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LIBRARY OF WILLIAM SCOTT SIMKINS AMERICAN POETRY Ariel (Sylvia Plath) The Bridge (Hart Crane) Complete Poems of Emily Dickinson (Thomas H. Johnson, ed.) The Complete Poems of Stephen Crane Contemporary American Poetry (A. Poulin, Jr. ed.) A Different Kind of Hunger (Beth Ann Fenelly) Diving Into the Wreck (Adrienne Rich) The Dream Songs (John Berryman) E. E. Cummings: Complete Poems 1904-1962 (George J. Firmage, ed.) The Europe of Trusts (Susan Howe) Final Harvest: Emily Dickinson’s Poems Fun Being Me: Jack Wilder Poems Gary Soto: New and Selected Poems The Harvard Book of Contemporary American Poetry (Helen Vendler, ed.) Heat Lightning: New and Selected Poems 1986-2006 (Judith Skillman) Helen in Egypt (Hilda Doolittle--H. D.) Imaginations (William Carlos Williams) Imagist Poetry: An Anthology (Bob Blaisdell, ed.) James Wright: Collected Poems Leaves of Grass: A Selection of Poems and Prose (Walt Whitman) A Library of Poetry and Song (William Cullen Bryant, ed.) Marianne Moore: Complete Poems New and Collected Poems 1917-1976: Archibald MacLeish The Optics of Everything (J. P. Greene) The Palm at the End of the Mind: Selected Poems and a Play (Wallace Stevens) The People, Yes (Carl Sandburg)* Personae (Ezra Pound) Pictures of the Floating World (Amy Lowell) Poems of Freneau Postmodern American Poetry (Paul Hoover, ed.) Practical Gods (Carl Dennis) The Red Flower: Poems Written in War Time (Henry Van Dyke) Renascence and Other Poems (Edna St. Vincent Millay) The Road Not Taken: A Collection of Robert Frost’s Poems Selected Poems of Edwin Arlington Robinson Selected Poems of Herman Melville The Silence of Men (Richard Jeffrey Newman) Spoon River Anthology (Edgar Lee Masters)* The Swastika Clock (Louis Daniel Brodsky) Tender Buttons (Gertrude Stein)* The Trouble With Poetry (Billy Collins)* T. S. Eliot: Collected Poems 1909-1962 Wallace Stevens: The Collected Poems PRE-20th-CENTURY AMERICAN LITERATURE The American Democrat (James Fenimore Cooper) An American Garland (C. H. Firth, ed.) Arthur Mervyn or, Memoirs of the Year 1793 (Charles Brockden Brown) The Aspern Papers (Henry James)* Autobiography (Henry James) 2 The Autobiography of Benjamin Franklin* The Autocrat at the Breakfast Table (Oliver Wendell Holmes) The Awakening (Kate Chopin)* The Awkward Age (Henry James) Bayou Folk (Kate Chopin) Billy Budd, Sailor and Other Stories (Herman Melville)* The Blithedale Romance (Nathaniel Hawthorne)* Chita: A Memory of Lost Island (Lafcadio Hearn) The Collected Works of Phillis Wheatley Colonial and Federalist American Writing (George F. Horner & Robert A. Bain, eds.) The Comic Mark Twain Reader Common Sense (Thomas Paine) The Complete Tales of Washington Irving The Confidence Man (Herman Melville)* A Connecticut Yankee in King Arthur’s Court (Mark Twain)* Contending Forces (Pauline E. Hopkins) A Country Doctor (Sarah Orne Jewett)* Democracy (Henry James) The Devil’s Dictionary (Ambrose Bierce) Early American Writing (Giles Gunn) Edgar Allan Poe: Complete Short Stories Edgar Allan Poe: Critical Thinking—the Major Documents (Stuart & Susan F. Levine, eds.) Emerson’s Prose and Poetry Female Quixotism (Tabitha Gilman Tenney)* Gleanings in Europe: Italy (James Fenimore Cooper) Great Short Works of Mark Twain Great Tales of Horror and Suspense (Poe et al.) A Hazard of New Fortunes (William Dean Howells) Henry James: Representative Selections (Lyon N. Richardson, ed.) Hobomok and Other Writings on Indians (Lydia Maria Child)* Hope Leslie (Catherine Maria Sedwick)* The House of Seven Gables (Nathaniel Hawthorne) Incidents in the Life of a Slave Girl, Written by Herself (Harriet A. Jacobs)* The Innocents Abroad (Mark Twain)* John James Audubon: Selected Journals and Other Writings Letters from Alabama on Various Subjects (Anne Newport Royall) Letters From an American Farmer (J. Hector St John de Crèvecoeur)* Life in the Iron Mills and Other Stories (Rebecca Harding Davis)* Life of Blackhawk, or Ma-ka-tai-me-she-kia-kiak, Dictated by Himself The Life of Olaudah Equiano, or Gustavus Vassa, the African* Literary Friends and Acquaintances (William Dean Howells)* The Literature of America: Colonial Period (Larzer Ziff, ed) Little Women (Louisa May Alcott)* Looking Backward (Edward Bellamy)* Main-Travelled Roads (Hamlin Garland) Major Writers of America, v. I (Perry Miller et al., ed.) The Marble Faun (Nathaniel Hawthorne)* Mark Twain: Mississippi Writings McTeague (Frank Norris)* Moby Dick (Herman Melville)* A Modern Instance (William Dean Howells) The Mysterious Stranger and Other Stories (Mark Twain)* Narrative of Sojourner Truth * Of Plymouth Plantation (William Bradford) Old Creole Days (George W. Cable) Old Moll and Little Agnes (Mrs. Madeline Leslie) 3 The Pathfinder (James Fenimore Cooper) The Pioneers (James Fenimore Cooper)* The Planter’s Northern Bible (Caroline Lee Hentz) Poor Richard’s Almanack (Benjamin Franklin) Popular American Literature of the 19th Century (Paul C. Gutjahr, ed.) The Portable Hawthorne The Prince and the Pauper (Mark Twain) Pudd’nhead Wilson (Mark Twain) The Quaker City or, the Monks of Monk Hall (George Lippard) Ragged Dick (Horatio Alger)* Rights of Man (Thomas Paine) The Rise of Silas Lapham (William Dean Howells) Roughing It (Mark Twain) Royall’s Sketches on History, Life, and Manners in the United States (Anne Royall) The Scarlet Letter (Nathaniel Hawthorne)* Selected Mark Twain-Howells Letters 1872-1910 The Sketches of Louisa May Alcott The Spoils of Poynton (Henry James) The Transcendentalists: The Classic Anthology (Perry Miller, ed.) A Traveler from Altruria (William Dean Howells) Two Years Before the Mast (Richard Henry Dana, Jr.)* Typee (Herman Melville)* Uncle Tom’s Cabin (Harriet Beecher Stowe)* The Virginia Comedians, or Old Days in the Old Dominion (John Esten Cooke) Walden or, Life in the Woods (Henry David Thoreau)* Water Witch (James Fenimore Cooper) A Week on the Concord and Merrimack Rivers (Henry David Thoreau) Wieland or, The Transformation: An American Tale (Charles Brockden Brown)* Women in the Nineteenth Century (Margaret Fuller)* The Works of Thoreau Young Goodman Brown and Other Tales (Nathaniel Hawthorne) 20TH (& 21st)-CENTURY AMERICAN LITERATURE A Abie’s Irish Rose (Anne Nichols) The Adventures of Augie March (Saul Bellow) The Adventures of the Mind, v. I & II (Eiseley, Barzun, et al.)* African American Literature (Demetrice A. Worley & Jesse Perry, Jr., eds.) The Agony and the Ecstasy (Irving Stone) Airship (Barry Hannah) All God’s Children Need Traveling Shoes (Maya Angelou)* All the Pretty Horses (Cormac McCarthy)* Almanac of the Dead (Leslie Marmon Silko)* The Ambassadors (Henry James) The American (Henry James) American Buffalo (David Mamet) An American Childhood (Annie Dillard)* American Earth: Environmental Writing Since Thoreau (Bill McKibben, ed.) The American Earthquake (Edmund Wilson)* American Gothic Tales (Joyce Carol Oates, ed.) The American Language: Supplement One (H. L. Mencken) American Literary Essays (Lewis Leary, ed.) American Literature, v. I & II (Richard Poirier & William L. Vance, eds.; Little, Brown) American Literature, v. I (Harrison T. Meserole et al., eds.; Heath) American Negro Poetry (Arna Bontemps, ed.) American Short Stories (Bert Hitchcock, Virginia M. Koudis, & Eugene Current-Garcia, eds.) 4 The American Short Story and Its Writer: An Anthology (Ann Charters, ed.) American Skin (Don de Grazia) The American Writer and the Great Depression (Harvey Swados, ed.) All the King’s Men (Robert Penn Warren)* Angels in America (Tony Kushner) Anna Christie; The Emperor Jones; The Hairy Ape (Eugene O’Neill) TheAnnie Dillard Reader Annie John (Jamaica Kincaid)* Anywhere But Here (Mona Simpson) Apathy and Other Small Victories (Paul Neilan)* Apologizing to Dogs (Joe Coomer) The Arrangement (Elia Kazan) As I Lay Dying (William Faulkner)* The Assistant (Bernard Malamud) At Random: The Reminiscences of Bennett Cerf At the Bottom of the River (Jamaica Kincaid) The Autobiography of Alice B. Toklas (Gertrude Stein)* The Autobiography of Malcolm X (as told to Alex Haley) The Autobiography of Mark Twain v. I & II The Autobiography of an Ex-Colored Man (James Weldon Johnson)* The Autobiography of Miss Jane Pittman (Ernest Gaines)* The Autobiography of William Allen White* B Babbitt (Sinclair Lewis)* The Bachelor Home Companion (P. J. O’Rourke) Barren Ground (Ellen Glasgow) Beasts (Joyce Carol Oates) The Beat Generation and the Angry Young Men (Gene Feldman and Max Gartenberg, eds.) Because It Is Bitter, and Because It is My Heart (Joyce Carol Oates)* The Bedford Anthology of American Literature v. I (Susan Belasco & Linck Johnson, eds.) Bel Canto (Ann Patchett)* The Bell Jar (Sylvia Plath)* Beloved (Toni Morrison)* Between the World and Me (Ta-Nehisi Coates) The Big Money (John Dos Passos)* The Big Rock Candy Mountain (Wallace Stegner)* Billy Bathgate (E. L. Doctorow) Billy Phelan’s Greatest Game (William Kennedy) Blackberry Winter: My Earlier Years (Margaret Mead) Black Boy (Richard Wright)* Black Expression (Addison Gayle, Jr., ed.) The Black Notebooks: An Interior Jorney (Toi Derricotte) Black White and Jewish (Rebecca Walker)* Bless Me, Ultima (Rudolfo Anaya)* Bloodlines: Odyssey of a Native Daughter (Janet Campbell Hale) Blood of my Blood (Marjorie Kinnan Rawlings) The Bluest Eye (Toni Morrison)* Bob the Gambler (Frederick Barthelme) The Body Artist (Don DeLillo)* Bonfire of the Vanities (Tom Wolfe) A Book of American Literature (Snyder, ed.) The Book of Bad Virtues (Tony Hendra) Books: The Essential Insider’s Guide (Mark Strand, ed.) A Boy’s Own Story (Edmund White)*
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    HAMPTON BY HILTON FRANCHISE DISCLOSURE DOCUMENT BRAZIL HILTON WORLDWIDE MANAGE LIMITED a Limited Company Formed Under the Laws of England and Wales Maple Court, Central Park, Reeds Crescent Watford, Hertfordshire, WD24 4QQ UK +44 207 856 8000 Dated: July 31, 2019 {018316-999987 00275528.DOCX; 1} 2019 Brazil Hampton TABLE OF CONTENTS PART I THE FRANCHISOR AND ITS RELATED COMPANIES .......................................... 1 PART II FINANCIAL STATEMENTS ..................................................................................... 2 PART III LITIGATION ............................................................................................................ 2 PART IV THE LICENSE ......................................................................................................... 2 PART V THE IDEAL FRANCHISEE ...................................................................................... 3 PART VI OBLIGATION TO PARTICIPATE IN THE ACTUAL OPERATION OF THE FRANCHISE BUSINESS ......................................................................................... 3 PART VII INITIAL FEES AND ESTIMATED INITIAL INVESTMENT ........................................ 4 PART VIII PERIODIC AND OTHER FEES ..............................................................................11 PART IX FRANCHISEE INFORMATION ...............................................................................25 PART X TERRITORY ...........................................................................................................25 PART XI RESTRICTIONS
  • New Entry of Record Labels in the Music Industry

    New Entry of Record Labels in the Music Industry

    Start Me Up: New Entry of Record Labels in the Music Industry Master Thesis MSc Business Administration Management and Entrepreneurship in the Creative Industries Faculty of Economics and Business, Amsterdam Business School Myra Alice Wilhelmina Ruers - 11903929 Supervisor: Dr. M. Piazzai 21st of June 2018 Statement of Originality This document is written by Student Myra Ruers, who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document is original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Economics and Business is responsible solely for the supervision of completion of the work, not for the contents. 2 Abstract The music industry is extremely vibrant, diverse, and inherently uncertain. Record labels are the main intermediaries in this industry, facilitating the connection between the creative input from musicians and the demand from the consumers. Due to many technological advancements, the barriers to entry have decreased significantly, hence making it easier to enter this industry as a new record label. Additionally, strategic integration options allow existing firms to start new ventures by acquiring or initiating subsidiaries. This research focuses on the multiple modes through which new entry can be commenced. These entry modes all have their own characteristics and consequences for the configurations of the industry. The likelihood of entry, the subsequent performance of new record labels, and the effects on the diversity of the output are the main topics that are explored. In this study, databases storing longitudinal information on musical releases are used to compile a dataset with the necessary information on new record labels.
  • Buika's Unifying Mix of The

    Buika's Unifying Mix of The

    Buika's unifying mix of the muses | Philadelphia Inquirer | 10/24/2010 http://www.philly.com/inquirer/entertainment/20101024_Buika_s_unify... Home Inquirer Daily News News Business Sports Entertainment Living Restaurants & Food Jobs Cars Homes Marketplace News Front Page Sports Business Obituaries Arts & Entertainment Food, Home & Life Health & Science Education Opinion Blogs & Columns Subscriber Services | The e-Inquirer search ARTS & ENTERTAINMENT | Sign In | Register Daily Magazine Weekend Books email print reprint font size 0 comments War Rock Card Posted on Sun, Oct. 24, 2010 Buika's unifying mix of the muses By John Timpane Inquirer Staff Writer Buika's smoky, throaty voice rises up from her superb new album, El Último Trago (The Last Drink), and the names of other incredible singers pass through your mind. Nina Simone. Miriam Makeba. Cesaria Evora. Mercedes Sosa. Amalia Rodrigues. Omara Portuondo. Buika, who comes to the Kimmel Center Tuesday, is like none - and Advertise Here has taken all on board. BERNARDO DORAL To admire the music of Buika, who transcends In Trago, the flexible, singular voice of María Concepción cultures, one need not know Spanish. One Today's Most Viewed Most Emailed Balboa Buika combines elements of Afro-Cuban, flamenco, need only know life. pan-American, and even Arabic music in a set of emotional songs played live in the studio with an all-star lineup of Werth seems likely to be moving on 1 of 3 world musicians. She both pays tribute to a personal idol View images An imperfect ending to the Phillies’ season and remakes the songs in her own spiritual and bodily High hopes turn to frustration image.