DOCSLIB.ORG

Madame Butterfly Resources

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Madame Butterfly Resources MADAMA BUTTERFLY RESOURCES Books Madama Butterfly with Audio CD Author: Giacomo Puccini. Notes: Learn about the origins of the opera, the lives of the composer, and the world of opera singers and conductors, with complete libretto for Madama Butterfly and 2 CDʼs. English. 144 pages. Black Dog Opera Library. 2005. Madama Butterfly: Full Orchestral Score Author: Giacomo Puccini. Notes: Full orchestral score featuring images from Casa Ricordiʼs archives. English. 493 pages. Ricordi. 2000. Madama Butterfly: In Full Score Author: Giacomo Puccini. Notes: Reprinted complete and unabridged from the authoritative G. Ricordi edition. English. 496 pages. Dover Publications. 1990. Madama Butterfly: Vocal Score Author: Giacomo Puccini. Editors: Thomas Martin and Ruth Martin. Notes: Full orchestral score featuring images from Casa Ricordiʼs archives. English. 278 pages. Ricordi. 1986. Madama Butterfly 1904-2004: Opera at an Exhibition Author: Giacomo Puccini. Adapter: J. Alison James. Notes: Premium collectorʼs book celebrates the 100th anniversary of Madama Butterfly. Includes period photos, scene and costume sketches, period posters and postcards with essays and complete libretto. 176 pages. Ricordi. 2004. Madam Butterfly (Madama Butterfly): English National Opera Guides Author: Giacomo Puccini. Editor: Nicholas John. Notes: Complete libretto for Puccini's Madama Butterfly, featuring thematic guide with musical themes, bibliography and discography. English. 132 pages. Oneworld Classics. 1984. Madame Butterfly and a Japanese Nightingale: Two Orientalist Texts Author: John Luther Long and Onoto Watanna. Notes: Two novellas, Madame Butterfly (1898) and A Japanese Nightingale (1901) written at the turn of the century. English. John Luther Long's Madame Butterfly inspired the David Belasco play. 200 pages. Rutgers University Press. 2002. Madame Butterfly: Japonisme, Puccini, and the Search for the Real Cho-Cho-San Author: Jan van Rij. Notes: Author Jan van Rij searches for the “real” Madame Butterfly. English. 192 pages. Stone Bridge Press. 2001. Madame Butterfly: The Story of the Opera Author: Giacomo Puccini. Adapter: J. Alison James. Notes: A picture book version of Pucciniʼs opera written for ages 9-12. 40 pages. Purple Bear Books. 2005. Puccini's Madama Butterfly: Opera Classics Library Series Author: Giacomo Puccini. Editor: Burton D. Fisher. Notes: A comprehensive guide to Puccini's Madama Butterfly, featuring insightful and in depth commentary and analysis, and a complete, newly translated libretto. English. 124 pages. Opera Journeys Publishing. 2005. SAN FRANCISCO OPERA Education Materials MADAMA BUTTERFLY Resources Films/DVDs Puccini: Madama Butterfly (2004) Composer: Giacomo Puccini. Director: Franco Zeffirelli. Performers: Fiorenza Cedolins, Marcello Giordani, Juan Pons, Francesca Franci, Carlo Bosi. Language: Italian. Conductor: Daniel Oren. Arena di Verona. 2006. Puccini: Madama Butterfly (1986) Composer: Giacomo Puccini. Director: Keita Asari. Performers: Yasuko Hayashi, Hack-Nam Kim, Anna Caterina Antonacci, Peter Dvorsky, Giorgio Zancanaro. Language: Italian. Conductor: Lorin Maazel. Teatro Alla Scala, Milan. 2009. Puccini: Madama Butterfly (1983) Composer: Giacomo Puccini. Directors: Brian Large, Giulio Chazalettes. Performers: Raina Kabaivanska, Nazzareno Antinori, Eleonora Jankovic, Lorenzo Saccomani. Language: Italian. Conductor: Maurizo Arena. Arena di Verona. 2004. Puccini: Madama Butterfly (1983) Composer: Giacomo Puccini. Director: Robert Wilson. Performers: Cheryl Barker, Martin Thompson, Catherine Keen, Richard Stilwell, Anneleen Bijnen, Peter Blanchet. Language: Italian. Conductor: Edo de Waart. Netherlands Philharmonic Orchestra. Netherlands Opera. 2008. Puccini: Madame Butterfly (2002) Widescreen Film Version Composer: Giacomo Puccini. Director: Frédéric Mitterrand. Performers: Ying Huang, Richard Troxell, Ning Liang, Richard Cowan, Jing Ma Fan. Language: Italian. 2002. Puccini: Madama Butterfly (1974) Composer: Giacomo Puccini. Director: Jean-Pierre Ponnelle. Performers: Mirella Freni, Plácido Domingo, Christa Ludwig, Robert Kerns, Michel Sénéchal. Language: Italian. Conductor: Herbert von Karajan, Vienna Philharmonic Orchestra. Vienna State Opera. 2005. Puccini: Madama Butterfly (1974) Composer: Giacomo Puccini. Director: Moffatt Oxenbould. Performers: Cheryl Barker, Jay Hunter Morris, Douglas McNicol, Ingrid Silveus. Language: Italian. Conductor: Patrick Summers, Australian Opera and Ballet Orchestra. Opera Australia. 2008. Puccini: Madama Butterfly (1956) Composer: Giacomo Puccini. Directors: Mario Lanfranchi. Performers: Anna Moffo, Renato Cioni, Afro Poli, Oliviero de Fabritis. Language: Italian. Radiotelevisione Italiana Milano Opera. 2004. SAN FRANCISCO OPERA Education Materials MADAMA BUTTERFLY Resources CDs Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Michele Cazzato, Fiorenza Cossotto, Virgilio Carbonari, Lidia Nerozzi, Carlo Bergonzi, Renata Tebaldi, Enzo Sordello, Paolo Washington, Oscar Nanni, Angelo Mercuriali. Language: Italian. Conductor: Tullio Serafin, Saint Cecilia Academy Orchestra. 2002. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Angelo Mercuriali, Carlo Bergonzi, Enzo Sordello, Fiorenza Cossotto, Lidia Nerozzi, Michele Cazzato, Oscar Nanni, Paolo Washington, Renata Tebaldi, Virgilio Carbonari. Language: Italian. Conductor: Tullio Serafin, Saint Cecilia Academy Orchestra. 1999. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Enrico Campi, Lucia Danieli, Luisa Villa, Maria Callas, Mario Borriello, Mario Carlin, Nicolai Gedda, Plinio Clabassi, Renato Ercolani. Language: Italian. Conductor: Herbert von Karajan, La Scala Theater Orchestra. 1997. Puccini: Madama Butterfly Highlights Composer: Giacomo Puccini. Performers: Jing Ma Fan, Ning Liang, Constance Hauman, Richard Troxell, Richard Cowan, Ying Huang, Christopher Nomura. Language: Italian. Conductor: James Conlon, Orchestre de Paris. 1996. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Nell Rankin, Piero de Palma, Fernando Corena, Giovanni Inghilleri, Giuseppe Campora, Luigi Pizzeri, Michele Calvino, Renata Tebaldi, Melchiorre Luise, Gianna Diozzi. Language: Italian. Conductor: Alberto Erede, Saint Cecilia Academy Orchestra. 1994. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Fernando Corena, Leonardo Monreale, Rosalind Elias, Anna Moffo, Cesare Valletti, Mario Carlin, Maria Grazia Ciferri, Andrea Mineo, Miti Truccato Pace, Nestore Catalani, Maria Luisa Zeri, Renata Mattioli, Renato Cesari. Language: Italian. Conductor: Erich Leinsdorf, Rome Opera House Orchestra. 1990. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Renata Scotto, Silvana Padoan, Rolando Panerai, Carlo Bergonzi, Giuseppe Morresi, Piero dePalma, Anna di Stasio, Mario Rinaudo. Language: Italian. Conductor: Paola Montarsolo, Rome Opera Orchestra. 1990. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Renata Scotto, Jean Temperley, Malcolm King, Christopher Keyte, Gillian Knight, Ingvar Wixell, Jonathan Summers, Placido Domingo, Leslie Fyson, Florindo Andreolli, Alan Byers, Gloria Jennings, Ann Murray, Linda Richardson. Language: Italian. Conductor: Lorin Maazel, London Philharmonia Orchestra. 1990. Puccini: Madama Butterfly Composer: Giacomo Puccini. Performers: Siegfried Rudolf Frese, Marius Rintzler, Evamaria Hurdes, Giorgio Stendoro, Martha Heigl, Michel Senechal, Christa Ludwig, Elke Schary, Luciano Pavarotti, Hans Helm, Mirella Freni, Wolfgang Scheider. Language: Italian. Conductor: Herbert von Karajan, Vienna Philharmonic Orchestra. 1990. Puccini: Madama Butterfly Highlights Composer: Giacomo Puccini. Performers: Luciano Pavarotti, Christa Ludwig, Michel Sénéchal, Mirella Freni, et al. Language: Italian. Conductor: Herbert von Karajan, Vienna Philharmonic Orchestra. 1990. SAN FRANCISCO OPERA Education Materials MADAMA BUTTERFLY Resources .
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • PACO158 Front.Std
    [ill □§@ Pristine □ □ Pristine DIGITAL AUDIO PACO 158 Puccini XR XR Manon Lescaut PACO 158 Giacomo Puccini's third opera, Manon Lescaut, premiered at the Teatro Regio, Turin in 1893 and was the first of his operas to garner I I international acclaim. Musically the opera showed clear evidence of Puccini's growing mastery of tuneful lyricism and his ability to Rn~~t~u~ n evoke a sense of place. The story of a doomed heroine was one that Puccini would return to with even greater success in La Bohf?me (1896), Tosca (1900) and Madama Butterfly (1904). The New York premiere in 1907 featured Lina Cavalieri, Enrico Caruso and Antonio Scotti in the cast, and Puccini himself in the audience, but fell out of the repertoire in between 1929 and 1949. When a new Met production of Manon Lescaut was mounted in 1949 it featured Swedish t enor Jussi Bjbrllng as Des Grieux. Bjbrling learned only two new roles after branching out from his operatic home at the Royal Swedish Opera in the lat e 1930s. One was Don manon licia albanese Carlo, which opened Rudolf Bing's tenure as general manager of the Metropolitan Opera in November 1950, the other was Des Grieux in Manon Lescaut. Over ten years, between 1949 and 1959, Bjbrling sang the role just 25 times, but we have no less than four des grieux Jussi bjbrling complete recordings of him in this opera: the Met's first ever broadcast of the opera in 1949, a studio recording in 1954, this Met broadcast from 1956, and a bi-lingual broadcast from Stockholm in 1959.
    [Show full text]
  • Musica Lirica
    Musica Lirica Collezione n.1 Principale, in ordine alfabetico. 891. L.v.Beethoven, “Fidelio” ( Domingo- Meier; Barenboim) 892. L.v:Beethoven, “Fidelio” ( Altmeyer- Jerusalem- Nimsgern- Adam..; Kurt Masur) 893. Vincenzo Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Aragall- Zaccaria; Abbado) 894. V.Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Monachesi.; Abbado) 895. V.Bellini, “Norma” (Caballé- Domingo- Cossotto- Raimondi) 896. V.Bellini, “I Puritani” (Freni- Pavarotti- Bruscantini- Giaiotti; Riccardo Muti) 897. V.Bellini, “Norma” Sutherland- Bergonzi- Horne- Siepi; R:Bonynge) 898. V.Bellini, “La sonnanbula” (Sutherland- Pavarotti- Ghiaurov; R.Bonynge) 899. H.Berlioz, “La Damnation de Faust”, Parte I e II ( Rubio- Verreau- Roux; Igor Markevitch) 900. H.Berlioz, “La Damnation de Faust”, Parte III e IV 901. Alban Berg, “Wozzeck” ( Grundheber- Meier- Baker- Clark- Wottrich; Daniel Barenboim) 902. Georges Bizet, “Carmen” ( Verret- Lance- Garcisanz- Massard; Georges Pretre) 903. G.Bizet, “Carmen” (Price- Corelli- Freni; Herbert von Karajan) 904. G.Bizet, “Les Pecheurs de perles” (“I pescatori di perle”) e brani da “Ivan IV”. (Micheau- Gedda- Blanc; Pierre Dervaux) 905. Alfredo Catalani, “La Wally” (Tebaldi- Maionica- Gardino-Perotti- Prandelli; Arturo Basile) 906. Francesco Cilea, “L'Arlesiana” (Tassinari- Tagliavini- Galli- Silveri; Arturo Basile) 907. P.I.Ciaikovskij, “La Dama di Picche” (Freni- Atlantov-etc.) 908. P.I.Cajkovskij, “Evgenij Onegin” (Cernych- Mazurok-Sinjavskaja—Fedin; V. Fedoseev) 909. P.I.Tchaikovsky, “Eugene Onegin” (Alexander Orlov) 910. Luigi Cherubini, “Medea” (Callas- Vickers- Cossotto- Zaccaria; Nicola Rescigno) 911. Luigi Dallapiccola, “Il Prigioniero” ( Bryn-Julson- Hynninen- Haskin; Esa-Pekka Salonen) 912. Claude Debussy, “Pelléas et Mélisande” ( Dormoy- Command- Bacquier; Serge Baudo). 913. Gaetano Doninzetti, “La Favorita” (Bruson- Nave- Pavarotti, etc.) 914.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
    BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R.
    [Show full text]
  • Piers Lane Biography
    Piers Lane Biography “… No praise could be high enough for Piers Lane whose playing throughout is of a superb musical intelligence, sensitivity, and scintillating brilliance…” (Bryce Morrison, Gramophone) London-based Australian pianist Piers Lane has a flourishing international career, which has taken him to more than forty countries. Highlights of the past few years have included a sold-out performance with the London Philharmonic Orchestra and Alexander Verdernikov at London’s Royal Festival Hall, concerto performances at Lincoln Center’s Avery Fisher Hall, a three-recital series entitled Metamorphoses and other performances for the London Pianoforte series at Wigmore Hall and five concerts for the opening of the Recital Centre in Melbourne. Five times soloist at the BBC Proms in London’s Royal Albert Hall, Piers Lane’s wide-ranging concerto repertoire exceeds eighty works and has led to engagements with many of the world’s great orchestras including the BBC and ABC orchestras; the Aarhus, American, Bournemouth and Gothenburg Symphony Orchestras; the Australian Chamber Orchestra, Kanazawa Ensemble, Orchestre National de France, City of London Sinfonia, and the Royal Philharmonic, Royal Liverpool Philharmonic and Warsaw Philharmonic orchestras among others. Leading conductors with whom he has worked include Andrey Boreyko, Sir Andrew Davis, Richard Hickox, Andrew Litton, Sir Charles Mackerras, Jerzy Maxymiuk, Maxim Shostakovich, Vassily Sinaisky, Yan Pascal Tortelier and Antoni Wit. His 2007 performance of Beethoven’s Emperor Concerto with the Queensland Symphony Orchestra and Pietari Inkinen received the Limelight Magazine Award for Best Orchestral Performance in Australia. 1 Festival appearances have included, among others, Aldeburgh, Bard, Bergen, Cheltenham, Como Autumn Music, Consonances , La Roque d’Anthéron, Newport, Prague Spring, Ruhr Klavierfestival, Schloss vor Husum and the Chopin festivals in Warsaw, Duszniki- Zdroj, Mallorca and Paris.
    [Show full text]
  • 10-26-2019 Manon Mat.Indd
    JULES MASSENET manon conductor Opera in five acts Maurizio Benini Libretto by Henri Meilhac and Philippe production Laurent Pelly Gille, based on the novel L’Histoire du Chevalier des Grieux et de Manon Lescaut set designer Chantal Thomas by Abbé Antoine-François Prévost costume designer Saturday, October 26, 2019 Laurent Pelly 1:00–5:05PM lighting designer Joël Adam Last time this season choreographer Lionel Hoche revival stage director The production of Manon was Christian Räth made possible by a generous gift from The Sybil B. Harrington Endowment Fund general manager Peter Gelb Manon is a co-production of the Metropolitan Opera; jeanette lerman-neubauer Royal Opera House, Covent Garden, London; Teatro music director Yannick Nézet-Séguin alla Scala, Milan; and Théâtre du Capitole de Toulouse 2019–20 SEASON The 279th Metropolitan Opera performance of JULES MASSENET’S manon conductor Maurizio Benini in order of vocal appearance guillot de morfontaine manon lescaut Carlo Bosi Lisette Oropesa* de brétigny chevalier des grieux Brett Polegato Michael Fabiano pousset te a maid Jacqueline Echols Edyta Kulczak javot te comte des grieux Laura Krumm Kwangchul Youn roset te Maya Lahyani an innkeeper Paul Corona lescaut Artur Ruciński guards Mario Bahg** Jeongcheol Cha Saturday, October 26, 2019, 1:00–5:05PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. The Met: Live in HD series is supported by Rolex.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Reseña De" Giacomo Puccini: the Great Opera Collection" De Renata
    Pensamiento y Cultura ISSN: 0123-0999 [email protected] Universidad de La Sabana Colombia Visbal-Sierra, Ricardo Reseña de "Giacomo Puccini: The Great Opera Collection" de Renata Tebaldi, Carlo Bergonzi, Mario del Monaco, Giulietta Simionato, et al. Pensamiento y Cultura, vol. 12, núm. 1, junio, 2009, pp. 229-231 Universidad de La Sabana Cundinamarca, Colombia Disponible en: http://www.redalyc.org/articulo.oa?id=70111758015 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Reseñas va, sin embargo, con este encuentro el protagonista toma Giacomo Puccini: la decisión de abandonar la inmersión en el bajo mundo, en el cual no encuentra una verdadera misión en su vida, The Great Opera Collection pues comprende que la lucha violenta no transformará el mundo, sino todo lo contrario, ayudará más al caos a los (La Bohème, Tosca, Madama Butterfly, Manon Lescaut, La fan- países en vías de desarrollo. ciulla del West, Turandot, Il Trittico: Il Tabarro, Suor Angelica, Gianni Schicchi). El otro personaje con mucha más vitalidad en Buda Blues es Sebastián, un trotamundos que no se puede que- Intérpretes principales: Renata Tebaldi, Carlo Bergonzi, dar quieto en un solo lugar y busca su propia identidad Mario del Monaco, Giulietta Simionato, et al. a través de los viajes. Por eso, al inicio de la novela se en- 15 discos compactos cuentra en Kinshasa y, por amistad con Vicente, empieza a Decca 4759385 divagar sobre “La Organización” en el Congo.
    [Show full text]
  • Manon Lescaut
    CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 1 1 La Fenice prima dell’Opera 2010 1 2010 Fondazione Stagione 2010 Teatro La Fenice di Venezia Lirica e Balletto Giacomo Puccini Manon escaut L Lescaut anon anon m uccini p iacomo iacomo g FONDAZIONE TEATRO LA FENICE DI VENEZIA CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 2 foto © Michele Crosera Visite a Teatro Eventi Gestione Bookshop e merchandising Teatro La Fenice Gestione marchio Teatro La Fenice® Caffetteria Pubblicità Sponsorizzazioni Fund raising Per informazioni: Fest srl, Fenice Servizi Teatrali San Marco 4387, 30124 Venezia Tel: +39 041 786672 - Fax: +39 041 786677 [email protected] - www.festfenice.com FONDAZIONE AMICI DELLA FENICE STAGIONE 2010 Incontro con l’opera Teatro La Fenice - Sale Apollinee lunedì 25 gennaio 2010 ore 18.00 LUCA MOSCA Manon Lescaut Teatro La Fenice - Sale Apollinee venerdì 5 febbraio 2010 ore 18.00 PIERO MIOLI Il barbiere di Siviglia Teatro La Fenice - Sale Apollinee mercoledì 10 marzo 2010 ore 18.00 ENZO RESTAGNO Dido and Aeneas Teatro La Fenice - Sale Apollinee venerdì 14 maggio 2010 ore 18.00 LORENZO ARRUGA Don Giovanni Teatro La Fenice - Sale Apollinee lunedì 21 giugno 2010 ore 18.00 GIORGIO PESTELLI The Turn of the Screw Teatro La Fenice - Sale Apollinee mercoledì 22 settembre 2010 ore 18.00 Clavicembalo francese a due manuali copia dello MICHELE DALL’ONGARO strumento di Goermans-Taskin, costruito attorno alla metà del XVIII secolo (originale presso la Russell Rigoletto Collection di Edimburgo). Opera del M° cembalaro Luca Vismara di Seregno Teatro La Fenice - Sale Apollinee (MI); ultimato nel gennaio 1998.
    [Show full text]
  • RENATA TEBALDI Soprano
    1958 Eightieth Season 1959 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Fourth Concert Thirteenth Annual Extra Series Complete Series 3252 RENATA TEBALDI Soprano GIORGIO F AVARETTO at the Piano TUESDAY EVENING, FEBRUARY 1 0 , 1959, AT 8:30 HILL AUDITORIUM, ANN ARBOR, M ICHIGAN PROGRAM Aria, "Ab! spietato" from Amadigi HANDEL 1Jna ragazza che non e pazza GALUPPI Caldo sangue SCARLATTI Canzonetta SCARLATTI Ridente la calma MOZART 1J n mota di gioia MOZART La Regata Veneziana ROSSINI Anzoleta prima della regata Anzoleta durante la regata Anzoleta dopo Ia regata Vaga luna che inargenti BELLINI Per pieta bell' idol mio BELLINI INTERMISSION M'ama, non m'ama MASCAGNI Notte RESPIGHI Ninna nanna di 1Jliva . PIZZETTI o luna cbe fa' lume DAVICO A vuccbella TOSTI "Salce, salce" "Ave Maria" } from Otello VERDI London Ifrr Records The Steinway is the official piano of the U11iversity Musical Society A R S LON G A V I T A BREVIS PROGRAM NOTES "Ah, spietato," from Amadigi HANDEL Ah, cruel one, are you not moved by the constant affection that makes me languish for you! Una ragazza che non e pazza GALUPPI A girl who is not crazy knows not to let her chance pass. You know it and you will understand me. Even the little ewe lamb and dove would look for a companion. Why would not a girl! Caldo sangue SCARLATTI Hot hlood, hot blood, that flows over my breast, give testimony of my love and devotion to my father as I die.
    [Show full text]
  • Cavalleria Rusticana I Pagliacci Usporedno Sa Sve Brojnijim Izvedbama Prvi Su Put Zajedno Izvedeni 22
    P. Mascagni CAVALLERIA RUSTICANA R. Leoncavallo: I PAGLIAccI Nedjelja, 3. svibnja 2015., 18:30 sati. Foto: Metropolitan opera P. Mascagni CAVALLERIA RUSTICANA R. Leoncavallo: I PAGLIAccI Nedjelja, 3. svibnja 2015., 18:30 sati. THE MET: LIVE IN HD SERIES IS MADE POSSIBLE BY A GENEROUS GRANT FROM ITS FOUNDING SPONZOR Neubauer Family Foundation GLOBAL CORPORATE SPONSORSHIP OF THE MET LIVE IN HD IS PROVIDED BY THE HD BRODCASTS ARE SUPPORTED BY Pietro Mascagni CAVALLERIA RUSTICANA Opera u jednom činu Libreto: Giovanni Targioni-Tozzetti i Guido Menasci prema istoimenoj noveli Giovannija Verge NEDJELJA, 3. SVIBNJA 2015. POčETAK U 18 SATI I 30 MINUTA. Praizvedba: Teatro Costanzi, Rim, 17. svibnja 1890. Prva hrvatska izvedba: Druga operna stagiona, Zagreb, 29. svibnja 1893. Prva izvedba ansambla Metropolitana 4. prosinca 1891. u Chicagu Premijera ove izvedbe u Metropolitanu: 14. travnja 2015. ZBOR I ORKESTAR METROPOLITANA SANTUZZA Eva-Maria Westbroek ZBORovođa Donald Palumbo TURIDDU Marcelo Álvarez DIRIGENT Fabio Luisi ALFIO George Gagnidze REDATELJ David McVicar LUCIA Jane Bunnell SCENOGRAF Rae Smith LOLA Ginger Costa-Jackson Tekst: talijanski Stanka poslije Cavallerije rusticane. Titlovi: engleski Svršetak oko 22 sata. Ruggero Leoncavallo I PAGLIACCI Foto:Metropolitan opera Opera u dva čina s prologom Libreto: skladatelj NEDJELJA, 3. SVIBNJA 2015. POčETAK U 18 SATI I 30 MINUTA. Praizvedba: Teatro Dal Verme, Milano, 21. kolovoza 1892. Prva hrvatska izvedba: Treća operna stagiona, Zagreb, 22. travnja 1894. Prva izvedba u Metropolitanu: 11. prosinca 1893. Premijera ove izvedbe u Metropolitanu: 25. travnja 2015. KOSTIMOGRAF Moritz Junge CANIO/PAGLIACCIO Marcelo Álvarez OBLIKOVATELJICA RASVJETE Paule Constable NEDDA/COLOMBINA Patricia Racette KOREOGRAF Andrew George TONIO/TADDEO George Gagnidze KONZULTANT ZA VODVILJ Emil Wolk BEPPE/ARLECCHINO Andrew Stenson SILVIO Lucas Meachem Tekst: talijanski Titlovi: engleski CAVALLERIA RUSTICANA Radnja se događa na Uskrs u sicilijanskom selu.
    [Show full text]
  • Beethoven: Symphony No 9 “Choral” – Australian World Orchestra Posted on April 16, 2014 by Barry Walmsley
    Beethoven: Symphony No 9 “Choral” – Australian World Orchestra Posted on April 16, 2014 by Barry Walmsley Australian World Orchestra Sydney Philharmonia Choir Conductor: Alexander Briger ABC 481 0550 The scale of a work such as Beethoven’s Ninth Symphony is truly staggering. Whilst the work has been overused for civic celebratory events, the concert experience (and this recording, which originates from a live concert in the Sydney Opera House) is something that can touch listeners in profound ways. The complexity of the music is only equalled by its challenging compositional ideas, along with the treatment of text (by Schiller), and the fusion of what, for the most part, are incompatibles, that is, the choral and the symphonic idiom. Structurally, the work is really a set of variations, showing a total connection from beginning to end. These totally new elements (the unconventional symphonic layout and the use of words within a symphony) helped to underline, in the public’s mind, that Beethoven had truly gone mad. This particular recording emanated from one of the most exciting of recent concert events, the inaugural season by the newly created Australian World Orchestra, an initiative to bring together the finest of Australian orchestral musicians from around the country and across the world. Thus, it saw players return from such illustrious orchestras as the Berlin and Vienna Philharmonics, Chicago and London Symphonies, the Concertgebouw and Gewandhaus, to be part of this concept orchestra. Bringing the whole project together, as its artistic and musical director, was conductor Alexander Briger, who has established himself on the world stage as one of the new dynamic conductors of this era.
    [Show full text]