Can an Old Dog Like Copyright Law Learn New Tricks?
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Notice of Opposition Opposer Information Applicant Information Goods/Services Affected by Opposition
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1098521 Filing date: 11/30/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Corporacion de Radio y Television Espanola, S.A Granted to Date 11/28/2020 of previous ex- tension Address AVDA RADIO TELEVISION 4 EDIF PRADO DEL R POZUELO DE ALARCON MADRID, 28223 SPAIN Attorney informa- TODD A. SULLIVAN tion HAYES SOLOWAY PC 175 CANAL STREET MANCHESTER, NH 03101 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 603-668-1400 Docket Number Isern 20.01 Applicant Information Application No. 88647258 Publication date 09/29/2020 Opposition Filing 11/30/2020 Opposition Peri- 11/28/2020 Date od Ends Applicant HONER, JODI 20845 CHENEY DR TOPANGA, CA 90290 UNITED STATES Goods/Services Affected by Opposition Class 038. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Transmission of interactive television pro- grams; Transmission of interactive television program guides and listings; Transmission of streaming television programs, namely, streaming of television programs on the internet; Transmission of sound, video and information from webcams, video cameras or mobile phones, all featuring live or re- corded materials; Television transmission services; Televisionbroadcasting; -
The Streaming Television Industry: Mature Or Still Growing?
The Streaming Television Industry: Mature or Still Growing? Johannes H. Snyman Metropolitan State University of Denver Debora J. Gilliard Metropolitan State University of Denver This paper is about the streaming television industry. It begins by defining the industry and provides a brief history of the television industry in general, from the first transatlantic television signal in 1928 to 2018. From that point, it emphasizes the streaming television industry, which started in 2007, when Netflix first streamed movies over the internet. The main section of the paper focuses on Michael Porter’s theory of the industry life cycle to determine the current stage of the industry. The research question is developed, proposing that the industry is in the growth phase. Then, the number of paid subscribers of the top streaming providers in 2018 is used to address the research question. The results indicate that the industry is in the growth phase. The final section provides an outlook for the industry’s future. Keywords: Streaming TV Industry, OTT TV, Growth Industry INTRODUCTION The television industry is rapidly changing, moving toward “over-the-top”, or streaming, television. Cord cutting is occurring as millennials and traditional viewers discontinue and unbundle their television, internet, and landline telephone services (Snyman & Gilliard, 2018). Millennials are keeping their monthly expenses down by subscribing to streaming services that provide the content they are interested in watching, and binge-watching of serial television shows is the new norm (Prastien, 2019). “Over-the-top” (OTT) television and “online video distribution” (OVD) are terms that originally referred to the streaming television services provided by Netflix, Hulu and Amazon. -
BBC Research and Development White Paper List Colorimetric And
BBC Research and Development White Paper List Ref Publication date Number Main author Title Year Month White Paper link Keywords WHP001 J. Middleton The calibration of VHF/UHF field strength measuring equipment 2001 April http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP001.pdf VHF/UHF field strength, calibration WHP002 J. Middleton The validation of interference reduction techniques used in planning the UK DTT network 2001 July http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP002.pdf Interference reduction, DTT network planning WHP003 T. Everest Multiplex coverage equalisation 2001 August http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP003.pdf digital television, planning RTS Award submission WHP004 J.H. Stott Cumulative effects of distributed interferers 2001 August http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP004.pdf DSL, PLT, PLC, emissions, broadcasting, aircraft safety, cumulative interference WHP005 R. Walker Acoustic modelling - approximations to the real world 2001 September http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP005.pdf Acoustic modelling, sound propagation WHP006 M.R. Ellis Digital Radio - Common problems in DAB receivers 2001 November http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP006.pdf Digital Radio; DAB; Digital Audio Broadcasting; receiver; common problems WHP007 O. Grau Applications of depth METADATA 2001 September http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP007.pdf METADATA, depth sensing WHP008 A. Roberts How to recognise video image sources 2001 October http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP008.pdf video image recognition WHP009 R. -
The Effects of the Cord-Cutting Counterpublic
Utrecht University The Effects of The Cord-Cutting Counterpublic How the Dynamics of Resistance and Resilience between the Cord-Cutters and the Television Distribution Industry Are Redefining Television Eleonora Maria Mazzoli Academic Year 2014-2015 Page intentionally left blank Utrecht University The Effects of the Cord-Cutting Counterpublic How the Dynamics of Resistance and Resilience between the Cord-Cutters and the Television Distribution Industry Are Redefining Television Master Thesis Eleonora Maria Mazzoli 4087186 RMA Media and Performance Studies Words: 37600 Supervisor: Prof. Dr. William Uricchio Second Reader: Prof. Dr. Eggo Müller Academic Year: 2014-2015 Cover picture by TechgenMag.com © 2015 by Eleonora Maria Mazzoli All rights reserved Page intentionally left blank To my parents, Donatella and Piergiovanni, and to my little sister, Elena “La televisiun, la g'ha na forsa de leun; la televisiun, la g'ha paura de nisun.” “Television is as strong as a lion; Television fears nobody.” Enzo Jannacci. La Televisiun.1975. Page intentionally left blank Table of Content Abstract 1 Preface: Television as A Cross-Media Techno-Cultural Form 2 1. Introduction - Cord-Cutting 101: A Revolution Has Begun 5 1.1. Changing Habits in a Changing Ecosystem 5 1.2. The Question of the Cord-Cutting Counterpublic 8 1.3. Methodology: Sources, Approach and Structure 11 1.4. Relevance 15 2. The Cutters within a Cross-Media Television Ecosystem 17 2.1. Re-working of the U.S. Television Distribution Platforms 18 2.2. Legitimating Newfound Watching Behaviours 23 2.3. Proactive Viewers, Cord-Killers, Digital Pirates: Here Come the Cord-Cutters 25 3. -
Free Internet Tv Watch
Free internet tv watch click here to download Free TV. More than channels from around the world. News, Music, Business,Sport. Watch free online TV stations from all over the world. Find the best free Internet TV, and live web TV on Streema. How to watch TV online for free with these sites, including Hulu, Veoh, Daily, and Sidereel. Find news, sports, movies, and lots more. WWITV: World Wide Internet TV Your Portal to watch free live online TV broadcasts. Thank you for visiting the World Wide Internet TV website (wwiTV). No money in the budget for a cable subscription? Or even for Hulu? Fear not: As long as you've got internet, you can enjoy a wealth of free TV. Watch live TV from the BBC, ITV, Channel 4, Five, Dave and other UK channels on TVPlayer online for FREE. TV on your laptop, smart phone, tablet, smart TV or Xbox. IOS, Android, Windows mobile TV apps. Over TV channels. Watch TV free with Zattoo Internet TV. Watch Free Internet TV Stations from around the world on your computer. Over Free online TV channels. Large collection of live Web TV stations. Find quickly and easily live TV channels on the Internet. Watch TV Broadcasts from USA, India, Europe & all other countries on your PC / MAC, Phone, or Tablet . Tue 10/23 PM. pm pm; pm pm; pm pm; pm pm; pm pm. Now. © Copyright Pluto TV; Privacy Policy. Watch free TV and movies on your Android Phone and Android TV. Pluto TV has over live channels and 's of movies from the biggest names like: NBC. -
Streaming Television Content an Alternative Way to Offer Video Services by Ken Pyle, Viodi, LLC
Streaming Television Content An Alternative Way to Offer Video Services By Ken Pyle, Viodi, LLC Last month, we reviewed the Prismiq MediaPlayer, a device that is currently available to consumers wishing to browse the Internet, post email and view MPEG and other media files on their television sets. This set-top box and its associated software could be the basis for a new approach to telco-delivered video. This article will delve into some possible ways a telco could exploit “Streaming Television” to provide a robust video service offering quickly and with much lower upfront cost than traditional approaches. What is streaming television content and how is it different than content delivered via traditional television distribution means described in the previous section? Streaming Television Content, for the purposes of this article, is defined as: content that is delivered via the Internet to provide a television-like experience to PCs, Televisions (via set-tops) or other Internet-enabled appliances. This approach offers even the smallest independent telephone companies with the potential to quickly and cost-effectively offer video services. The upfront, fixed costs are minimized with this method, as the marginal costs are mostly associated with consumer premise devices. Unlike the traditional distribution of content to televisions, this approach: • Reduces the costs associated with a traditional headend • May not require regulatory authority (at least for the content portion) • Does not necessarily involve retransmission of local broadcasters or national cable programming networks This approach to content delivery could appeal to those telcos too small to justify the expense of a switched digital headend, as well as provide a low-risk, low-cost, entry into video services for those larger telcos that have a long-term plan to offer content via a more traditional distribution system. -
Introduction: Streaming and the Re-Education of the Audience
. Volume 16, Issue 2 November 2019 Introduction: Streaming and the re-education of the audience Barbara Klinger, Indiana University, US In May 1999, in an early digital experiment with feature-length films, Edward Vilga’s low- budget neo-noir Dead Broke premiered simultaneously at New York’s Tribeca Film Center via digital file and on Ifilm.net, an early online film distributor, for users equipped with Windows Media Player. Unfortunately, all did not go as planned. Critics complained about glitches in the theatrical presentation that included the then familiar herky-jerky images and muddy soundtracks that ensued from uneven delivery of the compressed data involved in transmitting large data files. Meanwhile, many logging on to Ifilm.net to watch the movie were similarly vexed – either unable to stream the film or subjected to other technical difficulties resulting in a heavily pixelated picture. One month later and with more success at least on one of these platforms, George Lucas arranged for the digital projection of Star Wars: Episode 1 – The Phantom Menace in a handful of specially-equipped theaters and then went on to shoot Star Wars: Episode 2 – Attack of the Clones (2002) using high- definition digital cinematography. Uncertain commentators asked whether such pioneering experiments might signal the dawn of the digital era in cinema production, distribution and exhibition (Nickell 1999). Twenty years later, we know that the answer to this particular question is a resounding yes. More broadly speaking, traditional media industries like music, television and film have each had their own complicated history with respect to the emergence and increasingly pervasive dominance of digital technology. -
Bva Yearbook 2015 Yearbook Bva The
BVA YB15Full Cover 19/05/2015 14:10 Page 1 B VA Y E A R B O O K 2 0 1 5 THE BVA YEARBOOK 2015 PRICE: £599 iPad and PDF copies available for £999 from www.bva.org.uk British Video Association BVA YB15 Inside Cover 19/05/2015 14:07 Page 1 BVA YB 15 Inner AW 19/05/2015 14:11 Page 1 Contents FEATURES Chairman’s introduction 3 CEO’s foreword 4 Market overview 6 OWNERSHIP Video ownership 10 Consumer behaviour 11 Digital retail 13 DVDs 14 Blu-ray 15 Seasonality 16 Title of the year 18 New release 20 Catalogue 21 Film 22 Children’s 24 TV 26 Music 27 Sport and fitness 29 Special interest 30 RENTAL Rental overview 32 Rental consumer behaviour 33 Rental market share 34 HARDWARE Devices and screens 36 Directory 38 1 BVA YB 15 Inner AW 19/05/2015 14:11 Page 2 © 2015 Warner Bros. Entertainment Inc. All Rights Reserved. BVA YB 15 Inner AW 19/05/2015 14:11 Page 3 FEATURE Chairman’s introduction by Robert Price Chairman, British Video Association When I stepped into the exciting leadership strongly co-exist will be one of the BVA’s key role of BVA Chairman last year it was evident goals this year. As a trade body, we’re adapting that the home entertainment arena is in one and changing to ensure we collectively lead the of the greatest periods of evolution it has ever industry and maintain our resilience in the long seen. term. It’s more important than ever that we collaborate amongst ourselves and work closely As the mix between ownership and rental shifts, with retail partners to ensure we can empower the gap between physical and digital narrows and each other and create prominence both in and customer demand for greater flexibility and out of the entertainment aisles. -
The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008 by Matthew A
Content Control: The Motion Picture Association of America’s Patrolling of Internet Piracy in America, 1996-2008 By Matthew A. Cohen Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson: Tamara Falicov Catherine Preston Chuck Berg Robert Hurst Nancy Baym Kembrew McLeod Date Defended: August 25, 2011 Copyright 2011 Matthew A. Cohen ACCEPTANCE PAGE The Dissertation Committee for Matthew A. Cohen certifies that this is the approved version of the following dissertation: Content Control: The Motion Picture Association of America’s Patrolling of Internet Piracy in America, 1996-2008 Chairperson: Tamara Falicov Date approved: Abstract This historical and political economic investigation aims to illustrate the ways in which the Motion Picture Association of America radically revised their methods of patrolling and fighting film piracy from 1996-2008. Overall, entertainment companies discovered the World Wide Web to be a powerful distribution outlet for cultural works, but were suspicious that the Internet was a Wild West frontier requiring regulation. The entertainment industry’s guiding belief in regulation and strong protection were prompted by convictions that once the copyright industries lose control, companies quickly submerge like floundering ships. Guided by fears regarding film piracy, the MPAA instituted a sophisticated and seemingly impenetrable “trusted system” to secure its cultural products online by crafting relationships and interlinking the technological, legal, institutional, and rhetorical in order to carefully direct consumer activity according to particular agendas. The system created a scenario in which legislators and courts of law consented to play a supportive role with privately organized arrangements professing to serve the public interest, but the arrangements were not designed for those ends. -
Ibisupport.Sandisk.Com
The Smart Photo Manager User Manual Accessing Support ▪ For technical support visit ibisupport.sandisk.com. ▪ Contact technical support in the United States: 1-866-436-1032 Table of Contents _________ Accessing Support.......................................................................................................ii _________ 1 Welcome To ibi.......................................................................................................... 1 Features.................................................................................................................................................................. 1 Kit Contents.......................................................................................................................................................... 1 Technical Notes..................................................................................................................................................2 ™ Bluetooth Compatibility...................................................................................................................................2 ® Wi-Fi Compatibility.............................................................................................................................................2 ® Wi-Fi Security Compatibility...........................................................................................................................2 Operating System Compatibility.....................................................................................................................2 -
Trends in Multichannel Tv and Online Video in the United States
APPENDIX 3* Joint Submission of ACTRA, APFTQ, CMPA, DGC and WGC in response to B/TNOC 2011-344 * Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario Joint Submission of ACTRA, APFTQ, CMPA, DGC and WGC in response to B/TNOC 2011-344 TRENDS IN MULTICHANNEL TV AND ONLINE VIDEO IN THE UNITED STATES Robert Tercek FRSA ** General Creativity Consulting LLC July 2011 About The Author Robert Tercek is one of the world's most prolific creators of interactive content. He has created entertainment experiences on every digital platform, including satellite television, game consoles, broadband Internet, interactive television and mobile networks. His expertise spans television, telecommunications and software. To design interactive multimedia products, Mr Tercek draws upon a broad range of experience as a television director, game designer, artist, and educator. Tercek has served in executive leadership roles at major media companies, most recently as President of Digital Media at OWN: The Oprah Winfrey Network, and previously as Senior Vice President of Digital Media at Sony Pictures Entertainment and earlier as Creative Director at MTV: Music Television. He also co-founded five startup ventures, including 7th Level, Inc., which went public in 1993. In 2008, Robert Tercek was named a Fellow of the Royal Society for the Arts. About General Creativity Consulting In addition to providing research and analysis of evolving market conditions, General Creativity Consulting provides business strategy services to companies in the media, telecommunications, and technology sectors. -
Concurrency in Auditory Displays for Connected Television
Concurrency in auditory displays for connected television Alistair Francis Hinde Doctor of Philosophy University of York Electronics September 2016 Abstract Many television experiences depend on users being both willing and able to visually attend to screen-based information. Auditory displays offer an alternative method for presenting this information and could benefit all users. This thesis explores how this may be achieved through the design and evaluation of auditory displays involving varying degrees of concurrency for two television use cases: menu navigation and presenting related content alongside a television show. The first study, on the navigation of auditory menus, looked at onset asynchrony and word length in the presentation of spoken menus. The effects of these on task duration, accuracy and workload were considered. Onset asynchrony and word length both caused significant effects on task duration and accuracy, while workload was only affected by onset asynchrony. An optimum asynchrony was identified, which was the same for both long and short words, but better performance was obtained with the shorter words that no longer overlapped. The second experiment investigated how disruption, workload, and preference are affected when presenting additional content accompanying a television programme. The content took the form of sound from different spatial locations or as text on a smartphone and the programme's soundtrack was either modified or left unaltered. Leaving the soundtrack unaltered or muting it negatively impacted user experience. Removing the speech from the television programme and presenting the secondary content as sound from a smartphone was the best auditory approach. This was found to compare well with the textual presentation, resulting in less visual disruption and imposing a similar workload.