History of Growth
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Il Comparto Motociclistico Nel Secondo Dopoguerra
Dipartimento di Economia & Management Cattedra di Storia dell’economia e dell’impresa Il comparto motociclistico nel secondo dopoguerra un confronto tra Italia e Giappone RELATORE Prof.ssa Vittoria Ferrandino CANDIDATO Carlo Alberto Richetti Matr. 199161 1 Indice I Introduzione ……………………………………………….3 Capitolo 1. La situazione industriale di Italia e Giappone nel secondo dopoguerra ………………………………………………………………4 1.1 Le condizioni generali alla fine del conflitto ……………………………...4 1.2 L’industria italiana nel dopoguerra. La riconversione industriale ……………5 1.3 La nascita e l’evoluzione del modello industriale giapponese ……………….9 1.4 La nascita del comparto motociclistico giapponese ………………………..11 Capitolo 2. Il miracolo economico e la ripresa degli anni Cinquanta ….15 2.1 Una nuova potenza industriale europea: l’Italia del boom economico ………..15 2.2 La motorizzazione di massa in Italia. L’innocenti, la Piaggio e “l’andare in giro con le ali sotto i piedi” ………………………………………………………17 2.3 Dalla ripresa al miracolo economico giapponese …………………………...21 2.4 Il caso Honda …………………………………………………………..24 Capitolo 3. La crisi degli anni Settanta ………………………………….26 3.1 Il distretto di Hamamatsu: una delle chiavi del vantaggio competitivo dei “Big Four” ……………………………………………………………..26 3.2 La competizione sportiva e l’epoca delle corse motociclistiche. Uno strumento di affermazione nel mercato internazionale ………………………………...28 3.3 Il mercato americano: la porta d’accesso al commercio internazionale ………..32 3.4 Il movimento giovanile italiano e le due ruote ……………………………...34 -
Pilot's Handbook
ACOUSTIC Pilot’s Handbook 40-00-0039 Electrophonic Limited Edition available @ www.line6.com Rev C Before using your Variax you should read these Important Safety Instructions. Keep these instructions in a safe place. 1. Obey all warnings in this Pilot's Handbook. 2. Do not place near heat sources, such as radiators, heat registers, or appliances which produce heat. 3. Guard against objects or liquids. 4. To avoid damage to Variax’s Digital Communications Connector, always use Line 6 supplied cables and replace the protective end cap when not in use. 5. Power the XPS Footswitch only with the included PX-2 Power Supply or equivalent. 6. Connect the PX-2 Power Supply only to AC power outlets rated 100-120V or 230V 47-63Hz (depending on the voltage range of the included power supply). 7. Do not step on power cords. Do not place items on top of power cords so that they are pinched or leaned on. 8. Unplug your Variax Acoustic and XPS Footswitch when not in use for extended periods of time. 9. Do not perform service operations beyond those described in the Variax Acoustic Pilot's Handbook. Repairs and service operations beyond the scope of those in the Pilot's Handbook should be performed only by qualified service personnel. 10. Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sure to practice "safe listening." Your Variax should include these accessories: Gigbag, XPS Footswitch, PX-2 Power Supply, TRS Cable, Bridge Saddle Wrench, Truss Rod Wrench WARNING: To reduce the risk of fire or electric shock, CAUTION: No user-serviceable parts inside. -
Podxt Live Manual
XT PODLIVE PRO GUITAR TONE ON THE FLOOR PILOT’S HANDBOOK An in-depth exploration of the revolutionary technologies and pulsing tonal pleasures that lurk within PODXT LIVE INCLUDES DETAILS ON VERSION 3 FEATURES. USE FREE LINE 6 MONKEY TO MAKE SURE YOUR PODXT IS UP TO DATE: WWW.LINE6.COM/MONKEY Electrophonic Limited Edition. Also available at www.line6.com. Revision C. PODXT MODELS METAL SHOP AMPS COLLECTOR CLASSICS AMPS EFFECTS MODS PODXT, PODXT Live and PODXT Pro all include the # Amp Model # Amp Model Standard Power Pack FX Junkie Standard and Power Pack Models plus all guitar Cab Models. 37 BOMBER UBER 55 BOMBER X-TC SINE CHORUS See www.line6.com/modelpack to learn about adding other 38 CONOR 50 56 DEITY CRUNCH STOMPS ANALOG CHORUS Model Pack Models. 39 DEITY LEAD 57 BLACKFACE VIBRO Standard Power Pack FX Junkie LINE 6 FLANGER 40 DEITY’S SON 58 DOUBLE SHOW FACIAL FUZZ JET FLANGER For Reference Only - Do NOT PRINT HOW TO INSERT THE FUZZ PI GUITAR AMPS & CABS 41 ANGEL P-BALL 59 SILVERFACE BASS PHASER 42 BRIT SLIVER 60 MINI DOUBLE SCREAMER U-VIBE Use full size document as master. Line 6 Universal Registration Research Card STANDARD & POWER PACK AMP MODELS CAB MODELS 43 BRIT J-900 CLN 61 GIBTONE EXPO CLASSIC DIST OPTO TREM # Standard Power Pack # Cab Model 44 BRIT J-900 DST 62 BRIT BASS OCTAVE FUZZ BIAS TREM 0 BYPASS 0 NO CAB 45 BRIT J-2000 63 BRIT MAJOR BLUE COMP ROTARY DRUM 1 TUBE PREAMP 1 1X6 SUPER O 46 DIAMOND PLATE 64 SILVER TWELVE RED COMP +HORN 2 LINE 6 CLEAN 2 1X8 TWEED 47 CRIMINAL 65 SUPRO ‘62 THUDERBOLT VETTA COMP ROTARY DRUM 3 LINE 6 JTS-45 3 1X10 GIBTONE 48 L6 BIG BOTTOM 66 L6 BAYOU AUTO SWELL AUTO PAN FRONT COVER: AUTO WAH Score and Fold Back Cover Bind Registration Card (part #40-03-2000) after cover 4 LINE 6 CLASS A 4 1X10 G-BRAND 49 L6 CHUNK CHUNK 67 L6 CRUNCH ANALOG SQUARE with Red side out as shown. -
Line 6 POD Go Owner's Manual
® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc. -
Saturation of Piano Markets ― History of the U.S
Saturation of Piano Markets ― History of the U.S. and Asian Piano Industries ― Tomoaki TANAKA 1. Technical development of the piano and how its market grew The first acoustic piano was made in 1709 by Bartolomeo Cristofori, who was a harpsi- chord producer for the Medici family in Italy. The piano was originally built in the shape of a harpsichord. At the beginning pianos were played in relatively small rooms, such as in a salon of a noble residence. But pianos gradually came to be played at concert halls holding thousands of people. The sound of pianos needed to be more powerful and emo- tional. The only way was to increase the tension on the strings. New materials were need- ed since the existing wooden plates could not sustain such tension. Alpheus Babcock, who was a boiler shop owner in the U.S., invented the full iron frame piano in 1825. His pianos succeeded in obtaining more powerful tension than wooden frames and expanded the sound range by octaves. In 1837, Jonas Chickering, a piano engineer and a founder of Chickering & Sons in the U.S., improved Babcockʼs frames and a patent was granted to him in 1841. Steinway & Sons eventually played an even greater role in the evolution of the piano. Steinway & Sons was established in 1853 in New York by Heinrich Engelhart Steinway, who was a German piano producer. This company made important inventions and im- provements to the piano, for example the invention of the over-string scale(crossing the middle and bass strings) for grand pianos, quick response hammer action, and improve- ment of the full cast-iron plate. -
Tone Template For: Nile Rodgers (Chic) Le Freak
Tone Template for: Nile Rodgers (Chic) Le Freak Instrument: Fender® Strat® Variax Setting: Spank 2 Tuning: Standard: E-A-D-G-B-E Sound Console splitter Compressor! Fender® combo! All product names used hereon are trademarks of their respec4ve owners, which are in no way associated or affiliated with Line 6. Fender and Strat are registered trademarks of Fender Musical Instruments Corp Tone Template for: Lynyrd Skynyrd Sweet Home Alabama Ed King Allen Collins Gary Rossington Original Guitar: Fender® Strat® Original Guitar: Gibson Firebird® Original Guitar: Gibson® Les Paul® Variax Setting: Spank 1 Variax Setting: Lester 1 Variax Setting: Lester 1 Tuning: Standard: E-A-D-G-B-E Tuning: Standard: E-A-D-G-B-E Tuning: Standard: E-A-D-G-B-E Plexi 45 Plexi 45 Marshall® model 1987! Marshall® head! Fender® Twin®! Marshall® 412 cabinet! Marshall® 412 cabinet! All product names used hereon are trademarks of their respec4ve owners, which are in no way associated or affiliated with Line 6. Fender, Strat and Twin are registered trademarks of Fender Musical Instruments Corporaon. Gibson, Gibson Firebird and Les Paul are registered trademarks of Gibson Guitar Corp. Marshall is a registered trademark of Marshall Amplificaon Plc. Tone Template for: Stevie Ray Vaughan Texas Flood Instrument: Pre-CBS Fender® Strat® Tuning: 1/2 step down: Eb-Ab-Db-Gb-Bb-Eb Super Lead 100 Vox®! Ibanez® ! Fender®! Dumbleland Special! Tube Screamer®! Vibroverb! Dumble® 412 cab! EV® Speakers ! All product names used hereon are trademarks of their respec4ve owners, which are in no way associated or affiliated with Line 6. -
Yamaha Announces Formation of U.S. Based Yamaha Guitar Group, Inc
PRESS RELEASE Yamaha Guitar Group, Inc. FOR IMMEDIATE RELEASE YAMAHA ANNOUNCES FORMATION OF U.S. BASED YAMAHA GUITAR GROUP, INC. New organization will be dedicated to developing and marketing Yamaha and Line 6 products for guitarists worldwide Calabasas, CA—March 26, 2018 – Yamaha today announced the formation of a new U.S.-based wholly owned subsidiary, Yamaha Guitar Group, Inc., which will bring together the intercompany teams that have been focused on serving the needs of guitarists worldwide. Building on a long history as a leading guitar company, Yamaha demonstrated their commitment to the future of the global guitar market when they acquired Line 6 in 2014. As a leader in tech-forward segments of the guitar industry, Line 6 brought with it a family of digital electric guitars, amps, and effects to complement the extensive line-up of acoustic and electric guitars, basses, and amps that Yamaha has offered customers for over half a century. Since the acquisition, the growing collaboration between the two complementary brands led to the formation of a dedicated Guitar Division headquartered in Japan at Yamaha Corporation in April 2017, with Line 6, Inc. being included within this division. Shoji Mita, based in Japan, and Marcus Ryle, based in the U.S., were named co-general managers of this new division. Throughout 2017, this new formation led to expanded collaboration in strategy, development, sales, marketing, and artist relations, including the relocation of Yamaha Artist Services, Los Angeles to the same California campus as Line 6. With the formation of Yamaha Guitar Group, Inc. (YGG), effective April 1, 2018, the natural evolution of these collaborative efforts becomes formalized within one multi- brand organization, with a dedicated team committed to producing and marketing the very best products and services for guitarists under both the Yamaha and Line 6 brands. -
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc. -
Annual Report 2019 Yamaha Group Annual Report 2019 09
HISTORY OF GROWTH The origins of the Yamaha Group date back to 1887, when company founder Torakusu Yamaha repaired an imported reed organ. Since then, Yamaha has aimed to contribute to the enriched lifestyles of people while centering its business on sound and music. Guided by this aim, Yamaha has continued to move Our Vision and Value Creation Value Vision and Our forward with a history that spans over 130 years and three centuries. 1887 1900 1950 1960 1970 1980 1990 2000 2010 2020 Founding Period and the Spread of Music Culture and Major Leap as a Comprehensive Evolution of Technologies New Value Provision through the Integration of Realization of Domestic Venture into New Businesses Musical Instrument Diverse Technologies Production Manufacturer • Ventures into the domestic production of • Starts efforts to popularize music education • Expands product domains to include acous- • Undertakes the in-house production of semiconductors to enhance • Spurs new demand by melding acoustic and electronic technologies to organs with the desire to communicate the joy of tic musical instruments and digital musical the sound quality of digital musical instruments develop a lineup of products that offer the merits of both technologies • Commences the production of pianos and music to an even greater number of people instruments. In addition, extends lineup of • Creates numerous innovative digital musical instruments and audio • Accelerates business growth through the acquisition of overseas builds the foundation for the musical instru- • Leverages -
Line 6 POD® HD500 Advanced Guide
® POD® HD500 Guía avanzada Una profunda exploración de las características y funciones del POD HD500. Edición limitada de Electrophonic Tabla de Contenido Descripción general ............................................................... 1•1 Inicio .............................................................................................................. 1•1 Modo del afinador .......................................................................................... 1•3 Tap Tempo ...................................................................................................... 1•4 Conexiones .................................................................................................... 1•4 Software POD HD500 Edit ............................................................................ 1•5 Setup ....................................................................................... 2•1 Acceder a la configuración del sistema .......................................................... 2•1 Página 1, Setup: Utilities ............................................................................... 2•2 Página 2, Setup: Utilities ............................................................................... 2•3 Página 3, Setup: Input .................................................................................... 2•4 Página 4, Setup: Output ................................................................................. 2•8 Página 5, Setup: S/PDIF Output ................................................................... -
Wind Instruments Catalog.Pdf
Wind Instruments What has made YAMAHA the number one musical instrument manufacturer in the world? Continuous R&D We are the only instrument maker who maintains a complete staff of experienced, fulltime designers for each individual wind instrument. And we station part of that staff in Europe, North America, as well as Japan to maintain constant communication with many of the greatest musicians now performing. The ideas and insights we receive from the masters are relayed back to our design center, where they are incorporated into every instrument we make. Manufacturing Quality We make most of the individual components for our woodwind and brass instruments with cutting-edge, computerized technology for perfect tolerances and incredible consistency. But many visitors to our factories are surprised to see the large degree of age-old, traditional methods used to hand assemble all our wind instruments— from professional models down to the most inexpensive student instruments. Crafted With Care Skilled, experienced artisans adjust and test each instrument by hand—and do so with a passion and care seldom seen anymore. Many of them are musicians themselves; they joined Yamaha because of their love for music. Producing the world’s finest musical instruments is more than just a job for them; it is a calling, and a challenge they meet with pride. Yamaha Wind Instrument History In 1887, Torakusu Yamaha began producing reed organs in Hamamatsu, in central Japan. He later founded a company called Nippon Gakki (Musical Instruments of Japan). Around the same time, a Tokyo boilermaker began making bugles and established a wind instrument company named Nippon Kangakki (Japanese Wind Instruments). -
Line 6 Model Gallery (Rev. C, V2.0)
Model Gallery High definition models of immortal amps and effects is what Line 6 POD HD series all about Here’s what you’ll find under the hood of your POD HD Device ____________________________________ POD HD Pro | POD HD500 | POD HD Desktop POD HD300 | POD HD400 ____________________________________ Electrophonic Online Limited Edition - Revision C Table of Contents About the Model Gallery ......................................................... 4 HD Amp Models ........................................................................ 4 Blackface Double ................................................................................................5 Hiway 100 Custom ..............................................................................................6 Super O ...............................................................................................................7 Gibtone 185 ........................................................................................................8 Tweed B-Man ......................................................................................................9 Blackface ‘Lux ...................................................................................................10 Divide 9/15 ........................................................................................................11 PhD Motorway ..................................................................................................12 Class A 15 .........................................................................................................13