WSFA Journal 84
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eerie Archives: Volume 16 Free
FREE EERIE ARCHIVES: VOLUME 16 PDF Bill DuBay,Louise Jones,Faculty of Classics James Warren | 294 pages | 12 Jun 2014 | DARK HORSE COMICS | 9781616554002 | English | Milwaukee, United States Eerie (Volume) - Comic Vine Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. This vein-chilling second volume showcases work by Eerie Archives: Volume 16 of the best artists to ever work in the comics medium, including Alex Toth, Gray Morrow, Reed Crandall, John Severin, and others. Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues Creepy Archives Volume 5 continues the critically acclaimed series that throws back the dusty curtain on a treasure trove of amazing comics art and brilliantly blood-chilling stories. Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume Eerie Archives: Volume 16 our Creepy magazine archives. Creepy Archives Volume 7 collects a Eerie Archives: Volume 16 array of stories from the second great generation of artists and writers in Eerie Archives: Volume 16 history of the world's best illustrated horror magazine. As the s ended and the '70s began, the original, classic creative lineup for Creepy was eventually infused with a slew of new talent, with phenomenal new contributors like Richard Corben, Ken Kelly, and Nicola Cuti joining the ranks of established greats like Reed Crandall, Frank Frazetta, and Al Williamson. This volume of the Creepy Archives series collects more than two hundred pages of distinctive short horror comics in a gorgeous hardcover format. -
Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
FANAC Fan History Project UPDATE 12
FANAC Fan History Project UPDATE 12 April 17, 2020 Greetings and felicitations. I hope this update finds you all well – we are in living in surreal and frightening times. For us, wallowing in fan history is not only a passion but a good way to focus on something other than the pandemic news. Apparently, others feel the same way. We’ve had a number of scans from new contributors, as well as our stalwarts. In particular, new material has been provided by Rich Lynch, Sheryl Birkhead, Joe Patrizio, Mike Saler, Syd Weinstein and Tom Whitmore. CoNZealand Retro Hugo Awards nominations: We’ve completed our work on the Retro Hugos for 2020. Final nominees were announced recently by CoNZealand, and we’ve assembled a page of links for the fannish material nominated in the categories of Best Related Work, Best Fanzine and Best Fan Writer. Our webmaster, Edie Stern, combed through all the 1944 fan publications available on the net to make the list as complete as possible. We want to thank CoNZealand, Steve Davidson (Amazing Stories), Mike Glyer (File 770), Dave Langford (Ansible), Andrew Porter (news lists) and Locus for promoting and linking to our effort. You can access the material at http://fanac.org/fanzines/Retro_Hugos.html . FANAC by the Numbers. We have passed what feel to us like some significant milestones in our archiving - over 10,000 fanzine issues and over 150,000 pages scanned. That’s not counting pages in some of our largest runs like Opuntia, MT Void and TNFF. It does include over 3,000 newszines. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
SF Commentary 41-42
S F COMMENTARY 41/42 Brian De Palma (dir): GET TO KNOW YOUR RABBIT Bruce Gillespie: I MUST BE TALKING TO MY FRIENDS (86) . ■ (SFC 40) (96) Philip Dick (13, -18-19, 37, 45, 66, 80-82, 89- Bruce Gillespie (ed): S F COMMENTARY 30/31 (81, 91, 96-98) 95) Philip Dick: AUTOFAC (15) Dian Girard: EAT, DRINK AND BE MERRY (64) Philip Dick: FLOW MY TEARS THE POLICEMAN SAID Victor Gollancz Ltd (9-11, 73) (18-19) Paul Goodman (14). Gordon Dickson: THINGS WHICH ARE CAESAR'S (87) Giles Gordon (9) Thomas Disch (18, 54, 71, 81) John Gordon (75) Thomas Disch: EMANCIPATION (96) Betsey & David Gorman (95) Thomas Disch: THE RIGHT WAY TO FIGURE PLUMBING Granada Publishing (8) (7-8, 11) Gunter Grass: THE TIN DRUM (46) Thomas Disch: 334 (61-64, 71, 74) Thomas Gray: ELEGY WRITTEN IN A COUNTRY CHURCH Thomas Disch: THINGS LOST (87) YARD (19) Thomas Disch: A VACATION ON EARTH (8) Gene Hackman (86) Anatoliy Dneprov: THE ISLAND OF CRABS (15) Joe Haldeman: HERO (87) Stanley Donen (dir): SINGING IN THE RAIN (84- Joe Haldeman: POWER COMPLEX (87) 85) Knut Hamsun: MYSTERIES (83) John Donne (78) Carey Handfield (3, 8) Gardner Dozois: THE LAST DAY OF JULY (89) Lee Harding: FALLEN SPACEMAN (11) Gardner Dozois: A SPECIAL KIND OF MORNING (95- Lee Harding (ed): SPACE AGE NEWSLETTER (11) 96) Eric Harries-Harris (7) Eastercon 73 (47-54, 57-60, 82) Harry Harrison: BY THE FALLS (8) EAST LYNNE (80) Harry Harrison: MAKE ROOM! MAKE ROOM! (62) Heinz Edelman & George Dunning (dirs): YELLOW Harry Harrison: ONE STEP FROM EARTH (11) SUBMARINE (85) Harry Harrison & Brian Aldiss (eds): THE -
Graham Crackers Special Orders 2
Graham Crackers Special Orders DC Report ACTION ($100 or less) BATMAN (1ST P) BATMAN THE DARK KNIGHT (52) FLASH VAR ED (52) JLA/AVENGERS 252 LV 663 EW 1 PF 4 DK 4 NP ACTION COMICS BATMAN (52) 1 PF2 FLASHPOINT JUSTICE LEAGUE (52 2ND P) 418 NP 1 EW 2 PF 1 EW 1 EW 455 NP 1 NP 2 PF2 3 DK,EW JUSTICE LEAGUE (VAR $10) BATMAN THE DARK KNIGHT (NEW 52) FLASHPOINT BATMAN 508 PF 1 NP3 1 CH ACTION COMICS (WITH DIG CODE) 3 DK 1 NP 2 CH,LV JUSTICE LEAGUE (VOL 2) BATMAN VAR 3 DK3,SC3,WT FLASHPOINT BATMAN (2ND P) 6 EW 113 NP ADVENTURE COMICS 4 CH,WT,SC 655 EW 1 PF JUSTICE LEAGUE COMBO PACK 4 DK2,DG BATMAN VAR (KUBERT) 381 LV FLASHPOINT BATMAN KOV 4 NP 5 WT ALL NEW BATMAN BRAVE&BOLD 686 EW 4 NP2,CH 1 NP 6 WT BATMAN: I JOKER ONE SHOT Fringe Tales of Fringe (VARIANTS) LOIS LANE (supermans girlfriend) 13 DK 4 NP3 AMERICAN VAMPIRE 4 WT CH 2 NP 14 pf BLACK CANARY SECRET FILES 2007 3 NP BATMAN (52) 1ST PRINT 4 NP LOONY TOONS 6 NP 1 DK SC 5 NP 200 PF ANIMAL MAN (52) CARTOON NETWORK ACTIONPACK GEARS OF WAR BATMAN (52) ANY P MAD MAGAZINE 2 NP 1 CH 49 DG 1 NP 491 NP2 AQUAMAN (NEW 52) CARTOON NETWORK BLOCK PARTY BATMAN (52) VAR 2 NP 495 NP 3 NP 2 DK 1 EW 53 NP 496 NP ASSASSINS CREED CATWOMAN (52) 3 PF 4 EW 497 NP 11 EW 1 EW BATMAN (52) VAR 1-IN-25 2 CH 499 NP 16 NP 2 EW DC COMICS PRESENTS LOBO 500 NP 1 DK GEARS OF WAR (variants) 501 NP 2 NP,DK BATMAN (9.0) 1 WT 2 NP 502 NP 2 PF DC PRESENTS LIFE OF FLASH 251 LV MODERN WARFARE 2 GHOST 3 EW 3 NP BATMAN (B&W VAR) PF GL EMERALD WARRIORS (VAR) ASSASSINS CREED THE FALL 2 pf DETECTIVE (52 1ST P) 1 CH NEW GODS VOL 1 2 DK 4 PF BATMAN (LOW-MED GRADE) 1 EW2 GOTHAM GIRLS ATOMIC KNIGHTS (ANY) 5 WT DETECTIVE COMICS 258 EW EW 4 DK NIGHTMARE WARRIORS JASON CVR BATMAN (NEW 52 VAR) 411 EW BANG TANGO 5 DK 1 PF 483 DK 4 CH,NP,DK 6 DK NIGHTWING 6 WT BATMAN 1-IN-25 VAR 880 NP GREEN ARROW (52) BATGIRL (52 1ST PRNT) 881 DK2,PF2,NP 1 SC 1 DK 2 PF NIGHTWING (52) 1 DK,CH2 881 EW,SC 3 DK 2 SC BATMAN DETECTIVE COMICS (52 ANY P) 1 DK,NP2,PF2 4 DK GREEN ARROW/G.L. -
CONGI-Tessional RECORD-HOUSE .. 1843
. 1876. CONGI-tESSIONAL RECORD-HOUSE .. 1843 ing a motion to go into executive session. We cannot get through ative to the protection of the Nez Perce Indian agent in the posses with this subject to-day, and it may as well be disposed of hereafter. sion of his agency; which was refer.~:ed to the Committee on Private The PRESIDENT p~·o tempm:e. Does the Sena.tor :from Indiana Ln.nd Claims. ~ield for that -purpose T . WATER LOTS ON EAJ'IT BANK OF THE POTOMAC • . 1\Ir. MORTON. I yield for that purpose. The SPEAKER also laid befure the House a letter from the Secre The PRESIDENT p·ro tempm·e. Pending the motion, the Senator tary of W n.r, transmitting the report of the Chief of Engineers on the n·om Texas [1\Ir. :MAxEY] desires to present an amendment. privileges on water lots on the east bank of the Potomac River; Mr. MORTON. Let it be read for information. I desire to hear it. which was referred to the Committee on Expenditures in the War Mr. MAXEY. I move to insert at the end of section 2 the follow Department. ing: . DR. D. M. ALLEN. But, if the two Houses fail to agree as to which of the returns shall be counted, then the President of the Senate, as presiding officer of the two Houses, shall The SPEAKER also laid before the House a letter n·om the Secr~ decide which is the true and valid return; and the same shall then be counted. tary of War, transmitting copies of the papers in the case of Dr. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
1 Ken Clarke
KEN CLARKE - MY PROFESSIONAL AUTOBIOGRAPHY When I left junior school at the age of twelve my plastering career started at the well known building Arts & Craft Secondary School, ‘Christopher Wren’, and from this early age I was particularly interested in fibrous plastering. It was a known fact that, of a class of 16, two of the pupils, after four years of schooling, would start their training at a major film studio. I passed my GCE in Building Craft, Paintwork and Plasterwork (copy 1 attached) and was one of the lucky two to be chosen to start training at Shepperton Studios. This was my first achievement (copy 2 – letter of engagement, 9 June 1964, attached). I started Shepperton Studios in the plastering Dept on 22 June 1964 under conditions of a six-month probationary period and a further 4 and half years. During this five-year apprenticeship, I was to do through the block release system, eight weeks at work and two weeks at Art & Craft College ‘Lime Grove’. At the end of five years I was awarded my basic and final City and Guilds in plastering (basic June 1966 and final June 1968 – copies 3 and 4 attached). This was a big achievement for any young man – for me; it was the beginning of a big career. After my five years I was presented with one of the very last certificates of apprenticeship offered by the ‘Film Industry Training Apprenticeship Council’. Thus, my apprenticeship came to an end. (Letter of thanks and delivery of my deeds and certificate 1 June 1969.