Xavier University Exhibit Faculty Scholarship English 2015 Don DeLillo’s Art Stalkers Graley Herren Xavier University Follow this and additional works at: http://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons Recommended Citation Herren, Graley, "Don DeLillo’s Art Stalkers" (2015). Faculty Scholarship. Paper 560. http://www.exhibit.xavier.edu/english_faculty/560 This Article is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact
[email protected]. 138 Don DeLillo's Art Stalkers DON DELILLO'S ART STALKERS f Graley Herren Throughout his career Don DeLillo has remained persistently engaged with art, artists, and the creative processes through which various artworks are made. His focus has increasingly shifted of late toward the other end of the artistic transaction, examining the recep- tion processes through which artworks are perceived, assimilated, de- constructed, and reconstructed to suit the needs of individual viewers. DeLillo is particularly interested in characters that are drawn to visit the same artworks or art venues over and again. Driven by shadowy forces that they scarcely understand or control, these compulsive characters return repeatedly to a museum, gallery, or cinema where they can gaze once again at the objects of their obsessive desire. Although their obsessions are diverse, sometimes perverse, and al- ways imagined as private, these intimate artistic encounters all take place in public spaces. Such conditions provide the basic components of a scenario to which DeLillo himself is repeatedly drawn: a male predator gazes on a female spectator gazing at an artwork, stalking his prey back and forth between the presumed sanctuary of the art venue and the vulnerable world outside.