Moma PS1 Exhibition Documentation Index
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![Biography [PDF]](https://docslib.b-cdn.net/cover/7532/biography-pdf-547532.webp)
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
Donald Lipski/Oral History
Donald Lipski/Oral History Southeastern Center for Contemporary Art January 22—April 17, 1994 Galerie Leiong May—June, 1994 In earlier times, whole communi- Donald Lipski's "Oral History" is the first exhibition in SECCA's pilot project, ties worked to produce the crop, Artist and the Community Conceived as an ongoing series, Artist and the and the farmer's entire family Community is a residency program that will result in the creation of new works actively participated in growing, to be exhibited at SECCA and elsewhere in the community. Participating curing, and preparing the tobacco artists will focus on specific aspects of life in Winston-Salem, from industry to for market. The intense commit- education and social welfare. ment demanded by the crop strengthened the bonds of family By structuring an interactive relationship with the resident artists. Artist and the and community Community aims to involve community members in the creative process, thus expanding SECCA's outreach in the community, and strengthening SECCA's ties with other local cultural, educational, and civic organizations. Upcoming projects for 1994 are Tim Rollins and K.O.S., who will work with the public school system to create a mural based on Stephen Crane's The Red Badge of Courage; and Fred Wilson, who will work with Winston-Salem's historical orga- nizations to interpret and trace the history of Winston-Salem's African- Americans, including his own ancestors. In 1995 Hope Sandrow and Willie Birch will be residents, working, respectively, with local college women and public school children. Donald Lipski began the first segment of Artist and the Community with a three-week residency in spring 1993. -
TAYLOR Mckimens
TAYLOR McKIMENS Taylor McKimens è nato a Seattle (WA) nel 1976, è cresciuto a Winterhaven (CA) e ha ottenuto il suo BFA all'Art Center College of Design di Pasadena, in California, nel 1999. I suoi dipinti e le sue installazioni confondono la linea tra disegno e scultura. Le forti influenze dei fumetti e di un’infanzia vissuta in una piccola città di confine del deserto della California, gli forniscono un vantaggio per l’energia tragi-comica delle sue opere. Mckimens ha tenuto mostre personali al Watari Museum of Contemporary Art di Tokyo, Deitch Projects, Art Rock al Rockefeller Center e The Hole a New York, alla Loyal Gallery di Stoccolma, alla Galerie Zurcher di Parigi e ad Annet Gelink ad Amsterdam. Nel 2015, McKimens è stato incaricato dalla Repubblica di San Marino di dipingere un ritratto del loro patrono fondatore, San Marino, ed è stato anche incaricato dalla National Audubon Society di dipingere un murale per l'Audubon Mural Project ad Harlem, New York. Attualmente Taylor vive e lavora a New York. Taylor McKimens was born in Seattle (WA) in 1976 and he grew up in Winterhave. His paintings and installations blur the line between drawing and sculpture. The strong influence of comics and a childhood in a small desert-border town in California give a tragico-comic energy to his pieces. He hold solo exhibitions at the Watari Museum of Contemporary Art in Tokyo, Deitch Projects, the Art Rock at Rockefeller Center and The Hole in New York, the Loyal Gallery in Stockholm, the Galerie Zurcher in Paris and the Annet Gelink in Amsterdam. -
S Teve Po Wers
STEVE POWERS - STUDIO GANGSTER GINGKO PRESS STUDIO GANGSTER published on the occasion of STEVE POWERS: THE MAGIC WORD Pennsylvania Academy of the Fine Arts October 20, 2007–January 27, 2008 Pennsylvania Academy of the Fine Arts 118 North Broad Street Philadelphia, PA 19102 OPENING IMAGE For my family, thanks for the baggage, and PAFA graduate Don Martin. Steve Powers: The Magic Word by Alex Baker Steve Powers is a pop artist in reverse. Instead of several years preceding the ICA exhibition. A Harvey, Dearraindrop, Nicole Eisenmann, Adam by Disney in 1997, peep shows and pornographic Powers ruminations on aspirations for success, using the current modes of expression associated cacophony of ESPO, REAS, and assorted found Cvijanovic, the Gents of Desire, Swoon, Gary Panter, movie theaters along 42nd Street near Times Square invention and reinvention, and the attendant with the advertising industry, he draws from an signs were anchored to the roof of the bodega and and Os Gemeos, among many others, created new (vacated by the stateʼs right of eminent domain tortures that come with the turf will soon be earlier era of words and images—the bygone the adjacent gallery walls, mimicking the visual signage and identities for businesses who could not during the real estate recession in the early 1990s) leveraged for social good—in marginalized youth idiom of the handpainted sign. Powers strives noise of the cheap urban-retail experience. Powers otherwise afford major facelifts.* In summer 2005, served as temporary public art installations and communities in Dublin and Belfast, in southern for authenticity in reviving this artisanʼs pursuit, hilarious phraseology was underscored in signs Powers opened the Dreamland Artist Clubhouse, interim artistic outposts courtesy of Creative Time, and northern Ireland, respectively, the result of a employing the richly vibrant, albeit highly toxic, like “ESPORAMA/Sensibly Slum;” “Fast Nickʼs in which customers can buy ready-made signs, but the same public art organization that spearheaded Fulbright fellowship he recently received. -
Speculators Enter the Scene Again Young Financiers Want to Build a Diversified Portfolio
This special SUBSCRIPTION Miami edition OFFER made possible SEE PAGE 9 by BMW ART BASEL/MIAMI BEACH DAILY NEWSPAPER TM UMBERTO ALLEMANDI & CO. PUBLISHING EVENTS, POLITICS AND ECONOMICS - SPECIAL EDITION SUNDAY 5 DECEMBER 2004 The art market Speculators enter the scene again Young financiers want to build a diversified portfolio MIAMI BEACH. From the Christian Holstad, Dana home to Assume Vivid Astro early to mid-30s, with buck- in the middle between real money and it’s not a healthy standpoint of a gallery, the Schutz, Robyn O’Neil and Focus and Matthew Greene, ets of money from venture- collectors and these hedge- thing for the art world, but fundamental purpose of a fair Hernan Bas, collectors were two of the market’s newest capitalism deals or Wall fund guys.” they’re not really competition is to generate new collectors. jostling each other to get shining stars. And newness is Street bonuses,” says one Often, such old-school col- for me. They have no idea Yet not all new collectors are work and scurrying from a critical attribute. prominent advisor. “They lectors regard the new arrivals who Ugo Schmolz or Adolf equal: disposable income Lozzi are.” (Nor does this Art matters very much, obvious- Newspaper writer, but assum- ly, but the attitude toward art ing they actually exist, their buying can also vary enor- market value jumped the mously, and at the moment Queenie psychedelia moment the preceding sen- there is a sharp financial tence was printed.) focus to the buying at high “When you go around to end fairs. -
Joe Grillo CV
JOE GRILLO Born 1980 in Meteorcity, AZ. Lives and work in Virginia Beach, VA. Education 2002 School of the Museum of Fine Arts, Boston, MA, Studio Diploma 2003 School of the Museum of Fine Arts, Boston, MA, Fifth year program Solo Exhibitions 2016 !Acid American, Cellar Contemporary, Trento, IT !2015 Joe Grillo, The Hole NYC, New York, NY 2013 !Joe Grillo, Nordiska Akvarellmuseet, The Nordic Watercolour Museum, Skarhamn, SE 2010! Extrabreit, LOYAL, Malmö, SE Group Exhibitions 2013 !Draw Gym, Organized by Brian Belott, 247365, Brooklyn, NY 2012! Portrait of a Generation, The Hole NYC, New York, NY 2011 !Brothers Of The Weird, Cooper Cole Gallery, Toronto, ON ! Joe Grillo & Jason McLean: O-Pee-Chee Dirt Pile, Allegra LaViola Gallery, New York, NY New York Minute, Garage Center for Contemporary Culture - GCCC, Moscow!Dadarhea, Canada, New York, NY 2010 !Mutant Pop, LOYAL, Malmö, SE Dadarhea, OHWOW, Los Angeles, CA PortugalArte10, PortugalArte, Lisbon, PT Album, V1 Gallery, Copenhagen, DK 2009! Sneak Peek, LOYAL, Malmö, SE 2008! Mail Order Monsters, Max Wigram Gallery, New Bond Street, London, UK 2007! Mail Order Monsters, Peres Projects, Berlin, DE!2003!Todays Man, John Connelly Presents (JCP), New York, NY Karaoke Death Machine, Daniel Reich Gallery, New York, NY Dearraindrop Solo Exhibitions 2008 Dearraindrop, V1 Gallery, Copenhagen, DK! Scared Straight, Perugi artecontemporanea, Padova, Italy 2006 Concrete Trees, Glass Grass and Cream-Filled Stones, LOYAL, Stockholm, SE!W Epaminondas Adrastus Blab, Katharine Mulherin Contemporary Art Projects, -
Freeport, Bahamas Lives and Works in Brooklyn, NY EDUCATION 1989
JANINE ANTONI BORN January 19, 1964 - Freeport, Bahamas Lives and works in Brooklyn, NY EDUCATION 1989 Rhode Island School of Design, MFA, Sculpture, Honors, Providence, RI 1986 Sarah Lawrence College, BA, Bronxville, New York, NY AWARDS 2014 Anonymous Was A Woman Award 2012 Creative Capital Grant 2011 John Simon Guggenheim Memorial Foundation Fellowship 2004 Artes Mundi, Wales International Visual Art Prize (nominee) 1999 New Media Award, ICA Boston, MA Larry Aldrich Foundation Award 1998 MacArthur Fellowship. The Joan Mitchell Foundation, Inc. Painting and Sculpture Grant 1996 IMMA Glen Dimplex Artists Award SOLO EXHIBITIONS 2017 “Entangle,” Janine Antoni and Stephen Petronio, Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY 2016 “Ally,” Janine Antoni in collaboration with Anna Halprin and Stephen Petronio, presented by The Fabric Workshop and Museum, Philadelphia, PA, with major support from The Pew Center for Arts & Heritage. “Honey Baby” Janine Antoni in collaboration with Stephen Petronio, University of Nevada, Reno, NV 2015 “Turn,” Anthony Meier Fine Arts, San Francisco, CA “From the Vow Made,” Luhring Augustine, New York, NY “Incubator,” testsite The Contemporary Austin, a project of Fluent-Collaborative, Austin, TX 2014 Touch, Magasin 3 Handelshögskolan, Stockholm, Sweden 2013-2014 “Within,” Mattress Factory, Pittsburgh, PA Short Notice: “Touch”, Brandts, Odense Denmark 2011 “Touch,” Museum Kunst dre Westkuste, Alkersum/Fohr, Germany 2010 “At Home in the Body,” University of Virginia Museum of Art, Charlottesville, -
WINTER ISSUE | 2009 48497 Portfolio CORRECTED.Qxd:Portfolio 2/20/09 10:38 AM Page 2
48497 Portfolio CORRECTED.qxd:Portfolio 2/20/09 10:38 AM Page 1 KENDALL | WINTER ISSUE | 2009 48497 Portfolio CORRECTED.qxd:Portfolio 2/20/09 10:38 AM Page 2 CONTENTS SHOWCASE 02 President’s Column 03 INSPIRATION Sculpture and Functional Art alum finds his 03 Campus News inspiration in toddlers, tots, and “Bill Nye 07 Faculty News the Science Guy.” 09 Student News 05 COLLABORATION 03 05 Kendall College of Art and Design allies 14 Alumni News with Design West Michigan to create unique 09 16 Gallery News student opportunities. 16 Commencement Week 09 ANIMATION Illustration majors spend a summer in Burbank and earn the moniker “The Nickelodeon Boys.” PRESIDENT’S COLUMN This issue’s cover story features Chris Hicks, a recent graduate of the Sculpture and Functional Art Program and now an employee at the Grand Rapids Children’s Museum. I have had the opportunity to visit the Children’s Museum and to see first-hand the work Chris does. What is striking is that his position there is not directly and specifically something one might associate with a person whose degree is in sculpture and functional art. But his career demonstrates the richness of background and the versatility that graduates in art and design bring to the world. At the present time, recognizing the importance of art and design takes on particular urgency. Therefore, we are pleased to be collaborating with two economic development organizations—The Right Place, based in Grand Rapids, and Holland’s Lakeshore Advantage—to support Design West Michigan and help increase the understanding of design as a regional economic building block. -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs. -
Alpi Magazine 12.Pdf
issue #12 ASSOCIAZIONE ITALIANA CONTRO L’EPILESSIA SEZ. REGIONE TOSCANA ONLUS www.alpiworld.com For The Fight Against Cancer THE ‘SANDRO PITIGLIANI’ FOUNDATION A Non Profit Organization ASSOCIAZIONE SANDRO PITIGLIANI Chairman Giovannella Pitigliani Sini ALPI NEWS & EVENTS www.asspitigliani.it 2 ALPI AT 80 PITTI IMMAGINE FILATI A.I.C.E. 8 Associazione italiana contro l’epilessia Regione Toscana Onlus section ALPI UK WEBSITE The provincial office of Prato is located at the CROCE D’ORO 10 Contact the Chairman, Lydia B. Albini on 335 6187589 for all information and subscriptions. ALPI X4MANS To become an A.I.C.E. member, just pay the annual fee of 20 euro to the A.I.C.E. 12 account at the Istituto San Paolo di Torino, branch of Prato This is the year of the anniversaries! IBAN IT36 RO30692150010000 0013437 To donate 5‰ IRPEF to the A.I.C.E. you must sign your name in your income tax statement in the box 14 ALPI BELGIUM • ALPI ADRIATICA 30 years (pag. 4) “in support of the voluntary work of non-profit socially useful organisations...”. Next to your signature you must indicate the A.I.C.E.tax code 97085130157 ALPI IRELAND www.aice-epilessia.it 18 • ALPI DENMARK 25 years (pag. 6) 22 ALPI SUOMI • ALPI GALATA 20 years (pag. 3) 26 ALPI LATVIA Congratulations and thanks to our associates, see also our participation to: ALPI AT HANKYU HANSHIN 28 CARGO CONFERENCE 2017 • Arab Health show in Dubai 30 ALPI SPECIAL - MIAMI • Première Vision in Paris • Pitti Filati TO BE FEATURED ON • TLTF in London As well other activities of our organization. -
Vsf [email protected] / 310.426.8040
VARIOUS SMALL FIRES 812 N HIGHLAND AVE LOS ANGELES 90038 VSF [email protected] / 310.426.8040 Cotter, Holland, “Doing Their Own Thing, Making Art Together,” The New York Times, January 19, 2003. Page 1 of 4. ART/ARCHITECTURE; Doing Their Own Thing, Making Art Together TO many Americans, the world feels more threatened and threatening today than at any time since the 1960’s. Terrorism, nuclear proliferation, the prospect of war on Iraq and ever tightening security measures at home have sent a hum of tension through daily life. In the 1960’s, comparable tension, excruciatingly amplified, produced a big response: the spread of a counter- culture, one that began with political protest movements and became an alternative way of life. Among other things, it delivered a sustained, collective ‘’no’’ to certain values (imperialism, moralism, technological destruc- tion), and a collective ‘’yes’’ to others: peace, liberation, a return-to-childhood innocence. The collective itself, as a social unit, was an important element in the 60’s utopian equation. Whatever form the concept took -- the commune, the band, the cult -- its implications of shared resources, dynamic interchange and egos put on hold made it a model for change. Even the art world, built on a foundation of hierarchies and exclusions, produced its own versions. Activist groups like the Artworkers Coalition and the Black Emergency Cultural Coalition made concerted attempts to pry open institutional doors and let in a multicultural world. Simultaneously, nonmilitant movements like the Dada-inspired Fluxus produced an ephemeral, give-away, anyone-can-do-it art that amounted to a kind of pas- sive resistance to the existing market economy. -
KENNY SCHARF Bringing the Fantasy Into Reality
193 Kenny Scharf is an artist who has worked with objects, interiors and kitsch for his whole career even if he’s best known for his paintings. He made TVs, cars, telephones, a crib for his daughter, pillows, boomboxes, a piano, a mixer and exhibited some of them in the Customized Appliance Show at The Queens Museum of Art, New York in 1991. They are not self-made, they’re customizations of found junk, halfway between artifacts and acts of resistance to the industrial aesthetic. Scharf is usually associated with the East Village scene of the late ‘70s and early ‘80s. A dear friend of Keith Haring and Jean-Michel Basquiat, often at that time his practice was read as graffiti art even though he wasn’t painting so much on public walls. Probably the reason is that he was KENNY SCHARF Bringing the fantasy into reality INTERVIEW BY FranCesCO SpampinatO PHOTOGRAPHY BY YE RIN MOK acting in the public sphere, customizing daily appliances and appropriating pop imagery from advertisements and TV in the same way graffiti artists were customizing the urban landscape. Wikipedia says he lives in New York but he’s constantly moving between his houses. He says he bounces around a lot but can feel at home anywhere as long as he’s get- ting enough sleep. He’s the kind of guy who feels most at home in nature. He has a huge loft in Brooklyn. However, he passes as much time as he can in his places in Brazil, a paradise on the beach, and Culver City, LA.