The Incredible Shrinking Women
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
“Serving Nob Hill and Beyond” Reuben’S TV Show “Pee Wee’S Was Elected President
San Francisco Herald However, performing suited his outgoing show together; though it bothered him personality more than drawing did, so he that he didn’t have a recurring character May 2019 eventually joined the Groundlings, the like Dana Carvey’s Church Lady or Jon revered comedy troupe in Hollywood. Lovitz’s The Liar. SanFranciscoHerald.Net His first break came as a recurring character on Paul “Pee Wee Herman” That changed, kind of, when Bill Clinton “Serving Nob Hill and Beyond” Reuben’s TV show “Pee Wee’s was elected president. Though Phil was a fan of Clinton’s policies, Clinton wasn’t XXXXXXXXXX Playhouse.” Phil also helped Reuben write the movie “Pee Wee’s Big a fan of Phil’s lampoons of him. Adventure.” The Society Page While on “Saturday Night Live,” Phil In the summer of 1986, at age 38, he married his third wife, Brynn Omdahl, By Gene Mahoney auditioned to be a cast member on who had done some modeling and aspired to become an actress. (During Russian Hill Upholstery &Décor is still “Saturday Night Live” (you can view the the opening credits of the show’s 1990 – located in Nob Hill, not Russian Hill. audition on YouTube). He got the job – along with Jon Lovitz, Dennis Miller, 91 season, Phil is talking to a blonde XXXXXXXXXX Kevin Nealon, Dana Carvey, Victoria woman whose back is turned to the Jackson, Jan Hooks, and Nora Dunn. camera – that’s her.) It was a sunny day in May, 1998, when I walked by a newspaper stand on Sutter A friend of Phil told him not to marry and Polk to pick up a copy of the Brynn. -
AXS TV Canada Schedule for Mon. September 28, 2015 to Sun
AXS TV Canada Schedule for Mon. September 28, 2015 to Sun. October 4, 2015 Monday September 28, 2015 6:30 PM ET / 3:30 PM PT 8:00 AM ET / 5:00 AM PT I’ll Do Anything Jackson Browne Live In Concert The Big Interview Jackson Browne has written and performed some of the most literate and moving songs in Frankie Valli - Frankie Valli, the man responsible for dozens of hits as the lead singer for the Four popular music and has defined a genre of songwriting charged with honesty, emotion and Seasons, sits down with Dan Rather. personal politics. For this intimate acoustic performance, playing both guitar and piano, Jackson will perform songs from his entire body of work. From the dazzling Paramount Theatre in 9:00 AM ET / 6:00 AM PT Denver, join Jackson Browne for a once in a lifetime event. The Big Interview Paul Haggis - Academy Award winning writer, producer and director Paul Haggis discusses his 7:45 PM ET / 4:45 PM PT break from the Church of Scientology. KT Tunstall With a powerful voice and a bit of an edge, KT Tunstall has won fans, awards and nominations 10:00 AM ET / 7:00 AM PT since her debut album in 2004. KT mixes blues, country and a little rock in this special perfor- Alps From Above mance. Catch the ever popular “Black Horse and the Cherry Tree” as well as “Suddenly I See” and Luscious Pastures - As the helicopter leaves the Allgau region, take in breathtaking views of wa- “Under the Weather”. -
A Linguistic Analysis of Postmodern Comedy by Barbara Ann Karman
Postmodern Power Plays: A linguistic Analysis of Postmodern Comedy by Barbara Ann Karman Submitted in partial Fulfillment of the Requirements for the Degree of Master ofArts in the English Program Youngstown State University August, 1998 Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy Barbara Ann Karman I hereby release this thesis to the public. I understand this thesis will be housed at the Circulation Desk of the University library and will be available for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ~ Ii q;;. ~~QL<~ Student Date Approvals: Thesis Advisor Date LC~L L}~lGl ~~b~ L~{S-.-..;;;;~ 0 --c' __(s+-II CommitteiMember 0 Date iii Abstract Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy The goal of this thesis is to first acquaint readers with the literature on humor that will be useful in analyzing postmodern comedy from a linguistic perspective. As a genre-specific theoretical tool for viewers-- and readers-- of television texts, this thesis provides a means to an end: a way to "fine tune" our perception and understanding ofpostmodern comedy, and more importantly, provide concrete means to analyze the structure and implicit messages of one of its primary modes of expression--the prime time television situation comedy. Two case studies will consider the linguistic and textual construction of The Simpsons and Home Improvement and show how each sitcom relies on a postmodern power play between competing interests to engage the audience, subvert, and yet also subtly reinforce some ofour traditional notions ofgender and family relations in a patriarchal society. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
Transcript 'Saturday Night Live' and Presidential
TRANSCRIPT ‘SATURDAY NIGHT LIVE’ AND PRESIDENTIAL POLITICS PANEL DISCUSSION Saturday Night Live has provided an irreverent yet influential perspective on American presidential politics since its debut season in 1975. Two days after kicking off its fall 2008 season with a sketch portraying Sarah Palin and Hillary Clinton, SNL was the subject of a panel discussion with series creator and executive producer Lorne Michaels, selected by Time Magazine as one of the world’s 100 most influential people; cast members and Weekend Update co-anchors Amy Poehler and Seth Meyers; and veteran SNL writer James Downey. The program celebrated the launch of the 2008 edition of the Museum’s website, The Living Room Candidate (www.livingroomcandidate.org), an archive of American presidential campaign commercials. Panel discussion with James Downey, Lorne but Lorne created the show, and it had certain Michaels, Seth Meyers, and Amy Poehler, characteristics. It had brilliant writing, the casting moderated by Chief Curator David Schwartz was outstanding, and most important, Lorne was (September 15, 2008): not afraid. He was willing to test the limits of what the executives would permit, and test the ROCHELLE SLOVIN: Now, to introduce Lorne audience, as well. He was willing to put pins into Michaels: Herb Schlosser, Chairman of the Board balloons, say outrageous things, and he created of Trustees of the Museum of the Moving Image. something new. While Herb was president of NBC, he put Saturday Night Live on the air, so there’s no one Lorne got the respect of the audience—we had more fitting as an introducer tonight. -
Politics of Parody
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
WELCOME to V-DAY's 2003 PRESS KIT Thank You for Taking the First Step in Helping to Stop Violence Against Women and Girls
WELCOME TO V-DAY’S 2003 PRESS KIT Thank you for taking the first step in helping to stop violence against women and girls. V-Day relies on the media to help get the word out about the global reach and long-lasting effects of violence. With your assistance, we hope your audience is compelled to take action to stop the violence, rape, domestic battery, incest, female genital mutilation, sexual slavery—that many women and girls face every day around the world. Our goal is to provide media with everything you need to present the most interesting and meaningful story possible. If you require additional information or interviews, please contact Susan Celia Swan at [email protected] . In addition, you can find all of our press releases (including the most recent) posted at our site in the Press Release section. Thank you again for joining V-Day in our fight to end violence against women and girls. Susan Celia Swan Jerri Lynn Fields Media & Communications Executive Director 212-445-3288 914-835-6740 CONTENTS OF THIS KIT Page 1: Welcome To V-Day’s 2003 Press Kit Page 2: 2003 Vision Statement Page 3: 2003 Launch Press Release Page 7: About V-Day and Mission Statement Page 8: Star Support: The Vulva Choir Page 11: Quote Sheet Page 12: Biography of V-Day Founder and Artistic Director/Playwright Eve Ensler Page 13: Take Action to Stop Violence Page 14: V-Day College and Worldwide Campaigns Page 15: Selected Media Coverage Page 38: Selected Press Releases V-DAY 2003: FROM V-DAY TO V-WORLD Last year V-Day happened in 800 venues around the world. -
2011 Elena Daniela
©2011 ELENA DANIELA (DANA) NEACSU ALL RIGHTS RESERVED POLITICAL SATIRE AND POLITICAL NEWS: ENTERTAINING, ACCIDENTALLY REPORTING OR BOTH? THE CASE OF THE DAILY SHOW WITH JON STEWART (TDS) by ELENA-DANIELA (DANA) NEACSU A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies Written under the direction of John V. Pavlik, Ph.D And approved by ___Michael Schudson, Ph.D.___ ____Jack Bratich, Ph.D.______ ____Susan Keith, Ph.D.______ ______________________________ New Brunswick, New Jersey MAY 2011 ABSTRACT OF THE DISSERTATION Political Satire and Political News: Entertaining, Accidentally Reporting or Both? The Case of The Daily Show with Jon Stewart (TDS) by ELENA-DANIELA (DANA) NEACSU Dissertation Director: John V. Pavlik, Ph.D. For the last decade, The Daily Show with Jon Stewart (TDS ), a (Comedy Central) cable comedy show, has been increasingly seen as an informative, new, even revolutionary, form of journalism. A substantial body of literature appeared, adopting this view. On closer inspection, it became clear that this view was tenable only in specific circumstances. It assumed that the comedic structure of the show, TDS ’ primary text, promoted cognitive polysemy, a textual ambiguity which encouraged critical inquiry, and that TDS ’ audiences perceived it accordingly. As a result I analyzed, through a dual - encoding/decoding - analytical approach, whether TDS ’ comedic discourse educates and informs its audiences in a ii manner which encourages independent or critical reading of the news. Through a multilayered textual analysis of the primary and tertiary texts of the show, the research presented here asked, “How does TDS ’ comedic narrative (primary text) work as a vehicle of televised political news?” and “How does TDS ’ audience decode its text?” The research identified flaws in the existing literature and the limits inherent to any similar endeavors.