CMPA (Formerly CFTPA) Signatory Producers 2010 - 2011 Live Action up to April 11, 2014
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Inside 30 Th YEAR a Publication of the Corporate Counsel Section of the New York State Bar Association
NYSBA SPRING/SUMMER 2011 | Vol. 29 | No. 1 CORPORATE COUNSEL SECTION Inside 30 th YEAR A publication of the Corporate Counsel Section of the New York State Bar Association Message from the Chair I am very excited to be continued to lay the groundwork for new and exciting leading the Section this year. changes and we already have much to report. It is a privilege to be able to The Section has grown tremendously over the last contribute to this Section’s long 30 years and we are striving to fi nd new and innovative tradition of providing quality ways to continue to bring value to our membership. benefi ts to its unique member- For example, in April, we conducted a CLE/network- ship. This year, the Corporate ing event on Alternative Fee Arrangements at no cost Counsel Section celebrates its to Section members. In March, we offered a scholarship 30th Anniversary and, with that to the Young Lawyers Section Trial Academy (includ- in mind, the Executive Com- ing a travel stipend) to a NYSBA member nominated by mittee is working very hard to a member of our Section. We also plan to have several create an extraordinary year for social/networking events throughout the Spring and our members. During the fi rst Fall at various venues to give you the chance to meet few months of 2011, we have Inside Being an International In-House Corporate Counsel Has The Option of Investment Arbitration: An Important Part Become a High-Risk Business .................................................................3 of an Investor’s Legal Arsenal ...............................................................29 (Marvin G. -
Spring 2011 Vancouver Prime Time TV Schedules 7 P.M
Spring 2011 Vancouver Prime Time TV Schedules 7 p.m. - 11 p.m. February 20 - March 12 2011 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 7 Wheel of Fortune Heartland Jeopardy! 8 Little Mosque Rick Mercer Report Marketplace NHL Hockey Dragon's Den The Nature of Things 18 to Life InSecurity The Rick Mercer Report Movie 9 Village on a Diet The Pillars of the Earth Republic of Doyle Documentary the fifth estate HNIC After Hours 10 The National The National CBUT CBC News Make the Politician Work 7 Entertainment Tonight 16:9 The Bigger Picture Simpsons Entertainment Tonight Canada Family Restaurant American Dad 8 Survivor: Redemption Simpsons House Glee Wipeout Kitchen Nightmares Island Bob's Burgers Movie 9 The Office Family Guy The Chicago Code NCIS: Los Angeles NCIS 90210 The Office Cleveland Show 10 The Office Hawaii Five-0 The Good Wife Off the Map Haven The Guard Brothers & Sisters CHAN Outsourced 7 How I Met Your Mother what's cooking America's Funniest Home The Office The Most Amazing Videos 8 Community Who do you think you Glenn Martin, DDS Extreme Makeover: Home Minute to Win It Rules of Engagement are? Out There Edition The Bachelor The Biggest Loser 9 Modern Family How I Met Your Mother Fringe The Cape Cougar Town Parks & Recreation 10 30 Rock Movie Harry's Law Parenthood The Murdoch Mysteries Mantracker The Murdoch Mysteries CKVU Perfect Couples 7 eTalk eTalk eTalk eTalk CSI W-Five Undercover Boss The Big Bang Theory The Big Bang Theory The Big Bang Theory The Big Bang Theory 8 Mr. -
PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors
Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
22 Février 2006 1,25$ + T.P.S
PenséePensée Pensée L'hebdo francophone #1 de la région depuis 1976! Du temps que les femmes ne vPotaienetn pas,s oné faisaiet la guerre pour elles. Maintenant qu'elles votent, on la fait pour le pétrole. PEst-ece nun progrséèse ? Boris Vian Pensée Vol. 30 No 48 Hearst On ~ Le mercredi 22 février 2006 1,25$ + T.P.S. Joël Lauzon et Annick Tremblay ont été ÀP L’INTÉRIEURensée couronnés Monsieur Carnaval et Reine du carnaval de Hearst vendredi soir dernier. Plus de 400 personnes avaient assisté la veille à la Soirée des défis ani- mée de main de maître par Fred Côté. Détecteurs de (Voir texte du carnaval en page HA11) fumée.......HA2 Saisie de drogue à Hearst........HA05 Les Élans vont chercher un gain.....HA19 Maison détruite par les flammes Page HA02 6 MERCREDI Embauche d’un ingénieur Nuageux avec éclaircies et averses Min -10; Max -3 On tente le sauvetage de l’usine de panneaux agglomérés PdP 30% JEUDI HEARST (FB) – La Ville de tissements en équipements sou- rents ministres provinciaux, eu des discussions par la suite Hearst et des employés de haitables pour améliorer le rende- incluant le ministre du avec des représentants de la com- Nuageux avec Columbia Forest Products s’im- ment et la rentabilité de l’usine. Développement du Nord, Rick pagnie. Il n’a toutefois pas voulu averse de neige Min -20; Max -8 pliquent pour tenter d’éviter la Il est question notamment de Bartolucci, le ministre des dévoiler le contenu des discus- PdP 60% fermeture de l’usine de panneaux la modernisation de séchoirs et Richesses Naturelles, David sions. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
December 15, 2011 Mr. John Traversy Secretary General Canadian Radio-Television and Telecommunications Commission Ottawa, Ontari
December 15, 2011 Filed via Access Key Mr. John Traversy Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Subject: Independent Production Reports 2010-2011, 2009-2010 and 2008- 2009 Request for Confidentiality Dear Mr. Traversy, 1 CBC/Radio-Canada is pleased to enclose Independent Production Activity Reports (the Reports) on behalf of CBC Television and la Télévision de Radio-Canada, respectively, for the 2010-2011, 2009-2010 and 2008-2009 broadcast years. We have included both confidential and abridged versions of these Reports. 2 The Corporation is providing these Reports pursuant to two letters from the Commission, each dated September 2, 2011. For ease of reference, the requests are repeated below: Pursuant to the announcement of 8 July 2011, please submit the same data on independent production for the Canadian Broadcasting Corporation (CBC) that was made available to the public for the group- based licence renewals for private English-language television, held in April 2011. Following are the links to the regional independent production reports submitted by CTV and Global, respectively. Please ensure that the CBC’s reports are provided in the same format. Conformément à l’annonce faite le 8 juillet 2011, veuillez fournir les données concernant la production indépendante de la Société Radio- Canada (SRC), telles qu’elles ont été mises à la disposition des parties lors du renouvellement des licences par groupe de propriété des services de télévision privée de langue anglaise, en avril 2011. Vous trouverez ci- bas les liens vers les rapports d'activité de production indépendante soumis respectivement par CTV et Global. -
Results for the Year Ended 31 March 2015 19 May 2015 Summary
RESULTS FOR THE YEAR ENDED 31 MARCH 2015 19 MAY 2015 SUMMARY Strong financial performance Strategy on track to double the size of the business Dividend declared, up 10% Positive outlook 2 3 BRINGING THE BEST CONTENT TO THE WORLD SOURCE: CONNECT WITH CREATIVE TALENT A TRUE PARTNER TO THE BEST CREATIVE TALENT SCALE SELECT: PRODUCE / ACQUIRE GLOBAL RIGHTS REACH THE WORLD’S LEADING INDEPENDENT DISTRIBUTOR Cinema Retailer Broadcaster Digital SELL: 4 INDUSTRY DYNAMIC CREATES OPPORTUNITIES Audiences demanding high quality content Global multi-platform rights distribution a competitive advantage 5 TARGET TO DOUBLE THE SIZE OF BUSINESS Goal by 2020 2015 6 FINANCIAL OVERVIEW 7 KEY FINANCIAL HIGHLIGHTS PRO FORMA EBITDA1,2 ADJUSTED DILUTED EPS3 £117.2m 23.5p Up 11% Up 12% ADJUSTED FREE CASH ADJUSTED NET DEBT5 FLOW4 £41.0m £224.9m Up £22.2m 1.9x EBITDA1,2 1 Pro forma financial results include the results of Phase 4 Films, Paperny Entertainment, Force Four Entertainment and The Mark Gordon Company (which were acquired on 3 June 2014, 31 July 2014, 28 August 2014 and 7 January 2015, respectively) as if those businesses had been acquired on the first day of the comparative year, with comparative figures translated at 2015 actual foreign exchange rates. 2 Underlying EBITDA is operating profit before one-off items, amortisation of acquired intangible assets, depreciation, amortisation of software, share-based payment charge, and ‘tax, finance costs and depreciation’ related to joint ventures. Underlying EBITDA is reconciled to operating profit in the ‘Other Financial Information’ section of the Results Announcement. 3 Adjusted profit before tax is profit before amortisation of acquired intangible assets, share-based payment charge, ‘tax, finance costs and depreciation’ related to joint ventures, operating one-off items and one-off items relating to the Group’s financing arrangements; adjusted diluted 8 earnings is adjusted for the tax effect of these items. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
This Is a Test
‘GOODNIGHT FOR JUSTICE: QUEEN OF HEARTS’ PRODUCTION BIOS LUKE PERRY (Executive Producer) – In 1989, Luke Perry was chosen for a starring role on the internationally popular television series “Beverly Hills 90210,” in which he portrayed the brooding but sensitive Dylan McCay. The highly-rated program won a Golden Globe Award for Best Dramatic Television series in 1991. Perry made his feature film debut in a starring role in “8 Seconds,” the remarkable account of champion bull rider Lane Frost, which he co-produced. His serious devotion to the inspirational legend of Lane Frost led him to train vigorously for 18 months in order to master the techniques of bull riding and to be able to perform many of his own stunts during production. Other film credits include Columbia’s “Fifth Element”, directed by Luc Besson, “Riot for Showtime,” “Normal Life,” “American Strays” and “The Florentine,” in which he co-starred with Chris Penn, Jim Belushi, Michael Madsen and Mary Stuart Masterson. Perry made his debut on Broadway in the critically acclaimed musical The Rocky Horror Picture Show, where he portrayed Brad, the character originally played by Barry Bostwick in the cult film classic. In 2004, Perry appeared onstage in London opposite Allyson Hannigan in When Harry Met Sally. Not one to be typecast because of his work on “90210,” Perry’s television credits include a myriad of roles, including a lead in the NBC drama “Windfall,” HBO’s “John From Cincinnati,” starring for two seasons on “Jeremiah,” the Showtime Network sci-fi series, a multi-episode arc on HBO’s critically acclaimed series “Oz,” in which he portrayed a televangelist convicted of fraud, as well as roles in Hallmark Channel productions “Johnson County War,” “Supernova,” “A Gunfighter’s Pledge” and “Angel and the Badman.” Perry starred in “Goodnight for Justice,” Hallmark Movie Channel’s highest rated movie of all time.