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John Collins Production Designer
John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management -
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister Sarah E. Maier and Rachel M. Friars (University of New Brunswick, Saint John, New Brunswick, Canada & Queen’s University, Kingston, Ontario, Canada) Abstract: Anne Lister (1791–1840) was a multihyphenate landowner-gentry-traveller-autodidact- queer-lesbian, a compulsive journal writer who lived through the late-Romantic and well into the Victorian ages. While her journals have proven to be an iconographic artefact for queer and lesbian history, our interest here is in the public adaptations of Lister’s intentionally private writings for twenty-first-century audiences as found in the film The Secret Diaries of Miss Anne Lister (2010) and the television series Gentleman Jack (2019–). Our discussion queries what it means to portray lived queer experience of the nineteenth century, how multimedia translate and transcribe Lister’s works onto screen, as well as how questions of legibility, visibility and ethics inevitably emerge in these processes. Keywords: adaptation, encryption, Gentleman Jack, journals, lesbianism, Anne Lister, queer history, queer visibility, The Secret Diaries of Miss Anne Lister, transcription. ***** Lister ought to tell her own story before anyone interpreted it for her. Hers is, after all, the truly authentic voice of the nineteenth century woman caught up in a dilemma not of her own making. She ought to be allowed to tell it as it was, from her own point of view. (Whitbread 1992: xii) The recent appearance of a woman given the nickname ‘Gentleman Jack’ in a show focused on a queer woman depicts a subject who writes her life into encrypted journals. -
Neil Baldwin, Celebrity
ACKNOWLEDGEMENTS This book would not have been commissioned if the multi-award-winning BBC TV drama Marvellous, based on Neil’s life, had not been such an outstanding success. To adapt a line from Marvellous: ‘Acknowledgements, I wouldn’t know where to start.’ Or indeed to finish. But I’ll try. We thank the writer and executive director, Peter Bowker, for his brilliantly perceptive and funny script, which truly captured Neil’s spirit, so outstandingly portrayed on screen by Toby Jones, without which there would have been no film. His fellow executive director, Patrick Spence, managing director of Fifty Fathoms, part of the Tiger Aspect group, had the wisdom to see the potential of the film, and sell it to the BBC. He managed the whole process with sensitive professionalism. Patrick was the figurehead and representation of a brilliant directing, production, acting and publicity team, who have gained the professional recognition they so richly deserve, and who had Neil’s best interests at the heart of all their work. It seems invidious to selectively name and praise individuals here. Thank you all, guys, for a job superbly well done. Marvellous itself would not have been conceived and made without the article written about Neil in The Guardian in 2010 by our longstanding friend, Francis Beckett. But Francis’s contribution certainly did not end there. He conducted some of the interviews for the book, edited the whole text and drew upon his extensive experience as an author and journalist to provide invaluable advice on structure and content, and provided an introduction and afterword. -
God's Own Country Is Francis’ First Feature Film Project
GOD’S OWN COUNTRY A film by Francis Lee UK • 104 min. • 2017 OFFICIAL SELECTION: Sundance Film Festival 2017 Berlin International Film Festival 2017 San Francisco International Film Festival 2017 Provincetown International Film Festival 2017 Outfest Los Angeles 2017 (Opening Night) Distribution Contacts: Samuel Goldwyn Films Ryan Boring, [email protected] New York Publicity Contacts: Cinetic Marketing Ryan Werner, [email protected] Courtney Ott, [email protected] Bingham Bryant, [email protected] God’s Own Country Production Notes Logline Francis Lee’s feature film debut is a contemporary tale of self-discovery and emotional-awakening set on the sheep farming hills of rural England. Synopsis Johnny Saxby works long hours in brutal isolation on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge-drinking at the local pub and casual sex. When a handsome Romanian migrant worker arrives to take up temporary work on the family farm, Johnny suddenly finds himself having to deal with emotions he has never felt before. An intense relationship forms between the two which could change Johnny’s life forever. Long Synopsis Spring. Yorkshire. Johnny Saxby (24) carries the weight of his family’s dilapidating sheep farm alone. His formidable grandmother Deirdre (70) is now too old to work the land, whilst his father Martin (50), once a capable farmer, struggles in the aftermath of a stroke. Socially and geographically isolated and overwhelmed by the responsibility, yet too proud to accept any help, Johnny numbs his frustration with drink, dope and casual sex. -
Maria Kyriacou
MINUTES SEASON 8 1 3 THE EUROPEAN SERIES SUMMIT JULY FONTAINEBLEAU - FRANCE 2019 CREATION EDITORIAL TAKES POWER! This mantra, also a pillar of Série Series’ identity, steered Throughout the three days, we shone a light on people the exciting 8th edition which brought together 700 whose outlook and commitment we particularly European creators and decision-makers. connected with. Conversations and insight are the DNA of Série Series and this year we are proud to have During the three days, we invited attendees to question facilitated particularly rich conversations; to name but the idea of power. Both in front and behind the camera, one, Sally Wainwright’s masterclass where she spoke of power plays are omnipresent and yet are rarely her experience and her vision with a fellow heavyweight deciphered. Within an industry that is booming, areas in British television, Jed Mercurio. Throughout these of power multiply and collide. But deep down, what is Minutes, we hope to convey the essence of these at the heart of power today: is it the talent, the money, conversations, putting them into context and making the audience? Who is at the helm of series production: them available to all. the creators, the funders, the viewers? In these Minutes, through our speakers’ analyses and stories, we hope to For the first time, this year, we have also wanted to o er you some food for thought, if not an answer. broaden our horizons and o er a “white paper” as an opening to the reports, focusing on the theme of Creators, producers, broadcasters: this edition’s power, through the points of view that were expressed 120 speakers flew the flag for daring and innovative throughout the 8 editions and the changes that Série 3 European creativity and are aware of the need for the Series has welcomed. -
World on Fire
Biographical Notes World on Fire Peter Bowker Writer, World on Fire MASTERPIECE fans remember Peter Bowker’s impassioned adaptation of Wuthering Heights from 2009, which captured Emily Brontë’s masterpiece in all its complexity. With World on Fire he has created a plot with even more twists, turns, and memorable characters, centered on the chaotic events at the outset of World War II. Bowker has been an established screenwriter in the U.K since penning scripts for Casualty in the early 1990s. Since then, he has written for many long-running series such as Where the Heart Is and Clocking Off. His original work has included Undercover Heart; Flesh and Blood, for which he won Best Writer at the RTS Awards; Blackpool, which was awarded BANFF Film Festival Best Mini-Series and Global Television Grand Prize; and Occupation, which was awarded Best Drama Serial at the BAFTA Awards, in addition to Best Short-Form Drama at the WGGB Awards and another RTS Best Writer Award. He has since written Eric and Ernie and Marvellous. Both productions have won prestigious awards, including a Best Drama BAFTA for Marvellous, which became the most popular BBC2 single drama of the last 20 years. Most recently he has written an adaptation of John Lanchester’s novel Capital and two series of the acclaimed The A Word. Julia Brown Lois Bennett, World on Fire Driven to escape her cheating lover and dysfunctional family, Julia Brown’s character in World on Fire finds a wartime role that exploits her remarkable singing talent. Luckily, Brown herself is a gifted vocalist and sang much of the soundtrack that accompanies the episodes. -
Scott & Bailey 2 Wylie Interviews
Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within -
Class and Gender Identify in the Film Transpositions of Emily Brontë's
Seijo Richart 1 Appendix II: Transpositions of Wuthering Heights to other Media 1. Television 1.1. TV - films 1948 Wuthering Heights. Adapt. John Davidson (from his stage play). BBC TV. 1948 Wuthering Heights. Kraft Television Theatre, NBC (USA). TV broadcast of a performance of Rudolph Carter’s theatre transposition. Only the first half of the novel. 1950 “Wuthering Heights”. Westinghouse's Studio One. Perf. Charlton Heston. USA. 1953 Wuthering Heights. Perf. Richard Todd and Yvonne Mitchell. BBC TV (UK). Script by Nigel Kneale, based on Rudolph Carter’s theatre transposition. 1958 Wuthering Heights. Perf. Richard Burton and Rosemary Harris. UK 1962 Wuthering Heights. Perf. Keith Mitchell and Claire Bloom. BBC TV (UK). Script by Nigel Kneale, based on Rudolph Carter’s theatre transposition. 1998 Wuthering Heights. Dir. David Skynner. Perf. Robert Kavanah, Orla Brady. Script by Neil McKay. London Weekend Television. 2003 Wuthering Heights. Dir. Suri Kirshnamma. Writ. Max Enscoe. Perf. Erika Christensen, Mike Vogel. MTV Films. 1.2. TV Series 1956 Cime tempestose. Dir. Mario Landi. Italy. 1963. Cumbres Borrascosas. Dir & Prod. Daniel Camino. Perú. 1964 Cumbres Borrascosas. Dir. Manuel Calvo. Prod. Ernesto Alonso (Eduardo/ Edgar in Abismos). Forty-five episodes. México. 1967 Wuthering Heights. Dir. Peter Sasdy. Adapt. Hugh Leonard. Perf. Ian McShane, Angela Scoular. Four parts serial. BBC TV (UK). 1967 O Morro dos Ventos Uivantes. Adap. Lauro César Muniz. TV Excelsior (Brasil). 1968 Les Hauts de Hurlevent. Dir. Jean-Paul Carrère. France. Two parts. Early 1970s A serialised version in the Egyptian television. 1973 Vendaval. Adapt. Ody Fraga. Perf. Joana Fomm. TV Record (Brasil). 1976 Cumbres Borrascosas. -
Scriptedpofc Octnov19.Indd
Insight on screen TBIvision.com | October/November 2019 | MIPCOM Issue Television Business International e Drama Trap Financing a hit 4 Writers revolt TBI Scripted Inside Kontrakt '18 12 ScriptedpOFC OctNov19.indd 1 03/10/2019 00:36 LAGARDERE_COMMANDO_TBI_COVER_def.indd 1 19/09/2019 15:49 BASED ON THE AWARD-WINNING NOVELS ON THE AWARD-WINNING BASED A NEW ORIGINAL SERIES p02-03 ITV Noughts & Crosses OctNov19.indd 2 02/10/2019 15:18 ITV0272_NOXO_TBIMipMain_IFCDPS_SubAW.indd All Pages 02/10/2019 14:08 BASED ON THE AWARD-WINNING NOVELS ON THE AWARD-WINNING BASED A NEW ORIGINAL SERIES p02-03 ITV Noughts & Crosses OctNov19.indd 3 02/10/2019 15:18 ITV0272_NOXO_TBIMipMain_IFCDPS_SubAW.indd All Pages 02/10/2019 14:08 Genre: Drama | Duration: 6x60' VISIT US AT MIPCOM, STAND R8.C9, RIVIERA 8 Catalogue: www.keshetinternational.com Contact us: [email protected] @KeshetIntl | KeshetInternational | @KeshetInternational ScriptedpXX Keshet Keeler OctNov19.indd 1 24/09/2019 12:49 TBI Scripted | This Issue Contents October/November 2019 4. Inside the multi-million dollar drama trap Contact us High-end scripted product has never been more lucrative but it also carries increasing risk, so how can producers and distributors navigate these challenging times? Editor Manori Ravindran [email protected] 8. Duking it out with global drama Direct line +44 (0) 20 3377 3832 TBI takes a trip to Ireland to find out about A+E Networks International’s uniquely Twitter @manori_r funded drama Miss Scarlet And The Duke. Managing editor Richard Middleton 12. When writers revolt [email protected] Creative talent might be in demand but writers from LA to Berlin feel they aren’t Direct line +44 (0) 20 7017 7184 being given the recognition they deserve. -
House of Fraser British Academy Television Awards Sunday 10 May 2015
House of Fraser British Academy Television Awards Sunday 10 May 2015 Previous Nominations and Wins Includes this year’s nominations. Wins in bold. Leading Actor Jason Watkins: 1 Nomination / 1 Win The Lost Honour of Leading Actor in 2015: The Lost Honour of Christopher Jefferies Christopher Jefferies Leading Actress Georgina Campbell: 1 Nomination / 1 Win Murdered by My Boyfriend Leading Actress in 2015: Murdered by My Boyfriend Supporting Actor Stephen Rea: Television: The Honourable Woman 2 Nominations / 1 Win Supporting Actor in 2015: The Honourable Woman Supporting Actor in 2012: The Shadow Line Film: 1 Nomination Leading Actor in 1993: The Crying Game Supporting Actress Gemma Jones: 4 Nominations / 1 Win Marvellous Supporting Actress in 2015: Marvellous Actress in 1977: The Duchess of Duke Street Actress in 1972: The Man in the Sidecar/The Cherry Orchard Actress in 1971: The Lie/The Spoils of Poynton Male Performance in a Comedy Programme Matt Berry: 3 Nominations / 1 Win Toast of London Male Performance in a Comedy Programme in 2015: Toast of London Writer: Comedy in 2015: Toast of London Situation Comedy in 2014: Toast of London Female Performance in a Comedy Programme Jessica Hynes: 2 Nominations / 1 Win W1A Female Performance in a Comedy Programme in 2015: W1A Female Performance in a Comedy Programme in 2013: Twenty Twelve Entertainment Performance Anthony McPartlin and Television: Declan Donnelly: Ant and 8 Nominations / 3 Wins Dec’s Saturday Night Entertainment Performance in 2015: Ant and Dec’s Saturday Night Takeaway Takeaway -
Tim Fywell Director
Tim Fywell Director Film & Television 2018 GRANTCHESTER – Series 4 Lead director Kudos Productions for ITV OUTLAWS Attached to direct feature film written by Rachel Cuperman & Sally Griffiths In development with Samuelson Productions 2017 OUR GIRL – Series 3 Directed opening 2 episodes of BBC1 drama Written by Tony Grounds, Produced by Tim Whitby 2016-7 GRANTCHESTER – Series 3 Lead Director, 2 x 60’ episodes Lovely Day Productions for ITV 2016 BLACK ROAD Directed Short Film Written by Michelle Bonnard, Starring Michelle Collins Produced by Debbie Gray, Genesius Pictures Winner, Best Short Film, European Short Film Festival 2016 2015 GRANTCHESTER – Series 2 Lead Director, 2 x 60’ episodes Lovely Day Productions for ITV 2015 ALYS, ALWAYS Feature film adaptation of novel by Harriet Lane Developed with Sixteen Films 2014/15 RIVER Directed 2 x 60’ episodes. Kudos for BBC One Written by Abi Morgan, Produced by Chris Carey Starring Stellan Skarsgard, Nicola Walker and Lesley Manville Winner, Golden Nymph, Best TV Series Drama, Festival de Television de Monte Carlo 2016 Winner, Drama Series, Rose d’Or Awards 2016 2014 GRANTCHESTER – Series 1 Directed 2 x 60’ episodes. Lovely Day Productions for ITV Written by Daisy Coulam, based on the short stories by James Runcie Starring James Norton and Robson Green Produced by Emma Kingsman-Lloyd HAPPY VALLEY – Series 1 Directed 2 x 60’ episodes. Red Productions for BBC One Written by Sally Wainwright, Produced by Karen Lewis Starring: Sarah Lancaster, James Norton and Siobhan Finneran Winner, Golden Nymph, Best European Drama Series, Monte Carlo TV Festival 2015 Winner, BAFTA TV Award for Best Drama Series, 2015 2013 DRACULA Directed 2 x 60’ episodes for Carnival / NBC Created by Cole Haddon Starring Jonathan Rhys Myers 2013 MASTERS OF SEX – Series 1 Directed 1 x 60’ episode for Showtime Developed for television by Michelle Ashford Starring Michael Sheen, Lizzie Caplan and Alison Janney Nominated for Best Drama Series, Golden Globe Awards 2014 2013 WODEHOUSE IN EXILE Directed single TV film. -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.