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M/S Paul Gauguin SHIP FACTS & FEATURES
m/s Paul Gauguin SHIP FACTS & FEATURES Awards & Accolades “#1 Small-Ship Cruise Line” Travel + Leisure, World’s Best Awards (2014) “Top 20 Small Cruise Ships,” (2013—our 15th year in a row) Condé Nast Traveler, Readers’ Choice Awards “#1 Small-Ship for Families,” Travel + Leisure, World’s Best Awards Readers’ Survey (2014, 2013) Cruise Critic, Small Ship Category, Cruisers’ Choice Awards (2014) “Best South Pacific Itinerary,”Porthole Cruise Magazine, Readers’ Choice Awards (2013, 2012, 2011, 2010, 2007, 2006) Silver Magellan Award Winner, Travel Weekly, Small Cruise Ship Category (2013, 2012, 2011) 6‒Star Rating, Stern’s Guide to the Cruise Vacation (2014, 2013, 2012, 2011) Your Home at Sea Our emphasis is on providing the 332 guests on each sailing with a delightful experience, aboard and ashore. Join us, and enjoy unsurpassed service and attention to detail amid elegant, relaxing surroundings. SHIP FEATURES: • All-inclusive pricing: select wines and spirits, beer, soft • A day at Motu Mahana, Paul Gauguin’s exclusive, private drinks, bottled water, and hot beverages retreat off the coast of Taha’a, featuring Polynesian • Shipboard gratuities for room stewards and dining staff hospitality, snorkeling, watersports, bar service, and a delicious feast • Complimentary 24-hour room service, including selections from L’Etoile Restaurant during regular dining hours • Access to an exclusive, private beach located on a motu off the coast of Bora Bora that offers an idyllic white-sand • All oceanview accommodations, nearly 70% with balconies, beach, excellent snorkeling, and bar service on Tahiti and measuring from 200 to 588 sq. ft., including balcony French Polynesia itineraries. -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
In Porthole Cruise Magazine's 2014
PAUL GAUGUIN CRUISES RECOGNIZED FOR “BEST SOUTH PACIFIC ITINERARIES” IN PORTHOLE CRUISE MAGAZINE’S 2014 READERS’ CHOICE AWARDS BELLEVUE, WASH. – November 18, 2014 – Paul Gauguin Cruises (www.pgcruises.com), operator of the highest- rated and longest continually sailing luxury cruise ship in the South Pacific, the m/s Paul Gauguin, and the 88- guest m/v Tere Moana, was recognized by Porthole Cruise Magazine as having the “Best South Pacific Itineraries” in the 16th Annual Readers’ Choice Awards. 2014 marks the fifth consecutive year that Paul Gauguin Cruises has received this accolade. The magazine’s annual awards poll asked readers to evaluate the world’s cruise lines and determine the industry’s leaders. The full list of winners can be found on the magazine’s website, www.porthole.com, and is featured in the December 2014 issue of Porthole Cruise Magazine. “We are thrilled to receive this award,” said Diane Moore, President of Paul Gauguin Cruises. “The Gauguin has been delivering enchanting and authentic experiences on voyages in Tahiti, French Polynesia, and the South Pacific for many years, and we look forward to continuing to share our expertise in this region with our guests.” “When it comes to cruising the South Pacific, it’s hard to top the experience and options offered by Paul Gauguin Cruises,” said Bill Panoff, publisher and editor-in-chief of Porthole Cruise Magazine. “Savvy cruisers have continually recognized this stellar experience by consistently voting for the line for Best South Pacific Itineraries. I congratulate Paul Gauguin on its much-deserved win.” The Gauguin’s itineraries in French Polynesia and the South Pacific feature a host of exquisite islands with white- sand beaches, aqua lagoons, mist-laden mountains, and warm Polynesian culture. -
Annual Report 1973
Annual Report 1973 National Gallery of Art 1973 ANNUAL REPORT National Gallery of Art Library of Congress Catalog Card Number 70-173826. All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Cover photograph by Barbara Leckie; photographs on pages 14, 68, 69, 82, 88, inside back cover by Edward Lehmann; photograph on 87 by Stewart Bros; all other photographs by the photographic staff of the National Gallery of Art, Henry B. Seville, Chief. Nude Woman, Pablo Picasso, Ailsa Mellon Bruce Fund Woman Ironing, Edgar Degas, Gift of Mr. and Mrs. Paul Mellon CONTENTS 9 ORGANIZATION 11 DIRECTOR'S REVIEW OF THE YEAR 25 APPROPRIATIONS 26 CURATORIAL ACTIVITIES 26 Acquisitions and Gifts of Works of Art 50 Lenders 52 Reports of Professional Departments 7 5 ADVANCED STUDY AND RESEARCH 77 NATIONAL PROGRAMS 79 REPORT OF THE ADMINISTRATOR 79 Employees of the National Gallery of Art 82 Attendance 82 Building Maintenance and Security 83 MUSIC AT THE GALLERY 87 THE EAST BUILDING THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART The Chief Justice, The Secretary of State, The Secretary of the Warren E. Burger William P. Rogers Treasury, George P. Shultz The Secretary of the Paul Mellon, President John Hay Whitney. Smithsonian Institution, Vice-President S. Dillon Ripley Lessing J. Rosenwald Franklin D. Murphy ORGANIZATION The 36th annual report of the National Gallery of Art reflects another year of continuing growth and change. Although technically established by Congress as a bureau of the Smithsonian Institution, the National Gallery is an autonomous and separately administered organization and is governed by its own Board of Trustees. -
Paul Gauguin L'aventurier Des Arts
PAUL GAUGUIN L’Aventurier des arts Texte Géraldine PUIREUX lu par Julien ALLOUF translated by Marguerite STORM read by Stephanie MATARD © Éditions Thélème, Paris, 2020 CONTENTS SOMMAIRE 6 6 1848-1903 L’apostrophe du maître de la pose et de la prose 1848-1903 The master of pose and prose salute 1848-1864 Une mythologie familiale fondatrice d’un charisme personnel 1848-1864 Family mythology generating personal charisma 1865-1871 Un jeune marin du bout du monde 1865-1871 A far-flung young sailor 1872-1874 L’agent de change donnant le change en société devient très artiste 1872-1874 The stockbroker becomes a code-broker artist 8 8 1874-1886 Tirer son épingle du jeu avec les Impressionnistes 1874-1886 Playing ball with the Impressionists 1886-1887 Le chef de file de l’École de Pont-Aven 1886-1887 The leader of the Pont-Aven School 1887-1888 L’aventure au Panama et la révélation de la Martinique 1887-1888 Adventure in Panama and a revelation in Martinique 1888-1889 L’atelier du Midi à Arles chez van Gogh : un séjour à pinceaux tirés 1888-1889 Van Gogh’s atelier du Midi in Arles: a stay hammered with paintbrushes 1889-1890 Vivre et s’exposer, avec ou sans étiquette, avec ou sans les autres 1889-1890 Living and exhibiting, with or without label, with or without others 46 46 1891-1892 Un dandy tiré à quatre épingles, itinérant et sauvage 1891-1892 A wild, dressed-to-the-teeth travelling dandy 1893-1894 En peignant la Javanaise : Coup de Jarnac à Concarneau 1893-1894 Painting Javanaise Woman: Jarnac blow in Concarneau 1895 Le retour à Pont-Aven -
Mnittv of Fmt ^Rt (M
PAULGAUGUIN AS IMPRESSIONIST PAINTER - A CRITICAL STUDY DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIRIMENTS FOR THE AWARD OF THE DEGREE OF Mnittv of fmt ^rt (M. F. A.) BT MS. SAB1YA K4iATQQTI Under the supervision of 0^v\o-vO^V\CM ' r^^'JfJCA'-I ^ M.JtfzVl Dr. (Mrs.) SIRTAJ RIZVl Co-Supervisor PARTMENT OF FINE ART IGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1997 DS2890 ^^ -2-S^ 0 % ^eAtcMed to ^ff ^urents CHAIRMAN ALiGARH MUSLIM UNIVERSITY DEPARTMENT OF FINE ARTS ALIGARH—202 002 (U.P.). INDIA Dated. TO WHOM IT BIAY CONCERN This is to certify that Miss Sabiya Khatoon of Master of Fine Arts (M.F.A.) has completed her dissertation entitled "PAOL GAUGUIN AS IMPRESSIONIST PAINTER - A CRITICAL STUDY", under the supervision of Prof. Ashfaq M. Rizvi and Co-Supervision Dr. (Mrs.) Sirtaj Rizvi, Reader, Department of Fine Arts. To the best of my knowledge and belief, the work is based on the investigations made, data collected and analysed by her and it has not been submitted in any other University or Institution for any Degree. 15th MAY, 1997 ( B4RS. SEEMA JAVED ) ALIGARH CHAIRMAN PHONES—OFF. : 400920,400921,400937 Extn. 368 RES. : (0571) 402399 TELEX : 564—230 AMU IN FAX ; 91—0571—400528 CONTENTS PAGE ND. ACKNOWLEDGEMENT 1. INTRODUCTION 1-19 2. LIFE SKETCH OF PAUL 20-27 GAUGUIN 3. WORK AND STYLE 28-40 4. INFLUENCE OF PAUL 41-57 GAUGUIN OWN MY WORK 5. CONCLUSION ss-eo INDEX OF PHOTOGRAPHS BIBLIOGRAPHY ACKNOWLEDGEMENT I immensely obliged to my Supervisor Prof. Ashfaq Rizvi whose able guidance and esteemed patronage the dissertation would be given final finishing. -
Paul Gauguin
Paul Gauguin Painter, Sculptor 1848 – 1903 • Born on June 7, 1848 in Paris, france • Mother was peruvian, family lived Peru for 4 years • Family returns to France when he is 7 • Serves in the Merchant Marine, then the French Navy • Returns to Paris and becomes a Stockbroker • Marries a danish woman and they have 5 children • They live in Copenhagen where he is a stockbroker • Paints in his free time – buys art in galleries and makes friends with artists Portrait of Madame Gauguin • Decides he wants to (1880) paint full time – leaves his family in Copenhagen and goes back to Paris • His early work is in the impressionist style which is very popular at that time • He is not very successful at his art, he is poor • Leaves France to find a simpler life on a tropical island Aline Gauguin Brothers (1883) Visits his friend Vincent vanGogh in Arles, France where they both paint They quarrel, with van Gogh famously cutting off part of his ! own ear Gauguin leaves france and never sees van Gogh again Night Café at Arles (1888) Decides he doesn’t like impressionism, prefers native art of africa and asia because it has more meaning (symbolism) He paints flat areas of color and bold outlines He lives in Tahiti and The Siesta (1892) paints images of Polynesian life Tahitian women on the beach (1891) • His art is in the Primitivist style- exaggerated body proportions, animal symbolism, geometric designs and bold contrasting colors • Gauguin is the first artist of his time to become successful with this style (so different from the popular impressionism) • His work influences other painters, especially Pablo Picasso When do you get married? (1892) Gauguin spent the remainder of his life painting and living ! in the Marquesas Islands, a very remote, jungle-like ! place in French Polynesia (close to Tahiti) Gauguin’s house, Atuona, ! Marquesas Islands Gauguin lived ! alone in the ! jungle, where ! one day his houseboy arrived to find him dead, with a smile on his face. -
Vangogh'sjapanandgauguin's Tahitireconsidered
“Van Gogh's Japan and Gauguin's Tahiti reconsidered,” Ideal Places East and West, International Research Center for Japanese Studies, March 31,1997, pp.153-177. Van Gogh's Japan and Gauguin's Tahiti Tahiti reconsidered Shigemi Shigemi INAGA Mie U University niversity INTERNATIONAL SYMPOSIUM NO.l0 International International Research Center for Japanese]apanese Studies Idealld e al Places in HistoryHisto η - East and West - 1995 : 153-178153 -178 “Van Gogh's Japan and Gauguin's Tahiti reconsidered,” Ideal Places East and West, International Research Center for Japanese Studies, March 31,1997, pp.153-177. Van Gogh's Japan and Gauguin's Tahiti Tahiti reconsidered Shigemi INAGA Mie University If If the mountain paradise represents one type of ideal place place,, the other can be categorized categorized as the island paradise. Both in the East and in the WestWest, , it has been a common gardening practice to create an isle in the middle of a lake or a pond of a garden. garden. In JJapanese apanese the word island (“ (" shima") was literally a metonymical substitute for for the “"garden".garden". A small and isolated “"tops" tops" surrounded by water is a miniatur- miniatur ized ized version version,, or a regressive formform,, of the desire for marvelous possessions possessions,, to use Stephen Stephen Greenblatt's expression expression,, which prompted people to venture into the ocean in in search of hidden paradise. From the Greek Hesperides down to William Buttler Yeat's Yeat's Innisj Innisfree同e (or rather downdownto .to its parody as “"LakeLake Isles" in the “"Whispering Whispering Glades" Glades" by Evelyn Waugh in The Loved One [1948]),[1 948]) , the imagery of islands is abun-abun dant dant in Western literature. -
AC Post-Impressionism 4C.Qxp
Post-ImpressionismPost-Impressionism Nathalia Brodskaïa Author: Nathalia Brodskaïa Layout: BASELINE CO LTD 33 Ter – 33 Bis Mac Dinh Chi St., Star Building; 6th floor District 1, Ho Chi Minh City Vietnam © Confidential Concepts, Worldwide, USA © Parkstone Press International, New York, USA © Pierre Bonnard, Artists Rights Society (ARS), New York, USA/ ADAGP, Paris © Maurice Denis, Artists Rights Society (ARS), New York, USA/ ADAGP, Paris © Ker Xavier Roussel, Artists Rights Society (ARS), New York, USA/ ADAGP, Paris © Jan Verkade © Édouard Vuillard, Artists Rights Society (ARS), New York, USA/ ADAGP, Paris All rights reserved. No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification. ISBN: 978-1-78042-802-4 Nathalia Brodskaïa POST-IMPRESSIONISM CONTENTS Introduction 7 Major Artists 23 Paul Cézanne 25 Neo-Impressionism 61 Vincent van Gogh 79 Paul Gauguin 117 Henri de Toulouse-Lautrec 159 The Nabis 179 Notes 194 Index 195 6 INTRODUCTION he term ‘Post-Impressionism’ has only one meaning: ‘after Impressionism’. Post- Impressionism is not an art movement, nor an art style; it is a brief period at the T end of the nineteenth century. Impressionism being a phenomenon unique to French painting, the idea of Post-Impressionism is also closely linked to French art. Generally, the beginning of the Post-Impressionist era dates from 1886, from the moment of the eighth and final joint Impressionist Art exhibition. -
Vincent Van Gogh and Paul Gauguin Left the City, Seeking to Renew Themselves As Artists in Simpler, Rural Environments
Vincent van Gogh / Paul Gauguin A Rocky Friendship 1 Vincent van Gogh (1853 – 1890) and Paul Gauguin (1848 – 1903) both experimented with the expressive possibilities of color and line to create distinct personal styles of painting. Working in France at the end of the nineteenth century, the two friends inspired each other during a nine-week period in the autumn of 1888. In February of that year, Van Gogh moved to the peace- ful town of Arles in the south of France. He dreamed of creating a “studio of the south” where a group of art- ists could work and live as a community. He invited his friend and fellow painter Gauguin to join him. Van Gogh transformed his yellow house into an artist’s studio in anticipation. Gauguin finally moved to Arles in October of 1888. Although they learned from each other’s techniques and produced many works side by side, Van Gogh’s stubborn nature and Gauguin’s pride and arrogance made their life together difficult. After nine weeks, a passionate argument caused Van Gogh to have a mental breakdown, and Gauguin returned to Paris. Despite the unhappy ending to the “studio of the south,” the two painters remained friends, and they wrote letters to each other until Van Gogh died two years later. Even though they had different personalities, the two “They say — and I am very willing to believe it — that it artists shared some things in common: is difficult to know yourself — but it isn’t easy to paint Both were essentially self-taught artists. -
M/S Paul Gauguin SHIP FACTS & FEATURES
m/s Paul Gauguin SHIP FACTS & FEATURES Awards & Accolades “#1 Small-Ship Cruise Line” Travel + Leisure, World’s Best Awards (2014) “Top 20 Small Cruise Ships,” (2013—our 15th year in a row) Condé Nast Traveler, Readers’ Choice Awards “#1 Small-Ship for Families,” Travel + Leisure, World’s Best Awards Readers’ Survey (2014, 2013) Cruise Critic, Small Ship Category, Cruisers’ Choice Awards (2014) “Best South Pacific Itinerary,”Porthole Cruise Magazine, Readers’ Choice Awards (2013, 2012, 2011, 2010, 2007, 2006) Silver Magellan Award Winner, Travel Weekly, Small Cruise Ship Category (2013, 2012, 2011) 6‒Star Rating, Stern’s Guide to the Cruise Vacation (2014, 2013, 2012, 2011) Your Home at Sea Our emphasis is on providing the 332 guests on each sailing with a delightful experience, aboard and ashore. Join us, and enjoy unsurpassed service and attention to detail amid elegant, relaxing surroundings. SHIP FEATURES: • All-inclusive pricing: select wines and spirits, beer, soft • A day at Motu Mahana, Paul Gauguin’s exclusive, private drinks, bottled water, and hot beverages retreat off the coast of Taha’a, featuring Polynesian • Shipboard gratuities for room stewards and dining staff hospitality, snorkeling, watersports, bar service, and a delicious feast • Complimentary 24-hour room service, including selections from L’Etoile Restaurant during regular dining hours • Access to an exclusive, private beach located on a motu off the coast of Bora Bora that offers an idyllic white-sand • All oceanview accommodations, nearly 70% with balconies, beach, excellent snorkeling, and bar service on Tahiti and measuring from 200 to 588 sq. ft., including balcony French Polynesia itineraries. -
Paul Gauguin: the Art of Invention July 21—September 15, 2019 Main Exhibition Galleries, East Building
Large Print Labels Paul Gauguin: The Art of Invention July 21—September 15, 2019 Main Exhibition Galleries, East Building Text Panels Paul Gauguin: The Art of Invention Throughout his career Paul Gauguin (1848–1903) was a radically experimental artist. He produced inventive work in a wide range of media including the paintings, sculpture, drawings, prints, and ceramics seen in this exhibition. Gauguin was self-taught and first adopted the then avant-garde Impressionist technique in the 1870s. Thereafter, he pioneered a painting method of flat patterns and strong outlines in the mid-1880s that anticipated 20th-century abstract art. His wood sculptures and hand-molded ceramics also challenged accepted conventions. No other artist of the time pushed artistic boundaries toward abstraction in such a range of materials as Gauguin. Gauguin’s art was deeply influenced by his extensive travels around the world and his experience with a broad range of cultures. Born to a French father and French- Peruvian mother, Gauguin lived in Lima, Peru, as a child. As a young man he spent several years in the French merchant navy, voyaging from Brazil to India to the Arctic Circle. Subsequently, he traveled around France from Paris to Arles to the coast of Brittany. He also briefly lived in Copenhagen, Denmark. Perhaps the most profound impact on Gauguin’s art resulted from his travels to France’s colonies. He spent several months in Martinique in the Caribbean and lived the later years of his life in Tahiti and the Marquesas Islands. In Polynesia, Gauguin formed intimate relationships with several young women while remaining married to, yet estranged from, his Danish wife, Mette.