Audioletter Feb 2008
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Bva Yearbook 2015 Yearbook Bva The
BVA YB15Full Cover 19/05/2015 14:10 Page 1 B VA Y E A R B O O K 2 0 1 5 THE BVA YEARBOOK 2015 PRICE: £599 iPad and PDF copies available for £999 from www.bva.org.uk British Video Association BVA YB15 Inside Cover 19/05/2015 14:07 Page 1 BVA YB 15 Inner AW 19/05/2015 14:11 Page 1 Contents FEATURES Chairman’s introduction 3 CEO’s foreword 4 Market overview 6 OWNERSHIP Video ownership 10 Consumer behaviour 11 Digital retail 13 DVDs 14 Blu-ray 15 Seasonality 16 Title of the year 18 New release 20 Catalogue 21 Film 22 Children’s 24 TV 26 Music 27 Sport and fitness 29 Special interest 30 RENTAL Rental overview 32 Rental consumer behaviour 33 Rental market share 34 HARDWARE Devices and screens 36 Directory 38 1 BVA YB 15 Inner AW 19/05/2015 14:11 Page 2 © 2015 Warner Bros. Entertainment Inc. All Rights Reserved. BVA YB 15 Inner AW 19/05/2015 14:11 Page 3 FEATURE Chairman’s introduction by Robert Price Chairman, British Video Association When I stepped into the exciting leadership strongly co-exist will be one of the BVA’s key role of BVA Chairman last year it was evident goals this year. As a trade body, we’re adapting that the home entertainment arena is in one and changing to ensure we collectively lead the of the greatest periods of evolution it has ever industry and maintain our resilience in the long seen. term. It’s more important than ever that we collaborate amongst ourselves and work closely As the mix between ownership and rental shifts, with retail partners to ensure we can empower the gap between physical and digital narrows and each other and create prominence both in and customer demand for greater flexibility and out of the entertainment aisles. -
The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008 by Matthew A
Content Control: The Motion Picture Association of America’s Patrolling of Internet Piracy in America, 1996-2008 By Matthew A. Cohen Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson: Tamara Falicov Catherine Preston Chuck Berg Robert Hurst Nancy Baym Kembrew McLeod Date Defended: August 25, 2011 Copyright 2011 Matthew A. Cohen ACCEPTANCE PAGE The Dissertation Committee for Matthew A. Cohen certifies that this is the approved version of the following dissertation: Content Control: The Motion Picture Association of America’s Patrolling of Internet Piracy in America, 1996-2008 Chairperson: Tamara Falicov Date approved: Abstract This historical and political economic investigation aims to illustrate the ways in which the Motion Picture Association of America radically revised their methods of patrolling and fighting film piracy from 1996-2008. Overall, entertainment companies discovered the World Wide Web to be a powerful distribution outlet for cultural works, but were suspicious that the Internet was a Wild West frontier requiring regulation. The entertainment industry’s guiding belief in regulation and strong protection were prompted by convictions that once the copyright industries lose control, companies quickly submerge like floundering ships. Guided by fears regarding film piracy, the MPAA instituted a sophisticated and seemingly impenetrable “trusted system” to secure its cultural products online by crafting relationships and interlinking the technological, legal, institutional, and rhetorical in order to carefully direct consumer activity according to particular agendas. The system created a scenario in which legislators and courts of law consented to play a supportive role with privately organized arrangements professing to serve the public interest, but the arrangements were not designed for those ends. -
Printmgr File
Dolby Laboratories, Inc. 1275 Market Street San Francisco, California 94103 (415) 558-0200 December 18, 2020 Dear Stockholder: We cordially invite you to attend the Annual Meeting of Stockholders of Dolby Laboratories, Inc. Due to the public health impact of the COVID-19 pandemic and to protect the health and well-being of our stockholders and employees, the Annual Meeting will be held virtually via live webcast on Tuesday, February 2, 2021, at 10:30 a.m. Pacific Standard Time. Stockholders will not be able to attend the Annual Meeting in person. The Annual Meeting will be accessible at www.meetingcenter.io/272992326. Please see “Additional Meeting Matters—Attending the Virtual Annual Meeting” in the Proxy Statement accompanying this letter for information on how to attend, submit questions and vote at the Annual Meeting. We are making available to you the accompanying Notice of Annual Meeting, Proxy Statement and form of proxy card or voting instruction on or about December 18, 2020. We are pleased to furnish proxy materials to stockholders primarily over the internet. We believe that this process expedites stockholders’ receipt of proxy materials, lowers the costs of our Annual Meeting, and conserves natural resources. On or about December 18, 2020, we mailed to our stockholders a notice that includes instructions on how to access our Proxy Statement and 2020 Annual Report and how to vote online. The notice also includes instructions on how you can receive a paper copy of your Annual Meeting materials, including the Notice of Annual Meeting, Proxy Statement and proxy card or voting instruction form. -
Class 3 Comments Master (9753614-3)
Although we will not be providing multimedia evidence in connection with this comment, we provide in-text hyperlinks throughout the comment (represented as blue, underlined words) that link to documentary evidence and/or some cited documents. ITEM A. COMMENTER INFORMATION These comments are submitted on behalf of the Motion Picture Association of America, Inc. (“MPAA”), the Entertainment Software Association (“ESA”), the Recording Industry Association of America (“RIAA”), and the Association of American Publishers (“AAP”). They are collectively referred to herein as the “Joint Creators and Copyright Owners.” They may be contacted through their counsel at Mitchell Silberberg & Knupp LLP, J. Matthew Williams, 202- 355-7904, [email protected], 1818 N. Street, NW, 8th Floor, Washington, D.C. 20036. The Motion Picture Association of America, Inc. (“MPAA”) is a trade association representing some of the world’s largest producers and distributors of motion pictures and other audiovisual entertainment material for viewing in theaters, on prerecorded media, over broadcast TV, cable and satellite services, and on the internet. The MPAA’s members are: Paramount Pictures Corp., Sony Pictures Entertainment Inc., Twentieth Century Fox Film Corp., Universal City Studios LLC, Walt Disney Studios Motion Pictures, and Warner Bros. Entertainment Inc. The Entertainment Software Association (“ESA”) is the United States trade association serving companies that publish computer and video games for video game consoles, handheld video game devices, personal computers, and the internet. It represents nearly all of the major video game publishers and major video game platform providers in the United States. The Recording Industry Association of America (“RIAA”) is the trade organization that supports and promotes the creative and financial vitality of the major music companies. -
Can an Old Dog Like Copyright Law Learn New Tricks?
Beverly Hills Bar Association May 10, 2018 Lunch Program Intellectual Property, Internet & New Media Section present Copyright & New Technology: Can an Old Dog Like Copyright Law Learn New Tricks? Since the major overhaul of copyright law in 1976, and the passage of the Digital Millennium Copyright Act in 1996, there has not been much change in Title 17 of United States Code. There have been attempts to pass legislation (such as the Section 115 Reform Act of 2006 ["SIRA" or "S1RA"], the controversial Stop Online Piracy Act ["SOPA"] and Protect Intellectual Property Act ["PIPA"]). New proposals continue to be raised (such as the so-called "Music Modernization Act"), but these have not yet gathered much traction. The most significant change in copyright law, the Sonny Bono Copyright Term Extension Act, passed in 1998, did nothing to address new technological developments. Copyright law nevertheless continues to evolve through case law, even without any new statutes enacted in more than 20 years to rapidly changing systems of distributing content. Recent cases, however, often apply well- established doctrines to address problems raised by new technologies, some of which purport to exploit loopholes in existing copyright statutes. These attempts to push the boundaries of copyright protection meet with varying degrees of success, and raise additional questions. A panel of three distinguished copyright practitioners discuss individual decisions and trends in copyright decisional law applied to newer technologies. Speakers: S. Martin Keleti, Keleti Law, Moderator Caroline H. Mankey, Akerman LLP Devin A. McRae, Early Sullivan Wright Gizer & McRae LLP Aaron J. Moss, Greenberg Glusker Fields Claman & Machtinger LLP Thursday, May 10, 2018 Registration/Lunch: 12:00 p.m.