Session 2, 17H00 PETE LOCKETT (Angleterre)
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Pete Lockett
Pete Lockett LP 30th Anniversary Limited Edition Lessons with Taku Hirano, Richie Interview page 98 Palladium Congas Product Test page 104 “Gajate” Garcia, and Glen Caruba page 106 Pete Lockett CROSSING THE GREAT DIVIDE drummagazine.com November 2008 DRUM! 97 Pete Lockett ett ventured inside, had a chat with bleak. “I rented an old concrete store drum teacher John Hammond, and in Finsbury Park in North London that the following week his life changed doubled as a bed-sit,” he says. “The — dramatically. “It turned out to be place was just full of dust and was very the first thing that made sense to me,” cold. It was very depressing.” says the philosophical Lockett in his quiet, friendly tone. “Everything that In Search Of The Music. In STYLES he showed to me, I could do instantly. 1985, a friend invited Lockett to his It was the first time that anything like apartment near Alexander Palace, that had happened to me.” which was hosting the Festival Of HYBRID India, where the venue took on the Immersed In Study. Lockett had look and sounds of that country. “I never shown any interest in music could hear this incredible music and Come Easy To The Former before that moment, and his fam- wondered, ‘What is that?’” The two ily household was virtually devoid of took off in search of the music that music. “We did have a radio, but there filtered through the window. “It was were no records or musical instruments a free concert that featured Zakir in the house,” he says. -
Bass Guitar Magazine Nov 2009
PASSION, FIRE AND GRACE DOMINIQUE DI PIAZZA Mike Flynn talks to a modern master of the electric bass about his journey into music and the highs and lows of his career so far. © Denis Barbier n the 30 years since Jaco Piazza’s name was now held among a landmark album with jazz legend players by the time they were 20 Pastorius fi rst turned the bass the modern greats of the bass; John McLaughlin, and his initial had already made great records – I guitar on its head and brought he was the name on everyone’s studies were intense to say the least. knew that [the drummer] Tony it from the back of the stage lips, and looked certain to have Coincidentally he was reminded Williams had done this at the age to the front, it almost seems a path set out ahead of him. But of this a short time ago: ‘It’s funny of 17, and Jaco made his solo album commonplace for bassists to then the unexpected happened: because someone recently gave me at the age of 23 or something, and Inow play lead melodies, pulsating he disappeared, the recordings a recording of a concert I did with Miles Davis at the age of 19. So for forthright basslines and explosive stopped and so did the live shows. a French guitarist in 1982 and I was me I was really in a hurry to get to solos. Yet in the intervening years Rumours began to surface that he’d amazed, because it sounded almost that level, to catch up.’ few bassists have built upon turned to religion and had quit like the way I play now! At the time While Dominique is a formidable Jaco’s founding techniques as playing altogether. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
100 Titres Sur Le JAZZ — JUILLET 2007 SOMMAIRE
100 TITRES SUR LE JAZZ À plusieurs époques la France, par sa curiosité et son ouverture à l’Autre, en l’occurrence les hommes et les musiques de l’Afro-Amérique, a pu être considérée, hors des États-Unis, comme une « fille aînée » du juillet 2007 / jazz. Après une phase de sensibilisation à des « musiques nègres » °10 constituant une préhistoire du jazz (minstrels, Cake-walk pour Debussy, débarquement d’orchestres militaires américains en 1918, puis tour- Hors série n nées et bientôt immigration de musiciens afro-américains…), de jeunes pionniers, suivis et encouragés par une certaine avant-garde intellectuelle et artistique (Jean Cocteau, Jean Wiener…), entrepren- / Vient de paraître / nent, dans les années 1920, avec plus de passion que d’originalité, d’imiter et adapter le « message » d’outre-Atlantique. Si les traces phonographiques de leur enthousiasme, parfois talentueux, sont qua- CULTURESFRANCE siment inexistantes, on ne saurait oublier les désormais légendaires Léon Vauchant, tromboniste et arrangeur, dont les promesses musica- les allaient finalement se diluer dans les studios américains, et les chefs d’orchestre Ray Ventura, (qui, dès 1924, réunissait une formation de « Collégiens ») et Gregor (Krikor Kelekian), à qui l’on doit d’avoir Philippe Carles Journaliste professionnel depuis 1965, rédacteur en chef de Jazz Magazine (puis directeur de la rédaction à partir de 2006) et producteur radio (pour France Musique) depuis 1971, Philippe Carles, né le 2 mars 1941 à Alger (où il a commencé en 1958 des études de médecine, interrompues à Paris en 1964), est co-auteur avec Jean-Louis Comolli de Free Jazz/Black Power (Champ Libre, 1971, rééd. -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue. -
Blues Symphony in Atlanta Two Years Ago, Wynton Marsalis Embarked on a New Challenge: Fuse Classical Music with Jazz, Ragtime and Gospel
01_COVER.qxd 12/10/09 11:44 AM Page 1 DOWNBEAT DOWNBEAT BUDDY GUY BUDDY // ERIC BIBB // JOE HENRY JOE HENRY // MYRON WALDEN MYRON WALDEN DownBeat.com $4.99 02 FEBRUARY 2010 FEBRUARY 0 09281 01493 5 FEBRUARY 2010 U.K. £3.50 02-27_FRONT.qxd 12/15/09 1:50 PM Page 2 02-27_FRONT.qxd 12/15/09 1:50 PM Page 3 02-27_FRONT.qxd 12/15/09 1:50 PM Page 4 February 2010 VOLUME 77 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Contributing Designer Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Festival Programme 2011
B B : The Bradfield Festival of Music 25th June - 2nd July 2011 TTHHEE PPLLOOUUGGHH IINNNN Low Bradfield Stocking - Bradfield Brewery’s Farmers Ales Our own exclusive ale Farmers Plough plus regular changing guest ales A Genuine Freehouse A warm welcome guaranteed from Chris and Mandy Davies Serving food every lunchtime Monday - Saturday 12 noon - 2.30pm Plus evenings Wednesday - Saturday 5.30pm - 8.30pm Cask Sundays 12 noon to 3.00pm and 6.00pm to 8.00pm Marque Accredited Pub Beer Garden with kids playground, Large car park 61/62 bus stop outside 3/4 snooker table and other bar games in the Peak National Park New Road, Low Bradfield S6 6HW Tel. 0114 285 1280 Fresh farm bottled milk delivered daily in Stannington and surrounding areas Locally made ice cream, made with only the farm’s milk and cream, to which we add only the Whole milk, semi skimmed and best quality ingredients. fully skimmed milk only 54p per pint Come up to the farm for a cone, sit back on one of our benches and enjoy the view, or pick up some ice cream in a tub for your tea. All the ice cream is available from the farm where it’s made, and through local retailers. We also supply potatoes, free range eggs and fruit juice. Our Cow Molly Ice Cream available during the interval at all this week’s concerts Contact Mark Hague The shop is open Wednesday, Friday, Saturday, and Sunday from 11am to 6pm. Telephone: 0114 2325331 Mobile: 07980 004548 Our farm shop is located just off the B6076 road, which runs between Stannington and Bradfield Email: [email protected] Web: www.storrsgreenfarm.co.uk Cliffe Cottage, Hill Top Road, Dungworth, Sheffield, S66 GW Tel. -
Les Rendez-Vous Du Lac Du 16 Juillet Au 20 Août 2020
Infos Pratiques Votre Les Rendez-vous du Lac Du 16 juillet au 20 août 2020 Programme Parc de Maison Blanche Mairie des 9e/10e Arr. 150, bd Paul Claudel JEUDI 16 JUILLET P2 Restauration sur place. Jeunesse Prévoir tapis ou assises de jardin pour votre confort. Concert SAMEDI 18 JUILLET P4 Animation musicale Cinéma JEUDI 23 JUILLET P6 Jeunesse Concert JEUDI 30 JUILLET P8 Jeunesse Concert JEUDI 06 AOÛT P10 PUBLIQUE. JETER SUR LA VOIE NE PAS Jeunesse Concert 0 JEUDI 13 AOÛT P12 16/07/2 Animation musicale au Cinéma 0 20/08/2 JEUDI 20 AOÛT P14 PARC DE MAISON BLANCHE Mairie des 9e/10e Arr. Jeunesse 150, bd Paul Claudel Concert : Freepik. 2020 - (c) Illustrations - Juillet Réalisation : Buenos Aires EN SAVOIR PLUS : www.marseille9-10.fr [email protected] 04 91 14 63 40 - 04 91 14 63 56 JeudI 16 juiLlet pu JEUNESSE ut bl o ic T 17h00 MONSIEUR FRANÇOIS SPECTACLE DE MÂT CHINOIS BURLESQUE CONCERT Artiste de rue et de cirque depuis © Crédit photo : Mary-Laëtitia Gerval une vingtaine d’années en tant que jongleur, danseur et acrobate, Florian 19h00 GUEST LA MÈSON : Méheux approfondit également le DUO HENRI FLORENS - JULIEN FLORENS t pub travail autour du clown, notamment JAZZ PIANO - SAX u li o c avec Michel Dallaire. En 2007, Florian T s’installe à Marseille et se perfectionne 19h30 à la pratique du mât chinois. Il intègre KEVIN NORWOOD QUARTET l’équipe du Rire Médecin à Marseille JAZZ en 2010. ENTRÉE LIBRE DANS LA LIMITE Kevin Norwood et ses musiciens forment un quartet d'une très grande DES PLACES DISPONIBLES. -
July 2015 Edition of the AAA Newsletter
NewsletterAMERICAN ACCORDIONISTS’ ASSOCIATION A bi-monthly publication of the American Accordionists’ Association Julu-August 2015 From the Editor Welcome to the July 2015 edition of the AAA Newsletter. As the final preparations are being made for our annual AAA Festival, we remind you to make plans to attend this exciting event to be held in Alexan- dria, VA, featuring renowned American and International guests, a competition held in honor of the late Faithe Deffner with an unprecedented cash prize of- fering, workshops, concerts, a Festival Orchestra and numerous social events. We invite and encourage you to submit your news items for publication in the future issues of this Newsletter. Our membership is involved in a variety of activities, and we know our readers would love to hear about these things. At any one moment, our members are performing on Broadway, at the White House, in concert both here and abroad, producing fesitvals, undertaking various International projects, working on commissions and many other accordion happenings. We thank you in advance for keeping our readers informed. As always, my thanks to immediate Past President Linda Reed and Rita Davidson for their kind assistance with the AAA Newsletter both in the final production and with providing important news items for publication. Items for the September Newsletter can be sent to me at [email protected] or to the of- ficial AAA e-mail address at: [email protected] Please include ‘AAA Newsletter’ in the subject box, so that we don’t miss any items that come in. Text should be sent within the e- mail or as a Word file attachment. -
Programmation Jazz À Vienne De 1980 À 2019
PROGRAMMATION JAZZ À VIENNE DE 1980 À 2019 SOMMAIRE 1980 ............................................................................................................................................................................................. 3 1981 ............................................................................................................................................................................................. 4 1982 ............................................................................................................................................................................................. 5 1983 ............................................................................................................................................................................................. 6 1984 ............................................................................................................................................................................................. 7 1985 ............................................................................................................................................................................................. 9 1986 .......................................................................................................................................................................................... 11 1987 ......................................................................................................................................................................................... -
D'une Rive À L'autre En Fonction De La Longueur Du Titre Sylvain Luc Et Marylise Florid Noisette À Passer En Deuxième Page Dates En Corps Env
La On pose la page groupée de la brochure, on l’agrandit aux marges Bloc à limiter au repère de droite Type de spectacle corps env. 14 CONCERT Taille du titre du spectacle D'une rive à l'autre en fonction de la longueur du titre Sylvain Luc et Marylise Florid Noisette à passer en deuxième page Dates en corps env. 17 18 Une guitare classique rencontre une guitare jazz, et le talent novembre le dispute à la virtuosité. Sylvain Luc et Marylise Florid créent Auteur, Metteur en scène une alchimie subtile, univers possible, passerelle entre en corps 17 à 20 classique et jazz. Accroche en corps 13-14 Coprod / Partenariat corps 12 Repère infos Racle N° de spectacle en corps 51 à 55 En partenariat avec Marseille Concerts 17 à mettre en bas, ferré à la marge CONCERT D'une rive à l'autre On copie tout le texte Sylvain Luc et Marylise Florid des 2 ou 4 pages brochure Tarif A de 6 à 13 € — Petit Théâtre — Lun 20h — Durée estimée 1h30 on met tout en corps 11 Marylise Florid et Sylvain Luc recherchent l’interpénétration dans une même rêverie Sauf Type en corps 13 douce de pièces classiques et de compositions exploitant un langage plus actuel. Auteur Metteur en scène corps 13 Et titre qu’on laisse de la taille du L’exécution est parfaite, d’une grande sensibilité (Télérama). texte brochure À travers les répertoires d’Agustín Barrios Mangoré, de Francisco Tárrega, etc., mais aussi par leurs compositions et improvisations, ces deux musiciens atypiques nous Remplacer Tarif A, B, C par invitent à partager leur complicité entre sensibilité et malice. -
Jazz Guitarists
List of Jazz Guitarists 1. Blake Aaron 2. Eivind Aarset 3. Rez Abbasi 4. John Abercrombie 5. Paul Abler 6. Steve Abshire 7. Morris Acevedo 8. Bernard Addison 9. Steve Adelson 10. Dan Adler 11. Ron Affif 12. Noel Akchote 13. Jan Akkerman 14. Odd Steinar Albrigtsen 15. Howard Alden 16. Johnny Alegre 17. Oscar Alemán 18. Glenn Alexander 19. Neal Alger 20. Laurindo Almeida 21. Peter Almqvist 22. Frode Alnæs 23. Leonardo Amuedo 24. Chuck Anderson 25. Tuck Andress 26. John Anello Jr 27. Michael Anthony 28. Ron Anthony 29. Marc Antoine 30. Bruce Arnold 31. Irving Ashby 32. Dave Askren 33. Badi Assad 34. Gustavo Assis-Brasil 35. Chet Atkins 36. Erich Avinger B 37. Elek Bacsik 38. Mike Baggetta 39. Derek Bailey (the most radical) 40. Sheryl Bailey (blazing style, need to check out) 41. Bob Bain 42. Clint Baker 43. Duck Baker 44. Matt Balitsaris 45. Dave Barbour 46. A Spencer Barefield 47. Danny Barker 48. Everett Barksdale 49. Junior Barnard 50. George Barnes 51. Jeff Barone 52. Carl Barry 53. John Basile 54. Frode Barth 55. Billy Bauer 56. Billy Bean 57. Gerry Beaudoin 58. Jeff Beck 59. Joe Beck 60. David Becker 61. Jean-Marc Belkadi 62. Robert Bell 63. Roni Ben-Hur 64. George Benson 65. Rolf Berg 66. Gonzalo Bergara 67. Chris Bergson 68. Randy Bernsen’s 69. Peter Bernstein 70. Gene Bertoncini 71. Mads Berven 72. Skeeter Best 73. Ed Bickert 74. Brian Blade 75. Jack Bland 76. Michael Bocian 77. Pascal Bokar 78. Paul Bollenback 79. Luiz Bonfá 80. Perry Botkin Sr 81.