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tonight. sing we that Whitley’s Kate for inspiration inspiration for Kate Whitley’s that we sing tonight. tonight. sing we that Whitley’s Kate for inspiration In My Way Way My In In My Way Way My In
in 2011 and the the and 2011 in Lewisham in performed was which life her about play play about her life which was performed in Lewisham in 2011 and the the and 2011 in Lewisham in performed was which life her about play
. It formed the climax of a a of climax the formed It . philosophy” political her of expression clearest clearest expression of her political philosophy”. It formed the climax of a a of climax the formed It . philosophy” political her of expression clearest
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Andrew wrote wrote Andrew . base RAF the entering for arrested both were they where where they were both arrested for entering the RAF base. Andrew wrote wrote Andrew . base RAF the entering for arrested both were they where
peace camp, camp, peace Common Greenham the ned joi Rachel daughter her and and her daughter Rachel joined the Greenham Common peace camp, camp, peace Common Greenham the ned joi Rachel daughter her and
Aldermaston protests in the 1950s and 60s. Then in 1983 she she 1983 in Then 60s. and 1950s the in protests Aldermaston nuclear nuclear Aldermaston protests in the 1950s and 60s. Then in 1983 she she 1983 in Then 60s. and 1950s the in protests Aldermaston nuclear
- anti the during movement peace the embraced first herself Miriam Miriam herself first embraced the peace movement during the anti- - anti the during movement peace the embraced first herself Miriam
” . influence influence.” ” . influence
resistance and…her mother’s socialist politics were also a great great a also were politics socialist mother’s and…her resistance resistance and…her mother’s socialist politics were also a great great a also were politics socialist mother’s and…her resistance
violent violent - non to nt commitme her shaped parents her of experiences life life experiences of her parents shaped her commitment to non-violent violent - non to nt commitme her shaped parents her of experiences life
Jewish parents… had fled from pogroms in Poland during 1914. The early early The 1914. during Poland in pogroms from fled had parents… Jewish Jewish parents… had fled from pogroms in Poland during 1914. The early early The 1914. during Poland in pogroms from fled had parents… Jewish
youngest of eight children, she was born in Hackney, London, after her her after London, Hackney, in born was she children, eight of youngest youngest of eight children, she was born in Hackney, London, after her her after London, Hackney, in born was she children, eight of youngest
… was a teacher and lifelong peace campaigner. The The campaigner. peace lifelong and teacher a was … mother y “M “My mother … was a teacher and lifelong peace campaigner. The The campaigner. peace lifelong and teacher a was … mother y “M
: in published was which and and which was published in : : in published was which and The Guardian The The Guardian Guardian The
wrote for his mother mother his for wrote – Society Choral Lewisham of member a also now – – now also a member of Lewisham Choral Society – wrote for his mother mother his for wrote – Society Choral Lewisham of member a also now –
son Andrew Andrew son Miriam’s that obituary the from come words following The The following words come from the obituary that Miriam’s son Andrew Andrew son Miriam’s that obituary the from come words following The
2003 February in protest a at Miriam Miriam at a protest in February 2003 2003 February in protest a at Miriam
2015 1932- McLeod Miriam Miriam McLeod 1932-2015 2015 1932- McLeod Miriam
work. his t of premiere the perform perform the premiere of this work. work. his t of premiere the perform
we we concert, Christmas our of part as , Tonight life. s ’ iriam M celebrate to to celebrate Miriam’s life. Tonight, as part of our Christmas concert, we we concert, Christmas our of part as , Tonight life. s ’ iriam M celebrate to
ay W y M n I In My Way ay W y M n I Whitley Kate composer local from ission comm o t us allowed allowed us to commission from local composer Kate Whitley Whitley Kate composer local from ission comm o t us allowed
his his T 2015. in away d passe she when choir the to legacy generous generous legacy to the choir when she passed away in 2015. This his T 2015. in away d passe she when choir the to legacy generous
Lewisham Choral Society Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham left a a left McLeod Miriam member standing - ong L Long-standing member Miriam McLeod left a a left McLeod Miriam member standing - ong L
left a a left McLeod Miriam member Society Choral Lewisham standing - ong L Long-standing Lewisham Choral Society member Miriam McLeod left a a left McLeod Miriam member Society Choral Lewisham standing - ong L his his T 2015. in away d passe she when choir the to legacy generous generous legacy to the choir when she passed away in 2015. This his T 2015. in away d passe she when choir the to legacy generous Whitley Kate composer local from ay W y M n I ission comm o t us allowed allowed us to commission In My Way from local composer Kate Whitley Whitley Kate composer local from ay W y M n I ission comm o t us allowed we we concert, Christmas our of part as , Tonight life. s ’ iriam M celebrate to to celebrate Miriam’s life. Tonight, as part of our Christmas concert, we we concert, Christmas our of part as , Tonight life. s ’ iriam M celebrate to work. his t of premiere the perform perform the premiere of this work. work. his t of premiere the perform
2015 1932- McLeod Miriam Miriam McLeod 1932-2015 2015 1932- McLeod Miriam
2003 February in protest a at Miriam Miriam at a protest in February 2003 2003 February in protest a at Miriam son Andrew Andrew son Miriam’s that obituary the from come words following The The following words come from the obituary that Miriam’s son Andrew Andrew son Miriam’s that obituary the from come words following The wrote for his mother mother his for wrote – Society Choral Lewisham of member a also now – – now also a member of Lewisham Choral Society – wrote for his mother mother his for wrote – Society Choral Lewisham of member a also now – : Guardian The in published was which and and which was published in The Guardian: : Guardian The in published was which and
… was a teacher and lifelong peace campaigner. The The campaigner. peace lifelong and teacher a was … mother y “M “My mother … was a teacher and lifelong peace campaigner. The The campaigner. peace lifelong and teacher a was … mother y “M youngest of eight children, she was born in Hackney, London, after her her after London, Hackney, in born was she children, eight of youngest youngest of eight children, she was born in Hackney, London, after her her after London, Hackney, in born was she children, eight of youngest Jewish parents… had fled from pogroms in Poland during 1914. The early early The 1914. during Poland in pogroms from fled had parents… Jewish Jewish parents… had fled from pogroms in Poland during 1914. The early early The 1914. during Poland in pogroms from fled had parents… Jewish violent violent - non to nt commitme her shaped parents her of experiences life life experiences of her parents shaped her commitment to non-violent violent - non to nt commitme her shaped parents her of experiences life resistance and…her mother’s socialist politics were also a great great a also were politics socialist mother’s and…her resistance resistance and…her mother’s socialist politics were also a great great a also were politics socialist mother’s and…her resistance ” . influence influence.” ” . influence
- anti the during movement peace the embraced first herself Miriam Miriam herself first embraced the peace movement during the anti- - anti the during movement peace the embraced first herself Miriam Aldermaston protests in the 1950s and 60s. Then in 1983 she she 1983 in Then 60s. and 1950s the in protests Aldermaston nuclear nuclear Aldermaston protests in the 1950s and 60s. Then in 1983 she she 1983 in Then 60s. and 1950s the in protests Aldermaston nuclear peace camp, camp, peace Common Greenham the ned joi Rachel daughter her and and her daughter Rachel joined the Greenham Common peace camp, camp, peace Common Greenham the ned joi Rachel daughter her and Andrew wrote wrote Andrew . base RAF the entering for arrested both were they where where they were both arrested for entering the RAF base. Andrew wrote wrote Andrew . base RAF the entering for arrested both were they where “was the the “was appearance court her for prepared Miriam statement he t that that the statement Miriam prepared for her court appearance “was the the “was appearance court her for prepared Miriam statement he t that . It formed the climax of a a of climax the formed It . philosophy” political her of expression clearest clearest expression of her political philosophy”. It formed the climax of a a of climax the formed It . philosophy” political her of expression clearest in 2011 and the the and 2011 in Lewisham in performed was which life her about play play about her life which was performed in Lewisham in 2011 and the the and 2011 in Lewisham in performed was which life her about play tonight. sing we that Way My In Whitley’s Kate for inspiration inspiration for Kate Whitley’s In My Way that we sing tonight. tonight. sing we that Way My In Whitley’s Kate for inspiration
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tonight. sing we that Whitley’s Kate for inspiration inspiration for Kate Whitley’s that we sing tonight. tonight. sing we that Whitley’s Kate for inspiration In My Way Way My In In My Way Way My In
in 2011 and the the and 2011 in Lewisham in performed was which life her about play play about her life which was performed in Lewisham in 2011 and the the and 2011 in Lewisham in performed was which life her about play
. It formed the climax of a a of climax the formed It . philosophy” political her of expression clearest clearest expression of her political philosophy”. It formed the climax of a a of climax the formed It . philosophy” political her of expression clearest
“was the the “was appearance court her for prepared Miriam statement he t that that the statement Miriam prepared for her court appearance “was the the “was appearance court her for prepared Miriam statement he t that
Andrew wrote wrote Andrew . base RAF the entering for arrested both were they where where they were both arrested for entering the RAF base. Andrew wrote wrote Andrew . base RAF the entering for arrested both were they where
peace camp, camp, peace Common Greenham the ned joi Rachel daughter her and and her daughter Rachel joined the Greenham Common peace camp, camp, peace Common Greenham the ned joi Rachel daughter her and
Aldermaston protests in the 1950s and 60s. Then in 1983 she she 1983 in Then 60s. and 1950s the in protests Aldermaston nuclear nuclear Aldermaston protests in the 1950s and 60s. Then in 1983 she she 1983 in Then 60s. and 1950s the in protests Aldermaston nuclear
- anti the during movement peace the embraced first herself Miriam Miriam herself first embraced the peace movement during the anti- - anti the during movement peace the embraced first herself Miriam
” . influence influence.” ” . influence
resistance and…her mother’s socialist politics were also a great great a also were politics socialist mother’s and…her resistance resistance and…her mother’s socialist politics were also a great great a also were politics socialist mother’s and…her resistance
violent violent - non to nt commitme her shaped parents her of experiences life life experiences of her parents shaped her commitment to non-violent violent - non to nt commitme her shaped parents her of experiences life
Jewish parents… had fled from pogroms in Poland during 1914. The early early The 1914. during Poland in pogroms from fled had parents… Jewish Jewish parents… had fled from pogroms in Poland during 1914. The early early The 1914. during Poland in pogroms from fled had parents… Jewish
youngest of eight children, she was born in Hackney, London, after her her after London, Hackney, in born was she children, eight of youngest youngest of eight children, she was born in Hackney, London, after her her after London, Hackney, in born was she children, eight of youngest
… was a teacher and lifelong peace campaigner. The The campaigner. peace lifelong and teacher a was … mother y “M “My mother … was a teacher and lifelong peace campaigner. The The campaigner. peace lifelong and teacher a was … mother y “M
: in published was which and and which was published in : : in published was which and The Guardian The The Guardian Guardian The
wrote for his mother mother his for wrote – Society Choral Lewisham of member a also now – – now also a member of Lewisham Choral Society – wrote for his mother mother his for wrote – Society Choral Lewisham of member a also now –
son Andrew Andrew son Miriam’s that obituary the from come words following The The following words come from the obituary that Miriam’s son Andrew Andrew son Miriam’s that obituary the from come words following The
2003 February in protest a at Miriam Miriam at a protest in February 2003 2003 February in protest a at Miriam
2015 1932- McLeod Miriam Miriam McLeod 1932-2015 2015 1932- McLeod Miriam
work. his t of premiere the perform perform the premiere of this work. work. his t of premiere the perform
we we concert, Christmas our of part as , Tonight life. s ’ iriam M celebrate to to celebrate Miriam’s life. Tonight, as part of our Christmas concert, we we concert, Christmas our of part as , Tonight life. s ’ iriam M celebrate to
ay W y M n I In My Way ay W y M n I Whitley Kate composer local from ission comm o t us allowed allowed us to commission from local composer Kate Whitley Whitley Kate composer local from ission comm o t us allowed
his his T 2015. in away d passe she when choir the to legacy generous generous legacy to the choir when she passed away in 2015. This his T 2015. in away d passe she when choir the to legacy generous
Lewisham Choral Society Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham left a a left McLeod Miriam member standing - ong L Long-standing member Miriam McLeod left a a left McLeod Miriam member standing - ong L
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Thomas - Ludford Dan Conductor: Conductor: Dan Ludford-Thomas Thomas - Ludford Dan Conductor:
Orford James Organ: Organ: James Orford Orford James Organ:
Villiers de Nico Piano: Piano: Nico de Villiers Villiers de Nico Piano:
Willcocks arr. arr. Willcocks Willcocks arr.
Mendelssohn Felix sing angels - herald the Hark! audience & Choir Choir & audience Hark! the herald-angels sing Felix Mendelssohn Mendelssohn Felix sing angels - herald the Hark! audience & Choir
Parry Ben Snow Snow Ben Parry Parry Ben Snow
Whitley Kate performance first – way my In Choir Choir In my way – first performance Kate Whitley Whitley Kate performance first – way my In Choir
lcocks Wil arr. Wade John faithful ye all come, O audience & Choir Choir & audience O come, all ye faithful John Wade arr. Willcocks lcocks Wil arr. Wade John faithful ye all come, O audience & Choir
Rutter arr. Mason Lowell world! the to Joy Joy to the world! Lowell Mason arr. Rutter Rutter arr. Mason Lowell world! the to Joy
Darke Harold winter - mid bleak the In In the bleak mid-winter Harold Darke Darke Harold winter - mid bleak the In
Pettman arr. noël Basque maiden a saw I Choir Choir I saw a maiden Basque noël arr. Pettman Pettman arr. noël Basque maiden a saw I Choir
Hayes arr. Spiritual ild ch wonderful a what h o Jesus, Solo Solo Jesus, oh what a wonderful child Spiritual arr. Hayes Hayes arr. Spiritual ild ch wonderful a what h o Jesus, Solo
refreshments seasonal for us join Please Please join us for seasonal refreshments refreshments seasonal for us join Please
INTERVAL INTERVAL INTERVAL
Willcocks arr. carol English gentlemen merry, you rest God audience & Choir Choir & audience God rest you merry, gentlemen English carol arr. Willcocks Willcocks arr. carol English gentlemen merry, you rest God audience & Choir
Rutter arr. carol Appalachian wander I as wonder I I wonder as I wander Appalachian carol arr. Rutter Rutter arr. carol Appalachian wander I as wonder I
Rutter arr. carol Irish Carol Wexford Wexford Carol Irish carol arr. Rutter Rutter arr. carol Irish Carol Wexford
Willcocks arr. carol Welsh hall the Deck Choir Choir Deck the hall Welsh carol arr. Willcocks Willcocks arr. carol Welsh hall the Deck Choir
illcocks W arr. carol Cornish Nowell first The audience & Choir Choir & audience The first Nowell Cornish carol arr. Willcocks illcocks W arr. carol Cornish Nowell first The audience & Choir
Carter arr. melody French gentle most maiden A A maiden most gentle French melody arr. Carter Carter arr. melody French gentle most maiden A
Rutter John lullaby Mary’s Mary’s lullaby John Rutter Rutter John lullaby Mary’s
Cleobury arr. carol English en sev Joys Choir Choir Joys seven English carol arr. Cleobury Cleobury arr. carol English en sev Joys Choir
Sullivan Arthur clear midnight the upon came It audience & Choir Choir & audience It came upon the midnight clear Arthur Sullivan Sullivan Arthur clear midnight the upon came It audience & Choir
Ešenvalds Ēriks Stars Ensemble Ensemble Stars Ēriks Ešenvalds Ešenvalds Ēriks Stars Ensemble
Ešenvalds Ēriks Stars Ensemble Ensemble Stars Ēriks Ešenvalds Ešenvalds Ēriks Stars Ensemble Sullivan Arthur clear midnight the upon came It audience & Choir Choir & audience It came upon the midnight clear Arthur Sullivan Sullivan Arthur clear midnight the upon came It audience & Choir Cleobury arr. carol English en sev Joys Choir Choir Joys seven English carol arr. Cleobury Cleobury arr. carol English en sev Joys Choir Rutter John lullaby Mary’s Mary’s lullaby John Rutter Rutter John lullaby Mary’s Carter arr. melody French gentle most maiden A A maiden most gentle French melody arr. Carter Carter arr. melody French gentle most maiden A illcocks W arr. carol Cornish Nowell first The audience & Choir Choir & audience The first Nowell Cornish carol arr. Willcocks illcocks W arr. carol Cornish Nowell first The audience & Choir Willcocks arr. carol Welsh hall the Deck Choir Choir Deck the hall Welsh carol arr. Willcocks Willcocks arr. carol Welsh hall the Deck Choir Rutter arr. carol Irish Carol Wexford Wexford Carol Irish carol arr. Rutter Rutter arr. carol Irish Carol Wexford Rutter arr. carol Appalachian wander I as wonder I I wonder as I wander Appalachian carol arr. Rutter Rutter arr. carol Appalachian wander I as wonder I Willcocks arr. carol English gentlemen merry, you rest God audience & Choir Choir & audience God rest you merry, gentlemen English carol arr. Willcocks Willcocks arr. carol English gentlemen merry, you rest God audience & Choir
INTERVAL INTERVAL INTERVAL refreshments seasonal for us join Please Please join us for seasonal refreshments refreshments seasonal for us join Please
Hayes arr. Spiritual ild ch wonderful a what h o Jesus, Solo Solo Jesus, oh what a wonderful child Spiritual arr. Hayes Hayes arr. Spiritual ild ch wonderful a what h o Jesus, Solo Pettman arr. noël Basque maiden a saw I Choir Choir I saw a maiden Basque noël arr. Pettman Pettman arr. noël Basque maiden a saw I Choir Darke Harold winter - mid bleak the In In the bleak mid-winter Harold Darke Darke Harold winter - mid bleak the In Rutter arr. Mason Lowell world! the to Joy Joy to the world! Lowell Mason arr. Rutter Rutter arr. Mason Lowell world! the to Joy lcocks Wil arr. Wade John faithful ye all come, O audience & Choir Choir & audience O come, all ye faithful John Wade arr. Willcocks lcocks Wil arr. Wade John faithful ye all come, O audience & Choir Whitley Kate performance first – way my In Choir Choir In my way – first performance Kate Whitley Whitley Kate performance first – way my In Choir Parry Ben Snow Snow Ben Parry Parry Ben Snow Mendelssohn Felix sing angels - herald the Hark! audience & Choir Choir & audience Hark! the herald-angels sing Felix Mendelssohn Mendelssohn Felix sing angels - herald the Hark! audience & Choir Willcocks arr. arr. Willcocks Willcocks arr.
Villiers de Nico Piano: Piano: Nico de Villiers Villiers de Nico Piano: Orford James Organ: Organ: James Orford Orford James Organ: Thomas - Ludford Dan Conductor: Conductor: Dan Ludford-Thomas Thomas - Ludford Dan Conductor:
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Thomas - Ludford Dan Conductor: Conductor: Dan Ludford-Thomas Thomas - Ludford Dan Conductor:
Orford James Organ: Organ: James Orford Orford James Organ:
Villiers de Nico Piano: Piano: Nico de Villiers Villiers de Nico Piano:
Willcocks arr. arr. Willcocks Willcocks arr.
Mendelssohn Felix sing angels - herald the Hark! audience & Choir Choir & audience Hark! the herald-angels sing Felix Mendelssohn Mendelssohn Felix sing angels - herald the Hark! audience & Choir
Parry Ben Snow Snow Ben Parry Parry Ben Snow
Whitley Kate performance first – way my In Choir Choir In my way – first performance Kate Whitley Whitley Kate performance first – way my In Choir
lcocks Wil arr. Wade John faithful ye all come, O audience & Choir Choir & audience O come, all ye faithful John Wade arr. Willcocks lcocks Wil arr. Wade John faithful ye all come, O audience & Choir
Rutter arr. Mason Lowell world! the to Joy Joy to the world! Lowell Mason arr. Rutter Rutter arr. Mason Lowell world! the to Joy
Darke Harold winter - mid bleak the In In the bleak mid-winter Harold Darke Darke Harold winter - mid bleak the In
Pettman arr. noël Basque maiden a saw I Choir Choir I saw a maiden Basque noël arr. Pettman Pettman arr. noël Basque maiden a saw I Choir
Hayes arr. Spiritual ild ch wonderful a what h o Jesus, Solo Solo Jesus, oh what a wonderful child Spiritual arr. Hayes Hayes arr. Spiritual ild ch wonderful a what h o Jesus, Solo
refreshments seasonal for us join Please Please join us for seasonal refreshments refreshments seasonal for us join Please
INTERVAL INTERVAL INTERVAL
Willcocks arr. carol English gentlemen merry, you rest God audience & Choir Choir & audience God rest you merry, gentlemen English carol arr. Willcocks Willcocks arr. carol English gentlemen merry, you rest God audience & Choir
Rutter arr. carol Appalachian wander I as wonder I I wonder as I wander Appalachian carol arr. Rutter Rutter arr. carol Appalachian wander I as wonder I
Rutter arr. carol Irish Carol Wexford Wexford Carol Irish carol arr. Rutter Rutter arr. carol Irish Carol Wexford
Willcocks arr. carol Welsh hall the Deck Choir Choir Deck the hall Welsh carol arr. Willcocks Willcocks arr. carol Welsh hall the Deck Choir
illcocks W arr. carol Cornish Nowell first The audience & Choir Choir & audience The first Nowell Cornish carol arr. Willcocks illcocks W arr. carol Cornish Nowell first The audience & Choir
Carter arr. melody French gentle most maiden A A maiden most gentle French melody arr. Carter Carter arr. melody French gentle most maiden A
Rutter John lullaby Mary’s Mary’s lullaby John Rutter Rutter John lullaby Mary’s
Cleobury arr. carol English en sev Joys Choir Choir Joys seven English carol arr. Cleobury Cleobury arr. carol English en sev Joys Choir
Sullivan Arthur clear midnight the upon came It audience & Choir Choir & audience It came upon the midnight clear Arthur Sullivan Sullivan Arthur clear midnight the upon came It audience & Choir
Ešenvalds Ēriks Stars Ensemble Ensemble Stars Ēriks Ešenvalds Ešenvalds Ēriks Stars Ensemble
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sing! angels blessed the sounds Babel its o’er ever And And ever o’er its Babel sounds the blessed angels sing! sing! angels blessed the sounds Babel its o’er ever And
wing; hov’ring on nd be they plains lowly and sad its Above Above its sad and lowly plains they bend on hov’ring wing; wing; hov’ring on nd be they plains lowly and sad its Above
world; weary the all o’er floats music heav’nly their still And And still their heav’nly music floats o’er all the weary world; world; weary the all o’er floats music heav’nly their still And
unfurled; unfurled; unfurled;
Still through the cloven skies they come, with peaceful wings wings peaceful with come, they skies cloven the through Still Still through the cloven skies they come, with peaceful wings wings peaceful with come, they skies cloven the through Still
sing. angels the hear to lay stillness solemn in world The The world in solemn stillness lay to hear the angels sing. sing. angels the hear to lay stillness solemn in world The
King!’ King!’ King!’
s all gracious gracious all s n’ heav’ from men, to goodwill earth, the on ‘Peace ‘Peace on the earth, goodwill to men, from heav’n’s all gracious gracious all s n’ heav’ from men, to goodwill earth, the on ‘Peace
gold: of harps their touch to earth the near bending angels From From angels bending near the earth to touch their harps of gold: gold: of harps their touch to earth the near bending angels From
old, of song glorious that clear, midnight the upon came It It came upon the midnight clear, that glorious song of old, old, of song glorious that clear, midnight the upon came It
PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE
Sullivan Arthur Sir y b d te adap adapted by Sir Arthur Sullivan Sullivan Arthur Sir y b d te adap
melody traditional English clear midnight the upon came It It came upon the midnight clear English traditional melody melody traditional English clear midnight the upon came It
Allred. Brady Dr. Conductor, their and USA City, City, USA and their Conductor, Dr. Brady Allred. Allred. Brady Dr. Conductor, their and USA City,
2011 by the Vocal and Choral Artists of Salt Lake Lake Salt of Artists Choral and Vocal the by 2011 2011 by the Vocal and Choral Artists of Salt Lake Lake Salt of Artists Choral and Vocal the by 2011
in in commissioned was which 1933), - (1884 Teasdale Teasdale (1884-1933), which was commissioned in in commissioned was which 1933), - (1884 Teasdale
Sara Sara et po lyric American the by words of setting his his setting of words by the American lyric poet Sara Sara et po lyric American the by words of setting his
is is Stars Cambridge. College, Trinity at Arts Creative Creative Arts at Trinity College, Cambridge. Stars is is Stars Cambridge. College, Trinity at Arts Creative
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1977 and studied composition at the Latvian Latvian the at composition studied and 1977 1977 and studied composition at the Latvian Latvian the at composition studied and 1977
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Chisholm, David Freeman, Tom Hamilton, Chris Brasted & Ben Leslie Ben & Brasted Chris Hamilton, Tom Freeman, David Chisholm, John John Chisholm, David Freeman, Tom Hamilton, Chris Brasted & Ben Leslie Leslie Ben & Brasted Chris Hamilton, Tom Freeman, David Chisholm, John
Stead, Stead, Paul Jarvis, Trevor Bull, Martin Baxter, Ole Hayes, Nicky Allen, Rebecca Brewer, Alison Baiden, Baiden, Alison Brewer, Rebecca Allen, Nicky Hayes, Ole Baxter, Martin Bull, Trevor Jarvis, Paul Stead, Stead, Paul Jarvis, Trevor Bull, Martin Baxter, Ole Hayes, Nicky Allen, Rebecca Brewer, Alison Baiden,
Stephenson, Stella Jeffrey, Jane Knight, Sandra Sandra Knight, Jane Jeffrey, Stella Stephenson, a Dian Champion, Penny Taylor, Ann Coles, Ruffle Lara Lara Ruffle Coles, Ann Taylor, Penny Champion, Diana Stephenson, Stella Jeffrey, Jane Knight, Sandra Sandra Knight, Jane Jeffrey, Stella Stephenson, a Dian Champion, Penny Taylor, Ann Coles, Ruffle Lara
Ensemble Choral Lewisham Lewisham Choral Ensemble Ensemble Choral Lewisham
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melody traditional English clear midnight the upon came It It came upon the midnight clear English traditional melody melody traditional English clear midnight the upon came It Sullivan Arthur Sir y b d te adap adapted by Sir Arthur Sullivan Sullivan Arthur Sir y b d te adap
SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE
old, of song glorious that clear, midnight the upon came It It came upon the midnight clear, that glorious song of old, old, of song glorious that clear, midnight the upon came It gold: of harps their touch to earth the near bending angels From From angels bending near the earth to touch their harps of gold: gold: of harps their touch to earth the near bending angels From s all gracious gracious all s n’ heav’ from men, to goodwill earth, the on ‘Peace ‘Peace on the earth, goodwill to men, from heav’n’s all gracious gracious all s n’ heav’ from men, to goodwill earth, the on ‘Peace King!’ King!’ King!’ sing. angels the hear to lay stillness solemn in world The The world in solemn stillness lay to hear the angels sing. sing. angels the hear to lay stillness solemn in world The
Still through the cloven skies they come, with peaceful wings wings peaceful with come, they skies cloven the through Still Still through the cloven skies they come, with peaceful wings wings peaceful with come, they skies cloven the through Still unfurled; unfurled; unfurled; world; weary the all o’er floats music heav’nly their still And And still their heav’nly music floats o’er all the weary world; world; weary the all o’er floats music heav’nly their still And wing; hov’ring on nd be they plains lowly and sad its Above Above its sad and lowly plains they bend on hov’ring wing; wing; hov’ring on nd be they plains lowly and sad its Above sing! angels blessed the sounds Babel its o’er ever And And ever o’er its Babel sounds the blessed angels sing! sing! angels blessed the sounds Babel its o’er ever And
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sing! angels blessed the sounds Babel its o’er ever And And ever o’er its Babel sounds the blessed angels sing! sing! angels blessed the sounds Babel its o’er ever And
wing; hov’ring on nd be they plains lowly and sad its Above Above its sad and lowly plains they bend on hov’ring wing; wing; hov’ring on nd be they plains lowly and sad its Above
world; weary the all o’er floats music heav’nly their still And And still their heav’nly music floats o’er all the weary world; world; weary the all o’er floats music heav’nly their still And
unfurled; unfurled; unfurled;
Still through the cloven skies they come, with peaceful wings wings peaceful with come, they skies cloven the through Still Still through the cloven skies they come, with peaceful wings wings peaceful with come, they skies cloven the through Still
sing. angels the hear to lay stillness solemn in world The The world in solemn stillness lay to hear the angels sing. sing. angels the hear to lay stillness solemn in world The
King!’ King!’ King!’
s all gracious gracious all s n’ heav’ from men, to goodwill earth, the on ‘Peace ‘Peace on the earth, goodwill to men, from heav’n’s all gracious gracious all s n’ heav’ from men, to goodwill earth, the on ‘Peace
gold: of harps their touch to earth the near bending angels From From angels bending near the earth to touch their harps of gold: gold: of harps their touch to earth the near bending angels From
old, of song glorious that clear, midnight the upon came It It came upon the midnight clear, that glorious song of old, old, of song glorious that clear, midnight the upon came It
PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE
Sullivan Arthur Sir y b d te adap adapted by Sir Arthur Sullivan Sullivan Arthur Sir y b d te adap
melody traditional English clear midnight the upon came It It came upon the midnight clear English traditional melody melody traditional English clear midnight the upon came It
Allred. Brady Dr. Conductor, their and USA City, City, USA and their Conductor, Dr. Brady Allred. Allred. Brady Dr. Conductor, their and USA City,
2011 by the Vocal and Choral Artists of Salt Lake Lake Salt of Artists Choral and Vocal the by 2011 2011 by the Vocal and Choral Artists of Salt Lake Lake Salt of Artists Choral and Vocal the by 2011
in in commissioned was which 1933), - (1884 Teasdale Teasdale (1884-1933), which was commissioned in in commissioned was which 1933), - (1884 Teasdale
Sara Sara et po lyric American the by words of setting his his setting of words by the American lyric poet Sara Sara et po lyric American the by words of setting his
is is Stars Cambridge. College, Trinity at Arts Creative Creative Arts at Trinity College, Cambridge. Stars is is Stars Cambridge. College, Trinity at Arts Creative
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Academy of Music, where he himself now teaches. teaches. now himself he where Music, of Academy Academy of Music, where he himself now teaches. teaches. now himself he where Music, of Academy
1977 and studied composition at the Latvian Latvian the at composition studied and 1977 1977 and studied composition at the Latvian Latvian the at composition studied and 1977
Ēriks Ešenvalds Ešenvalds Ēriks Ēriks Ešenvalds Ešenvalds Ēriks riekule, Latvia in in Latvia riekule, P in born was was born in Priekule, Latvia in in Latvia riekule, P in born was
Chisholm, David Freeman, Tom Hamilton, Chris Brasted & Ben Leslie Ben & Brasted Chris Hamilton, Tom Freeman, David Chisholm, John John Chisholm, David Freeman, Tom Hamilton, Chris Brasted & Ben Leslie Leslie Ben & Brasted Chris Hamilton, Tom Freeman, David Chisholm, John
Stead, Stead, Paul Jarvis, Trevor Bull, Martin Baxter, Ole Hayes, Nicky Allen, Rebecca Brewer, Alison Baiden, Baiden, Alison Brewer, Rebecca Allen, Nicky Hayes, Ole Baxter, Martin Bull, Trevor Jarvis, Paul Stead, Stead, Paul Jarvis, Trevor Bull, Martin Baxter, Ole Hayes, Nicky Allen, Rebecca Brewer, Alison Baiden,
Stephenson, Stella Jeffrey, Jane Knight, Sandra Sandra Knight, Jane Jeffrey, Stella Stephenson, a Dian Champion, Penny Taylor, Ann Coles, Ruffle Lara Lara Ruffle Coles, Ann Taylor, Penny Champion, Diana Stephenson, Stella Jeffrey, Jane Knight, Sandra Sandra Knight, Jane Jeffrey, Stella Stephenson, a Dian Champion, Penny Taylor, Ann Coles, Ruffle Lara
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Ešenvalds Ēriks Stars Stars Ēriks Ešenvalds Ešenvalds Ēriks Stars
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Sydenham. Church, Bartholomew’s Bartholomew’s Church, Sydenham. Sydenham. Church, Bartholomew’s
Louise is buried at St St at buried is Louise over. were relationships both 1869 By . Louise Louise. By 1869 both relationships were over. Louise is buried at St St at buried is Louise over. were relationships both 1869 By . Louise
her older sister sister older her – secret in again – courting started simultaneously Sullivan Sullivan simultaneously started courting – again in secret – her older sister sister older her – secret in again – courting started simultaneously Sullivan
composer took rooms above a nearby shop. Not content with Rachel alone, alone, Rachel with content Not shop. nearby a above rooms took composer composer took rooms above a nearby shop. Not content with Rachel alone, alone, Rachel with content Not shop. nearby a above rooms took composer
musician with few prospects; the relationship continued in secret when the the when secret in continued relationship the prospects; few with musician musician with few prospects; the relationship continued in secret when the the when secret in continued relationship the prospects; few with musician
poor poor a suitor, her of approve not did parents her But Rachel. hter ug da Russell’s Russell’s daughter Rachel. But her parents did not approve of her suitor, a poor poor a suitor, her of approve not did parents her But Rachel. hter ug da Russell’s
and Sullivan became the young admirer of of admirer young the became Sullivan and Russell Scott John architect naval naval architect John Scott Russell and Sullivan became the young admirer of of admirer young the became Sullivan and Russell Scott John architect naval
Sydenham Sydenham Sydenham engineer and and engineer of home the Lodge, Westwood was Nearby . in lived lived in . Nearby was Westwood Lodge, the home of engineer and and engineer of home the Lodge, Westwood was Nearby . in lived
who who Grove George musicologist & engineer the know to got He Palace. Crystal Crystal Palace. He got to know the engineer & musicologist George Grove who who Grove George musicologist & engineer the know to got He Palace. Crystal
& Literature at at Literature & ce en Sci Arts, of School the at job teaching a took reluctantly reluctantly took a teaching job at the School of Arts, Science & Literature at at Literature & ce en Sci Arts, of School the at job teaching a took reluctantly
Sullivan Sullivan – ermany G in studies musical from returning on – 20s early his In In his early 20s – on returning from musical studies in Germany – Sullivan Sullivan – ermany G in studies musical from returning on – 20s early his In
aison li ocal l A A local liaison aison li ocal l A
then. was was then. then. was
verse with its longing for peace is perhaps as apt in our troubled times today as it it as today times troubled our in apt as perhaps is peace for longing its with verse verse with its longing for peace is perhaps as apt in our troubled times today as it it as today times troubled our in apt as perhaps is peace for longing its with verse
’s third third ’s em po The turmoil. of state a in – him around around him – in a state of turmoil. The poem’s third third ’s em po The turmoil. of state a in – him around
and the wider world world wider the and – world personal his found found his personal world – and the wider world world wider the and – world personal his found
Sears, working as a preacher in Massachusetts, Massachusetts, in preacher a as working Sears, Sears, working as a preacher in Massachusetts, Massachusetts, in preacher a as working Sears,
United States today. At the time of writing his verses verses his writing of time the At today. States United United States today. At the time of writing his verses verses his writing of time the At today. States United
remained the favoured setting of the carol in the the in carol the of setting favoured the remained remained the favoured setting of the carol in the the in carol the of setting favoured the remained
which has has which l, ro Ca entitled simply tune a to set later later set to a tune simply entitled Carol, which has has which l, ro Ca entitled simply tune a to set later
They were were They 6). 187 - (1810 Sears Hamilton Edmund Edmund Hamilton Sears (1810-1876). They were were They 6). 187 - (1810 Sears Hamilton Edmund
written in 1849 by an American Unitarian minister, minister, Unitarian American an by 1849 in written written in 1849 by an American Unitarian minister, minister, Unitarian American an by 1849 in written
David Willcocks. The words were were words The Willcocks. David Sir by is verse verse is by Sir David Willcocks. The words were were words The Willcocks. David Sir by is verse
traditional English melody. The descant in the last last the in descant The melody. English traditional traditional English melody. The descant in the last last the in descant The melody. English traditional
to adapt a a adapt to l ë No ed l it ent tune a used he 1874, in in 1874, he used a tune entitled Noël to adapt a a adapt to l ë No ed l it ent tune a used he 1874, in
handful of tunes for Christmas. For this carol, penned penned carol, this For Christmas. for tunes of handful handful of tunes for Christmas. For this carol, penned penned carol, this For Christmas. for tunes of handful
) 1900 - (1842 Sullivan Arthur Sir Sir Arthur Sullivan (1842-1900) ) 1900 - (1842 Sullivan Arthur Sir , also wrote a a wrote also , Mikado The of master musical the , , the musical master of The Mikado, also wrote a a wrote also , Mikado The of master musical the ,
sing. angels angels sing. sing. angels
the now which song the back give world whole the And And the whole world give back the song which now the the now which song the back give world whole the And
fling, splendours ient nc a its earth the all over shall peace When When peace shall over all the earth its ancient splendours fling, fling, splendours ient nc a its earth the all over shall peace When
gold; of age the round comes years circling ever the with When, When, with the ever circling years comes round the age of gold; gold; of age the round comes years circling ever the with When,
foretold, bards prophets by on hastening are days The lo! For For lo! The days are hastening on by prophets bards foretold, foretold, bards prophets by on hastening are days The lo! For
sing! angels the hear and strife, of men ye noise, the hush O O hush the noise, ye men of strife, and hear the angels sing! sing! angels the hear and strife, of men ye noise, the hush O
bring: bring: bring:
song which they they which song ve lo the not hears man, with war at man, And And man, at war with man, hears not the love song which they they which song ve lo the not hears man, with war at man, And
wrong; of years thousand two rolled have strain angel the Beneath Beneath the angel strain have rolled two thousand years of wrong; wrong; of years thousand two rolled have strain angel the Beneath
long; suffered has world the strife and sin of woes the with Yet Yet with the woes of sin and strife the world has suffered long; long; suffered has world the strife and sin of woes the with Yet
long; suffered has world the strife and sin of woes the with Yet Yet with the woes of sin and strife the world has suffered long; long; suffered has world the strife and sin of woes the with Yet wrong; of years thousand two rolled have strain angel the Beneath Beneath the angel strain have rolled two thousand years of wrong; wrong; of years thousand two rolled have strain angel the Beneath song which they they which song ve lo the not hears man, with war at man, And And man, at war with man, hears not the love song which they they which song ve lo the not hears man, with war at man, And bring: bring: bring: sing! angels the hear and strife, of men ye noise, the hush O O hush the noise, ye men of strife, and hear the angels sing! sing! angels the hear and strife, of men ye noise, the hush O
foretold, bards prophets by on hastening are days The lo! For For lo! The days are hastening on by prophets bards foretold, foretold, bards prophets by on hastening are days The lo! For gold; of age the round comes years circling ever the with When, When, with the ever circling years comes round the age of gold; gold; of age the round comes years circling ever the with When, fling, splendours ient nc a its earth the all over shall peace When When peace shall over all the earth its ancient splendours fling, fling, splendours ient nc a its earth the all over shall peace When the now which song the back give world whole the And And the whole world give back the song which now the the now which song the back give world whole the And sing. angels angels sing. sing. angels
, also wrote a a wrote also , Mikado The of master musical the , ) 1900 - (1842 Sullivan Arthur Sir Sir Arthur Sullivan (1842-1900), the musical master of The Mikado, also wrote a a wrote also , Mikado The of master musical the , ) 1900 - (1842 Sullivan Arthur Sir handful of tunes for Christmas. For this carol, penned penned carol, this For Christmas. for tunes of handful handful of tunes for Christmas. For this carol, penned penned carol, this For Christmas. for tunes of handful to adapt a a adapt to l ë No ed l it ent tune a used he 1874, in in 1874, he used a tune entitled Noël to adapt a a adapt to l ë No ed l it ent tune a used he 1874, in traditional English melody. The descant in the last last the in descant The melody. English traditional traditional English melody. The descant in the last last the in descant The melody. English traditional David Willcocks. The words were were words The Willcocks. David Sir by is verse verse is by Sir David Willcocks. The words were were words The Willcocks. David Sir by is verse written in 1849 by an American Unitarian minister, minister, Unitarian American an by 1849 in written written in 1849 by an American Unitarian minister, minister, Unitarian American an by 1849 in written They were were They 6). 187 - (1810 Sears Hamilton Edmund Edmund Hamilton Sears (1810-1876). They were were They 6). 187 - (1810 Sears Hamilton Edmund which has has which l, ro Ca entitled simply tune a to set later later set to a tune simply entitled Carol, which has has which l, ro Ca entitled simply tune a to set later remained the favoured setting of the carol in the the in carol the of setting favoured the remained remained the favoured setting of the carol in the the in carol the of setting favoured the remained United States today. At the time of writing his verses verses his writing of time the At today. States United United States today. At the time of writing his verses verses his writing of time the At today. States United Sears, working as a preacher in Massachusetts, Massachusetts, in preacher a as working Sears, Sears, working as a preacher in Massachusetts, Massachusetts, in preacher a as working Sears, and the wider world world wider the and – world personal his found found his personal world – and the wider world world wider the and – world personal his found ’s third third ’s em po The turmoil. of state a in – him around around him – in a state of turmoil. The poem’s third third ’s em po The turmoil. of state a in – him around verse with its longing for peace is perhaps as apt in our troubled times today as it it as today times troubled our in apt as perhaps is peace for longing its with verse verse with its longing for peace is perhaps as apt in our troubled times today as it it as today times troubled our in apt as perhaps is peace for longing its with verse then. was was then. then. was
aison li ocal l A A local liaison aison li ocal l A Sullivan Sullivan – ermany G in studies musical from returning on – 20s early his In In his early 20s – on returning from musical studies in Germany – Sullivan Sullivan – ermany G in studies musical from returning on – 20s early his In & Literature at at Literature & ce en Sci Arts, of School the at job teaching a took reluctantly reluctantly took a teaching job at the School of Arts, Science & Literature at at Literature & ce en Sci Arts, of School the at job teaching a took reluctantly who who Grove George musicologist & engineer the know to got He Palace. Crystal Crystal Palace. He got to know the engineer & musicologist George Grove who who Grove George musicologist & engineer the know to got He Palace. Crystal engineer and and engineer of home the Lodge, Westwood was Nearby . Sydenham in lived lived in Sydenham. Nearby was Westwood Lodge, the home of engineer and and engineer of home the Lodge, Westwood was Nearby . Sydenham in lived and Sullivan became the young admirer of of admirer young the became Sullivan and Russell Scott John architect naval naval architect John Scott Russell and Sullivan became the young admirer of of admirer young the became Sullivan and Russell Scott John architect naval poor poor a suitor, her of approve not did parents her But Rachel. hter ug da Russell’s Russell’s daughter Rachel. But her parents did not approve of her suitor, a poor poor a suitor, her of approve not did parents her But Rachel. hter ug da Russell’s musician with few prospects; the relationship continued in secret when the the when secret in continued relationship the prospects; few with musician musician with few prospects; the relationship continued in secret when the the when secret in continued relationship the prospects; few with musician composer took rooms above a nearby shop. Not content with Rachel alone, alone, Rachel with content Not shop. nearby a above rooms took composer composer took rooms above a nearby shop. Not content with Rachel alone, alone, Rachel with content Not shop. nearby a above rooms took composer her older sister sister older her – secret in again – courting started simultaneously Sullivan Sullivan simultaneously started courting – again in secret – her older sister sister older her – secret in again – courting started simultaneously Sullivan Louise is buried at St St at buried is Louise over. were relationships both 1869 By . Louise Louise. By 1869 both relationships were over. Louise is buried at St St at buried is Louise over. were relationships both 1869 By . Louise Sydenham. Church, Bartholomew’s Bartholomew’s Church, Sydenham. Sydenham. Church, Bartholomew’s
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Sydenham. Church, Bartholomew’s Bartholomew’s Church, Sydenham. Sydenham. Church, Bartholomew’s
Louise is buried at St St at buried is Louise over. were relationships both 1869 By . Louise Louise. By 1869 both relationships were over. Louise is buried at St St at buried is Louise over. were relationships both 1869 By . Louise
her older sister sister older her – secret in again – courting started simultaneously Sullivan Sullivan simultaneously started courting – again in secret – her older sister sister older her – secret in again – courting started simultaneously Sullivan
composer took rooms above a nearby shop. Not content with Rachel alone, alone, Rachel with content Not shop. nearby a above rooms took composer composer took rooms above a nearby shop. Not content with Rachel alone, alone, Rachel with content Not shop. nearby a above rooms took composer
musician with few prospects; the relationship continued in secret when the the when secret in continued relationship the prospects; few with musician musician with few prospects; the relationship continued in secret when the the when secret in continued relationship the prospects; few with musician
poor poor a suitor, her of approve not did parents her But Rachel. hter ug da Russell’s Russell’s daughter Rachel. But her parents did not approve of her suitor, a poor poor a suitor, her of approve not did parents her But Rachel. hter ug da Russell’s
and Sullivan became the young admirer of of admirer young the became Sullivan and Russell Scott John architect naval naval architect John Scott Russell and Sullivan became the young admirer of of admirer young the became Sullivan and Russell Scott John architect naval
Sydenham Sydenham Sydenham engineer and and engineer of home the Lodge, Westwood was Nearby . in lived lived in . Nearby was Westwood Lodge, the home of engineer and and engineer of home the Lodge, Westwood was Nearby . in lived
who who Grove George musicologist & engineer the know to got He Palace. Crystal Crystal Palace. He got to know the engineer & musicologist George Grove who who Grove George musicologist & engineer the know to got He Palace. Crystal
& Literature at at Literature & ce en Sci Arts, of School the at job teaching a took reluctantly reluctantly took a teaching job at the School of Arts, Science & Literature at at Literature & ce en Sci Arts, of School the at job teaching a took reluctantly
Sullivan Sullivan – ermany G in studies musical from returning on – 20s early his In In his early 20s – on returning from musical studies in Germany – Sullivan Sullivan – ermany G in studies musical from returning on – 20s early his In
aison li ocal l A A local liaison aison li ocal l A
then. was was then. then. was
verse with its longing for peace is perhaps as apt in our troubled times today as it it as today times troubled our in apt as perhaps is peace for longing its with verse verse with its longing for peace is perhaps as apt in our troubled times today as it it as today times troubled our in apt as perhaps is peace for longing its with verse
’s third third ’s em po The turmoil. of state a in – him around around him – in a state of turmoil. The poem’s third third ’s em po The turmoil. of state a in – him around
and the wider world world wider the and – world personal his found found his personal world – and the wider world world wider the and – world personal his found
Sears, working as a preacher in Massachusetts, Massachusetts, in preacher a as working Sears, Sears, working as a preacher in Massachusetts, Massachusetts, in preacher a as working Sears,
United States today. At the time of writing his verses verses his writing of time the At today. States United United States today. At the time of writing his verses verses his writing of time the At today. States United
remained the favoured setting of the carol in the the in carol the of setting favoured the remained remained the favoured setting of the carol in the the in carol the of setting favoured the remained
which has has which l, ro Ca entitled simply tune a to set later later set to a tune simply entitled Carol, which has has which l, ro Ca entitled simply tune a to set later
They were were They 6). 187 - (1810 Sears Hamilton Edmund Edmund Hamilton Sears (1810-1876). They were were They 6). 187 - (1810 Sears Hamilton Edmund
written in 1849 by an American Unitarian minister, minister, Unitarian American an by 1849 in written written in 1849 by an American Unitarian minister, minister, Unitarian American an by 1849 in written
David Willcocks. The words were were words The Willcocks. David Sir by is verse verse is by Sir David Willcocks. The words were were words The Willcocks. David Sir by is verse
traditional English melody. The descant in the last last the in descant The melody. English traditional traditional English melody. The descant in the last last the in descant The melody. English traditional
to adapt a a adapt to l ë No ed l it ent tune a used he 1874, in in 1874, he used a tune entitled Noël to adapt a a adapt to l ë No ed l it ent tune a used he 1874, in
handful of tunes for Christmas. For this carol, penned penned carol, this For Christmas. for tunes of handful handful of tunes for Christmas. For this carol, penned penned carol, this For Christmas. for tunes of handful
) 1900 - (1842 Sullivan Arthur Sir Sir Arthur Sullivan (1842-1900) ) 1900 - (1842 Sullivan Arthur Sir , also wrote a a wrote also , Mikado The of master musical the , , the musical master of The Mikado, also wrote a a wrote also , Mikado The of master musical the ,
sing. angels angels sing. sing. angels
the now which song the back give world whole the And And the whole world give back the song which now the the now which song the back give world whole the And
fling, splendours ient nc a its earth the all over shall peace When When peace shall over all the earth its ancient splendours fling, fling, splendours ient nc a its earth the all over shall peace When
gold; of age the round comes years circling ever the with When, When, with the ever circling years comes round the age of gold; gold; of age the round comes years circling ever the with When,
foretold, bards prophets by on hastening are days The lo! For For lo! The days are hastening on by prophets bards foretold, foretold, bards prophets by on hastening are days The lo! For
sing! angels the hear and strife, of men ye noise, the hush O O hush the noise, ye men of strife, and hear the angels sing! sing! angels the hear and strife, of men ye noise, the hush O
bring: bring: bring:
song which they they which song ve lo the not hears man, with war at man, And And man, at war with man, hears not the love song which they they which song ve lo the not hears man, with war at man, And
wrong; of years thousand two rolled have strain angel the Beneath Beneath the angel strain have rolled two thousand years of wrong; wrong; of years thousand two rolled have strain angel the Beneath
long; suffered has world the strife and sin of woes the with Yet Yet with the woes of sin and strife the world has suffered long; long; suffered has world the strife and sin of woes the with Yet
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July. next concert summer summer concert next July. July. next concert summer
birthday at their their at birthday birthday at their their at birthday Choral Society will celebrate Rutter’s 75 Rutter’s celebrate will Society Choral Choral Society will celebrate Rutter’s 75 75 Rutter’s celebrate will Society Choral
th th th
Lewisham Lewisham carols. r la popu most his of one become since since become one of his most popular carols. Lewisham Lewisham carols. r la popu most his of one become since
has has , words the and tune the both wrote Rutter which which Rutter wrote both the tune and the words, has has , words the and tune the both wrote Rutter which
of of Lullaby, Mary’s 1979. to 1975 from Music of Director Director of Music from 1975 to 1979. Mary’s Lullaby, of of Lullaby, Mary’s 1979. to 1975 from Music of Director
the choir of Clare College, Cambridge, where he was was he where Cambridge, College, Clare of choir the the choir of Clare College, Cambridge, where he was was he where Cambridge, College, Clare of choir the
this particular one in 1978 for for 1978 in one particular this wrote He carols. Christmas Christmas carols. He wrote this particular one in 1978 for for 1978 in one particular this wrote He carols. Christmas
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John Rutter Rutter John John Rutter Rutter John (born 1945) is is 1945) (born composer English The The English composer (born 1945) is is 1945) (born composer English The
Rutter John Lullaby Mary’s Mary’s Lullaby John Rutter Rutter John Lullaby Mary’s
. music choral to services for Honours Birthday year’s this in knighted knighted in this year’s Birthday Honours for services to choral music. . music choral to services for Honours Birthday year’s this in knighted
He was was He . 2007 to 1995 from Singers BC B the of Conductor Chief and 2009 2009 and Chief Conductor of the BBC Singers from 1995 to 2007. He was was He . 2007 to 1995 from Singers BC B the of Conductor Chief and 2009
conductor of Cambridge University Musical Society from 1983 to to 1983 from Society Musical University Cambridge of conductor also was He He was also conductor of Cambridge University Musical Society from 1983 to to 1983 from Society Musical University Cambridge of conductor also was He
. Cambridge College, King's of Choir the for Music of Director was he 2019) - 1982 ( (1982-2019) he was Director of Music for the Choir of King's College, Cambridge. . Cambridge College, King's of Choir the for Music of Director was he 2019) - 1982 (
37 years years 37 r o F 1992. to 1990 from Organists of College Royal the f o President the the President of the Royal College of Organists from 1990 to 1992. For 37 years years 37 r o F 1992. to 1990 from Organists of College Royal the f o President the
of Music at Westminster Cathedral in 1979. He was also also was He 1979. in Cathedral Westminster at Music of of Music at Westminster Cathedral in 1979. He was also also was He 1979. in Cathedral Westminster at Music of
organist of Westminster Abbey before becoming Master Master becoming before Abbey Westminster of organist organist of Westminster Abbey before becoming Master Master becoming before Abbey Westminster of organist
- sub and Cambridge College, John's St at scholar organ organ scholar at St John's College, Cambridge and sub- - sub and Cambridge College, John's St at scholar organ
Cleobury Stephen Sir Sir Stephen Cleobury Cleobury Stephen Sir was was ) 2019 - (1948 times. recent recent times. (1948-2019) was was ) 2019 - (1948 times. recent
s, it has become so in more more in so become has it s, ma Christ with associated associated with Christmas, it has become so in more more in so become has it s, ma Christ with associated
art of medieval Europe. Though not traditionally traditionally not Though Europe. medieval of art art of medieval Europe. Though not traditionally traditionally not Though Europe. medieval of art
Seven Joys of the Virgin in the devotional literature and and literature devotional the in Virgin the of Joys Seven Seven Joys of the Virgin in the devotional literature and and literature devotional the in Virgin the of Joys Seven
probably inspired by the frequent references to the the to references frequent the by inspired probably probably inspired by the frequent references to the the to references frequent the by inspired probably
Mary's happiness at moments in the life of Jesus, Jesus, of life the in moments at happiness Mary's Mary's happiness at moments in the life of Jesus, Jesus, of life the in moments at happiness Mary's
raditional carol about about carol raditional t a is Mary" of Joys Seven "The "The Seven Joys of Mary" is a traditional carol about about carol raditional t a is Mary" of Joys Seven "The
Cleobury Stephen Sir by arranged arranged by Sir Stephen Cleobury Cleobury Stephen Sir by arranged
carol traditional English seven Joys Joys seven English traditional carol carol traditional English seven Joys
carol traditional English seven Joys Joys seven English traditional carol carol traditional English seven Joys Cleobury Stephen Sir by arranged arranged by Sir Stephen Cleobury Cleobury Stephen Sir by arranged raditional carol about about carol raditional t a is Mary" of Joys Seven "The "The Seven Joys of Mary" is a traditional carol about about carol raditional t a is Mary" of Joys Seven "The Mary's happiness at moments in the life of Jesus, Jesus, of life the in moments at happiness Mary's Mary's happiness at moments in the life of Jesus, Jesus, of life the in moments at happiness Mary's probably inspired by the frequent references to the the to references frequent the by inspired probably probably inspired by the frequent references to the the to references frequent the by inspired probably Seven Joys of the Virgin in the devotional literature and and literature devotional the in Virgin the of Joys Seven Seven Joys of the Virgin in the devotional literature and and literature devotional the in Virgin the of Joys Seven art of medieval Europe. Though not traditionally traditionally not Though Europe. medieval of art art of medieval Europe. Though not traditionally traditionally not Though Europe. medieval of art s, it has become so in more more in so become has it s, ma Christ with associated associated with Christmas, it has become so in more more in so become has it s, ma Christ with associated was was ) 2019 - (1948 Cleobury Stephen Sir times. recent recent times. Sir Stephen Cleobury (1948-2019) was was ) 2019 - (1948 Cleobury Stephen Sir times. recent - sub and Cambridge College, John's St at scholar organ organ scholar at St John's College, Cambridge and sub- - sub and Cambridge College, John's St at scholar organ organist of Westminster Abbey before becoming Master Master becoming before Abbey Westminster of organist organist of Westminster Abbey before becoming Master Master becoming before Abbey Westminster of organist of Music at Westminster Cathedral in 1979. He was also also was He 1979. in Cathedral Westminster at Music of of Music at Westminster Cathedral in 1979. He was also also was He 1979. in Cathedral Westminster at Music of 37 years years 37 r o F 1992. to 1990 from Organists of College Royal the f o President the the President of the Royal College of Organists from 1990 to 1992. For 37 years years 37 r o F 1992. to 1990 from Organists of College Royal the f o President the . Cambridge College, King's of Choir the for Music of Director was he 2019) - 1982 ( (1982-2019) he was Director of Music for the Choir of King's College, Cambridge. . Cambridge College, King's of Choir the for Music of Director was he 2019) - 1982 ( conductor of Cambridge University Musical Society from 1983 to to 1983 from Society Musical University Cambridge of conductor also was He He was also conductor of Cambridge University Musical Society from 1983 to to 1983 from Society Musical University Cambridge of conductor also was He He was was He . 2007 to 1995 from Singers BC B the of Conductor Chief and 2009 2009 and Chief Conductor of the BBC Singers from 1995 to 2007. He was was He . 2007 to 1995 from Singers BC B the of Conductor Chief and 2009 . music choral to services for Honours Birthday year’s this in knighted knighted in this year’s Birthday Honours for services to choral music. . music choral to services for Honours Birthday year’s this in knighted
Rutter John Lullaby Mary’s Mary’s Lullaby John Rutter Rutter John Lullaby Mary’s
(born 1945) is is 1945) (born Rutter John composer English The The English composer John Rutter (born 1945) is is 1945) (born Rutter John composer English The s s hi for world Saxon - Anglo the throughout renowned renowned throughout the Anglo-Saxon world for his s hi for world Saxon - Anglo the throughout renowned this particular one in 1978 for for 1978 in one particular this wrote He carols. Christmas Christmas carols. He wrote this particular one in 1978 for for 1978 in one particular this wrote He carols. Christmas the choir of Clare College, Cambridge, where he was was he where Cambridge, College, Clare of choir the the choir of Clare College, Cambridge, where he was was he where Cambridge, College, Clare of choir the of of Lullaby, Mary’s 1979. to 1975 from Music of Director Director of Music from 1975 to 1979. Mary’s Lullaby, of of Lullaby, Mary’s 1979. to 1975 from Music of Director has has , words the and tune the both wrote Rutter which which Rutter wrote both the tune and the words, has has , words the and tune the both wrote Rutter which Lewisham Lewisham carols. r la popu most his of one become since since become one of his most popular carols. Lewisham Lewisham carols. r la popu most his of one become since birthday at their their at birthday th 75 Rutter’s celebrate will Society Choral Choral Society will celebrate Rutter’s 75th birthday at their their at birthday th 75 Rutter’s celebrate will Society Choral July. next concert summer summer concert next July. July. next concert summer
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6 6 6 Page | | Page Page |
July. next concert summer summer concert next July. July. next concert summer
birthday at their their at birthday birthday at their their at birthday Choral Society will celebrate Rutter’s 75 Rutter’s celebrate will Society Choral Choral Society will celebrate Rutter’s 75 75 Rutter’s celebrate will Society Choral
th th th
Lewisham Lewisham carols. r la popu most his of one become since since become one of his most popular carols. Lewisham Lewisham carols. r la popu most his of one become since
has has , words the and tune the both wrote Rutter which which Rutter wrote both the tune and the words, has has , words the and tune the both wrote Rutter which
of of Lullaby, Mary’s 1979. to 1975 from Music of Director Director of Music from 1975 to 1979. Mary’s Lullaby, of of Lullaby, Mary’s 1979. to 1975 from Music of Director
the choir of Clare College, Cambridge, where he was was he where Cambridge, College, Clare of choir the the choir of Clare College, Cambridge, where he was was he where Cambridge, College, Clare of choir the
this particular one in 1978 for for 1978 in one particular this wrote He carols. Christmas Christmas carols. He wrote this particular one in 1978 for for 1978 in one particular this wrote He carols. Christmas
s s hi for world Saxon - Anglo the throughout renowned renowned throughout the Anglo-Saxon world for his s hi for world Saxon - Anglo the throughout renowned
John Rutter Rutter John John Rutter Rutter John (born 1945) is is 1945) (born composer English The The English composer (born 1945) is is 1945) (born composer English The
Rutter John Lullaby Mary’s Mary’s Lullaby John Rutter Rutter John Lullaby Mary’s
. music choral to services for Honours Birthday year’s this in knighted knighted in this year’s Birthday Honours for services to choral music. . music choral to services for Honours Birthday year’s this in knighted
He was was He . 2007 to 1995 from Singers BC B the of Conductor Chief and 2009 2009 and Chief Conductor of the BBC Singers from 1995 to 2007. He was was He . 2007 to 1995 from Singers BC B the of Conductor Chief and 2009
conductor of Cambridge University Musical Society from 1983 to to 1983 from Society Musical University Cambridge of conductor also was He He was also conductor of Cambridge University Musical Society from 1983 to to 1983 from Society Musical University Cambridge of conductor also was He
. Cambridge College, King's of Choir the for Music of Director was he 2019) - 1982 ( (1982-2019) he was Director of Music for the Choir of King's College, Cambridge. . Cambridge College, King's of Choir the for Music of Director was he 2019) - 1982 (
37 years years 37 r o F 1992. to 1990 from Organists of College Royal the f o President the the President of the Royal College of Organists from 1990 to 1992. For 37 years years 37 r o F 1992. to 1990 from Organists of College Royal the f o President the
of Music at Westminster Cathedral in 1979. He was also also was He 1979. in Cathedral Westminster at Music of of Music at Westminster Cathedral in 1979. He was also also was He 1979. in Cathedral Westminster at Music of
organist of Westminster Abbey before becoming Master Master becoming before Abbey Westminster of organist organist of Westminster Abbey before becoming Master Master becoming before Abbey Westminster of organist
- sub and Cambridge College, John's St at scholar organ organ scholar at St John's College, Cambridge and sub- - sub and Cambridge College, John's St at scholar organ
Cleobury Stephen Sir Sir Stephen Cleobury Cleobury Stephen Sir was was ) 2019 - (1948 times. recent recent times. (1948-2019) was was ) 2019 - (1948 times. recent
s, it has become so in more more in so become has it s, ma Christ with associated associated with Christmas, it has become so in more more in so become has it s, ma Christ with associated
art of medieval Europe. Though not traditionally traditionally not Though Europe. medieval of art art of medieval Europe. Though not traditionally traditionally not Though Europe. medieval of art
Seven Joys of the Virgin in the devotional literature and and literature devotional the in Virgin the of Joys Seven Seven Joys of the Virgin in the devotional literature and and literature devotional the in Virgin the of Joys Seven
probably inspired by the frequent references to the the to references frequent the by inspired probably probably inspired by the frequent references to the the to references frequent the by inspired probably
Mary's happiness at moments in the life of Jesus, Jesus, of life the in moments at happiness Mary's Mary's happiness at moments in the life of Jesus, Jesus, of life the in moments at happiness Mary's
raditional carol about about carol raditional t a is Mary" of Joys Seven "The "The Seven Joys of Mary" is a traditional carol about about carol raditional t a is Mary" of Joys Seven "The
Cleobury Stephen Sir by arranged arranged by Sir Stephen Cleobury Cleobury Stephen Sir by arranged
carol traditional English seven Joys Joys seven English traditional carol carol traditional English seven Joys
7 | | 7 7 | Page Page Page
night: and day both continued it so And And so it continued both day and night: night: and day both continued it so And
light, great gave it earth the to And And to the earth it gave great light, light, great gave it earth the to And
far; them beyond east, the in Shining Shining in the east, beyond them far; far; them beyond east, the in Shining
star, a saw and up looked They They looked up and saw a star, star, a saw and up looked They
Israel! of King the is rn Bo Born is the King of Israel! Israel! of King the is rn Bo
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
deep: so was that night winter’s cold a On On a cold winter’s night that was so deep: deep: so was that night winter’s cold a On
sheep, their keeping lay, they where fields In In fields where they lay, keeping their sheep, sheep, their keeping lay, they where fields In
lay; they as fields in shepherds poor certain to Was Was to certain poor shepherds in fields as they lay; lay; they as fields in shepherds poor certain to Was
say did angel the Nowell first The The first Nowell the angel did say say did angel the Nowell first The
D IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF D AN ST PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF D AN ST PLEASE
Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
carol traditional Cornish Nowell first The The first Nowell Cornish traditional carol carol traditional Cornish Nowell first The
Cambridge. Cambridge. Cambridge.
broadcast of the Festival of Nine Lessons and Carols from King's College, College, King's from Carols and Lessons Nine of Festival the of broadcast broadcast of the Festival of Nine Lessons and Carols from King's College, College, King's from Carols and Lessons Nine of Festival the of broadcast
as been included in the annual annual the in included been as h gentle most Maiden A settings, carol numerous numerous carol settings, A Maiden most gentle has been included in the annual annual the in included been as h gentle most Maiden A settings, carol numerous
founding and directing the Chapter House Choir. Along with many of his his of many with Along Choir. House Chapter the directing and founding founding and directing the Chapter House Choir. Along with many of his his of many with Along Choir. House Chapter the directing and founding
singing at the Minster to directing the music at a local grammar school and and school grammar local a at music the directing to Minster the at singing singing at the Minster to directing the music at a local grammar school and and school grammar local a at music the directing to Minster the at singing
in York, a city with which he has had a long association from from association long a had has he which with city a York, in t Conven Mary's St of of St Mary's Convent in York, a city with which he has had a long association from from association long a had has he which with city a York, in t Conven Mary's St of
ccompaniment. Carter dedicated the carol to the sisters sisters the to carol the dedicated Carter ccompaniment. a accompaniment. Carter dedicated the carol to the sisters sisters the to carol the dedicated Carter ccompaniment. a
made this arrangement and added its organ organ its added and arrangement this made 1939) (born (born 1939) made this arrangement and added its organ organ its added and arrangement this made 1939) (born
Andrew Carter Carter Andrew Andrew Carter Carter Andrew The contemporary English composer composer English contemporary The The contemporary English composer composer English contemporary The
Bede. Bede. Bede.
8th century monk, author and scholar, the Venerable Venerable the scholar, and author monk, century 8th 8th century monk, author and scholar, the Venerable Venerable the scholar, and author monk, century 8th
of words by the the by words of e paraphras a being Channel, the of side side of the Channel, being a paraphrase of words by the the by words of e paraphras a being Channel, the of side
this originate lyrics the and Walsingham of shrine English English shrine of Walsingham and the lyrics originate this this originate lyrics the and Walsingham of shrine English
the shrine of Lourdes. But it also has connections with the the with connections has also it But Lourdes. of shrine the the shrine of Lourdes. But it also has connections with the the with connections has also it But Lourdes. of shrine the
Marian hymn from the French Pyrenees, associated with with associated Pyrenees, French the from hymn Marian Marian hymn from the French Pyrenees, associated with with associated Pyrenees, French the from hymn Marian
this carol is that of a very traditional traditional very a of that is carol this of melody original The The original melody of this carol is that of a very traditional traditional very a of that is carol this of melody original The
arranged by Andrew Carter Andrew by arranged arranged by Andrew Carter Carter Andrew by arranged
French traditional melody melody traditional French gentle most Maiden A A Maiden most gentle French traditional melody melody traditional French gentle most Maiden A
melody traditional French gentle most Maiden A A Maiden most gentle French traditional melody melody traditional French gentle most Maiden A Carter Andrew by arranged arranged by Andrew Carter Carter Andrew by arranged this carol is that of a very traditional traditional very a of that is carol this of melody original The The original melody of this carol is that of a very traditional traditional very a of that is carol this of melody original The Marian hymn from the French Pyrenees, associated with with associated Pyrenees, French the from hymn Marian Marian hymn from the French Pyrenees, associated with with associated Pyrenees, French the from hymn Marian the shrine of Lourdes. But it also has connections with the the with connections has also it But Lourdes. of shrine the the shrine of Lourdes. But it also has connections with the the with connections has also it But Lourdes. of shrine the this originate lyrics the and Walsingham of shrine English English shrine of Walsingham and the lyrics originate this this originate lyrics the and Walsingham of shrine English of words by the the by words of e paraphras a being Channel, the of side side of the Channel, being a paraphrase of words by the the by words of e paraphras a being Channel, the of side 8th century monk, author and scholar, the Venerable Venerable the scholar, and author monk, century 8th 8th century monk, author and scholar, the Venerable Venerable the scholar, and author monk, century 8th Bede. Bede. Bede.
Andrew Carter Carter Andrew composer English contemporary The The contemporary English composer Andrew Carter Carter Andrew composer English contemporary The made this arrangement and added its organ organ its added and arrangement this made 1939) (born (born 1939) made this arrangement and added its organ organ its added and arrangement this made 1939) (born ccompaniment. Carter dedicated the carol to the sisters sisters the to carol the dedicated Carter ccompaniment. a accompaniment. Carter dedicated the carol to the sisters sisters the to carol the dedicated Carter ccompaniment. a in York, a city with which he has had a long association from from association long a had has he which with city a York, in t Conven Mary's St of of St Mary's Convent in York, a city with which he has had a long association from from association long a had has he which with city a York, in t Conven Mary's St of singing at the Minster to directing the music at a local grammar school and and school grammar local a at music the directing to Minster the at singing singing at the Minster to directing the music at a local grammar school and and school grammar local a at music the directing to Minster the at singing founding and directing the Chapter House Choir. Along with many of his his of many with Along Choir. House Chapter the directing and founding founding and directing the Chapter House Choir. Along with many of his his of many with Along Choir. House Chapter the directing and founding as been included in the annual annual the in included been as h gentle most Maiden A settings, carol numerous numerous carol settings, A Maiden most gentle has been included in the annual annual the in included been as h gentle most Maiden A settings, carol numerous broadcast of the Festival of Nine Lessons and Carols from King's College, College, King's from Carols and Lessons Nine of Festival the of broadcast broadcast of the Festival of Nine Lessons and Carols from King's College, College, King's from Carols and Lessons Nine of Festival the of broadcast Cambridge. Cambridge. Cambridge.
carol traditional Cornish Nowell first The The first Nowell Cornish traditional carol carol traditional Cornish Nowell first The Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
SINGING: IN US JOIN AND TO ABLE YOU IF D AN ST PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF D AN ST PLEASE
say did angel the Nowell first The The first Nowell the angel did say say did angel the Nowell first The lay; they as fields in shepherds poor certain to Was Was to certain poor shepherds in fields as they lay; lay; they as fields in shepherds poor certain to Was sheep, their keeping lay, they where fields In In fields where they lay, keeping their sheep, sheep, their keeping lay, they where fields In deep: so was that night winter’s cold a On On a cold winter’s night that was so deep: deep: so was that night winter’s cold a On Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Israel! of King the is rn Bo Born is the King of Israel! Israel! of King the is rn Bo
star, a saw and up looked They They looked up and saw a star, star, a saw and up looked They far; them beyond east, the in Shining Shining in the east, beyond them far; far; them beyond east, the in Shining light, great gave it earth the to And And to the earth it gave great light, light, great gave it earth the to And night: and day both continued it so And And so it continued both day and night: night: and day both continued it so And
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night: and day both continued it so And And so it continued both day and night: night: and day both continued it so And
light, great gave it earth the to And And to the earth it gave great light, light, great gave it earth the to And
far; them beyond east, the in Shining Shining in the east, beyond them far; far; them beyond east, the in Shining
star, a saw and up looked They They looked up and saw a star, star, a saw and up looked They
Israel! of King the is rn Bo Born is the King of Israel! Israel! of King the is rn Bo
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
deep: so was that night winter’s cold a On On a cold winter’s night that was so deep: deep: so was that night winter’s cold a On
sheep, their keeping lay, they where fields In In fields where they lay, keeping their sheep, sheep, their keeping lay, they where fields In
lay; they as fields in shepherds poor certain to Was Was to certain poor shepherds in fields as they lay; lay; they as fields in shepherds poor certain to Was
say did angel the Nowell first The The first Nowell the angel did say say did angel the Nowell first The
D IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF D AN ST PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF D AN ST PLEASE
Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
carol traditional Cornish Nowell first The The first Nowell Cornish traditional carol carol traditional Cornish Nowell first The
Cambridge. Cambridge. Cambridge.
broadcast of the Festival of Nine Lessons and Carols from King's College, College, King's from Carols and Lessons Nine of Festival the of broadcast broadcast of the Festival of Nine Lessons and Carols from King's College, College, King's from Carols and Lessons Nine of Festival the of broadcast
as been included in the annual annual the in included been as h gentle most Maiden A settings, carol numerous numerous carol settings, A Maiden most gentle has been included in the annual annual the in included been as h gentle most Maiden A settings, carol numerous
founding and directing the Chapter House Choir. Along with many of his his of many with Along Choir. House Chapter the directing and founding founding and directing the Chapter House Choir. Along with many of his his of many with Along Choir. House Chapter the directing and founding
singing at the Minster to directing the music at a local grammar school and and school grammar local a at music the directing to Minster the at singing singing at the Minster to directing the music at a local grammar school and and school grammar local a at music the directing to Minster the at singing
in York, a city with which he has had a long association from from association long a had has he which with city a York, in t Conven Mary's St of of St Mary's Convent in York, a city with which he has had a long association from from association long a had has he which with city a York, in t Conven Mary's St of
ccompaniment. Carter dedicated the carol to the sisters sisters the to carol the dedicated Carter ccompaniment. a accompaniment. Carter dedicated the carol to the sisters sisters the to carol the dedicated Carter ccompaniment. a
made this arrangement and added its organ organ its added and arrangement this made 1939) (born (born 1939) made this arrangement and added its organ organ its added and arrangement this made 1939) (born
Andrew Carter Carter Andrew Andrew Carter Carter Andrew The contemporary English composer composer English contemporary The The contemporary English composer composer English contemporary The
Bede. Bede. Bede.
8th century monk, author and scholar, the Venerable Venerable the scholar, and author monk, century 8th 8th century monk, author and scholar, the Venerable Venerable the scholar, and author monk, century 8th
of words by the the by words of e paraphras a being Channel, the of side side of the Channel, being a paraphrase of words by the the by words of e paraphras a being Channel, the of side
this originate lyrics the and Walsingham of shrine English English shrine of Walsingham and the lyrics originate this this originate lyrics the and Walsingham of shrine English
the shrine of Lourdes. But it also has connections with the the with connections has also it But Lourdes. of shrine the the shrine of Lourdes. But it also has connections with the the with connections has also it But Lourdes. of shrine the
Marian hymn from the French Pyrenees, associated with with associated Pyrenees, French the from hymn Marian Marian hymn from the French Pyrenees, associated with with associated Pyrenees, French the from hymn Marian
this carol is that of a very traditional traditional very a of that is carol this of melody original The The original melody of this carol is that of a very traditional traditional very a of that is carol this of melody original The
arranged by Andrew Carter Andrew by arranged arranged by Andrew Carter Carter Andrew by arranged
French traditional melody melody traditional French gentle most Maiden A A Maiden most gentle French traditional melody melody traditional French gentle most Maiden A
8 8 8 Page | | Page Page |
their in tune Welsh the adapted art oz M and Haydn Both 1794. until published published until 1794. Both Haydn and Mozart adapted the Welsh tune in their their in tune Welsh the adapted art oz M and Haydn Both 1794. until published
means New Year’s Eve) dating back to the sixteenth century although not not although century sixteenth the to back dating Eve) Year’s New means means New Year’s Eve) dating back to the sixteenth century although not not although century sixteenth the to back dating Eve) Year’s New means
(the title title (the Galan Nos carol winter Welsh a from is hall the Deck of melody The The melody of Deck the hall is from a Welsh winter carol Nos Galan (the title title (the Galan Nos carol winter Welsh a from is hall the Deck of melody The
Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
l carol carol l na traditio Welsh hall the Deck Deck the hall Welsh traditional carol carol l na traditio Welsh hall the Deck
in1961. carol the of arrangement arrangement of the carol in1961. in1961. carol the of arrangement
Sir David Willcocks David Sir Sir David Willcocks Willcocks David Sir 2015) made this this made 2015) - (1919 gallery. gallery. (1919-2015) made this this made 2015) - (1919 gallery.
church church a in sung melody earlier an of version a be be a version of an earlier melody sung in a church church a in sung melody earlier an of version a be
phrases end on the third of the scale. It is thought to to thought is It scale. the of third the on end phrases phrases end on the third of the scale. It is thought to to thought is It scale. the of third the on end phrases
se. All three three All se. ra ph that on variation a is which refrain refrain which is a variation on that phrase. All three three All se. ra ph that on variation a is which refrain
of one musical phrase repeated twice, followed by a a by followed twice, repeated phrase musical one of of one musical phrase repeated twice, followed by a a by followed twice, repeated phrase musical one of
unusual among English folk melodies in that it consists consists it that in melodies folk English among unusual unusual among English folk melodies in that it consists consists it that in melodies folk English among unusual
The melody is is melody The 1800s. early the in published first first published in the early 1800s. The melody is is melody The 1800s. early the in published first
was was it form current its n I . 13 the as early as ossibly p possibly as early as the 13 . In its current form it was was it form current its n I . 13 the as early as ossibly p
th th th
but century 17 or 16 the least at from dating dating from at least the 16 or 17 century but but century 17 or 16 the least at from dating
th th th th th th
of Cornish origin origin Cornish of carol traditional a is Nowell first The The first Nowell is a traditional carol of Cornish origin origin Cornish of carol traditional a is Nowell first The
Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
bought: hath mankind blood his with And And with his blood mankind hath bought: bought: hath mankind blood his with And
naught, of earth and heav’n made hath That That hath made heav’n and earth of naught, naught, of earth and heav’n made hath That
, rd Lo heav’nly our to praises Sing Sing praises to our heav’nly Lord, , rd Lo heav’nly our to praises Sing
accord one with all us let Then Then let us all with one accord accord one with all us let Then
Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
went: it wherever star the follow to And And to follow the star wherever it went: went: it wherever star the follow to And
intent, their was king a for seek To To seek for a king was their intent, intent, their was king a for seek To
far; country from came men wise Three Three wise men came from country far; far; country from came men wise Three
star, same at th of light the by And And by the light of that same star, star, same at th of light the by And
Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
star, same at th of light the by And And by the light of that same star, star, same at th of light the by And far; country from came men wise Three Three wise men came from country far; far; country from came men wise Three intent, their was king a for seek To To seek for a king was their intent, intent, their was king a for seek To went: it wherever star the follow to And And to follow the star wherever it went: went: it wherever star the follow to And Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
accord one with all us let Then Then let us all with one accord accord one with all us let Then , rd Lo heav’nly our to praises Sing Sing praises to our heav’nly Lord, , rd Lo heav’nly our to praises Sing naught, of earth and heav’n made hath That That hath made heav’n and earth of naught, naught, of earth and heav’n made hath That bought: hath mankind blood his with And And with his blood mankind hath bought: bought: hath mankind blood his with And Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born of Cornish origin origin Cornish of carol traditional a is Nowell first The The first Nowell is a traditional carol of Cornish origin origin Cornish of carol traditional a is Nowell first The but century th 17 or th 16 the least at from dating dating from at least the 16th or 17th century but but century th 17 or th 16 the least at from dating was was it form current its n I . th 13 the as early as ossibly p possibly as early as the 13th. In its current form it was was it form current its n I . th 13 the as early as ossibly p The melody is is melody The 1800s. early the in published first first published in the early 1800s. The melody is is melody The 1800s. early the in published first unusual among English folk melodies in that it consists consists it that in melodies folk English among unusual unusual among English folk melodies in that it consists consists it that in melodies folk English among unusual of one musical phrase repeated twice, followed by a a by followed twice, repeated phrase musical one of of one musical phrase repeated twice, followed by a a by followed twice, repeated phrase musical one of se. All three three All se. ra ph that on variation a is which refrain refrain which is a variation on that phrase. All three three All se. ra ph that on variation a is which refrain phrases end on the third of the scale. It is thought to to thought is It scale. the of third the on end phrases phrases end on the third of the scale. It is thought to to thought is It scale. the of third the on end phrases church church a in sung melody earlier an of version a be be a version of an earlier melody sung in a church church a in sung melody earlier an of version a be 2015) made this this made 2015) - (1919 Willcocks David Sir gallery. gallery. Sir David Willcocks (1919-2015) made this this made 2015) - (1919 Willcocks David Sir gallery. in1961. carol the of arrangement arrangement of the carol in1961. in1961. carol the of arrangement l carol carol l na traditio Welsh hall the Deck Deck the hall Welsh traditional carol carol l na traditio Welsh hall the Deck Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
(the title title (the Galan Nos carol winter Welsh a from is hall the Deck of melody The The melody of Deck the hall is from a Welsh winter carol Nos Galan (the title title (the Galan Nos carol winter Welsh a from is hall the Deck of melody The means New Year’s Eve) dating back to the sixteenth century although not not although century sixteenth the to back dating Eve) Year’s New means means New Year’s Eve) dating back to the sixteenth century although not not although century sixteenth the to back dating Eve) Year’s New means their in tune Welsh the adapted art oz M and Haydn Both 1794. until published published until 1794. Both Haydn and Mozart adapted the Welsh tune in their their in tune Welsh the adapted art oz M and Haydn Both 1794. until published
Page | 8 8 | Page Page | 8
8 8 8 Page | | Page Page |
their in tune Welsh the adapted art oz M and Haydn Both 1794. until published published until 1794. Both Haydn and Mozart adapted the Welsh tune in their their in tune Welsh the adapted art oz M and Haydn Both 1794. until published
means New Year’s Eve) dating back to the sixteenth century although not not although century sixteenth the to back dating Eve) Year’s New means means New Year’s Eve) dating back to the sixteenth century although not not although century sixteenth the to back dating Eve) Year’s New means
(the title title (the Galan Nos carol winter Welsh a from is hall the Deck of melody The The melody of Deck the hall is from a Welsh winter carol Nos Galan (the title title (the Galan Nos carol winter Welsh a from is hall the Deck of melody The
Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
l carol carol l na traditio Welsh hall the Deck Deck the hall Welsh traditional carol carol l na traditio Welsh hall the Deck
in1961. carol the of arrangement arrangement of the carol in1961. in1961. carol the of arrangement
Sir David Willcocks David Sir Sir David Willcocks Willcocks David Sir 2015) made this this made 2015) - (1919 gallery. gallery. (1919-2015) made this this made 2015) - (1919 gallery.
church church a in sung melody earlier an of version a be be a version of an earlier melody sung in a church church a in sung melody earlier an of version a be
phrases end on the third of the scale. It is thought to to thought is It scale. the of third the on end phrases phrases end on the third of the scale. It is thought to to thought is It scale. the of third the on end phrases
se. All three three All se. ra ph that on variation a is which refrain refrain which is a variation on that phrase. All three three All se. ra ph that on variation a is which refrain
of one musical phrase repeated twice, followed by a a by followed twice, repeated phrase musical one of of one musical phrase repeated twice, followed by a a by followed twice, repeated phrase musical one of
unusual among English folk melodies in that it consists consists it that in melodies folk English among unusual unusual among English folk melodies in that it consists consists it that in melodies folk English among unusual
The melody is is melody The 1800s. early the in published first first published in the early 1800s. The melody is is melody The 1800s. early the in published first
was was it form current its n I . 13 the as early as ossibly p possibly as early as the 13 . In its current form it was was it form current its n I . 13 the as early as ossibly p
th th th
but century 17 or 16 the least at from dating dating from at least the 16 or 17 century but but century 17 or 16 the least at from dating
th th th th th th
of Cornish origin origin Cornish of carol traditional a is Nowell first The The first Nowell is a traditional carol of Cornish origin origin Cornish of carol traditional a is Nowell first The
Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
bought: hath mankind blood his with And And with his blood mankind hath bought: bought: hath mankind blood his with And
naught, of earth and heav’n made hath That That hath made heav’n and earth of naught, naught, of earth and heav’n made hath That
, rd Lo heav’nly our to praises Sing Sing praises to our heav’nly Lord, , rd Lo heav’nly our to praises Sing
accord one with all us let Then Then let us all with one accord accord one with all us let Then
Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
went: it wherever star the follow to And And to follow the star wherever it went: went: it wherever star the follow to And
intent, their was king a for seek To To seek for a king was their intent, intent, their was king a for seek To
far; country from came men wise Three Three wise men came from country far; far; country from came men wise Three
star, same at th of light the by And And by the light of that same star, star, same at th of light the by And
Israel! of King the is Born Born is the King of Israel! Israel! of King the is Born
Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell, Nowell,
9 | | 9 9 | Page Page Page
John Rutter John John Rutter Rutter John . by arrangement the sing we evening This Rütti. Carl Carl Rütti. This evening we sing the arrangement by . . by arrangement the sing we evening This Rütti. Carl
inspired settings by Benjamin Britten, Luciano Berio and and Berio Luciano Britten, Benjamin by settings inspired as h melody haunting haunting melody has inspired settings by Benjamin Britten, Luciano Berio and and Berio Luciano Britten, Benjamin by settings inspired as h melody haunting
Jacob Niles in 1933 and was first performed in December that year. Its simple, simple, Its year. that December in performed first was and 1933 in Niles Jacob Jacob Niles in 1933 and was first performed in December that year. Its simple, simple, Its year. that December in performed first was and 1933 in Niles Jacob
The melody is based on a song fragment collected in North Carolina by John John by Carolina North in collected fragment song a on based is melody The The melody is based on a song fragment collected in North Carolina by John John by Carolina North in collected fragment song a on based is melody The
Rutter John by arranged arranged by John Rutter Rutter John by arranged
Appalachian carol carol Appalachian wander I as wonder I I wonder as I wander Appalachian carol carol Appalachian wander I as wonder I
. Choirs for Carols of volume third third volume of Carols for Choirs. . Choirs for Carols of volume third
John Rutter Rutter John John Rutter Rutter John made this arrangement for inclusion in the the in inclusion for arrangement this made later years Fifty 1928. 1928. Fifty years later made this arrangement for inclusion in the the in inclusion for arrangement this made later years Fifty 1928.
edited by Ralph Vaughan Williams in in Williams Vaughan Ralph by edited Carols, of Book Oxford the in published published in the Oxford Book of Carols, edited by Ralph Vaughan Williams in in Williams Vaughan Ralph by edited Carols, of Book Oxford the in published
ed in having his transcription transcription his having in ed ed succe and transcribed Flood This tune. century century tune. This Flood transcribed and succeeded in having his transcription transcription his having in ed ed succe and transcribed Flood This tune. century
18 an be to thought is what to set words the sing local a heard Cathedral, Cathedral, heard a local sing the words set to what is thought to be an 18 18 an be to thought is what to set words the sing local a heard Cathedral,
th th th
Isle. William Grattan Flood, organist and Director of Music at Enniscorthy Enniscorthy at Music of Director and organist Flood, Grattan William Isle. Isle. William Grattan Flood, organist and Director of Music at Enniscorthy Enniscorthy at Music of Director and organist Flood, Grattan William Isle.
century that its fame spread beyond the Emerald Emerald the beyond spread fame its that century 20 e th until however not was It It was not however until the 20 century that its fame spread beyond the Emerald Emerald the beyond spread fame its that century 20 e th until however not was It
th th th
carols. Christmas Christmas carols. carols. Christmas
12 the as back back as the 12 12 the as back century. It is therefore one of the oldest surviving European European surviving oldest the of one therefore is It century. century. It is therefore one of the oldest surviving European European surviving oldest the of one therefore is It century.
th th th
ast Ireland and date from at least as far far as least at from date and Ireland ast e outh s Wexford, County in Enniscorthy Enniscorthy in County Wexford, south east Ireland and date from at least as far far as least at from date and Ireland ast e outh s Wexford, County in Enniscorthy
in Gaelic) are thought to originate from from originate to thought are Gaelic) in órthaidh C Inis Carúl or Garman Loch Loch Garman or Carúl Inis Córthaidh in Gaelic) are thought to originate from from originate to thought are Gaelic) in órthaidh C Inis Carúl or Garman Loch
Carúl Carúl as (known carol this of words Irish original The name. the in is clue The The clue is in the name. The original Irish words of this carol (known as Carúl Carúl as (known carol this of words Irish original The name. the in is clue The
arranged by John Rutter John by arranged arranged by John Rutter Rutter John by arranged
Irish traditional carol carol traditional Irish Carol Wexford Wexford Carol Irish traditional carol carol traditional Irish Carol Wexford
carol. the of arrangement this this arrangement of the carol. carol. the of arrangement this
cocks ll Wi David Sir Sir David Willcocks cocks ll Wi David Sir made made that 1975 in was It 1863. in Wales of Prince then the the then Prince of Wales in 1863. It was in 1975 that made made that 1975 in was It 1863. in Wales of Prince then the
also wrote words for a chorale by Prince Albert which was sung at the wedding of wedding the at sung was which Albert Prince by chorale a for words wrote also also wrote words for a chorale by Prince Albert which was sung at the wedding of of wedding the at sung was which Albert Prince by chorale a for words wrote also
Welsh ‘Fa la la…’ refrain which may originate from medieval ballads. Oliphant Oliphant ballads. medieval from originate may which refrain la…’ la ‘Fa Welsh Welsh ‘Fa la la…’ refrain which may originate from medieval ballads. Oliphant Oliphant ballads. medieval from originate may which refrain la…’ la ‘Fa Welsh
, although he did retain the the retain did he although , rk wo original an but Welsh the of translation a not not a translation of the Welsh but an original work, although he did retain the the retain did he although , rk wo original an but Welsh the of translation a not
were lyrics Oliphant’s 1873). - (1799 Oliphant Thomas artist and lyricist musician, musician, lyricist and artist Thomas Oliphant (1799-1873). Oliphant’s lyrics were were lyrics Oliphant’s 1873). - (1799 Oliphant Thomas artist and lyricist musician,
works. The new English lyrics were however not written until 1862, by the Scottish Scottish the by 1862, until written not however were lyrics English new The works. works. The new English lyrics were however not written until 1862, by the Scottish Scottish the by 1862, until written not however were lyrics English new The works.
works. The new English lyrics were however not written until 1862, by the Scottish Scottish the by 1862, until written not however were lyrics English new The works. works. The new English lyrics were however not written until 1862, by the Scottish Scottish the by 1862, until written not however were lyrics English new The works. were lyrics Oliphant’s 1873). - (1799 Oliphant Thomas artist and lyricist musician, musician, lyricist and artist Thomas Oliphant (1799-1873). Oliphant’s lyrics were were lyrics Oliphant’s 1873). - (1799 Oliphant Thomas artist and lyricist musician, , although he did retain the the retain did he although , rk wo original an but Welsh the of translation a not not a translation of the Welsh but an original work, although he did retain the the retain did he although , rk wo original an but Welsh the of translation a not Welsh ‘Fa la la…’ refrain which may originate from medieval ballads. Oliphant Oliphant ballads. medieval from originate may which refrain la…’ la ‘Fa Welsh Welsh ‘Fa la la…’ refrain which may originate from medieval ballads. Oliphant Oliphant ballads. medieval from originate may which refrain la…’ la ‘Fa Welsh of wedding the at sung was which Albert Prince by chorale a for words wrote also also wrote words for a chorale by Prince Albert which was sung at the wedding of of wedding the at sung was which Albert Prince by chorale a for words wrote also made made cocks ll Wi David Sir that 1975 in was It 1863. in Wales of Prince then the the then Prince of Wales in 1863. It was in 1975 that Sir David Willcocks made made cocks ll Wi David Sir that 1975 in was It 1863. in Wales of Prince then the carol. the of arrangement this this arrangement of the carol. carol. the of arrangement this
Irish traditional carol carol traditional Irish Carol Wexford Wexford Carol Irish traditional carol carol traditional Irish Carol Wexford Rutter John by arranged arranged by John Rutter Rutter John by arranged
Carúl Carúl as (known carol this of words Irish original The name. the in is clue The The clue is in the name. The original Irish words of this carol (known as Carúl Carúl as (known carol this of words Irish original The name. the in is clue The in Gaelic) are thought to originate from from originate to thought are Gaelic) in órthaidh C Inis Carúl or Garman Loch Loch Garman or Carúl Inis Córthaidh in Gaelic) are thought to originate from from originate to thought are Gaelic) in órthaidh C Inis Carúl or Garman Loch ast Ireland and date from at least as far far as least at from date and Ireland ast e outh s Wexford, County in Enniscorthy Enniscorthy in County Wexford, south east Ireland and date from at least as far far as least at from date and Ireland ast e outh s Wexford, County in Enniscorthy century. It is therefore one of the oldest surviving European European surviving oldest the of one therefore is It century. th 12 the as back back as the 12th century. It is therefore one of the oldest surviving European European surviving oldest the of one therefore is It century. th 12 the as back carols. Christmas Christmas carols. carols. Christmas century that its fame spread beyond the Emerald Emerald the beyond spread fame its that century th 20 e th until however not was It It was not however until the 20th century that its fame spread beyond the Emerald Emerald the beyond spread fame its that century th 20 e th until however not was It Isle. William Grattan Flood, organist and Director of Music at Enniscorthy Enniscorthy at Music of Director and organist Flood, Grattan William Isle. Isle. William Grattan Flood, organist and Director of Music at Enniscorthy Enniscorthy at Music of Director and organist Flood, Grattan William Isle. th 18 an be to thought is what to set words the sing local a heard Cathedral, Cathedral, heard a local sing the words set to what is thought to be an 18th th 18 an be to thought is what to set words the sing local a heard Cathedral, ed in having his transcription transcription his having in ed ed succe and transcribed Flood This tune. century century tune. This Flood transcribed and succeeded in having his transcription transcription his having in ed ed succe and transcribed Flood This tune. century edited by Ralph Vaughan Williams in in Williams Vaughan Ralph by edited Carols, of Book Oxford the in published published in the Oxford Book of Carols, edited by Ralph Vaughan Williams in in Williams Vaughan Ralph by edited Carols, of Book Oxford the in published made this arrangement for inclusion in the the in inclusion for arrangement this made Rutter John later years Fifty 1928. 1928. Fifty years later John Rutter made this arrangement for inclusion in the the in inclusion for arrangement this made Rutter John later years Fifty 1928. . Choirs for Carols of volume third third volume of Carols for Choirs. . Choirs for Carols of volume third
Appalachian carol carol Appalachian wander I as wonder I I wonder as I wander Appalachian carol carol Appalachian wander I as wonder I Rutter John by arranged arranged by John Rutter Rutter John by arranged
The melody is based on a song fragment collected in North Carolina by John John by Carolina North in collected fragment song a on based is melody The The melody is based on a song fragment collected in North Carolina by John John by Carolina North in collected fragment song a on based is melody The Jacob Niles in 1933 and was first performed in December that year. Its simple, simple, Its year. that December in performed first was and 1933 in Niles Jacob Jacob Niles in 1933 and was first performed in December that year. Its simple, simple, Its year. that December in performed first was and 1933 in Niles Jacob inspired settings by Benjamin Britten, Luciano Berio and and Berio Luciano Britten, Benjamin by settings inspired as h melody haunting haunting melody has inspired settings by Benjamin Britten, Luciano Berio and and Berio Luciano Britten, Benjamin by settings inspired as h melody haunting . Rutter John by arrangement the sing we evening This Rütti. Carl Carl Rütti. This evening we sing the arrangement by John Rutter. . Rutter John by arrangement the sing we evening This Rütti. Carl
9 | Page Page| 9 9 | Page
9 | | 9 9 | Page Page Page
John Rutter John John Rutter Rutter John . by arrangement the sing we evening This Rütti. Carl Carl Rütti. This evening we sing the arrangement by . . by arrangement the sing we evening This Rütti. Carl
inspired settings by Benjamin Britten, Luciano Berio and and Berio Luciano Britten, Benjamin by settings inspired as h melody haunting haunting melody has inspired settings by Benjamin Britten, Luciano Berio and and Berio Luciano Britten, Benjamin by settings inspired as h melody haunting
Jacob Niles in 1933 and was first performed in December that year. Its simple, simple, Its year. that December in performed first was and 1933 in Niles Jacob Jacob Niles in 1933 and was first performed in December that year. Its simple, simple, Its year. that December in performed first was and 1933 in Niles Jacob
The melody is based on a song fragment collected in North Carolina by John John by Carolina North in collected fragment song a on based is melody The The melody is based on a song fragment collected in North Carolina by John John by Carolina North in collected fragment song a on based is melody The
Rutter John by arranged arranged by John Rutter Rutter John by arranged
Appalachian carol carol Appalachian wander I as wonder I I wonder as I wander Appalachian carol carol Appalachian wander I as wonder I
. Choirs for Carols of volume third third volume of Carols for Choirs. . Choirs for Carols of volume third
John Rutter Rutter John John Rutter Rutter John made this arrangement for inclusion in the the in inclusion for arrangement this made later years Fifty 1928. 1928. Fifty years later made this arrangement for inclusion in the the in inclusion for arrangement this made later years Fifty 1928.
edited by Ralph Vaughan Williams in in Williams Vaughan Ralph by edited Carols, of Book Oxford the in published published in the Oxford Book of Carols, edited by Ralph Vaughan Williams in in Williams Vaughan Ralph by edited Carols, of Book Oxford the in published
ed in having his transcription transcription his having in ed ed succe and transcribed Flood This tune. century century tune. This Flood transcribed and succeeded in having his transcription transcription his having in ed ed succe and transcribed Flood This tune. century
18 an be to thought is what to set words the sing local a heard Cathedral, Cathedral, heard a local sing the words set to what is thought to be an 18 18 an be to thought is what to set words the sing local a heard Cathedral,
th th th
Isle. William Grattan Flood, organist and Director of Music at Enniscorthy Enniscorthy at Music of Director and organist Flood, Grattan William Isle. Isle. William Grattan Flood, organist and Director of Music at Enniscorthy Enniscorthy at Music of Director and organist Flood, Grattan William Isle.
century that its fame spread beyond the Emerald Emerald the beyond spread fame its that century 20 e th until however not was It It was not however until the 20 century that its fame spread beyond the Emerald Emerald the beyond spread fame its that century 20 e th until however not was It
th th th
carols. Christmas Christmas carols. carols. Christmas
12 the as back back as the 12 12 the as back century. It is therefore one of the oldest surviving European European surviving oldest the of one therefore is It century. century. It is therefore one of the oldest surviving European European surviving oldest the of one therefore is It century.
th th th
ast Ireland and date from at least as far far as least at from date and Ireland ast e outh s Wexford, County in Enniscorthy Enniscorthy in County Wexford, south east Ireland and date from at least as far far as least at from date and Ireland ast e outh s Wexford, County in Enniscorthy
in Gaelic) are thought to originate from from originate to thought are Gaelic) in órthaidh C Inis Carúl or Garman Loch Loch Garman or Carúl Inis Córthaidh in Gaelic) are thought to originate from from originate to thought are Gaelic) in órthaidh C Inis Carúl or Garman Loch
Carúl Carúl as (known carol this of words Irish original The name. the in is clue The The clue is in the name. The original Irish words of this carol (known as Carúl Carúl as (known carol this of words Irish original The name. the in is clue The
arranged by John Rutter John by arranged arranged by John Rutter Rutter John by arranged
Irish traditional carol carol traditional Irish Carol Wexford Wexford Carol Irish traditional carol carol traditional Irish Carol Wexford
carol. the of arrangement this this arrangement of the carol. carol. the of arrangement this
cocks ll Wi David Sir Sir David Willcocks cocks ll Wi David Sir made made that 1975 in was It 1863. in Wales of Prince then the the then Prince of Wales in 1863. It was in 1975 that made made that 1975 in was It 1863. in Wales of Prince then the
also wrote words for a chorale by Prince Albert which was sung at the wedding of wedding the at sung was which Albert Prince by chorale a for words wrote also also wrote words for a chorale by Prince Albert which was sung at the wedding of of wedding the at sung was which Albert Prince by chorale a for words wrote also
Welsh ‘Fa la la…’ refrain which may originate from medieval ballads. Oliphant Oliphant ballads. medieval from originate may which refrain la…’ la ‘Fa Welsh Welsh ‘Fa la la…’ refrain which may originate from medieval ballads. Oliphant Oliphant ballads. medieval from originate may which refrain la…’ la ‘Fa Welsh
, although he did retain the the retain did he although , rk wo original an but Welsh the of translation a not not a translation of the Welsh but an original work, although he did retain the the retain did he although , rk wo original an but Welsh the of translation a not
were lyrics Oliphant’s 1873). - (1799 Oliphant Thomas artist and lyricist musician, musician, lyricist and artist Thomas Oliphant (1799-1873). Oliphant’s lyrics were were lyrics Oliphant’s 1873). - (1799 Oliphant Thomas artist and lyricist musician,
works. The new English lyrics were however not written until 1862, by the Scottish Scottish the by 1862, until written not however were lyrics English new The works. works. The new English lyrics were however not written until 1862, by the Scottish Scottish the by 1862, until written not however were lyrics English new The works.
10 10 10 Page | | Page Page |
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, and comfort joy, and comfort of gs in tid O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of gs in tid O
find: to babe blessed This This blessed babe to find: find: to babe blessed This
straightway Bethlehem to went And And went to Bethlehem straightway straightway Bethlehem to went And
wind, and storm tempest, In In tempest, storm and wind, wind, and storm tempest, In
feeding - a flocks their left And And left their flocks a-feeding feeding - a flocks their left And
mind, in much Rejoiced Rejoiced much in mind, mind, in much Rejoiced
tidings those at shepherds The The shepherds at those tidings tidings those at shepherds The
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, and comfort joy, and comfort of dings ti O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of dings ti O
name: by God of Son The The Son of God by name: name: by God of Son The
born was Bethlehem in that How How that in Bethlehem was born born was Bethlehem in that How
same, the of tidings Brought Brought tidings of the same, same, the of tidings Brought
shepherds certain unto And And unto certain shepherds shepherds certain unto And
came, angel blessed A A blessed angel came, came, angel blessed A
Father heav’nly our God From From God our heav’nly Father Father heav’nly our God From
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, and comfort joy, and comfort of tidings O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of tidings O
astray: one g were we When When we were gone astray: astray: one g were we When
power Satan’s from all us save To To save us all from Satan’s power power Satan’s from all us save To
day, this upon born Was Was born upon this day, day, this upon born Was
Saviour our Christ Jesus For For Jesus Christ our Saviour Saviour our Christ Jesus For
, dismay you nothing Let Let nothing you dismay, , dismay you nothing Let
gentlemen, merry, you rest God God rest you merry, gentlemen, gentlemen, merry, you rest God
PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE
Willcocks David ir S by arranged arranged by Sir David Willcocks Willcocks David ir S by arranged
l l caro traditional glish En gentlemen merry, you rest God God rest you merry, gentlemen English traditional carol l caro traditional glish En gentlemen merry, you rest God
l l caro traditional glish En gentlemen merry, you rest God God rest you merry, gentlemen English traditional carol l caro traditional glish En gentlemen merry, you rest God Willcocks David ir S by arranged arranged by Sir David Willcocks Willcocks David ir S by arranged
SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE
gentlemen, merry, you rest God God rest you merry, gentlemen, gentlemen, merry, you rest God , dismay you nothing Let Let nothing you dismay, , dismay you nothing Let Saviour our Christ Jesus For For Jesus Christ our Saviour Saviour our Christ Jesus For day, this upon born Was Was born upon this day, day, this upon born Was power Satan’s from all us save To To save us all from Satan’s power power Satan’s from all us save To astray: one g were we When When we were gone astray: astray: one g were we When joy, and comfort joy, and comfort of tidings O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of tidings O joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
Father heav’nly our God From From God our heav’nly Father Father heav’nly our God From came, angel blessed A A blessed angel came, came, angel blessed A shepherds certain unto And And unto certain shepherds shepherds certain unto And same, the of tidings Brought Brought tidings of the same, same, the of tidings Brought born was Bethlehem in that How How that in Bethlehem was born born was Bethlehem in that How name: by God of Son The The Son of God by name: name: by God of Son The joy, and comfort joy, and comfort of dings ti O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of dings ti O joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
tidings those at shepherds The The shepherds at those tidings tidings those at shepherds The mind, in much Rejoiced Rejoiced much in mind, mind, in much Rejoiced feeding - a flocks their left And And left their flocks a-feeding feeding - a flocks their left And wind, and storm tempest, In In tempest, storm and wind, wind, and storm tempest, In straightway Bethlehem to went And And went to Bethlehem straightway straightway Bethlehem to went And find: to babe blessed This This blessed babe to find: find: to babe blessed This joy, and comfort joy, and comfort of gs in tid O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of gs in tid O joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
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10 10 10 Page | | Page Page |
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, and comfort joy, and comfort of gs in tid O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of gs in tid O
find: to babe blessed This This blessed babe to find: find: to babe blessed This
straightway Bethlehem to went And And went to Bethlehem straightway straightway Bethlehem to went And
wind, and storm tempest, In In tempest, storm and wind, wind, and storm tempest, In
feeding - a flocks their left And And left their flocks a-feeding feeding - a flocks their left And
mind, in much Rejoiced Rejoiced much in mind, mind, in much Rejoiced
tidings those at shepherds The The shepherds at those tidings tidings those at shepherds The
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, and comfort joy, and comfort of dings ti O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of dings ti O
name: by God of Son The The Son of God by name: name: by God of Son The
born was Bethlehem in that How How that in Bethlehem was born born was Bethlehem in that How
same, the of tidings Brought Brought tidings of the same, same, the of tidings Brought
shepherds certain unto And And unto certain shepherds shepherds certain unto And
came, angel blessed A A blessed angel came, came, angel blessed A
Father heav’nly our God From From God our heav’nly Father Father heav’nly our God From
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, and comfort joy, and comfort of tidings O O tidings of comfort and joy, comfort and joy, joy, and comfort joy, and comfort of tidings O
astray: one g were we When When we were gone astray: astray: one g were we When
power Satan’s from all us save To To save us all from Satan’s power power Satan’s from all us save To
day, this upon born Was Was born upon this day, day, this upon born Was
Saviour our Christ Jesus For For Jesus Christ our Saviour Saviour our Christ Jesus For
, dismay you nothing Let Let nothing you dismay, , dismay you nothing Let
gentlemen, merry, you rest God God rest you merry, gentlemen, gentlemen, merry, you rest God
PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND PLEASE
Willcocks David ir S by arranged arranged by Sir David Willcocks Willcocks David ir S by arranged
l l caro traditional glish En gentlemen merry, you rest God God rest you merry, gentlemen English traditional carol l caro traditional glish En gentlemen merry, you rest God
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pie! mince a a mince pie! pie! mince a
ss of wine; 50p for a soft drink; all with with all drink; soft a for 50p wine; of ss la g a for £3 contribution: Suggested Suggested contribution: £3 for a glass of wine; 50p for a soft drink; all with with all drink; soft a for 50p wine; of ss la g a for £3 contribution: Suggested
refreshments seasonal for us join Please Please join us for seasonal refreshments refreshments seasonal for us join Please
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David Willcocks David Sir Sir David Willcocks Willcocks David Sir 1961. in published first , by arrangement day - modern more more modern-day arrangement by , first published in 1961. 1961. in published first , by arrangement day - modern more
season. Tonight we sing a a sing we Tonight season. Christmas the over work to bonus a granted were were granted a bonus to work over the Christmas season. Tonight we sing a a sing we Tonight season. Christmas the over work to bonus a granted were
hmen who who hmen tc wa night by gentry the to sung was carol the days earlier in that say say that in earlier days the carol was sung to the gentry by night watchmen who who hmen tc wa night by gentry the to sung was carol the days earlier in that say
Some Carol. Christmas old The entitled version a in music and words combined combined words and music in a version entitled The old Christmas Carol. Some Some Carol. Christmas old The entitled version a in music and words combined
James Nares James James Nares Nares James 1783) 1783) - (1715 composer English the that then was It century. century. It was then that the English composer (1715-1783) 1783) - (1715 composer English the that then was It century.
18 - mid the as early as least at y od mel the with associated were words the the words were associated with the melody at least as early as the mid-18 18 - mid the as early as least at y od mel the with associated were words the
th th th
edition found so far is in a broadsheet dated around 1790. But various versions of of versions various But 1790. around dated broadsheet a in is far so found edition edition found so far is in a broadsheet dated around 1790. But various versions of of versions various But 1790. around dated broadsheet a in is far so found edition
‘prosperous’ or ‘joyful’. As for the lyrics as we now sing them, the first published published first the them, sing now we as lyrics the for As ‘joyful’. or ‘prosperous’ ‘prosperous’ or ‘joyful’. As for the lyrics as we now sing them, the first published published first the them, sing now we as lyrics the for As ‘joyful’. or ‘prosperous’
from that same period. And ‘merry’ here means means here ‘merry’ And period. same that from ng dati usage a – ‘keep’ means means ‘keep’ – a usage dating from that same period. And ‘merry’ here means means here ‘merry’ And period. same that from ng dati usage a – ‘keep’ means
century or earlier. The word ‘rest’ in the title title the in ‘rest’ word The earlier. or century 16 the from dates probably – type type – probably dates from the 16 century or earlier. The word ‘rest’ in the title title the in ‘rest’ word The earlier. or century 16 the from dates probably – type
th th th
thought by some to be the oldest extant song of its its of song extant oldest the be to some by thought – carol traditional English This This English traditional carol – thought by some to be the oldest extant song of its its of song extant oldest the be to some by thought – carol traditional English This
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, joy, joy,
and joy, comfort and and comfort joy, and t comfor of tidings O O tidings of comfort and joy, comfort and and comfort joy, and t comfor of tidings O
pray: did Lord the nto U Unto the Lord did pray: pray: did Lord the nto U
kneeling, Mary mother His His mother Mary kneeling, kneeling, Mary mother His
hay; on feed oxen Where Where oxen feed on hay; hay; on feed oxen Where
manger, a in him found They They found him in a manger, manger, a in him found They
lay, infant this Whereat Whereat this infant lay, lay, infant this Whereat
came, they Bethlehem to when But But when to Bethlehem they came, came, they Bethlehem to when But
came, they Bethlehem to when But But when to Bethlehem they came, came, they Bethlehem to when But lay, infant this Whereat Whereat this infant lay, lay, infant this Whereat manger, a in him found They They found him in a manger, manger, a in him found They hay; on feed oxen Where Where oxen feed on hay; hay; on feed oxen Where kneeling, Mary mother His His mother Mary kneeling, kneeling, Mary mother His pray: did Lord the nto U Unto the Lord did pray: pray: did Lord the nto U and joy, comfort and and comfort joy, and t comfor of tidings O O tidings of comfort and joy, comfort and and comfort joy, and t comfor of tidings O joy, joy, joy, joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O thought by some to be the oldest extant song of its its of song extant oldest the be to some by thought – carol traditional English This This English traditional carol – thought by some to be the oldest extant song of its its of song extant oldest the be to some by thought – carol traditional English This century or earlier. The word ‘rest’ in the title title the in ‘rest’ word The earlier. or century th 16 the from dates probably – type type – probably dates from the 16th century or earlier. The word ‘rest’ in the title title the in ‘rest’ word The earlier. or century th 16 the from dates probably – type from that same period. And ‘merry’ here means means here ‘merry’ And period. same that from ng dati usage a – ‘keep’ means means ‘keep’ – a usage dating from that same period. And ‘merry’ here means means here ‘merry’ And period. same that from ng dati usage a – ‘keep’ means ‘prosperous’ or ‘joyful’. As for the lyrics as we now sing them, the first published published first the them, sing now we as lyrics the for As ‘joyful’. or ‘prosperous’ ‘prosperous’ or ‘joyful’. As for the lyrics as we now sing them, the first published published first the them, sing now we as lyrics the for As ‘joyful’. or ‘prosperous’ edition found so far is in a broadsheet dated around 1790. But various versions of of versions various But 1790. around dated broadsheet a in is far so found edition edition found so far is in a broadsheet dated around 1790. But various versions of of versions various But 1790. around dated broadsheet a in is far so found edition th 18 - mid the as early as least at y od mel the with associated were words the the words were associated with the melody at least as early as the mid-18th th 18 - mid the as early as least at y od mel the with associated were words the 1783) 1783) - (1715 Nares James composer English the that then was It century. century. It was then that the English composer James Nares (1715-1783) 1783) - (1715 Nares James composer English the that then was It century. Some Carol. Christmas old The entitled version a in music and words combined combined words and music in a version entitled The old Christmas Carol. Some Some Carol. Christmas old The entitled version a in music and words combined hmen who who hmen tc wa night by gentry the to sung was carol the days earlier in that say say that in earlier days the carol was sung to the gentry by night watchmen who who hmen tc wa night by gentry the to sung was carol the days earlier in that say season. Tonight we sing a a sing we Tonight season. Christmas the over work to bonus a granted were were granted a bonus to work over the Christmas season. Tonight we sing a a sing we Tonight season. Christmas the over work to bonus a granted were 1961. in published first , Willcocks David Sir by arrangement day - modern more more modern-day arrangement by Sir David Willcocks, first published in 1961. 1961. in published first , Willcocks David Sir by arrangement day - modern more
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refreshments seasonal for us join Please Please join us for seasonal refreshments refreshments seasonal for us join Please ss of wine; 50p for a soft drink; all with with all drink; soft a for 50p wine; of ss la g a for £3 contribution: Suggested Suggested contribution: £3 for a glass of wine; 50p for a soft drink; all with with all drink; soft a for 50p wine; of ss la g a for £3 contribution: Suggested pie! mince a a mince pie! pie! mince a
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pie! mince a a mince pie! pie! mince a
ss of wine; 50p for a soft drink; all with with all drink; soft a for 50p wine; of ss la g a for £3 contribution: Suggested Suggested contribution: £3 for a glass of wine; 50p for a soft drink; all with with all drink; soft a for 50p wine; of ss la g a for £3 contribution: Suggested
refreshments seasonal for us join Please Please join us for seasonal refreshments refreshments seasonal for us join Please
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David Willcocks David Sir Sir David Willcocks Willcocks David Sir 1961. in published first , by arrangement day - modern more more modern-day arrangement by , first published in 1961. 1961. in published first , by arrangement day - modern more
season. Tonight we sing a a sing we Tonight season. Christmas the over work to bonus a granted were were granted a bonus to work over the Christmas season. Tonight we sing a a sing we Tonight season. Christmas the over work to bonus a granted were
hmen who who hmen tc wa night by gentry the to sung was carol the days earlier in that say say that in earlier days the carol was sung to the gentry by night watchmen who who hmen tc wa night by gentry the to sung was carol the days earlier in that say
Some Carol. Christmas old The entitled version a in music and words combined combined words and music in a version entitled The old Christmas Carol. Some Some Carol. Christmas old The entitled version a in music and words combined
James Nares James James Nares Nares James 1783) 1783) - (1715 composer English the that then was It century. century. It was then that the English composer (1715-1783) 1783) - (1715 composer English the that then was It century.
18 - mid the as early as least at y od mel the with associated were words the the words were associated with the melody at least as early as the mid-18 18 - mid the as early as least at y od mel the with associated were words the
th th th
edition found so far is in a broadsheet dated around 1790. But various versions of of versions various But 1790. around dated broadsheet a in is far so found edition edition found so far is in a broadsheet dated around 1790. But various versions of of versions various But 1790. around dated broadsheet a in is far so found edition
‘prosperous’ or ‘joyful’. As for the lyrics as we now sing them, the first published published first the them, sing now we as lyrics the for As ‘joyful’. or ‘prosperous’ ‘prosperous’ or ‘joyful’. As for the lyrics as we now sing them, the first published published first the them, sing now we as lyrics the for As ‘joyful’. or ‘prosperous’
from that same period. And ‘merry’ here means means here ‘merry’ And period. same that from ng dati usage a – ‘keep’ means means ‘keep’ – a usage dating from that same period. And ‘merry’ here means means here ‘merry’ And period. same that from ng dati usage a – ‘keep’ means
century or earlier. The word ‘rest’ in the title title the in ‘rest’ word The earlier. or century 16 the from dates probably – type type – probably dates from the 16 century or earlier. The word ‘rest’ in the title title the in ‘rest’ word The earlier. or century 16 the from dates probably – type
th th th
thought by some to be the oldest extant song of its its of song extant oldest the be to some by thought – carol traditional English This This English traditional carol – thought by some to be the oldest extant song of its its of song extant oldest the be to some by thought – carol traditional English This
joy. and comfort of tidings O O tidings of comfort and joy. joy. and comfort of tidings O
joy, joy, joy,
and joy, comfort and and comfort joy, and t comfor of tidings O O tidings of comfort and joy, comfort and and comfort joy, and t comfor of tidings O
pray: did Lord the nto U Unto the Lord did pray: pray: did Lord the nto U
kneeling, Mary mother His His mother Mary kneeling, kneeling, Mary mother His
hay; on feed oxen Where Where oxen feed on hay; hay; on feed oxen Where
manger, a in him found They They found him in a manger, manger, a in him found They
lay, infant this Whereat Whereat this infant lay, lay, infant this Whereat
came, they Bethlehem to when But But when to Bethlehem they came, came, they Bethlehem to when But
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Harold Darke Darke Harold Harold Darke Darke Harold at sic Mu of Director as ed s deputi Darke . 1976) - (1888 composer composer (1888-1976). Darke deputised as Director of Music at at sic Mu of Director as ed s deputi Darke . 1976) - (1888 composer
music, followed in 1911 by the publication of this setting by the organist and and organist the by setting this of publication the by 1911 in followed music, music, followed in 1911 by the publication of this setting by the organist and and organist the by setting this of publication the by 1911 in followed music,
However, only two years later Gustav Holst set the words to to words the set Holst Gustav later years two only However, However, only two years later Gustav Holst set the words to to words the set Holst Gustav later years two only However,
death. death. death.
gst her works until ten years after her her after years ten until works her gst on am published not not published amongst her works until ten years after her her after years ten until works her gst on am published not
magazine's request for a Christmas poem. But they were were they But poem. Christmas a for request magazine's magazine's request for a Christmas poem. But they were were they But poem. Christmas a for request magazine's
wrote the words used in this carol in response to a a to response in carol this in used words the wrote wrote the words used in this carol in response to a a to response in carol this in used words the wrote
-Raphaelite painter Dante Gabriel Rossetti, Rossetti, Gabriel Dante painter -Raphaelite pre the of sister sister of the pre-Raphaelite painter Dante Gabriel Rossetti, Rossetti, Gabriel Dante painter -Raphaelite pre the of sister
1894), the English poet and and poet English the 1894), - (1830 Rossetti Christina 1872 1872 Christina Rossetti (1830-1894), the English poet and and poet English the 1894), - (1830 Rossetti Christina 1872
ory. Around Around ory. rt repe the in popular most the of one becoming becoming one of the most popular in the repertory. Around Around ory. rt repe the in popular most the of one becoming
This carol has gone through a slow gestation period before before period gestation slow a through gone has carol This This carol has gone through a slow gestation period before before period gestation slow a through gone has carol This
Darke Harold winter - mid bleak the In In the bleak mid-winter Harold Darke Darke Harold winter - mid bleak the In
. Soldiers Christian Onward hymn the of of the hymn Onward Christian Soldiers. . Soldiers Christian Onward hymn the of
1924), best known for the words words the for known best 1924), - (1834 Gould - Baring e Sabin priest Anglican the the Anglican priest Sabine Baring-Gould (1834-1924), best known for the words words the for known best 1924), - (1834 Gould - Baring e Sabin priest Anglican the
o the traditional verse melody. The English words are by by are words English The melody. verse traditional the o t refrain lullaby own his his own lullaby refrain to the traditional verse melody. The English words are by by are words English The melody. verse traditional the o t refrain lullaby own his
became one of the most popular of these in Pettman’s arrangement which added added which arrangement Pettman’s in these of popular most the of one became became one of the most popular of these in Pettman’s arrangement which added added which arrangement Pettman’s in these of popular most the of one became
I saw a maiden maiden a saw I yrenees. P the of south country Basque the of part the om fr from the part of the Basque country south of the Pyrenees. I saw a maiden maiden a saw I yrenees. P the of south country Basque the of part the om fr
– ‘noëls’ or – tunes Christmas traditional several Britain to brought 1943) - 6 (186 (1866-1943) brought to Britain several traditional Christmas tunes – or ‘noëls’ – – ‘noëls’ or – tunes Christmas traditional several Britain to brought 1943) - 6 (186
Edgar Pettman Pettman Edgar Edgar Pettman Pettman Edgar In the 1930s the English organist, conductor and composer composer and conductor organist, English the 1930s the In In the 1930s the English organist, conductor and composer composer and conductor organist, English the 1930s the In
Pettman Edgar by arranged arranged by Edgar Pettman Pettman Edgar by arranged
Old Basque noël Basque Old maiden a saw I I saw a maiden Old Basque noël noël Basque Old maiden a saw I
Mark Hayes Hayes Mark Mark Hayes Hayes Mark 1953). (born composer American the the American composer (born 1953). 1953). (born composer American the
by by is ement rrang a This 1994. in Carey Mariah by recorded recorded by Mariah Carey in 1994. This arrangement is by by is ement rrang a This 1994. in Carey Mariah by recorded
It is perhaps best known in a version version a in known best perhaps is It . spiritual American American spiritual. It is perhaps best known in a version version a in known best perhaps is It . spiritual American
listed in several collections as a traditional African African traditional a as collections several in listed listed in several collections as a traditional African African traditional a as collections several in listed
is is it although , unknown is song seasonal this of origin The The origin of this seasonal song is unknown, although it is is it although , unknown is song seasonal this of origin The
Hayes Mark by arranged arranged by Mark Hayes Hayes Mark by arranged Rebecca Vicary, soprano Vicary, Rebecca Rebecca Vicary, soprano soprano Vicary, Rebecca
Traditional spiritual Traditional child wonderful a what oh Jesus, Jesus, oh what a wonderful child Traditional spiritual spiritual Traditional child wonderful a what oh Jesus,
spiritual Traditional child wonderful a what oh Jesus, Jesus, oh what a wonderful child Traditional spiritual spiritual Traditional child wonderful a what oh Jesus, Hayes Mark by arranged soprano Vicary, Rebecca Rebecca Vicary, soprano arranged by Mark Hayes Hayes Mark by arranged soprano Vicary, Rebecca
is is it although , unknown is song seasonal this of origin The The origin of this seasonal song is unknown, although it is is it although , unknown is song seasonal this of origin The listed in several collections as a traditional African African traditional a as collections several in listed listed in several collections as a traditional African African traditional a as collections several in listed It is perhaps best known in a version version a in known best perhaps is It . spiritual American American spiritual. It is perhaps best known in a version version a in known best perhaps is It . spiritual American by by is ement rrang a This 1994. in Carey Mariah by recorded recorded by Mariah Carey in 1994. This arrangement is by by is ement rrang a This 1994. in Carey Mariah by recorded 1953). (born Hayes Mark composer American the the American composer Mark Hayes (born 1953). 1953). (born Hayes Mark composer American the
Old Basque noël Basque Old maiden a saw I I saw a maiden Old Basque noël noël Basque Old maiden a saw I Pettman Edgar by arranged arranged by Edgar Pettman Pettman Edgar by arranged
Edgar Pettman Pettman Edgar composer and conductor organist, English the 1930s the In In the 1930s the English organist, conductor and composer Edgar Pettman Pettman Edgar composer and conductor organist, English the 1930s the In – ‘noëls’ or – tunes Christmas traditional several Britain to brought 1943) - 6 (186 (1866-1943) brought to Britain several traditional Christmas tunes – or ‘noëls’ – – ‘noëls’ or – tunes Christmas traditional several Britain to brought 1943) - 6 (186 I saw a maiden maiden a saw I yrenees. P the of south country Basque the of part the om fr from the part of the Basque country south of the Pyrenees. I saw a maiden maiden a saw I yrenees. P the of south country Basque the of part the om fr became one of the most popular of these in Pettman’s arrangement which added added which arrangement Pettman’s in these of popular most the of one became became one of the most popular of these in Pettman’s arrangement which added added which arrangement Pettman’s in these of popular most the of one became o the traditional verse melody. The English words are by by are words English The melody. verse traditional the o t refrain lullaby own his his own lullaby refrain to the traditional verse melody. The English words are by by are words English The melody. verse traditional the o t refrain lullaby own his 1924), best known for the words words the for known best 1924), - (1834 Gould - Baring e Sabin priest Anglican the the Anglican priest Sabine Baring-Gould (1834-1924), best known for the words words the for known best 1924), - (1834 Gould - Baring e Sabin priest Anglican the . Soldiers Christian Onward hymn the of of the hymn Onward Christian Soldiers. . Soldiers Christian Onward hymn the of
Darke Harold winter - mid bleak the In In the bleak mid-winter Harold Darke Darke Harold winter - mid bleak the In
This carol has gone through a slow gestation period before before period gestation slow a through gone has carol This This carol has gone through a slow gestation period before before period gestation slow a through gone has carol This ory. Around Around ory. rt repe the in popular most the of one becoming becoming one of the most popular in the repertory. Around Around ory. rt repe the in popular most the of one becoming 1894), the English poet and and poet English the 1894), - (1830 Rossetti Christina 1872 1872 Christina Rossetti (1830-1894), the English poet and and poet English the 1894), - (1830 Rossetti Christina 1872 -Raphaelite painter Dante Gabriel Rossetti, Rossetti, Gabriel Dante painter -Raphaelite pre the of sister sister of the pre-Raphaelite painter Dante Gabriel Rossetti, Rossetti, Gabriel Dante painter -Raphaelite pre the of sister wrote the words used in this carol in response to a a to response in carol this in used words the wrote wrote the words used in this carol in response to a a to response in carol this in used words the wrote magazine's request for a Christmas poem. But they were were they But poem. Christmas a for request magazine's magazine's request for a Christmas poem. But they were were they But poem. Christmas a for request magazine's gst her works until ten years after her her after years ten until works her gst on am published not not published amongst her works until ten years after her her after years ten until works her gst on am published not death. death. death.
However, only two years later Gustav Holst set the words to to words the set Holst Gustav later years two only However, However, only two years later Gustav Holst set the words to to words the set Holst Gustav later years two only However, music, followed in 1911 by the publication of this setting by the organist and and organist the by setting this of publication the by 1911 in followed music, music, followed in 1911 by the publication of this setting by the organist and and organist the by setting this of publication the by 1911 in followed music, at sic Mu of Director as ed s deputi Darke . 1976) - (1888 Darke Harold composer composer Harold Darke (1888-1976). Darke deputised as Director of Music at at sic Mu of Director as ed s deputi Darke . 1976) - (1888 Darke Harold composer
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12 12 12 Page | | Page Page |
Harold Darke Darke Harold Harold Darke Darke Harold at sic Mu of Director as ed s deputi Darke . 1976) - (1888 composer composer (1888-1976). Darke deputised as Director of Music at at sic Mu of Director as ed s deputi Darke . 1976) - (1888 composer
music, followed in 1911 by the publication of this setting by the organist and and organist the by setting this of publication the by 1911 in followed music, music, followed in 1911 by the publication of this setting by the organist and and organist the by setting this of publication the by 1911 in followed music,
However, only two years later Gustav Holst set the words to to words the set Holst Gustav later years two only However, However, only two years later Gustav Holst set the words to to words the set Holst Gustav later years two only However,
death. death. death.
gst her works until ten years after her her after years ten until works her gst on am published not not published amongst her works until ten years after her her after years ten until works her gst on am published not
magazine's request for a Christmas poem. But they were were they But poem. Christmas a for request magazine's magazine's request for a Christmas poem. But they were were they But poem. Christmas a for request magazine's
wrote the words used in this carol in response to a a to response in carol this in used words the wrote wrote the words used in this carol in response to a a to response in carol this in used words the wrote
-Raphaelite painter Dante Gabriel Rossetti, Rossetti, Gabriel Dante painter -Raphaelite pre the of sister sister of the pre-Raphaelite painter Dante Gabriel Rossetti, Rossetti, Gabriel Dante painter -Raphaelite pre the of sister
1894), the English poet and and poet English the 1894), - (1830 Rossetti Christina 1872 1872 Christina Rossetti (1830-1894), the English poet and and poet English the 1894), - (1830 Rossetti Christina 1872
ory. Around Around ory. rt repe the in popular most the of one becoming becoming one of the most popular in the repertory. Around Around ory. rt repe the in popular most the of one becoming
This carol has gone through a slow gestation period before before period gestation slow a through gone has carol This This carol has gone through a slow gestation period before before period gestation slow a through gone has carol This
Darke Harold winter - mid bleak the In In the bleak mid-winter Harold Darke Darke Harold winter - mid bleak the In
. Soldiers Christian Onward hymn the of of the hymn Onward Christian Soldiers. . Soldiers Christian Onward hymn the of
1924), best known for the words words the for known best 1924), - (1834 Gould - Baring e Sabin priest Anglican the the Anglican priest Sabine Baring-Gould (1834-1924), best known for the words words the for known best 1924), - (1834 Gould - Baring e Sabin priest Anglican the
o the traditional verse melody. The English words are by by are words English The melody. verse traditional the o t refrain lullaby own his his own lullaby refrain to the traditional verse melody. The English words are by by are words English The melody. verse traditional the o t refrain lullaby own his
became one of the most popular of these in Pettman’s arrangement which added added which arrangement Pettman’s in these of popular most the of one became became one of the most popular of these in Pettman’s arrangement which added added which arrangement Pettman’s in these of popular most the of one became
I saw a maiden maiden a saw I yrenees. P the of south country Basque the of part the om fr from the part of the Basque country south of the Pyrenees. I saw a maiden maiden a saw I yrenees. P the of south country Basque the of part the om fr
– ‘noëls’ or – tunes Christmas traditional several Britain to brought 1943) - 6 (186 (1866-1943) brought to Britain several traditional Christmas tunes – or ‘noëls’ – – ‘noëls’ or – tunes Christmas traditional several Britain to brought 1943) - 6 (186
Edgar Pettman Pettman Edgar Edgar Pettman Pettman Edgar In the 1930s the English organist, conductor and composer composer and conductor organist, English the 1930s the In In the 1930s the English organist, conductor and composer composer and conductor organist, English the 1930s the In
Pettman Edgar by arranged arranged by Edgar Pettman Pettman Edgar by arranged
Old Basque noël Basque Old maiden a saw I I saw a maiden Old Basque noël noël Basque Old maiden a saw I
Mark Hayes Hayes Mark Mark Hayes Hayes Mark 1953). (born composer American the the American composer (born 1953). 1953). (born composer American the
by by is ement rrang a This 1994. in Carey Mariah by recorded recorded by Mariah Carey in 1994. This arrangement is by by is ement rrang a This 1994. in Carey Mariah by recorded
It is perhaps best known in a version version a in known best perhaps is It . spiritual American American spiritual. It is perhaps best known in a version version a in known best perhaps is It . spiritual American
listed in several collections as a traditional African African traditional a as collections several in listed listed in several collections as a traditional African African traditional a as collections several in listed
is is it although , unknown is song seasonal this of origin The The origin of this seasonal song is unknown, although it is is it although , unknown is song seasonal this of origin The
Hayes Mark by arranged arranged by Mark Hayes Hayes Mark by arranged Rebecca Vicary, soprano Vicary, Rebecca Rebecca Vicary, soprano soprano Vicary, Rebecca
Traditional spiritual Traditional child wonderful a what oh Jesus, Jesus, oh what a wonderful child Traditional spiritual spiritual Traditional child wonderful a what oh Jesus,
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Lord! the Christ Lord! the Christ Christ the Lord! Christ the Lord! Lord! the Christ Lord! the Christ
him, adore us let come, O him, re ado us let come, O O come, let us adore him, O come, let us adore him, him, adore us let come, O him, re ado us let come, O
him, adore us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, him, adore us let come, O him, adore us let come, O
him, adore us let come O him, adore us let come O O come let us adore him, O come let us adore him, him, adore us let come O him, adore us let come O
created: not begotten, Angels; of King the born born the King of Angels; begotten, not created: created: not begotten, Angels; of King the born
God, Very him behold and Come Come and behold him Very God, God, Very him behold and Come
omb; w Bethlehem; to ye come O O come ye to Bethlehem; womb; omb; w Bethlehem; to ye come O
Lo! He abhors not the Virgin’s Virgin’s the not abhors He Lo! ye, come O O come ye, Lo! He abhors not the Virgin’s Virgin’s the not abhors He Lo! ye, come O
ight, L of Light triumphant, and joyful joyful and triumphant, Light of Light, ight, L of Light triumphant, and joyful
God, of God 2. faithful, ye all come, O 1. 1. O come, all ye faithful, 2. God of God, God, of God 2. faithful, ye all come, O 1.
EASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF STAND EASE PL PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND EASE PL
Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
Wade John faithful ye all come, O O come, all ye faithful John Wade Wade John faithful ye all come, O
John Rutter John John Rutter Rutter John . by arranged been here here been arranged by . . by arranged been here
. The tune has has tune The . Messiah oratorio Handel's from sections to to sections from Handel's oratorio Messiah. The tune has has tune The . Messiah oratorio Handel's from sections to
a number of striking similarities within the tune tune the within similarities striking of number a e ar there there are a number of striking similarities within the tune tune the within similarities striking of number a e ar there
that the tune is not an original composition by Mason: Mason: by composition original an not is tune the that that the tune is not an original composition by Mason: Mason: by composition original an not is tune the that
1748). There is a possibility possibility a is There 1748). - (1674 Watts Isaac preacher preacher Isaac Watts (1674-1748). There is a possibility possibility a is There 1748). - (1674 Watts Isaac preacher
-conformist English English -conformist on n the by in1719 written been been written in1719 by the non-conformist English English -conformist on n the by in1719 written been
Mason Mason Mason Mason 1872). The words, based on Psalm 98, had had 98, Psalm on based words, The 1872). - (1792 (1792-1872). The words, based on Psalm 98, had had 98, Psalm on based words, The 1872). - (1792
Lowell Lowell Lowell Lowell merican musical pioneer pioneer musical merican A the by tunes hymn hymn tunes by the American musical pioneer pioneer musical merican A the by tunes hymn
600 600 , 1 than more the of known best the perhaps is This This is perhaps the best known of the more than 1,600 600 , 1 than more the of known best the perhaps is This
Rutter John by arranged arranged by John Rutter Rutter John by arranged
Mason Lowell world! the to Joy Joy to the world! Lowell Mason Mason Lowell world! the to Joy
Willcocks. David of direction the under Carols and Lessons Nine of Festival Festival of Nine Lessons and Carols under the direction of David Willcocks. Willcocks. David of direction the under Carols and Lessons Nine of Festival
ts i of broadcasts radio choir's the in inclusion regular its with popularity its of of its popularity with its regular inclusion in the choir's radio broadcasts of its ts i of broadcasts radio choir's the in inclusion regular its with popularity its of
the college choir. But it was not until the 1960s that the carol reached the height height the reached carol the that 1960s the until not was it But choir. college the the college choir. But it was not until the 1960s that the carol reached the height height the reached carol the that 1960s the until not was it But choir. college the
King's College, Cambridge during World War II and then introduced the piece to to piece the introduced then and II War World during Cambridge College, King's King's College, Cambridge during World War II and then introduced the piece to to piece the introduced then and II War World during Cambridge College, King's
King's College, Cambridge during World War II and then introduced the piece to to piece the introduced then and II War World during Cambridge College, King's King's College, Cambridge during World War II and then introduced the piece to to piece the introduced then and II War World during Cambridge College, King's the college choir. But it was not until the 1960s that the carol reached the height height the reached carol the that 1960s the until not was it But choir. college the the college choir. But it was not until the 1960s that the carol reached the height height the reached carol the that 1960s the until not was it But choir. college the ts i of broadcasts radio choir's the in inclusion regular its with popularity its of of its popularity with its regular inclusion in the choir's radio broadcasts of its ts i of broadcasts radio choir's the in inclusion regular its with popularity its of Willcocks. David of direction the under Carols and Lessons Nine of Festival Festival of Nine Lessons and Carols under the direction of David Willcocks. Willcocks. David of direction the under Carols and Lessons Nine of Festival
Mason Lowell world! the to Joy Joy to the world! Lowell Mason Mason Lowell world! the to Joy Rutter John by arranged arranged by John Rutter Rutter John by arranged
600 600 , 1 than more the of known best the perhaps is This This is perhaps the best known of the more than 1,600 600 , 1 than more the of known best the perhaps is This Lowell Lowell pioneer musical merican A the by tunes hymn hymn tunes by the American musical pioneer Lowell Lowell pioneer musical merican A the by tunes hymn 1872). The words, based on Psalm 98, had had 98, Psalm on based words, The 1872). - (1792 Mason Mason (1792-1872). The words, based on Psalm 98, had had 98, Psalm on based words, The 1872). - (1792 Mason -conformist English English -conformist on n the by in1719 written been been written in1719 by the non-conformist English English -conformist on n the by in1719 written been 1748). There is a possibility possibility a is There 1748). - (1674 Watts Isaac preacher preacher Isaac Watts (1674-1748). There is a possibility possibility a is There 1748). - (1674 Watts Isaac preacher that the tune is not an original composition by Mason: Mason: by composition original an not is tune the that that the tune is not an original composition by Mason: Mason: by composition original an not is tune the that a number of striking similarities within the tune tune the within similarities striking of number a e ar there there are a number of striking similarities within the tune tune the within similarities striking of number a e ar there . The tune has has tune The . Messiah oratorio Handel's from sections to to sections from Handel's oratorio Messiah. The tune has has tune The . Messiah oratorio Handel's from sections to . Rutter John by arranged been here here been arranged by John Rutter. . Rutter John by arranged been here
Wade John faithful ye all come, O O come, all ye faithful John Wade Wade John faithful ye all come, O Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
SINGING: IN US JOIN AND TO ABLE YOU IF STAND EASE PL PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND EASE PL
God, of God 2. faithful, ye all come, O 1. 1. O come, all ye faithful, 2. God of God, God, of God 2. faithful, ye all come, O 1. ight, L of Light triumphant, and joyful joyful and triumphant, Light of Light, ight, L of Light triumphant, and joyful Lo! He abhors not the Virgin’s Virgin’s the not abhors He Lo! ye, come O O come ye, Lo! He abhors not the Virgin’s Virgin’s the not abhors He Lo! ye, come O omb; w Bethlehem; to ye come O O come ye to Bethlehem; womb; omb; w Bethlehem; to ye come O God, Very him behold and Come Come and behold him Very God, God, Very him behold and Come created: not begotten, Angels; of King the born born the King of Angels; begotten, not created: created: not begotten, Angels; of King the born him, adore us let come O him, adore us let come O O come let us adore him, O come let us adore him, him, adore us let come O him, adore us let come O him, adore us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, him, adore us let come, O him, adore us let come, O him, adore us let come, O him, re ado us let come, O O come, let us adore him, O come, let us adore him, him, adore us let come, O him, re ado us let come, O Lord! the Christ Lord! the Christ Christ the Lord! Christ the Lord! Lord! the Christ Lord! the Christ
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13 | | 13 13 | Page Page Page
Lord! the Christ Lord! the Christ Christ the Lord! Christ the Lord! Lord! the Christ Lord! the Christ
him, adore us let come, O him, re ado us let come, O O come, let us adore him, O come, let us adore him, him, adore us let come, O him, re ado us let come, O
him, adore us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, him, adore us let come, O him, adore us let come, O
him, adore us let come O him, adore us let come O O come let us adore him, O come let us adore him, him, adore us let come O him, adore us let come O
created: not begotten, Angels; of King the born born the King of Angels; begotten, not created: created: not begotten, Angels; of King the born
God, Very him behold and Come Come and behold him Very God, God, Very him behold and Come
omb; w Bethlehem; to ye come O O come ye to Bethlehem; womb; omb; w Bethlehem; to ye come O
Lo! He abhors not the Virgin’s Virgin’s the not abhors He Lo! ye, come O O come ye, Lo! He abhors not the Virgin’s Virgin’s the not abhors He Lo! ye, come O
ight, L of Light triumphant, and joyful joyful and triumphant, Light of Light, ight, L of Light triumphant, and joyful
God, of God 2. faithful, ye all come, O 1. 1. O come, all ye faithful, 2. God of God, God, of God 2. faithful, ye all come, O 1.
EASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: IN US JOIN AND TO ABLE YOU IF STAND EASE PL PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: SINGING: IN US JOIN AND TO ABLE YOU IF STAND EASE PL
Willcocks David Sir by arranged arranged by Sir David Willcocks Willcocks David Sir by arranged
Wade John faithful ye all come, O O come, all ye faithful John Wade Wade John faithful ye all come, O
John Rutter John John Rutter Rutter John . by arranged been here here been arranged by . . by arranged been here
. The tune has has tune The . Messiah oratorio Handel's from sections to to sections from Handel's oratorio Messiah. The tune has has tune The . Messiah oratorio Handel's from sections to
a number of striking similarities within the tune tune the within similarities striking of number a e ar there there are a number of striking similarities within the tune tune the within similarities striking of number a e ar there
that the tune is not an original composition by Mason: Mason: by composition original an not is tune the that that the tune is not an original composition by Mason: Mason: by composition original an not is tune the that
1748). There is a possibility possibility a is There 1748). - (1674 Watts Isaac preacher preacher Isaac Watts (1674-1748). There is a possibility possibility a is There 1748). - (1674 Watts Isaac preacher
-conformist English English -conformist on n the by in1719 written been been written in1719 by the non-conformist English English -conformist on n the by in1719 written been
Mason Mason Mason Mason 1872). The words, based on Psalm 98, had had 98, Psalm on based words, The 1872). - (1792 (1792-1872). The words, based on Psalm 98, had had 98, Psalm on based words, The 1872). - (1792
Lowell Lowell Lowell Lowell merican musical pioneer pioneer musical merican A the by tunes hymn hymn tunes by the American musical pioneer pioneer musical merican A the by tunes hymn
600 600 , 1 than more the of known best the perhaps is This This is perhaps the best known of the more than 1,600 600 , 1 than more the of known best the perhaps is This
Rutter John by arranged arranged by John Rutter Rutter John by arranged
Mason Lowell world! the to Joy Joy to the world! Lowell Mason Mason Lowell world! the to Joy
Willcocks. David of direction the under Carols and Lessons Nine of Festival Festival of Nine Lessons and Carols under the direction of David Willcocks. Willcocks. David of direction the under Carols and Lessons Nine of Festival
ts i of broadcasts radio choir's the in inclusion regular its with popularity its of of its popularity with its regular inclusion in the choir's radio broadcasts of its ts i of broadcasts radio choir's the in inclusion regular its with popularity its of
the college choir. But it was not until the 1960s that the carol reached the height height the reached carol the that 1960s the until not was it But choir. college the the college choir. But it was not until the 1960s that the carol reached the height height the reached carol the that 1960s the until not was it But choir. college the
King's College, Cambridge during World War II and then introduced the piece to to piece the introduced then and II War World during Cambridge College, King's King's College, Cambridge during World War II and then introduced the piece to to piece the introduced then and II War World during Cambridge College, King's
14 14 14 Page | | Page Page |
tried I way my In In my way I tried tried I way my In
that say only can I end the in And And in the end I can only say that that say only can I end the in And
change might things listen, might People People might listen, things might change change might things listen, might People
crime a not is race human the save to Trying Trying to save the human race is not a crime crime a not is race human the save to Trying
guilty not am I that me tells Mine Mine tells me that I am not guilty guilty not am I that me tells Mine
cience ns co one’s obey to is law ultimate the And And the ultimate law is to obey one’s conscience cience ns co one’s obey to is law ultimate the And
protest one’s make to free is individual the democracy a In In a democracy the individual is free to make one’s protest protest one’s make to free is individual the democracy a In
Words by Miriam McLeod Miriam by Words Words by Miriam McLeod McLeod Miriam by Words First performance First First performance performance First
Whitley Kate by Music Way My In In My Way Music by Kate Whitley Whitley Kate by Music Way My In
Catholicism. Catholicism. Catholicism.
o converted to Roman Roman to converted o wh priest Anglican an 1880), 1880), an Anglican priest who converted to Roman Roman to converted o wh priest Anglican an 1880),
- (1802 Oakeley Frederick by Latin the from translated translated from the Latin by Frederick Oakeley (1802- - (1802 Oakeley Frederick by Latin the from translated
Christmas carol. The verses we sing tonight were were tonight sing we verses The carol. Christmas Christmas carol. The verses we sing tonight were were tonight sing we verses The carol. Christmas
there. But his hymn lived on in his native land as a a as land native his in on lived hymn his But there. there. But his hymn lived on in his native land as a a as land native his in on lived hymn his But there.
ended his days in exile exile in days his ended and France to fled Wade 1745, 1745, Wade fled to France and ended his days in exile exile in days his ended and France to fled Wade 1745,
obite rebellion in in rebellion obite ac J Charlie’s Prince Bonnie of failure the the failure of Bonnie Prince Charlie’s Jacobite rebellion in in rebellion obite ac J Charlie’s Prince Bonnie of failure the
, , Wade Wade , , Wade . After After . Fideles Adeste title the under 1786) - (c1711 (c1711-1786) under the title Adeste Fideles. After After . Fideles Adeste title the under 1786) - (c1711
John John John John written by the English Roman Catholic hymn writer writer hymn Catholic Roman English the by written written by the English Roman Catholic hymn writer writer hymn Catholic Roman English the by written
that the tune and words were were words and tune the that doubt no in be to appears appears to be in no doubt that the tune and words were were words and tune the that doubt no in be to appears
ry Portuguese king! Our book of carols however however carols of book Our king! Portuguese ry tu cen century Portuguese king! Our book of carols however however carols of book Our king! Portuguese ry tu cen
The authorship of this carol is unclear, even having been attributed to a 17 a to attributed been having even unclear, is carol this of authorship The The authorship of this carol is unclear, even having been attributed to a 17 17 a to attributed been having even unclear, is carol this of authorship The
th th th
Lord! the Christ Lord! the Christ Christ the Lord! Christ the Lord! Lord! the Christ Lord! the Christ
, , him adore us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, , him adore us let come, O him, adore us let come, O
him, dore a us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, him, dore a us let come, O him, adore us let come, O
him, adore us let come O him, adore us let come O O come let us adore him, O come let us adore him, him, adore us let come O him, adore us let come O
highest the in footsteps: joyful joyful footsteps: in the highest highest the in footsteps: joyful
God to Glory our bend thither will too We We too will thither bend our Glory to God God to Glory our bend thither will too We
above; fear; lowly with nigh nigh with lowly fear; above; above; fear; lowly with nigh
Sing, all ye citizens of heav’n heav’n of citizens ye all Sing, draw flocks, their Leaving Leaving their flocks, draw Sing, all ye citizens of heav’n heav’n of citizens ye all Sing, draw flocks, their Leaving
tion, ta exul in sing cradle, his to mmoned su summoned to his cradle, sing in exultation, tion, ta exul in sing cradle, his to mmoned su
4. Sing, choirs of angels, angels, of choirs Sing, 4. shepherds, the how See 3. 3. See how the shepherds, 4. Sing, choirs of angels, angels, of choirs Sing, 4. shepherds, the how See 3.
4. Sing, choirs of angels, angels, of choirs Sing, 4. shepherds, the how See 3. 3. See how the shepherds, 4. Sing, choirs of angels, angels, of choirs Sing, 4. shepherds, the how See 3. tion, ta exul in sing cradle, his to mmoned su summoned to his cradle, sing in exultation, tion, ta exul in sing cradle, his to mmoned su Sing, all ye citizens of heav’n heav’n of citizens ye all Sing, draw flocks, their Leaving Leaving their flocks, draw Sing, all ye citizens of heav’n heav’n of citizens ye all Sing, draw flocks, their Leaving above; fear; lowly with nigh nigh with lowly fear; above; above; fear; lowly with nigh God to Glory our bend thither will too We We too will thither bend our Glory to God God to Glory our bend thither will too We highest the in footsteps: joyful joyful footsteps: in the highest highest the in footsteps: joyful him, adore us let come O him, adore us let come O O come let us adore him, O come let us adore him, him, adore us let come O him, adore us let come O him, dore a us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, him, dore a us let come, O him, adore us let come, O , , him adore us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, , him adore us let come, O him, adore us let come, O Lord! the Christ Lord! the Christ Christ the Lord! Christ the Lord! Lord! the Christ Lord! the Christ
th 17 a to attributed been having even unclear, is carol this of authorship The The authorship of this carol is unclear, even having been attributed to a 17th th 17 a to attributed been having even unclear, is carol this of authorship The ry Portuguese king! Our book of carols however however carols of book Our king! Portuguese ry tu cen century Portuguese king! Our book of carols however however carols of book Our king! Portuguese ry tu cen that the tune and words were were words and tune the that doubt no in be to appears appears to be in no doubt that the tune and words were were words and tune the that doubt no in be to appears John John writer hymn Catholic Roman English the by written written by the English Roman Catholic hymn writer John John writer hymn Catholic Roman English the by written . After After . Fideles Adeste title the under , 1786) - (c1711 Wade Wade (c1711-1786), under the title Adeste Fideles. After After . Fideles Adeste title the under , 1786) - (c1711 Wade obite rebellion in in rebellion obite ac J Charlie’s Prince Bonnie of failure the the failure of Bonnie Prince Charlie’s Jacobite rebellion in in rebellion obite ac J Charlie’s Prince Bonnie of failure the ended his days in exile exile in days his ended and France to fled Wade 1745, 1745, Wade fled to France and ended his days in exile exile in days his ended and France to fled Wade 1745, there. But his hymn lived on in his native land as a a as land native his in on lived hymn his But there. there. But his hymn lived on in his native land as a a as land native his in on lived hymn his But there. Christmas carol. The verses we sing tonight were were tonight sing we verses The carol. Christmas Christmas carol. The verses we sing tonight were were tonight sing we verses The carol. Christmas - (1802 Oakeley Frederick by Latin the from translated translated from the Latin by Frederick Oakeley (1802- - (1802 Oakeley Frederick by Latin the from translated o converted to Roman Roman to converted o wh priest Anglican an 1880), 1880), an Anglican priest who converted to Roman Roman to converted o wh priest Anglican an 1880), Catholicism. Catholicism. Catholicism.
Whitley Kate by Music Way My In In My Way Music by Kate Whitley Whitley Kate by Music Way My In McLeod Miriam by Words performance First First performance Words by Miriam McLeod McLeod Miriam by Words performance First
protest one’s make to free is individual the democracy a In In a democracy the individual is free to make one’s protest protest one’s make to free is individual the democracy a In cience ns co one’s obey to is law ultimate the And And the ultimate law is to obey one’s conscience cience ns co one’s obey to is law ultimate the And guilty not am I that me tells Mine Mine tells me that I am not guilty guilty not am I that me tells Mine crime a not is race human the save to Trying Trying to save the human race is not a crime crime a not is race human the save to Trying change might things listen, might People People might listen, things might change change might things listen, might People that say only can I end the in And And in the end I can only say that that say only can I end the in And tried I way my In In my way I tried tried I way my In Page | 14 14 | Page Page | 14
14 14 14 Page | | Page Page |
tried I way my In In my way I tried tried I way my In
that say only can I end the in And And in the end I can only say that that say only can I end the in And
change might things listen, might People People might listen, things might change change might things listen, might People
crime a not is race human the save to Trying Trying to save the human race is not a crime crime a not is race human the save to Trying
guilty not am I that me tells Mine Mine tells me that I am not guilty guilty not am I that me tells Mine
cience ns co one’s obey to is law ultimate the And And the ultimate law is to obey one’s conscience cience ns co one’s obey to is law ultimate the And
protest one’s make to free is individual the democracy a In In a democracy the individual is free to make one’s protest protest one’s make to free is individual the democracy a In
Words by Miriam McLeod Miriam by Words Words by Miriam McLeod McLeod Miriam by Words First performance First First performance performance First
Whitley Kate by Music Way My In In My Way Music by Kate Whitley Whitley Kate by Music Way My In
Catholicism. Catholicism. Catholicism.
o converted to Roman Roman to converted o wh priest Anglican an 1880), 1880), an Anglican priest who converted to Roman Roman to converted o wh priest Anglican an 1880),
- (1802 Oakeley Frederick by Latin the from translated translated from the Latin by Frederick Oakeley (1802- - (1802 Oakeley Frederick by Latin the from translated
Christmas carol. The verses we sing tonight were were tonight sing we verses The carol. Christmas Christmas carol. The verses we sing tonight were were tonight sing we verses The carol. Christmas
there. But his hymn lived on in his native land as a a as land native his in on lived hymn his But there. there. But his hymn lived on in his native land as a a as land native his in on lived hymn his But there.
ended his days in exile exile in days his ended and France to fled Wade 1745, 1745, Wade fled to France and ended his days in exile exile in days his ended and France to fled Wade 1745,
obite rebellion in in rebellion obite ac J Charlie’s Prince Bonnie of failure the the failure of Bonnie Prince Charlie’s Jacobite rebellion in in rebellion obite ac J Charlie’s Prince Bonnie of failure the
, , Wade Wade , , Wade . After After . Fideles Adeste title the under 1786) - (c1711 (c1711-1786) under the title Adeste Fideles. After After . Fideles Adeste title the under 1786) - (c1711
John John John John written by the English Roman Catholic hymn writer writer hymn Catholic Roman English the by written written by the English Roman Catholic hymn writer writer hymn Catholic Roman English the by written
that the tune and words were were words and tune the that doubt no in be to appears appears to be in no doubt that the tune and words were were words and tune the that doubt no in be to appears
ry Portuguese king! Our book of carols however however carols of book Our king! Portuguese ry tu cen century Portuguese king! Our book of carols however however carols of book Our king! Portuguese ry tu cen
The authorship of this carol is unclear, even having been attributed to a 17 a to attributed been having even unclear, is carol this of authorship The The authorship of this carol is unclear, even having been attributed to a 17 17 a to attributed been having even unclear, is carol this of authorship The
th th th
Lord! the Christ Lord! the Christ Christ the Lord! Christ the Lord! Lord! the Christ Lord! the Christ
, , him adore us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, , him adore us let come, O him, adore us let come, O
him, dore a us let come, O him, adore us let come, O O come, let us adore him, O come, let us adore him, him, dore a us let come, O him, adore us let come, O
him, adore us let come O him, adore us let come O O come let us adore him, O come let us adore him, him, adore us let come O him, adore us let come O
highest the in footsteps: joyful joyful footsteps: in the highest highest the in footsteps: joyful
God to Glory our bend thither will too We We too will thither bend our Glory to God God to Glory our bend thither will too We
above; fear; lowly with nigh nigh with lowly fear; above; above; fear; lowly with nigh
Sing, all ye citizens of heav’n heav’n of citizens ye all Sing, draw flocks, their Leaving Leaving their flocks, draw Sing, all ye citizens of heav’n heav’n of citizens ye all Sing, draw flocks, their Leaving
tion, ta exul in sing cradle, his to mmoned su summoned to his cradle, sing in exultation, tion, ta exul in sing cradle, his to mmoned su
4. Sing, choirs of angels, angels, of choirs Sing, 4. shepherds, the how See 3. 3. See how the shepherds, 4. Sing, choirs of angels, angels, of choirs Sing, 4. shepherds, the how See 3.
15 | | 15 15 | Page Page Page
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programmed the student lunchtime concert series at Kettle’s Yard Gallery and ran ran and Gallery Yard Kettle’s at series concert lunchtime student the programmed programmed the student lunchtime concert series at Kettle’s Yard Gallery and ran ran and Gallery Yard Kettle’s at series concert lunchtime student the programmed
usic at King’s College, Cambridge where she she where Cambridge College, King’s at usic m study to on went She She went on to study music at King’s College, Cambridge where she she where Cambridge College, King’s at usic m study to on went She
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age, and started composing as a teenager. teenager. a as composing started and age, y earl an from piano the played Kate Kate played the piano from an early age, and started composing as a teenager. teenager. a as composing started and age, y earl an from piano the played Kate
spirit!” spirit!” spirit!”
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Kate Whitley Whitley Kate Kate Whitley Whitley Kate (born 1989) 1989) (born resident Palace rystal C Crystal Palace resident (born 1989) 1989) (born resident Palace rystal C
conscience one’s obey to is law te ma ulti the And And the ultimate law is to obey one’s conscience conscience one’s obey to is law te ma ulti the And
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(born 1989) 1989) (born Whitley Kate resident Palace rystal C Crystal Palace resident Kate Whitley (born 1989) 1989) (born Whitley Kate resident Palace rystal C was written to to written was “ Way My In at th said has has said that In My Way “was written to to written was “ Way My In at th said has commemorate Miriam McLeod and the the and McLeod Miriam commemorate commemorate Miriam McLeod and the the and McLeod Miriam commemorate inspirational approach she took to living, and in in and living, to took she approach inspirational inspirational approach she took to living, and in in and living, to took she approach inspirational d d looke I in. believe you what for up standing standing up for what you believe in. I looked d looke I in. believe you what for up standing through Miriam's speech to Newbury Magistrates Magistrates Newbury to speech Miriam's through through Miriam's speech to Newbury Magistrates Magistrates Newbury to speech Miriam's through Court, as well as interviews she had given, and I I and given, had she interviews as well as Court, Court, as well as interviews she had given, and I I and given, had she interviews as well as Court, selected phrases that struck me as best capturing capturing best as me struck that phrases selected selected phrases that struck me as best capturing capturing best as me struck that phrases selected what she stood for. From this, I created a short short a created I this, From for. stood she what what she stood for. From this, I created a short short a created I this, From for. stood she what . Way My In become has that poem poem that has become In My Way. . Way My In become has that poem ions, and the opening and closing sections are to be be to are sections closing and opening the and ions, ct se three in is piece The The piece is in three sections, and the opening and closing sections are to be be to are sections closing and opening the and ions, ct se three in is piece The sung freely by individual members of the choir, leaving them to find their own own their find to them leaving choir, the of members individual by freely sung sung freely by individual members of the choir, leaving them to find their own own their find to them leaving choir, the of members individual by freely sung journey through the music in a way that I hope reflects Miriam's independent independent Miriam's reflects hope I that way a in music the through journey journey through the music in a way that I hope reflects Miriam's independent independent Miriam's reflects hope I that way a in music the through journey spirit!” spirit!” spirit!” age, and started composing as a teenager. teenager. a as composing started and age, y earl an from piano the played Kate Kate played the piano from an early age, and started composing as a teenager. teenager. a as composing started and age, y earl an from piano the played Kate While still at school she started running her own projects to engage young people people young engage to projects own her running started she school at still While While still at school she started running her own projects to engage young people people young engage to projects own her running started she school at still While in other schools as well as playing in pubs and and pubs in playing as well as schools other in performing music, classical in in classical music, performing in other schools as well as playing in pubs and and pubs in playing as well as schools other in performing music, classical in spaces. unconventional other other unconventional spaces. spaces. unconventional other usic at King’s College, Cambridge where she she where Cambridge College, King’s at usic m study to on went She She went on to study music at King’s College, Cambridge where she she where Cambridge College, King’s at usic m study to on went She programmed the student lunchtime concert series at Kettle’s Yard Gallery and ran ran and Gallery Yard Kettle’s at series concert lunchtime student the programmed programmed the student lunchtime concert series at Kettle’s Yard Gallery and ran ran and Gallery Yard Kettle’s at series concert lunchtime student the programmed Ensemble. Music New Cambridge the the Cambridge New Music Ensemble. Ensemble. Music New Cambridge the
. Stark Christopher conductor with Orchestra Story - Multi the founded she 2011 In In 2011 she founded the Multi-Story Orchestra with conductor Christopher Stark. . Stark Christopher conductor with Orchestra Story - Multi the founded she 2011 In audiences audiences get to exists orchestra the UK, the around parks car n i Performing Performing in car parks around the UK, the orchestra exists to get audiences audiences get to exists orchestra the UK, the around parks car n i Performing closer to the music and away from the ingrained listening habits of the concert concert the of habits listening ingrained the from away and music the to closer closer to the music and away from the ingrained listening habits of the concert concert the of habits listening ingrained the from away and music the to closer - music orchestral live to proximity of thrill the experience thereby would They hall. hall. They would thereby experience the thrill of proximity to live orchestral music- - music orchestral live to proximity of thrill the experience thereby would They hall. Proms, BBC the of part as times three rformed pe has rchestra o The making. making. The orchestra has performed three times as part of the BBC Proms, Proms, BBC the of part as times three rformed pe has rchestra o The making. Radio 3, including Kate’s own music. It won a 2016 Royal Royal 2016 a won It music. own Kate’s including 3, Radio BBC on live broadcast broadcast live on BBC Radio 3, including Kate’s own music. It won a 2016 Royal Royal 2016 a won It music. own Kate’s including 3, Radio BBC on live broadcast engagement. audience for Award Society Philharmonic Philharmonic Society Award for audience engagement. engagement. audience for Award Society Philharmonic
. Meanwhile Meanwhile . Company Dance Rambert the at Fellow Music became Kate 2013 In In 2013 Kate became Music Fellow at the Rambert Dance Company. Meanwhile Meanwhile . Company Dance Rambert the at Fellow Music became Kate 2013 In a setting of words by by words of setting a – Alive including choirs, for composing begun also had e sh she had also begun composing for choirs, including Alive – a setting of words by by words of setting a – Alive including choirs, for composing begun also had e sh and and – 2015 in Award Composers British a Whitley won which McNish Holly poet poet Holly McNish which won Whitley a British Composers Award in 2015 – and and – 2015 in Award Composers British a Whitley won which McNish Holly poet , which was released by by released was which , Mahfouz Sabrina poet by words with say I am I 2016 in in 2016 I am I say with words by poet Sabrina Mahfouz, which was released by by released was which , Mahfouz Sabrina poet by words with say I am I 2016 in BBC year same That name. same the of isc d t bu e d her on Recordings NMC NMC Recordings on her debut disc of the same name. That same year BBC BBC year same That name. same the of isc d t bu e d her on Recordings NMC 15 | Page Page| 15 15 | Page
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and and – 2015 in Award Composers British a Whitley won which McNish Holly poet poet Holly McNish which won Whitley a British Composers Award in 2015 – and and – 2015 in Award Composers British a Whitley won which McNish Holly poet
a setting of words by by words of setting a – Alive including choirs, for composing begun also had e sh she had also begun composing for choirs, including Alive – a setting of words by by words of setting a – Alive including choirs, for composing begun also had e sh
. Meanwhile Meanwhile . Company Dance Rambert the at Fellow Music became Kate 2013 In In 2013 Kate became Music Fellow at the Rambert Dance Company. Meanwhile Meanwhile . Company Dance Rambert the at Fellow Music became Kate 2013 In
engagement. audience for Award Society Philharmonic Philharmonic Society Award for audience engagement. engagement. audience for Award Society Philharmonic
Radio 3, including Kate’s own music. It won a 2016 Royal Royal 2016 a won It music. own Kate’s including 3, Radio BBC on live broadcast broadcast live on BBC Radio 3, including Kate’s own music. It won a 2016 Royal Royal 2016 a won It music. own Kate’s including 3, Radio BBC on live broadcast
Proms, BBC the of part as times three rformed pe has rchestra o The making. making. The orchestra has performed three times as part of the BBC Proms, Proms, BBC the of part as times three rformed pe has rchestra o The making.
- music orchestral live to proximity of thrill the experience thereby would They hall. hall. They would thereby experience the thrill of proximity to live orchestral music- - music orchestral live to proximity of thrill the experience thereby would They hall.
closer to the music and away from the ingrained listening habits of the concert concert the of habits listening ingrained the from away and music the to closer closer to the music and away from the ingrained listening habits of the concert concert the of habits listening ingrained the from away and music the to closer
audiences audiences get to exists orchestra the UK, the around parks car n i Performing Performing in car parks around the UK, the orchestra exists to get audiences audiences get to exists orchestra the UK, the around parks car n i Performing
. Stark Christopher conductor with Orchestra Story - Multi the founded she 2011 In In 2011 she founded the Multi-Story Orchestra with conductor Christopher Stark. . Stark Christopher conductor with Orchestra Story - Multi the founded she 2011 In
Ensemble. Music New Cambridge the the Cambridge New Music Ensemble. Ensemble. Music New Cambridge the
programmed the student lunchtime concert series at Kettle’s Yard Gallery and ran ran and Gallery Yard Kettle’s at series concert lunchtime student the programmed programmed the student lunchtime concert series at Kettle’s Yard Gallery and ran ran and Gallery Yard Kettle’s at series concert lunchtime student the programmed
usic at King’s College, Cambridge where she she where Cambridge College, King’s at usic m study to on went She She went on to study music at King’s College, Cambridge where she she where Cambridge College, King’s at usic m study to on went She
spaces. unconventional other other unconventional spaces. spaces. unconventional other
in classical music, performing music, classical in in classical music, performing performing music, classical in in other schools as well as playing in pubs and and pubs in playing as well as schools other in in other schools as well as playing in pubs and and pubs in playing as well as schools other in
While still at school she started running her own projects to engage young people people young engage to projects own her running started she school at still While While still at school she started running her own projects to engage young people people young engage to projects own her running started she school at still While
age, and started composing as a teenager. teenager. a as composing started and age, y earl an from piano the played Kate Kate played the piano from an early age, and started composing as a teenager. teenager. a as composing started and age, y earl an from piano the played Kate
spirit!” spirit!” spirit!”
journey through the music in a way that I hope reflects Miriam's independent independent Miriam's reflects hope I that way a in music the through journey journey through the music in a way that I hope reflects Miriam's independent independent Miriam's reflects hope I that way a in music the through journey
sung freely by individual members of the choir, leaving them to find their own own their find to them leaving choir, the of members individual by freely sung sung freely by individual members of the choir, leaving them to find their own own their find to them leaving choir, the of members individual by freely sung
ions, and the opening and closing sections are to be be to are sections closing and opening the and ions, ct se three in is piece The The piece is in three sections, and the opening and closing sections are to be be to are sections closing and opening the and ions, ct se three in is piece The
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what she stood for. From this, I created a short short a created I this, From for. stood she what what she stood for. From this, I created a short short a created I this, From for. stood she what
selected phrases that struck me as best capturing capturing best as me struck that phrases selected selected phrases that struck me as best capturing capturing best as me struck that phrases selected
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through Miriam's speech to Newbury Magistrates Magistrates Newbury to speech Miriam's through through Miriam's speech to Newbury Magistrates Magistrates Newbury to speech Miriam's through
d d looke I in. believe you what for up standing standing up for what you believe in. I looked d looke I in. believe you what for up standing
inspirational approach she took to living, and in in and living, to took she approach inspirational inspirational approach she took to living, and in in and living, to took she approach inspirational
commemorate Miriam McLeod and the the and McLeod Miriam commemorate commemorate Miriam McLeod and the the and McLeod Miriam commemorate
was written to to written was “ Way My In at th said has has said that In My Way “was written to to written was “ Way My In at th said has
Kate Whitley Whitley Kate Kate Whitley Whitley Kate (born 1989) 1989) (born resident Palace rystal C Crystal Palace resident (born 1989) 1989) (born resident Palace rystal C
conscience one’s obey to is law te ma ulti the And And the ultimate law is to obey one’s conscience conscience one’s obey to is law te ma ulti the And
protest one’s make to free is individual the democracy a In In a democracy the individual is free to make one’s protest protest one’s make to free is individual the democracy a In
16 16 16 Page | | Page Page |
King." born - new the to "Glory sing, angels herald he T Hark! Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald he T Hark!
Bethlehem. in born is Christ proclaim, hosts angelic th' With With th' angelic hosts proclaim, Christ is born in Bethlehem. Bethlehem. in born is Christ proclaim, hosts angelic th' With
skies. the of triumph the join rise, nations, ye all Joyful, Joyful, all ye nations, rise, join the triumph of the skies. skies. the of triumph the join rise, nations, ye all Joyful,
reconciled!" sinners and God mild, mercy and earth, on Peace Peace on earth, and mercy mild, God and sinners reconciled!" reconciled!" sinners and God mild, mercy and earth, on Peace
King; born - new the to "Glory sing, angels - herald The Hark! Hark! The herald-angels sing, "Glory to the new-born King; King; born - new the to "Glory sing, angels - herald The Hark!
ING: NG SI IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: ING: NG SI IN US JOIN AND TO ABLE YOU IF STAND PLEASE
Mendelssohn Felix sing angels - herald the Hark! Hark! the herald-angels sing Felix Mendelssohn Mendelssohn Felix sing angels - herald the Hark!
2010. December December 2010. 2010. December
which was first performed in Loughborough in in Loughborough in performed first was which melody seasonal this in Parry Parry in this seasonal melody which was first performed in Loughborough in in Loughborough in performed first was which melody seasonal this in Parry
by set words the te ro w who Bardsley Garth lyricist with frequently collaborates collaborates frequently with lyricist Garth Bardsley who wrote the words set by by set words the te ro w who Bardsley Garth lyricist with frequently collaborates
. He He . Hallows Deathly the and Potter Harry including films of soundtracks soundtracks of films including Harry Potter and the Deathly Hallows. He He . Hallows Deathly the and Potter Harry including films of soundtracks
Director of London Voices, with whom he has worked on on worked has he whom with Voices, London of Director - co also is He Maltings. Maltings. He is also co-Director of London Voices, with whom he has worked on on worked has he whom with Voices, London of Director - co also is He Maltings.
Aldeburgh Voices, the resident choir at Snape Snape at choir resident the Voices, Aldeburgh f o Director Director of Aldeburgh Voices, the resident choir at Snape Snape at choir resident the Voices, Aldeburgh f o Director
Fellow of King’s College, Cambridge and Music Music and Cambridge College, King’s of Fellow - Bye and and Bye-Fellow of King’s College, Cambridge and Music Music and Cambridge College, King’s of Fellow - Bye and
Assistant Director of Music Music of Director Assistant Britain, Great of Choirs Youth Youth Choirs of Great Britain, Assistant Director of Music Music of Director Assistant Britain, Great of Choirs Youth
Artistic Director and Principal Conductor of the National National the of Conductor Principal and Director Artistic Artistic Director and Principal Conductor of the National National the of Conductor Principal and Director Artistic
Royal Scottish Academy of Music and Drama. Parry is is Parry Drama. and Music of Academy Scottish Royal Royal Scottish Academy of Music and Drama. Parry is is Parry Drama. and Music of Academy Scottish Royal
Choral Music at the the at Music Choral of Director was and them, for pieces pieces for them, and was Director of Choral Music at the the at Music Choral of Director was and them, for pieces
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directed The The directed and with sang He University. Cambridge Cambridge University. He sang with and directed The The directed and with sang He University. Cambridge
producer, who studied at at studied who producer, and singer arranger, arranger, singer and producer, who studied at at studied who producer, and singer arranger,
Ben Parry Ben Ben Parry Parry Ben (born 1965) is a composer, conductor, conductor, composer, a is 1965) (born (born 1965) is a composer, conductor, conductor, composer, a is 1965) (born
Parry Ben Snow Snow Ben Parry Parry Ben Snow
Ballet. Royal Royal Ballet. Ballet. Royal
for the Birmingham Birmingham the for Ignite with music ballet to returned she year same the in And And in the same year she returned to ballet music with Ignite for the Birmingham Birmingham the for Ignite with music ballet to returned she year same the in And
Trafalgar Square by the London Symphony Orchestra under Sir Simon Rattle. Rattle. Simon Sir under Orchestra Symphony London the by Square Trafalgar Trafalgar Square by the London Symphony Orchestra under Sir Simon Rattle. Rattle. Simon Sir under Orchestra Symphony London the by Square Trafalgar
which was given an open air performance in in performance air open an given was which Dances Sky wrote y le Whit 2018 In In 2018 Whitley wrote Sky Dances which was given an open air performance in in performance air open an given was which Dances Sky wrote y le Whit 2018 In
Yousafzai. Malala winner - prize Nobel Nobel prize-winner Malala Yousafzai. Yousafzai. Malala winner - prize Nobel
she used the words of a speech to the UN by by UN the to speech a of words the used she – out Speak entitled – piece this this piece – entitled Speak out – she used the words of a speech to the UN by by UN the to speech a of words the used she – out Speak entitled – piece this
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Radio 3 commissioned a work from Kate to mark International Women’s Day. For For Day. Women’s International mark to Kate from work a commissioned 3 Radio Radio 3 commissioned a work from Kate to mark International Women’s Day. For For Day. Women’s International mark to Kate from work a commissioned 3 Radio she used the words of a speech to the UN by by UN the to speech a of words the used she – out Speak entitled – piece this this piece – entitled Speak out – she used the words of a speech to the UN by by UN the to speech a of words the used she – out Speak entitled – piece this Yousafzai. Malala winner - prize Nobel Nobel prize-winner Malala Yousafzai. Yousafzai. Malala winner - prize Nobel which was given an open air performance in in performance air open an given was which Dances Sky wrote y le Whit 2018 In In 2018 Whitley wrote Sky Dances which was given an open air performance in in performance air open an given was which Dances Sky wrote y le Whit 2018 In Trafalgar Square by the London Symphony Orchestra under Sir Simon Rattle. Rattle. Simon Sir under Orchestra Symphony London the by Square Trafalgar Trafalgar Square by the London Symphony Orchestra under Sir Simon Rattle. Rattle. Simon Sir under Orchestra Symphony London the by Square Trafalgar for the Birmingham Birmingham the for Ignite with music ballet to returned she year same the in And And in the same year she returned to ballet music with Ignite for the Birmingham Birmingham the for Ignite with music ballet to returned she year same the in And Ballet. Royal Royal Ballet. Ballet. Royal
Parry Ben Snow Snow Ben Parry Parry Ben Snow
(born 1965) is a composer, conductor, conductor, composer, a is 1965) (born Parry Ben Ben Parry (born 1965) is a composer, conductor, conductor, composer, a is 1965) (born Parry Ben producer, who studied at at studied who producer, and singer arranger, arranger, singer and producer, who studied at at studied who producer, and singer arranger, directed The The directed and with sang He University. Cambridge Cambridge University. He sang with and directed The The directed and with sang He University. Cambridge Swingle Singers, composing and arranging over fifty fifty over arranging and composing Singers, Swingle Swingle Singers, composing and arranging over fifty fifty over arranging and composing Singers, Swingle Choral Music at the the at Music Choral of Director was and them, for pieces pieces for them, and was Director of Choral Music at the the at Music Choral of Director was and them, for pieces Royal Scottish Academy of Music and Drama. Parry is is Parry Drama. and Music of Academy Scottish Royal Royal Scottish Academy of Music and Drama. Parry is is Parry Drama. and Music of Academy Scottish Royal Artistic Director and Principal Conductor of the National National the of Conductor Principal and Director Artistic Artistic Director and Principal Conductor of the National National the of Conductor Principal and Director Artistic Assistant Director of Music Music of Director Assistant Britain, Great of Choirs Youth Youth Choirs of Great Britain, Assistant Director of Music Music of Director Assistant Britain, Great of Choirs Youth Fellow of King’s College, Cambridge and Music Music and Cambridge College, King’s of Fellow - Bye and and Bye-Fellow of King’s College, Cambridge and Music Music and Cambridge College, King’s of Fellow - Bye and Aldeburgh Voices, the resident choir at Snape Snape at choir resident the Voices, Aldeburgh f o Director Director of Aldeburgh Voices, the resident choir at Snape Snape at choir resident the Voices, Aldeburgh f o Director Director of London Voices, with whom he has worked on on worked has he whom with Voices, London of Director - co also is He Maltings. Maltings. He is also co-Director of London Voices, with whom he has worked on on worked has he whom with Voices, London of Director - co also is He Maltings. . He He . Hallows Deathly the and Potter Harry including films of soundtracks soundtracks of films including Harry Potter and the Deathly Hallows. He He . Hallows Deathly the and Potter Harry including films of soundtracks by set words the te ro w who Bardsley Garth lyricist with frequently collaborates collaborates frequently with lyricist Garth Bardsley who wrote the words set by by set words the te ro w who Bardsley Garth lyricist with frequently collaborates which was first performed in Loughborough in in Loughborough in performed first was which melody seasonal this in Parry Parry in this seasonal melody which was first performed in Loughborough in in Loughborough in performed first was which melody seasonal this in Parry 2010. December December 2010. 2010. December
Mendelssohn Felix sing angels - herald the Hark! Hark! the herald-angels sing Felix Mendelssohn Mendelssohn Felix sing angels - herald the Hark!
ING: NG SI IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: ING: NG SI IN US JOIN AND TO ABLE YOU IF STAND PLEASE
King; born - new the to "Glory sing, angels - herald The Hark! Hark! The herald-angels sing, "Glory to the new-born King; King; born - new the to "Glory sing, angels - herald The Hark! reconciled!" sinners and God mild, mercy and earth, on Peace Peace on earth, and mercy mild, God and sinners reconciled!" reconciled!" sinners and God mild, mercy and earth, on Peace skies. the of triumph the join rise, nations, ye all Joyful, Joyful, all ye nations, rise, join the triumph of the skies. skies. the of triumph the join rise, nations, ye all Joyful, Bethlehem. in born is Christ proclaim, hosts angelic th' With With th' angelic hosts proclaim, Christ is born in Bethlehem. Bethlehem. in born is Christ proclaim, hosts angelic th' With King." born - new the to "Glory sing, angels herald he T Hark! Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald he T Hark!
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16 16 16 Page | | Page Page |
King." born - new the to "Glory sing, angels herald he T Hark! Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald he T Hark!
Bethlehem. in born is Christ proclaim, hosts angelic th' With With th' angelic hosts proclaim, Christ is born in Bethlehem. Bethlehem. in born is Christ proclaim, hosts angelic th' With
skies. the of triumph the join rise, nations, ye all Joyful, Joyful, all ye nations, rise, join the triumph of the skies. skies. the of triumph the join rise, nations, ye all Joyful,
reconciled!" sinners and God mild, mercy and earth, on Peace Peace on earth, and mercy mild, God and sinners reconciled!" reconciled!" sinners and God mild, mercy and earth, on Peace
King; born - new the to "Glory sing, angels - herald The Hark! Hark! The herald-angels sing, "Glory to the new-born King; King; born - new the to "Glory sing, angels - herald The Hark!
ING: NG SI IN US JOIN AND TO ABLE YOU IF STAND PLEASE PLEASE STAND IF YOU ABLE TO AND JOIN US IN SINGING: ING: NG SI IN US JOIN AND TO ABLE YOU IF STAND PLEASE
Mendelssohn Felix sing angels - herald the Hark! Hark! the herald-angels sing Felix Mendelssohn Mendelssohn Felix sing angels - herald the Hark!
2010. December December 2010. 2010. December
which was first performed in Loughborough in in Loughborough in performed first was which melody seasonal this in Parry Parry in this seasonal melody which was first performed in Loughborough in in Loughborough in performed first was which melody seasonal this in Parry
by set words the te ro w who Bardsley Garth lyricist with frequently collaborates collaborates frequently with lyricist Garth Bardsley who wrote the words set by by set words the te ro w who Bardsley Garth lyricist with frequently collaborates
. He He . Hallows Deathly the and Potter Harry including films of soundtracks soundtracks of films including Harry Potter and the Deathly Hallows. He He . Hallows Deathly the and Potter Harry including films of soundtracks
Director of London Voices, with whom he has worked on on worked has he whom with Voices, London of Director - co also is He Maltings. Maltings. He is also co-Director of London Voices, with whom he has worked on on worked has he whom with Voices, London of Director - co also is He Maltings.
Aldeburgh Voices, the resident choir at Snape Snape at choir resident the Voices, Aldeburgh f o Director Director of Aldeburgh Voices, the resident choir at Snape Snape at choir resident the Voices, Aldeburgh f o Director
Fellow of King’s College, Cambridge and Music Music and Cambridge College, King’s of Fellow - Bye and and Bye-Fellow of King’s College, Cambridge and Music Music and Cambridge College, King’s of Fellow - Bye and
Assistant Director of Music Music of Director Assistant Britain, Great of Choirs Youth Youth Choirs of Great Britain, Assistant Director of Music Music of Director Assistant Britain, Great of Choirs Youth
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Ben Parry Ben Ben Parry Parry Ben (born 1965) is a composer, conductor, conductor, composer, a is 1965) (born (born 1965) is a composer, conductor, conductor, composer, a is 1965) (born
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were music and words thus And . 1852 Day Christmas on Essex in Church Abbey Abbey Church in Essex on Christmas Day 1852. And thus words and music were were music and words thus And . 1852 Day Christmas on Essex in Church Abbey
and first performed at Waltham Waltham at performed first and creator original its after Mendelssohn named named Mendelssohn after its original creator and first performed at Waltham Waltham at performed first and creator original its after Mendelssohn named
ngs ngs mi Cum which tune hymn a into melody the adapted 1915) - (1831 Cummings Cummings (1831-1915) adapted the melody into a hymn tune which Cummings ngs mi Cum which tune hymn a into melody the adapted 1915) - (1831 Cummings
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has some relation, and the words must express something gay and popular, as as popular, and gay something express must words the and relation, some has has some relation, and the words must express something gay and popular, as as popular, and gay something express must words the and relation, some has
like and buxom motion of the piece piece the of motion buxom and like - er soldi the which to to which the soldier-like and buxom motion of the piece piece the of motion buxom and like - er soldi the which to
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and audience. But it will never do to sacred words. It’s It’s words. sacred to do never will it But audience. and and audience. But it will never do to sacred words. It’s It’s words. sacred to do never will it But audience. and
sure that piece will be very much liked by both singers singers both by liked much very be will piece that sure sure that piece will be very much liked by both singers singers both by liked much very be will piece that sure
“I am am “I that wrote himself Mendelssohn source. original original source. Mendelssohn himself wrote that “I am am “I that wrote himself Mendelssohn source. original
hat of its its of hat t beyond far go to was renown whose tune tune whose renown was to go far beyond that of its its of hat t beyond far go to was renown whose tune
German city of Leipzig. The second movement was a a was movement second The Leipzig. of city German German city of Leipzig. The second movement was a a was movement second The Leipzig. of city German
the the of place market the on 1840 June in performed first first performed in June 1840 on the market place of the the of place market the on 1840 June in performed first
Gutenberg's invention of the printing press and it was was it and press printing the of invention Gutenberg's Gutenberg's invention of the printing press and it was was it and press printing the of invention Gutenberg's
to commemorate commemorate to – hymn festive or – Festgesang Festgesang – or festive hymn – to commemorate commemorate to – hymn festive or – Festgesang
Mendelssohn Felix Felix Mendelssohn Mendelssohn Felix rote his his rote w 1847) - (1809 1840 In In 1840 (1809-1847) wrote his his rote w 1847) - (1809 1840 In
either. be be either. either. be
hoped that his poem would be set to slow and solemn music but that was not to to not was that but music solemn and slow to set be would poem his that hoped hoped that his poem would be set to slow and solemn music but that was not to to not was that but music solemn and slow to set be would poem his that hoped
had Wesley today. know we those to lyrics the adapted others and 1770) - (1714 (1714-1770) and others adapted the lyrics to those we know today. Wesley had had Wesley today. know we those to lyrics the adapted others and 1770) - (1714
1758 Wesley’s fellow cleric George Whitefield Whitefield George cleric fellow Wesley’s 1758 n i But Poems. Sacred and Hymn Hymn and Sacred Poems. But in 1758 Wesley’s fellow cleric George Whitefield Whitefield George cleric fellow Wesley’s 1758 n i But Poems. Sacred and Hymn
as part of a collection entitled entitled collection a of part as Kings of King the to Glory rings, heavens) (= welkin welkin (= heavens) rings, Glory to the King of Kings as part of a collection entitled entitled collection a of part as Kings of King the to Glory rings, heavens) (= welkin
Hark! how all the the all how Hark! lines opening the with poem a write to him inspired moment moment inspired him to write a poem with the opening lines Hark! how all the the all how Hark! lines opening the with poem a write to him inspired moment
of bells as he walked to church for the morning service. This This service. morning the for church to walked he as bells of nd sou the by moved moved by the sound of bells as he walked to church for the morning service. This This service. morning the for church to walked he as bells of nd sou the by moved
1788) was was 1788) - (1707 Wesley Charles leader Methodist the 1739 Day Christmas On On Christmas Day 1739 the Methodist leader Charles Wesley (1707-1788) was was 1788) - (1707 Wesley Charles leader Methodist the 1739 Day Christmas On
King." born - new the to "Glory sing, angels herald The "Hark! "Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald The "Hark!
birth. second them give to born earth, of sons the raise to Born Born to raise the sons of earth, born to give them second birth. birth. second them give to born earth, of sons the raise to Born
die, may more no man that born by, y or gl his lays he Mild Mild he lays his glory by, born that man no more may die, die, may more no man that born by, y or gl his lays he Mild
wings; his in healing with ris’n brings, he all to life and Light Light and life to all he brings, ris’n with healing in his wings; wings; his in healing with ris’n brings, he all to life and Light
Righteousness! Righteousness! Righteousness!
born Prince of Peace! Hail the Sun of of Sun the Hail Peace! of Prince born - heav'n the Hail Hail the heav'n-born Prince of Peace! Hail the Sun of of Sun the Hail Peace! of Prince born - heav'n the Hail
King." born - new the to "Glory sing, angels herald The "Hark! "Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald The "Hark!
Emmanuel. our Jesus, dwell, to man th wi man as Pleased Pleased as man with man to dwell, Jesus, our Emmanuel. Emmanuel. our Jesus, dwell, to man th wi man as Pleased
Deity incarnate th' hail see, Godhead the flesh in Veiled Veiled in flesh the Godhead see, hail th' incarnate Deity Deity incarnate th' hail see, Godhead the flesh in Veiled
womb: virgin's a of spring - off come, Him behold time in Late Late in time behold Him come, off-spring of a virgin's womb: womb: virgin's a of spring - off come, Him behold time in Late
Lord, everlasting the Christ, adored, heav'n highest by Christ, Christ, by highest heav'n adored, Christ, the everlasting Lord, Lord, everlasting the Christ, adored, heav'n highest by Christ,
Lord, everlasting the Christ, adored, heav'n highest by Christ, Christ, by highest heav'n adored, Christ, the everlasting Lord, Lord, everlasting the Christ, adored, heav'n highest by Christ, womb: virgin's a of spring - off come, Him behold time in Late Late in time behold Him come, off-spring of a virgin's womb: womb: virgin's a of spring - off come, Him behold time in Late Deity incarnate th' hail see, Godhead the flesh in Veiled Veiled in flesh the Godhead see, hail th' incarnate Deity Deity incarnate th' hail see, Godhead the flesh in Veiled Emmanuel. our Jesus, dwell, to man th wi man as Pleased Pleased as man with man to dwell, Jesus, our Emmanuel. Emmanuel. our Jesus, dwell, to man th wi man as Pleased King." born - new the to "Glory sing, angels herald The "Hark! "Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald The "Hark! born Prince of Peace! Hail the Sun of of Sun the Hail Peace! of Prince born - heav'n the Hail Hail the heav'n-born Prince of Peace! Hail the Sun of of Sun the Hail Peace! of Prince born - heav'n the Hail Righteousness! Righteousness! Righteousness! wings; his in healing with ris’n brings, he all to life and Light Light and life to all he brings, ris’n with healing in his wings; wings; his in healing with ris’n brings, he all to life and Light die, may more no man that born by, y or gl his lays he Mild Mild he lays his glory by, born that man no more may die, die, may more no man that born by, y or gl his lays he Mild birth. second them give to born earth, of sons the raise to Born Born to raise the sons of earth, born to give them second birth. birth. second them give to born earth, of sons the raise to Born King." born - new the to "Glory sing, angels herald The "Hark! "Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald The "Hark!
1788) was was 1788) - (1707 Wesley Charles leader Methodist the 1739 Day Christmas On On Christmas Day 1739 the Methodist leader Charles Wesley (1707-1788) was was 1788) - (1707 Wesley Charles leader Methodist the 1739 Day Christmas On of bells as he walked to church for the morning service. This This service. morning the for church to walked he as bells of nd sou the by moved moved by the sound of bells as he walked to church for the morning service. This This service. morning the for church to walked he as bells of nd sou the by moved Hark! how all the the all how Hark! lines opening the with poem a write to him inspired moment moment inspired him to write a poem with the opening lines Hark! how all the the all how Hark! lines opening the with poem a write to him inspired moment as part of a collection entitled entitled collection a of part as Kings of King the to Glory rings, heavens) (= welkin welkin (= heavens) rings, Glory to the King of Kings as part of a collection entitled entitled collection a of part as Kings of King the to Glory rings, heavens) (= welkin 1758 Wesley’s fellow cleric George Whitefield Whitefield George cleric fellow Wesley’s 1758 n i But Poems. Sacred and Hymn Hymn and Sacred Poems. But in 1758 Wesley’s fellow cleric George Whitefield Whitefield George cleric fellow Wesley’s 1758 n i But Poems. Sacred and Hymn had Wesley today. know we those to lyrics the adapted others and 1770) - (1714 (1714-1770) and others adapted the lyrics to those we know today. Wesley had had Wesley today. know we those to lyrics the adapted others and 1770) - (1714 hoped that his poem would be set to slow and solemn music but that was not to to not was that but music solemn and slow to set be would poem his that hoped hoped that his poem would be set to slow and solemn music but that was not to to not was that but music solemn and slow to set be would poem his that hoped either. be be either. either. be rote his his rote w 1847) - (1809 Mendelssohn Felix 1840 In In 1840 Felix Mendelssohn (1809-1847) wrote his his rote w 1847) - (1809 Mendelssohn Felix 1840 In to commemorate commemorate to – hymn festive or – Festgesang Festgesang – or festive hymn – to commemorate commemorate to – hymn festive or – Festgesang Gutenberg's invention of the printing press and it was was it and press printing the of invention Gutenberg's Gutenberg's invention of the printing press and it was was it and press printing the of invention Gutenberg's the the of place market the on 1840 June in performed first first performed in June 1840 on the market place of the the of place market the on 1840 June in performed first German city of Leipzig. The second movement was a a was movement second The Leipzig. of city German German city of Leipzig. The second movement was a a was movement second The Leipzig. of city German hat of its its of hat t beyond far go to was renown whose tune tune whose renown was to go far beyond that of its its of hat t beyond far go to was renown whose tune “I am am “I that wrote himself Mendelssohn source. original original source. Mendelssohn himself wrote that “I am am “I that wrote himself Mendelssohn source. original sure that piece will be very much liked by both singers singers both by liked much very be will piece that sure sure that piece will be very much liked by both singers singers both by liked much very be will piece that sure and audience. But it will never do to sacred words. It’s It’s words. sacred to do never will it But audience. and and audience. But it will never do to sacred words. It’s It’s words. sacred to do never will it But audience. and more suitable for a national or joyful subject, something something subject, joyful or national a for suitable more more suitable for a national or joyful subject, something something subject, joyful or national a for suitable more like and buxom motion of the piece piece the of motion buxom and like - er soldi the which to to which the soldier-like and buxom motion of the piece piece the of motion buxom and like - er soldi the which to has some relation, and the words must express something gay and popular, as as popular, and gay something express must words the and relation, some has has some relation, and the words must express something gay and popular, as as popular, and gay something express must words the and relation, some has Nevertheless, in 1855 the English musician William William musician English the 1855 in Nevertheless, do.” to tries music the the music tries to do.” Nevertheless, in 1855 the English musician William William musician English the 1855 in Nevertheless, do.” to tries music the ngs ngs mi Cum which tune hymn a into melody the adapted 1915) - (1831 Cummings Cummings (1831-1915) adapted the melody into a hymn tune which Cummings ngs mi Cum which tune hymn a into melody the adapted 1915) - (1831 Cummings and first performed at Waltham Waltham at performed first and creator original its after Mendelssohn named named Mendelssohn after its original creator and first performed at Waltham Waltham at performed first and creator original its after Mendelssohn named were music and words thus And . 1852 Day Christmas on Essex in Church Abbey Abbey Church in Essex on Christmas Day 1852. And thus words and music were were music and words thus And . 1852 Day Christmas on Essex in Church Abbey
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were music and words thus And . 1852 Day Christmas on Essex in Church Abbey Abbey Church in Essex on Christmas Day 1852. And thus words and music were were music and words thus And . 1852 Day Christmas on Essex in Church Abbey
and first performed at Waltham Waltham at performed first and creator original its after Mendelssohn named named Mendelssohn after its original creator and first performed at Waltham Waltham at performed first and creator original its after Mendelssohn named
ngs ngs mi Cum which tune hymn a into melody the adapted 1915) - (1831 Cummings Cummings (1831-1915) adapted the melody into a hymn tune which Cummings ngs mi Cum which tune hymn a into melody the adapted 1915) - (1831 Cummings
Nevertheless, in 1855 the English musician William William musician English the 1855 in Nevertheless, do.” to tries music the the music tries to do.” Nevertheless, in 1855 the English musician William William musician English the 1855 in Nevertheless, do.” to tries music the
has some relation, and the words must express something gay and popular, as as popular, and gay something express must words the and relation, some has has some relation, and the words must express something gay and popular, as as popular, and gay something express must words the and relation, some has
like and buxom motion of the piece piece the of motion buxom and like - er soldi the which to to which the soldier-like and buxom motion of the piece piece the of motion buxom and like - er soldi the which to
more suitable for a national or joyful subject, something something subject, joyful or national a for suitable more more suitable for a national or joyful subject, something something subject, joyful or national a for suitable more
and audience. But it will never do to sacred words. It’s It’s words. sacred to do never will it But audience. and and audience. But it will never do to sacred words. It’s It’s words. sacred to do never will it But audience. and
sure that piece will be very much liked by both singers singers both by liked much very be will piece that sure sure that piece will be very much liked by both singers singers both by liked much very be will piece that sure
“I am am “I that wrote himself Mendelssohn source. original original source. Mendelssohn himself wrote that “I am am “I that wrote himself Mendelssohn source. original
hat of its its of hat t beyond far go to was renown whose tune tune whose renown was to go far beyond that of its its of hat t beyond far go to was renown whose tune
German city of Leipzig. The second movement was a a was movement second The Leipzig. of city German German city of Leipzig. The second movement was a a was movement second The Leipzig. of city German
the the of place market the on 1840 June in performed first first performed in June 1840 on the market place of the the of place market the on 1840 June in performed first
Gutenberg's invention of the printing press and it was was it and press printing the of invention Gutenberg's Gutenberg's invention of the printing press and it was was it and press printing the of invention Gutenberg's
to commemorate commemorate to – hymn festive or – Festgesang Festgesang – or festive hymn – to commemorate commemorate to – hymn festive or – Festgesang
Mendelssohn Felix Felix Mendelssohn Mendelssohn Felix rote his his rote w 1847) - (1809 1840 In In 1840 (1809-1847) wrote his his rote w 1847) - (1809 1840 In
either. be be either. either. be
hoped that his poem would be set to slow and solemn music but that was not to to not was that but music solemn and slow to set be would poem his that hoped hoped that his poem would be set to slow and solemn music but that was not to to not was that but music solemn and slow to set be would poem his that hoped
had Wesley today. know we those to lyrics the adapted others and 1770) - (1714 (1714-1770) and others adapted the lyrics to those we know today. Wesley had had Wesley today. know we those to lyrics the adapted others and 1770) - (1714
1758 Wesley’s fellow cleric George Whitefield Whitefield George cleric fellow Wesley’s 1758 n i But Poems. Sacred and Hymn Hymn and Sacred Poems. But in 1758 Wesley’s fellow cleric George Whitefield Whitefield George cleric fellow Wesley’s 1758 n i But Poems. Sacred and Hymn
as part of a collection entitled entitled collection a of part as Kings of King the to Glory rings, heavens) (= welkin welkin (= heavens) rings, Glory to the King of Kings as part of a collection entitled entitled collection a of part as Kings of King the to Glory rings, heavens) (= welkin
Hark! how all the the all how Hark! lines opening the with poem a write to him inspired moment moment inspired him to write a poem with the opening lines Hark! how all the the all how Hark! lines opening the with poem a write to him inspired moment
of bells as he walked to church for the morning service. This This service. morning the for church to walked he as bells of nd sou the by moved moved by the sound of bells as he walked to church for the morning service. This This service. morning the for church to walked he as bells of nd sou the by moved
1788) was was 1788) - (1707 Wesley Charles leader Methodist the 1739 Day Christmas On On Christmas Day 1739 the Methodist leader Charles Wesley (1707-1788) was was 1788) - (1707 Wesley Charles leader Methodist the 1739 Day Christmas On
King." born - new the to "Glory sing, angels herald The "Hark! "Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald The "Hark!
birth. second them give to born earth, of sons the raise to Born Born to raise the sons of earth, born to give them second birth. birth. second them give to born earth, of sons the raise to Born
die, may more no man that born by, y or gl his lays he Mild Mild he lays his glory by, born that man no more may die, die, may more no man that born by, y or gl his lays he Mild
wings; his in healing with ris’n brings, he all to life and Light Light and life to all he brings, ris’n with healing in his wings; wings; his in healing with ris’n brings, he all to life and Light
Righteousness! Righteousness! Righteousness!
born Prince of Peace! Hail the Sun of of Sun the Hail Peace! of Prince born - heav'n the Hail Hail the heav'n-born Prince of Peace! Hail the Sun of of Sun the Hail Peace! of Prince born - heav'n the Hail
King." born - new the to "Glory sing, angels herald The "Hark! "Hark! The herald angels sing, "Glory to the new-born King." King." born - new the to "Glory sing, angels herald The "Hark!
Emmanuel. our Jesus, dwell, to man th wi man as Pleased Pleased as man with man to dwell, Jesus, our Emmanuel. Emmanuel. our Jesus, dwell, to man th wi man as Pleased
Deity incarnate th' hail see, Godhead the flesh in Veiled Veiled in flesh the Godhead see, hail th' incarnate Deity Deity incarnate th' hail see, Godhead the flesh in Veiled
womb: virgin's a of spring - off come, Him behold time in Late Late in time behold Him come, off-spring of a virgin's womb: womb: virgin's a of spring - off come, Him behold time in Late
Lord, everlasting the Christ, adored, heav'n highest by Christ, Christ, by highest heav'n adored, Christ, the everlasting Lord, Lord, everlasting the Christ, adored, heav'n highest by Christ,
18 18 18 Page | | Page Page |
- the - in - Martin St. and Barbican the Centre, Southbank Southbank Centre, the Barbican and St. Martin-in-the- - the - in - Martin St. and Barbican the Centre, Southbank
Elizabeth Hall and Royal Festival Hall in London’s London’s in Hall Festival Royal and Hall Elizabeth Elizabeth Hall and Royal Festival Hall in London’s London’s in Hall Festival Royal and Hall Elizabeth
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Drama. and Music of School School of Music and Drama. Drama. and Music of School
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from the Royal Scottish Academy of Music and Drama, Drama, and Music of Academy Scottish Royal the from from the Royal Scottish Academy of Music and Drama, Drama, and Music of Academy Scottish Royal the from
and researcher based in London. He holds degrees degrees holds He London. in based researcher and and researcher based in London. He holds degrees degrees holds He London. in based researcher and
Society since 2009. He is a coach, collaborative pianist, pianist, collaborative coach, a is He 2009. since Society Society since 2009. He is a coach, collaborative pianist, pianist, collaborative coach, a is He 2009. since Society
tant director of music at the Lewisham Choral Choral Lewisham the at music of director tant is ass assistant director of music at the Lewisham Choral Choral Lewisham the at music of director tant is ass
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TONIGHT'S PERFORMERS TONIGHT'S TONIGHT'S PERFORMERS PERFORMERS TONIGHT'S
release.” effortless good good effortless release.” release.” effortless good
admirably to express the rapture which is occasioned by a a by occasioned is which rapture the express to admirably admirably to express the rapture which is occasioned by a a by occasioned is which rapture the express to admirably
echam Jr. noted that “these sentiments seemed to me me to seemed sentiments “these that noted Jr. echam Be Beecham Jr. noted that “these sentiments seemed to me me to seemed sentiments “these that noted Jr. echam Be
mild.” mercy and Earth on Peace Peace on Earth and mercy mild.” mild.” mercy and Earth on Peace
child… a for one woman, a for Two Two for a woman, one for a child… child… a for one woman, a for Two
thing, the just are pills Beecham’s Beecham’s pills are just the thing, thing, the just are pills Beecham’s
sing! angels herald the “Hark “Hark the herald angels sing! sing! angels herald the “Hark
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laxative Beecham’s – product pular po most firm’s family the ise ic publ to words words to publicise the family firm’s most popular product – Beecham’s laxative laxative Beecham’s – product pular po most firm’s family the ise ic publ to words
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tonight. close a to draw will concert our which with carols, h is Engl of joyous joyous of English carols, with which our concert will draw to a close tonight. tonight. close a to draw will concert our which with carols, h is Engl of joyous
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sing! angels herald the “Hark “Hark the herald angels sing! sing! angels herald the “Hark thing, the just are pills Beecham’s Beecham’s pills are just the thing, thing, the just are pills Beecham’s child… a for one woman, a for Two Two for a woman, one for a child… child… a for one woman, a for Two mild.” mercy and Earth on Peace Peace on Earth and mercy mild.” mild.” mercy and Earth on Peace echam Jr. noted that “these sentiments seemed to me me to seemed sentiments “these that noted Jr. echam Be Beecham Jr. noted that “these sentiments seemed to me me to seemed sentiments “these that noted Jr. echam Be admirably to express the rapture which is occasioned by a a by occasioned is which rapture the express to admirably admirably to express the rapture which is occasioned by a a by occasioned is which rapture the express to admirably release.” effortless good good effortless release.” release.” effortless good
PERFORMERS TONIGHT'S TONIGHT'S PERFORMERS PERFORMERS TONIGHT'S
Piano – Villiers de Nico Nico de Villiers – Piano Piano – Villiers de Nico born pianist Nico de Villiers has been the the been has Villiers de Nico pianist born - African South South African-born pianist Nico de Villiers has been the the been has Villiers de Nico pianist born - African South tant director of music at the Lewisham Choral Choral Lewisham the at music of director tant is ass assistant director of music at the Lewisham Choral Choral Lewisham the at music of director tant is ass Society since 2009. He is a coach, collaborative pianist, pianist, collaborative coach, a is He 2009. since Society Society since 2009. He is a coach, collaborative pianist, pianist, collaborative coach, a is He 2009. since Society and researcher based in London. He holds degrees degrees holds He London. in based researcher and and researcher based in London. He holds degrees degrees holds He London. in based researcher and from the Royal Scottish Academy of Music and Drama, Drama, and Music of Academy Scottish Royal the from from the Royal Scottish Academy of Music and Drama, Drama, and Music of Academy Scottish Royal the from l l al Guildh the as well as Michigan, of University the the University of Michigan, as well as the Guildhall l al Guildh the as well as Michigan, of University the Drama. and Music of School School of Music and Drama. Drama. and Music of School
He performed in prestigious venues such as the Queen Queen the as such venues prestigious in performed He He performed in prestigious venues such as the Queen Queen the as such venues prestigious in performed He Elizabeth Hall and Royal Festival Hall in London’s London’s in Hall Festival Royal and Hall Elizabeth Elizabeth Hall and Royal Festival Hall in London’s London’s in Hall Festival Royal and Hall Elizabeth - the - in - Martin St. and Barbican the Centre, Southbank Southbank Centre, the Barbican and St. Martin-in-the- - the - in - Martin St. and Barbican the Centre, Southbank Page | 18 18 | Page Page | 18
18 18 18 Page | | Page Page |
- the - in - Martin St. and Barbican the Centre, Southbank Southbank Centre, the Barbican and St. Martin-in-the- - the - in - Martin St. and Barbican the Centre, Southbank
Elizabeth Hall and Royal Festival Hall in London’s London’s in Hall Festival Royal and Hall Elizabeth Elizabeth Hall and Royal Festival Hall in London’s London’s in Hall Festival Royal and Hall Elizabeth
He performed in prestigious venues such as the Queen Queen the as such venues prestigious in performed He He performed in prestigious venues such as the Queen Queen the as such venues prestigious in performed He
Drama. and Music of School School of Music and Drama. Drama. and Music of School
l l al Guildh the as well as Michigan, of University the the University of Michigan, as well as the Guildhall l al Guildh the as well as Michigan, of University the
from the Royal Scottish Academy of Music and Drama, Drama, and Music of Academy Scottish Royal the from from the Royal Scottish Academy of Music and Drama, Drama, and Music of Academy Scottish Royal the from
and researcher based in London. He holds degrees degrees holds He London. in based researcher and and researcher based in London. He holds degrees degrees holds He London. in based researcher and
Society since 2009. He is a coach, collaborative pianist, pianist, collaborative coach, a is He 2009. since Society Society since 2009. He is a coach, collaborative pianist, pianist, collaborative coach, a is He 2009. since Society
tant director of music at the Lewisham Choral Choral Lewisham the at music of director tant is ass assistant director of music at the Lewisham Choral Choral Lewisham the at music of director tant is ass
born pianist Nico de Villiers has been the the been has Villiers de Nico pianist born - African South South African-born pianist Nico de Villiers has been the the been has Villiers de Nico pianist born - African South
Piano – Villiers de Nico Nico de Villiers – Piano Piano – Villiers de Nico
TONIGHT'S PERFORMERS TONIGHT'S TONIGHT'S PERFORMERS PERFORMERS TONIGHT'S
release.” effortless good good effortless release.” release.” effortless good
admirably to express the rapture which is occasioned by a a by occasioned is which rapture the express to admirably admirably to express the rapture which is occasioned by a a by occasioned is which rapture the express to admirably
echam Jr. noted that “these sentiments seemed to me me to seemed sentiments “these that noted Jr. echam Be Beecham Jr. noted that “these sentiments seemed to me me to seemed sentiments “these that noted Jr. echam Be
mild.” mercy and Earth on Peace Peace on Earth and mercy mild.” mild.” mercy and Earth on Peace
child… a for one woman, a for Two Two for a woman, one for a child… child… a for one woman, a for Two
thing, the just are pills Beecham’s Beecham’s pills are just the thing, thing, the just are pills Beecham’s
sing! angels herald the “Hark “Hark the herald angels sing! sing! angels herald the “Hark
: following the with up came Thomas young The pills. pills. The young Thomas came up with the following: : following the with up came Thomas young The pills.
laxative Beecham’s – product pular po most firm’s family the ise ic publ to words words to publicise the family firm’s most popular product – Beecham’s laxative laxative Beecham’s – product pular po most firm’s family the ise ic publ to words
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1961) once told the story of of story the told once 1961) - (1879 Beecham Thomas Sir conductor great The The great conductor Sir Thomas Beecham (1879-1961) once told the story of of story the told once 1961) - (1879 Beecham Thomas Sir conductor great The
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tonight. close a to draw will concert our which with carols, h is Engl of joyous joyous of English carols, with which our concert will draw to a close tonight. tonight. close a to draw will concert our which with carols, h is Engl of joyous
finally brought together to create what has become one of the most popular and and popular most the of one become has what create to together brought finally finally brought together to create what has become one of the most popular and and popular most the of one become has what create to together brought finally
19 | | 19 19 | Page Page Page
www.nicodevilliers.com www.nicodevilliers.com www.nicodevilliers.com
. Magazine Opera and , Magazine Pianist , Magazine Singer Classical for for Classical Singer Magazine, Pianist Magazine, and Opera Magazine. . Magazine Opera and , Magazine Pianist , Magazine Singer Classical for
winning composer and conductor Richard Hageman. Nico has written articles articles written has Nico Hageman. Richard conductor and composer winning winning composer and conductor Richard Hageman. Nico has written articles articles written has Nico Hageman. Richard conductor and composer winning
- Oscar and American born - Dutch the of songs the on focusing Drama, and and Drama, focusing on the songs of the Dutch-born American and Oscar- - Oscar and American born - Dutch the of songs the on focusing Drama, and
18 at the Guildhall School of Music Music of School Guildhall the at 18 20 in research doctoral his completed Nico Nico completed his doctoral research in 2018 at the Guildhall School of Music Music of School Guildhall the at 18 20 in research doctoral his completed Nico
. . Sonata Piano Tchaikowsky’s André composer - pianist Polish of recording first first recording of Polish pianist-composer André Tchaikowsky’s Piano Sonata. . Sonata Piano Tchaikowsky’s André composer - pianist Polish of recording first
of Music and Drama. Nico made the the made Nico Drama. and Music of School Guildhall the at ohnányi D von Ernst Ernst von Dohnányi at the Guildhall School of Music and Drama. Nico made the the made Nico Drama. and Music of School Guildhall the at ohnányi D von Ernst
composer composer - conductor - pianist Hungarian of music chamber piano e th of series series of the piano chamber music of Hungarian pianist-conductor-composer composer - conductor - pianist Hungarian of music chamber piano e th of series
neglected and undiscovered composers. In 2008 Nico performed a complete complete a performed Nico 2008 In composers. undiscovered and neglected neglected and undiscovered composers. In 2008 Nico performed a complete complete a performed Nico 2008 In composers. undiscovered and neglected
As researcher Nico has a particular interest in the unearthing and performance of of performance and unearthing the in interest particular a has Nico researcher As As researcher Nico has a particular interest in the unearthing and performance of of performance and unearthing the in interest particular a has Nico researcher As
Sweden. Karlskrona, in Academy Piano Jablonski Jablonski Piano Academy in Karlskrona, Sweden. Sweden. Karlskrona, in Academy Piano Jablonski
ademy in Pilsen, Czech Republic and the the and Republic Czech Pilsen, in ademy Ac Music International the Austria, Austria, the International Music Academy in Pilsen, Czech Republic and the the and Republic Czech Pilsen, in ademy Ac Music International the Austria,
Graz, in (AIMS) Studies Musical of Institute American the England, in School School in England, the American Institute of Musical Studies (AIMS) in Graz, Graz, in (AIMS) Studies Musical of Institute American the England, in School
Abingdon Summer School of Solo Singers and the Aderley International Music Music International Aderley the and Singers Solo of School Summer Abingdon Abingdon Summer School of Solo Singers and the Aderley International Music Music International Aderley the and Singers Solo of School Summer Abingdon
rogrammes including the Oxenfoord Summer Programme in Scotland, the the Scotland, in Programme Summer Oxenfoord the including rogrammes p programmes including the Oxenfoord Summer Programme in Scotland, the the Scotland, in Programme Summer Oxenfoord the including rogrammes p
summer various of faculty the on been has He Africa. South native his across across his native South Africa. He has been on the faculty of various summer summer various of faculty the on been has He Africa. South native his across
(UK), Kungliga Musikhögskolan in Stockholm (Sweden) and various universities universities various and (Sweden) Stockholm in Musikhögskolan Kungliga (UK), (UK), Kungliga Musikhögskolan in Stockholm (Sweden) and various universities universities various and (Sweden) Stockholm in Musikhögskolan Kungliga (UK),
University of Portland, Portland, Oregon (USA), the Birmingham Conservatory Conservatory Birmingham the (USA), Oregon Portland, Portland, of University University of Portland, Portland, Oregon (USA), the Birmingham Conservatory Conservatory Birmingham the (USA), Oregon Portland, Portland, of University
y, Tallahassee, Florida, Florida, Tallahassee, y, it Univers State Florida as such institutions include include institutions such as Florida State University, Tallahassee, Florida, Florida, Tallahassee, y, it Univers State Florida as such institutions include
Arbor, Michigan, USA, Trinity Laban Conservatory. Masterclasses and workshops workshops and Masterclasses Conservatory. Laban Trinity USA, Michigan, Arbor, Arbor, Michigan, USA, Trinity Laban Conservatory. Masterclasses and workshops workshops and Masterclasses Conservatory. Laban Trinity USA, Michigan, Arbor,
University of Michigan in Ann Ann in Michigan of University the including institutions tertiary various at coach coach at various tertiary institutions including the University of Michigan in Ann Ann in Michigan of University the including institutions tertiary various at coach
oyal College of Music. He has been a vocal vocal a been has He Music. of College oyal R the at coach visiting a as well as as well as a visiting coach at the Royal College of Music. He has been a vocal vocal a been has He Music. of College oyal R the at coach visiting a as well as
Nico is a coach on the vocal faculty of the Guildhall School of Music and Drama Drama and Music of School Guildhall the of faculty vocal the on coach a is Nico Nico is a coach on the vocal faculty of the Guildhall School of Music and Drama Drama and Music of School Guildhall the of faculty vocal the on coach a is Nico
London. in Singers Park Queens Queens Park Singers in London. London. in Singers Park Queens
School (England), as well as Hampstead Garden Opera, The Opera Story and and Story Opera The Opera, Garden Hampstead as well as (England), School School (England), as well as Hampstead Garden Opera, The Opera Story and and Story Opera The Opera, Garden Hampstead as well as (England), School
, the Aderley International Music Music International Aderley the , d) (Scotlan Programme Summer Oxenfoord the the Oxenfoord Summer Programme (Scotland), the Aderley International Music Music International Aderley the , d) (Scotlan Programme Summer Oxenfoord the
the BBC Singers, Cumbernauld Choir (Glasgow), opera scenes performances for for performances scenes opera (Glasgow), Choir Cumbernauld Singers, BBC the the BBC Singers, Cumbernauld Choir (Glasgow), opera scenes performances for for performances scenes opera (Glasgow), Choir Cumbernauld Singers, BBC the
Festival in South Africa. As repetiteur Nico worked with various groups including including groups various with worked Nico repetiteur As Africa. South in Festival Festival in South Africa. As repetiteur Nico worked with various groups including including groups various with worked Nico repetiteur As Africa. South in Festival
arsaw, Poland, and the International Johannesburg Mozart Mozart Johannesburg International the and Poland, arsaw, W in Festival Birthday Birthday Festival in Warsaw, Poland, and the International Johannesburg Mozart Mozart Johannesburg International the and Poland, arsaw, W in Festival Birthday
include the Salzburg Festival, Edinburgh Festival, Oxford Lieder Festival, Chopin Chopin Festival, Lieder Oxford Festival, Edinburgh Festival, Salzburg the include include the Salzburg Festival, Edinburgh Festival, Oxford Lieder Festival, Chopin Chopin Festival, Lieder Oxford Festival, Edinburgh Festival, Salzburg the include
and the Mozarteum Grosser Saal in Salzburg, Austria. Festival performances performances Festival Austria. Salzburg, in Saal Grosser Mozarteum the and and the Mozarteum Grosser Saal in Salzburg, Austria. Festival performances performances Festival Austria. Salzburg, in Saal Grosser Mozarteum the and
Germany; Germany; Bonn, in Kammermusiksaal the DC; Washington in Center Kennedy Kennedy Center in Washington DC; the Kammermusiksaal in Bonn, Germany; Germany; Bonn, in Kammermusiksaal the DC; Washington in Center Kennedy
t the the t a Theatre Terrace the Hall; Symphony Birmingham London; in Fields Fields in London; Birmingham Symphony Hall; the Terrace Theatre at the the t a Theatre Terrace the Hall; Symphony Birmingham London; in Fields
t the the t a Theatre Terrace the Hall; Symphony Birmingham London; in Fields Fields in London; Birmingham Symphony Hall; the Terrace Theatre at the the t a Theatre Terrace the Hall; Symphony Birmingham London; in Fields Germany; Germany; Bonn, in Kammermusiksaal the DC; Washington in Center Kennedy Kennedy Center in Washington DC; the Kammermusiksaal in Bonn, Germany; Germany; Bonn, in Kammermusiksaal the DC; Washington in Center Kennedy and the Mozarteum Grosser Saal in Salzburg, Austria. Festival performances performances Festival Austria. Salzburg, in Saal Grosser Mozarteum the and and the Mozarteum Grosser Saal in Salzburg, Austria. Festival performances performances Festival Austria. Salzburg, in Saal Grosser Mozarteum the and include the Salzburg Festival, Edinburgh Festival, Oxford Lieder Festival, Chopin Chopin Festival, Lieder Oxford Festival, Edinburgh Festival, Salzburg the include include the Salzburg Festival, Edinburgh Festival, Oxford Lieder Festival, Chopin Chopin Festival, Lieder Oxford Festival, Edinburgh Festival, Salzburg the include arsaw, Poland, and the International Johannesburg Mozart Mozart Johannesburg International the and Poland, arsaw, W in Festival Birthday Birthday Festival in Warsaw, Poland, and the International Johannesburg Mozart Mozart Johannesburg International the and Poland, arsaw, W in Festival Birthday Festival in South Africa. As repetiteur Nico worked with various groups including including groups various with worked Nico repetiteur As Africa. South in Festival Festival in South Africa. As repetiteur Nico worked with various groups including including groups various with worked Nico repetiteur As Africa. South in Festival the BBC Singers, Cumbernauld Choir (Glasgow), opera scenes performances for for performances scenes opera (Glasgow), Choir Cumbernauld Singers, BBC the the BBC Singers, Cumbernauld Choir (Glasgow), opera scenes performances for for performances scenes opera (Glasgow), Choir Cumbernauld Singers, BBC the , the Aderley International Music Music International Aderley the , d) (Scotlan Programme Summer Oxenfoord the the Oxenfoord Summer Programme (Scotland), the Aderley International Music Music International Aderley the , d) (Scotlan Programme Summer Oxenfoord the School (England), as well as Hampstead Garden Opera, The Opera Story and and Story Opera The Opera, Garden Hampstead as well as (England), School School (England), as well as Hampstead Garden Opera, The Opera Story and and Story Opera The Opera, Garden Hampstead as well as (England), School London. in Singers Park Queens Queens Park Singers in London. London. in Singers Park Queens
Nico is a coach on the vocal faculty of the Guildhall School of Music and Drama Drama and Music of School Guildhall the of faculty vocal the on coach a is Nico Nico is a coach on the vocal faculty of the Guildhall School of Music and Drama Drama and Music of School Guildhall the of faculty vocal the on coach a is Nico oyal College of Music. He has been a vocal vocal a been has He Music. of College oyal R the at coach visiting a as well as as well as a visiting coach at the Royal College of Music. He has been a vocal vocal a been has He Music. of College oyal R the at coach visiting a as well as University of Michigan in Ann Ann in Michigan of University the including institutions tertiary various at coach coach at various tertiary institutions including the University of Michigan in Ann Ann in Michigan of University the including institutions tertiary various at coach Arbor, Michigan, USA, Trinity Laban Conservatory. Masterclasses and workshops workshops and Masterclasses Conservatory. Laban Trinity USA, Michigan, Arbor, Arbor, Michigan, USA, Trinity Laban Conservatory. Masterclasses and workshops workshops and Masterclasses Conservatory. Laban Trinity USA, Michigan, Arbor, y, Tallahassee, Florida, Florida, Tallahassee, y, it Univers State Florida as such institutions include include institutions such as Florida State University, Tallahassee, Florida, Florida, Tallahassee, y, it Univers State Florida as such institutions include University of Portland, Portland, Oregon (USA), the Birmingham Conservatory Conservatory Birmingham the (USA), Oregon Portland, Portland, of University University of Portland, Portland, Oregon (USA), the Birmingham Conservatory Conservatory Birmingham the (USA), Oregon Portland, Portland, of University (UK), Kungliga Musikhögskolan in Stockholm (Sweden) and various universities universities various and (Sweden) Stockholm in Musikhögskolan Kungliga (UK), (UK), Kungliga Musikhögskolan in Stockholm (Sweden) and various universities universities various and (Sweden) Stockholm in Musikhögskolan Kungliga (UK), summer various of faculty the on been has He Africa. South native his across across his native South Africa. He has been on the faculty of various summer summer various of faculty the on been has He Africa. South native his across rogrammes including the Oxenfoord Summer Programme in Scotland, the the Scotland, in Programme Summer Oxenfoord the including rogrammes p programmes including the Oxenfoord Summer Programme in Scotland, the the Scotland, in Programme Summer Oxenfoord the including rogrammes p Abingdon Summer School of Solo Singers and the Aderley International Music Music International Aderley the and Singers Solo of School Summer Abingdon Abingdon Summer School of Solo Singers and the Aderley International Music Music International Aderley the and Singers Solo of School Summer Abingdon Graz, in (AIMS) Studies Musical of Institute American the England, in School School in England, the American Institute of Musical Studies (AIMS) in Graz, Graz, in (AIMS) Studies Musical of Institute American the England, in School ademy in Pilsen, Czech Republic and the the and Republic Czech Pilsen, in ademy Ac Music International the Austria, Austria, the International Music Academy in Pilsen, Czech Republic and the the and Republic Czech Pilsen, in ademy Ac Music International the Austria, Sweden. Karlskrona, in Academy Piano Jablonski Jablonski Piano Academy in Karlskrona, Sweden. Sweden. Karlskrona, in Academy Piano Jablonski
As researcher Nico has a particular interest in the unearthing and performance of of performance and unearthing the in interest particular a has Nico researcher As As researcher Nico has a particular interest in the unearthing and performance of of performance and unearthing the in interest particular a has Nico researcher As neglected and undiscovered composers. In 2008 Nico performed a complete complete a performed Nico 2008 In composers. undiscovered and neglected neglected and undiscovered composers. In 2008 Nico performed a complete complete a performed Nico 2008 In composers. undiscovered and neglected composer composer - conductor - pianist Hungarian of music chamber piano e th of series series of the piano chamber music of Hungarian pianist-conductor-composer composer - conductor - pianist Hungarian of music chamber piano e th of series of Music and Drama. Nico made the the made Nico Drama. and Music of School Guildhall the at ohnányi D von Ernst Ernst von Dohnányi at the Guildhall School of Music and Drama. Nico made the the made Nico Drama. and Music of School Guildhall the at ohnányi D von Ernst . . Sonata Piano Tchaikowsky’s André composer - pianist Polish of recording first first recording of Polish pianist-composer André Tchaikowsky’s Piano Sonata. . Sonata Piano Tchaikowsky’s André composer - pianist Polish of recording first 18 at the Guildhall School of Music Music of School Guildhall the at 18 20 in research doctoral his completed Nico Nico completed his doctoral research in 2018 at the Guildhall School of Music Music of School Guildhall the at 18 20 in research doctoral his completed Nico - Oscar and American born - Dutch the of songs the on focusing Drama, and and Drama, focusing on the songs of the Dutch-born American and Oscar- - Oscar and American born - Dutch the of songs the on focusing Drama, and winning composer and conductor Richard Hageman. Nico has written articles articles written has Nico Hageman. Richard conductor and composer winning winning composer and conductor Richard Hageman. Nico has written articles articles written has Nico Hageman. Richard conductor and composer winning . Magazine Opera and , Magazine Pianist , Magazine Singer Classical for for Classical Singer Magazine, Pianist Magazine, and Opera Magazine. . Magazine Opera and , Magazine Pianist , Magazine Singer Classical for www.nicodevilliers.com www.nicodevilliers.com www.nicodevilliers.com
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. Magazine Opera and , Magazine Pianist , Magazine Singer Classical for for Classical Singer Magazine, Pianist Magazine, and Opera Magazine. . Magazine Opera and , Magazine Pianist , Magazine Singer Classical for
winning composer and conductor Richard Hageman. Nico has written articles articles written has Nico Hageman. Richard conductor and composer winning winning composer and conductor Richard Hageman. Nico has written articles articles written has Nico Hageman. Richard conductor and composer winning
- Oscar and American born - Dutch the of songs the on focusing Drama, and and Drama, focusing on the songs of the Dutch-born American and Oscar- - Oscar and American born - Dutch the of songs the on focusing Drama, and
18 at the Guildhall School of Music Music of School Guildhall the at 18 20 in research doctoral his completed Nico Nico completed his doctoral research in 2018 at the Guildhall School of Music Music of School Guildhall the at 18 20 in research doctoral his completed Nico
. . Sonata Piano Tchaikowsky’s André composer - pianist Polish of recording first first recording of Polish pianist-composer André Tchaikowsky’s Piano Sonata. . Sonata Piano Tchaikowsky’s André composer - pianist Polish of recording first
of Music and Drama. Nico made the the made Nico Drama. and Music of School Guildhall the at ohnányi D von Ernst Ernst von Dohnányi at the Guildhall School of Music and Drama. Nico made the the made Nico Drama. and Music of School Guildhall the at ohnányi D von Ernst
composer composer - conductor - pianist Hungarian of music chamber piano e th of series series of the piano chamber music of Hungarian pianist-conductor-composer composer - conductor - pianist Hungarian of music chamber piano e th of series
neglected and undiscovered composers. In 2008 Nico performed a complete complete a performed Nico 2008 In composers. undiscovered and neglected neglected and undiscovered composers. In 2008 Nico performed a complete complete a performed Nico 2008 In composers. undiscovered and neglected
As researcher Nico has a particular interest in the unearthing and performance of of performance and unearthing the in interest particular a has Nico researcher As As researcher Nico has a particular interest in the unearthing and performance of of performance and unearthing the in interest particular a has Nico researcher As
Sweden. Karlskrona, in Academy Piano Jablonski Jablonski Piano Academy in Karlskrona, Sweden. Sweden. Karlskrona, in Academy Piano Jablonski
ademy in Pilsen, Czech Republic and the the and Republic Czech Pilsen, in ademy Ac Music International the Austria, Austria, the International Music Academy in Pilsen, Czech Republic and the the and Republic Czech Pilsen, in ademy Ac Music International the Austria,
Graz, in (AIMS) Studies Musical of Institute American the England, in School School in England, the American Institute of Musical Studies (AIMS) in Graz, Graz, in (AIMS) Studies Musical of Institute American the England, in School
Abingdon Summer School of Solo Singers and the Aderley International Music Music International Aderley the and Singers Solo of School Summer Abingdon Abingdon Summer School of Solo Singers and the Aderley International Music Music International Aderley the and Singers Solo of School Summer Abingdon
rogrammes including the Oxenfoord Summer Programme in Scotland, the the Scotland, in Programme Summer Oxenfoord the including rogrammes p programmes including the Oxenfoord Summer Programme in Scotland, the the Scotland, in Programme Summer Oxenfoord the including rogrammes p
summer various of faculty the on been has He Africa. South native his across across his native South Africa. He has been on the faculty of various summer summer various of faculty the on been has He Africa. South native his across
(UK), Kungliga Musikhögskolan in Stockholm (Sweden) and various universities universities various and (Sweden) Stockholm in Musikhögskolan Kungliga (UK), (UK), Kungliga Musikhögskolan in Stockholm (Sweden) and various universities universities various and (Sweden) Stockholm in Musikhögskolan Kungliga (UK),
University of Portland, Portland, Oregon (USA), the Birmingham Conservatory Conservatory Birmingham the (USA), Oregon Portland, Portland, of University University of Portland, Portland, Oregon (USA), the Birmingham Conservatory Conservatory Birmingham the (USA), Oregon Portland, Portland, of University
y, Tallahassee, Florida, Florida, Tallahassee, y, it Univers State Florida as such institutions include include institutions such as Florida State University, Tallahassee, Florida, Florida, Tallahassee, y, it Univers State Florida as such institutions include
Arbor, Michigan, USA, Trinity Laban Conservatory. Masterclasses and workshops workshops and Masterclasses Conservatory. Laban Trinity USA, Michigan, Arbor, Arbor, Michigan, USA, Trinity Laban Conservatory. Masterclasses and workshops workshops and Masterclasses Conservatory. Laban Trinity USA, Michigan, Arbor,
University of Michigan in Ann Ann in Michigan of University the including institutions tertiary various at coach coach at various tertiary institutions including the University of Michigan in Ann Ann in Michigan of University the including institutions tertiary various at coach
oyal College of Music. He has been a vocal vocal a been has He Music. of College oyal R the at coach visiting a as well as as well as a visiting coach at the Royal College of Music. He has been a vocal vocal a been has He Music. of College oyal R the at coach visiting a as well as
Nico is a coach on the vocal faculty of the Guildhall School of Music and Drama Drama and Music of School Guildhall the of faculty vocal the on coach a is Nico Nico is a coach on the vocal faculty of the Guildhall School of Music and Drama Drama and Music of School Guildhall the of faculty vocal the on coach a is Nico
London. in Singers Park Queens Queens Park Singers in London. London. in Singers Park Queens
School (England), as well as Hampstead Garden Opera, The Opera Story and and Story Opera The Opera, Garden Hampstead as well as (England), School School (England), as well as Hampstead Garden Opera, The Opera Story and and Story Opera The Opera, Garden Hampstead as well as (England), School
, the Aderley International Music Music International Aderley the , d) (Scotlan Programme Summer Oxenfoord the the Oxenfoord Summer Programme (Scotland), the Aderley International Music Music International Aderley the , d) (Scotlan Programme Summer Oxenfoord the
the BBC Singers, Cumbernauld Choir (Glasgow), opera scenes performances for for performances scenes opera (Glasgow), Choir Cumbernauld Singers, BBC the the BBC Singers, Cumbernauld Choir (Glasgow), opera scenes performances for for performances scenes opera (Glasgow), Choir Cumbernauld Singers, BBC the
Festival in South Africa. As repetiteur Nico worked with various groups including including groups various with worked Nico repetiteur As Africa. South in Festival Festival in South Africa. As repetiteur Nico worked with various groups including including groups various with worked Nico repetiteur As Africa. South in Festival
arsaw, Poland, and the International Johannesburg Mozart Mozart Johannesburg International the and Poland, arsaw, W in Festival Birthday Birthday Festival in Warsaw, Poland, and the International Johannesburg Mozart Mozart Johannesburg International the and Poland, arsaw, W in Festival Birthday
include the Salzburg Festival, Edinburgh Festival, Oxford Lieder Festival, Chopin Chopin Festival, Lieder Oxford Festival, Edinburgh Festival, Salzburg the include include the Salzburg Festival, Edinburgh Festival, Oxford Lieder Festival, Chopin Chopin Festival, Lieder Oxford Festival, Edinburgh Festival, Salzburg the include
and the Mozarteum Grosser Saal in Salzburg, Austria. Festival performances performances Festival Austria. Salzburg, in Saal Grosser Mozarteum the and and the Mozarteum Grosser Saal in Salzburg, Austria. Festival performances performances Festival Austria. Salzburg, in Saal Grosser Mozarteum the and
Germany; Germany; Bonn, in Kammermusiksaal the DC; Washington in Center Kennedy Kennedy Center in Washington DC; the Kammermusiksaal in Bonn, Germany; Germany; Bonn, in Kammermusiksaal the DC; Washington in Center Kennedy
t the the t a Theatre Terrace the Hall; Symphony Birmingham London; in Fields Fields in London; Birmingham Symphony Hall; the Terrace Theatre at the the t a Theatre Terrace the Hall; Symphony Birmingham London; in Fields
20 20 20 Page | | Page Page |
Dove. Jonathan by stars seven the maketh that him Seek of arrangement arrangement of Seek him that maketh the seven stars by Jonathan Dove. Dove. Jonathan by stars seven the maketh that him Seek of arrangement
piano two own his of Hall Elizabeth Queen at performance premiere world world premiere performance at Queen Elizabeth Hall of his own two piano piano two own his of Hall Elizabeth Queen at performance premiere world
a gave recently and Hall gan do Ca at Concerto Piano Schumann the performed performed the Schumann Piano Concerto at Cadogan Hall and recently gave a a gave recently and Hall gan do Ca at Concerto Piano Schumann the performed
He Prize. Song of Art Thomas Marjorie the and s Competition Song English Kerr Kerr English Song Competitions and the Marjorie Thomas Art of Song Prize. He He Prize. Song of Art Thomas Marjorie the and s Competition Song English Kerr
John the and Kenny Courtney AESS the in prizes accompanist the won and CBE CBE and won the accompanist prizes in the AESS Courtney Kenny and the John John the and Kenny Courtney AESS the in prizes accompanist the won and CBE
Bostridge Ian and CBE Bullock Susan with performed has He soloists. vocal and and vocal soloists. He has performed with Susan Bullock CBE and Ian Bostridge Bostridge Ian and CBE Bullock Susan with performed has He soloists. vocal and
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Dove. Jonathan by stars seven the maketh that him Seek of arrangement arrangement of Seek him that maketh the seven stars by Jonathan Dove. Dove. Jonathan by stars seven the maketh that him Seek of arrangement
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21 | | 21 21 | Page Page Page
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Reunion. Choir Great Malone's Malone's Great Choir Reunion. Reunion. Choir Great Malone's
The Choir: Gareth Gareth Choir: The for choirmaster as scenes the behind d ke wor Dan 2015 2015 Dan worked behind the scenes as choirmaster for The Choir: Gareth Gareth Choir: The for choirmaster as scenes the behind d ke wor Dan 2015
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and Singers 300 over conducted he 2017 In 2016. 2016. In 2017 he conducted over 300 Singers and and Singers 300 over conducted he 2017 In 2016.
in Elijah Mendelssohn's on put to forces same the the same forces to put on Mendelssohn's Elijah in in Elijah Mendelssohn's on put to forces same the
with returning Halls, Fairfield the in Requiem Verdi's Verdi's Requiem in the Fairfield Halls, returning with with returning Halls, Fairfield the in Requiem Verdi's
of performance a in singers 200 r ove conducted he he conducted over 200 singers in a performance of of performance a in singers 200 r ove conducted he
2014 In Hall. Festival Royal the in Messiah Handel's Handel's Messiah in the Royal Festival Hall. In 2014 2014 In Hall. Festival Royal the in Messiah Handel's
of performance a in Philharmonic Forest the and and the Forest Philharmonic in a performance of of performance a in Philharmonic Forest the and
singers 300 over conducted he 2012 In Hall. Albert Albert Hall. In 2012 he conducted over 300 singers singers 300 over conducted he 2012 In Hall. Albert
Royal he t and Hall Symphony gham in Birm including including Birmingham Symphony Hall and the Royal Royal he t and Hall Symphony gham in Birm including
country country the across venues concert major in regularly regularly in major concert venues across the country country the across venues concert major in regularly
performs He choruses. symphonic large and and large symphonic choruses. He performs performs He choruses. symphonic large and
choirs chamber and church ensembles, professional professional ensembles, church and chamber choirs choirs chamber and church ensembles, professional
from choirs of variety wide a directs He London. London. He directs a wide variety of choirs from from choirs of variety wide a directs He London.
in teacher singing and master chorus nductor, co conductor, chorus master and singing teacher in in teacher singing and master chorus nductor, co
a as schedule busy a enjoys Thomas - Ludford Dan Dan Ludford-Thomas enjoys a busy schedule as a a as schedule busy a enjoys Thomas - Ludford Dan
Conductor – Thomas - Ludford Dan Dan Ludford-Thomas – Conductor Conductor – Thomas - Ludford Dan
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Whitacre. Eric and McDowall Cecilia Pärt, Arvo to Mozart and and Mozart to Arvo Pärt, Cecilia McDowall and Eric Whitacre. Whitacre. Eric and McDowall Cecilia Pärt, Arvo to Mozart and
century, ranging from Tallis, Monteverdi, Bach Bach Monteverdi, Tallis, from ranging century, 21 the to Renaissance the from from the Renaissance to the 21 century, ranging from Tallis, Monteverdi, Bach Bach Monteverdi, Tallis, from ranging century, 21 the to Renaissance the from
st st st
the choir has a wide repertoire and performs music music performs and repertoire wide a has choir the Villiers, de Nico ty pu de his his deputy Nico de Villiers, the choir has a wide repertoire and performs music music performs and repertoire wide a has choir the Villiers, de Nico ty pu de his
and Thomas - Ludford Dan of direction professional the Under arise. opportunities opportunities arise. Under the professional direction of Dan Ludford-Thomas and and Thomas - Ludford Dan of direction professional the Under arise. opportunities
when events singing choral other in part taking and year a concerts four four concerts a year and taking part in other choral singing events when when events singing choral other in part taking and year a concerts four
performing groups in south London. The Society is a performing choir, staging staging choir, performing a is Society The London. south in groups performing performing groups in south London. The Society is a performing choir, staging staging choir, performing a is Society The London. south in groups performing
of the largest largest the of ne o now is and years 70 past the over ambition and size in grown grown in size and ambition over the past 70 years and is now one of the largest largest the of ne o now is and years 70 past the over ambition and size in grown
Founded in 1950 at Lewisham’s parish church as St Mary’s Singers, the choir has has choir the Singers, Mary’s St as church parish Lewisham’s at 1950 in Founded Founded in 1950 at Lewisham’s parish church as St Mary’s Singers, the choir has has choir the Singers, Mary’s St as church parish Lewisham’s at 1950 in Founded
singers. hundred two over with choir, based - community lively large, a is It Halls. Halls. It is a large, lively community-based choir, with over two hundred singers. singers. hundred two over with choir, based - community lively large, a is It Halls.
gan Hall and the Fairfield Fairfield the and Hall gan do Ca the Halls, Elizabeth Queen and Festival Royal Royal Festival and Queen Elizabeth Halls, the Cadogan Hall and the Fairfield Fairfield the and Hall gan do Ca the Halls, Elizabeth Queen and Festival Royal
performing at local venues and major concert halls such as Southbank Centre’s Centre’s Southbank as such halls concert major and venues local at performing performing at local venues and major concert halls such as Southbank Centre’s Centre’s Southbank as such halls concert major and venues local at performing
Lewisham Choral Society is one of London’s most popular community choirs, choirs, community popular most London’s of one is Society Choral Lewisham Lewisham Choral Society is one of London’s most popular community choirs, choirs, community popular most London’s of one is Society Choral Lewisham
Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham
Society. Choral Choral Society. Society. Choral
f Lewisham Lewisham f o Music of Director and Singers Hackney The of Director Musical Musical Director of The Hackney Singers and Director of Music of Lewisham Lewisham f o Music of Director and Singers Hackney The of Director Musical
, Choir Chamber Concordia of Director Musical College, Dulwich at Studies l ca Vo Vocal Studies at Dulwich College, Musical Director of Concordia Chamber Choir, , Choir Chamber Concordia of Director Musical College, Dulwich at Studies l ca Vo
He is also currently Head of of Head currently also is He (2018). China and (2016) Spain toured has he whom whom he has toured Spain (2016) and China (2018). He is also currently Head of of Head currently also is He (2018). China and (2016) Spain toured has he whom
Dan is the Musical Director of the National Children’s Choir of Great Britain with with Britain Great of Choir Children’s National the of Director Musical the is Dan Dan is the Musical Director of the National Children’s Choir of Great Britain with with Britain Great of Choir Children’s National the of Director Musical the is Dan
Dan is the Musical Director of the National Children’s Choir of Great Britain with with Britain Great of Choir Children’s National the of Director Musical the is Dan Dan is the Musical Director of the National Children’s Choir of Great Britain with with Britain Great of Choir Children’s National the of Director Musical the is Dan He is also currently Head of of Head currently also is He (2018). China and (2016) Spain toured has he whom whom he has toured Spain (2016) and China (2018). He is also currently Head of of Head currently also is He (2018). China and (2016) Spain toured has he whom , Choir Chamber Concordia of Director Musical College, Dulwich at Studies l ca Vo Vocal Studies at Dulwich College, Musical Director of Concordia Chamber Choir, , Choir Chamber Concordia of Director Musical College, Dulwich at Studies l ca Vo f Lewisham Lewisham f o Music of Director and Singers Hackney The of Director Musical Musical Director of The Hackney Singers and Director of Music of Lewisham Lewisham f o Music of Director and Singers Hackney The of Director Musical Society. Choral Choral Society. Society. Choral
Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham
Lewisham Choral Society is one of London’s most popular community choirs, choirs, community popular most London’s of one is Society Choral Lewisham Lewisham Choral Society is one of London’s most popular community choirs, choirs, community popular most London’s of one is Society Choral Lewisham performing at local venues and major concert halls such as Southbank Centre’s Centre’s Southbank as such halls concert major and venues local at performing performing at local venues and major concert halls such as Southbank Centre’s Centre’s Southbank as such halls concert major and venues local at performing gan Hall and the Fairfield Fairfield the and Hall gan do Ca the Halls, Elizabeth Queen and Festival Royal Royal Festival and Queen Elizabeth Halls, the Cadogan Hall and the Fairfield Fairfield the and Hall gan do Ca the Halls, Elizabeth Queen and Festival Royal singers. hundred two over with choir, based - community lively large, a is It Halls. Halls. It is a large, lively community-based choir, with over two hundred singers. singers. hundred two over with choir, based - community lively large, a is It Halls. Founded in 1950 at Lewisham’s parish church as St Mary’s Singers, the choir has has choir the Singers, Mary’s St as church parish Lewisham’s at 1950 in Founded Founded in 1950 at Lewisham’s parish church as St Mary’s Singers, the choir has has choir the Singers, Mary’s St as church parish Lewisham’s at 1950 in Founded of the largest largest the of ne o now is and years 70 past the over ambition and size in grown grown in size and ambition over the past 70 years and is now one of the largest largest the of ne o now is and years 70 past the over ambition and size in grown performing groups in south London. The Society is a performing choir, staging staging choir, performing a is Society The London. south in groups performing performing groups in south London. The Society is a performing choir, staging staging choir, performing a is Society The London. south in groups performing when events singing choral other in part taking and year a concerts four four concerts a year and taking part in other choral singing events when when events singing choral other in part taking and year a concerts four and Thomas - Ludford Dan of direction professional the Under arise. opportunities opportunities arise. Under the professional direction of Dan Ludford-Thomas and and Thomas - Ludford Dan of direction professional the Under arise. opportunities the choir has a wide repertoire and performs music music performs and repertoire wide a has choir the Villiers, de Nico ty pu de his his deputy Nico de Villiers, the choir has a wide repertoire and performs music music performs and repertoire wide a has choir the Villiers, de Nico ty pu de his century, ranging from Tallis, Monteverdi, Bach Bach Monteverdi, Tallis, from ranging century, st 21 the to Renaissance the from from the Renaissance to the 21st century, ranging from Tallis, Monteverdi, Bach Bach Monteverdi, Tallis, from ranging century, st 21 the to Renaissance the from Whitacre. Eric and McDowall Cecilia Pärt, Arvo to Mozart and and Mozart to Arvo Pärt, Cecilia McDowall and Eric Whitacre. Whitacre. Eric and McDowall Cecilia Pärt, Arvo to Mozart and
Page | 22 22 | Page Page | 22
22 22 22 Page | | Page Page |
Whitacre. Eric and McDowall Cecilia Pärt, Arvo to Mozart and and Mozart to Arvo Pärt, Cecilia McDowall and Eric Whitacre. Whitacre. Eric and McDowall Cecilia Pärt, Arvo to Mozart and
century, ranging from Tallis, Monteverdi, Bach Bach Monteverdi, Tallis, from ranging century, 21 the to Renaissance the from from the Renaissance to the 21 century, ranging from Tallis, Monteverdi, Bach Bach Monteverdi, Tallis, from ranging century, 21 the to Renaissance the from
st st st
the choir has a wide repertoire and performs music music performs and repertoire wide a has choir the Villiers, de Nico ty pu de his his deputy Nico de Villiers, the choir has a wide repertoire and performs music music performs and repertoire wide a has choir the Villiers, de Nico ty pu de his
and Thomas - Ludford Dan of direction professional the Under arise. opportunities opportunities arise. Under the professional direction of Dan Ludford-Thomas and and Thomas - Ludford Dan of direction professional the Under arise. opportunities
when events singing choral other in part taking and year a concerts four four concerts a year and taking part in other choral singing events when when events singing choral other in part taking and year a concerts four
performing groups in south London. The Society is a performing choir, staging staging choir, performing a is Society The London. south in groups performing performing groups in south London. The Society is a performing choir, staging staging choir, performing a is Society The London. south in groups performing
of the largest largest the of ne o now is and years 70 past the over ambition and size in grown grown in size and ambition over the past 70 years and is now one of the largest largest the of ne o now is and years 70 past the over ambition and size in grown
Founded in 1950 at Lewisham’s parish church as St Mary’s Singers, the choir has has choir the Singers, Mary’s St as church parish Lewisham’s at 1950 in Founded Founded in 1950 at Lewisham’s parish church as St Mary’s Singers, the choir has has choir the Singers, Mary’s St as church parish Lewisham’s at 1950 in Founded
singers. hundred two over with choir, based - community lively large, a is It Halls. Halls. It is a large, lively community-based choir, with over two hundred singers. singers. hundred two over with choir, based - community lively large, a is It Halls.
gan Hall and the Fairfield Fairfield the and Hall gan do Ca the Halls, Elizabeth Queen and Festival Royal Royal Festival and Queen Elizabeth Halls, the Cadogan Hall and the Fairfield Fairfield the and Hall gan do Ca the Halls, Elizabeth Queen and Festival Royal
performing at local venues and major concert halls such as Southbank Centre’s Centre’s Southbank as such halls concert major and venues local at performing performing at local venues and major concert halls such as Southbank Centre’s Centre’s Southbank as such halls concert major and venues local at performing
Lewisham Choral Society is one of London’s most popular community choirs, choirs, community popular most London’s of one is Society Choral Lewisham Lewisham Choral Society is one of London’s most popular community choirs, choirs, community popular most London’s of one is Society Choral Lewisham
Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham
Society. Choral Choral Society. Society. Choral
f Lewisham Lewisham f o Music of Director and Singers Hackney The of Director Musical Musical Director of The Hackney Singers and Director of Music of Lewisham Lewisham f o Music of Director and Singers Hackney The of Director Musical
, Choir Chamber Concordia of Director Musical College, Dulwich at Studies l ca Vo Vocal Studies at Dulwich College, Musical Director of Concordia Chamber Choir, , Choir Chamber Concordia of Director Musical College, Dulwich at Studies l ca Vo
He is also currently Head of of Head currently also is He (2018). China and (2016) Spain toured has he whom whom he has toured Spain (2016) and China (2018). He is also currently Head of of Head currently also is He (2018). China and (2016) Spain toured has he whom
Dan is the Musical Director of the National Children’s Choir of Great Britain with with Britain Great of Choir Children’s National the of Director Musical the is Dan Dan is the Musical Director of the National Children’s Choir of Great Britain with with Britain Great of Choir Children’s National the of Director Musical the is Dan
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Music Music Music
Making Making Lewisham of Borough London London Borough of Lewisham Making Making Lewisham of Borough London is affiliated to to affiliated is nd a the of support the the support of the and is affiliated to to affiliated is nd a the of support the
Lewisham Choral Society, Society, Choral Lewisham Lewisham Choral Society, Society, Choral Lewisham Registered Charity Number 1040570 acknowledges acknowledges 1040570 Number Charity Registered Registered Charity Number 1040570 acknowledges acknowledges 1040570 Number Charity Registered
devices mobile all off switch Please Please switch off all mobile devices devices mobile all off switch Please
please recording video or audio photography, flash No No flash photography, audio or video recording please please recording video or audio photography, flash No
Leslie Ben by flyers and posters concert r, cove programme of Design Design of programme cover, concert posters and flyers by Ben Leslie Leslie Ben by flyers and posters concert r, cove programme of Design
Bull Martin by notes Programme Programme notes by Martin Bull Bull Martin by notes Programme
January. 20 or 13 6, on members members on 6, 13 or 20 January. January. 20 or 13 6, on members
rehearsals as and when necessary. Singers are welcome to join as new new as join to welcome are Singers necessary. when and as rehearsals rehearsals as and when necessary. Singers are welcome to join as new new as join to welcome are Singers necessary. when and as rehearsals
January and continue until the concert on 18 March. We shall schedule additional additional schedule shall We March. 18 on concert the until continue and January January and continue until the concert on 18 March. We shall schedule additional additional schedule shall We March. 18 on concert the until continue and January
art on Monday 6 6 Monday on art st spring next 1610 of Vespers Monteverdi’s of Rehearsals Rehearsals of Monteverdi’s Vespers of 1610 next spring start on Monday 6 6 Monday on art st spring next 1610 of Vespers Monteverdi’s of Rehearsals
grounds. church the within parking parking within the church grounds. grounds. church the within parking
outside. Parking is relatively easy on nearby residential streets and there is limited limited is there and streets residential nearby on easy relatively is Parking outside. outside. Parking is relatively easy on nearby residential streets and there is limited limited is there and streets residential nearby on easy relatively is Parking outside.
ford and Catford Bridge stations; buses 47, 54, 136, 171, 199 and 208 stop stop 208 and 199 171, 136, 54, 47, buses stations; Bridge Catford and ford at C Catford and Catford Bridge stations; buses 47, 54, 136, 171, 199 and 208 stop stop 208 and 199 171, 136, 54, 47, buses stations; Bridge Catford and ford at C
Laurence’s Church, 37 Bromley Road, Catford, SE6 2TS: five minutes’ walk from from walk minutes’ five 2TS: SE6 Catford, Road, Bromley 37 Church, Laurence’s Laurence’s Church, 37 Bromley Road, Catford, SE6 2TS: five minutes’ walk from from walk minutes’ five 2TS: SE6 Catford, Road, Bromley 37 Church, Laurence’s
suit complete beginners. We rehearse on Monday evenings from 8 to 10 at St St at 10 to 8 from evenings Monday on rehearse We beginners. complete suit suit complete beginners. We rehearse on Monday evenings from 8 to 10 at St St at 10 to 8 from evenings Monday on rehearse We beginners. complete suit
paced, so may not not may so paced, - fast relatively are Rehearsals ability. musical and experience experience and musical ability. Rehearsals are relatively fast-paced, so may not not may so paced, - fast relatively are Rehearsals ability. musical and experience
require a level of of level a require h whic pieces complex some tackles and standard high a a high standard and tackles some complex pieces which require a level of of level a require h whic pieces complex some tackles and standard high a
to singers in all voice parts and although we do not audition, the choir performs to to performs choir the audition, not do we although and parts voice all in singers to to singers in all voice parts and although we do not audition, the choir performs to to performs choir the audition, not do we although and parts voice all in singers to
Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham to new joiners. We are open open are We joiners. new to welcome warm a offers offers a warm welcome to new joiners. We are open open are We joiners. new to welcome warm a offers
SINGER? A A SINGER? SINGER? A
JOIN LEWISHAM CHORAL SOCIETY AS AS SOCIETY CHORAL LEWISHAM JOIN O T LIKE YOU WOULD WOULD YOU LIKE TO JOIN LEWISHAM CHORAL SOCIETY AS AS SOCIETY CHORAL LEWISHAM JOIN O T LIKE YOU WOULD
JOIN LEWISHAM CHORAL SOCIETY AS AS SOCIETY CHORAL LEWISHAM JOIN O T LIKE YOU WOULD WOULD YOU LIKE TO JOIN LEWISHAM CHORAL SOCIETY AS AS SOCIETY CHORAL LEWISHAM JOIN O T LIKE YOU WOULD SINGER? A A SINGER? SINGER? A to new joiners. We are open open are We joiners. new to welcome warm a offers Society Choral Lewisham Lewisham Choral Society offers a warm welcome to new joiners. We are open open are We joiners. new to welcome warm a offers Society Choral Lewisham to singers in all voice parts and although we do not audition, the choir performs to to performs choir the audition, not do we although and parts voice all in singers to to singers in all voice parts and although we do not audition, the choir performs to to performs choir the audition, not do we although and parts voice all in singers to require a level of of level a require h whic pieces complex some tackles and standard high a a high standard and tackles some complex pieces which require a level of of level a require h whic pieces complex some tackles and standard high a paced, so may not not may so paced, - fast relatively are Rehearsals ability. musical and experience experience and musical ability. Rehearsals are relatively fast-paced, so may not not may so paced, - fast relatively are Rehearsals ability. musical and experience suit complete beginners. We rehearse on Monday evenings from 8 to 10 at St St at 10 to 8 from evenings Monday on rehearse We beginners. complete suit suit complete beginners. We rehearse on Monday evenings from 8 to 10 at St St at 10 to 8 from evenings Monday on rehearse We beginners. complete suit Laurence’s Church, 37 Bromley Road, Catford, SE6 2TS: five minutes’ walk from from walk minutes’ five 2TS: SE6 Catford, Road, Bromley 37 Church, Laurence’s Laurence’s Church, 37 Bromley Road, Catford, SE6 2TS: five minutes’ walk from from walk minutes’ five 2TS: SE6 Catford, Road, Bromley 37 Church, Laurence’s ford and Catford Bridge stations; buses 47, 54, 136, 171, 199 and 208 stop stop 208 and 199 171, 136, 54, 47, buses stations; Bridge Catford and ford at C Catford and Catford Bridge stations; buses 47, 54, 136, 171, 199 and 208 stop stop 208 and 199 171, 136, 54, 47, buses stations; Bridge Catford and ford at C outside. Parking is relatively easy on nearby residential streets and there is limited limited is there and streets residential nearby on easy relatively is Parking outside. outside. Parking is relatively easy on nearby residential streets and there is limited limited is there and streets residential nearby on easy relatively is Parking outside. grounds. church the within parking parking within the church grounds. grounds. church the within parking art on Monday 6 6 Monday on art st spring next 1610 of Vespers Monteverdi’s of Rehearsals Rehearsals of Monteverdi’s Vespers of 1610 next spring start on Monday 6 6 Monday on art st spring next 1610 of Vespers Monteverdi’s of Rehearsals January and continue until the concert on 18 March. We shall schedule additional additional schedule shall We March. 18 on concert the until continue and January January and continue until the concert on 18 March. We shall schedule additional additional schedule shall We March. 18 on concert the until continue and January rehearsals as and when necessary. Singers are welcome to join as new new as join to welcome are Singers necessary. when and as rehearsals rehearsals as and when necessary. Singers are welcome to join as new new as join to welcome are Singers necessary. when and as rehearsals January. 20 or 13 6, on members members on 6, 13 or 20 January. January. 20 or 13 6, on members
Bull Martin by notes Programme Programme notes by Martin Bull Bull Martin by notes Programme Leslie Ben by flyers and posters concert r, cove programme of Design Design of programme cover, concert posters and flyers by Ben Leslie Leslie Ben by flyers and posters concert r, cove programme of Design
please recording video or audio photography, flash No No flash photography, audio or video recording please please recording video or audio photography, flash No devices mobile all off switch Please Please switch off all mobile devices devices mobile all off switch Please
Registered Charity Number 1040570 acknowledges acknowledges 1040570 Number Charity Registered Society, Choral Lewisham Lewisham Choral Society, Registered Charity Number 1040570 acknowledges acknowledges 1040570 Number Charity Registered Society, Choral Lewisham Making Making to affiliated is nd a Lewisham of Borough London the of support the the support of the London Borough of Lewisham and is affiliated to Making Making to affiliated is nd a Lewisham of Borough London the of support the Music Music Music
23 | Page Page| 23 23 | Page
23 | | 23 23 | Page Page Page
Music Music Music
Making Making Lewisham of Borough London London Borough of Lewisham Making Making Lewisham of Borough London is affiliated to to affiliated is nd a the of support the the support of the and is affiliated to to affiliated is nd a the of support the
Lewisham Choral Society, Society, Choral Lewisham Lewisham Choral Society, Society, Choral Lewisham Registered Charity Number 1040570 acknowledges acknowledges 1040570 Number Charity Registered Registered Charity Number 1040570 acknowledges acknowledges 1040570 Number Charity Registered
devices mobile all off switch Please Please switch off all mobile devices devices mobile all off switch Please
please recording video or audio photography, flash No No flash photography, audio or video recording please please recording video or audio photography, flash No
Leslie Ben by flyers and posters concert r, cove programme of Design Design of programme cover, concert posters and flyers by Ben Leslie Leslie Ben by flyers and posters concert r, cove programme of Design
Bull Martin by notes Programme Programme notes by Martin Bull Bull Martin by notes Programme
January. 20 or 13 6, on members members on 6, 13 or 20 January. January. 20 or 13 6, on members
rehearsals as and when necessary. Singers are welcome to join as new new as join to welcome are Singers necessary. when and as rehearsals rehearsals as and when necessary. Singers are welcome to join as new new as join to welcome are Singers necessary. when and as rehearsals
January and continue until the concert on 18 March. We shall schedule additional additional schedule shall We March. 18 on concert the until continue and January January and continue until the concert on 18 March. We shall schedule additional additional schedule shall We March. 18 on concert the until continue and January
art on Monday 6 6 Monday on art st spring next 1610 of Vespers Monteverdi’s of Rehearsals Rehearsals of Monteverdi’s Vespers of 1610 next spring start on Monday 6 6 Monday on art st spring next 1610 of Vespers Monteverdi’s of Rehearsals
grounds. church the within parking parking within the church grounds. grounds. church the within parking
outside. Parking is relatively easy on nearby residential streets and there is limited limited is there and streets residential nearby on easy relatively is Parking outside. outside. Parking is relatively easy on nearby residential streets and there is limited limited is there and streets residential nearby on easy relatively is Parking outside.
ford and Catford Bridge stations; buses 47, 54, 136, 171, 199 and 208 stop stop 208 and 199 171, 136, 54, 47, buses stations; Bridge Catford and ford at C Catford and Catford Bridge stations; buses 47, 54, 136, 171, 199 and 208 stop stop 208 and 199 171, 136, 54, 47, buses stations; Bridge Catford and ford at C
Laurence’s Church, 37 Bromley Road, Catford, SE6 2TS: five minutes’ walk from from walk minutes’ five 2TS: SE6 Catford, Road, Bromley 37 Church, Laurence’s Laurence’s Church, 37 Bromley Road, Catford, SE6 2TS: five minutes’ walk from from walk minutes’ five 2TS: SE6 Catford, Road, Bromley 37 Church, Laurence’s
suit complete beginners. We rehearse on Monday evenings from 8 to 10 at St St at 10 to 8 from evenings Monday on rehearse We beginners. complete suit suit complete beginners. We rehearse on Monday evenings from 8 to 10 at St St at 10 to 8 from evenings Monday on rehearse We beginners. complete suit
paced, so may not not may so paced, - fast relatively are Rehearsals ability. musical and experience experience and musical ability. Rehearsals are relatively fast-paced, so may not not may so paced, - fast relatively are Rehearsals ability. musical and experience
require a level of of level a require h whic pieces complex some tackles and standard high a a high standard and tackles some complex pieces which require a level of of level a require h whic pieces complex some tackles and standard high a
to singers in all voice parts and although we do not audition, the choir performs to to performs choir the audition, not do we although and parts voice all in singers to to singers in all voice parts and although we do not audition, the choir performs to to performs choir the audition, not do we although and parts voice all in singers to
Society Choral Lewisham Lewisham Choral Society Society Choral Lewisham to new joiners. We are open open are We joiners. new to welcome warm a offers offers a warm welcome to new joiners. We are open open are We joiners. new to welcome warm a offers
SINGER? A A SINGER? SINGER? A
JOIN LEWISHAM CHORAL SOCIETY AS AS SOCIETY CHORAL LEWISHAM JOIN O T LIKE YOU WOULD WOULD YOU LIKE TO JOIN LEWISHAM CHORAL SOCIETY AS AS SOCIETY CHORAL LEWISHAM JOIN O T LIKE YOU WOULD
24 24 24 Page | | Page Page |
2000. in disbanded finally was and programme programme and was finally disbanded in 2000. 2000. in disbanded finally was and programme
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ones last the and removed be to began missiles the 1987, in treaty control arms an an arms control treaty in 1987, the missiles began to be removed and the last ones ones last the and removed be to began missiles the 1987, in treaty control arms an
The camp was active for a total of 19 years. After Gorbachev and Reagan signed signed Reagan and Gorbachev After years. 19 of total a for active was camp The The camp was active for a total of 19 years. After Gorbachev and Reagan signed signed Reagan and Gorbachev After years. 19 of total a for active was camp The
public. public. public.
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that it was “a court, not a theatre”. Ironically enough, it it enough, Ironically theatre”. a not court, “a was it that saying magistrate the with with the magistrate saying that it was “a court, not a theatre”. Ironically enough, it it enough, Ironically theatre”. a not court, “a was it that saying magistrate the with
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tatements tatements s red pa pre had daughter and mother Both trespass. for fined and peace peace and fined for trespass. Both mother and daughter had prepared statements tatements s red pa pre had daughter and mother Both trespass. for fined and peace
appear at the local magistrates’ court, where they were bound over to keep the the keep to over bound were they where court, magistrates’ local the at appear appear at the local magistrates’ court, where they were bound over to keep the the keep to over bound were they where court, magistrates’ local the at appear
summoned to to summoned were they and taken addresses and names their detained, briefly briefly detained, their names and addresses taken and they were summoned to to summoned were they and taken addresses and names their detained, briefly
they were were they – discovered when – and mp ca the entered them of handful a night One One night a handful of them entered the camp and – when discovered – they were were they – discovered when – and mp ca the entered them of handful a night One
where the silos to house the first missiles were going up. up. going were missiles first the house to silos the where Greenham at Gate Green Green Gate at Greenham where the silos to house the first missiles were going up. up. going were missiles first the house to silos the where Greenham at Gate Green
Miriam and Rachel McLeod were camped near the the near camped were McLeod Rachel and Miriam that 1983 August n i was t I It was in August 1983 that Miriam and Rachel McLeod were camped near the the near camped were McLeod Rachel and Miriam that 1983 August n i was t I
. Aldermaston at Establishment Research Weapons Weapons Research Establishment at Aldermaston. . Aldermaston at Establishment Research Weapons
the Atomic Atomic the a vi miles 14 for Greenham from stretched women 70,000 of chain chain of 70,000 women stretched from Greenham for 14 miles via the Atomic Atomic the a vi miles 14 for Greenham from stretched women 70,000 of chain
and later another human human another later and base the of perimeter mile - 9 the encircle to hands joining joining hands to encircle the 9-mile perimeter of the base and later another human human another later and base the of perimeter mile - 9 the encircle to hands joining
In December 30,000 women demonstrated by by demonstrated women 30,000 December In made. were arrests 34 which during during which 34 arrests were made. In December 30,000 women demonstrated by by demonstrated women 30,000 December In made. were arrests 34 which during
h 1982 with 250 women protesting, protesting, women 250 with 1982 h rc Ma in occurred base the of blockade first first blockade of the base occurred in March 1982 with 250 women protesting, protesting, women 250 with 1982 h rc Ma in occurred base the of blockade first
The The protest. their continue to Greenham at stay to began women removed, missiles missiles removed, women began to stay at Greenham to continue their protest. The The protest. their continue to Greenham at stay to began women removed, missiles
march alone was not going to get them the attention that they needed to have the the have to needed they that attention the them get to going not was alone march march alone was not going to get them the attention that they needed to have the the have to needed they that attention the them get to going not was alone march
After realising that the the that realising After . ” life all of basis the s i which world living the of future the the future of the living world which is the basis of all life”. After realising that the the that realising After . ” life all of basis the s i which world living the of future the
future of all our children and for for and children our all of future the for fear We “ stated things other among which which among other things stated “We fear for the future of all our children and for for and children our all of future the for fear We “ stated things other among which
Base Commander Commander Base RAF the to letter a delivered they arrival On there. missiles missiles there. On arrival they delivered a letter to the RAF Base Commander Commander Base RAF the to letter a delivered they arrival On there. missiles
Cruise nuclear nuclear Cruise 96 site to decision government’s the ate, eb d by challenging, challenging, by debate, the government’s decision to site 96 Cruise nuclear nuclear Cruise 96 site to decision government’s the ate, eb d by challenging,
marched from Cardiff with the intention of of intention the with Cardiff from marched having , Berkshire in Common Greenham Greenham Common in Berkshire, having marched from Cardiff with the intention of of intention the with Cardiff from marched having , Berkshire in Common Greenham
arrived on on arrived Earth on Life for Women group Welsh the 81, 19 September 5 On On 5 September 1981, the Welsh group Women for Life on Earth arrived on on arrived Earth on Life for Women group Welsh the 81, 19 September 5 On
Camp Peace Women’s Common Greenham Greenham Common Women’s Peace Camp Camp Peace Women’s Common Greenham
Camp Peace Women’s Common Greenham Greenham Common Women’s Peace Camp Camp Peace Women’s Common Greenham arrived on on arrived Earth on Life for Women group Welsh the 81, 19 September 5 On On 5 September 1981, the Welsh group Women for Life on Earth arrived on on arrived Earth on Life for Women group Welsh the 81, 19 September 5 On marched from Cardiff with the intention of of intention the with Cardiff from marched having , Berkshire in Common Greenham Greenham Common in Berkshire, having marched from Cardiff with the intention of of intention the with Cardiff from marched having , Berkshire in Common Greenham Cruise nuclear nuclear Cruise 96 site to decision government’s the ate, eb d by challenging, challenging, by debate, the government’s decision to site 96 Cruise nuclear nuclear Cruise 96 site to decision government’s the ate, eb d by challenging, Base Commander Commander Base RAF the to letter a delivered they arrival On there. missiles missiles there. On arrival they delivered a letter to the RAF Base Commander Commander Base RAF the to letter a delivered they arrival On there. missiles future of all our children and for for and children our all of future the for fear We “ stated things other among which which among other things stated “We fear for the future of all our children and for for and children our all of future the for fear We “ stated things other among which After realising that the the that realising After . ” life all of basis the s i which world living the of future the the future of the living world which is the basis of all life”. After realising that the the that realising After . ” life all of basis the s i which world living the of future the march alone was not going to get them the attention that they needed to have the the have to needed they that attention the them get to going not was alone march march alone was not going to get them the attention that they needed to have the the have to needed they that attention the them get to going not was alone march The The protest. their continue to Greenham at stay to began women removed, missiles missiles removed, women began to stay at Greenham to continue their protest. The The protest. their continue to Greenham at stay to began women removed, missiles h 1982 with 250 women protesting, protesting, women 250 with 1982 h rc Ma in occurred base the of blockade first first blockade of the base occurred in March 1982 with 250 women protesting, protesting, women 250 with 1982 h rc Ma in occurred base the of blockade first In December 30,000 women demonstrated by by demonstrated women 30,000 December In made. were arrests 34 which during during which 34 arrests were made. In December 30,000 women demonstrated by by demonstrated women 30,000 December In made. were arrests 34 which during and later another human human another later and base the of perimeter mile - 9 the encircle to hands joining joining hands to encircle the 9-mile perimeter of the base and later another human human another later and base the of perimeter mile - 9 the encircle to hands joining the Atomic Atomic the a vi miles 14 for Greenham from stretched women 70,000 of chain chain of 70,000 women stretched from Greenham for 14 miles via the Atomic Atomic the a vi miles 14 for Greenham from stretched women 70,000 of chain . Aldermaston at Establishment Research Weapons Weapons Research Establishment at Aldermaston. . Aldermaston at Establishment Research Weapons
Miriam and Rachel McLeod were camped near the the near camped were McLeod Rachel and Miriam that 1983 August n i was t I It was in August 1983 that Miriam and Rachel McLeod were camped near the the near camped were McLeod Rachel and Miriam that 1983 August n i was t I where the silos to house the first missiles were going up. up. going were missiles first the house to silos the where Greenham at Gate Green Green Gate at Greenham where the silos to house the first missiles were going up. up. going were missiles first the house to silos the where Greenham at Gate Green they were were they – discovered when – and mp ca the entered them of handful a night One One night a handful of them entered the camp and – when discovered – they were were they – discovered when – and mp ca the entered them of handful a night One summoned to to summoned were they and taken addresses and names their detained, briefly briefly detained, their names and addresses taken and they were summoned to to summoned were they and taken addresses and names their detained, briefly appear at the local magistrates’ court, where they were bound over to keep the the keep to over bound were they where court, magistrates’ local the at appear appear at the local magistrates’ court, where they were bound over to keep the the keep to over bound were they where court, magistrates’ local the at appear tatements tatements s red pa pre had daughter and mother Both trespass. for fined and peace peace and fined for trespass. Both mother and daughter had prepared statements tatements s red pa pre had daughter and mother Both trespass. for fined and peace they were not able to proceed with this, this, with proceed to able not were they but defence their in court the at deliver to to deliver at the court in their defence but they were not able to proceed with this, this, with proceed to able not were they but defence their in court the at deliver to that it was “a court, not a theatre”. Ironically enough, it it enough, Ironically theatre”. a not court, “a was it that saying magistrate the with with the magistrate saying that it was “a court, not a theatre”. Ironically enough, it it enough, Ironically theatre”. a not court, “a was it that saying magistrate the with heard by the the by heard y finall was statement Miriam’s that later years 28 theatre a in was was in a theatre 28 years later that Miriam’s statement was finally heard by the the by heard y finall was statement Miriam’s that later years 28 theatre a in was public. public. public.
The camp was active for a total of 19 years. After Gorbachev and Reagan signed signed Reagan and Gorbachev After years. 19 of total a for active was camp The The camp was active for a total of 19 years. After Gorbachev and Reagan signed signed Reagan and Gorbachev After years. 19 of total a for active was camp The ones last the and removed be to began missiles the 1987, in treaty control arms an an arms control treaty in 1987, the missiles began to be removed and the last ones ones last the and removed be to began missiles the 1987, in treaty control arms an lear weapons weapons lear uc n Trident the against protest a as on carried camp The 1991. in left left in 1991. The camp carried on as a protest against the Trident nuclear weapons weapons lear uc n Trident the against protest a as on carried camp The 1991. in left 2000. in disbanded finally was and programme programme and was finally disbanded in 2000. 2000. in disbanded finally was and programme
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24 24 24 Page | | Page Page |
2000. in disbanded finally was and programme programme and was finally disbanded in 2000. 2000. in disbanded finally was and programme
lear weapons weapons lear uc n Trident the against protest a as on carried camp The 1991. in left left in 1991. The camp carried on as a protest against the Trident nuclear weapons weapons lear uc n Trident the against protest a as on carried camp The 1991. in left
ones last the and removed be to began missiles the 1987, in treaty control arms an an arms control treaty in 1987, the missiles began to be removed and the last ones ones last the and removed be to began missiles the 1987, in treaty control arms an
The camp was active for a total of 19 years. After Gorbachev and Reagan signed signed Reagan and Gorbachev After years. 19 of total a for active was camp The The camp was active for a total of 19 years. After Gorbachev and Reagan signed signed Reagan and Gorbachev After years. 19 of total a for active was camp The
public. public. public.
heard by the the by heard y finall was statement Miriam’s that later years 28 theatre a in was was in a theatre 28 years later that Miriam’s statement was finally heard by the the by heard y finall was statement Miriam’s that later years 28 theatre a in was
that it was “a court, not a theatre”. Ironically enough, it it enough, Ironically theatre”. a not court, “a was it that saying magistrate the with with the magistrate saying that it was “a court, not a theatre”. Ironically enough, it it enough, Ironically theatre”. a not court, “a was it that saying magistrate the with
they were not able to proceed with this, this, with proceed to able not were they but defence their in court the at deliver to to deliver at the court in their defence but they were not able to proceed with this, this, with proceed to able not were they but defence their in court the at deliver to
tatements tatements s red pa pre had daughter and mother Both trespass. for fined and peace peace and fined for trespass. Both mother and daughter had prepared statements tatements s red pa pre had daughter and mother Both trespass. for fined and peace
appear at the local magistrates’ court, where they were bound over to keep the the keep to over bound were they where court, magistrates’ local the at appear appear at the local magistrates’ court, where they were bound over to keep the the keep to over bound were they where court, magistrates’ local the at appear
summoned to to summoned were they and taken addresses and names their detained, briefly briefly detained, their names and addresses taken and they were summoned to to summoned were they and taken addresses and names their detained, briefly
they were were they – discovered when – and mp ca the entered them of handful a night One One night a handful of them entered the camp and – when discovered – they were were they – discovered when – and mp ca the entered them of handful a night One
where the silos to house the first missiles were going up. up. going were missiles first the house to silos the where Greenham at Gate Green Green Gate at Greenham where the silos to house the first missiles were going up. up. going were missiles first the house to silos the where Greenham at Gate Green
Miriam and Rachel McLeod were camped near the the near camped were McLeod Rachel and Miriam that 1983 August n i was t I It was in August 1983 that Miriam and Rachel McLeod were camped near the the near camped were McLeod Rachel and Miriam that 1983 August n i was t I
. Aldermaston at Establishment Research Weapons Weapons Research Establishment at Aldermaston. . Aldermaston at Establishment Research Weapons
the Atomic Atomic the a vi miles 14 for Greenham from stretched women 70,000 of chain chain of 70,000 women stretched from Greenham for 14 miles via the Atomic Atomic the a vi miles 14 for Greenham from stretched women 70,000 of chain
and later another human human another later and base the of perimeter mile - 9 the encircle to hands joining joining hands to encircle the 9-mile perimeter of the base and later another human human another later and base the of perimeter mile - 9 the encircle to hands joining
In December 30,000 women demonstrated by by demonstrated women 30,000 December In made. were arrests 34 which during during which 34 arrests were made. In December 30,000 women demonstrated by by demonstrated women 30,000 December In made. were arrests 34 which during
h 1982 with 250 women protesting, protesting, women 250 with 1982 h rc Ma in occurred base the of blockade first first blockade of the base occurred in March 1982 with 250 women protesting, protesting, women 250 with 1982 h rc Ma in occurred base the of blockade first
The The protest. their continue to Greenham at stay to began women removed, missiles missiles removed, women began to stay at Greenham to continue their protest. The The protest. their continue to Greenham at stay to began women removed, missiles
march alone was not going to get them the attention that they needed to have the the have to needed they that attention the them get to going not was alone march march alone was not going to get them the attention that they needed to have the the have to needed they that attention the them get to going not was alone march
After realising that the the that realising After . ” life all of basis the s i which world living the of future the the future of the living world which is the basis of all life”. After realising that the the that realising After . ” life all of basis the s i which world living the of future the
future of all our children and for for and children our all of future the for fear We “ stated things other among which which among other things stated “We fear for the future of all our children and for for and children our all of future the for fear We “ stated things other among which
Base Commander Commander Base RAF the to letter a delivered they arrival On there. missiles missiles there. On arrival they delivered a letter to the RAF Base Commander Commander Base RAF the to letter a delivered they arrival On there. missiles
Cruise nuclear nuclear Cruise 96 site to decision government’s the ate, eb d by challenging, challenging, by debate, the government’s decision to site 96 Cruise nuclear nuclear Cruise 96 site to decision government’s the ate, eb d by challenging,
marched from Cardiff with the intention of of intention the with Cardiff from marched having , Berkshire in Common Greenham Greenham Common in Berkshire, having marched from Cardiff with the intention of of intention the with Cardiff from marched having , Berkshire in Common Greenham
arrived on on arrived Earth on Life for Women group Welsh the 81, 19 September 5 On On 5 September 1981, the Welsh group Women for Life on Earth arrived on on arrived Earth on Life for Women group Welsh the 81, 19 September 5 On
Camp Peace Women’s Common Greenham Greenham Common Women’s Peace Camp Camp Peace Women’s Common Greenham
25 | | 25 25 | Page Page Page
be. could weapons nuclear danger a what people tell to duty duty to tell people what a danger nuclear weapons could be. be. could weapons nuclear danger a what people tell to duty
s my my s i it think I and Heyford, Upper , Molesworth , Aldermaston Greenham, around around Greenham, Aldermaston, Molesworth, Upper Heyford, and I think it is my my s i it think I and Heyford, Upper , Molesworth , Aldermaston Greenham, around
trucks to “unknown destinations”. People do know what is happening in the villages villages the in happening is what know do People destinations”. “unknown to trucks trucks to “unknown destinations”. People do know what is happening in the villages villages the in happening is what know do People destinations”. “unknown to trucks
when their neighbours disappeared from the streets and were taken off in cattle cattle in off taken were and streets the from disappeared neighbours their when when their neighbours disappeared from the streets and were taken off in cattle cattle in off taken were and streets the from disappeared neighbours their when
imed that they did not realise what was happening happening was what realise not did they that imed la c they camps; concentration concentration camps; they claimed that they did not realise what was happening happening was what realise not did they that imed la c they camps; concentration
know what was happening when smoke belched from the chimneys of of chimneys the from belched smoke when happening was what know know what was happening when smoke belched from the chimneys of of chimneys the from belched smoke when happening was what know
living in small isolated villages in Austria, Germany and so on claimed they did not not did they claimed on so and Germany Austria, in villages isolated small in living living in small isolated villages in Austria, Germany and so on claimed they did not not did they claimed on so and Germany Austria, in villages isolated small in living
is one final point I would like to make. During the Second World War people people War World Second the During make. to like would I point final one is re The There is one final point I would like to make. During the Second World War people people War World Second the During make. to like would I point final one is re The
life. for maim and scar can fireworks unchecked and and unchecked fireworks can scar and maim for life. life. for maim and scar can fireworks unchecked and
children in my care that fires can burn, passing cars can kill, fierce dogs can bite bite can dogs fierce kill, can cars passing burn, can fires that care my in children children in my care that fires can burn, passing cars can kill, fierce dogs can bite bite can dogs fierce kill, can cars passing burn, can fires that care my in children
As a parent and teacher I would have been failing in my duty if I had not warned warned not had I if duty my in failing been have would I teacher and parent a As As a parent and teacher I would have been failing in my duty if I had not warned warned not had I if duty my in failing been have would I teacher and parent a As
crime. a a crime. crime. a
nce does not constitute constitute not does nce te exis their in in inherent dangers the to people alerting and and alerting people to the dangers inherent in in their existence does not constitute constitute not does nce te exis their in in inherent dangers the to people alerting and
crime; drawing people’s attention to the presence of nuclear weapons in England England in weapons nuclear of presence the to attention people’s drawing crime; crime; drawing people’s attention to the presence of nuclear weapons in England England in weapons nuclear of presence the to attention people’s drawing crime;
trying to save the human race is not a a not is race human the save to trying , being human and teacher parent, a As As a parent, teacher and human being, trying to save the human race is not a a not is race human the save to trying , being human and teacher parent, a As
research. nuclear nuclear research. research. nuclear
at go into further further into go at th resources and money of waste senseless the and bombs, those those bombs, and the senseless waste of money and resources that go into further further into go at th resources and money of waste senseless the and bombs, those
many years, I felt I had to protest against the senseless waste of life caused by by caused life of waste senseless the against protest to had I felt I years, many many years, I felt I had to protest against the senseless waste of life caused by by caused life of waste senseless the against protest to had I felt I years, many
As a humanitarian, and one who has been involved in the peace movement for for movement peace the in involved been has who one and humanitarian, a As As a humanitarian, and one who has been involved in the peace movement for for movement peace the in involved been has who one and humanitarian, a As
1945. 6 August on on August 6 1945. 1945. 6 August on
opped on Hiroshima Hiroshima on opped dr been had that bomb the of victims the for and injured were were injured and for the victims of the bomb that had been dropped on Hiroshima Hiroshima on opped dr been had that bomb the of victims the for and injured were
The day I entered the base was Nagasaki Day. My protest was for the people who who people the for was protest My Day. Nagasaki was base the entered I day The The day I entered the base was Nagasaki Day. My protest was for the people who who people the for was protest My Day. Nagasaki was base the entered I day The
comparison. in disasters small seem Chernobyl and Island Mile Three Three Mile Island and Chernobyl seem small disasters in comparison. comparison. in disasters small seem Chernobyl and Island Mile Three
f a kind that would make Hiroshima, Nagasaki, Nagasaki, Hiroshima, make would that kind a f o retaliation be would there country country there would be retaliation of a kind that would make Hiroshima, Nagasaki, Nagasaki, Hiroshima, make would that kind a f o retaliation be would there country
used as first strike weapons and if one missile were sent to any East European European East any to sent were missile one if and weapons strike first as used used as first strike weapons and if one missile were sent to any East European European East any to sent were missile one if and weapons strike first as used
In my opinion, cruise missiles put us at very great risk. They are intended to be be to intended are They risk. great very at us put missiles cruise opinion, my In In my opinion, cruise missiles put us at very great risk. They are intended to be be to intended are They risk. great very at us put missiles cruise opinion, my In
country. this in missiles cruise of presence presence of cruise missiles in this country. country. this in missiles cruise of presence
against the the against st prote personal a making was I – did I all is that and – England England – and that is all I did – I was making a personal protest against the the against st prote personal a making was I – did I all is that and – England
Greenham Common and walked on land that once belonged to the people of people the to belonged once that land on walked and Common Greenham Greenham Common and walked on land that once belonged to the people of of people the to belonged once that land on walked and Common Greenham
Mine tells me that I am not guilty, because, when I entered the base at at base the entered I when because, guilty, not am I that me tells Mine conscience. conscience. Mine tells me that I am not guilty, because, when I entered the base at at base the entered I when because, guilty, not am I that me tells Mine conscience.
t the ultimate law is to obey one’s one’s obey to is law ultimate the t ha t and protest one’s make to free is individual individual is free to make one’s protest and that the ultimate law is to obey one’s one’s obey to is law ultimate the t ha t and protest one’s make to free is individual
in a democracy the the democracy a in that remarked someone programme TV Sunday recent a In “ “In a recent Sunday TV programme someone remarked that in a democracy the the democracy a in that remarked someone programme TV Sunday recent a In “
Court Magistrates’ Newbury to speech lanned p Miriam’s Miriam’s planned speech to Newbury Magistrates’ Court Court Magistrates’ Newbury to speech lanned p Miriam’s
Court Magistrates’ Newbury to speech lanned p Miriam’s Miriam’s planned speech to Newbury Magistrates’ Court Court Magistrates’ Newbury to speech lanned p Miriam’s in a democracy the the democracy a in that remarked someone programme TV Sunday recent a In “ “In a recent Sunday TV programme someone remarked that in a democracy the the democracy a in that remarked someone programme TV Sunday recent a In “ t the ultimate law is to obey one’s one’s obey to is law ultimate the t ha t and protest one’s make to free is individual individual is free to make one’s protest and that the ultimate law is to obey one’s one’s obey to is law ultimate the t ha t and protest one’s make to free is individual Mine tells me that I am not guilty, because, when I entered the base at at base the entered I when because, guilty, not am I that me tells Mine conscience. conscience. Mine tells me that I am not guilty, because, when I entered the base at at base the entered I when because, guilty, not am I that me tells Mine conscience. of people the to belonged once that land on walked and Common Greenham Greenham Common and walked on land that once belonged to the people of of people the to belonged once that land on walked and Common Greenham against the the against st prote personal a making was I – did I all is that and – England England – and that is all I did – I was making a personal protest against the the against st prote personal a making was I – did I all is that and – England country. this in missiles cruise of presence presence of cruise missiles in this country. country. this in missiles cruise of presence In my opinion, cruise missiles put us at very great risk. They are intended to be be to intended are They risk. great very at us put missiles cruise opinion, my In In my opinion, cruise missiles put us at very great risk. They are intended to be be to intended are They risk. great very at us put missiles cruise opinion, my In used as first strike weapons and if one missile were sent to any East European European East any to sent were missile one if and weapons strike first as used used as first strike weapons and if one missile were sent to any East European European East any to sent were missile one if and weapons strike first as used f a kind that would make Hiroshima, Nagasaki, Nagasaki, Hiroshima, make would that kind a f o retaliation be would there country country there would be retaliation of a kind that would make Hiroshima, Nagasaki, Nagasaki, Hiroshima, make would that kind a f o retaliation be would there country comparison. in disasters small seem Chernobyl and Island Mile Three Three Mile Island and Chernobyl seem small disasters in comparison. comparison. in disasters small seem Chernobyl and Island Mile Three
The day I entered the base was Nagasaki Day. My protest was for the people who who people the for was protest My Day. Nagasaki was base the entered I day The The day I entered the base was Nagasaki Day. My protest was for the people who who people the for was protest My Day. Nagasaki was base the entered I day The opped on Hiroshima Hiroshima on opped dr been had that bomb the of victims the for and injured were were injured and for the victims of the bomb that had been dropped on Hiroshima Hiroshima on opped dr been had that bomb the of victims the for and injured were 1945. 6 August on on August 6 1945. 1945. 6 August on
As a humanitarian, and one who has been involved in the peace movement for for movement peace the in involved been has who one and humanitarian, a As As a humanitarian, and one who has been involved in the peace movement for for movement peace the in involved been has who one and humanitarian, a As many years, I felt I had to protest against the senseless waste of life caused by by caused life of waste senseless the against protest to had I felt I years, many many years, I felt I had to protest against the senseless waste of life caused by by caused life of waste senseless the against protest to had I felt I years, many at go into further further into go at th resources and money of waste senseless the and bombs, those those bombs, and the senseless waste of money and resources that go into further further into go at th resources and money of waste senseless the and bombs, those research. nuclear nuclear research. research. nuclear trying to save the human race is not a a not is race human the save to trying , being human and teacher parent, a As As a parent, teacher and human being, trying to save the human race is not a a not is race human the save to trying , being human and teacher parent, a As crime; drawing people’s attention to the presence of nuclear weapons in England England in weapons nuclear of presence the to attention people’s drawing crime; crime; drawing people’s attention to the presence of nuclear weapons in England England in weapons nuclear of presence the to attention people’s drawing crime; nce does not constitute constitute not does nce te exis their in in inherent dangers the to people alerting and and alerting people to the dangers inherent in in their existence does not constitute constitute not does nce te exis their in in inherent dangers the to people alerting and crime. a a crime. crime. a
As a parent and teacher I would have been failing in my duty if I had not warned warned not had I if duty my in failing been have would I teacher and parent a As As a parent and teacher I would have been failing in my duty if I had not warned warned not had I if duty my in failing been have would I teacher and parent a As children in my care that fires can burn, passing cars can kill, fierce dogs can bite bite can dogs fierce kill, can cars passing burn, can fires that care my in children children in my care that fires can burn, passing cars can kill, fierce dogs can bite bite can dogs fierce kill, can cars passing burn, can fires that care my in children life. for maim and scar can fireworks unchecked and and unchecked fireworks can scar and maim for life. life. for maim and scar can fireworks unchecked and is one final point I would like to make. During the Second World War people people War World Second the During make. to like would I point final one is re The There is one final point I would like to make. During the Second World War people people War World Second the During make. to like would I point final one is re The living in small isolated villages in Austria, Germany and so on claimed they did not not did they claimed on so and Germany Austria, in villages isolated small in living living in small isolated villages in Austria, Germany and so on claimed they did not not did they claimed on so and Germany Austria, in villages isolated small in living know what was happening when smoke belched from the chimneys of of chimneys the from belched smoke when happening was what know know what was happening when smoke belched from the chimneys of of chimneys the from belched smoke when happening was what know imed that they did not realise what was happening happening was what realise not did they that imed la c they camps; concentration concentration camps; they claimed that they did not realise what was happening happening was what realise not did they that imed la c they camps; concentration when their neighbours disappeared from the streets and were taken off in cattle cattle in off taken were and streets the from disappeared neighbours their when when their neighbours disappeared from the streets and were taken off in cattle cattle in off taken were and streets the from disappeared neighbours their when trucks to “unknown destinations”. People do know what is happening in the villages villages the in happening is what know do People destinations”. “unknown to trucks trucks to “unknown destinations”. People do know what is happening in the villages villages the in happening is what know do People destinations”. “unknown to trucks s my my s i it think I and Heyford, Upper , Molesworth , Aldermaston Greenham, around around Greenham, Aldermaston, Molesworth, Upper Heyford, and I think it is my my s i it think I and Heyford, Upper , Molesworth , Aldermaston Greenham, around be. could weapons nuclear danger a what people tell to duty duty to tell people what a danger nuclear weapons could be. be. could weapons nuclear danger a what people tell to duty
25 | Page Page| 25 25 | Page
25 | | 25 25 | Page Page Page
be. could weapons nuclear danger a what people tell to duty duty to tell people what a danger nuclear weapons could be. be. could weapons nuclear danger a what people tell to duty
s my my s i it think I and Heyford, Upper , Molesworth , Aldermaston Greenham, around around Greenham, Aldermaston, Molesworth, Upper Heyford, and I think it is my my s i it think I and Heyford, Upper , Molesworth , Aldermaston Greenham, around
trucks to “unknown destinations”. People do know what is happening in the villages villages the in happening is what know do People destinations”. “unknown to trucks trucks to “unknown destinations”. People do know what is happening in the villages villages the in happening is what know do People destinations”. “unknown to trucks
when their neighbours disappeared from the streets and were taken off in cattle cattle in off taken were and streets the from disappeared neighbours their when when their neighbours disappeared from the streets and were taken off in cattle cattle in off taken were and streets the from disappeared neighbours their when
imed that they did not realise what was happening happening was what realise not did they that imed la c they camps; concentration concentration camps; they claimed that they did not realise what was happening happening was what realise not did they that imed la c they camps; concentration
know what was happening when smoke belched from the chimneys of of chimneys the from belched smoke when happening was what know know what was happening when smoke belched from the chimneys of of chimneys the from belched smoke when happening was what know
living in small isolated villages in Austria, Germany and so on claimed they did not not did they claimed on so and Germany Austria, in villages isolated small in living living in small isolated villages in Austria, Germany and so on claimed they did not not did they claimed on so and Germany Austria, in villages isolated small in living
is one final point I would like to make. During the Second World War people people War World Second the During make. to like would I point final one is re The There is one final point I would like to make. During the Second World War people people War World Second the During make. to like would I point final one is re The
life. for maim and scar can fireworks unchecked and and unchecked fireworks can scar and maim for life. life. for maim and scar can fireworks unchecked and
children in my care that fires can burn, passing cars can kill, fierce dogs can bite bite can dogs fierce kill, can cars passing burn, can fires that care my in children children in my care that fires can burn, passing cars can kill, fierce dogs can bite bite can dogs fierce kill, can cars passing burn, can fires that care my in children
As a parent and teacher I would have been failing in my duty if I had not warned warned not had I if duty my in failing been have would I teacher and parent a As As a parent and teacher I would have been failing in my duty if I had not warned warned not had I if duty my in failing been have would I teacher and parent a As
crime. a a crime. crime. a
nce does not constitute constitute not does nce te exis their in in inherent dangers the to people alerting and and alerting people to the dangers inherent in in their existence does not constitute constitute not does nce te exis their in in inherent dangers the to people alerting and
crime; drawing people’s attention to the presence of nuclear weapons in England England in weapons nuclear of presence the to attention people’s drawing crime; crime; drawing people’s attention to the presence of nuclear weapons in England England in weapons nuclear of presence the to attention people’s drawing crime;
trying to save the human race is not a a not is race human the save to trying , being human and teacher parent, a As As a parent, teacher and human being, trying to save the human race is not a a not is race human the save to trying , being human and teacher parent, a As
research. nuclear nuclear research. research. nuclear
at go into further further into go at th resources and money of waste senseless the and bombs, those those bombs, and the senseless waste of money and resources that go into further further into go at th resources and money of waste senseless the and bombs, those
many years, I felt I had to protest against the senseless waste of life caused by by caused life of waste senseless the against protest to had I felt I years, many many years, I felt I had to protest against the senseless waste of life caused by by caused life of waste senseless the against protest to had I felt I years, many
As a humanitarian, and one who has been involved in the peace movement for for movement peace the in involved been has who one and humanitarian, a As As a humanitarian, and one who has been involved in the peace movement for for movement peace the in involved been has who one and humanitarian, a As
1945. 6 August on on August 6 1945. 1945. 6 August on
opped on Hiroshima Hiroshima on opped dr been had that bomb the of victims the for and injured were were injured and for the victims of the bomb that had been dropped on Hiroshima Hiroshima on opped dr been had that bomb the of victims the for and injured were
The day I entered the base was Nagasaki Day. My protest was for the people who who people the for was protest My Day. Nagasaki was base the entered I day The The day I entered the base was Nagasaki Day. My protest was for the people who who people the for was protest My Day. Nagasaki was base the entered I day The
comparison. in disasters small seem Chernobyl and Island Mile Three Three Mile Island and Chernobyl seem small disasters in comparison. comparison. in disasters small seem Chernobyl and Island Mile Three
f a kind that would make Hiroshima, Nagasaki, Nagasaki, Hiroshima, make would that kind a f o retaliation be would there country country there would be retaliation of a kind that would make Hiroshima, Nagasaki, Nagasaki, Hiroshima, make would that kind a f o retaliation be would there country
used as first strike weapons and if one missile were sent to any East European European East any to sent were missile one if and weapons strike first as used used as first strike weapons and if one missile were sent to any East European European East any to sent were missile one if and weapons strike first as used
In my opinion, cruise missiles put us at very great risk. They are intended to be be to intended are They risk. great very at us put missiles cruise opinion, my In In my opinion, cruise missiles put us at very great risk. They are intended to be be to intended are They risk. great very at us put missiles cruise opinion, my In
country. this in missiles cruise of presence presence of cruise missiles in this country. country. this in missiles cruise of presence
against the the against st prote personal a making was I – did I all is that and – England England – and that is all I did – I was making a personal protest against the the against st prote personal a making was I – did I all is that and – England
Greenham Common and walked on land that once belonged to the people of people the to belonged once that land on walked and Common Greenham Greenham Common and walked on land that once belonged to the people of of people the to belonged once that land on walked and Common Greenham
Mine tells me that I am not guilty, because, when I entered the base at at base the entered I when because, guilty, not am I that me tells Mine conscience. conscience. Mine tells me that I am not guilty, because, when I entered the base at at base the entered I when because, guilty, not am I that me tells Mine conscience.
t the ultimate law is to obey one’s one’s obey to is law ultimate the t ha t and protest one’s make to free is individual individual is free to make one’s protest and that the ultimate law is to obey one’s one’s obey to is law ultimate the t ha t and protest one’s make to free is individual
in a democracy the the democracy a in that remarked someone programme TV Sunday recent a In “ “In a recent Sunday TV programme someone remarked that in a democracy the the democracy a in that remarked someone programme TV Sunday recent a In “
Court Magistrates’ Newbury to speech lanned p Miriam’s Miriam’s planned speech to Newbury Magistrates’ Court Court Magistrates’ Newbury to speech lanned p Miriam’s
26 26 26 Page | | Page Page |
Miriam at Greenham at Miriam Miriam at Greenham Greenham at Miriam
tried.” I way my in that say only can I end the in and and in the end I can only say that in my way I tried.” tried.” I way my in that say only can I end the in and
nt: I have often been asked why I am involved in the peace movement, movement, peace the in involved am I why asked been often have I nt: oi p final One One final point: I have often been asked why I am involved in the peace movement, movement, peace the in involved am I why asked been often have I nt: oi p final One
disaster. from us protect will weapons weapons will protect us from disaster. disaster. from us protect will weapons
“leaders” of governments who dishonestly try to convince people that nuclear nuclear that people convince to try dishonestly who governments of “leaders” “leaders” of governments who dishonestly try to convince people that nuclear nuclear that people convince to try dishonestly who governments of “leaders”
The people who should be standing in this court today and pleading guilty are the the are guilty pleading and today court this in standing be should who people The The people who should be standing in this court today and pleading guilty are the the are guilty pleading and today court this in standing be should who people The
weapons? nuclear of dangers the the dangers of nuclear weapons? weapons? nuclear of dangers the
pointing out out pointing r fo guilty plead I should why kill can abuse drug and eating unhealthy unhealthy eating and drug abuse can kill why should I plead guilty for pointing out out pointing r fo guilty plead I should why kill can abuse drug and eating unhealthy
If doctors are not guilty for warning their patients that smoking, excessive drinking, drinking, excessive smoking, that patients their warning for guilty not are doctors If If doctors are not guilty for warning their patients that smoking, excessive drinking, drinking, excessive smoking, that patients their warning for guilty not are doctors If
If doctors are not guilty for warning their patients that smoking, excessive drinking, drinking, excessive smoking, that patients their warning for guilty not are doctors If If doctors are not guilty for warning their patients that smoking, excessive drinking, drinking, excessive smoking, that patients their warning for guilty not are doctors If pointing out out pointing r fo guilty plead I should why kill can abuse drug and eating unhealthy unhealthy eating and drug abuse can kill why should I plead guilty for pointing out out pointing r fo guilty plead I should why kill can abuse drug and eating unhealthy weapons? nuclear of dangers the the dangers of nuclear weapons? weapons? nuclear of dangers the
The people who should be standing in this court today and pleading guilty are the the are guilty pleading and today court this in standing be should who people The The people who should be standing in this court today and pleading guilty are the the are guilty pleading and today court this in standing be should who people The “leaders” of governments who dishonestly try to convince people that nuclear nuclear that people convince to try dishonestly who governments of “leaders” “leaders” of governments who dishonestly try to convince people that nuclear nuclear that people convince to try dishonestly who governments of “leaders” disaster. from us protect will weapons weapons will protect us from disaster. disaster. from us protect will weapons nt: I have often been asked why I am involved in the peace movement, movement, peace the in involved am I why asked been often have I nt: oi p final One One final point: I have often been asked why I am involved in the peace movement, movement, peace the in involved am I why asked been often have I nt: oi p final One tried.” I way my in that say only can I end the in and and in the end I can only say that in my way I tried.” tried.” I way my in that say only can I end the in and
Greenham at Miriam Miriam at Greenham Greenham at Miriam
Page | 26 26 | Page Page | 26
26 26 26 Page | | Page Page |
Miriam at Greenham at Miriam Miriam at Greenham Greenham at Miriam
tried.” I way my in that say only can I end the in and and in the end I can only say that in my way I tried.” tried.” I way my in that say only can I end the in and
nt: I have often been asked why I am involved in the peace movement, movement, peace the in involved am I why asked been often have I nt: oi p final One One final point: I have often been asked why I am involved in the peace movement, movement, peace the in involved am I why asked been often have I nt: oi p final One
disaster. from us protect will weapons weapons will protect us from disaster. disaster. from us protect will weapons
“leaders” of governments who dishonestly try to convince people that nuclear nuclear that people convince to try dishonestly who governments of “leaders” “leaders” of governments who dishonestly try to convince people that nuclear nuclear that people convince to try dishonestly who governments of “leaders”
The people who should be standing in this court today and pleading guilty are the the are guilty pleading and today court this in standing be should who people The The people who should be standing in this court today and pleading guilty are the the are guilty pleading and today court this in standing be should who people The
weapons? nuclear of dangers the the dangers of nuclear weapons? weapons? nuclear of dangers the
pointing out out pointing r fo guilty plead I should why kill can abuse drug and eating unhealthy unhealthy eating and drug abuse can kill why should I plead guilty for pointing out out pointing r fo guilty plead I should why kill can abuse drug and eating unhealthy
If doctors are not guilty for warning their patients that smoking, excessive drinking, drinking, excessive smoking, that patients their warning for guilty not are doctors If If doctors are not guilty for warning their patients that smoking, excessive drinking, drinking, excessive smoking, that patients their warning for guilty not are doctors If
27 | | 27 27 | Page Page Page
E&W1082947 & SC040094 & E&W1082947 numbers charity registered Crisis Crisis registered charity numbers E&W1082947 & SC040094 SC040094 & E&W1082947 numbers charity registered Crisis
1070172 1070172 1070172
Lewisham Churches for Asylum Seekers registered charity number number charity registered Seekers Asylum for Churches Lewisham Lewisham Churches for Asylum Seekers registered charity number number charity registered Seekers Asylum for Churches Lewisham
Please give generously! give Please Please give generously! generously! give Please
Crisis is the UK national charity for single homeless people homeless single for charity national UK the is Crisis Crisis is the UK national charity for single homeless people people homeless single for charity national UK the is Crisis
Refugees in Lewisham. in Refugees Refugees in Lewisham. Lewisham. in Refugees
Council, Lewisham Refugee and Migrant Network and Action for for Action and Network Migrant and Refugee Lewisham Council, Council, Lewisham Refugee and Migrant Network and Action for for Action and Network Migrant and Refugee Lewisham Council,
eferred by the Refugee Refugee the by eferred r seekers asylum and refugees destitute destitute refugees and asylum seekers referred by the Refugee Refugee the by eferred r seekers asylum and refugees destitute
Tuesday, from St. John's Church, Lewisham Way. This supports supports This Way. Lewisham Church, John's St. from Tuesday, Tuesday, from St. John's Church, Lewisham Way. This supports supports This Way. Lewisham Church, John's St. from Tuesday,
and individuals, LewCAS’s volunteers run a food scheme every every scheme food a run volunteers LewCAS’s individuals, and and individuals, LewCAS’s volunteers run a food scheme every every scheme food a run volunteers LewCAS’s individuals, and
Relying entirely on donations of food and cash from local churches churches local from cash and food of donations on entirely Relying Relying entirely on donations of food and cash from local churches churches local from cash and food of donations on entirely Relying
Crisis Crisis Crisis ith a retiring collection. retiring a ith w and and with a retiring collection. collection. retiring a ith w and
LewCAS LewCAS LewCAS (Lewisham Churches for Asylum Seekers) Asylum for Churches (Lewisham (Lewisham Churches for Asylum Seekers) Seekers) Asylum for Churches (Lewisham
Lewisham Choral Society is happy to support support to happy is Society Choral Lewisham Lewisham Choral Society is happy to support support to happy is Society Choral Lewisham
Lewisham Choral Society is happy to support support to happy is Society Choral Lewisham Lewisham Choral Society is happy to support support to happy is Society Choral Lewisham (Lewisham Churches for Asylum Seekers) Asylum for Churches (Lewisham LewCAS LewCAS (Lewisham Churches for Asylum Seekers) Seekers) Asylum for Churches (Lewisham LewCAS ith a retiring collection. retiring a ith w Crisis and and Crisis with a retiring collection. collection. retiring a ith w Crisis and
Relying entirely on donations of food and cash from local churches churches local from cash and food of donations on entirely Relying Relying entirely on donations of food and cash from local churches churches local from cash and food of donations on entirely Relying and individuals, LewCAS’s volunteers run a food scheme every every scheme food a run volunteers LewCAS’s individuals, and and individuals, LewCAS’s volunteers run a food scheme every every scheme food a run volunteers LewCAS’s individuals, and Tuesday, from St. John's Church, Lewisham Way. This supports supports This Way. Lewisham Church, John's St. from Tuesday, Tuesday, from St. John's Church, Lewisham Way. This supports supports This Way. Lewisham Church, John's St. from Tuesday, eferred by the Refugee Refugee the by eferred r seekers asylum and refugees destitute destitute refugees and asylum seekers referred by the Refugee Refugee the by eferred r seekers asylum and refugees destitute Council, Lewisham Refugee and Migrant Network and Action for for Action and Network Migrant and Refugee Lewisham Council, Council, Lewisham Refugee and Migrant Network and Action for for Action and Network Migrant and Refugee Lewisham Council, Refugees in Lewisham. in Refugees Refugees in Lewisham. Lewisham. in Refugees
Crisis is the UK national charity for single homeless people homeless single for charity national UK the is Crisis Crisis is the UK national charity for single homeless people people homeless single for charity national UK the is Crisis
Please give generously! give Please Please give generously! generously! give Please Lewisham Churches for Asylum Seekers registered charity number number charity registered Seekers Asylum for Churches Lewisham Lewisham Churches for Asylum Seekers registered charity number number charity registered Seekers Asylum for Churches Lewisham 1070172 1070172 1070172 E&W1082947 & SC040094 & E&W1082947 numbers charity registered Crisis Crisis registered charity numbers E&W1082947 & SC040094 SC040094 & E&W1082947 numbers charity registered Crisis
27 | Page Page| 27 27 | Page
27 | | 27 27 | Page Page Page
E&W1082947 & SC040094 & E&W1082947 numbers charity registered Crisis Crisis registered charity numbers E&W1082947 & SC040094 SC040094 & E&W1082947 numbers charity registered Crisis
1070172 1070172 1070172
Lewisham Churches for Asylum Seekers registered charity number number charity registered Seekers Asylum for Churches Lewisham Lewisham Churches for Asylum Seekers registered charity number number charity registered Seekers Asylum for Churches Lewisham
Please give generously! give Please Please give generously! generously! give Please
Crisis is the UK national charity for single homeless people homeless single for charity national UK the is Crisis Crisis is the UK national charity for single homeless people people homeless single for charity national UK the is Crisis
Refugees in Lewisham. in Refugees Refugees in Lewisham. Lewisham. in Refugees
Council, Lewisham Refugee and Migrant Network and Action for for Action and Network Migrant and Refugee Lewisham Council, Council, Lewisham Refugee and Migrant Network and Action for for Action and Network Migrant and Refugee Lewisham Council,
eferred by the Refugee Refugee the by eferred r seekers asylum and refugees destitute destitute refugees and asylum seekers referred by the Refugee Refugee the by eferred r seekers asylum and refugees destitute
Tuesday, from St. John's Church, Lewisham Way. This supports supports This Way. Lewisham Church, John's St. from Tuesday, Tuesday, from St. John's Church, Lewisham Way. This supports supports This Way. Lewisham Church, John's St. from Tuesday,
and individuals, LewCAS’s volunteers run a food scheme every every scheme food a run volunteers LewCAS’s individuals, and and individuals, LewCAS’s volunteers run a food scheme every every scheme food a run volunteers LewCAS’s individuals, and
Relying entirely on donations of food and cash from local churches churches local from cash and food of donations on entirely Relying Relying entirely on donations of food and cash from local churches churches local from cash and food of donations on entirely Relying
Crisis Crisis Crisis ith a retiring collection. retiring a ith w and and with a retiring collection. collection. retiring a ith w and
LewCAS LewCAS LewCAS (Lewisham Churches for Asylum Seekers) Asylum for Churches (Lewisham (Lewisham Churches for Asylum Seekers) Seekers) Asylum for Churches (Lewisham
Lewisham Choral Society is happy to support support to happy is Society Choral Lewisham Lewisham Choral Society is happy to support support to happy is Society Choral Lewisham
www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk
Visit our website for updates: for website our Visit Visit our website for updates: updates: for website our Visit
www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk
Visit our website for updates: for website our Visit Visit our website for updates: updates: for website our Visit
Venue to be confirmed be to Venue Venue to be confirmed confirmed be to Venue
to celebrate John Rutter’s 75th birthday 75th Rutter’s John celebrate to to celebrate John Rutter’s 75th birthday birthday 75th Rutter’s John celebrate to
Rutter at 75 at Rutter Rutter at 75 75 at Rutter
Saturday 4 July 2020, 7.30 pm 7.30 2020, July 4 Saturday Saturday 4 July 2020, 7.30 pm pm 7.30 2020, July 4 Saturday
Queen Elizabeth Hall – Southbank Centre, SE1 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Queen Elizabeth Hall – Southbank Centre, SE1 8XX 8XX SE1 Centre, Southbank – Hall Elizabeth Queen
His Majestys Sagbutts and Cornetts and Sagbutts Majestys His His Majestys Sagbutts and Cornetts Cornetts and Sagbutts Majestys His
Queen Elizabeth Hall – Southbank Centre, SE1 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Queen Elizabeth Hall – Southbank Centre, SE1 8XX 8XX SE1 Centre, Southbank – Hall Elizabeth Queen
Monteverdi: Vespers of 1610 of Vespers Monteverdi: Monteverdi: Vespers of 1610 1610 of Vespers Monteverdi:
His Majestys Sagbutts and Cornetts and Sagbutts Majestys His His Majestys Sagbutts and Cornetts Cornetts and Sagbutts Majestys His
Wednesday 18 March 2020, 7.30 pm 7.30 2020, March 18 Wednesday Wednesday 18 March 2020, 7.30 pm pm 7.30 2020, March 18 Wednesday Jonathan Brown – bass – Brown Jonathan Jonathan Brown – bass bass – Brown Jonathan
Philip Tebb – bass bass – Tebb Philip Philip Tebb – bass bass – Tebb Philip
Andrew Tortise – tenor tenor – Tortise Andrew Andrew Tortise – tenor tenor – Tortise Andrew
Nicholas Mulroy – tenor tenor – Mulroy Nicholas Nicholas Mulroy – tenor tenor – Mulroy Nicholas
St Mary’s Church, Lewisham, SE13 6LE SE13 Lewisham, Church, Mary’s St St Mary’s Church, Lewisham, SE13 6LE 6LE SE13 Lewisham, Church, Mary’s St
Rodney Morris – alto alto – Morris Rodney Rodney Morris – alto alto – Morris Rodney
Helen Meyerhoff – soprano – Meyerhoff Helen Helen Meyerhoff – soprano soprano – Meyerhoff Helen commissioned in memory of LCS alto Miriam McLeod Miriam alto LCS of memory in commissioned commissioned in memory of LCS alto Miriam McLeod McLeod Miriam alto LCS of memory in commissioned
by local composer Kate Whitley, Whitley, Kate composer local by Way My In of premiere the featuring featuring the premiere of In My Way by local composer Kate Whitley, Whitley, Kate composer local by Way My In of premiere the featuring Elizabeth Weisberg – soprano soprano – Weisberg Elizabeth Elizabeth Weisberg – soprano soprano – Weisberg Elizabeth
Christmas Concert Christmas Christmas Concert Concert Christmas
Monteverdi: Vespers of 1610 of Vespers Monteverdi: Monteverdi: Vespers of 1610 1610 of Vespers Monteverdi:
Saturday 21 December, 7.30 pm pm 7.30 December, 21 Saturday Saturday 21 December, 7.30 pm pm 7.30 December, 21 Saturday
Wednesday 18 March 2020, 7.30 pm 7.30 2020, March 18 Wednesday Wednesday 18 March 2020, 7.30 pm pm 7.30 2020, March 18 Wednesday
Future Concerts Future Future Concerts Concerts Future Future Concerts Future Future Concerts Concerts Future
Future Concerts Concerts Future Future FutureFuture ConcertsConcerts Concerts Concerts Future Future
Wednesday 18 March 2020, 7.30 pm 7.30 2020, March 18 Wednesday Wednesday 18 March 2020, 7.30 pm pm 7.30 2020, March 18 Wednesday Saturday 21 December, 7.30 pm pm 7.30 December, 21 Saturday Saturday 21 December, 7.30 pm pm 7.30 December, 21 Saturday
Monteverdi: Vespers of 1610 of Vespers Concert Christmas Monteverdi: Monteverdi:Christmas Concert Vespers of 1610 1610 of Vespers Concert Christmas Monteverdi: by local composer Kate Whitley, Whitley, Kate composer local by Way My In of soprano – premiere the Weisberg featuring Elizabeth Elizabethfeaturing Weisberg the premiere – soprano of In My Way by local composer Kate Whitley, Whitley, Kate composer local by Way My In of soprano – premiere the Weisberg featuring Elizabeth commissioned in memory of LCS alto Miriam McLeod Miriam alto LCS of soprano – memory in Meyerhoff commissioned Helen Helencommissioned Meyerhoff in memory– soprano of LCS alto Miriam McLeod McLeod Miriam alto LCS of soprano – memory in Meyerhoff commissioned Helen Rodney Morris – alto alto – Morris Rodney Rodney Morris – alto alto – Morris Rodney St Mary’s Church, Lewisham, SE13 6LE SE13 Lewisham, tenor – Church, Mulroy Mary’s St Nicholas NicholasSt Mary’s Mulroy Church, – tenor Lewisham, SE13 6LE 6LE SE13 Lewisham, tenor – Church, Mulroy Mary’s St Nicholas Andrew Tortise – tenor tenor – Tortise Andrew Andrew Tortise – tenor tenor – Tortise Andrew Philip Tebb – bass bass – Tebb Philip Philip Tebb – bass bass – Tebb Philip Wednesday 18 March 2020, 7.30 pm 7.30 2020, March bass – 18 Brown Wednesday Jonathan JonathanWednesday Brown 18– bass March 2020, 7.30 pm pm 7.30 2020, March bass – 18 Brown Wednesday Jonathan
His Majestys Sagbutts and Cornetts and Sagbutts Majestys His His Majestys Sagbutts and Cornetts Cornetts and Sagbutts Majestys His Monteverdi: Vespers of 1610 of Vespers Monteverdi: Monteverdi: Vespers of 1610 1610 of Vespers Monteverdi: Queen Elizabeth Hall – Southbank Centre, SE1 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Queen Elizabeth Hall – Southbank Centre, SE1 8XX 8XX SE1 Centre, Southbank – Hall Elizabeth Queen His Majestys Sagbutts and Cornetts and Sagbutts Majestys His His Majestys Sagbutts and Cornetts Cornetts and Sagbutts Majestys His
Queen Elizabeth Hall – Southbank Centre, SE1 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Queen Elizabeth Hall – Southbank Centre, SE1 8XX 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Saturday 4 July 2020, 7.30 pm 7.30 2020, July 4 Saturday Saturday 4 July 2020, 7.30 pm pm 7.30 2020, July 4 Saturday
75 at Rutter Rutter at 75 75 at Rutter to celebrate John Rutter’s 75th birthday 75th Rutter’s John celebrate to to celebrate John Rutter’s 75th birthday birthday 75th Rutter’s John celebrate to
Venue to be confirmed be to Venue Venue to be confirmed confirmed be to Venue
Visit our website for updates: for website our Visit Visit our website for updates: updates: for website our Visit www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk Visit our website for updates: for website our Visit Visit our website for updates: updates: for website our Visit
www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk
www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk
Visit our website for updates: for website our Visit Visit our website for updates: updates: for website our Visit
www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk www.lewishamchoralsociety.org.uk
Visit our website for updates: for website our Visit Visit our website for updates: updates: for website our Visit
Venue to be confirmed be to Venue Venue to be confirmed confirmed be to Venue
to celebrate John Rutter’s 75th birthday 75th Rutter’s John celebrate to to celebrate John Rutter’s 75th birthday birthday 75th Rutter’s John celebrate to
Rutter at 75 at Rutter Rutter at 75 75 at Rutter
Saturday 4 July 2020, 7.30 pm 7.30 2020, July 4 Saturday Saturday 4 July 2020, 7.30 pm pm 7.30 2020, July 4 Saturday
Queen Elizabeth Hall – Southbank Centre, SE1 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Queen Elizabeth Hall – Southbank Centre, SE1 8XX 8XX SE1 Centre, Southbank – Hall Elizabeth Queen
His Majestys Sagbutts and Cornetts and Sagbutts Majestys His His Majestys Sagbutts and Cornetts Cornetts and Sagbutts Majestys His
Queen Elizabeth Hall – Southbank Centre, SE1 8XX SE1 Centre, Southbank – Hall Elizabeth Queen Queen Elizabeth Hall – Southbank Centre, SE1 8XX 8XX SE1 Centre, Southbank – Hall Elizabeth Queen
Monteverdi: Vespers of 1610 of Vespers Monteverdi: Monteverdi: Vespers of 1610 1610 of Vespers Monteverdi:
His Majestys Sagbutts and Cornetts and Sagbutts Majestys His His Majestys Sagbutts and Cornetts Cornetts and Sagbutts Majestys His
Wednesday 18 March 2020, 7.30 pm 7.30 2020, March 18 Wednesday Wednesday 18 March 2020, 7.30 pm pm 7.30 2020, March 18 Wednesday Jonathan Brown – bass – Brown Jonathan Jonathan Brown – bass bass – Brown Jonathan
Philip Tebb – bass bass – Tebb Philip Philip Tebb – bass bass – Tebb Philip
Andrew Tortise – tenor tenor – Tortise Andrew Andrew Tortise – tenor tenor – Tortise Andrew
Nicholas Mulroy – tenor tenor – Mulroy Nicholas Nicholas Mulroy – tenor tenor – Mulroy Nicholas
St Mary’s Church, Lewisham, SE13 6LE SE13 Lewisham, Church, Mary’s St St Mary’s Church, Lewisham, SE13 6LE 6LE SE13 Lewisham, Church, Mary’s St
Rodney Morris – alto alto – Morris Rodney Rodney Morris – alto alto – Morris Rodney
Helen Meyerhoff – soprano – Meyerhoff Helen Helen Meyerhoff – soprano soprano – Meyerhoff Helen commissioned in memory of LCS alto Miriam McLeod Miriam alto LCS of memory in commissioned commissioned in memory of LCS alto Miriam McLeod McLeod Miriam alto LCS of memory in commissioned
by local composer Kate Whitley, Whitley, Kate composer local by Way My In of premiere the featuring featuring the premiere of In My Way by local composer Kate Whitley, Whitley, Kate composer local by Way My In of premiere the featuring Elizabeth Weisberg – soprano soprano – Weisberg Elizabeth Elizabeth Weisberg – soprano soprano – Weisberg Elizabeth
Christmas Concert Christmas Christmas Concert Concert Christmas
Monteverdi: Vespers of 1610 of Vespers Monteverdi: Monteverdi: Vespers of 1610 1610 of Vespers Monteverdi:
Saturday 21 December, 7.30 pm pm 7.30 December, 21 Saturday Saturday 21 December, 7.30 pm pm 7.30 December, 21 Saturday
Wednesday 18 March 2020, 7.30 pm 7.30 2020, March 18 Wednesday Wednesday 18 March 2020, 7.30 pm pm 7.30 2020, March 18 Wednesday
Future Concerts Future Future Concerts Concerts Future Future Concerts Future Future Concerts Concerts Future