THE STTXPAT STAR, •WASHINGTON', P. C, MAT 0. lf)2S-PART 2. 5 Venus. When Michelangelo saw Danae and the boy began his career by cover- early age of 60. Tintoretto saw the only In his love of color—but he had a duced more m literature and even In ROLL IS KEPT. Stalin and His Aides Are Sitting he said. "Only Titian deserves the ing with pictures the walls of his light before and after him; and Titian, 1' penchant for painting himself and his art, had she not been herself so sur- RAVEN When 111 of Ij name of painter.” Philip father’s shop. He was apprenticed to who was 51 when Veronese came, lived friends into the passing fair; it is a fit city for an artist | Spain was told that the fire had de- Titian, but, for reasons unknown to his- till the younger man was 46; one day, most respectable com- for pany; once he was | to work In, except that It lures one out Birds Listed and Cared at i Atop Smoldering Bolshevist Volcano stroyed part of the great Prado Mu- tory the boy returned after 15 days, him in the Piazza San Marco, Imprisoned In a j meeting monastery for presuming to include of art into life; one feels there, more ' scum at Madrid, his first question was. resolved to study alone; yet he placed Titian embraced him as a parting ex- anywhere, the motto, Prlmum Tower of London. ‘Antiope* portraits of himself, and other living ; than old i I “is Titian's saved?" "Yes," over his bottega this inscription, as the pression of his sense that a new gen- vivere—First let us live. For life j < Continued from Page) him. "That is a comfort,” persons, among the followers of Christ. ' est LONDON —A pair of baby ravens, First j munists, Stalin's policy is one of con- they told modest goal of his desire: II disegno eration had come, and that this man Entertained for few days the Villa Ls better than art; fairer than Correggio I ; ! King, "the rest could be re- Michelangelo a at male female, have arrived at the tinued moderation. There are to be said the di cd 11 colorita di Tiaiano would replace him in the affection of Pisani, at Este, he picture of is the sunshine, and more beautiful j and ®uch. for manufactured as he no startling Innovations in ! placed." —"The drawing of Michelangelo and his countrymen. painted a [ articles ¦ thq internal! “The Family of Darius at the Feet of ; than Giorgione is the sea. Tower of London and were entered on did prior to the World War. Even at conduct of affairs. Existing institu- ! The old master painted Venus again the coloring of Titian." Paolo had grown up in Verona, in the lions will be with and again; the "Venus” of the Uffizi Alexander.’’ and left it there as his re- 1 Yet when her earthly beauty has I the books with due solemnity. such exorbitant prices these articles ; strengthened to cope He was overjoyed when he ' house of his father, Gabriele Caliari, a for courtesy hospitality gone, j are extremely irregularities The co-op- Gallery at Florence, rivaling Giorgione Is. received' turn the and and time has taken from her even When new ravens arrive to join the scarce. It was shown peasant jj a commission to paint four pictures for sculptor; but when he came of age he | he had enjoyed; in time the pic- | palaces ; recently that 70 i will be "livened and the "Venus with the Lute Player.” ! our jthe glory of her cathedrals and famous flock they officially "sworn per cent of all the . eratiwes up” the School of St. Mark, at Venice; one migrated to Venice as a field more hos- ture has been sold for $65,000. The streams, will re- ! i are products buy- the Farnese "Venus," pitable | mirrored in her history way manufactured hi the Soviet made more attractive to the rural In Dresden: at of these— “St. Mark Freeing the Slave” to art. There he entered into a Art Museum of New' York has one of ! for her wealth j in” much the same as an ord- Union The experiments The Hague; the "Toilette of Venus," in offered for member her fondly, not human recruit. particulars are consumed m the cities and ers. m collectivist or —was so successful that he was competition painting the ceiling if his finest works, “Mars and Venus power, her and victories, not inary Full only 30 per rent > communal farming, going on in vari- the Alte at Munich; the the Library of and wars regarding the time of arrival and their go to the 90.000.000 Pinakothek. —and in his innocence accepted—prac- St. Mark, and his work Bound by Cupid”; Venus Is an alluring for the Doges that for a thousand years peasants. ous parts of the country, will receive "Venus and Adonis" of the National engagement for life, to paint was so excellent that his competi- } sex are noted on an enlistment sheet, tically an own figure and Mars makes no objection. 1 made her mistress of the Medlterra- The reasons for this disproportion , government aid and wili be otherwise Gallery; at Madrid two voluptuous three pictures yearly for the School tors unanimously voted him victor. For a Here for last is anJ rations are provided for them dally. for . bolstered up. pictures of Venus amusing herself with of time he the time the perfection ! nean, but for the painters who caught and the sluggish tempo of all manu- iof San Rucco. at the sum 100 went back to Verona, and paint- of the Venetian school. her passing greatness, and gave it to musicians, and a great canvas detailing year. midst there the “Banquet facturing are well known—old equip- Drastic Measures Due. ducats ($250) a In the ed in the House of ! all natioas and all time in these pic- ment and poor technique in the fac- the "Feast of Venus ." In the “Baccha- of this labor he found time to paint Levi"; and thence to Rome, to take les- Progress of Painting. . Drastic measures will applied Prado) jolly j tures of which we have spoken so hur- tories; high overhead expenses and be to i nale" < also in the there is a enormous pictures for the Palace of the sons from the Florentine masters there. the technique of paint? r - See. now, how ! riedlv. in these marvels of life and colo BALDNESS eradicate one Soviet evil bureaucracy, and Franz Hals, defeettrr distribution; high wages and , j| spirit of Rubens and a Doges, like the "Descent from the When he returned to Venice he at once ing progressed since Giotto; how ¦ government " has j of which we have at least learned the ¦A CAN BE AVOIDED wasteful use of raw materials. Finally, officials, bank employes.! little more; love loosens all bonds and Cross” and "Paradise The last is 74 produced a masterpiece—“ Venice En- factory superintendents—in brief,' the replacement of frescoes with oil h3S j nam'\s, and which some day, perhaps, KAWith Larky lifer, just like ilm the most crucial of all j the cup which the fairest of the women feet long and 30 feet wide: yet when throned.” Still more renowned is “The wuptkmi reason all—want of sorts of civil service personnel will be produced greater softness of surface, j we shall be blessed enough to see, can be corrected capital. ! holds up in her hand bears this philoso- the authorities sent payment for it he Marriage of Cana": 130 figures, each greater depth perspective, greater H Wbytr-Fax. Both sold placed under of 1!>”S > *£7 Unless. Trotsky warns, the Soviet’s a strict disciplinary i j phical inscription; "Who drinks without returned part of the sum, saying that ;j studied and painted as if it were an and fullness of color. Every- IConvrisht. W under Money-Back Guar- richness j *-- *"'** regime - experiments in socialism can made Slovenliness of every kind will ' drinking again knows not what drink he had not expected so much. individual portrait; indeed, many of thing is finer, except that some- n 1 r ifti Barbers or druea->ra lie be made a social crime Grafting, | now- j pay they !mg is." Finally, the two aspects of Like Titian. Tintoretto lived to a them were representations of actual thing nobility virility ; J^^jLfCKlMriGEB to will fail. It is the basic whether in money, time or materials, of the and of the Is Fish. law of history,” he says, “that in the \ ! Titian's taste appear together in his great age. and survived many of his personages—Titian, Queen Mary of Eng- early age is lost in the luxury and City Raising in stent ion to complaints and an air ! “Sacred and Pro- children. died land, Colonna, end that order of society prevails which I most famous picture. When his daughter the Vittoria the Sultan of splendor of the new Art begins with NORWALK. Ohio—Norwalk has gone of superiority toward the public will ] fane Love"; every one knows how the broken-hearted father her por- Turkey. Tintoretto and Veronese fish. Rain- assures to mankind a higher standard entail, only painted him- masculine and ends with the feminine, into the business of raising not dismissal from the job. i ! Borgliese Gallery, at Rome, refused trait as she lay dead him. so self. It might have been the work of propagated and put in of existence.” So far, he finds. "cap- bus prison before like the gamut of a civilization; life be- bow trout are BumsteadsWormSyrup italism is sentences. | $500,000 offered for this picture by an that she might not entirely be dead. In a lifetime. Veronese painted it in 15 comes gentler and more refined as it city reservoirs to consume animal and producing goods of better '• That the platform of Trotskv and ; millionaire. The eye of the 1594, aged 76, he passed away. receiving vegetable growths the I “To children an anrH of merer. Wh»r# American months for the labor 324 du- which quality at much smaller cost than his himself progresses and nears its end. Venice is Ij flavor tlirertionr are followed, IT " opposition group found a wide fol-1 mostly the inviting glory history VKHR socialism is producing them He not in the 1 world has seen Paul of Verona. cats ($800) and “a tun of wine"; the a sunset in the of the ! water. FAILS. ft—pite -carritr and enorroona lowing upper revolutionary cir- < ! right; but the robed lady the rout of SANTONIN, figure at the fee barely covering cost of the ma- Renaissance; name will appear - it contains done. wily urges the no great — • • fall intensification of the in- cles is evident. of oppo- ¦ Ktaod slitr test, The list the , at the left iwhom rumor identified with By the side of these Paul terials used. in Italian art, for many decades after reniN' yoid everywhero dustrial processes in Russia, he even sition contains men of or mail. a the most celebrated I the daughter of the painter Palma Verona, called Paola Vero- He was a modest genius, such a Veronese, unless it is Cellini’s. The The most fruits are the i kr 50c bottle. calls for the establishment by the Soviet in the new therefore if j I nutritious C. A. Philadelphia of names Russia. It boasts of I ! Vecchtol is one of the fairest portraits nese. seems but a youth, at the thing is possible, and resembled Titian * Queen of the Adriatic might have pro- grape and the apple. Ket. Voorheee. M. D.. what might be called “super-indus- such economists as Preobrajensky. of ' dying ! in all painting. - trialism such a leading diplomat as Rakovsky. j "¦ ¦ ¦¦¦¦¦ ' ¦ ¦ ¦¦¦¦¦¦¦ - ¦ '¦'¦v--- ii-.- —-¦ Radt k the ! Let us be chary of superlatives, attd Industrialization Basis. Aristophanes of bolshevism. * nevertheless accord to Titian, greatest of is in its ranks colorists, title of all the further great- - "W? believe.” he aSirms. “that in------Yet there is scant evidence that cco-1 history dustrialization is the foundation of J est portrait painter in the ot KAUFMANN’S 1415 H STREET N. W nornic disorganization, on the one hand. { function of painting socialism” or pressure, on the other, his art. The finest Trotsky public is | is to portray character and soul, as proposes one and the same likely to force a reinstatement of remedy tor accelerating the tempo of the function of sculpture is to show Trotsky in the near future. Exile has j the nobility and perfection; Industry and for nipping in the bud not diminished Trotsky 's popularity. body in its class formations among tit? peasantry All I painting decays today because pho- classes in Russia, however, are j tography has too success- The remedy is a specialized form of tired of the revolutionary tension of • encroached taxation He would free 40 per cent the last 10 years. fully upon its ancient field, even sur- of the poor peasants from taxes alto- claims, passing it occasionally in transforming If. as Trotsky the policy of; and distinction; gether But he would tax the upper Stalin is a policy of ' muddling j mediocrity into beauty a Family layer of the but in the heyday of the art it was the The peasantry Home Is the Affair to utmost through" the masses do not seem With the taxes portrait that litfed painting to ns raised from the rich averse to it. so long as they can have j of furnishings* Why not a family peasant or “kulak.” as he is called in a respite from highest excellence Titian lavishes his Every member of the family should have a voice in the matter con- violence and upheaval. realm, and bestows im- Russia, he would rehabilitate industry They have forgotten Czar; they! genius m this the with unstinting hand upon a ference tonight and decide to see Spring and Summer display of Character for Stalin does not believe it is wise for now want to forget the revolution ; mortality Kaufmann's Furniture the Soviet government to bear down Stalin knows the state hundred men and women Some b«* of mind of the nameless, i home, porch making regardless upon the peasant, even the rich peas- Russian people may prove leaves like the "Nobleman” at the and lawn. We arc in the business of homes comfortable and better and his' of Parma," ant. too heavily The poasam in the by mobilizing Dresden, The Physician and statesmanship this popu- " here past has revolted for less cause than lar "The Man with the Glove Sometimes of the seasons. Consult our salesmen —bring us your ideas. We are to serve. yearning lor peace for more normal { only by carelessly •rich tax. conditions of life, putting we know them and it to' names, like Bella and Flora; As set down in the resolution adopted work on a moderately constructive j chosen by the fifteenth congress of the Com- * program more often he labels his heroes and heroines, and Pope Paul 111 and Arch- bishop Filippo of Milan tin the Museum ¦_ at New York*, and Alfonso of Ferrara and Laura de Dianti have come down gg. Summer The Story of to us with all the glamour of actual his- I Civilization tory. Among the finest of these por- traits are those which the artist made of his daughter Lavinia and of him- < Continued from Third > t Pace Correggios “Marriage of St Cather- self. he paints his own features merci- ine.” one of the paintings that make lessly. showing himself bent and Gentile and Giovanni, the sons, and me Louvre the art center of the world, i wrinkled with age for even Titian had daughter, Kieoiosa. a who brought into Cc-rreggio felt too much to think and to die. the soft Venetian style a new influence produced as the spirit moved him; not by marrying the powerful Mantuan art- without labor, but. as one may see. never Titian's Voluminous Work. ist. Mantegna These four men were without inspiration, which is an inward Only a century of life could have, the preparation the fulfillment rame devil that makes labor sweeter than any I given !rm time for his unequaled fer- j with Gianbeltmis pupiL Giorgio Bar- rest. And then suddenly one of those tility: Ha. i the museums of Europe are full ba re fevers which a jealous nature sends out 1 of his work, and every piece is worthy! He was called Giorgione “Big of the marshes to punish Venice for its I of him In 1547 he extended his sway for'genimie George —because there was beauty caught him j woven I so much up and snatched hint to Spain by accepting the invitation of > j ~ to him: life, DOOr JVCldair but his which began in away, aged 40. still in the prime of life . short, Charles V to come to Augsburg and; service. Our famous 1478. was all too ending when he and art But we do not mourn f ' was him paint the ruler of the Holy Roman -—'!™ only 33; one wonders what he wotiid disconsolate: we feel that no generosity Empire; he did flatter Charles, but rr have done with Michelangelo's four- * of time not Refrigerator | Bozartine! could have made him more per- produced one of the most perfect por- j T y •tore years and mn». He belongs to fect than he was: we are content with Renaissance, traits in existence: and the King, with > the subtler artists of th* whs' he ires; we are content with what, taste and generosity, showered gifts beloved by Pater and all connoisseurs death has left us of him. for we know for $24.75 $8.95 of ht had that upon the artist many years From The Last Word in Artistic Porch Furniture 4x6 feet | nuances: studied Leonardo's not all years will suffice us to that time on the painter moved among **yle as well as the Bellini technique, understand and absorb him suite, and now he played with To pass emperors and popes as his natural A charming as sketched—settee, armchair and rocker, $11.50 backgrounds from Giorgione and Cor- company. When Henry 111 of France “wonl 6x9 feet j fatting away into undistinguishable reggio, who constructed of durable fiber with steel heart (practically Hide- (> . were never older than cairn to Venice one of the homes at Packing." This three-door model i* Ar\ r n ?a r Cti TC distances and eyes looking beyond life. *;youth, to Titian, who was born a year ! which he stayed was that of Titian; white enamel lined and the food and structible). The finish is a combination of green and black. Ibe j) /| y| # jj OXIU 1661 . . .31t*/D Per a while he painted holy pictures. < earlier than Giorgione and yet outlived i and the painter, as if to show that he ice compartments are generous « like the others of his time, and drew him by two generations—Titian, in cushions, with spring foundation, are covered with a beautiful s r r who I was royal, too. presented the King with ***** 1 Q CfL Q attention of all Venice with was bom 17 before . . . the years Correggio and j every picture color-fast, waterproof material. ICCt j his meditative *st Sebastian'; then, outlived him in the house that roused I 42 years—this is''to pass ; the monarch's interest. aa soon as he he his from to manhood, Budget Payments Other Fiber Suites. $25 to SJ4S might, secularised adolescence from The great Titian died in 1576, one Budget Payments brush and made such masterpieces as lyric poetry to tragic drama and serene! “The Knight of Malta” and philosophy. of the victims of the plague which Budget Payments the “Por- Michelangelo was magnifi- killed 50.000 of Venice's 200.000 popu- trait of a Man ' Finally, with his years; his art ma- cent 8& but Titian with j lation. After him Venice had two turing into perfection, he produced "The 99 <1477-1576), one must only f say of him* men worthy to be named his heirs— Concert” and the “Sleeping Venus ', in what Napoleon said on seeing Goethe, Tintoretto, he painted "Voila. un his pupil, and Veronese, his one inspiration and profound homme!” lriend. Tintoretto, i Ro- rapture, turned the very soul of Tiztano \ ocelli, e.. Jacopo music as his country calls ; j bust!, got his from the fact that into light and shade, and filled him was bom Cadore, name the pic- at on the road he was the son of a dyer (Tlntore). ture with the sweetness of unheard mel- that unites Italy with the Tyrol. The : odies: in the other he studied with pa- landscape and the floating colors of the tient love every curve of beauty's body, sky that surrounded him in his youth the soft texture of the flesh and the re- helped to make him the greatest land- pose of sleeping limbs, the departed scape painter and the greatest colorist giory of womans hair, the delicate among all the artists of his inexhaust- sculptor? of nose and ears and lips, and ible race In his eariy pictures
The Home Is a Family Affair
