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Don Delillo | Don Delillo Americana: Don DeLillo | Don DeLillo 1989 | Don DeLillo | Penguin Books, 1989 | 0140119485, 9780140119480 | 377 pages | Americana: Don DeLillo | At twenty-eight, David Bell is the American Dream come true. He has fought his way to the top, surviving office purges and scandals tobecome a top television executive. David's world is made up of the images that flicker across America's screens, the fantasies that enthrall America's imagination. And the the dream--and the dream-making--become a nightmare. At the height of his success, David sets out to rediscover reality. Camera in hand, he journeys across the country in a mad and moving attempt to capture, to impose a pattern on his own, and America's past, present, and future. file download doku.pdf Conversations with Don DeLillo | In a collection of profiles and conversations from 1982 to 2001, renowned novelist Don DeLillo, the author of White Noise and Libra, shares his thoughts on the distinction | 183 pages | Biography & Autobiography | ISBN:1578067049 | Don DeLillo, Thomas DePietro | 2005 Picador Classic | With an introduction by Rachel Kushner He speaks in your voice, American, and there's a shine in his eye that's halfway hopeful. It's a vast and sprawling crowd that comes | Don DeLillo | Aug 13, 2015 | Fiction | ISBN:9781447289401 | Underworld Fiction | Nove contos | 224 pages | O anjo esmeralda | Jul 3, 2013 | Situadas na Grcia, no Caribe, em Manhattan, numa priso para bandidos do colarinho branco e no espao sideral, estas nove histrias funcionam como uma fascinante introduo | ISBN:9788580867398 | Don DeLillo pdf file Americana: Don DeLillo pdf Americana: Don DeLillo pdf file Dec 22, 2011 | Lichaamskunst is een prachtige, mysterieuze en ontroerende roman over een jonge vrouw en een zonderlinge man aan een eenzame kust. Na het monumentale Onderwereld, dat direct | Lichaamskunst | Fiction | ISBN:9789041419033 | Don DeLillo Don DeLillo | ISBN:9789513163792 | Fiction | Aug 16, 2011 | 200 pages | Omegapiste | Hkkeliss keskell autiomaata asuu entinen hallituksen neuvonantaja Richard Elster. Hn oli tiedemies, ulkopuolinen, ennen kuin hnet kutsuttiin puolustusministerin Fiction | Mao II | Reclusive writer Bill Gray escapes his failed novel into a world of political violence and terror, in a story that journeys from New York, to London, Athens, and ultimately | 1992 | ISBN:0140152741 | Don DeLillo | 241 pages Jeffrey Lockhart's father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and | May 10, 2016 | Zero K | Fiction | Don DeLillo | ISBN:9781509822829 Don Delillo | 448 pages | Ratner's Star | ISBN:9780307817150 | Fiction | Apr 11, 2012 | One of DeLillo's first novels, Ratner's Star follows Billy, the genius adolescent, who is recruited to live in obscurity, underground, as he tries to help a panel of estranged Don A black comedy by well-known novelist offers thoughts on the nature of illness, death, and reality | ISBN:0822202786 | 55 pages | Drama | Don DeLillo | A Play | The Day Room | 1988 Americana: Fiction | Don DeLillo, Mark Osteen | White Noise | 538 pages | 1998 | ISBN:0140274987 | Text and Criticism | Jack Gladney, a professor of Nazi history at a Middle American liberal arts school, and his family try to handle normal family life as a cloud of lethal gaseous fumes threatens May 19, 2016 | Don DeLillo | Jeffrey Lockhart's father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and | Zero K | 288 pages | ISBN:9781509822850 Americana: Don DeLillo pdf download L'Ange Esmeralda | Don DeLillo | ISBN:9782330017316 | Dans ces neuf nouvelles rdiges sur plusieurs annes, Don DeLillo voque diverses formes de malaise et deffroi luvre chez l'homme contemporain. Chacune apparat comme | Fiction | 250 pages Birdwell, Cleo, Don DeLillo | 390 pages | UCSC:32106005078461 | an intimate memoir by the first woman ever to play in the National Hockey League | Amazons | Hockey stories | 1980 DeLillo 221 pages | Grand Street 73 | ISBN:1885490240 | Don DeLillo, Edward P. Jones | Fiction | 2004 Don DeLillo | Body Languages are the nonverbal signals that we use in order to communicate.Know how you can interpret and understand different body languages | Learn how to express your body | Body, Mind & Spirit | Body Expression Don Delillo | ISBN:1440674477 | Fiction | White Noise | A brilliant satire of mass culture and the numbing effects of technology, White Noise tells the story of Jack Gladney, a teacher of Hitler studies at a liberal arts college in | Jun 1, 1999 | 336 pages pdf Don DeLillo | Falling Man | A Novel | There is September 11 and then there are the days after, and finally the years. Falling Man is a magnificent, essential novel about the event that defines turn-of-the-century | ISBN:9781416562078 | May 15, 2007 | 256 pages | Fiction download Business & Economics | DON DELILLO | HOME BASED BUSINESS | Home business as we understand stands to be a very lucrative proposal for people who have already selected the products they would venture, However this kind of projects if | EARN AT HOME pdf download Americana: Don DeLillo download.
Recommended publications
  • The Polis Artist: Don Delillo's Cosmopolis and the Politics of Literature
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Political Science Faculty Research and Scholarship Political Science 2016 The oliP s Artist: Don DeLillo’s Cosmopolis and the Politics of Literature Joel Alden Schlosser Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/polisci_pubs Part of the Philosophy Commons, and the Political Theory Commons Custom Citation J. Schlosser, “The oP lis Artist: Don DeLillo’s Cosmopolis and Politics of Literature.” Theory & Event 19.1 (2016). This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/polisci_pubs/32 For more information, please contact [email protected]. 1/30/2016 Project MUSE - Theory & Event - The Polis Artist: Don DeLillo’s Cosmopolis and the Politics of Literature Access provided by Bryn Mawr College [Change] Browse > Philosophy > Political Philosophy > Theory & Event > Volume 19, Issue 1, 2016 The Polis Artist: Don DeLillo’s Cosmopolis and the Politics of Literature Joel Alden Schlosser (bio) Abstract Recent work on literature and political theory has focused on reading literature as a reflection of the damaged conditions of contemporary political life. Examining Don DeLillo’s Cosmopolis, this essay develops an alternative approach to the politics of literature that attends to the style and form of the novel. The form and style of Cosmopolis emphasize the novel’s own dissonance with the world it criticizes; they moreover suggest a politics of poetic world­making intent on eliciting collective agency over the commonness of language.
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  • Postwar Media Manifestations and Don Delillo Joshua Adam Boldt Eastern Kentucky University
    Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship 2011 Postwar Media Manifestations and Don DeLillo Joshua Adam Boldt Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the American Literature Commons, and the Mass Communication Commons Recommended Citation Boldt, Joshua Adam, "Postwar Media Manifestations and Don DeLillo" (2011). Online Theses and Dissertations. 09. https://encompass.eku.edu/etd/09 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. Postwar Media Manifestations and Don DeLillo By Joshua Boldt Master of Arts Eastern Kentucky University Richmond, Kentucky 2011 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of Master of Arts May, 2011 Copyright © Joshua Boldt 2011 All rights reserved ii Table of Contents Introduction: The Hyperreal, Hypercommodified American Identity 1 Chapter One: Postwar Advertising, Mass Consumption, and the 14 Construction of the Consumer Identity Chapter Two: News Media and American Complicity 34 Chapter Three: The Art of the Copy: Mechanical Reproductions and 50 Media Simulations Works Cited 68 iii Introduction: The Hyperreal, Hypercommodified American Identity This study examines the relationship between American media, advertising, and the construction of a postwar American identity. American media manifests itself in several different forms, all of which impact the consciousness of the American people, and the postwar rise to power of the advertising industry helped to mold identity in ways that are often not even recognized.
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  • 'Little Terrors'
    Don DeLillo’s Promiscuous Fictions: The Adulterous Triangle of Sex, Space, and Language Diana Marie Jenkins A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The School of English University of NSW, December 2005 This thesis is dedicated to the loving memory of a wonderful grandfather, and a beautiful niece. I wish they were here to see me finish what both saw me start. Contents Acknowledgements 1 Introduction 2 Chapter One 26 The Space of the Hotel/Motel Room Chapter Two 81 Described Space and Sexual Transgression Chapter Three 124 The Reciprocal Space of the Journey and the Image Chapter Four 171 The Space of the Secret Conclusion 232 Reference List 238 Abstract This thesis takes up J. G. Ballard’s contention, that ‘the act of intercourse is now always a model for something else,’ to show that Don DeLillo uses a particular sexual, cultural economy of adultery, understood in its many loaded cultural and literary contexts, as a model for semantic reproduction. I contend that DeLillo’s fiction evinces a promiscuous model of language that structurally reflects the myth of the adulterous triangle. The thesis makes a significant intervention into DeLillo scholarship by challenging Paul Maltby’s suggestion that DeLillo’s linguistic model is Romantic and pure. My analysis of the narrative operations of adultery in his work reveals the alternative promiscuous model. I discuss ten DeLillo novels and one play – Americana, Players, The Names, White Noise, Libra, Mao II, Underworld, the play Valparaiso, The Body Artist, Cosmopolis, and the pseudonymous Amazons – that feature adultery narratives.
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  • Transatlantica, 1 | 2002 Don Delillo : Une Bibliographie Sélective 2
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2002 Jeune République Don DeLillo : une bibliographie sélective Aaron Smith Édition électronique URL : http://journals.openedition.org/transatlantica/523 DOI : 10.4000/transatlantica.523 ISSN : 1765-2766 Éditeur AFEA Référence électronique Aaron Smith, « Don DeLillo : une bibliographie sélective », Transatlantica [En ligne], 1 | 2002, mis en ligne le 23 mars 2006, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/ 523 ; DOI : https://doi.org/10.4000/transatlantica.523 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Don DeLillo : une bibliographie sélective 1 Don DeLillo : une bibliographie sélective Aaron Smith Oeuvres de Don DeLilloRomans 1 Americana. 1971. London : Penguin, 1990. 2 End Zone. 1972. New York : Penguin, 1986. 3 Great Jones Street. 1973. New York : Penguin, 1994. 4 Ratner’s Star. 1976. London : Vintage, 1991. 5 Players. 1977. London : Vintage, 1991. 6 Running Dog. 1978. London : Picador, 1992. 7 The Names. 1982. New York : Vintage, 1989. 8 White Noise. 1984. London : Picador, 1985. 9 Libra. 1988. London : Penguin, 1989. 10 Mao II. 1991. London : Vintage, 1992. 11 Underworld. 1997. New York : Scribner, 1997. 12 The Body Artist. 2001. New York : Picador, 2001. 13 Cosmopolis. New York : Scribner, 2003 (à paraître) Théâtre 14 The Engineer of Moonlight. Cornell Review 1 (1979) : 21‑47. 15 The Day Room. 1986. New York : Penguin, 1989. 16 The Rapture of the Athlete Assumed into Heaven.
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  • Review: Paul Giaimo, Appreciating Don Delillo
    Paul Giaimo, Appreciating Don DeLillo, Praeger, Santa Barbara, 2011; pp.188; RRP US$44.95 hardback. Paul Giaimo’s Appreciating Don DeLillo: The Moral Force of a Writer’s Work is a study of morality and religion in Don DeLillo’s oeuvre of fiction. Giaimo continues Amy Hungerford and John Paul Russo’s insights into the trope of religion, but vitally fleshes it out into a book-length examination of DeLillo’s Jesuit influences. As Giaimo states in the preface, his purpose centres on the ‘underlying moral lessons of DeLillo’s work’ (p.v). Such an investigation into the novelist’s religious roots and consequential literary influences is well overdue in DeLillo scholarship. With the book divided into seven chapters, I now give attention to each turn. In Chapter 1, ‘Don DeLillo and the Novel – Neither Modern nor Postmodern’, Giaimo makes the case that ‘DeLillo’s tendency is to show some elements of mimetic realism as well as those features of modernism and postmodernism’ (p.1). He begins by rightly noting that the defining trend of DeLillo criticism is to align his works with postmodernism, and he deviates from this through a discussion of the unflattering presentation of postmodern theorists in DeLillo’s works. He states clearly that ‘[n]either modernism nor postmodernism really applies as a label for DeLillo’s work’ (p.16), and shows how DeLillo’s characters’ self- destruction and lack of morality are detrimental to their lives, although hope continues as a ‘potent moral force’ (p.21). Chapter 2 delves into fascinating examples of morality presented in DeLillo’s early novels, Americana, Great Jones Street, Ratner’s Star, Running Dog, and Players.
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  • Staging Delillo
    Staging DeLillo Rebecca Rey B.A. (Hons), The University of Western Australia, 2006 10322929 This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Social and Cultural Studies Discipline of English and Cultural Studies 2012 Abstract This thesis examines the plays of Don DeLillo. Although DeLillo‘s novels have received much critical discussion, his theatre works, with a few exceptions, have been largely ignored in literary circles. This thesis focuses on DeLillo‘s plays to rectify, in part, the lack of scholarship on this topic. In what follows I will examine each of DeLillo‘s six playtexts in chronological order, devoting a chapter to each of his main plays. Common themes emerging across the oeuvre are the centrality of language, the human fear of death, the elusiveness of truth, and the deception of personal identity. In order to provide a comprehensive critical analysis of DeLillo‘s plays, I will draw on a wide range of sources, including DeLillo‘s novels, personal notes and correspondence, interviews with the writer, and theatre performance reviews, in order to reach a better critical understanding of DeLillo‘s plays. This unprecedented examination of DeLillo‘s plays contributes not only to a deeper understanding of his other fictional works, but is rewarding in itself, as the plays can stand alone as being worthy of critical attention. In Chapter 1, I present an analysis of DeLillo‘s ‗The Engineer of Moonlight‘ (1979)—his first published, but as yet unperformed, playtext. ‗The Engineer‘ bears striking similarities in theme with DeLillo‘s earlier novel Ratner’s Star (1976).
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  • Kierkegaard's Reflection in Don Delillo's Novel „Falling Man?
    European Journal of Science and Theology, February 2017, Vol.13, No.1, 15-23 _______________________________________________________________________ KIERKEGAARD’S REFLECTION IN DON DELILLO’S NOVEL ‘FALLING MAN’ Martina Pavlíková* Constantine the Philosopher University in Nitra, Faculty of Arts, Central European Research Institute of Søren Kierkegaard, Hodžova 1, 949 74 Nitra, Slovak Republic (Received 7 October 2016) Abstract This paper analyses Don DeLillo‟s novel „Falling Man‟, which is concerned with the symbolic nature of terrorist violence portrayed and interpreted through the mass media that are able to create a specific simulacrum of reality. DeLillo‟s narrative examines the possibilities of reinventing one‟s individual identity and the tendency of individuals to construct their own identities through a group mentality as well. The paper also deals with the influence of the Danish thinker Soren Kierkegaard on the novel „Falling Man‟. Keywords: subjectivity, terrorism, despair, anxiety, hedonism 1. Introduction Don DeLillo (1936) is a very significant American writer, playwright and essayist. He currently belongs among the most phenomenal and important novelists of modern American literary era. Literary critic Harold Bloom “named him as one of the four major American novelists of his time, along with Thomas Pynchon, Philip Roth, and Cormac McCarthy” [1]. He is considered to be a representative of postmodern literature. Don DeLillo himself stresses that he has been profoundly influenced by “abstract expressionism, European movies and jazz” [2]. His unique literary work reflects the concept of man and modern society being impacted by the advances of Science and technology. His novels intertwine modern appliances, scientific technology, mass media, nuclear wars, sport, various forms of art, cultural performances, cultural objects, cold war, digital age, economy, conspiracy theories and global terrorism.
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  • The Silence That Attends Her Pauses
    Scribner An Imprint of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental. Copyright © 2020 by Don DeLillo All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner hardcover edition October 2020 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Interior design by Erich Hobbing Jacket design and Photography: Office of Paul Sahre Library of Congress Cataloging-in-Publication Data is available. ISBN 978-1-9821-6455-3 ISBN 978-1-9821-6457-7 (ebook) To Barbara Bennett “I do not know with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” Albert Einstein PART ONE -1- Words, sentences, numbers, distance to destination.
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  • Lacanian Reflections on Delillo's Americana
    orbit. Delillo Special Issue How to Cite: Foster, G 2016 A Deep Insider’s Elegiac Tribute: The Work of Don DeLillo in David Foster Wallace’s Infinite Jest. Orbit: Writing around Pynchon, 4(2): 8, pp. 1–20, DOI: http://dx.doi.org/10.16995/orbit.127 Published: 31 May 2016 Peer Review: This article was peer-reviewed internally by the guest editor and by a member of the Orbit editorial team. Copyright: © 2016 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons.org /licenses/by/4.0/. Open Access: Orbit: Writing around Pynchon is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Graham Foster, ‘A Deep Insider’s Elegiac Tribute: The Work of Don DeLillo in David Foster Wallace’s Infinite Jest’ (2016) 4(2): 8 Orbit: . orbit Writing around Pynchon, DOI: http://dx.doi.org/10.16995/orbit.127 DELILLO SPECIAL ISSUE A Deep Insider’s Elegiac Tribute: The Work of Don DeLillo in David Foster Wallace’s Infinite Jest Graham Foster School of Advanced Study, University of London, GB [email protected] This article explores the influence the work of Don DeLillo has on David Foster Wallace’s Infinite Jest (1996), scrutinising the way Wallace built some of his most important themes on a foundation of literary allusion, particularly to the DeLillo novels End Zone (1972) and Americana (1971).
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  • Convergence: the Meeting of Technology and Art in Don Delillo's Cosmopolis and Zero K
    Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 5-3-2017 CONVERGENCE: THE MEETING OF TECHNOLOGY AND ART IN DON DELILLO’S COSMOPOLIS AND ZERO K Jay Shelat Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Shelat, Jay, "CONVERGENCE: THE MEETING OF TECHNOLOGY AND ART IN DON DELILLO’S COSMOPOLIS AND ZERO K." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/english_theses/216 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONVERGENCE: THE MEETING OF TECHNOLOGY AND ART IN DON DELILLO’S COSMOPOLIS AND ZERO K by JAY SHELAT Under the Direction of Christopher Kocela, PhD ABSTRACT This thesis explores the roles of art and technology in Don DeLillo’s novels Cosmopolis and Zero K. DeLillo’s works combine art and technology through their depictions of protagonists whom I characterize as rogue capitalists. In Cosmopolis, Eric Packer is a rogue capitalist who yearns to escape the world of financial speculation after seeing a horrific event, while in Zero K, the rogue capitalist figure, Ross Lockhart, wishes to leave the contemporary era by freezing his body. Both characters become “rogues” because they seek to escape the capitalist environment that has made them, and
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  • “Cosmopolis” (Novel) –Don Delillo a Theater of the Absurd Existentialist, Nevertheless a Bronx Southern-Italian American
    “Cosmopolis” (novel) –Don DeLillo a Theater of the Absurd Existentialist, nevertheless a Bronx southern-Italian American Published on iItaly.org (http://www.iitaly.org) “Cosmopolis” (novel) –Don DeLillo a Theater of the Absurd Existentialist, nevertheless a Bronx southern-Italian American Tom Verso (June 20, 2012) “What are you doing Saturday night? / Committing suicide / What about Friday?” (Woody Allen) ... Richard E. Baker in his book “The Dynamics of the Absurd in the Existentialist Novel” writes: “Many existentialist writers in the twentieth century have defined the sense of the absurd... Miguel de Unamuno says it is the ‘tragic sense of life’; JeanPaul Sartre calls it ‘nausea’... [etc].” By any name, the ‘absurd’ denotes the experience of a rational individual struggling with a perceived irrational world. Increasingly, I’m coming to the opinion that Don Delillo should be added to that long list which includes Richard Wright, Camus, Beckett, etc. What interests me is how the son of Abruzzo immigrants goes from ‘hanging’ on a Little Italy Bronx street corner to “Waiting for Godot”, and what Page 1 of 4 “Cosmopolis” (novel) –Don DeLillo a Theater of the Absurd Existentialist, nevertheless a Bronx southern-Italian American Published on iItaly.org (http://www.iitaly.org) that ‘trip’ implies about the culture of post-Little Italy Americana Preface Before I read anything about DeLillo’s biography, I was perfectly confident he was a child of 1940s – 50s Bronx Little Italy. Having read his novel Underworld, I could not believe that even the most creative and imaginative writer could possibly capture the character of the people and cultural essence of “Little Italy – Urban Villages” as perfectly and brilliantly as he did in “Part Six” of that book.
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  • "Saved? What Is Saved?": the Potentiality of Bakhtinian Ecology in Delillo's White Noise
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2020 "Saved? What is saved?": The Potentiality of Bakhtinian Ecology in DeLillo's White Noise Kelly Gray University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Gray, Kelly, ""Saved? What is saved?": The Potentiality of Bakhtinian Ecology in DeLillo's White Noise" (2020). Graduate College Dissertations and Theses. 1226. https://scholarworks.uvm.edu/graddis/1226 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. “SAVED? WHAT IS SAVED?”: THE POTENTIALITY OF BAKHTINIAN ECOLOGY IN DELILLO’S WHITE NOISE A Thesis Presented by Kelly Gray to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements for the Degree of Master of Arts Specializing in English May, 2020 Defense Date: March 20, 2020 Thesis Examination Committee: Eric Lindstrom, Ph.D., Advisor Adrian J. Ivakhiv, Ph.D.., Chairperson Sarah Turner, Ph.D. Cynthia J. Forehand, Ph.D., Dean of the Graduate College ABSTRACT Within Cartesian dualism’s traditional nature/culture divide, nature today proves uncanny: both in the uncanny return of human impact through anthropogenic climate change and in the uncanny recognition that that which was other was never really other at all. Contemporary ecocriticism, in theorizing the breakdown of this nature/culture divide, is thereby “post-naturalist.” Ecocritic Timothy Morton speaks toward this denaturalization in his work Hyperobjects: Philosophy and Ecology After the End of the World.
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