Scott Ian Speaker Profile

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Scott Ian Anthrax Guitarist Scott Ian is the co-founder and rhythm guitar player of Anthrax. Scott, with Anthrax helped create thrash metal in the early 80's. He and Anthrax have sold over ten million records worldwide, have multiple Gold and Platinum record awards, have been nominated for a Grammy six times, and have toured the world since 1984 on over one hundred something tours. They just released their eleventh studio album For All Kings to critical acclaim and commercial success. The album entered the Billboard Top 200 chart at number 9 and the worldwide charts at number 8. In 2016 they tour with Iron Maiden playing stadiums in South America and plan to tour in support of For All Kings for the next two years. "The man who has kept the institution of Anthrax alive for more than thirty years" In detail Languages Scott has been doing solo "Speaking Words" tours in the U.S., He presents in English. Canada, the UK, Ireland, Australia, Scandinavia and Germany. The DVD he filmed in Glasgow, Swearing Words In Glasgow was Want to know more? released in November of 2014. He hosts the horror FX show Give us a call or send us an e-mail to find out exactly what he Bloodworks for the Nerdist Channel. For an episode last season could bring to your event. he played a walker on one episode of The Walking Dead. For the new season of Bloodworks Scott recently filmed an episode from How to book him? the set of Game of Thrones. Simply phone or e-mail us. What he offers you watch video Scott Ian shares with audience's worldwide wildly entertaining stories about the people he has met, the experiences he has had Publications and the mischief he and his peers have gotten into over the past 2014 30-plus years of being in a band, putting out records and touring I'm The Man: The Story of That Guy from Anthrax around the world and back. How he presents Scott has approached life and music with a smile, viewing the band with deadly seriousness. Self-confident swagger, mixed in with a healthy dose of devil-may-care attitude, Scott's energy reveals his passion for his craft, and he has never let the gravity of being a rock star go to his shaven, goateed head. Topics Life and Times Motivation Parallels between Business of Music and Business Creativity Powered by TCPDF (www.tcpdf.org).

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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S = Signing, P = Performance/Product Demonstration, PC = Press Conference
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