The Silence That Attends Her Pauses
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Stark Realities of End Zone
CORE Metadata, citation and similar papers at core.ac.uk Provided by Cardinal Scholar Stark Realities of End Zone An Honors Thesis (HONRS 499) by Ryan K. Hilton Patti White, Ph.D. Ball State University Muncie, Indiana Submitted: April 1996 Graduation: May 1996 LV ~)lr~" ? • 7.:,'f : :"t~ .455 - We are speaking on this occaSIOn, not as members of this or that nation, continent, or creed, but as human beings, members of the species man, whose continued existence is in doubt. The world is full of conflicts, and overshadowing all conflicts is the titanic struggle between communism and anti-communism. Almost everybody who is politically conscious has strong feelings about these issues. But we want you, if you can, to set aside such feelings and consider yourselves only as members of a biological species which has had a remarkable history, and whose disappearance none of us can desire. We shall try to say no single word which shall appeal to one group rather than to another. All, equally, are in peril, and if the peril is understood there is hope that we may collectively avert it. --Bertrand Russell and Albert Einstein September 1955 - %esis Statement End Zone (1972), by Don DeLillo, is about nuclear war and college football; here, metaphor is used to show the interchangeability between the two. Gary Harkness is the narrator, a man obsessed with nuclear war. Preparation and escalation are key concepts used to describe the winning season Harkness and his teammates are having at Logos College in Texas, until they lose the "big game." Then a sense of the unspeakable permeates Logos, as no one wants to discuss the results of the game. -
'Little Terrors'
Don DeLillo’s Promiscuous Fictions: The Adulterous Triangle of Sex, Space, and Language Diana Marie Jenkins A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The School of English University of NSW, December 2005 This thesis is dedicated to the loving memory of a wonderful grandfather, and a beautiful niece. I wish they were here to see me finish what both saw me start. Contents Acknowledgements 1 Introduction 2 Chapter One 26 The Space of the Hotel/Motel Room Chapter Two 81 Described Space and Sexual Transgression Chapter Three 124 The Reciprocal Space of the Journey and the Image Chapter Four 171 The Space of the Secret Conclusion 232 Reference List 238 Abstract This thesis takes up J. G. Ballard’s contention, that ‘the act of intercourse is now always a model for something else,’ to show that Don DeLillo uses a particular sexual, cultural economy of adultery, understood in its many loaded cultural and literary contexts, as a model for semantic reproduction. I contend that DeLillo’s fiction evinces a promiscuous model of language that structurally reflects the myth of the adulterous triangle. The thesis makes a significant intervention into DeLillo scholarship by challenging Paul Maltby’s suggestion that DeLillo’s linguistic model is Romantic and pure. My analysis of the narrative operations of adultery in his work reveals the alternative promiscuous model. I discuss ten DeLillo novels and one play – Americana, Players, The Names, White Noise, Libra, Mao II, Underworld, the play Valparaiso, The Body Artist, Cosmopolis, and the pseudonymous Amazons – that feature adultery narratives. -
Historicizing the Iraq War in Don Delillo's Point Omega
Journal of American Studies, (), , – © Cambridge University Press . This is an Open Access article, distributed unde r the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/ . 1 ), w h ic h p er m i t s u n re s t r ic t e d r e -u se , d is t r i/b u ti o n , and reproduction in any medium, provided the original work is properly cited. doi:./S First published online August “Too many goddamn echoes”: Historicizing the Iraq War in Don DeLillo’s Point Omega MARTIN PAUL EVE This piece provides a detailed engagement with Don DeLillo’s depiction of the Iraq War in his latest novel, Point Omega. Framed through both formal aesthetic signposting of the interrelations between modernist and postmodernist practice and also through explicit thematic comparison between the conflicts, I trace DeLillo’s treatment of Iraq in Point Omega back to his earlier writing on the Cold War in Underworld and focus upon the ways in which this comparative historical metaphor can be read with particular emphasis upon its implications for the nation-state. Wherever one’s political sensibilities lie in relation to the Iraq War there is a different mode of politics with which it seems imperative that all who value art must continue to engage: the politics of representation. Indeed, the act of representing war and individual, lived, real horror is intensely problematic and raises ethical issues that are well framed in Theodor Adorno’s widely known remark that “the aesthetic principle of stylization .. -
Transatlantica, 1 | 2002 Don Delillo : Une Bibliographie Sélective 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2002 Jeune République Don DeLillo : une bibliographie sélective Aaron Smith Édition électronique URL : http://journals.openedition.org/transatlantica/523 DOI : 10.4000/transatlantica.523 ISSN : 1765-2766 Éditeur AFEA Référence électronique Aaron Smith, « Don DeLillo : une bibliographie sélective », Transatlantica [En ligne], 1 | 2002, mis en ligne le 23 mars 2006, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/ 523 ; DOI : https://doi.org/10.4000/transatlantica.523 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Don DeLillo : une bibliographie sélective 1 Don DeLillo : une bibliographie sélective Aaron Smith Oeuvres de Don DeLilloRomans 1 Americana. 1971. London : Penguin, 1990. 2 End Zone. 1972. New York : Penguin, 1986. 3 Great Jones Street. 1973. New York : Penguin, 1994. 4 Ratner’s Star. 1976. London : Vintage, 1991. 5 Players. 1977. London : Vintage, 1991. 6 Running Dog. 1978. London : Picador, 1992. 7 The Names. 1982. New York : Vintage, 1989. 8 White Noise. 1984. London : Picador, 1985. 9 Libra. 1988. London : Penguin, 1989. 10 Mao II. 1991. London : Vintage, 1992. 11 Underworld. 1997. New York : Scribner, 1997. 12 The Body Artist. 2001. New York : Picador, 2001. 13 Cosmopolis. New York : Scribner, 2003 (à paraître) Théâtre 14 The Engineer of Moonlight. Cornell Review 1 (1979) : 21‑47. 15 The Day Room. 1986. New York : Penguin, 1989. 16 The Rapture of the Athlete Assumed into Heaven. -
Staging Delillo
Staging DeLillo Rebecca Rey B.A. (Hons), The University of Western Australia, 2006 10322929 This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Social and Cultural Studies Discipline of English and Cultural Studies 2012 Abstract This thesis examines the plays of Don DeLillo. Although DeLillo‘s novels have received much critical discussion, his theatre works, with a few exceptions, have been largely ignored in literary circles. This thesis focuses on DeLillo‘s plays to rectify, in part, the lack of scholarship on this topic. In what follows I will examine each of DeLillo‘s six playtexts in chronological order, devoting a chapter to each of his main plays. Common themes emerging across the oeuvre are the centrality of language, the human fear of death, the elusiveness of truth, and the deception of personal identity. In order to provide a comprehensive critical analysis of DeLillo‘s plays, I will draw on a wide range of sources, including DeLillo‘s novels, personal notes and correspondence, interviews with the writer, and theatre performance reviews, in order to reach a better critical understanding of DeLillo‘s plays. This unprecedented examination of DeLillo‘s plays contributes not only to a deeper understanding of his other fictional works, but is rewarding in itself, as the plays can stand alone as being worthy of critical attention. In Chapter 1, I present an analysis of DeLillo‘s ‗The Engineer of Moonlight‘ (1979)—his first published, but as yet unperformed, playtext. ‗The Engineer‘ bears striking similarities in theme with DeLillo‘s earlier novel Ratner’s Star (1976). -
Kierkegaard's Reflection in Don Delillo's Novel „Falling Man?
European Journal of Science and Theology, February 2017, Vol.13, No.1, 15-23 _______________________________________________________________________ KIERKEGAARD’S REFLECTION IN DON DELILLO’S NOVEL ‘FALLING MAN’ Martina Pavlíková* Constantine the Philosopher University in Nitra, Faculty of Arts, Central European Research Institute of Søren Kierkegaard, Hodžova 1, 949 74 Nitra, Slovak Republic (Received 7 October 2016) Abstract This paper analyses Don DeLillo‟s novel „Falling Man‟, which is concerned with the symbolic nature of terrorist violence portrayed and interpreted through the mass media that are able to create a specific simulacrum of reality. DeLillo‟s narrative examines the possibilities of reinventing one‟s individual identity and the tendency of individuals to construct their own identities through a group mentality as well. The paper also deals with the influence of the Danish thinker Soren Kierkegaard on the novel „Falling Man‟. Keywords: subjectivity, terrorism, despair, anxiety, hedonism 1. Introduction Don DeLillo (1936) is a very significant American writer, playwright and essayist. He currently belongs among the most phenomenal and important novelists of modern American literary era. Literary critic Harold Bloom “named him as one of the four major American novelists of his time, along with Thomas Pynchon, Philip Roth, and Cormac McCarthy” [1]. He is considered to be a representative of postmodern literature. Don DeLillo himself stresses that he has been profoundly influenced by “abstract expressionism, European movies and jazz” [2]. His unique literary work reflects the concept of man and modern society being impacted by the advances of Science and technology. His novels intertwine modern appliances, scientific technology, mass media, nuclear wars, sport, various forms of art, cultural performances, cultural objects, cold war, digital age, economy, conspiracy theories and global terrorism. -
Don Delillo's Art Stalkers
Xavier University Exhibit Faculty Scholarship English 2015 Don DeLillo’s Art Stalkers Graley Herren Xavier University Follow this and additional works at: http://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons Recommended Citation Herren, Graley, "Don DeLillo’s Art Stalkers" (2015). Faculty Scholarship. Paper 560. http://www.exhibit.xavier.edu/english_faculty/560 This Article is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. 138 Don DeLillo's Art Stalkers DON DELILLO'S ART STALKERS f Graley Herren Throughout his career Don DeLillo has remained persistently engaged with art, artists, and the creative processes through which various artworks are made. His focus has increasingly shifted of late toward the other end of the artistic transaction, examining the recep- tion processes through which artworks are perceived, assimilated, de- constructed, and reconstructed to suit the needs of individual viewers. DeLillo is particularly interested in characters that are drawn to visit the same artworks or art venues over and again. Driven by shadowy forces that they scarcely understand or control, these compulsive characters return repeatedly to a museum, gallery, or cinema where they can gaze once again at the objects of their obsessive desire. Although their obsessions are diverse, sometimes perverse, and al- ways imagined as private, these intimate artistic encounters all take place in public spaces. Such conditions provide the basic components of a scenario to which DeLillo himself is repeatedly drawn: a male predator gazes on a female spectator gazing at an artwork, stalking his prey back and forth between the presumed sanctuary of the art venue and the vulnerable world outside. -
Geologies of Finitude: the Deep Time of Twenty- First-Century Catastrophe in Don Delillo’S Point Omega and Reza Negarestani’S Cyclonopedia
Critique: Studies in Contemporary Fiction ISSN: 0011-1619 (Print) 1939-9138 (Online) Journal homepage: http://www.tandfonline.com/loi/vcrt20 Geologies of Finitude: The Deep Time of Twenty- First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia Bradley J. Fest To cite this article: Bradley J. Fest (2016) Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia, Critique: Studies in Contemporary Fiction, 57:5, 565-578, DOI: 10.1080/00111619.2016.1138446 To link to this article: http://dx.doi.org/10.1080/00111619.2016.1138446 Published online: 15 Jul 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=vcrt20 Download by: [67.165.107.150] Date: 15 July 2016, At: 12:19 CRITIQUE: STUDIES IN CONTEMPORARY FICTION 2016, VOL. 57, NO. 5, 565–578 http://dx.doi.org/10.1080/00111619.2016.1138446 Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia Bradley J. Fest Department of English, University of Pittsburgh, Pittsburgh, Pennsylvania, USA ABSTRACT KEYWORDS The twenty-first century has seen a transformation of twentieth-century Anthropocene; Cyclonopedia; narrative and historical discourse. On the one hand, the Cold War national deep time; Don DeLillo; fantasy of mutually assured destruction has multiplied, producing a diverse geology; Point Omega; Reza array of apocalyptic visions. On the other, there has been an increasing Negarestani; novel; War on sobriety about human finitude, especially considered in the light of emer- Terror ging discussions about deep time. -
Prologue 1. from Robert Faurison, a Lifelong Holocaust Denier From
Notes Prologue 1. From Robert Faurison, a lifelong Holocaust denier from France, to David Duke, the American white supremacist politician and former Ku Klux Klan leader, who contended that no gas chambers or exter- mination camps were actually built during the war on the grounds that killing Jews by that method would have been cost-prohibitive and much too bothersome. “The number of victims at the Auschwitz concentration camp could be about 2,007. The railroad to the camp did not have enough capacity to transfer large numbers of Jews,” said another speaker. The conference included an exhibition of various photos, posters, and other materials meant to contradict the accepted version of events, that the Nazis murdered millions of Jews and other “undesirables” in death camps during the war. Some familiar pho- tos of corpses at the camps bore new captions in Persian arguing that they were victims of typhus, not the German state. This dis- cussion of the Holocaust denial conference is based on “Iran Hosts Holocaust Deniers,” Associated Press, December 12, 2006; Nazila Fathi, “Holocaust Deniers and Skeptics Gather in Iran,” New York Times , December 11, 2006; “Rogues and Fools,” Editorial, New York Times , December 15, 2006; Tammy Bruce, “This Weekend: Iran’s Holocaust Denial Conference.” Blog. : <http://tammybruce. com/2006/12/this_weekend_irans_holocaust_d_html>; “Hatred on Parade,” Editorial, Daily Camera , December 14, 2006. 2. Minow 123. For an extended discussion of various manifestations of justice ensuing from trials, truth commissions, and reparations, see Minow 123–33. 3. In 1995 Queen Elizabeth II became the first British monarch ever to make an official apology. -
Don Delillo Libra As a Sample of Postmodern American Fiction
УДК 821.111(73)-31.09 ПАСТУШУК Галина Олексіївна , асистент кафедри світової літератури Львівського національного університету імені Івана Франка DON DELILLO LIBRA AS A SAMPLE OF POSTMODERN AMERICAN FICTION Стаття “ Дон ДеЛілло “Терези ” як зразок американської літератури постмодерну ” присвячена аналізові тексту роману “Терези ” маловідомого в Україні американського письменника Дона ДеЛілло . Послуговуючись термінологічним апаратом , запозиченим з книги британського дослідника Крістофера Неша “Світова постмодерністська література . Довідник ”, автор статті спробувала шляхом детальної деконструкції текстового каркасу , дослідити особливості творчого методу ДеЛілло в світлі постмодерністської літературної критики . Роман , в основу якого покладено невигадану подію вбивства американського президента Дж .Ф.Кеннеді у 1963 році , просякнутий таємницею не лише щодо цього вбивства , але і щодо призначення сучасної людини у світі . Серед прийомів , якими користується ДеЛілло для творення глибинних смислів простого на перший погляд детективного роману , у статті виділено двозначні символи , повтори , містифікацію імен героїв , німі діалоги , відтягнення ключової події , орфографічні помилки тощо . The article is dedicated to the text analysis of the novel “Libra” by an American author Don DeLillo who is little known to Ukrainian reader. With the bulk of terminology borrowed from Cristopher Nash’s book “World Postmodern Fiction. A Guide”, the author of this research tried through the deconstruction of the textual carcass to investigate the peculiarities of DeLillo’s artistic method in the light of postmodern literary criticism. The novel which pivots on a non-fictional event of the assassination of the American President J.F.Kennedy in 1963 is saturated with mystery not only in regard to this assassination but also in regard to the place of a contemporary human being in this world. -
Allegories of American Authorship in the Age of Terrorism
DEATH THREAT LETTERS: ALLEGORIES OF AMERICAN AUTHORSHIP IN THE AGE OF TERRORISM by JONATHAN ROSS MCKAY A thesis submitted to the Department of English In conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada (April, 2011) Copyright © Jonathan Ross McKay, 2011 Abstract This dissertation examines novels that use terrorism to allegorize the threatened position of the literary author in contemporary culture. Allegory is a term that has been differently understood over time, but which has consistently been used by writers to articulate and construct their roles as authors. In the novels I look at, the terrorist challenge to authorship results in multiple deployments of allegory, each differently illustrating the way that allegory is used and authorship constructed in the contemporary American novel. Don DeLillo‘s Mao II (1991), first puts terrorists and authors in an oppositional pairing. The terrorist‘s ability to traffic in spectacle is presented as indicative of the author‘s fading importance in contemporary culture and it is one way that terrorism allegorizes threats to authorship. In Philip Roth‘s Operation Shylock (1993), the allegorical pairing is between the text of the novel and outside texts – newspaper reports, legal cases, etc. – that the novel references and adapts in order to bolster its own narrative authority. Richard Powers‘s Plowing the Dark (1999) pairs the story of an imprisoned hostage, craving a single book, with employees of a tech firm who are creating interactive, virtual reality artworks. Focusing on the reader‘s experience, Powers‘s novel posits a form of authorship that the reader can take into consideration, but which does not seek to control the experience of the text. -
Valparaiso-A-Play.Pdf
(Download free ebook) Valparaiso: A Play Valparaiso: A Play Don DeLillo ebooks | Download PDF | *ePub | DOC | audiobook #1108079 in Books Don DeLillo 2003-06-13 2000-06-13Original language:EnglishPDF # 1 8.00 x .30 x 5.25l, .27 #File Name: 0684865688107 pagesISBN13: 9780684865683Condition: NewNotes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold! | File size: 63.Mb Don DeLillo : Valparaiso: A Play before purchasing it in order to gage whether or not it would be worth my time, and all praised Valparaiso: A Play: 0 of 0 people found the following review helpful. Four StarsBy Ronny P KayeNeo-Classical work by Delillo. Worth a read.3 of 4 people found the following review helpful. Go for his fiction, not dramaBy Daniel E. WickettThis is Delillo's second published play to go with (at the time, 1999) his eleven novels. It is a play in two acts with only five characters. Two of the characters, Michael and his wife Livia, appear in both actsThe basis of the play is that they are being interviewed due to a trip Michael took, thinking he was going to Valparaiso, IN and ending up in Valparaiso, Chile. This play takes on many of Delillo's usual topics, just not as well as he does in his novels.Reviewing a reading of a play is always more difficult than a novel or a collection of short stories as you do not enjoy the work of art as it was meant to be presented to you.