M/S Paul Gauguin SHIP FACTS & FEATURES
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M/S Paul Gauguin SHIP FACTS & FEATURES
m/s Paul Gauguin SHIP FACTS & FEATURES Awards & Accolades “#1 Small-Ship Cruise Line” Travel + Leisure, World’s Best Awards (2014) “Top 20 Small Cruise Ships,” (2013—our 15th year in a row) Condé Nast Traveler, Readers’ Choice Awards “#1 Small-Ship for Families,” Travel + Leisure, World’s Best Awards Readers’ Survey (2014, 2013) Cruise Critic, Small Ship Category, Cruisers’ Choice Awards (2014) “Best South Pacific Itinerary,”Porthole Cruise Magazine, Readers’ Choice Awards (2013, 2012, 2011, 2010, 2007, 2006) Silver Magellan Award Winner, Travel Weekly, Small Cruise Ship Category (2013, 2012, 2011) 6‒Star Rating, Stern’s Guide to the Cruise Vacation (2014, 2013, 2012, 2011) Your Home at Sea Our emphasis is on providing the 332 guests on each sailing with a delightful experience, aboard and ashore. Join us, and enjoy unsurpassed service and attention to detail amid elegant, relaxing surroundings. SHIP FEATURES: • All-inclusive pricing: select wines and spirits, beer, soft • A day at Motu Mahana, Paul Gauguin’s exclusive, private drinks, bottled water, and hot beverages retreat off the coast of Taha’a, featuring Polynesian • Shipboard gratuities for room stewards and dining staff hospitality, snorkeling, watersports, bar service, and a delicious feast • Complimentary 24-hour room service, including selections from L’Etoile Restaurant during regular dining hours • Access to an exclusive, private beach located on a motu off the coast of Bora Bora that offers an idyllic white-sand • All oceanview accommodations, nearly 70% with balconies, beach, excellent snorkeling, and bar service on Tahiti and measuring from 200 to 588 sq. ft., including balcony French Polynesia itineraries. -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
In Porthole Cruise Magazine's 2014
PAUL GAUGUIN CRUISES RECOGNIZED FOR “BEST SOUTH PACIFIC ITINERARIES” IN PORTHOLE CRUISE MAGAZINE’S 2014 READERS’ CHOICE AWARDS BELLEVUE, WASH. – November 18, 2014 – Paul Gauguin Cruises (www.pgcruises.com), operator of the highest- rated and longest continually sailing luxury cruise ship in the South Pacific, the m/s Paul Gauguin, and the 88- guest m/v Tere Moana, was recognized by Porthole Cruise Magazine as having the “Best South Pacific Itineraries” in the 16th Annual Readers’ Choice Awards. 2014 marks the fifth consecutive year that Paul Gauguin Cruises has received this accolade. The magazine’s annual awards poll asked readers to evaluate the world’s cruise lines and determine the industry’s leaders. The full list of winners can be found on the magazine’s website, www.porthole.com, and is featured in the December 2014 issue of Porthole Cruise Magazine. “We are thrilled to receive this award,” said Diane Moore, President of Paul Gauguin Cruises. “The Gauguin has been delivering enchanting and authentic experiences on voyages in Tahiti, French Polynesia, and the South Pacific for many years, and we look forward to continuing to share our expertise in this region with our guests.” “When it comes to cruising the South Pacific, it’s hard to top the experience and options offered by Paul Gauguin Cruises,” said Bill Panoff, publisher and editor-in-chief of Porthole Cruise Magazine. “Savvy cruisers have continually recognized this stellar experience by consistently voting for the line for Best South Pacific Itineraries. I congratulate Paul Gauguin on its much-deserved win.” The Gauguin’s itineraries in French Polynesia and the South Pacific feature a host of exquisite islands with white- sand beaches, aqua lagoons, mist-laden mountains, and warm Polynesian culture. -
Art of Life: Gauguin’S Language of Color and Shape Eva Maria Raepple College of Dupage, [email protected]
College of DuPage [email protected]. Philosophy Scholarship Philosophy 10-1-2011 Art of Life: Gauguin’s Language of Color and Shape Eva Maria Raepple College of DuPage, [email protected] Follow this and additional works at: http://dc.cod.edu/philosophypub Part of the Art and Design Commons, and the Philosophy Commons Recommended Citation Raepple, Eva Maria, "Art of Life: Gauguin’s Language of Color and Shape" (2011). Philosophy Scholarship. Paper 27. http://dc.cod.edu/philosophypub/27 This Article is brought to you for free and open access by the Philosophy at [email protected].. It has been accepted for inclusion in Philosophy Scholarship by an authorized administrator of [email protected].. For more information, please contact [email protected]. Art of Life: Gauguin’s Language of Color and Shape “Where the tree of knowledge stands, there is always Paradise”: thus speak the oldest and the youngest serpents. (Nietzsche. Beyond Good and Evil. Aphorisms. 152) Friedrich Nietzsche, the nineteenth century philosopher (1844 -1900), whose works speak of his unyielding search for an art of life, warns of the serpent’s promise, a promise that according to Genesis 3 foreshadows tribulations.1 On the stage of life the promise to know, to know as a subject that actively grasps the world, is an alluring, call, one that permits free spirits to explore and design life as a work of art beyond the confines of the herd.2 A changing role of the knowing and imagining subject in the nineteenth century enticed philosophers and inspired artists, unleashing their creativeness to explore new modes of writing and painting. -
Famous Impressionist Artists Chart
Impressionist Artist 1 of the Month Name: Nationality: Date Born:________Date Died:________ Gallery: ©Nadene of http://practicalpages.wordpress.com January 2010 2 Famous Impressionist Artist Edgar Degas Vincent Van Gogh Georges Seurat Paul Cezanne Claude Monet Henri de ToulouseToulouse----LautrecLautrec PierrePierre----AugusteAuguste Renoir Paul Gauguin Mary Cassatt Paul Signac Alfred Sisley Camille Pissarro Bertha Morisot ©Nadene of http://practicalpages.wordpress.com January 2010 3 Edgar Degas Gallery: Little Dancer of Fourteen Years , Ballet Rehearsal, 1873 Dancers at The Bar The Singer with glove Edgar Degas (19 July 1834 – 27 September 1917), born HilaireHilaire----GermainGermainGermain----EdgarEdgar De GasGas, was a French artist famous for his work in painting , sculpture , printmaking and drawing . He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. [1] A superb draughtsman , he is especially identified with the subject of the dance, and over half his works depict dancers. Early in his career, his ambition was to be a history painter , a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties, he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life. http://en.wikipedia.org/wiki/Edgar_Degas ©Nadene of http://practicalpages.wordpress.com January 2010 4 Vincent Van Gogh Gallery: Bedroom in Arles The Starry Night Wheat Field with Cypresses Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter whose work had a far-reaching influence on 20th century art for its vivid colors and emotional impact. -
TOULOUSE-LAUTREC PS Toulouse Lautrect 4CENG New.Qxp P-5 15 Jun7/4/2007 07.Qxp 11:39 7/26/2007 AM Page 5:45 2 PM Page 2
TOULOUSE-LAUTREC PS Toulouse Lautrect 4CENG new.qxp P-5 15 Jun7/4/2007 07.qxp 11:39 7/26/2007 AM Page 5:45 2 PM Page 2 Layout: Baseline Co. Ltd. 127-129A Nguyen Hue Fiditourist Building, 3rd Floor District 1, Ho Chi Minh City, Vietnam. © Sirrocco, London, UK (English version) © Confidential Concepts, worldwide, USA All rights reserved No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification. ISBN: 978-1-78042-440-8 PS Toulouse Lautrect 4CENG new.qxp P-5 15 Jun7/4/2007 07.qxp 11:39 25/06/2007 AM Page 3:12 3 PM Page 3 Henri de Toulouse-Lautrec PS Toulouse Lautrect 4C new.qxp 7/4/2007 11:39 AM Page 4 4 PS Toulouse Lautrect 4CENG new.qxp P-5 15 Jun7/4/2007 07.qxp 11:39 7/26/2007 AM Page 3:34 5 PM Page 5 ou know, if one were a Frenchman, or dead, or a pervert – best of all, a dead French pervert – it might be possible to enjoy life!’ laments frustrated and ‘Yunsuccessful artist in an illustration in the German satirical magazine Simplicissimus issued in 1910. He is endeavouring to paint while his domestic life crowds in on him from every direction: children run about screaming, toys lie scattered on the floor, and his wife is hanging up washing on a line stretched across his studio. -
Paul Gauguin
Paul Gauguin Painter, Sculptor 1848 – 1903 • Born on June 7, 1848 in Paris, france • Mother was peruvian, family lived Peru for 4 years • Family returns to France when he is 7 • Serves in the Merchant Marine, then the French Navy • Returns to Paris and becomes a Stockbroker • Marries a danish woman and they have 5 children • They live in Copenhagen where he is a stockbroker • Paints in his free time – buys art in galleries and makes friends with artists Portrait of Madame Gauguin • Decides he wants to (1880) paint full time – leaves his family in Copenhagen and goes back to Paris • His early work is in the impressionist style which is very popular at that time • He is not very successful at his art, he is poor • Leaves France to find a simpler life on a tropical island Aline Gauguin Brothers (1883) Visits his friend Vincent vanGogh in Arles, France where they both paint They quarrel, with van Gogh famously cutting off part of his ! own ear Gauguin leaves france and never sees van Gogh again Night Café at Arles (1888) Decides he doesn’t like impressionism, prefers native art of africa and asia because it has more meaning (symbolism) He paints flat areas of color and bold outlines He lives in Tahiti and The Siesta (1892) paints images of Polynesian life Tahitian women on the beach (1891) • His art is in the Primitivist style- exaggerated body proportions, animal symbolism, geometric designs and bold contrasting colors • Gauguin is the first artist of his time to become successful with this style (so different from the popular impressionism) • His work influences other painters, especially Pablo Picasso When do you get married? (1892) Gauguin spent the remainder of his life painting and living ! in the Marquesas Islands, a very remote, jungle-like ! place in French Polynesia (close to Tahiti) Gauguin’s house, Atuona, ! Marquesas Islands Gauguin lived ! alone in the ! jungle, where ! one day his houseboy arrived to find him dead, with a smile on his face. -
Audio Guide Transcript Paul Gauguin
Audio Guide Transcript Paul Gauguin: The Art of Invention July 21–September 15, 2019 Main Exhibition Galleries Gallery 241: Introduction to Paul Gauguin: The Art of Invention Speaker: Brent Benjamin Barbara B. Taylor Director Saint Louis Art Museum Hello, I’m Brent Benjamin, Barbara B. Taylor Director of the Saint Louis Art Museum. Welcome to Paul Gauguin: The Art of Invention. Paul Gauguin’s travels and his exploration of media, imagery, and ideas were central to his innovations in art. Combining objects from both the Art Museum’s collection and the renowned holdings of the Ny Carlsberg Glyptotek in Copenhagen, Denmark, this exhibition offers an exceptional array of art forms. While works of art by Gauguin illustrate the distinctive phases of his career, textiles and sculptures from South America and Polynesia represent the cultures and experiences that informed and inspired his artistic output as well as personal philosophies. This audio guide offers expert commentary from Simon Kelly, curator of modern and contemporary art; Nichole Bridges, associate curator for African art and Morton J. May curator in charge; Abigail Yoder, research assistant at the Saint Louis Art Museum; and Elizabeth Childs, Etta and Mark Steinberg professor of art history at Washington University in St. Louis. From wood carvings to paintings and ceramics, these scholars will offer a deeper understanding of a number of works of art throughout the galleries, whose object labels include an audio icon to help you identify each stop. I hope you enjoy this audio guide and your visit to Paul Gauguin: The Art of Invention. 2 STOP 1 Gallery 242: Landscape from Osny Speaker: Simon Kelly Curator of Modern and Contemporary Art Saint Louis Art Museum Hello, my name is Simon Kelly, and I’m the curator of modern and contemporary art at the Saint Louis Art Museum. -
Vangogh'sjapanandgauguin's Tahitireconsidered
“Van Gogh's Japan and Gauguin's Tahiti reconsidered,” Ideal Places East and West, International Research Center for Japanese Studies, March 31,1997, pp.153-177. Van Gogh's Japan and Gauguin's Tahiti Tahiti reconsidered Shigemi Shigemi INAGA Mie U University niversity INTERNATIONAL SYMPOSIUM NO.l0 International International Research Center for Japanese]apanese Studies Idealld e al Places in HistoryHisto η - East and West - 1995 : 153-178153 -178 “Van Gogh's Japan and Gauguin's Tahiti reconsidered,” Ideal Places East and West, International Research Center for Japanese Studies, March 31,1997, pp.153-177. Van Gogh's Japan and Gauguin's Tahiti Tahiti reconsidered Shigemi INAGA Mie University If If the mountain paradise represents one type of ideal place place,, the other can be categorized categorized as the island paradise. Both in the East and in the WestWest, , it has been a common gardening practice to create an isle in the middle of a lake or a pond of a garden. garden. In JJapanese apanese the word island (“ (" shima") was literally a metonymical substitute for for the “"garden".garden". A small and isolated “"tops" tops" surrounded by water is a miniatur- miniatur ized ized version version,, or a regressive formform,, of the desire for marvelous possessions possessions,, to use Stephen Stephen Greenblatt's expression expression,, which prompted people to venture into the ocean in in search of hidden paradise. From the Greek Hesperides down to William Buttler Yeat's Yeat's Innisj Innisfree同e (or rather downdownto .to its parody as “"LakeLake Isles" in the “"Whispering Whispering Glades" Glades" by Evelyn Waugh in The Loved One [1948]),[1 948]) , the imagery of islands is abun-abun dant dant in Western literature. -
I Dream of Painting, and Then I Paint My Dream: Post-Impressionism
ART HISTORY Journey Through a Thousand Years “I Dream of Painting, and Then I Paint My Dream” Week Thirteen: Post-Impressionism Introduction to Neo-Impressionisn – Vincent Van Goh – The Starry Night – A Letter from Vincent to Theo – Paul Gaugin - Gauguin and Laval in Martinique - Paul Cézanne, Turning Road at Montgeroult - Paul Cézanne, The Basket of Apples - Edvard Munch, The Scream – How to Identify Symbolist Art - Arnold Bocklin: Self Portrait With Death - Fernand Khnopff, I Lock my Door Upon Myself Der Blaue Reiter, Artist: Wassily Kandinsky Dr. Charles Cramer and Dr. Kim Grant: "Introduction to Neo-Impressionism” smARThistory (2020) Just a dozen years after the debut of Impressionism, the art critic Félix Fénéon christened Georges Seurat as the leader of a new group of “Neo-Impressionists.” He did not mean to suggest the revival of a defunct style — Impressionism was still going strong in the mid- 1880s — but rather a significant modification of Impressionist techniques that demanded a new label. Fénéon identified greater scientific rigor as the key difference between Neo-Impressionism and its predecessor. Where the Impressionists were “arbitrary” in their techniques, the Neo- Impressionists had developed a “conscious and scientific” method through a careful study of contemporary color theorists such as Michel Chevreul and Ogden Rood. [1] A scientific method Pierre-Auguste Renoir, Bal du Moulin de la Galette, 1876, oil on canvas, 131 x 175 cm (Musée d’Orsay) This greater scientific rigor is immediately visible if we compare Seurat’s Neo- Impressionist Grande Jatte with Renoir’s Impressionist Moulin de la Galette. The subject matter is similar: an outdoor scene of people at leisure, lounging in a park by a river or dancing and drinking on a café terrace. -
Vincent Van Gogh and Paul Gauguin Left the City, Seeking to Renew Themselves As Artists in Simpler, Rural Environments
Vincent van Gogh / Paul Gauguin A Rocky Friendship 1 Vincent van Gogh (1853 – 1890) and Paul Gauguin (1848 – 1903) both experimented with the expressive possibilities of color and line to create distinct personal styles of painting. Working in France at the end of the nineteenth century, the two friends inspired each other during a nine-week period in the autumn of 1888. In February of that year, Van Gogh moved to the peace- ful town of Arles in the south of France. He dreamed of creating a “studio of the south” where a group of art- ists could work and live as a community. He invited his friend and fellow painter Gauguin to join him. Van Gogh transformed his yellow house into an artist’s studio in anticipation. Gauguin finally moved to Arles in October of 1888. Although they learned from each other’s techniques and produced many works side by side, Van Gogh’s stubborn nature and Gauguin’s pride and arrogance made their life together difficult. After nine weeks, a passionate argument caused Van Gogh to have a mental breakdown, and Gauguin returned to Paris. Despite the unhappy ending to the “studio of the south,” the two painters remained friends, and they wrote letters to each other until Van Gogh died two years later. Even though they had different personalities, the two “They say — and I am very willing to believe it — that it artists shared some things in common: is difficult to know yourself — but it isn’t easy to paint Both were essentially self-taught artists. -
"I Am Trying to Put Into These Desolate Figures the Savagery That I See in Them and Which Is in Me Too
"I am trying to put into these desolate figures the savagery that I see in them and which is in me too... Dammit, I want to consult nature as well but I don't want to leave out what I see there and what comes into my mind." SYNOPSIS Paul Gauguin is one of the most significant French artists to be initially schooled in Impressionism, but who broke away from its fascination with the everyday world to pioneer a new style of painting broadly referred to as Symbolism. As the Impressionist movement was culminating in the late 1880s, Gauguin experimented with new color theories and semi-decorative approaches to painting. He famously worked one summer in an intensely colorful style alongside Vincent © The Art Story Foundation – All rights Reserved For more movements, artists and ideas on Modern Art visit www.TheArtStory.org Van Gogh in the south of France, before turning his back entirely on Western society. He had already abandoned a former life as a stockbroker by the time he began traveling regularly to the south Pacific in the early 1890s, where he developed a new style that married everyday observation with mystical symbolism, a style strongly influenced by the popular, so-called "primitive" arts of Africa, Asia, and French Polynesia. Gauguin's rejection of his European family, society, and the Paris art world for a life apart, in the land of the "Other," has come to serve as a romantic example of the artist-as- wandering-mystic. KEY IDEAS After mastering Impressionist methods for depicting the optical experience of nature, Gauguin studied religious communities in rural Brittany and various landscapes in the Caribbean, while also educating himself in the latest French ideas on the subject of painting and color theory (the latter much influenced by recent scientific study into the various, unstable processes of visual perception).