Issue 16.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Broward Center for the Performing Arts 2018-19 Calendar Listings
July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events. -
Humour Number 20, February 2015 Philament a Journal of Arts And
Philament Humour A Journal of Arts Number 20, and Culture February 2015 Philament An Online Journal of Arts and Culture “Humour” Number 20, February 2015 ISSN 1449-0471 Editors of Philament Editorial Assistants Layout Designer Chris Rudge Stephanie Constand Chris Rudge Patrick Condliffe Niklas Fischer See www. rudge.tv Natalie Quinlivan Tara Colley Cover: Illustrations by Ben Juers, design by Chris Rudge. Copyright in all articles and associated materials is held exclusively by the applica- ble author, unless otherwise specified. All other rights and copyright in this online journal are held by the University of Sydney © 2015. No portion of the journal may be reproduced by any process or technique without the formal consent of the editors of Philament and the University of Sydney (c/- Dean, Faculty of Arts and Sciences). Please visit http://sydney.edu.au/arts/publications/philament for further infor- mation, including contact information for the journal’s editors and assistants, infor- mation about how to cite articles that appear in the journal, or instructions on how submit articles, reviews, or creative works to Philament. ii Contents Editorial Preface Chris Rudge, Patrick Condliffe 1 Articles Mika Rottenberg’s Video Installation Mary’s Cherries: A Parafeminist “dissection” of the Carnivalesque 11 Laura Castagnini Little Big Dog Pill Explanations: Humour, Honesty, and the Comedian Podcast 41 Melanie Piper Arrested Development: Can Funny Female Characters Survive Script Development Processes? 61 Stayci Taylor Dogsbody: An Overview of Transmorphic Techniques as Humour Devices and their Impact in Alberto Montt’s Cartoons 79 Beatriz Carbajal Carrera Bakhtin and Borat: The Rogue, the Clown, and the Fool in Carnival Film 105 E. -
04-08-14 Wednesday Night Comedy Show
FOR IMMEDIATE RELEASE Contact: Taryn Duffy, Empire City Casino 914-457-2431, [email protected]; John Cirillo, Cirillo World 914-260-7436, [email protected]; Diego Isio, [email protected] National Comedic Talent Brings the Laughs to Empire City Casino April 8, 2014, Yonkers, NY— Unique, intellectual comedy will tickle the funny bone at Empire City Casino (810 Yonkers Avenue, Yonkers, NY 10704; 914-968-4200) when Bronx native Adrienne Iapalucci headlines the Good Time Room stage on Wednesday night, April 30. Iapalucci will be joined by featured artist, Joe Matarese, sharing his personal reflections. Rus Gutin, a regular in the New York City Club scene, will be the MC for the evening. Doors will open at 7:00 pm and the show will begin at 8:00 pm. Admission is $5 for Empire Club members and $25 for all non-members. Elite Club members gain free admission to the show. All patrons will receive a free drink ticket. Born and bred in the Bronx, Adrienne Iapalucci’s skewed look on life is reflected in her unique brand of intelligent comedy. Her dark sense of humor is enhanced by her political incorrectness and counteracted by her love of dogs. Comedy fans will recognize Adrienne from her performances as a semifinalist on season 7 of NBC’s Last Comic Standing and her recent appearance on the Late Show with David Letterman. In 2009, Adrienne won the first ever People’s Choice award at the New York Comedy Festival. She was also a semifinalist in the festival's New York Funniest Stand-Up Contest and a runner-up in the New York Underground Comedy Festival’s Best of the Boroughs contest. -
AXS TV Canada Schedule for Mon. September 28, 2015 to Sun
AXS TV Canada Schedule for Mon. September 28, 2015 to Sun. October 4, 2015 Monday September 28, 2015 6:30 PM ET / 3:30 PM PT 8:00 AM ET / 5:00 AM PT I’ll Do Anything Jackson Browne Live In Concert The Big Interview Jackson Browne has written and performed some of the most literate and moving songs in Frankie Valli - Frankie Valli, the man responsible for dozens of hits as the lead singer for the Four popular music and has defined a genre of songwriting charged with honesty, emotion and Seasons, sits down with Dan Rather. personal politics. For this intimate acoustic performance, playing both guitar and piano, Jackson will perform songs from his entire body of work. From the dazzling Paramount Theatre in 9:00 AM ET / 6:00 AM PT Denver, join Jackson Browne for a once in a lifetime event. The Big Interview Paul Haggis - Academy Award winning writer, producer and director Paul Haggis discusses his 7:45 PM ET / 4:45 PM PT break from the Church of Scientology. KT Tunstall With a powerful voice and a bit of an edge, KT Tunstall has won fans, awards and nominations 10:00 AM ET / 7:00 AM PT since her debut album in 2004. KT mixes blues, country and a little rock in this special perfor- Alps From Above mance. Catch the ever popular “Black Horse and the Cherry Tree” as well as “Suddenly I See” and Luscious Pastures - As the helicopter leaves the Allgau region, take in breathtaking views of wa- “Under the Weather”. -
Konter-Weiland Comedy Returns Blue Star Experience
December 2018 | Nisan 5779 | Volume 73, Number 10 Konter-Weiland Comedy Returns It is hard to believe it’s been Opening for Gary Gulman is Erin will be available beginning December almost two years since the last Jackson. Armed with a megawatt 10. The evening includes refreshments Konter-Weiland Comedy Night! On smile and a pocket full of dreams, – open bar and desserts. See the ad in Saturday, January 12, 2019, the Law- Erin Jackson is poised to conquer the this issue for complete details. rence Konter and Bertram Weiland world of stand-up. Since first making Marcy and Jerry Konter, found- Candle Lighting Times Jewish Cultural Arts Fund is pleased a name for herself at colleges and east ers of the sponsoring fund named for to once again sponsor an evening of coast comedy clubs, Erin’s conversa- their fathers, stated: “It is a joy for Friday, November 30, 2018 5:02 p.m. laughter featuring popular comics in a tional style and relatable humor have us to again be able to bring everyone Saturday, December 1, 2018 5:59 p.m. comedy club-like setting at the JEA. helped to propel her onto the national together for an evening of humor and Friday, December 7, 2018 5:02 p.m. The star of the show this year is stage. Erin can be seen nightly in fun, and to have a chance to thank Saturday, December 8, 2018 6:00 p.m. Gary Gulman. Gulman has been a many of New York City’s top comedy everyone who supports the Savannah Friday, December 14, 2018 5:03 p.m. -
This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?
Hastings Communications and Entertainment Law Journal Volume 42 Number 2 Summer 2020 Article 3 Summer 2020 This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? Sarah Gamblin Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sarah Gamblin, This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes?, 42 HASTINGS COMM. & ENT. L.J. 141 (2020). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol42/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 2 - GAMBLIN_CMT_V42-2 (DO NOT DELETE) 4/8/2020 11:18 AM This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? by SARAH GAMBLIN1 The only honest art form is laughter, comedy. You can’t fake it . try to fake three laughs in an hour—ha ha ha ha ha—they’ll take you away, man. You can’t.2 – Lenny Bruce Abstract This note will discuss the current state of protection for jokes and comedy. As it is now, the only protection comics have is self-help, meaning comedians take punishing thefts into their own hands. This note will dive into the reasons why the current legislature and courts refuse to recognize jokes as copyrightable. -
He's Justnotthat Into
February 2009 www.StudentFilmmakers.com The #1 Educational Resource for Film and Video Makers US$5.95 Interview with Director Ken Kwapis he’s just not that into you Filming a Key Shot for Spielberg’s Hook Backpack Journalism: Get Roadworthy Non-Dialogue Film, Begotten: Merhige Talks Ghetto Tech Dynamic Shots with the Use of Perspective Audio Recording in the Great Outdoors Publisher’s Desk Table of Contents February 2009 I am looking forward to attending the The # 1 Educational Resource for Film and Video Makers 2009 NAB show this year in Las Vegas, Publisher / Editor-in-Chief Kim Edward Welch Cinematography Nevada. It will be the third anniversary of Senior Editor Jody Michelle Solis 4 When They Look to You on the Set Filming a Key Shot for Spielberg’s “Hook” StudentFilmmakers magazine. For those who Contributing Writers by Jack Anderson don’t know, our first issue was launched Thomas Ackerman, ASC, Jack Anderson, Anthony Q. Artis, John Badham, Adam Biddle, Kevin Burke, Julia Camenisch, Steve Carlson, and distributed at the NAB show in April of 2006. If you are attending Chris Cavallari, Michael Corbett, Vanessa Daniels, Carsten Dau, Production this year, please stop by our booth at C10206 and say hello. For Todd Debreceni, Jeff Deel, Christina DeHaven, Dana Dorrity, 8 Backpack Journalism Pamela Douglas, David E. Elkins, S.O.C., Scott Essman, Bryant Falk, Get Roadworthy with Award-Winning BP Journalist Mara the latest information about the tradeshows we are attending and Carl Filoreto, Jon Firestone, Brian Flees, Jacqueline B. Frost, Schiavocampo of NBC News, and Denver Journalist Jennie updates, visit our website at www.studentfilmmakers.com for online Daniel Gaucher, Fred Ginsburg C.A.S. -
Politics of Parody
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. -
Youtube at a Glance
Viacom International, Inc. v. Youtube, Inc. Doc. 395 10-3270 10-3342 IN THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT VIACOM INTERNATIONAL INC., COMEDY PARTNERS, COUNTRY MUSIC TELEVISION, INC., PARAMOUNT PICTURES CORPORATION, BLACK ENTERTAINMENT TELEVISION LLC, Plaintiffs-Appellants, (caption continued on inside cover) ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK SUPPLEMENTAL JOINT APPENDIX VOLUME VIII OF IX (Pages SJA-1788 to SJA-2085) – PUBLIC VERSION Paul M. Smith Theodore B. Olson William M. Hohengarten Matthew D. McGill Scott B. Wilkens GIBSON, DUNN & CRUTCHER LLP Matthew S. Hellman 1050 Connecticut Avenue, NW JENNER & BLOCK LLP Washington, DC 20036 1099 New York Avenue, NW (202) 955-8500 Washington, DC 20001 (202) 639-6000 Attorneys for Plaintiffs-Appellants (10-3270) (Counsel continued on inside cover) Dockets.Justia.com v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. THE FOOTBALL ASSOCIATION PREMIER LEAGUE LIMITED, on behalf of themselves and all others similarly situated, BOURNE CO., CAL IV ENTERTAINMENT, LLC, CHERRY LANE MUSIC PUBLISHING COMPANY, INC., NATIONAL MUSIC PUBLISHERS’ ASSOCIATION, THE RODGERS & HAMMERSTEIN ORGANIZATION, EDWARD B. MARKS MUSIC COMPANY, FREDDY BIENSTOCK MUSIC COMPANY, dba Bienstock Publishing Company, ALLEY MUSIC CORPORATION, X-RAY DOG MUSIC, INC., FEDERATION FRANCAISE DE TENNIS, THE MUSIC FORCE MEDIA GROUP LLC, SIN-DROME RECORDS, LTD., on behalf of themselves and all others similarly situated, MURBO MUSIC PUBLISHING, INC., STAGE THREE MUSIC (US), INC., THE MUSIC FORCE, LLC, Plaintiffs-Appellants, ROBERT TUR, dba Los Angeles News Service, THE SCOTTISH PREMIER LEAGUE LIMITED, Plaintiffs, v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
The Madison Square Garden Company Announces Six Additional Jerry Seinfeld Shows in 2019 at the Historic Beacon Theatre
The Madison Square Garden Company Announces Six Additional Jerry Seinfeld Shows in 2019 at the Historic Beacon Theatre March 20, 2019 New Shows Added on September 20, October 25, and October 26, 2019 NEW YORK, March 20, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE: MSG) announced that legendary New Yorker and comedian Jerry Seinfeld has added six more 2019 performances at the Beacon Theatre. The newly announced 2019 dates are as follows: September 20, October 25, and October 26, with performances at 7:00pm and 9:30pm on all three nights. The October events will be part of a Netflix special live taping. Tickets will go on-sale for the three new dates on Friday, March 22, 2019 at 10:00am (EST). Limited tickets remain for the previously announced performances. The 2019 shows are as follows: January 11 – 7p & 9:30p SOLD OUT! May 4 – 7p & 9:30p February 8 – 7p & 9:30p SOLD OUT! June 6 – 7p & 9:30p March 14 – 7p & 9:30p SOLD OUT! June 7 – 7p & 9:30p March 15 – 7p & 9:30p SOLD OUT! September 20 – 7p & 9:30p April 4 – 7p & 9:30p October 25 – 7p & 9:30p April 5 – 7p & 9:30p October 26 – 7p & 9:30p May 3 – 7p & 9:30p Ticket prices for Jerry Seinfeld at The Beacon are $195.00, $99.50 and $87.50. Tickets for the newly added 2019 shows go on-sale on Friday, March 22, 2019 at 10:00am (EST) and will be available online at beacontheatre.com and ticketmaster.com and Ticketmaster Charge By Phone at 866-858-0008.