvette Nicole Brown, SEA OF MONSTERS P: Chris Columbus, Christopher Redman Fox 2000 Pictures Karen Rosenfelt, Michael Barnathan Make-Up FX Supervisor DAYDREAM NATION D: Michael Goldbach Personal Make-Up Artist to Kat Dennings Screen Siren Pictures EP: Tim Brown, Cameron Lamb HOD P: Trish Dolman, Christine Haebler, Michael Olsen, Simone Urdl THE TWILIGHT SAGA: ECLIPSE D: David Slade Ashley Greene, Bryce Dallas Howard, Summit Entertainment P: Wyck Godfrey, Greg Mooradian, Kellan Lutz Make-Up Artist Main Unit Karen Rosenfelt SLAP SHOT 2 D: Steve Boyum Stephen Baldwin, Gary Busey, Universal Pictures P: Ron French Callum Keith Rennie, Jessica Steen HOD JUST FRIENDS D: Roger Kumble Ryan Reynolds New Line Cinema P: Chris Bender, Bill Johnson, Make-Up FX Artist Michael Ohoven, J.C. -
CRY NOW Is a Tale of Passion That Takes Us on a Journey Into Los Angeles’ Eclectic Music and Art Scenes
Miguel Angel Caballero [email protected] www.CryNowMovie.com 310.621.2827 Table of contents ! Synopsis………………………………............... 3 Teaser Link .......................................................4 Press ................................................................5 Press Hooks..................................................... 6 Cast…………………………………………….. 7 Producers / Team………………………………. 10 Collaborators ....................................................12 Director's Biography .........................................15 About Us………………………………………… 16 Contact…………………………………………….18 ! !! ! Logline A restless street artist determined to find the pulse of the city embarks on a journey !where a muse, a wise woman and a lone wolf help him reveal it.! Short Synopsis! CRY NOW is a tale of passion that takes us on a journey into Los Angeles’ eclectic music and art scenes. VINCENT, a restless street artist in search for inspiration meets his muse, LUZY, a tattoo artist, at a backyard boogie. But, when SOFIA, his vengeful ex-girlfriend finds out, she uses his art against him and accuses him of criminal vandalism. With the LAPD in close pursuit, Vincent embarks on a journey where he meets LOBO, a musician, who helps him get away. While on the run, ROSARIO, a wise elder, talks to him about the importance of love and community and reveals to him what inspiration is really about. Reinvigorated, Vincent heads back to find the pulse of the city and plaster its walls with a compelling and uplifting !poster campaign.! ! "3 Teaser Link ! ! ! ! \ ! ! ! ! ! ! ! ! ! ! ! Click here to see the Cry Now teaser (formerly titled Vincent & Luzy) https://vimeo.com/88257531 ! 19 ! “Deeply romantic” American Quarterly ! ! ! ! “Fresh, exuberant!” Indiwire ! ! ! “A stylish Chicano/a reality rarely seen on the big screen” Alegria Magazine PRESS HOOKS ! //Amores Perros Editor of Iñarritu’s Amores Perros and Cary Fukunaga's Sin Nombre, Luis Carballar, couldn’t resist the challenge of making Cry Now a better movie after watching our first assembly. -
Sanctuary Series 2 and 3 Installation Manual
THE ROUND FLAT DISC SYSTEM FOR THE SANCTUARY 2 & 3 COMES IN A SEPERATE CARTON HOWEVER, USE THIS MANUAL FOR ACTUAL INSTALLATION INTO THE SANCTUARY BOWLS Sanctuary 2 Sanctuary 3 MODELS Natural Gas Description SAN2-34DBSTMSI-N 38¾” x 18” Concrete Bowl TMSI Model SAN2-34DBSMT-N 38¾” x 18” Concrete Bowl MT Model SAN3-26DBSTMSI-N 30” x 14½” Concrete Bowl TMSI Model SAN3-26DBSMT-N 30” x 14½” Concrete Bowl MT Model Sanctuary Series Outdoor Fire Features Installation and Operating Instructions IF YOU CANNOT READ OR UNDERSTAND THESE INSTALLATION INSTRUCTIONS DO NOT ATTEMPT TO INSTALL OR OPERATE THIS APPLIANCE Ventilation is incorporated into all Sanctuary Series Fire Features Warning: For Outdoor Use Only PLEASE RETAIN THIS MANUAL FOR FUTURE REFERENCE CARBON MONOXIDE HAZARD DANGER This appliance can produce carbon monoxide which has no odor. Using it in an enclosed area can kill you. Never use this appliance in an enclosed space such as a camper, tent, car or home. DANGER WARNING If you smell gas: Do not store or use gasoline or other flammable vapors and liquids in the 1. Shut off gas to the appliance vicinity of this or other appliances. 2. Extinguish any open flame. 3. If odor continues, keep away from Any LP cylinder not connected for use the appliance and immediately call shall not be stored in the vicinity of this your gas supplier or fire department. or other appliances. WARNING Do not leave unattended during use. WARNING Do not use for cooking. Follow all gas leak procedures in this manual prior to operation. -
Carbonite Operation Manual
Carbonite & Carbonite eXtreme OPERATION MANUAL v10.0 www.rossvideo.com times of company or customer crisis - do what you Thank You For Choosing know in your heart is right. (You may rent helicopters if necessary.) Ross You've made a great choice. We expect you will be very happy with your purchase of Ross Technology. Our mission is to: 1. Provide a Superior Customer Experience • offer the best product quality and support 2. Make Cool Practical Technology • develop great products that customers love Ross has become well known for the Ross Video Code of Ethics. It guides our interactions and empowers our employees. I hope you enjoy reading it below. If anything at all with your Ross experience does not live up to your expectations be sure to reach out to us at [email protected]. David Ross CEO, Ross Video [email protected] Ross Video Code of Ethics Any company is the sum total of the people that make things happen. At Ross, our employees are a special group. Our employees truly care about doing a great job and delivering a high quality customer experience every day. This code of ethics hangs on the wall of all Ross Video locations to guide our behavior: 1. We will always act in our customers' best interest. 2. We will do our best to understand our customers' requirements. 3. We will not ship crap. 4. We will be great to work with. 5. We will do something extra for our customers, as an apology, when something big goes wrong and it's our fault. -
Television Sharknados and Twitter Storms
Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy. -
Chris Norr Director of Photography
CHRIS NORR DIRECTOR OF PHOTOGRAPHY www.chrisnorr.com TELEVISION PRODUCER NETWORK/STUDIO SUCCESSION (Season 1 - 3) Adam McKay, Jesse Armstrong HBO/Gary Sanchez Prods. THE RIGHT STUFF (Season 1) David Nutter, Mark Lafferty NatGeo/WarnerHorizon GODFATHER OF HARLEM (Season 1) Chris Brancato, Paul Eckstein EPIX/ABC Signature Studios GOTHAM (Season 1 – 3) Bruno Heller FOX/Warner Bros. 2017 ASC Nomination for Outstanding Achievement in Cinematography on a Television Series 2016 ASC Nomination for Outstanding Achievement in Cinematography on a Television Series 2015 ASC Nomination for Outstanding Achievement in Cinematography on a Television Series YOU (Season 1 – Tandem Unit) Sera Gamble Lifetime/Warner Horizon TV BELIEVE (Season 1) J.J. Abrams, Jonas Pate NBC/Warner Bros. GLEE (Season 4 – NY Unit) Eric Stoltz, Brad Falchuck FOX/20th Century Fox ROYAL PAINS (Season 4 – Tandem Unit) Michael Rauch Universal Television/USA BLUE BLOODS (Season 2 – 2ND Unit) Jane Raab CBS/CBS Television PERSON OF INTEREST Dir: David Semel, CBS/Warner Bros. (Pilot – Opening Sequence) Bryan Burk, J.J. Abrams FEATURES DIRECTOR STUDIO/PROD.CO. GODMOTHERED Sharon Maguire Walt Disney Pictures BASHIRA Nickson Fong Bashira New York, Inc. PUZZLE Marc Turtletaub Big Beach Films/ Sundance Film Festival – Official Selection Sony Pictures Classics ROB THE MOB Raymond De Felitta The Exchange GIRLHOUSE Jon Knautz Brookstreet Pictures SINISTER Scott Derrickson Summit Ent. FAMILY WEEKEND Benjamin Epps Summit Ent/Footprint Features SYMPATHY FOR DELICIOUS Mark Ruffalo Maya Entertainment -
Apocalypse As Religious and Secular Discourse in Battlestar Galactica
Volume 6 2014-15 APOCALYPSE & GHOSTS Apocalypse as Religious and Secular Discourse in Battlestar Galactica and its Prequel Caprica Diane Langlumé University of Paris VIII Saint-Denis Abstract he concept of the end of the world is inherent in religious discourse. Illustratively, in T Medieval Christianity, a divine power was held responsible for cataclysmic events. In the post-Hiroshima era, the concept of apocalypse has taken on secular meaning. Not surprisingly, given recent history, the apocalypse has become a prominent component of popular television epics; broadcast narratives, such as Battlestar Galactica and Caprica, entwine both Biblical and secular versions of the apocalypse, thereby creating a novel apocalyptic discourse which, instead of establishing the apocalypse as an end, uses it as a foundation, as a thought-provoking means of conveying a political message of tolerance and acceptance of otherness, of encouraging self-reflectiveness; and as a way of denouncing the empty rhetoric of religious extremism. Keywords: Television series, Battlestar Galactica, Caprica, religion, Book of Mormon, Bible, Book of Revelation, John of Patmos, Genesis, Adam, Garden of Eden, Heaven, God, fall of man, the beast, false prophet, angel, Second Coming, resuscitation, apocalypse, end of the world, nuclear apocalypse, Hiroshima, post-apocalyptic, genocide, intertextuality, parody, pastiche, religious satire, 9/11, America, religious terrorism, suicide bombing, cyborg, robot, humanity, monotheism, polytheism. he television series Battlestar Galactica1 establishes its chronology between a nuclear T apocalypse that has just taken place and the threat of a potential future apocalypse,2 both at the hands of human-looking cyborgs called Cylons. Caprica, its prequel series, set fifty- eight years before the nuclear detonation, unfolds the events leading up to the apocalypse in Battlestar Galactica. -
Word Search 'Crisis on Infinite Earths'
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Zálohadiplomka Konečná Verze
Masarykova univerzita Filozofická fakulta Ústav filmu a audiovizuální kultury Kristýna Chmelíková (FAV, magisterské navazující prezen ční studium) Narativn ě komplexní seriál a jeho transmediální extenze Případová studie amerického seriálu Battlestar Galactica Magisterská diplomová práce Vedoucí práce : Mgr. Pavel Skopal, Ph.D. Brno 2011 Prohlášení o samostatnosti Prohlašuji, že jsem pracovala samostatn ě a použila jen uvedených zdroj ů. Datum Podpis 31. dubna 2011 ............................................................................. 1 Poděkování Za vedení diplomové práce a cenné p řipomínky d ěkuji Mgr. Pavlu Skopalovi, Ph.D. Za podn ětné konzultace tématu pat ří m ůj dík Mgr. Jaroslavu Švelchovi a Mgr. Radomíru D. Kokešovi. Děkuji též Martinu Chmelíkovi za pomoc p ři zpracování graf ů a Vendule Pavlí čkové za jazykové korektury. Pod ěkovat za srde čnou podporu, a to nejen v dob ě vzniku této práce, pak chci svým rodi čů m a Michalu Kašpárkovi. 2 Klíčová slova Narativn ě komplexní seriál, transmediální vypráv ění, transmediální extenze, konvergence médií, narativní analýza, produser, hyperdiegeze, Battlestar Galactica Keywords Narrative complexity of a TV series, transmedia storytelling, transmedia extension, media convergence, narrative analysis, produser, hyperdiegesis, Battlestar Galactica 3 Obsah 1. Úvod ................................................................................................................................................ 6 1.1 Ne p říb ěh, ale sv ět nebo ansámbl............................................................................................. -
BATTLESTAR GALACTICA and PHILOSOPHY:Knowledge Here
BATTLESTAR GALACTICA AND PHILOSOPHY The Blackwell Philosophy and PopCulture Series Series editor William Irwin A spoonful of sugar helps the medicine go down, and a healthy help- ing of popular culture clears the cobwebs from Kant. Philosophy has had a public relations problem for a few centuries now. This series aims to change that, showing that philosophy is relevant to your life—and not just for answering the big questions like “To be or not to be?” but for answering the little questions: “To watch or not to watch South Park?” Thinking deeply about TV, movies, and music doesn’t make you a “complete idiot.” In fact it might make you a philosopher, someone who believes the unexamined life is not worth living and the unexamined cartoon is not worth watching. Edited by Robert Arp Edited by William Irwin Edited by J. Jeremy Wisnewski Edited by Jason Holt Edited by Sharon M. Kaye Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed BATTLESTAR GALACTICA AND PHILOSOPHY:Knowledge Here Begins Out There Edited by Jason T. Eberl Forthcoming the office and philosophy: scenes from the unexamined life Edited by J. Jeremy Wisnewski BATTLESTAR GA LACTICA AND PHILOSOPHY KNOWLEDGE HERE BEGINS OUT THERE EDITED BY JASON T. EBERL © 2008 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148–5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jason T. Eberl to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988.