Sir Arthur Conan Doyle: Spiritualism and "New Religions"
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Introduction
Notes Introduction 1. R. Sindall, ‘The London Garotting Panics of 1856 and 1862’, Social History, 12 (1987), 351–9 (p. 351); and Shani D’Cruze, ‘Introduction: Unguarded Passions: Violence, History and the Everyday’, in Shani D’Cruze (ed.), Everyday Violence in Britain, 1850–1950, Gender and Class (Harlow: Longman/ Pearson, 2000), pp. 1–19 (p. 1). 2. Clive Emsley, Crime and Society in England, 1750–1900, rev. edn (London: Longman/Pearson, 2005), p. 42. 3. See Jan Bondeson, The London Monster: A Sanguinary Tale (Cambridge: University of Pennsylvania Press/Da Capo Press, 2002), p. 44 and Jennifer Westwood, The Lore of the Land: A Guide to England’s Legends from Spring- Heeled Jack to the Witches of Warboys (London: Penguin, 2005), p. 343. 4. Emsley, Crime and Society, p. 300. 5. Rob Sindall, Street Violence in the Nineteenth-Century: Media Panic or Real Danger? (Leicester University Press, 1990), p. 30. 6. Lynda Nead, Victorian Babylon: People, Streets and Images in Nineteenth-Century London (London: Yale University Press, 2000), p. 10. 7. Sindall, Street Violence, p. 7. By the ‘central class’, Sindall is referring to the middle classes. 8. Richard Sennett, The Conscience of the Eye: The Design and Social Life of Cities (London: Faber & Faber, 1991), p. xii. 9. Jerry White, London in the Twentieth Century: A City and its People (London: Vintage, 2008), p. 16. 10. William S. Gilbert, London Characters and the Humorous Side of London Life (c. 1871), http://www.victorianweb.org/books/mcdonnell/streets1.html, accessed 8 May 2010. 11. Sennett, Conscience of the Eye, p. -
University of Birmingham Oscar Wilde, Photography, and Cultures Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal University of Birmingham Oscar Wilde, photography, and cultures of spiritualism Dobson, Eleanor License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Dobson, E 2020, 'Oscar Wilde, photography, and cultures of spiritualism: ''The most magical of mirrors''', English Literature in Transition 1880-1920, vol. 63, no. 2, pp. 139-161. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility 12/02/2019 Published in English Literature in Transition 1880-1920 http://www.eltpress.org/index.html General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
Sir Arthur Conan Doyle COMPLETE CLASSICS the Poison Belt UNABRIDGED Read by Glen Mccready CLASSIC FICTION
THE Sir Arthur Conan Doyle COMPLETE CLASSICS The Poison Belt UNABRIDGED Read by Glen McCready CLASSIC FICTION NA393312D 1 Chapter 1: The Blurring of Lines 7:12 2 ‘We will suppose,’ I read... 8:02 3 I was coming out from the news editor’s room… 4:59 4 But our good humour was restored… 7:28 5 ‘That may be…’ 6:53 6 He gave me the amused handshake… 6:39 7 Chapter 2: The Tide of Death 8:03 8 The explanation only brought uproarious… 7:30 9 ‘Later, when I descended to order the car…’ 5:49 10 Summerlee had risen... 8:36 11 Lord John Roxton wiped his brow. 7:26 12 ‘Talkin’ of death,’ said Lord John… 4:48 13 Chapter 3: Submerged 8:54 14 At that instant, just as I took a step... 6:53 15 Challenger smiled and shook his head... 7:18 16 ‘There is a house on fire...’ 6:39 2 17 ‘It strikes me nature’s on top this time...’ 6:32 18 ‘As to the body,’ remarked Challenger... 4:41 19 Chapter 4: A Diary of the Dying 6:32 20 ‘Well, even now I don’t feel inclined...’ 6:23 21 We fall into silence again. 5:37 22 I look out at the sunrise... 5:07 23 ‘I cannot truthfully describe...’ 5:57 24 Chapter 5: The Dead World 8:02 25 Summerlee craned his neck... 8:36 26 It was this grim hush... 7:01 27 It was here that we received... 6:49 28 A dozen motorbuses… 6:26 29 Chapter 6: The Great Awakening 8:35 30 I rushed downstairs.. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Special Issue ARTHUR CONAN DOYLE
Special Issue on ARTHUR CONAN DOYLE FEBRUARY 2015 EDITOR’S INTRODUCTION An Adventure, A Magic Door and The Detective: An Invitation to Sir Arthur Conan Doyle’s Wide-Ranging Œuvre Sarah E. Maier University of New Brunswick “Conan Doyle…. Doyle…. Isn’t that the guy who wrote the series with Benedict Cumberbatch in it?” When one encounters such a response from a group of upper-level English students who have enrolled in my class on “Jack the Ripper & Co: Neo-Victorian Narratives of Crime,” it rather deflates the enthusiasm. Once I convinced them that in fact “the guy” was Sir Arthur Conan Doyle who had, in fact, written the “series” of stories about the detective, Sherlock Holmes, and his faithful doctor friend, Doctor Watson, I was able to reach back through history to the nineteenth century and introduce them to the original, marvelous texts.1 I boldly asserted that “the guy” had, in addition, written many, many other narratives in other genres that were absolutely worth reading. But alas, they did not feature Cumberbatch. The purpose of this special issue is to give a nod to the modern adaptations of Conan Doyle’s work, but to investigate via a series of essays his other works that seem too often to get left behind in the race after the cases of Holmes and Watson. Now to the man himself; Arthur Ignatius Conan Doyle was the eldest son and third of nine children born into the Irish Catholic family of Mary née Foley (1838-1921) and Charles Altamont Doyle (1832-1893) on 22 May 1859 in Edinburgh, Scotland. -
Ausstellungs-Katalog
----------------------------------------|---------------------------------------- -----------------------------------------p P----------------------------------------- -----------------------------------------p Sherlock Holmes Museum Meiringen/Switzerland Willkommen im Sherlock-Holmes-Museum // Meiringen, Schweiz Welcome to the Sherlock Holmes Museum // Meiringen, Switzerland I--------------------------------\--------------------------------? /--------------------------------\--------------------------------i Einführung Willkommen im Sherlock Bestimmung erhalten. der Welt, war häufig auf den Versuch, sich des De- tal nach Leukerbad. Zu Professor Moriarty Holmes „Das leere Haus“ (veröf- Enthusiasten jeden Alters Holmes-Museum. Das Das Museum steht unter Besuch in der Schweiz. tektivs zu entledigen. In Fuss überquerten sie den an den Rcichcnbachfällen fentlicht 190) erfahren und Herkunft. Neben dem Gebäude, in dem Sie sich dem Patronat der Sher- dieser Geschichte flohen Gemmi-Pass, kamen nach ein, und man glaubte, wir, dass im Todeskampf Museum können Sie die befinden, ist die 1891 ein- lock Holmes Society of So reiste er 189 auch Holmes und sein Freund Kandersteg und erreichten beide hätten nach einem nur Professor Moriarty Sherlock Holmes-Statue geweihte englische Kirche London und von Dame nach Meiringen und an und Biograph Dr. Watson via Interlaken schliesslich verzweifelten Kampf dort den Reichenbachfall hi- und an den Reichenbach- von Meiringen, welche für Jean Conan Doyle (191- die Rcichenbachfälle. Des vor ihrem Erzfeind Profes- Meiringen. ihren Tod gefunden. nabgestürzt ist. Sherlock fällen den Ort des Todes- die zahlreichen englischen 1997), der Tochter von Sir Schreibens von Sherlock sor James Moriarty, dem Holmes gelang es zu ent- kampfes selbst besuchen. Besucher gebaut worden Arthur Conan Doyle. Holmes-Geschichten über- Napoleon des Verbrechens, Hier verbrachten sie die Aber bald überzeugte der kommen und seine Arbeit war. Im Jahr 1991 hat drüssig unternahm er in aus London. Im Zug rei- Nacht vom . -
The Guards Came Through and Other Poems
The Guards Came through and Other Poems By Arthur Conan Doyle Classic Literature Collection World Public Library.org Title: The Guards Came through and Other Poems Author: Arthur Conan Doyle Language: English Subject: Fiction, Literature, Children's literature Publisher: World Public Library Association Copyright © 2008, All Rights Reserved Worldwide by World Public Library, www.WorldLibrary.net World Public Library The World Public Library, www.WorldLibrary.net is an effort to preserve and disseminate classic works of literature, serials, bibliographies, dictionaries, encyclopedias, and other reference works in a number of languages and countries around the world. Our mission is to serve the public, aid students and educators by providing public access to the world's most complete collection of electronic books on-line as well as offer a variety of services and resources that support and strengthen the instructional programs of education, elementary through post baccalaureate studies. This file was produced as part of the "eBook Campaign" to promote literacy, accessibility, and enhanced reading. Authors, publishers, libraries and technologists unite to expand reading with eBooks. Support online literacy by becoming a member of the World Public Library, http://www.WorldLibrary.net/Join.htm. Copyright © 2008, All Rights Reserved Worldwide by World Public Library, www.WorldLibrary.net www.worldlibrary.net *This eBook has certain copyright implications you should read.* This book is copyrighted by the World Public Library. With permission copies may be distributed so long as such copies (1) are for your or others personal use only, and (2) are not distributed or used commercially. Prohibited distribution includes any service that offers this file for download or commercial distribution in any form, (See complete disclaimer http://WorldLibrary.net/Copyrights.html). -
Newspaper, Spiritualism, and British Society, 1881 - 1920
Clemson University TigerPrints All Theses Theses 12-2009 'Light, More Light': The 'Light' Newspaper, Spiritualism, and British Society, 1881 - 1920. Brian Glenney Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the European History Commons Recommended Citation Glenney, Brian, "'Light, More Light': The 'Light' Newspaper, Spiritualism, and British Society, 1881 - 1920." (2009). All Theses. 668. https://tigerprints.clemson.edu/all_theses/668 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. "LIGHT, MORE LIGHT”: The “Light” Newspaper, Spiritualism and British Society, 1881-1920. A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Masters in History by Brian Edmund Glenney December, 2009 Accepted by: Dr. Michael Silvestri, Committee Chair Dr. Alan Grubb Dr. Megan Taylor Shockley i ABSTRACT This thesis looks at the spiritualist weekly Light through Late Victorian, Edwardian, and World War I Britain. Light has never received any extended coverage or historical treatment yet it was one of the major spiritualist newspapers during this part of British history. This thesis diagrams the lives of Light ’s first four major editors from 1881 till the end of World War I and their views on the growth of science, God, Christ, evolution, and morality. By focusing on one major spiritualist newspaper from 1881 till 1920, this thesis attempts to bridge the gap in spiritualist historiography that marks World War I as a stopping or starting point. -
Download Het Pdf-Bestand
SpiritismeSpiritismeSpiritisme Marcel Hulspas Skeptische Notities 3 SKEPTISCHE NOTITIES 3 Spiritisme M. Hulspas Uitgave Stichting SKEPSIS Postbus 2657, 3500 GR Utrecht CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK, DEN HAAG Hulspas, M. Spiritisme / M. Hulspas. - Utrecht : Stichting SKEPSIS. - Ill. - (Skeptische notities, ISSN 0925-0883 ; 3) Met lit. opg., reg. ISBN 90-73517-02-8 SISO 423 UDC 133.9 NUGI 625 Trefw.: spiritisme. Dit boekje is ingescand en overgezet naar PDF. Het is gratis beschikbaar op de website van de stichting Skepsis. De tekst mag niet zonder toestemming elders openbaar worden gemaakt. © mei 2014, Stichting Skepsis, skepsis.nl © 1990 SKEPSIS Niets in deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm, geluidsband, elektronisch of op welke andere wijze ook en even- min in een retrieval system worden opgeslagen zonder voorafgaande schriftelijke toestem- ming van de uitgever. Voorwoord De geschiedschrijving over het spiritisme heeft zich grotendeels gericht op het wetenschappelijk onderzoek aan de grote mediums. Veel auteurs wijzen op het onvermogen van de toenmalige onderzoekers om alle verschijnselen te verklaren, en concluderen dat het denkbaar is dat deze wonderdoeners over buitengewone gaven beschikten. Skeptici wijzen op de tientallen keren dat mediums door de mand vielen en vinden dat voldoende om alle gerapporteerde verschijnselen verder als bedrog te beschouwen. Ik zou een bescheiden poging willen wagen deze gang- bare aanpak van twee kanttekeningen te voorzien. Ten eerste is het onmogelijk om aan de hand van notities, brieven en dag- boeken, een uitspraak te doen over de realiteit van de spiritistische verschijnselen. Bij onderzoek draait het namelijk om het herhaalbare gecontroleerde experiment Het onderzoeken van geschriften is geen natuurwetenschap maar geschiedkunde, en daarbij velt men geen oordelen. -
Herald NAMSCA 3, 2018 Zulfiya R. Zinnatullina, Mariya A. Kozyreva, Elizaveta G
Herald NAMSCA 3, 2018 Zulfiya R. Zinnatullina, Mariya A. Kozyreva, Elizaveta G. Maslova THE MISTY WORLDS OF ARTHUR CONAN DOYLE Zulfiya R. Zinnatullina Kazan Federal University [email protected] Mariya A. Kozyreva Kazan Federal University Elizaveta G. Maslova Plekhanov Russian University of Economics Abstract: Arthur Conan Doyle’s interest in spiritualism and all kind of natural mysteries of the material world is well known. The paper aims to trace how the writer’s devotion was reflected in his works of fiction. Conan Doyle tried to depict ghosts and spirits in many of his writings, basing the images on his own experience, evidences of other people and, obviously, imagination. The paper traces how the genre form can influence the imagery. It is shown that Doyle demonstrated different approaches in his writings concerning the supernatural phenomena. The close interlacing of the Gothic elements with pragmatic scientific approach of the author form strong artistic effect. His mystical stories of the 1890-1910s leave place for the reader's imagination even when they give rational explanation of the strange events and thus they can be defined as typically neo-romantic in their origin. The naturalistic description of paranormal phenomena in The Land of Mist aimed to prove their reality makes the miracles look fake and ridiculous. Doyle’s attempt to use the form of the adventure novel and familiar popular characters to show his readership the importance and beauty of Spiritualism failed. The novel turned into a manifesto of spiritualism. Keywords: English literature, Arthur Conan Doyle, short stories, The Land of Mist, Spiritualism, spirits, Victorian Gothic. -
John Hawkesworth Scope and Content
JOHN HAWKESWORTH SCOPE AND CONTENT Papers relating to film and television producer, scriptwriter and designer JOHN STANLEY HAWKESWORTH. Born: London, 7 December 1920 Died: Leicester, 30 September 2003 John Hawkesworth was born the son of Lt.General Sir John Hawkesworth and educated at Rugby and Queen's College, Oxford. Between school and university he spent a year studying art at the Sorbonne in Paris, where Picasso corrected his drawings once a week. Following the military tradition of his family, Hawkesworth joined the Grenadier guards in 1940 and had a distinguished World War II record. In 1943 he married Hyacinth Gregson-Ellis and on demobilisation from the army began work in the film industry as an assistant to Vincent Korda. As art director he worked on many films for British Lion including The THIRD MAN (GB, 1949), OUTCAST OF THE ISLANDS (GB, 1951), and The SOUND BARRIER (GB, 1952). As a freelance designer he was involved with The MAN WHO NEVER WAS (GB, 1955) and The PRISONER (GB, 1955). Joining the Rank Organisation as a trainee producer, Hawkesworth worked on several films at Pinewood and was associate producer on WINDOMS WAY (GB, 1957) and TIGER BAY (GB, 1959). Hawkesworth's writing for television began with projects including HIDDEN TRUTH (tx 9/7/1964 - 6/10/1964), BLACKMAIL (Associated Rediffusion tx 1965 - 1966) and the 13 part BBC series CONAN DOYLE (tx 15/1/1967 - 23/4/1967), before embarking on the acclaimed LWT series The GOLDROBBERS (tx 6/6/1969 - 29/4/1969). It was with the latter that the Sagitta Production Company who were to produce the highly successful Edwardian series UPSTAIRS DOWNSTAIRS (tx 1970 - 1975) for LWT, came into existence, making Hawkesworth and his long term professional partner Alfred Shaughnessy household names.