Variax 300 Pilot's Handbook
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Sidelines Middle Tennessee State University Vol
Problems may endanger future of campus rock The future of hard rock con- security chief Matt Royal said certs on campus has been jeo- yesterday. pardized because of security pro- Royal said rock concerts at- blems, President M.G. Scarlett tract a "different crowd" and said yesterday. pose more of a security prob- Speaking to the faculty of the lem because of drugs. School of Basic and Applied Sci- "Security wise, we can pretty ences, Scarlett indicated inci- well handle it," Royal said. Drugs dents that have occurred at rock are the main problem, he added. concerts tend to damage MTSU's In a separate incident after the public image. concert, a campus security of- Scarlett blamed the incidents ficer suffered minor abrasions on "outsiders," not students, ac- in Monohan hall during a scuf- cording to several faculty mem- fle with a person who refused to bers in attendance. leave, Robert LaLance, dean of During Wednesday night's students, said. Mountain-James Gang concert, a A WGNS news report yesterday Photo by Larry Robinson Murfreesboro auxiliary police of- left the impression that a fight ficer joined two detectives pur- had occurred during the concert. Corky Laing, drummer for Mountain, keeps the beat for fellow suing a drug possessor and fell The incident involving the cam- band members Felix Pappalardi and Leslie West during Wed- down some stairs at Murphy Cen- pus security officer happened nesday's concert. See concert review on page five. ter suffering a broken jaw and "much later" than the concert. some minor abrasions, campus Miller said. -
Talent on Stage Non E, Schuu Eta LESLIE WEST/MOUNTAIN JOAN BAEZ Teicl Lersh1p a MADISON GARDEN, N.Y
Talent On Stage non e, schuu eta LESLIE WEST/MOUNTAIN JOAN BAEZ teiCl lersh1p a MADISON GARDEN, N.Y. There was a very special aura of now SQUARE in ?o, \GANG'S, N.Y.C. - Mountain is defunct Vagrants, a popular N.Y. the rafters with brotherhood in the Garden that night groups group - MSG, packed to one of the best from awhile back. 20,000 bodies, had the air of a cathe- (August 8th) , and some of the young it jotentially a while. Cer- Felix o come along in quite Pappalardi, previously a dral (albeit the appearance of a gi- folks who attended and even a few of 'l r'ne is there: Leslie session il lee, :linty all the talent musician in the City, met gantic space ship) throughout much the not so young, said it was the best the bear -like, his di - Cream on their @l,p hest, huge and first visit Stateside of Joan Baei s first live appearance concert they had ever been to - but >d, soon, minutive wailing guitar almost corn- and wound up writing, playing, and in the New York area in some time. whether it was or not, you just don't 'ecadF, lost against his massive body, producing for them (he produced all When she spoke, the audience was hear that kind of praise from most I )letely but Gill ,nd Felix Pappalardi, long, thin and their first LP), and was certain- rapt, when she sang, they were spell- blase New York audiences young or ly ?rbie ' iyperactive as he fingers his bass instrumental in their meteoric bound. -
Pilot's Handbook
ACOUSTIC Pilot’s Handbook 40-00-0039 Electrophonic Limited Edition available @ www.line6.com Rev C Before using your Variax you should read these Important Safety Instructions. Keep these instructions in a safe place. 1. Obey all warnings in this Pilot's Handbook. 2. Do not place near heat sources, such as radiators, heat registers, or appliances which produce heat. 3. Guard against objects or liquids. 4. To avoid damage to Variax’s Digital Communications Connector, always use Line 6 supplied cables and replace the protective end cap when not in use. 5. Power the XPS Footswitch only with the included PX-2 Power Supply or equivalent. 6. Connect the PX-2 Power Supply only to AC power outlets rated 100-120V or 230V 47-63Hz (depending on the voltage range of the included power supply). 7. Do not step on power cords. Do not place items on top of power cords so that they are pinched or leaned on. 8. Unplug your Variax Acoustic and XPS Footswitch when not in use for extended periods of time. 9. Do not perform service operations beyond those described in the Variax Acoustic Pilot's Handbook. Repairs and service operations beyond the scope of those in the Pilot's Handbook should be performed only by qualified service personnel. 10. Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sure to practice "safe listening." Your Variax should include these accessories: Gigbag, XPS Footswitch, PX-2 Power Supply, TRS Cable, Bridge Saddle Wrench, Truss Rod Wrench WARNING: To reduce the risk of fire or electric shock, CAUTION: No user-serviceable parts inside. -
Breedlove Owner's Manual
1 BREEDLOVE Owner’s MANUAL Breedlove Owner’s Manual TABLE OF CONTENTS A Note From Kim Breedlove 4 How To Experience Breedlove 7 Humidity, Temperature and Solid Wood Instruments 8 Neck Truss Rod Adjustment 10 Breedlove Bridge Truss 12 Adjustment Bolt Sizes for Breedlove Instruments 14 Steel-String Acoustic Guitar Set Up Specifications 15 Changing Strings on your Breedlove Guitar 16 Breedlove Mandolins 17 Electronics Configurations for Acoustic Guitars 19 Cleaning Your Breedlove Instrument 19 Breedlove Factory String Specifications 22 Breedlove Warranty 22 Keep a record of your Breedlove Guitar 25 5 THANK YOU Thank you for purchasing your new Breedlove instrument. You are now the caretaker of a fine stringed instrument. Every instrument we produce is special to us and we hope it will bring you many years of enjoyment. To preserve the remarkable tone and playability of your Breedlove we have some simple suggestions to help ensure that your instrument will be making beautiful music for years to come. Should you ever have questions or concerns please send us an email at: [email protected] Sincerely, Kim Breedlove 5 DISTINCTIVELY CRafted SOUND. We love what we do. After all, it’s in our name. We are master luthiers who create instruments of true distinction. It’s in our DNA to push the boundaries of design and craftsmanship. Being different is never the easy path. But in our view, it has far greater rewards. And while we respect tradition, we simply choose not to make instruments of yesterday. Imagination compels us to make instruments of tomorrow. 7 Welcome to the Breedlove family where you are about to experience the highest quality craftsmanship, customer service and an unmatched passion for music and fine instruments. -
Podxt Live Manual
XT PODLIVE PRO GUITAR TONE ON THE FLOOR PILOT’S HANDBOOK An in-depth exploration of the revolutionary technologies and pulsing tonal pleasures that lurk within PODXT LIVE INCLUDES DETAILS ON VERSION 3 FEATURES. USE FREE LINE 6 MONKEY TO MAKE SURE YOUR PODXT IS UP TO DATE: WWW.LINE6.COM/MONKEY Electrophonic Limited Edition. Also available at www.line6.com. Revision C. PODXT MODELS METAL SHOP AMPS COLLECTOR CLASSICS AMPS EFFECTS MODS PODXT, PODXT Live and PODXT Pro all include the # Amp Model # Amp Model Standard Power Pack FX Junkie Standard and Power Pack Models plus all guitar Cab Models. 37 BOMBER UBER 55 BOMBER X-TC SINE CHORUS See www.line6.com/modelpack to learn about adding other 38 CONOR 50 56 DEITY CRUNCH STOMPS ANALOG CHORUS Model Pack Models. 39 DEITY LEAD 57 BLACKFACE VIBRO Standard Power Pack FX Junkie LINE 6 FLANGER 40 DEITY’S SON 58 DOUBLE SHOW FACIAL FUZZ JET FLANGER For Reference Only - Do NOT PRINT HOW TO INSERT THE FUZZ PI GUITAR AMPS & CABS 41 ANGEL P-BALL 59 SILVERFACE BASS PHASER 42 BRIT SLIVER 60 MINI DOUBLE SCREAMER U-VIBE Use full size document as master. Line 6 Universal Registration Research Card STANDARD & POWER PACK AMP MODELS CAB MODELS 43 BRIT J-900 CLN 61 GIBTONE EXPO CLASSIC DIST OPTO TREM # Standard Power Pack # Cab Model 44 BRIT J-900 DST 62 BRIT BASS OCTAVE FUZZ BIAS TREM 0 BYPASS 0 NO CAB 45 BRIT J-2000 63 BRIT MAJOR BLUE COMP ROTARY DRUM 1 TUBE PREAMP 1 1X6 SUPER O 46 DIAMOND PLATE 64 SILVER TWELVE RED COMP +HORN 2 LINE 6 CLEAN 2 1X8 TWEED 47 CRIMINAL 65 SUPRO ‘62 THUDERBOLT VETTA COMP ROTARY DRUM 3 LINE 6 JTS-45 3 1X10 GIBTONE 48 L6 BIG BOTTOM 66 L6 BAYOU AUTO SWELL AUTO PAN FRONT COVER: AUTO WAH Score and Fold Back Cover Bind Registration Card (part #40-03-2000) after cover 4 LINE 6 CLASS A 4 1X10 G-BRAND 49 L6 CHUNK CHUNK 67 L6 CRUNCH ANALOG SQUARE with Red side out as shown. -
Line 6 POD Go Owner's Manual
® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc. -
Tone Template For: Nile Rodgers (Chic) Le Freak
Tone Template for: Nile Rodgers (Chic) Le Freak Instrument: Fender® Strat® Variax Setting: Spank 2 Tuning: Standard: E-A-D-G-B-E Sound Console splitter Compressor! Fender® combo! All product names used hereon are trademarks of their respec4ve owners, which are in no way associated or affiliated with Line 6. Fender and Strat are registered trademarks of Fender Musical Instruments Corp Tone Template for: Lynyrd Skynyrd Sweet Home Alabama Ed King Allen Collins Gary Rossington Original Guitar: Fender® Strat® Original Guitar: Gibson Firebird® Original Guitar: Gibson® Les Paul® Variax Setting: Spank 1 Variax Setting: Lester 1 Variax Setting: Lester 1 Tuning: Standard: E-A-D-G-B-E Tuning: Standard: E-A-D-G-B-E Tuning: Standard: E-A-D-G-B-E Plexi 45 Plexi 45 Marshall® model 1987! Marshall® head! Fender® Twin®! Marshall® 412 cabinet! Marshall® 412 cabinet! All product names used hereon are trademarks of their respec4ve owners, which are in no way associated or affiliated with Line 6. Fender, Strat and Twin are registered trademarks of Fender Musical Instruments Corporaon. Gibson, Gibson Firebird and Les Paul are registered trademarks of Gibson Guitar Corp. Marshall is a registered trademark of Marshall Amplificaon Plc. Tone Template for: Stevie Ray Vaughan Texas Flood Instrument: Pre-CBS Fender® Strat® Tuning: 1/2 step down: Eb-Ab-Db-Gb-Bb-Eb Super Lead 100 Vox®! Ibanez® ! Fender®! Dumbleland Special! Tube Screamer®! Vibroverb! Dumble® 412 cab! EV® Speakers ! All product names used hereon are trademarks of their respec4ve owners, which are in no way associated or affiliated with Line 6. -
Layout 1 (Page 1)
OWNER’S MANUAL 1550-07 GUS © 2007 Gibson Guitar Corp. To the new Gibson owner: Congratulations on the purchase of your new Gibson electric guitar—the world’s most famous electric guitar from the leader of fretted instruments. Please take a few minutes to acquaint yourself with the information in this booklet regarding materials, electronics, “how to,” care, maintenance, and more about your guitar. And then begin enjoying a lifetime of music with your new Gibson. The Components of the Solidbody Electric Guitar 4 Gibson Innovations 6 The History of Gibson Electric Guitars 8 DESIGN AND CONSTRUCTION Body 13 Neck and Headstock 13 Pickups 14 Controls 15 Bridge 17 Tailpiece 18 CARE AND MAINTENANCE Finish 19 Your Guitar on the Road 19 Things to Avoid 20 Strings 21 Install Your Strings Correctly 22 String Gauge 23 Brand of Strings 23 NEW TECHNOLOGY The Gibson Robot Guitar 24 64 Strap Stopbar Tune-o-matic Three-way 12th Fret Button Tailpiece Bridge Pickups Toggle Switch Marker/Inlay Neck Fret Fingerboard Nut Headstock The Components of the Solidbody Electric Guitar Featuring a Les Paul Standard in Heritage Cherry Sunburst Input Jack Tone Volume Binding Body Single Truss Machine Tuning Controls Controls Cutaway Rod Heads Keys Cover 57 Strap Stopbar Tune-o-matic 12th Fret Button Body Tailpiece Bridge Pickups Neck Marker/Inlay Fret Fingerboard Nut Headstock Three-way Toggle Switch The Components of the Solidbody Electric Guitar Featuring a V-Factor Faded in Worn Cherry Input Jack Tone Volume Pickguard Truss Machine Tuning Control Controls Rod Heads Keys Cover 6 Here are just a few of the Gibson innovations that have reshaped the guitar world: 1894 – First archtop guitar 1922 – First ƒ-hole archtop, the L-5 1936 – First professional quality electric guitar, the ES-150 1947 – P-90 single-coil pickup introduced 1948 – First dual-pickup Gibson, the ES-300 1949 – First three-pickup electric, the ES-5 1949 – First hollowbody electric with pointed cutaway, the ES-175 1952 – First Les Paul guitar 1954 – Les Paul Custom and Les Paul Jr. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Yamaha Announces Formation of U.S. Based Yamaha Guitar Group, Inc
PRESS RELEASE Yamaha Guitar Group, Inc. FOR IMMEDIATE RELEASE YAMAHA ANNOUNCES FORMATION OF U.S. BASED YAMAHA GUITAR GROUP, INC. New organization will be dedicated to developing and marketing Yamaha and Line 6 products for guitarists worldwide Calabasas, CA—March 26, 2018 – Yamaha today announced the formation of a new U.S.-based wholly owned subsidiary, Yamaha Guitar Group, Inc., which will bring together the intercompany teams that have been focused on serving the needs of guitarists worldwide. Building on a long history as a leading guitar company, Yamaha demonstrated their commitment to the future of the global guitar market when they acquired Line 6 in 2014. As a leader in tech-forward segments of the guitar industry, Line 6 brought with it a family of digital electric guitars, amps, and effects to complement the extensive line-up of acoustic and electric guitars, basses, and amps that Yamaha has offered customers for over half a century. Since the acquisition, the growing collaboration between the two complementary brands led to the formation of a dedicated Guitar Division headquartered in Japan at Yamaha Corporation in April 2017, with Line 6, Inc. being included within this division. Shoji Mita, based in Japan, and Marcus Ryle, based in the U.S., were named co-general managers of this new division. Throughout 2017, this new formation led to expanded collaboration in strategy, development, sales, marketing, and artist relations, including the relocation of Yamaha Artist Services, Los Angeles to the same California campus as Line 6. With the formation of Yamaha Guitar Group, Inc. (YGG), effective April 1, 2018, the natural evolution of these collaborative efforts becomes formalized within one multi- brand organization, with a dedicated team committed to producing and marketing the very best products and services for guitarists under both the Yamaha and Line 6 brands. -
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc. -
Line 6 POD® HD500 Advanced Guide
® POD® HD500 Guía avanzada Una profunda exploración de las características y funciones del POD HD500. Edición limitada de Electrophonic Tabla de Contenido Descripción general ............................................................... 1•1 Inicio .............................................................................................................. 1•1 Modo del afinador .......................................................................................... 1•3 Tap Tempo ...................................................................................................... 1•4 Conexiones .................................................................................................... 1•4 Software POD HD500 Edit ............................................................................ 1•5 Setup ....................................................................................... 2•1 Acceder a la configuración del sistema .......................................................... 2•1 Página 1, Setup: Utilities ............................................................................... 2•2 Página 2, Setup: Utilities ............................................................................... 2•3 Página 3, Setup: Input .................................................................................... 2•4 Página 4, Setup: Output ................................................................................. 2•8 Página 5, Setup: S/PDIF Output ...................................................................