DOCSLIB.ORG

Stardigio Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

スターデジオ チャンネル:４１７ J-POP3～12ヵ月前ヒット 放送日：２０１９/１２/１６～２０１９/１２/２２ ｢番組案内 （８時間サイクル）｣ 開始時間：4：00～/12：00～/20：00～ 楽曲タイトル 演奏者名 ■J-POP3～12ヵ月前ヒット #Love supercell feat. Ann, gaku 夜明けまで強がらなくてもいい 乃木坂46 バッドパラドックス BLUE ENCOUNT Escape 鈴木愛理 やっぱあれだなぁ Kamin 青春トレイン ラストアイドル BAD LOVE AAA 鼓動 ～ミュージカル「刀剣乱舞」より～ 刀剣男士 formation of 三百年 僕らの出会った場所 Salyu 棘 山本彩 Wandering Dream Chaser ストレイライト：芹沢あさひ(CV.田中有紀)、 ～ゲーム「アイドルマスター シャイニーカラーズ」より～ 黛冬優子(CV.幸村恵理)、 和泉愛依(CV.北原沙弥香) 会いたいよ 手塚翔太 RPM -Japanese ver.- SF9 闇夜に舞う青い鳥 BREAKERZ koi-wazurai King & Prince Chao Chao Happiness 願い ～アニメ「グランベルム」EDテーマ～ Uru ラブソングはいらない ドラマストア RUST ASCA ECHO Little Glee Monster 母校へ帰れ! NMB48 BRAVE 嵐 馬と鹿 米津玄師 THIS IS LOVE Kim Hyun Joong GOOD VIBES RED DIAMOND DOGS 残酷のバベル 純情のアフィリア キヅアト ～アニメ「ギヴン」OPテーマ～ センチミリメンタル DREAMERS GENERATIONS from EXILE TRIBE ■J-POP3～12ヵ月前ヒット まっさら ～アニメ「さらざんまい」OPテーマ～ KANA-BOON 「ひとりで生きられそう」って それってねえ、褒めているの? Juice=Juice Hey Hey Hey 超特急 片隅 三浦大知 Remember Me MAN WITH A MISSION NEO THEORY FANTASY アンティーカ：月岡恋鐘（CV.礒部花凜）、 ～ゲーム「アイドルマスター シャイニーカラーズ」より～ 田中摩美々（CV.菅沼千紗）、 白瀬咲耶（CV.八巻アンナ）、 三峰結華（CV.成海瑠奈）、 幽谷霧子（CV.結名美月） トレンディガール 私立恵比寿中学 Ca Va? ビッケブランカ Sing Out! 乃木坂46 POWER GIRLS Happiness ゴメン、、離したくない MAG!C☆PRINCE 消えて モーモールルギャバン 君に届くまで ～アニメ「MIX」EDテーマ～ Little Glee Monster ナツカレ★バケーション SUPER☆GiRLS Re: Re: Love 大森靖子 feat. 峯田和伸 人生Blues モーニング娘。'19 Ambitious Superfly きみに会いたい -Dance with you- 高橋一生 ある日願いが叶ったんだ V6 SUPER DUPER 東京パフォーマンスドール 海の幽霊 米津玄師 イコール ～アニメ「MIX MEISEI STORY」OPテーマ～ sumika まちがいさがし 菅田将暉 絆 -resonance- ～ゲーム「ときめきアイドル」より～ ときめきアイドル project C#：結城秋葉(CV:日岡なつみ)、 月島美奈都(CV:鈴木みのり)、 田中フランチェスカ(CV:和久井優) Alligator -Japanese ver.- MONSTA X Pretender Official髭男dism トップガン NEWS NAKED predia ■J-POP3～12ヵ月前ヒット 床の間正座娘 NMB48 REBEL FLAG ～アニメ「魔法少女特殊戦あすか」EDテーマ～ GARNiDELiA Viva!! Lucky4☆ ふわふわ Sky Flight ～アニメ「ゾイドワイルド」OPテーマ～ スカイピース What's Gonna Be? FIVE NEW OLD ユーリカ そらる サヨナラの惑星 南條愛乃 ～「グリザイア:ファントムトリガー THE ANIMATION」EDテーマ～ Good Goodbye ～劇場版「えいがのおそ松さん」主題歌～ Dream Ami P.S. RED I TK from 凛として時雨 FLOWER GFRIEND Yes we are 三代目 J SOUL BROTHERS from EXILE TRIBE SAKURA HONEST BOYZ(R) feat. KOBUKURO 桜 DA PUMP 邂逅ノ午前零時 CIVILIAN プリマステラ つりビット アゲイン WANIMA ROAR ～アニメ「とある魔術の禁書目録III」新OPテーマ～ 黒崎真音 Jumping PiiiiiiiN 黒い羊 欅坂46 幻想の輪舞 ～「グリザイア:ファントムトリガー THE ANIMATION」OPテーマ～ 黒崎真音 ミライ JUJU 絶体絶命 ～アニメ「約束のネバーランド」EDテーマ～ Co shu Nie Touch off ～アニメ「約束のネバーランド」OPテーマ～ UVERworld PIRI ～笛を吹け～ -Japanese ver.- DREAMCATCHER HAPPY BIRTHDAY back number 絶対彼女 大森靖子 feat. 道重さゆみ crystal 関ジャニ∞（エイト） 夢は意地悪 カレッジ・コスモス ジワるDAYS AKB48 ハグルマ ～アニメ「からくりサーカス」第2クール OPテーマ～ KANA-BOON ■J-POP3～12ヵ月前ヒット HAPPY RAYS THE BAWDIES Jealous 東方神起 赤い罠(who loves it?) LiSA half of me 平井堅 Suddenly EXILE ATSUSHI 28℃ 100% narrative ～「機動戦士ガンダムNT」主題歌～ SawanoHiroyuki[nZk]:LiSA MUGEN ロッカジャポニカ 愛しか武器がない ラストアイドル Stand by you SKE48 stereo future ～ゲーム「GOD EATER 3」OPテーマ～ BiSH レイメイ ～アニメ「ゴールデンカムイ 第二期」OPテーマ～ さユり×MY FIRST STORY 帰り道は遠回りしたくなる 乃木坂46 生きて行く Hump Back Trinity Field (M@STER VERSION) ～ゲーム 渋谷凛(CV:福原綾香)、北条加蓮(CV:渕上舞)、 「THE iDOLM@STER CINDERELLA GIRLS STARLIGHT MASTER」より～ 神谷奈緒(CV:松井恵理子) がってんShake! 祭nine. プロローグ Uru あなたの知らない私たち chay feat. Crystal Kay カラクリだらけのテンダネス Sexy Zone Girls Don't Cry ONEPIXCEL ミルミル ～未来ミエル～ magical2 ～「魔法×戦士 マジマジョピュアーズ!」OPテーマ～ NO WAY MAN AKB48 楽園の君 ～アニメ「東京喰種トーキョーグール:re」"最終章"EDテーマ～ osterreich OVER DRIVE FANTASTICS from EXILE TRIBE 不完全モノクローグ 佐香智久 ～アニメ「抱かれたい男1位に脅されています。」OPテーマ～ 銀の祈誓 ～アニメ「ゴブリンスレイヤー」EDテーマ～ そらる オールドファッション back number BRAVE JEWEL ～アニメ「BanG Dream! 2nd Season」OPテーマ～ Roselia：湊友希那(CAST:相羽あいな)、 氷川紗夜(CAST:工藤晴香)、 今井リサ(CAST:中島由貴)、 宇田川あこ(CAST:櫻川めぐ)、 白金燐子(CAST:明坂聡美) *著作権法上、番組の録音は個人的に楽しむ場合を除き禁じられています。.
Recommended publications
  • The Grand Old Man and the Great Tradition Adriana Boscaro with a Bun 'Ya Ningyo, Island of Sado, 1971

    The Grand Old Man and the Great Tradition Adriana Boscaro with a Bun 'Ya Ningyo, Island of Sado, 1971

    The Grand Old Man and the Great Tradition Adriana Boscaro with a Bun 'ya ningyo, Island of Sado, 1971. The Grand Old Man and the Great Tradition Essays on Tanizaki Jun'ichiro in Honor of Adriana Boscaro EDITED BY LUISA BLENATI AND BONAVENTURA RUPERTI CENTER FOR JAPANESE STUDIES THE UNIVERSITY OF MICHIGAN ANN ARBOR 2009 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 2009 by The Regents of the University of Michigan "On Translating The Tale ofGenji into Modern Japanese" (1938) and "Some Malicious Remarks" (1965) Copyright © Chuokoron-Shinsha, Inc. Published by the Center for Japanese Studies, The University of Michigan 1007 E. Huron St. Ann Arbor, MI 48104-1690 Library of Congress Cataloging-in-Publication Data The grand old man and the great tradition : essays on Tanizaki Jun'ichiro in honor of Adriana Boscaro / edited by Luisa Bienati and Bonaventura Ruperti. p. cm. Includes bibliographical references. ISBN 978-1-929280-55-1 (pbk.: alk. paper) 1. Tanizaki, Jun'ichiro, 1886-1965—Criticism and interpretation. I. Boscaro, Adriana. II. Bienati, Luisa. III. Ruperti, Bonaventura, 1959- IV. Title. PL839.A7Z626 2010 895.6344—dc22 2009041181 This book was set in Times New Roman. Kanji set in Hiragino Mincho Pro W3. This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48—1992). Printed in the United States of America ISBN 978-1-92-928055-1 (paper) ISBN 978-0-47-212766-5 (ebook) ISBN 978-0-47-290161-6 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Acknowledgments vii Introduction 1 Luisa Bienati Adriana Boscaro: A Biography 9 Luisa Bienati The Modern Murasaki 13 Edward Seidensticker The "Tanizaki GenjF: Inception, Process, and Afterthoughts 25 Ibuki Kazuko and G.
  • Url #Hashtag Log out ＜初

    Url #Hashtag Log out ＜初

    アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価（税抜） URL #HASHTAG LOG OUT ＜初回生産限定盤/都築雄哉ver.＞ XNFJ70026 Single J-POP-CD SINGLES 556 https://tower.jp/item/4779016 #HASHTAG LOG OUT ＜初回生産限定盤/臼井拓馬ver.＞ XNFJ70024 Single J-POP-CD SINGLES 556 https://tower.jp/item/4779014 #HASHTAG Deluxe! ＜通常盤＞ ［CD+DVD］ XNFJ70028 Single J-POP-CD SINGLES 1,167 https://tower.jp/item/4861786 #HASHTAG 君 the WORLD ＜通常盤＞ XNFJ70015 Single J-POP-CD SINGLES 556 https://tower.jp/item/4585189 #HASHTAG LOG OUT ＜通常盤＞ ［CD+DVD］ XNFJ70021 Single J-POP-CD SINGLES 834 https://tower.jp/item/4779011 #HASHTAG LOG OUT ＜初回生産限定盤/伊藤海都ver.＞ XNFJ70022 Single J-POP-CD SINGLES 556 https://tower.jp/item/4779012 #HASHTAG 君 the WORLD (阿部哲也ver.) ＜初回生産限定盤＞（LTD） XNFJ70018 Single J-POP-CD SINGLES 556 https://tower.jp/item/4585194 #HASHTAG 君 the WORLD (臼井拓馬ver.) ＜初回生産限定盤＞（LTD） XNFJ70019 Single J-POP-CD SINGLES 556 https://tower.jp/item/4585196 #HASHTAG 君 the WORLD (山内智貴ver.) ＜初回生産限定盤＞（LTD） XNFJ70020 Single J-POP-CD SINGLES 556 https://tower.jp/item/4585198 #HASHTAG LOG OUT ＜初回生産限定盤/吉田尚貴ver.＞ XNFJ70023 Single J-POP-CD SINGLES 556 https://tower.jp/item/4779013 #HASHTAG LOG OUT ＜初回生産限定盤/山内智貴ver.＞ XNFJ70025 Single J-POP-CD SINGLES 556 https://tower.jp/item/4779015 #HASHTAG LOG OUT ＜初回生産限定盤/佐々木正嘉ver.＞ XNFJ70027 Single J-POP-CD SINGLES 556 https://tower.jp/item/4779017 #HASHTAG Deluxe! ＜初回生産限定盤/伊藤海都ver.＞ XNFJ70029 Single J-POP-CD SINGLES 778 https://tower.jp/item/4861789 #HASHTAG Deluxe! ＜初回生産限定盤/吉田尚貴ver.＞ XNFJ70030 Single J-POP-CD SINGLES 778 https://tower.jp/item/4861790 #HASHTAG Deluxe! ＜初回生産限定盤/臼井拓馬ver.＞ XNFJ70031
  • （2019/4/3付） 2019年4月新曲 ＜ Party DAM 20V （DAM-PD20V）/ Party DAM HD （DAM-PD100HD+DSR-PD100） / Party DAM V （DAM-PDV） ＞

    （2019/4/3付） 2019年4月新曲 ＜ Party DAM 20V （DAM-PD20V）/ Party DAM HD （DAM-PD100HD+DSR-PD100） / Party DAM V （DAM-PDV） ＞

    （2019/4/3付） 2019年4月新曲 ＜ Party DAM 20V （DAM-PD20V）/ Party DAM HD （DAM-PD100HD+DSR-PD100） / Party DAM V （DAM-PDV） ＞ 歌 手 名 タ イ ト ル リクエストNo. DAM DAM DAM -PD20V -PD100HD -PDV aiko 愛した日 2426-42 4/9 4/9 4/9 iKON LOVE SCENARIO 7343-70 4/23 - - あいみょん 鯉 5182-85 4/17 4/17 4/17 あいみょん ハルノヒ 5182-62 4/17 4/17 4/17 ASIAN KUNG-FU GENERATION 江ノ島エスカー 5571-75 4/30 - 嵐(アラシ) 夏の名前 6176-95 4/9 - Break Up With Your Girlfriend, I'm Bored [ブレイク・アップ・ウィズ・ユ Ariana Grande 1121-12 4/9 4/9 4/9 ア・ガールフレンド、アイム・ボアード] EXID The Beauty is Guilty!? 7353-72 いきものがかり くちづけ 7219-84 4/30 - いきものがかり 太陽 7206-82 石川さゆり 男の祭り酒 5782-28 4/23 - 石川さゆり スマホ舟 4867-65 4/9 4/9 4/9 いしだあゆみ さすらいの天使 1357-14 4/23 - 石橋美彩 細うで一代記 2321-53 4/9 - - 石原裕次郎 南国の夜 ON A TROPIC NIGHT 2296-46 4/9 - - 市川由紀乃 あなたがそばに(シングルバージョン) 4053-65 Eve アウトサイダー 6109-72 4/16 - - 上杉香緒里 暗夜の恋 4107-87 上杉香緒里 風の酒 4107-88 上原敏 波止場気質 2150-06 4/30 - - ウォルピスカーター 1% 5188-09 宇多田ヒカル 誓い 6972-98 4/23 - - 宇野実彩子 (AAA) 咲いた春と共にあなたへ贈る言葉 6259-76 AKB48 ジワるDAYS 6059-79 A.B.C-Z Black Sugar 3624-65 EXILE ATSUSHI この道 5984-99 4/9 4/9 4/9 EXILE SHOKICHI サイケデリックロマンス feat. SALU 6063-09 4/17 4/17 4/17 Emily Blunt The Place Where Lost Things Go [幸せのありか] 3838-64 4/9 4/9 4/9 lol-エルオーエル- サヨナラの季節 5182-54 大川栄策 未練なんだぜ 2401-89 4/10 4/10 4/10 太田裕美 桜月夜 2378-50 大橋卓弥・小田和正 たしかなこと 5025-70 4/30 - 奥山えいじ(奥山英治) 只見線恋歌 5822-17 4/16 4/16 4/16 小田純平 大阪ボレロ 1910-94 4/16 - - HONEST BOYZ(R) SAKURA feat.

  • アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価（税抜） Url #Hashtag Log out ＜初

    アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価（税抜） URL #HASHTAG LOG OUT ＜初回生産限定盤/都築雄哉ver.＞ XNFJ70026 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4779016 #HASHTAG LOG OUT ＜初回生産限定盤/臼井拓馬ver.＞ XNFJ70024 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4779014 #HASHTAG Deluxe! ＜通常盤＞ ［CD+DVD］ XNFJ70028 Single J-POP-CD SINGLES 1,667 https://tower.jp/item/4861786 #HASHTAG 君 the WORLD ＜通常盤＞ XNFJ70015 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4585189 #HASHTAG LOG OUT ＜通常盤＞ ［CD+DVD］ XNFJ70021 Single J-POP-CD SINGLES 1,667 https://tower.jp/item/4779011 #HASHTAG LOG OUT ＜初回生産限定盤/伊藤海都ver.＞ XNFJ70022 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4779012 #HASHTAG 君 the WORLD (阿部哲也ver.) ＜初回生産限定盤＞（LTD） XNFJ70018 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4585194 #HASHTAG 君 the WORLD (臼井拓馬ver.) ＜初回生産限定盤＞（LTD） XNFJ70019 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4585196 #HASHTAG 君 the WORLD (山内智貴ver.) ＜初回生産限定盤＞（LTD） XNFJ70020 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4585198 #HASHTAG LOG OUT ＜初回生産限定盤/吉田尚貴ver.＞ XNFJ70023 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4779013 #HASHTAG LOG OUT ＜初回生産限定盤/山内智貴ver.＞ XNFJ70025 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4779015 #HASHTAG 君 the WORLD (伊藤海都ver.) ＜初回生産限定盤＞（LTD） XNFJ70016 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4585191 #HASHTAG 君 the WORLD (吉田尚貴ver.) ＜初回生産限定盤＞（LTD） XNFJ70017 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4585192 #HASHTAG LOG OUT ＜初回生産限定盤/佐々木正嘉ver.＞ XNFJ70027 Single J-POP-CD SINGLES 1,111 https://tower.jp/item/4779017
  • CASIO to Release 35Th Anniversary NIGO®×K.IBE G-SHOCK Collection

    CASIO to Release 35Th Anniversary NIGO®×K.IBE G-SHOCK Collection

    CASIO to Release 35th Anniversary NIGO®×K.IBE G-SHOCK Collection Special Models Designed in Collaboration between Fashion Designer NIGO® and G-SHOCK Inventor Kikuo Ibe DW-5635-9 DW-6935-4 Norderstedt, January 10, 2018 — Casio Computer Co., Ltd. will mark the 35th anniversary of its G-SHOCK brand of shock-resistant watches in April 2018. As part of its celebration of this milestone, CASIO announced today the release of two special models developed in collaboration between the leading Japanese fashion designer and creative director, NIGO®, and the G-SHOCK inventor, Kikuo Ibe. A special edition of 35 watches of each model will be sold worldwide. The new models are based on the DW-5600, in a nod to the heritage of the first G-SHOCK ever, and the DW-6900, which is the basis for many G-SHOCK collaboration models and a model NIGO® feels a personal connection with. To realize the two collaborators’ aspiration to bring an unprecedented expression to the design, the watches use vividly colored, translucent, fluorescent plastics. The fluorescent paint is coated with two layers of plastic and further coated throughout with a UV-resistant clear paint after molding. The process protects against discoloring and this is the first time for this technology to be featured in any G-SHOCK watch. The collaboration models employ special design features including a message from the collaborators inscribed on the back case: “35th Anniversary Model Thank you from NIGO & K.IBE.” Model Color MSRP No. of Watches Released DW-5635-9 Yellow US$135 35 DW-6935-4 Pink US$135 35 The special models will be sold in a raffle among hopefuls who pre-register at a special website.
  • THE GOLDEN YEARS HAWAII I M I , NISEI and SANSEI

    THE GOLDEN YEARS HAWAII I M I , NISEI and SANSEI

    THE GOLDEN YEARS HAWAII i m i , NISEI AND SANSEI BIOGRAPHICAL RECORD OF JAPANESE ANCESTRY ie Golden Years o ’ ssei, Nisei and Sansei State of Hawaii Table O f Contents Introduction ......................................................................................................... 7 Period of Contract Im m igration ....................................................................8 Period of World War II ................................................................................. 17 Post War Period ..............................................................................................19 O ahu ....................................................................................................................29 H a w a ii............................................................................................................ 1 27 M a u i................................................................................................................. 145 K a u a i............................................................................................................... 172 Business Directory .................................................................................... 184 This valuable publication may be purchased at leading bookstores or write to us at P.O. Box 8848, Honolulu, Hawaii 96815. Who would have dreamed on that June day in 1868 much more than a toleration of diversity; it is an active when the first 149 Japanese contract laborers arrived cultivation of differences for their own intrinsic sakes. in
  • Jeffrey Angles Dissertation

    Jeffrey Angles Dissertation

    WRITING THE LOVE OF BOYS: REPRESENTATIONS OF MALE-MALE DESIRE IN THE LITERATURE OF MURAYAMA KAITA AND EDOGAWA RANPO DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Jeffrey M. Angles, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor William J. Tyler, Adviser Professor Richard Torrance ______________________________ Professor Naomi Fukumori Adviser Department of East Asian Languages and Literatures Copyright by Jeffrey Angles 2004 ABSTRACT During the twenty-five years between the beginning of the Taishō period in 1912 and the Japanese invasion of China in 1937, the spread of medical psychology and sexological discourse helped contribute to the development of new ideas about masculinity and gender in Japan. Popular literature represented one forum in which people explored, promoted, and qualified these new ideas. The manifestations of male-male desire that one finds in the literature of the period, however, do not just passively reflect changes in contemporary ideology. Literary developments also helped shape the idioms that writers used to describe the subject. This dissertation examines the representations of male-male desire in the bestselling works of two authors active during this window of change: the poet, writer, and painter Murayama Kaita (1896-1919) and the mystery author Edogawa Ranpo (1894-1965). Through critical analysis and original translations of their works, this dissertation shows that their depictions of desire between men were shaped not only by changing ideas about gender relations but also the artistic movements and genres with which both authors were associated.
  • Information to Users

    Information to Users

    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if xmauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North! Z ee b Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 Order Number 9421009 Author and audience across cultural margins; Narrative transactions between ethnic writers and outsider readers Richardson, Susan Starr Bleyler, Ph.D.
  • Japanese Artists in the United States, 1895-1955

    Japanese Artists in the United States, 1895-1955

    Art across Borders: Japanese Artists in the United States, 1895-1955 Ramona Handel-Bajema Submitted in fulfillment of the requirements for the degree for Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 ©2012 Ramona Bajema All Rights Reserved Ramona Handel-Bajema ABSTRACT Art across Borders: Japanese Artists in the United States, 1895-1955 From the 1880s to the early 1920s, hundreds of artists left Japan for the United States. The length of their stays varied from several months to several decades. Some had studied art in Tokyo, but others became interested in art after working in California. Some became successful in the American art world, some in the Japanese art world, and some in both. They used oil paints on canvas, sumi ink on silk, and Leica cameras. They created images of Buddhist deities, labor protests, farmers harvesting rice, cabaret dancers, and the K.K.K. They saw themselves and were seen by others as Japanese nationals, but whether what they created should be called Japanese art proved a difficult and personal question. The case of Japanese artists in the United States during the first half of the twentieth century demonstrates that there is a national art – a Japanese art and an American art – but that the category is not fixed. A painting can be classified in the 1910s as Japanese, but the same painting can be included in a show of American art a few decades later. An artist can proclaim himself to be American, but can then be exhibited as a Japanese artist after his death.
  • Cultural Origins of the Kamikaze Special

    Cultural Origins of the Kamikaze Special

    CULTURAL ORIGINS OF THE KAMIKAZE SPECIAL ATTACK CORPS AND THE 442ND REGIMENTAL COMBAT TEAM DURING WORLD WAR II: A COMPARISON BETWEEN THE JAPANESE SOLDIERS RAISED IN JAPAN AND THE NISEI SOLDIERS RAISED IN AMERICA By YUKIE O Bachelor of Arts in History Colorado State University Fort Collins, Colorado 2000 Master of Arts in History University of Central Oklahoma Edmond, Oklahoma 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May 2011 © 2011, Yukie O ii CULTURAL ORIGINS OF THE KAMIKAZE SPECIAL ATTACK CORPS AND THE 442ND REGIMENTAL COMBAT TEAM DURING WORLD WAR II: A COMPARISON BETWEEN THE JAPANESE SOLDIERS RAISED IN JAPAN AND THE NISEI SOLDIERS RAISED IN AMERICA Dissertation Approved: Dr. Ronald A. Petrin Dissertation Adviser Dr. Yonglin Jiang Dr. Michael F. Logan Dr. R. Michael Bracy Dr. Jean Van Delinder Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS For the completion of my dissertation, I would like to express my sincere gratitude to my advisor and mentor, Dr. Ronald A. Petrin for the opportunity to study under his leadership as well as for his scholarly guidance, encouragement, and continuous support throughout the course of this study. Without Dr. Petrin’s understanding and patience, it would have been next to impossible for me to complete this study. I am especially indebted to Dr. Michael F. Logan for his extensive knowledge of World War II that has been the source of inspiration for me to pursue this study. Dr.
  • Japanese Demon Lore

    Japanese Demon Lore

    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2010 Japanese Demon Lore Noriko T. Reider [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Cultural History Commons, and the Folklore Commons Recommended Citation Reider, N. T. (2010). Japanese demon lore: Oni, from ancient times to the present. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Japanese Demon Lore Oni from Ancient Times to the Present Japanese Demon Lore Oni from Ancient Times to the Present Noriko T. Reider U S U P L, U Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322 Cover: Artist Unknown, Japanese; Minister Kibi’s Adventures in China, Scroll 2 (detail); Japanese, Heian period, 12th century; Handscroll; ink, color, and gold on paper; 32.04 x 458.7 cm (12 5/8 x 180 9/16 in.); Museum of Fine Arts, Boston; William Sturgis Bigelow Collection, by exchange, 32.131.2. ISBN: 978-0-87421-793-3 (cloth) IISBN: 978-0-87421-794-0 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Reider, Noriko T. Japanese demon lore : oni from ancient times to the present / Noriko T. Reider. p. cm. Includes bibliographical references and index.