Times of Crisis, Times of Change Human Stories on the Edge of Transformation
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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Download Full Program
become a part of the ida community Join the IDA Family! IDA Members are made up of thousands of individuals from around the world, including fi lmmakers and fans of the documentary genre, who support documentary fi lmmaking and the courageous individuals who create this important art form. If you are not a member and believe that documentaries are vital to cultures and societies globally, join now. check out our exclusive member benefits and join the international documentary association today! documentary.org UNITED NATIONS ASSOCIATION FILM FESTIVAL (UNAFF) CELEBRATES Founder and Executive Director 17 YEARS OF GROUNDBREAKING DOCUMENTARIES WITH 70 FILMS FROM ACROSS THE GLOBE. Jasmina Bojic 7 WORLD PREMIERES AND 16 U.S. PREMIERES TO BE SCREENED Honorary Committee OCTOBER 16-26 WITH THE THEME OF “BRIDGING THE GAP”. Alec Baldwin Peter Coyote OVER 60 FILMMAKERS TO BE IN ATTENDANCE THROUGHOUT THE FESTIVAL. Lolita Davidovich William Draper III The United Nations Association Film Festival (UNAFF) is delighted to announce its program for Danny Glover the 17th year. As one of the oldest solely documentary film festivals in the US, established in Daryl Hannah 1998 to honor the 50th anniversary of the Universal Declaration of Gale Anne Hurd Human Rights, it has grown and earned the respect of audiences and Susan Sarandon filmmakers alike for its fearless independence and integrity. In addi- John Savage tion to providing early outlets for films, many of which later went on Erika Szanto to win major awards and accolades including Academy Awards, UNAFF prides itself in creating a community forum for discovery and Ted Turner dialogue about different cultures, issues and solutions. -
2014 OAH Annual Meeting Program
INTRODUCING The American Historian A NEW OAH MAGAZINE The OAH is pleased to announce a The American Historian new magazine for all of our members. OrgA NIZATI O N O F AMEricA N HISTORIA NS The American Historian will cover the broad variety of needs and interests of our members, including primary and secondary teaching, professional development, research, recent schol- arship, public history, digital history, and contemporary debates about the past. We believe that it will educate and excite OAH members and the entire Race, Rights, and Relocation ALSO INSIDE U.S. history community. The Forgotten Debate of ‘76 p. 24 Labor, Gender, and Unrest in the Gilded Age p. 28 PLUS News, Reviews, and More We will be distributing a prototype issue of the magazine at our 2014 Annual Meeting in Atlanta. We hope you will pick up a copy. The American Historian will officially debut in the summer of 2014. Finally, we welcome your submis- sions. For information, please contact The American Historian’s acting editor, William Gillis, at [email protected]. APRIL 10 – 13 | HILTON ATLANTA • 1 We l c o m e Welcome to the 105th Annual Meeting of the Organization of American Historians! Meeting themes are rarely “ripped from the headlines” as if they were scripts from television’s Law and Order. However, the heated national debate over comprehensive immigration reform calls attention to American history’s perennial themes: the peopling of the United States and the great vitality derived from the diversity of the American population. “Crossing Borders,” then, seemed the appropriate choice to be the thematic focus of this year’s meeting. -
The Historymakers: a New Primary Source for Scholars
The HistoryMakers: A New Primary Source for Scholars Julieanna L. Richardson Vernon D. Jarrett Senior Fellow Great Cities Institute College of Urban Planning and Public Affairs University of Illinois at Chicago Great Cities Institute Publication Number: GCP-07-08 A Great Cities Institute Working Paper April 2007 The Great Cities Institute The Great Cities Institute is an interdisciplinary, applied urban research unit within the College of Urban Planning and Public Affairs at the University of Illinois at Chicago (UIC). Its mission is to create, disseminate, and apply interdisciplinary knowledge on urban areas. Faculty from UIC and elsewhere work collaboratively on urban issues through interdisciplinary research, outreach and education projects. About the Author Julieanna Richardson is the Vernon D. Jarrett Senior Fellow at The Great Cities Institute of the University of Illinois at Chicago. She is also founder and Executive Director of The HistoryMakers, an oral history archive founded in 1999. She can be reached at [email protected]. Great Cities Institute Publication Number: GCP-07-08 The views expressed in this report represent those of the author(s) and not necessarily those of the Great Cities Institute or the University of Illinois at Chicago. This is a working paper that represents research in progress. Inclusion here does not preclude final preparation for publication elsewhere. Great Cities Institute (MC 107) College of Urban Planning and Public Affairs University of Illinois at Chicago 412 S. Peoria Street, Suite 400 Chicago IL 60607-7067 Phone: 312-996-8700 Fax: 312-996-8933 http://www.uic.edu/cuppa/gci UIC Great Cities Institute The HistoryMakers: A New Primary Source for Scholars Abstract This paper explores the possibilities of increasing the use and accessibility of The HistoryMakers’ video oral history archive. -
Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017)
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Identifying Atlanta: John Portman, Postmodernism, and Pop- Culture August McIntyre Dine Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dine, August McIntyre, "Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017). Senior Projects Spring 2017. 128. https://digitalcommons.bard.edu/senproj_s2017/128 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Identifying Atlanta: John Portman, Postmodernism, and Pop Culture Senior Project Submitted to The Division of Social Studies of Bard College by August Dine Annandale-on-Hudson, New York May 2016 Acknowledgements Thanks to my advisor, Pete L’Official; my friends; and my family. Table of Contents Introduction…………………………………………………………………….…………………1 Chapter 1: Two Atlantas………………………………………………………….………………4 Chapter 2: The Peachtree Center…..…………………………...………………………………..23 Chapter 3: Pop Culture…………………………..……………………………………………....33 1 Introduction In his 1995 text “Atlanta,” architect, theorist, and notorious provocateur1 Rem Koolhaas claims, “Atlanta has culture, or at least it has a Richard Meier Museum.”2 Koolhaas is implying that the collection at Atlanta’s High Museum of Art is a cultural veneer. -
44 MILLION REASONS to #Savegamingrevenue
44 MILLION REASONS TO #SaveGamingRevenue ECGRA has strategically invested $44 million in 203 community and cultural assets, 700 entrepreneurs and business lenders, job Grants training and educational institutions, and & Loans neighborhoods and municipalities. 6:1 Return Local share gaming revenue is strengthening the nonprofit ECGRA has invested $6.7 million in business TM organizations and for-profit $ growth through Ignite Erie resulting in $39.6 businesses in the city of Erie that 22mm million in additional capital for local companies. are implementing the city’s in the City comprehensive plan. $18.1million in gaming revenue is inextricably woven into $ Erie’s cultural, recreational, 18.1mm and human services assets, ECGRA’s investments have resulted QUALITY dramatically improving quality in a cumulative impact of $87.2 OF LIFE of life for residents and quality million, supported and sustained of experience for tourists. 573 573 jobs, and generated $2.9 JOBS million in local and state taxes. Two Ways to Help WRITE. CALL. ADVOCATE EDUCATE yourself. for Erie’s share. Transforming a Region with Local Share Gaming Revenue: An Economic Impact Study Tell Your Legislators How ECGRA Read and Share ECGRA’s Grant Money Works for You! Economic Impact Study at ECGRA.org/impactstudy ECGRA.org/calltoaction prepared by: @ECGRA814 #IgniteErie ECGRA.org/igniteerie /ECGRA ECGRA_Economic Impact Full Page Ad.indd 1 3/1/17 3:11 PM 44 MILLION REASONS TO CONTENTS: From the Editors The only local voice for Sometimes we all need a news, arts, and culture. March 29, 2017 Editors-in-Chief: little health care. Brian Graham & Adam Welsh #SaveGamingRevenue or an entire week recently, one of our Managing Editor: staff members had a nagging cough. -
'I Had a History As a Black Person' CHICAGO SUN-TIMES Metro & Tri-State.Pdf
suntimes.com Member of the Sun-Times News Group 'I had a history as a black person' HISTORYMAKERS | Digital archives offer sweeping look back Comments March 1, 2009 BY MARY WISNIEWSKI Staff Reporter/[email protected] When Julieanna L. Richardson was growing up, the only black history she heard was "George Washington Carver and the peanuts, and slavery." But as a college student researching the Harlem Renaissance, "I realized there was a whole world I knew nothing about," said Richardson, founder and executive director of "The HistoryMakers." » Click to enlarge image Julieanna Richardson, whose work was honored by Gov. Pat Quinn Saturday, has spent the last 10 years collecting oral histories of African Americans. (Scott Stewart/Sun-Times) "There were lots of people who had come before me. ... I found I had a history as a black person." Richardson, whose work was honored Saturday by Gov. Quinn, has spent the last 10 years collecting oral histories of African Americans -- from national celebrities like Harry Belafonte to local powers like DuSable Museum founder Margaret Burroughs. "The HistoryMakers" has collected a formidable digital archive of 400 video/audio interviews -- Richardson wants 5,000. The HistoryMakers interviews don't just cover one subject -- like the civil rights movement -- but individual life stories that together reveal the complex reality of black life, Richardson explained. "I wanted to accomplish something comprehensive," she said. "Within each person lies many different stories. ... We believe out of that patchwork will emerge a new and more accurate version of our history, a history that will have a lot more voices, a lot more people, a lot more themes, a lot more understanding, of even the issue of our slave past which this nation has yet to deal with." Housed at 1900 S. -
Photography and African American Education, 1957–1972
“A Matter of Building Bridges”: Photography and African American Education, 1957–1972 Connie H. Choi Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Connie H. Choi All rights reserved ABSTRACT “A Matter of Building Bridges”: Photography and African American Education, 1957–1972 Connie H. Choi This dissertation examines the use of photography in civil rights educational efforts from 1957 to 1972. Photography played an important role in the long civil rights movement, resulting in major legal advances and greater public awareness of discriminatory practices against people of color. For most civil rights organizations and many African Americans, education was seen as the single most important factor in breaking down social and political barriers, and efforts toward equal education opportunities dramatically increased following the Supreme Court’s 1954 Brown v. Board of Education decision. My dissertation therefore investigates photography’s distinct role in documenting the activities of three educational initiatives—the desegregation of Central High School in Little Rock, Arkansas, in 1957, the Mississippi Freedom Schools formed the summer of 1964, and the Black Panther liberation schools established in Oakland, California, in 1969—to reveal the deep and savvy understanding of civil rights and Black Power organizations of the relationship between educational opportunities and political power. TABLE OF CONTENTS List of Illustrations -
Library of Congress Magazine September/October 2014
INSIDE Tracing the Music of a Movement Mark Twain & Copyright PLUS Warren Harding's Love Letters Anatomy of a Glass Flute History of an Anthem LIBRARY OF CONGRESS MAGAZINE SEPTEMBER/OCTOBER 2014 DocumentingThe Dance Making of APPALACHIAN SPRING WWW.LOC.GOV In This Issue SEPTEMBER/OCTOBER 2014 LIBRARY OF CONGRESS MAGAZINE FEATURES Library of Congress Magazine Vol. 3 No. 5: September/October 2014 Mission of the Library of Congress Tracing the Music of a Movement 8 From its origins in gospel to its reinvention in folk music, “We Shall The mission of the Library is to support the Overcome” became the anthem of the Civil Rights Movement. Congress in fulfilling its constitutional duties and to further the progress of knowledge and creativity for the benefit of the American people. The Making of “Appalachian Spring” 10 A group of artistic titans collaborated on this archetypical American Library of Congress Magazine is issued ballet, commissioned by and premiered at the Library of Congress. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and Mark Twain & Copyright research institutions, donors, academic libraries, 4 learned societies and allied organizations in 16 Samuel Clemens fought the good fight for intellectual property rights Glass Flute the United States. Research institutions and that helped protect authors at home and abroad. educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. -
WINTHROP ROCKEFELLER DISTINGUISHED LECTURES 1985, Dec. 13 UAPB Dick Gregory
WINTHROP ROCKEFELLER DISTINGUISHED LECTURES 1985 - 2017 1985, Dec. 13 UAPB Dick Gregory: Human Rights Activist and Lecturer 1986, UAMS Dr. David Rogers 1986, April UAF Helen Thomas: “Politics and the Press” 1986, April 16 UALR William F. Buckley: Noted TV personality, author, and speaker 1986, April 3 UAM Dr. Frithjof Bergmann: Prof of Philosophy at Univ. of Michigan, Public lecture and speak to classes. 1986, Dec. 4 UAPB Ms. Beatryce Nivens: Columnist and Author of “The Black Woman’s Career Guide" 1986, Dec. 9 UAPB Senator Julian Bond: Georgia State Senator, syndicated columnist and commentator 1986, Feb 18 UAM Dr. Luther Tweeten: Dept. of Agricultural Economics, Oklahoma State Univ., Dilemmas of Farm Policy" 1986, Feb. 11 UAM Ms. Vinie Burrows: Actress, poet and social commentator “Walk Together Children” 1986, Feb. 27-28 UAM Johnny Wink: Prof of English at Ouachita Baptist Univ. “Arkansas Authors” 1986, Feb. 27-28 UAM Diane Taylor: Ozark Culture and Life 1986, Feb. 27-28 UAM Ted Parkhurst: Publisher, Pres of August House, Inc. 1986, Feb. 27-28 UAM Liz Parkhurst: Vice-Pres of August House, Inc. 1986, Jan.30 UAM John Short: “The Chicano Experience” workshop on multi-cultural and global education 1986, June 20 UAMS Dr. Thomas Starzl: Awareness in community of importance of organ donations; expertise in organ transplantation 1986, Mar. 4 UAM Michael Dougan and Dr. William Shea: “Arkansas and the Civil War” 1987, April 2 UAM Dr. Henry Abraham: “A Bench Happily Filled, Selecting the Judiciary” 1987, April 27 UAM Katherine Brady: Author of Child Abuse, Incest, and Neglect 1987, Dec. -
African American Radio, WVON, and the Struggle for Civil Rights in Chicago
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago Jennifer Searcy Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the African American Studies Commons Recommended Citation Searcy, Jennifer, "The Voice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago" (2012). Dissertations. 688. https://ecommons.luc.edu/luc_diss/688 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Jennifer Searcy LOYOLA UNIVERSITY CHICAGO THE VOICE OF THE NEGRO: AFRICAN AMERICAN RADIO, WVON, AND THE STRUGGLE FOR CIVIL RIGHTS IN CHICAGO A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN AMERICAN HISTORY/PUBLIC HISTORY BY JENNIFER SEARCY CHICAGO, ILLINOIS AUGUST 2013 Copyright by Jennifer Searcy, 2013 All rights reserved. ACKNOWLEDGEMENTS First and foremost, I would like to thank my dissertation committee for their feedback throughout the research and writing of this dissertation. As the chair, Dr. Christopher Manning provided critical insights and commentary which I hope has not only made me a better historian, but a better writer as well. As readers, Dr. Lewis Erenberg and Dr.