Types-Parts of Cameras
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Digital Photo | Dpmag.Com
dpmag.com ® NIKON D500 Nikon’s New Flagship APS-C DSLR Equipment Checklist UPGRADE The Gear To Replace ISSUE For Maximum Results Upgrade Your Gear, Technique And Vision For Better Photos Camera 2.0: Adjustment Layers A Technology For Nondestructive Wishlist Editing In Photoshop Exceptional Images Deserve an Exceptional Presentation Images by:Sal Cincotta, Max Seigal, Annie Rowland, Hansong Fong, Kitfox Valentin, Nicole Neil Simmons Sepulveda, Valentin, Kitfox Images by:Sal Hansong Fong, Annie Rowland, Cincotta, Max Seigal, Display Your Images in Their Element Choose our Wood Prints to lend a warm, natural feel to your images, MetalPrints infused on aluminum for a vibrant, luminescent look, or Acrylic Prints for a vivid, high-impact display. All options provide exceptional durability and image stability, for a gallery-worthy presentation that will last a lifetime. Available in a wide range of sizes, perfect for anything from small displays to large installations. Learn more at bayphoto.com/wall-displays 25% Get 25% off your fi rst order with Bay Photo Lab! For instructions on how to redeem this special off er, create a free OFF account at bayphoto.com. Your First Order NEW! Easy Web Ordering! o rd om Stunning Prints er.bayphoto.c on Natural Wood, High Defi nition Metal, or Vivid Acrylic Quality. Service. Innovation. We’re here for you! 3 esos WHY PHOTOGRAPHY IS HARDER TODAY, AND MORE 3FUN, THAN IT’S EVER BEEN AT ANY TIME IN HISTORY. HERE ARE A FEW REASONS WHY THAT LITTLE SCREEN NONE OF THIS SOUNDS LIKE FUN. new gear. You can make amazing images with CAN WORK AGAINST YOU WHERE’S THE FUN PART? whatever gear you already have. -
“Digital Single Lens Reflex”
PHOTOGRAPHY GENERIC ELECTIVE SEM-II DSLR stands for “Digital Single Lens Reflex”. In simple language, a DSLR is a digital camera that uses a mirror mechanism to either reflect light from a camera lens to an optical viewfinder (which is an eyepiece on the back of the camera that one looks through to see what they are taking a picture of) or let light fully pass onto the image sensor (which captures the image) by moving the mirror out of the way. Although single lens reflex cameras have been available in various shapes and forms since the 19th century with film as the recording medium, the first commercial digital SLR with an image sensor appeared in 1991. Compared to point-and-shoot and phone cameras, DSLR cameras typically use interchangeable lenses. Take a look at the following image of an SLR cross section (image courtesy of Wikipedia): When you look through a DSLR viewfinder / eyepiece on the back of the camera, whatever you see is passed through the lens attached to the camera, which means that you could be looking at exactly what you are going to capture. Light from the scene you are attempting to capture passes through the lens into a reflex mirror (#2) that sits at a 45 degree angle inside the camera chamber, which then forwards the light vertically to an optical element called a “pentaprism” (#7). The pentaprism then converts the vertical light to horizontal by redirecting the light through two separate mirrors, right into the viewfinder (#8). When you take a picture, the reflex mirror (#2) swings upwards, blocking the vertical pathway and letting the light directly through. -
Completing a Photography Exhibit Data Tag
Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example. -
Session Outline: History of the Daguerreotype
Fundamentals of the Conservation of Photographs SESSION: History of the Daguerreotype INSTRUCTOR: Grant B. Romer SESSION OUTLINE ABSTRACT The daguerreotype process evolved out of the collaboration of Louis Jacques Mande Daguerre (1787- 1851) and Nicephore Niepce, which began in 1827. During their experiments to invent a commercially viable system of photography a number of photographic processes were evolved which contributed elements that led to the daguerreotype. Following Niepce’s death in 1833, Daguerre continued experimentation and discovered in 1835 the basic principle of the process. Later, investigation of the process by prominent scientists led to important understandings and improvements. By 1843 the process had reached technical perfection and remained the commercially dominant system of photography in the world until the mid-1850’s. The image quality of the fine daguerreotype set the photographic standard and the photographic industry was established around it. The standardized daguerreotype process after 1843 entailed seven essential steps: plate polishing, sensitization, camera exposure, development, fixation, gilding, and drying. The daguerreotype process is explored more fully in the Technical Note: Daguerreotype. The daguerreotype image is seen as a positive to full effect through a combination of the reflection the plate surface and the scattering of light by the imaging particles. Housings exist in great variety of style, usually following the fashion of miniature portrait presentation. The daguerreotype plate is extremely vulnerable to mechanical damage and the deteriorating influences of atmospheric pollutants. Hence, highly colored and obscuring corrosion films are commonly found on daguerreotypes. Many daguerreotypes have been damaged or destroyed by uninformed attempts to wipe these films away. -
Sample Manuscript Showing Specifications and Style
Information capacity: a measure of potential image quality of a digital camera Frédéric Cao 1, Frédéric Guichard, Hervé Hornung DxO Labs, 3 rue Nationale, 92100 Boulogne Billancourt, FRANCE ABSTRACT The aim of the paper is to define an objective measurement for evaluating the performance of a digital camera. The challenge is to mix different flaws involving geometry (as distortion or lateral chromatic aberrations), light (as luminance and color shading), or statistical phenomena (as noise). We introduce the concept of information capacity that accounts for all the main defects than can be observed in digital images, and that can be due either to the optics or to the sensor. The information capacity describes the potential of the camera to produce good images. In particular, digital processing can correct some flaws (like distortion). Our definition of information takes possible correction into account and the fact that processing can neither retrieve lost information nor create some. This paper extends some of our previous work where the information capacity was only defined for RAW sensors. The concept is extended for cameras with optical defects as distortion, lateral and longitudinal chromatic aberration or lens shading. Keywords: digital photography, image quality evaluation, optical aberration, information capacity, camera performance database 1. INTRODUCTION The evaluation of a digital camera is a key factor for customers, whether they are vendors or final customers. It relies on many different factors as the presence or not of some functionalities, ergonomic, price, or image quality. Each separate criterion is itself quite complex to evaluate, and depends on many different factors. The case of image quality is a good illustration of this topic. -
Photographic Equipment Guidelines the Farm Lodge Lake Clark National Park, Alaska
Photographic Equipment Guidelines The Farm Lodge Lake Clark National Park, Alaska by Jim Barr Professional Nature, Adventure Travel, and Outdoor Sports Photographer President, American Society of Media Photographers, Alaska Chapter Photography Guide, The Farm Lodge, Lake Clark National Park Introduction. Here are some general and specific equipment suggestions for photo tour participants. These start and build from “ground zero”, so just blend this information with the equipment that you already have. Equipment is important, but...the old cliché “cameras don’t take pictures, people do” really is true. So don’t put too much emphasis on the equipment. We’ll help you get the most out of what you have. On the other hand, a bear’s face would need to be within two or three feet of the lens for a frame- filling National Geographic quality close-up with a small point-and-shoot or cell phone camera. Not healthy for the photographer (or the bear), and not too likely to happen. The right tools do help. Keep size, weight, and portability in mind. You’ll be traveling to Port Alsworth on a small plane, and deeper into the bush each day on an even smaller one. Space is limited. We’ll also be doing some walking. Bears will require a mile or so of light hiking each way. On landscape days we may hike further and sometimes over rougher terrain, but you can leave heavy wildlife gear at the lodge or in the airplane. We do have options that limit the walking necessary, but there will always be some. -
Large Format Camera
Large format Camera Movements and Operation Presented by N. David king 619-276-3225 © N. David King All rights Reserved Large Format Camera Movements and Operations Page 1 COURSE CURRICULA he Large format camera, in “View” and “Field” versions, are the T primary tool for many of the commercial/professional photographic disciplines. Especially for product, advertising, illustration, and high-end fashion and portraiture work, as well as for landscape and nature photography this workhorse camera is the tool selected whenever the ultimate in quality is required. This course will teach the rudiments of using this tool to control and enhance the image. Why Large Format Large format cameras shooting a negative in the 4”x 5” size and larger are cumbersome to carry and slow to set up. So why would a working photographer with deadlines to meet, bother? The answer is in the resulting image quality and image control. No other photographic tool, including digital post acquisition image manipulation, provides the degree of control and quality available in this format. Even where the image will be manipulated after acquisition by traditional airbrushing, darkroom techniques, or via digital editing, the old rule of thumb still applies: the better the original image, the better the results will be. Course Objectives After successfully completing this course. The student will be able to set up and operate a large format camera and use its optical and film plane movements to control the distortion and depth of field of their photographs. Course Elements The complete course will contain: 1. An instructor-led lecture and demonstration, 2. -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Ground-Based Photographic Monitoring
United States Department of Agriculture Ground-Based Forest Service Pacific Northwest Research Station Photographic General Technical Report PNW-GTR-503 Monitoring May 2001 Frederick C. Hall Author Frederick C. Hall is senior plant ecologist, U.S. Department of Agriculture, Forest Service, Pacific Northwest Region, Natural Resources, P.O. Box 3623, Portland, Oregon 97208-3623. Paper prepared in cooperation with the Pacific Northwest Region. Abstract Hall, Frederick C. 2001 Ground-based photographic monitoring. Gen. Tech. Rep. PNW-GTR-503. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station. 340 p. Land management professionals (foresters, wildlife biologists, range managers, and land managers such as ranchers and forest land owners) often have need to evaluate their management activities. Photographic monitoring is a fast, simple, and effective way to determine if changes made to an area have been successful. Ground-based photo monitoring means using photographs taken at a specific site to monitor conditions or change. It may be divided into two systems: (1) comparison photos, whereby a photograph is used to compare a known condition with field conditions to estimate some parameter of the field condition; and (2) repeat photo- graphs, whereby several pictures are taken of the same tract of ground over time to detect change. Comparison systems deal with fuel loading, herbage utilization, and public reaction to scenery. Repeat photography is discussed in relation to land- scape, remote, and site-specific systems. Critical attributes of repeat photography are (1) maps to find the sampling location and of the photo monitoring layout; (2) documentation of the monitoring system to include purpose, camera and film, w e a t h e r, season, sampling technique, and equipment; and (3) precise replication of photographs. -
N5005 AF.Pdf
Nikon INSTRUCTION MANUAL CONTENTS FOREWORD . ...... ... .... ....... ......... 4 EXPOSURE . .. .... ........ ..... ...... 28--36 NOMENCLATURE .......................... .. 5-7 SHUTIER SPEED DIAL AND APERTURE DIAL .... .... 28 PROGRAMMED AUTO EXPOSURE MODE - BASIC OPERATION .. .... ........ 8-20 AUTO MULTI-PROGRAM . ... ... ... .... ...... 29 MOUNTING THE LENS ......... ....... ...... .... 8 SHUTIER-PRIORITY AUTO EXPOSURE MODE ..... 30-31 INSTALLING BATIERIES ...... ......... ........... 9 APERTURE-PRIORITY EXPOSURE MODE ......... 32-33 CHECKING BATIERY POWER . .. 10-11 MANUAL EXPOSURE MODE ......... .. .... 34-36 LOADING FILM .... .... ... ... .... .. ... .. 12-13 T setting . ........ ......... ..... .. ... 36 BASIC SHOOTING ...... ... ............. ...... 14-17 REWINDING FILM ............ .. ... ...... 18-19 EXPOSURE METERING SYSTEM ...... .... 37-43 MATRIX METERING .... ... ...... ... .. .. .... 37 FOCUS ......... .. ... .. ......... .. ... 20-27 CENTER-WEIGHTED METERING ... .. ..... .. ..... .. 37 AUTO FOCUS .. ........ .. ............. .. ..... 20-23 MATRIX METERING VS. With a stationary subject .... .... ... ..... 20 CENTER-WEIGHTED METERING .....•....• . 38-41 With a moving subject . .. 21 CENTER-WEIGHTED METERING FOR Taking pictures with an off-center main subject ... 22 SPECIAL EXPOSURE SITUATIONS .. ... ... ... 42-43 Autofocusing with AF illuminator .... ... 23 AEL (Auto Exposure Lock) button . .. 42 MANUAL FOCUS WITH ELECTRONIC FOCUSING Manual exposure mode . 43 CONFIRMATION . .... ...... .. ... ..... .. 24 MANUAL FOCUS USING -
Camera Characteristics
PENTAX Corporation 2-36-9, Maeno-cho, Itabashi-ku, Tokyo 174-8639, JAPAN (http://www.pentax.co.jp/) PENTAX Europe GmbH Julius-Vosseler-Strasse, 104, 22527 Hamburg, (European Headquarters) GERMANY (HQ - http://www.pentaxeurope.com) (Germany - http://www.pentax.de) PENTAX U.K. Limited PENTAX House, Heron Drive, Langley, Slough, Berks SL3 8PN, U.K. (http://www.pentax.co.uk) PENTAX France S.A.S. 12/14, rue Jean Poulmarch, 95106 Argenteuil Cedex, SLR Digital Camera FRANCE PENTAX Benelux B.V. (for Netherlands) Spinveld 25, 4815 HR Breda, NETHERLANDS (http://www.pentax.nl) (for Belgium & Luxembourg) Weiveldlaan 3-5, 1930 Zaventem, BELGIUM (http://www.pentax.be) PENTAX (Schweiz) AG Widenholzstrasse 1 Postfach 367 8305 Dietlikon, Operating Manual SWITZERLAND (http://www.pentax.ch) PENTAX Scandinavia AB P.O. Box 650, 75127 Uppsala, SWEDEN (http://www.pentax.se) PENTAX Imaging Company Operating Manual Operating A Division of PENTAX of America, Inc. (Headquarters) 600 12th Street, Suite 300 Golden, Colorado 80401, U.S.A. (Distribution & Service Center) 16163 West 45th Drive, Unit H Golden, Colorado 80403, U.S.A. (http://www.pentaximaging.com) PENTAX Canada Inc. 1770 Argentia Road Mississauga, Ontario L5N 3S7, CANADA (http://www.pentax.ca) http://www.pentax.co.jp/english • Specifications and external dimensions are subject to change without notice. 57526 Copyright © PENTAX Corporation 2005 01-200506 Printed in Philippines For optimum camera performance, please read the Operating Manual before using the camera. Thank you for purchasing the PENTAX L Digital Camera. Please read this manual before using the camera in order to get the most out of all the features and functions.