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More- for Immediate Release CENTER THEATRE GROUP
For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie. -
A Comedy Revolution Comes to Starlight Indoors This Winter
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell A Comedy Revolution Comes to Starlight Indoors This Winter Playing November 5-17 only! “SMART, SILLY AND “SPAMILTON IS SO “THE NEXT BEST THING CONVULSIVELY FUNNY” INFECTIOUSLY FUN THAT IT TO SEEING HAMILTON!” - The New York Times COULD EASILY RUN AS LONG - New York Post AS ITS INSPIRATION!” – The Hollywood Reporter KANSAS CITY, Mo. – As the weather cools off, the stage house heats up with the 2019-20 Starlight Indoors series, sponsored by the Missouri Lottery. Now in its fifth season, this year’s lineup of hilarious Off-Broadway hits opens November 5-17 with the North American tour of Spamilton: An American Parody, making its Kansas City premiere. Tickets are on sale now. Created by Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, which played the 2017-18 Starlight Indoors series, Spamilton: An American Parody is a side-splitting new musical parody based on a blockbuster hit of a similar name. After numerous extensions of its run in New York, this hilarious production made a splash in Chicago, Los Angeles and London. Now, Spamilton: An American Parody brings a singing, dancing and comedy revolution to Kansas City. “Spamilton pays a hilarious tribute to its inspiration and is smart, sharp and funny to its core— everything you’d want and more from a spoof of Broadway’s most popular musical,” Caroline Gibel, director of indoor programming at Starlight, said. “The best part is, you don’t have to have seen Hamilton to enjoy Spamilton. -
Ripe Frenzy Program (Download PDF)
WELCOME Greenway Arts Alliance has been honored to serve thousands of students, artists and community members for the last twenty years. Did you know that you are on the campus of Fairfax High School in a building designed and constructed by Fairfax students as a “Social Hall” in the 1940’s? Based on articles in the school newspaper, the students were committed to building a home in which to “socialize.” Greenway continues this commit- ment through our mission to unite communities through our productions at the Greenway Court Theatre, which give our patrons the opportunity to share in the communal experience of live theatre. Jennifer Barclay's Ripe Frenzy, produced through the National New Play Network's Rolling World Premiere program, is the culminating production of Greenway's 20th Anniversary season. In it we showcase our recommitment to producing important new works that explore the pressing social issues of our time. As we write this letter in preparation for Opening Night, we do so with the knowledge that students, teachers and parents in Santa Fe, Texas, are mourning their friends and children lost in yet another school shooting. Since Columbine, we have watched in horror as 85 similar shootings have occurred, killing 223 people. As a theatre in residence on a high school campus, we say ENOUGH, and hope that this produc- tion will inspire our audiences to interrogate society's role in the proliferation of these events, and look for ways to work toward ending them. We regard Greenway Court Theatre as our home and are grateful that you are here. -
THE GREER CABARET THEATER IS a PROJECT of the PITTSBURGH CULTURAL TRUST Pittsburgh CLO Board of Directors
THE GREER CABARET THEATER IS A PROJECT OF THE PITTSBURGH CULTURAL TRUST Pittsburgh CLO Board of Directors OFFICERS Honorary Chairman of the Board Vice Presidents/ Vice Presidents Julie Andrews Education & Outreach Pritam Advani Christine M. Kobus Alexander Overstrom Chairman of the Board Gary R. Truitt Helen Hanna Casey Secretary Vice President/CLO Guild Johanna G. O’Loughlin President Laura Penrod Kronk Mark J. Minnaugh Treasurer Vice President/Human Resources Edward T. Karlovich Vice President/CLO Ambassadors Todd C. Moules Lisa D. Perrache Executive Director Emeritus Vice Presidents/ Charles Gray Vice Presidents/Audit Long Range Planning Timothy K. Zimmerman Michael E. Bleier Corporate Counsel Helen Hanna Casey Todd C. Moules James M. Doerfler Chairman of the Board James J. McQuade Vice Presidents/Budget & Finance Vice Presidents/Marketing Chairmen of the Board Emeritus Timothy K. Zimmerman Michael F. Walsh William M. Lambert Dana A. Yealy Richard S. Hamilton George A. Davidson, Jr. Joseph C. Guyaux Vice Presidents/Cabaret Theater Vice Presidents/Production, Daniel I. Booker New Works Development & James E. Rohr John Dick Funding Daniel I. Booker Peter J. Germain Louis D. Astorino Vice President/ Dennis Unkovic Construction Center & Facilities Executive Producer & CEO Stephen S. Bloomburg Yarone Zober Van Kaplan Vice Presidents/Nominating Vice Presidents/Development Scott F. Neill Mark J. Minnaugh Glenn D. Todd Joseph V. DiVito, Jr. Ronald L. Violi Mark J. Minnaugh Laurie M. Mushinsky President DIRECTORS Pritam Advani James V. Dionise Laura Penrod Kronk Council Member Glenn D. Todd Meghan N. Barrera Joseph V. DiVito, Jr. William M. Lambert Corey O’Connor Gary R. Truitt Joyce A. Bender Jane Dixon Diane B. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
The 2017 Remodel of LA Theater
The 2017 remodel of LA theater laobserved.com/intell/2017/12/the_2017_remodel_of_la_theater.php By Don Shirley | December 23, 2017 9:09 AM If you see only one satire of musicals this month, "Something Rotten!" is the better choice. Photo by Jeremy Daniel. 2017 was a pivotal year for Los Angeles theater, but not because the quality was better or worse than usual. It's because of institutional changes. After two years of heated debate, new Actors' Equity rules finally took full effect in smaller theaters. Receiving far less attention were changes in the leadership of four of LA's larger nonprofit theater companies. Meanwhile, "Hamilton" - at the Pantages -- dominated the second half of the year, not only in terms of attendance, attention and profits but also in terms of innovation. In most of my previous year-end summaries, I briefly comment on my favorite shows, arranged in alphabetical order. I'm still mentioning most of my personal theatrical faves this year, but I'm weaving my references to them into the context of discussions about these larger changes. Because I've already written about most of my favorites in earlier columns (which are available here), I'm going to restrict longer mentions only to those few shows that were highlights but which didn't fit into earlier columns. 1/7 Also, for those readers who simply want some recommendations about what to see during the holidays, feel free to skip to the last section of the column. Let's start with our biggest nonprofit company, Center Theatre Group - the proprietor of the Ahmanson, Mark Taper Forum and Kirk Douglas Theatre. -
Musicals Go Undiscovered and Never Get the Productions They Deserve
SPRING 2020 PITCH BOOK At The Producer’s Perspective, we are on a mission to help 5000 shows get produced by 2025 and have curated this book of new work for your consideration. All too often, exciting new plays and musicals go undiscovered and never get the productions they deserve. So we wanted to provide an opportunity for theaters, producers, and organizations like yours to access information on new material just waiting to be discovered. The Pitch Book features over 100 new plays and musicals from creators across the country and provides you with a tagline and succinct pitch, as well as essential show and collaborator information for each project. We encourage you to peruse the pitches in this book and if you find a project that appeals to you, please feel free to reach out to the show directly or let us know by emailing [email protected]! To view the online version of our Pitch Book with clickable links and zooming capabilities, please visit www.theproducersperspective.com/producer-pitch-book now! 1 TABLE OF CONTENTS MUSICALS A CHRISTMAS CAROL (CUSTOMIZED FOR YOUR REGION) 5 A GREEN UNBRELLA 6 A SYMPHONY FOR PORTLAND 7 ACROSS THE AMAZONS 8 AFTER HAPPILY EVER AFTER 9 BAGELS! (THE MUSICAL) 10 BEGGARS & CHOOSERS, THE MUSICAL 12 BENDING TOWARDS THE LIGHT… A JAZZ NATIVITY 13 BETWIXT AND BETWEEN 14 BEYOND PERFECTION 15 BILLIONAIRE 16 BLANK SPACE THE MUSICAL (JUKEBOX MUSICAL WITH MUSIC & LYRICS BY TAYLOR SWIFT) 17 BRICKTOP: LEGEND OF THE JAZZ AGE 18 BROOKLYN BRIDGE EMILY’S STORY 20 BRUSH ARBOR REVIVAL 20 COME AND SEE 22 COMPANY MATTERS 23 DAISY AND THE WONDER WEEDS 24 DESERT ROSE 25 DOGS 26 EARTHBOUND (AN ELECTRONICA MUSICAL) 27 EMERALD MAN 28 EMERGENCY 29 EVANGELINE, A CURIOUS JOURNEY 30 GEORGINE 31 SUITE MOMS 32 GLINDA/MRS. -
Arts, Culture, & Creative Economy
• • • • • • • • • • • Give Me Your Hand by Milton Davis, 1995. Art in Public Places Program. Source: Art in Public Places Program. Culver City’s first movie studio, circa 1915. Source: Culver City Historical Society. 1 Sources for this section are: 1) the City’s history webpages, https://www.culverCity.org/how-do-i/learn/about-culver- City/history-of-culver-City, 2) Culver City, California: The First Hundred Years, Julie Lugo Cerra, 3) Culver City Chronicles, Julie Lugo Cerra, 2013, and 4) stakeholder interviews. Umbrella by Eric Owen Moss, 1999, in the Hayden Tract. Designated Architecture as Art, Art in Public Places Program. Source: Eric Owen Moss Architects 2 Creatives are individuals with advanced training and experience in the design and production of a broad range of cultural products and services, including many individual artists of all disciplines. 3 John Howkins. The Creative Economy, www.creativeeconomy.com 4 United Nations Development Program, http://www.hdr.undp.org/en/content/how-cultural-and-creative-industries-can- power-human-development-21st-century 5 WESTAF Creative Suite 2017 6 Creative sector jobs include four classes of workers: Extended Proprietors, Non-QCEW Employees, QCEW Employees, Self-employed. Source: Economic Modeling Specialists International (EMSI). The arrival of Amazon Studios brings new creative jobs to Culver City. Source: Culver Steps. ▪ ▪ ▪ ▪ ▪ The Kirk Douglas Theatre is located in downtown Culver City and available for rentals. Source: EKYR Architects. ▪ ▪ ▪ ▪ ▪ ▪ ▪ VMB hosts creative programming in Culver City. Source: City of Culver City ▪ ▪ Arlette Cardenes, Music Director, Culver City Chamber Orchestra Source: Culver City Chamber Orchestra Table 1: Nonprofit Arts and Cultural Organizations in Culver City 1. -
Bengal Tiger at the Baghdad Zoo
BENGAL TIGER AT THE BAGHDAD ZOO BY RAJIV JOSEPH DRAMATISTS PLAY SERVICE INC. BENGAL TIGER AT THE BAGHDAD ZOO Copyright © 2012, Rajiv Joseph All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BENGAL TIGER AT THE BAGHDAD ZOO is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BENGAL TIGER AT THE BAGHDAD ZOO are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2012 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2012 Illinois Shakespeare Festival Program" (2012). Illinois Shakespeare Festival. 25. https://ir.library.illinoisstate.edu/isf/25 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 'The Snyder Comyanies yresentin3 ponsors of the ... ~ 012 1([inois Shake~eare 'FestivaO ~ g~~ i) (~ JILILINOIS1 Sponsored by SHAKESPEARE (~..- - -..,.-D-ER~) THE SNYDER COMPANIES FIESlflVAL APARTMEITTS I HOTRS I INSURANCE I REAL ESTATE 2012 ·.· ]Jfft JCa,J()f! As You Like It by William Shakespeare June 27, 28,July 1, 6, 8, 12, 14, 20, 27, August 1, 5, 7, 11 Othello by William Shakespeare June 26, 29, 30, July 5, 7, 13, 15, 21, 25, 28, 31, August 3, 9 The Rivals by Richard Brinsley Sheridan July 18, 19, 22, 24, 26, 29, August 2, 4, 8, 10 Comedy of Errors by William Shakespeare (Theatre for Young Audiences) July 11, 14, 18, 21, 22, 25, 28, August I, 4, 8, 11 Three Wills and a Shakespeare (Green Show Performances) Every night of the Festival! DEB ALLEY DICK FOLSE JANET WILSON Artistic Director Managing Director Producer The 2012 Illinois Shakespeare Festival is made possible in part by funding and support provided by individuals, businesses, foundations, government agencies, and organizations. -
Sarasota Festival of New Plays Since 1983
SARASOTA FESTIVAL OF NEW PLAYS SINCE 1983 Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. THE WONDER YEARS By Richard Hopkins and Rebecca Hopkins with Arrangements by Jim Prosser CAST ALAYNA GALLO CHRIS ANTHONY GILES MICHAEL GRAY GRIEVE STACEY HARRIS with JIM PROSSER on piano Music Director Costume Designer DARREN SERVER SUSAN ANGERMANN Lighting Designer Sound/Projection Designer Choreographer MICHEAL FOSTER THOMAS KORP DEWAYNE BARRETT Directed by CATHERINE RANDAZZO Season Underwriters Gaele Barthold, Joan & Larry Castellani, The Exchange of Sarasota, Ty & Liza Gardner, Bob & Wendy Grady, Gulf Coast Community Foundation, Dennis & Graci McGillicuddy, Patrick & Mary Mulva, Anne H.S. Nethercott Co-Producers Tom Wilson & Patrick Crimmings, Jim & Joan Zawacki, SRQ Media The Wonder Years will be performed The taking of photographs and in two acts with one 15-minute the use of recording devices during the intermission. show is strictly prohibited. Florida Studio Theatre is a Constituent of Theatre Communications Group (TCG), the national organization for the American Theatre. ARTIST PROFILES ALAYNA GALLO is grateful Broadway: The Megile Of Itzik Manger, The Golden to return to FST! She was last Land, Lone Star Love. Regional favorites: Cabaret seen here in Dancing in the (Sally Bowles - Wilde Award, Best Actress in a Street with the Primadonettes. Musical), The Addams Family (Morticia), 42nd Street Her Broadway credits include (Dorothy Brock), Chicago (Velma & Roxie), Damn Tarzan and Jersey Boys. Yankees (Lola), West Side Story (Anita), Bye Bye Birdie Favorite roles include Eva (Rosie). Northwestern University graduate. Peron in Evita, Ellen in Miss stacey-harris.com Saigon, and Mary in Jesus Christ Superstar. -
AUG 22 – 26, 2018 Joan H
2 PRC AUG 22 – 26, 2018 Joan H. Gillings Center for Dramatic Art | playmakersrep.org | 919.962.7529 VIVIENNE BENESCH PRODUCING ARTISTIC DIRECTOR Dear Friends, As a Next Level Artist supported by the U.S. Department of State, Kane Smego has spent the past four years traveling to Zimbabwe, Thailand, Brazil, and Morocco to promote understanding and conflict resolution through hip hop, and to support the professional development of artists in those communities. As a theatre artist, Kane is an heir to Shakespeare, Molière, and Lope de Vega—and I’m not exaggerating. Kane’s extraordinary gift is to bend, turn, twist, and massage words in ways that make them feel entirely new again, and to arrange them into sentences, stanzas, images, and metaphors that drop our jaws and leave us panting to keep up. As both creator and citizen, Kane is a living embodiment of how art can make a tangible difference in people’s lives. What a lucky stroke it is, then, to have him return to his home turf and kick off our 2018/19 season: Shifting Ground: Theatre that Moves. Kane comes to us through our friend and frequent collaborator, Joseph Megel. Through Joseph’s acclaimed UNC program, The Process Series, Kane found an artistic home back on the campus where he honed his craft as an ungraduate student. We’re thrilled to offer Joseph and Kane an opportunity to deepen their collaborative rapport, and to further amplify this international touring artist’s local impact. For this production, building upon PRC2’s ongoing “Act Two” of post-show conversation, we’ve curated a series we’re calling “Pass the Mic.” Several audiences will get to meet a veritable Who’s Who of poetic talent from the Triangle and witness the breadth of the form.