Classical Music

Total Page:16

File Type:pdf, Size:1020Kb

Classical Music Staffordshire Cover November 2017 .qxp_Staffordshire Cover 23/10/2017 17:11 Page 1 THE VAUDEVILLIANS AT Your FREE essential entertainment guide for the Midlands STAFFORD GATEHOUSE STAFFORDSHIRE WHAT’S ON NOVEMBER 2017 ON NOVEMBER WHAT’S STAFFORDSHIRE Staffordshire ISSUE 383 NOVEMBER 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On staffordshirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide TakeTHE That BAND musical stops off at Stoke’s Regent Theatre TWITTER: @WHATSONSTAFFS @WHATSONSTAFFS bringBALLETBOYZ it all together in Fourteen Days... FACEBOOK: @STAFFORDSHIREWHATSON FACEBOOK: festiveSNOWDOME family fun at popular Tamworth visitor attraction STAFFORDSHIREWHATSON.CO.UK Christmas in Stafford - November.qxp_Layout 1 20/10/2017 11:39 Page 1 Contents Novembers Wolves_Shrops_Staffs.qxp_Layout 1 23/10/2017 17:54 Page 2 November 2017 Contents Legally Blonde - feelgood musical promises plenty of laughs at the Wolverhampton Grand - more on page 26 Take That musical Jinkx Monsoon The Hairy Bikers the list stops off at Stoke’s Regent RuPaul’s Drag Race star on tour cook up a treat at the Your 16-page Theatre as part of a UK tour with The Vaudevillians BBC Good Food Show week-by-week listings guide feature page 8 page 28 page 49 page 51 inside: 4. First Word 11. Food 15. Music 22. Comedy 24. Theatre 40. Film 44. Visual Arts 47. Events @whatsonwolves @whatsonstaffs @whatsonshrops Wolverhampton What’s On Magazine Staffordshire What’s On Magazine Shropshire What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 What’sOn Editorial: Lauren Foster [email protected] 01743 281707 Brian O’Faolain [email protected] 01743 281701 Sue Jones [email protected] 01743 281705 Abi Whitehouse [email protected] 01743 281716 MEDIA GROUP Ryan Humphreys [email protected] 01743 281722 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Heather Kincaid, Katherine Ewing, Lauren Cox, Lauren Cole, Jack Rolfe, Elly Yates-Roberts, Daisy Sparkle Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine. We endorse the recycling of our magazine and would encourage you to pass it on to others to read when you have finished with it. All works appearing in this publication are copyright. It is to be assumed that the copyright for material rests with the magazine unless otherwise stated. No part of this publication may be reproduced, or stored in an electronic system, transmitted in any form or by any means, electronic, mechanical, photocopied, recording or otherwise, without the prior knowledge and consent of the publishers. First Word Wolves_Shrops_Staffs November.qxp_Layout 1 23/10/2017 16:14 Page 1 Entertainment news from around the region Telford gets ready to mark 50 glorious years As Telford gears up to celebrate its half century in 2018, locals are being urged to get involved in the festivities, either by volunteering for an event or sponsor- ing and organising their own. Telford & Wrekin Council has already developed a wide-ranging programme of events to mark the anniversary, with numerous festivals and carnivals being added to the town’s more familiar schedule of annual events. The council is encouraging people across the borough to make a contribu- tion to the year-long birthday party, and is directing potential participants to the Telford50 Facebook group, where ideas to mark the milestone anniversary can be shared and discussed. Iron support for Theatre Celebrate the Roaring 20s James And Ola - Severn this Christmas at historic Staffs house Uncensored and in Metal props from Shropshire’s British Iron- the Midlands works visitor attraction will greet pantomime Two of the biggest stars ever to emerge from audiences when they arrive at Shrewsbury’s Strictly Come Dancing will be stopping off in Theatre Severn this month. the Midlands next spring as part of a national The theatre has installed a special wishing tour. well as a means of generating funds for local James and Ola Jordan’s new show is an auto- charity Hope House, and has plans to create biographical production which the couple other effects using the Ironworks’ props. promise will be ‘full of passion, intensity and This year’s pantomime, Snow White, runs high-octane routines’. from Wednesday 29 November to Sunday 7 Commenting on James And Ola: Uncensored, January. the husband-and-wife dance stars said: “It’s Weston Park in Staffordshire is hosting a spe- great to be able to do our own tour, our way, cial Roaring 20s night next month (Saturday and to offer something totally different to any 9 December). other dance show. We want to perform a Central to the evening is a six-course tasting sexy, edgy interpretation of our life story, menu inspired by ‘the decade of decadence’. whilst still having all the sparkle and fun The venue’s Victorian library will be trans- people expect from us. And the best part is formed into a casino for the evening, giving that we get to dance together again!” guests the chance to take to the tables and try James And Ola: Uncensored visits Birming- their luck at blackjack and roulette. ham’s New Alexandra Theatre on 5 March. Commenting on the event, Weston Park Mar- keting Manager Andrea Webster said: “This is going to be a fun-filled night of pure ele- gance, where people can enjoy the very best of what was unquestionably one of the most influential periods of the 20th century. Throughout history, Weston Park has been the setting for wonderful celebrations. We know that the spirit of the 1920s was really embraced by the Bridgeman family when they lived at Weston, so we hope to give guests their own unique experience of this.” For more details, visit weston-park.com 4 whatsonlive.co.uk First Word Wolves_Shrops_Staffs November.qxp_Layout 1 23/10/2017 16:14 Page 2 First Word Dudley museum Christmas visitors ‘see the opens its doors light’ at Lichfield Cathedral The new Dudley Museum is now Lichfield Cathedral is inviting visitors to get into open for business. Located at Dudley Archives, the museum the Christmas spirit with the return of its award- was officially opened by the winning A Cathedral Illuminated, a display of spec- mayor of Dudley, Councillor tacular visuals projected across the iconic building. Dave Tyler. Guest of honour was This year’s theme, Star Of Wonder, Star Of Light, paralympic medallist and takes viewers on a Christmas journey around the grand-slam winner Jordanne whole Cathedral Close, leading to the West Front Whiley MBE. where the Nativity story is told via an array of im- The new museum boasts a dedi- ages and sounds. cated timeline - allowing people The experience then continues inside the cathe- to walk through the different pe- riods of the borough’s history - dral, where visitors can enjoy a star installation, and a new Dudley Heroes the annual Christmas tree festival and readings at gallery, showcasing the great the crib. and the good from the borough, Commenting on the event, Adrian Dorber, Dean of including scientists, artists, Lichfield Cathedral, said: “It was wonderful to see writers and sports stars. so many people from across the region coming to last year’s A Cathedral Illuminated. Our plans this year are even bigger and bolder, as we look to share Shrewsbury’s ’80s the wonder of the Nativity story and celebrate this rock gig returns very special time of year on a spectacular scale.” Day-long ’80s party Let’s Rock A Cathedral Illuminated takes place from Monday Shrewsbury is returning for a 18 to Saturday 23 December. second year next summer. To find out more about this year’s Christmas jour- Attracting thousands of fans ney, visit the cathedral’s website. when it took place in the town for the first time in May, the show is next year being held on Saturday 14 July. Wolves return Shrewsbury winter festival back in the The 2018 lineup features a host for hit musical of much-loved ’80s icons, Quarry - complete with Santa selfies! including UB40, Kim Wilde, Jersey Boys Santa selfies and a bigger kids’ zone are among the highlights at next Midge Ure, Jason Donovan Popular musical Jersey month’s Shrewsbury Winter Festival, taking place in the town’s Quarry (pictured), Go West, From The Boys is returning to Park on Saturday 9 and Sunday 10 December. Jam, Imagination, Five Star, Wolverhampton Grand The fun gets underway even before the weekend begins, with pop-up Ava- China Crisis and Toyah. Theatre next summer. lanche Parties bringing together ‘a unique setting, fabulous food and great For more information, visit Telling the remarkable entertainment’ to create ‘the coolest Christmas party around’. letsrockshrewsbury.com true story of Frankie As for the festival itself, there are more than 170 artisan producers, crafts Valli And The Four people, designers, florists and clothing boutiques on site, with dozens of Seasons, the show is activities available to keep youngsters entertained too. Highlights include jam-packed with the hands-on crafts, circus skills, singalongs, gingerbread decorating, story- group’s hits, including telling and the chance to get up close and personal with lambs, donkeys Beggin’, Sherry, Walk and alpacas. For more information about the festival, visit shrews- Like A Man, December, burychristmas.co.uk 1963 (Oh What A Night), Big Girls Don’t Cry and Working My Way Back To You.
Recommended publications
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • {PDF} Goldie Ebook, Epub
    GOLDIE PDF, EPUB, EBOOK Ellen Miles | 78 pages | 15 Oct 2006 | Scholastic US | 9780439793797 | English | New York, United States Goldie PDF Book Student, 20, is found dead in his halls at Coventry University eight days after Cambridge academic's Putnam's Sons. From Wikipedia, the free encyclopedia. Goldie Hawn's son Oliver Hudson gets fans talking with latest photo of family home. Retrieved July 28, Retrieved August 31, His first studio album, Timeless , followed in Leo Freedman was born in London and raised in Canada, but his love affair with Southern California led him to invest his time and attention to the Arts scene in Orange County. We are all as perfect as we desire. In , he bought a country house in Bovingdon , Hertfordshire. Best Cast. Out and about: Goldie Hawn was focused on her fitness as she pedaled around the Pacific Palisades neighborhood of Los Angeles on Sunday afternoon. BBC Press Office. For a time, Goldie worked at the Try 1 shop in Walsall also selling gold teeth , then moved to London. Bill Hudson. Motion Pictures [78]. Listen to all your favourite artists on any device for free or try the Premium trial. Archived from the original on June 15, Just Eat - Takeaway deals. Even I don't know the rules: Police officer in charge of enforcing UK's coronavirus lockdown laws makes Retrieved 26 April The year-old actress rocked an all-black ensemble while soaking up the sun as she traveled around town on two wheels. On 24 August , he appeared in the Channel 4 documentary Idris Elba's How Clubbing Changed the World hosted by Idris Elba to explain how he invented the revolutionary technique of time stretching by misusing an HF ultra-harmonizer, which is usually used for guitars.
    [Show full text]
  • Dance Music Simon Halstead
    After Techno and Rave: Status and Validity in Post- Dance Music by Simon Halstead Submitted for the degree of Doctor of Philosophy Department of Music and Sound Recording University of Surrey July 2009 © Simon Halstead 2009 ProQuest Number: 27558661 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27558661 Published by ProQuest LLO (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This dissertation explores the idea of electronica as a descendent of electronic dance music, which, although embodying many related aesthetic qualities, operates within a different set of musical values. This needs to be understood in the context of how dance music's character, form and modes of performance relate to its specific cultural function. Repetitive beats (as espoused by house and techno in particular) comprise part of the cultural experience of rave. In combination with drug technologies and an ethos of collectivity, rave encapsulates a set of political phenomena that are entrenched within the formal and textural priorities of dance music. I discuss how modes of reception are affected by changes in these priorities, and to what extent post-dance music neglects the physicality that defines the political dimension of dance music's relationship to the body.
    [Show full text]
  • Subjective the New Collaboration Between Goldie & James Davidson
    SUBJECTIVE THE NEW COLLABORATION BETWEEN GOLDIE & JAMES DAVIDSON ANNOUNCES DEBUT LP ACT ONE – MUSIC FOR INANIMATE OBJECTS OUT SEPTEMBER 21 VIA SONY MUSIC MASTERWORKS FIRST SINGLE INKOLELO LAUNCHES PROJECT JUNE 22 Embargoed until Friday 22 June, 10am UK / 11am CET / 5am EST DJ, producer, visual artist, actor and visionary Goldie MBE is set to join forces with revered engineer and producer James Davidson under the alias Subjective, releasing their first collaborative project, Act One – Music For Inanimate Objects, on September 21 via Masterworks. There are few names in the music industry that have achieved such a profound impact upon the culture of dance music as Goldie. Since his boundary-pushing debut Timeless, he has continued to create, challenge and revolutionise a sub-culture already known for its experimentation. Act One – Music For Inanimate Objects is the latest example from the autonomous producer. Making up the other half of Subjective is James Davidson, described by Goldie as an “exceptional engineer and an unsung producer in his own right” who has previously released via Metalheadz (under the alias Ulterior Motive with Greg Hepworth), and also helped produce Goldie’s 2017 album The Journey Man. This relationship organically progressed on to collaborating in the studio, “following the water as opposed to a strict concept”, Goldie adroitly explains. This was the birth of Subjective. “This album isn’t just Ulterior Motive and Goldie, it’s a vision of Subjective”, explains James. “It was really exciting to have no boundaries on what we were writing, not restricted by the BPM or anything else - we just went wherever the smiles were.” This free-flowing mindset is easy to hear.
    [Show full text]
  • Digital Cultures Listening Lists
    Digital Cultures: Music Recommended Listening and Reading (Prof Andrew Hugill) The following long (but nowhere near long enough to cover everything) listening list not only illustrates some of the key ideas about modernism and postmodernism, structuralism and deconstruction, but also adds up to a mini-history of the evolution of electronic and electroacoustic music in the 20th Century. Some brief descriptive notes are included to indicate the salient features, but there is no substitute for careful and repeated listening, with perhaps some attempt to analyse what is heard. It should be remembered that Modernism and Postmodernism are not musical styles, nor words that artists and composers use to describe their work, but rather terms from critical and cultural theory that seem to sum up broad tendencies in art. In fact, all the pieces below will probably be heard to exhibit characteristics of both ‘isms’. Some useful questions to ask when listening are: what is the artist’s intention? How well is it realized? What is the cultural context for the work? What are its compositional techniques? What is the musical language? Pierre Schaeffer ‘Etude aux chemins de fer’ from ‘Cinq études de bruits’ (1948) on OHM: the early gurus of electronic music: 1948-1980. Roslyn, New York: Ellipsis Arts. This was the first time recorded sound was assembled into a musical composition. The sounds included steam engines, whistles and railway noises. Pierre Schaeffer and Pierre Henry Symphonie pour un homme seul (1950) on Pierre Schaeffer: l’oeuvre musicale EMF EM114. A 12-movement musical account of a man’s day using recorded sounds.
    [Show full text]
  • A Proposed Typology of Sampled Material Within Electronic Dance Music1 Feature Article Robert Ratcliffe Manchester Metropolitan University (UK)
    A Proposed Typology of Sampled Material within Electronic Dance Music1 Feature Article Robert Ratcliffe Manchester Metropolitan University (UK) Abstract The following article contains a proposed typology of sampled material within electronic dance music (EDM). The typology offers a system of classification that takes into account the sonic, musical and referential properties of sampled elements, while also considering the technical realisation of the material and the compositional intentions of the artist, producer or DJ. Illustrated with supporting examples drawn from a wide variety of artists and sub-genres, the article seeks to address the current lack of research on the subject of sample-based composition and production, and provides a framework for further discussion of EDM sampling practices. In addition, it demonstrates how concepts and terminology derived from the field of electroacoustic music can be successfully applied to the study and analysis of EDM, resulting in an expanded analytical and theoretical vocabulary. Keywords: EDM, sample, sampling, musical borrowing, production, composition, electroacoustic, mimesis, transcontextuality, spectromorphology, source bonding Robert Ratcliffe is an internationally recognised composer, sonic artist, EDM musicologist and performer. He completed a PhD in composition and musicology funded by the Arts and Humanities Research Council at Keele University, UK. He has developed a hybrid musical language and compositional technique through the cross-fertilisation of art music and electronic
    [Show full text]
  • Colonisation in the Caribbean and Beyond
    Memory, Migration and (De)Colonisation in the Caribbean and Beyond edited by Jack Webb, Roderick Westmaas, Maria del Pilar Kaladeen and William Tantam INSTITUTE OF LATIN AMERICAN STUDIES Memory, Migration and (De)Colonisation in the Caribbean and Beyond edited by Jack Webb, Rod Westmaas, Maria del Pilar Kaladeen and William Tantam University of London Press Institute of Latin American Studies, School of Advanced Study, University of London, 2020 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/. This book is also available online at http://humanities-digital-library.org. ISBN: 978-1-908857-65-1 (paperback edition) 978-1-908857-66-8 (.epub edition) 978-1-908857-67-5 (.mobi edition) 978-1-908857-76-7 (PDF edition) DOI: 10.14296/220.9781908857767 (PDF edition) Institute of Latin American Studies School of Advanced Study University of London Senate House London WC1E 7HU Telephone: 020 7862 8844 Email: [email protected] Web: http://ilas.sas.ac.uk Cover image: The Bronze Woman, Stockwell. Photograph by Cecile Nobrega. This book is dedicated to the Bronze Woman Charity, who with the OLMEC Charity work tirelessly for the Children of the Windrush. The Bronze Woman Statue, located in Stockwell Gardens, and depicted on the cover of this book, was the brainchild of Cecile Nobrega, a poetess, who was relentless in her pursuit to honour Caribbean womanhood.
    [Show full text]
  • Björk Reaches Beyond the Binaries
    COMMUNICATOR BETWEEN WORLDS: BJÖRK REACHES BEYOND THE BINARIES Edwin F. Faulhaber A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Kimberly Coates, Advisor Robert Sloane ii ABSTRACT Kimberly Coates, Advisor Icelandic pop star Björk has spent her career breaking down boundaries, blurring lines, and complicating binaries between perceived opposites. Examining a variety of both primary and secondary sources, this study looks at the ways that Björk challenges the binary constructions of “high” and “low” art, nature and technology, and feminism and traditional femininity, and also proposes that her uniquely postmodern approach to blurring boundaries can be a model for a better society in general. This study contends that Björk serves as a symbol of what might be possible if humans stopped constructing boundaries between everything from musical styles to national borders, and as a model for how people can focus on their commonalities while still respecting the freedom of individual expression. This is particularly important in the United States of America, a place where despite its infinite potential for cultural pluralism and collaboration, there are as many (or more) divisions between people based upon race, class, gender, and religion as anywhere else in the world. iii Dedicated to Morgaine iv ACKNOWLEDGMENTS I would like to thank my committee, Dr. Kim Coates and Rob Sloane, for all of their suggestions and encouragement while I wrote this thesis. I would also like to thank Dr. Don McQuarie and Gloria Enriquez Pizana for their support and assistance, as well as a host of wonderful professors who laid the groundwork for this thesis by inspiring me along the way: Rob, Kim, Drs.
    [Show full text]
  • News Release
    News Release 10 October 2018 National Portrait Gallery’s Largest Group of Portraits of Afro-Caribbean Sitters Go on Public Display for the First Time Augmented Reality (AR) App Brings Portraits to Life in New Display Celebrating Black British Achievement Today Terry Jervis, Charlie Casely-Hayford Shevelle Dynott, Simon Frederick, Noel Clarke and Ekow Eshun in the Black is the New Black display at the National Portrait Gallery, London. Photographs by Jorge Herrera Black is the New Black: Portraits by Simon Frederick National Portrait Gallery, London The National Portrait Gallery’s largest acquisition of portraits of Afro-Caribbean sitters has gone on public display for the first time in Black is the New Black: Portraits by Simon Frederick a new display at the National Portrait Gallery, London (on until 27 January 2019). The display brings together exceptional figures from the world of politics, business, culture, religion and science, photographed by artist and director Simon Frederick as part of his acclaimed BBC TWO documentary Black is the New Black, broadcast in 2016. With the support of Oath, Frederick gifted the entire portfolio of forty prints to the National Portrait Gallery in August 2017. Sitters range from model Naomi Campbell, newsreader and journalist Sir Trevor McDonald, actor Thandie Newton, musicians Jazzie B of Soul II Soul, Dizzee Rascal, Laura Mvula and Tinie Tempah, comedian and actor Sir Lenny Henry, footballer Les Ferdinand, Labour MP for Streatham Chuka Umunna, and Editor in Chief of British Vogue Edward Enninful. London; MP and Labour politician Chuka Umunna with his portrait; Artist Simon Frederick and Tinie Tempah; Tinie Tempah with his portrait.
    [Show full text]
  • Transcript to Accompany the Crate Digging: the Influence of De Underground Recods Podcast
    Transcript to accompany the Crate Digging: The Influence of De Underground Recods Podcast. Part of Newham Heritage Month, May 2021. Katherine Green [0:01] De Underground Records was 18 Sebert Road, Forest Gate. It was both a recording studio and a record shop and operated from 1991 until 1996. Owned by Mike the Underground, his brother Cool Hand Flex, Uncle 22 and DJ Randall. It was an independent business which was one of the cornerstones in the development of the UK hardcore, jungle and drum and bass scene. The wider De Underground family included A-Sides, MC Fats, Marly Marl and Wacko. De Underground became synonymous with this sound and many well-known releases, including Lennie Di Ice's We Are IE, Uncle 22 to Six Million Ways to Die, and Cool Hand Flex's Melody Madness. As part of Newham Heritage Month, the project Crate Digging: The Influence of De Underground Records by Rendezvous Projects aims to celebrate, share and preserve the cultural history of this Forest Gate institution. The following starts by introducing life in Forest Gate in the 80s, musical and cultural influences and then goes on to hear about the shop, studio, protagonists, making music and its legacy. It includes extracts from oral histories from A-Sides, Anita Boghal, Cool Hand Flex, DJs Chef, Hype, Marly Marl, Randall, Skie Warlock and Wax. MC's Fats, Navigator and Rage; Sherry Morrison, Eddie Otchere, Paul Romane, Uncle 22 and Laura Young. For more information, please see Newham Heritage Month and Rendezvous Projects websites. Eddie Otchere [1:25] What sort of endeared me to Forest Gate was a really was a beautiful East London village and a beautiful community.
    [Show full text]
  • Björk Dj Lynnée Denise
    292 BJÖRK DJ LYNNÉE DENISE ILLUSTRATION BY WINNIE T. FRICK WOMEN WHO ROCK WHO WOMEN celand is one of the most volatile places in the part of her development as a creative being . Perhaps world, a hyper-monitored geological hotspot . this explains why Björk has been at the cutting age IOn November 21, 1965, in one of the least of technology, as indicated by the multimedia project populated countries on earth, Björk Guðmundsdót- Biophilia (2011), which was billed as the first interac- tir was born . Björk is a musicological hotspot—an tive app album . uncategorizable triple Scorpio with an otherworldly Although the point of entry to Björk’s sorcery understanding of the acoustics of ecology and the for most begins with the Sugarcubes, between 1977 value of transdisciplinary art . and 1987, she established a rhythmic foundation and For most Americans, Björk surfaces in the col- cultivated her identity as a singer . At the urging of lective national memory as the woman who wore the her mother, Björk became a public figure and child swan dress to the Academy Awards . Her appeal to celebrity at the age of twelve, releasing a self-titled the cohort of black women who follow her life may record consisting mostly of covers . The experience be influenced in part by our witnessing her objecti- left her with the desire to reclaim her privacy and fication . She was read by the average consumer of produce music with her peers, leading to a series popular culture as a freak of nature, and her place of collaborations with groups like the all-girl band of origin was exoticized enough to be offensive—a Spit and Snot and the experimental post-punk bands phenomenon with which we are well familiar .
    [Show full text]
  • Rumble in the Jungle: the Invisible History of Drum'n'bass
    1 Rumble In The Jungle: The Invisible History of Drum’n’Bass Steven Quinn Transformations, No. 3 (May 2002) http://www.cqu.edu.au/transformations ISSN 1444-377 Abstract: Drum’n’bass is a musical form that expresses the antagonisms of British identity in the 1990s and it also situates itself outside of the dominant terms of African-American expressions of black identity. It speaks of a more productive possibility in the traditional relationship between national and global polarities or public and private histories. Being at once an expression of the crucial significance of place in any characterisation of identity, it also recognises the influence of circumstances that exist outside of the narrow terms of national affiliation. Drum’n’bass represents a metonymic formulation of the long history of race and migration and its (often invisible) effects on the nature of British cultural identity in particular and popular music in general. Key terms: Drum’n’Bass, British cultural identity, Black cultural identity, electronic dance music, rave, Harry Beck, London Underground Map Sound Effects Roots don’t stay in one place. They change shape. They change colour. And they grow. There is no such thing as a pure point of origin, least of all in something as slippery as music, but that doesn’t mean there isn’t history.1 Dick Hebdige Some time in the future you open an encyclopedia, as there is a specific style of music that you want to learn more about. You flick to the section labelled ‘D’ and move through the pages until you find the entry you are looking for.
    [Show full text]