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Anne Lister's Use of and Contributions to British Romanticism
THE CLOSET ROMANTIC: ANNE LISTER’S USE OF AND CONTRIBUTIONS TO BRITISH ROMANTICISM ___________ A Thesis Presented to The Faculty of the Department English Sam Houston State University ___________ In Partial Fulfillment of the Requirements for the Degree of Master of Arts ___________ by Michelina Olivieri May, 2021 THE CLOSET ROMANTIC: ANNE LISTER’S USE OF AND CONTRIBUTIONS TO BRITISH ROMANTICISM by Michelina Olivieri ___________ APPROVED: Kandi Tayebi, PhD Committee Director Audrey Murfin, PhD Committee Member Evelyn Soto, PhD Committee Member Chien-Pin Li, PhD Dean, College of Humanities and Social Sciences DEDICATION For Jasmine, who never gave up on me, even when I did. We made it. iii ABSTRACT Olivieri, Michelina, The closet romantic: Anne Lister’s use of and contributions to British romanticism. Master of Arts (English), May, 2021, Sam Houston State University, Huntsville, Texas. In this thesis, I explore Anne Lister as a Romantic writer. While much criticism has focused on Lister’s place in queer history, comparatively little has examined her writing itself. Thus, this thesis aims to place Lister’s writings within popular Romantic genres and in conversation with other Romantic writers. Chapter I is an introduction to Anne Lister and the scholarship that has surrounded her since the first collection of her diaries was published in the 1980s and establishes the arguments that will be made in each chapter. In Chapter II, I examine how Lister uses Romantic works and their writers to construct her own personal identity despite her lack of participation in either the written tradition or in the major social movements of the period during her lifetime. -
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister Sarah E. Maier and Rachel M. Friars (University of New Brunswick, Saint John, New Brunswick, Canada & Queen’s University, Kingston, Ontario, Canada) Abstract: Anne Lister (1791–1840) was a multihyphenate landowner-gentry-traveller-autodidact- queer-lesbian, a compulsive journal writer who lived through the late-Romantic and well into the Victorian ages. While her journals have proven to be an iconographic artefact for queer and lesbian history, our interest here is in the public adaptations of Lister’s intentionally private writings for twenty-first-century audiences as found in the film The Secret Diaries of Miss Anne Lister (2010) and the television series Gentleman Jack (2019–). Our discussion queries what it means to portray lived queer experience of the nineteenth century, how multimedia translate and transcribe Lister’s works onto screen, as well as how questions of legibility, visibility and ethics inevitably emerge in these processes. Keywords: adaptation, encryption, Gentleman Jack, journals, lesbianism, Anne Lister, queer history, queer visibility, The Secret Diaries of Miss Anne Lister, transcription. ***** Lister ought to tell her own story before anyone interpreted it for her. Hers is, after all, the truly authentic voice of the nineteenth century woman caught up in a dilemma not of her own making. She ought to be allowed to tell it as it was, from her own point of view. (Whitbread 1992: xii) The recent appearance of a woman given the nickname ‘Gentleman Jack’ in a show focused on a queer woman depicts a subject who writes her life into encrypted journals. -
Anne Lister Lesson Plan
ANNE LISTER Pioneering British Lesbian Landowner and Businesswoman (1791-1840) In an era when women had virtually no voice or power, Anne Lister of Yorkshire, England defied the odds to become what some call the first modern lesbian for her open lifestyle and self-knowledge. Despite being taunted by fellow Halifax residents, who referred to her as “Gentleman Jack,” Lister flouted convention by dressing in black men’s attire and talking part in typically male activities, such as riding and shooting. In 1830, she became the first woman to ascend Mount Perdu in the Pyrenees and several years later completed the official ascent of the Vignelmale, the highest point in the mountain range. Though she conventionally shied away identification with “Sapphists,” she declared in her voluminous 4-million-word diary “I love and in love the fairer sex and thus beloved by them I turn, my heart revolts from any love but theirs.” Obscuring the nature of her affections, the diary incorporated a special code combining Algebra and Ancient Greek to detail her intimate relationships as well as her day to day life as a wealthy “rural gentlemen”—including the operation of her family estate, her business interests, and social and national events. It has also come to be highly prized by historians who value its unique perspective on the experience of lesbians in early 19th-century England. Lister’s first great romance, with Mariana Lawton, ended when Lawton refused to leave her husband. In 1832, she met heiress Anne Walker and the two were “married” in a private declaration of their life-commitment. -
Gentleman Jack
! ! ! ! ! GENTLEMAN JACK Episode 8 Written and created by Sally Wainwright 7th November 2018! ! ! ! ! STRICTLY PRIVATE & CONFIDENTIAL © Lookout Point Limited, 2019. All rights reserved. No part of this document or its contents may be disclosed, distributed or used in, for or by any means (including photocopying and recording), stored in a retrieval system, disseminated or incorporated into any other work without the express written permission of Lookout Point Limited, the copyright owner. Any unauthorised use is strictly prohibited and will be prosecuted in courts of pertinent jurisdiction. Receipt of this script does not constitute an offer of any sort. ! ! ! GENTLEMAN JACK. Sally Wainwright. EPISODE 8. 7.11.18. 1. 1 EXT. THE ROAD TO GOTTINGEN, GERMANY. DAY 55. 15:00 (AUTUMN 1 1832) Idyllic fairy-tale German countryside. ANNE’s carriage (loaded with luggage) travels along a country road. EUGÉNIE and THOMAS sit outside at the back, not speaking. 1A INT. ANNE’S CARRIAGE, ROAD TO GOTTINGEN. DAY 55. CONTINUOUS1A. Inside the carriage, we find ANNE LISTER, gazing diagonally opposite at a young woman. ANNE LISTER (voice over) My dear Aunt. Providence has once again bent her gently smiling beams my way... 2 INT. DRAWING ROOM, SHIBDEN. DAY 56. 15:55 (AUTUMN 1832) 2 We find AUNT ANNE LISTER (with her poorly leg raised on a stool in front of the fire) devouring ANNE’s breathlessly pacey letter. (JEREMY and ARGUS are asleep). ANNE LISTER (v.o. immediately continuous from above) When I visited Madame de Bourke in the Rue Faubourg Saint Honoré and told her of my indecision whether to go north or south, she wasted no time in begging me to accompany her niece - a Miss Sophie Ferrall - to Copenhagen. -
HBO/BBC Drama Series GENTLEMAN JACK, Created, Written and Directed by Sally Wainwright, Debuts April 22 on HBO
HBO/BBC drama series GENTLEMAN JACK, created, written and directed by Sally Wainwright, debuts April 22 on HBO The HBO/BBC drama series GENTLEMAN JACK begins its eight-episode season MONDAY, APRIL 22 (10:00-11:00 p.m. ET/PT) on HBO. Created, written and co-directed by Sally Wainwright (“Happy Valley,” “Last Tango in Halifax”), and starring BAFTA Award winner Suranne Jones (“Doctor Foster,” “Save Me”), GENTLEMAN JACK tells the story of a woman who had a passion for life and a mind for business, and bucked society’s expectations at every turn. The series will also be available on HBO NOW, HBO GO, HBO On Demand and partners’ streaming platforms. GENTLEMAN JACK will air in the UK on BBC One this spring. Set in the complex, changing world of 1832 Halifax, West Yorkshire – the cradle of the evolving Industrial Revolution – GENTLEMAN JACK focuses on landowner Anne Lister, who is determined to transform the fate of her faded ancestral home, Shibden Hall, by reopening the coal mines and marrying well. The charismatic, single-minded, swashbuckling Lister – who dresses head-to-toe in black and charms her way into high society – has no intention of marrying a man. The story examines Lister’s relationships with her family, servants, tenants and industrial rivals and, most importantly, would-be wife. Based in historical fact, the real-life Anne Lister’s story was recorded in the four million words of her diaries, and the most intimate details of her life, once hidden in a secret code, have been decoded and revealed for the series. -
Anne Lister on Gentleman Jack: Queerness, Class, and Prestige in “Quality” Period Dramas
International Journal of Communication 15(2021), 2397–2417 1932–8036/20210005 The “Gentleman-like” Anne Lister on Gentleman Jack: Queerness, Class, and Prestige in “Quality” Period Dramas EVE NG1 Ohio University, USA This article examines the significance of queerness to class and prestige illustrated by the series Gentleman Jack (BBC/HBO, 2019–present). Although previous scholarship has discussed LGBTQ content and network brands, the development of “quality” television, and the status of period (heritage) drama, there has not been significant consideration about the relationships among all these elements. Based on the life of the 19th-century Englishwoman Anne Lister, Gentleman Jack depicts Lister’s gender and sexual nonconformity—particularly her romantic interactions with women and her mobility through the world—as a charming, cosmopolitan queerness, without addressing how this depended on her elite status. The cachet of GJ’s queer content interacts with both the prestige of the period genre and the BBC’s and HBO’s quality TV brands, with the show illustrating how narratives in “post-heritage” drama can gesture toward critique of class, race, and nationality privileges while continuing to be structured by these hierarchies. This article points to new avenues for theorizing how prestige in television is constructed through the interaction of content, genre, and production contexts. Keywords: BBC television, class representation, HBO, heritage drama, LGBTQ media, period drama, post-heritage drama, quality television, queer representation Gentleman Jack (hereafter GJ), a British Broadcasting Corporation (BBC) television series coproduced with Home Box Office (HBO),2 has attracted critical attention for exuberantly depicting how the 19th-century Englishwoman Anne Lister challenged the norms of gender presentation and sexuality as “the first modern lesbian” (Roulston, 2013), with the series taking its title from a derogatory nickname that Lister earned from her masculine appearance and demeanor. -
Dead Ladies Show Music - “Little Lily Swing” by Tri-Tachyon)
(Dead Ladies Show Music - “Little Lily Swing” by Tri-Tachyon) SUSAN STONE: Welcome to the Dead Ladies Show Podcast, I'm Susan Stone. The Dead Ladies Show celebrates women who achieved impressive things against all odds while they were alive. The show is recorded in front of a delightful audience in Berlin and here on the pod- cast we bring you a special sampling from these events. Dead Ladies Show co-founder Florian Duijsens is here with me today. Hey there! FLORIAN DUIJSENS: Hi! SS: And we have our other co-founder back on stage at our lovely venue ACUD in this episode — translator extraordinaire — the extremely well-shod Katy Derbyshire. Florian, please tell everyone who Katy will be talking about. FD: Katy will be talking about Anne Lister, a person she's excellently placed to talk about, as she has just finished translating one of the first full-length biographies of Anne Lister. Now Anne Lister, as you'll hear very soon, excelled at very many things traditionally thought to be within the purview of men rather than women in Regency-era England, such as business, mountain climbing, seducing scores of women — Anne Lister did it all. She left behind copi- ous coded diaries that provide an unparalleled glimpse into her life and her sexual habits. SS: Indeed. Now, here's Katy to tell us more. KATY DERBYSHIRE (ON TAPE FROM LIVE RECORDING): Yes, here we go. I'm going to talk about Anne Lister, who lived from 1791 to 1840 so —1840 is significant because photography was invented in 1839. -
BG Research Online
BG Research Online Ulph, C. (2018). ‘Under the existing rules’: Anne Lister and the Halifax Literary and Philosophical Society. Nineteenth-Century Literature. 73(4), 462-485. This is an Accepted Manuscript published by University of California Press in its final form on 1st March 2019 at https://www.doi.org/10.1525/ncl.2019.73.4.462. This version may differ slightly from the final published version. Copyright is retained by the author/s and/or other copyright holders. End users generally may reproduce, display or distribute single copies of content held within BG Research Online, in any format or medium, for personal research & study or for educational or other not-for-profit purposes provided that: The full bibliographic details and a hyperlink to (or the URL of) the item’s record in BG Research Online are clearly displayed; No part of the content or metadata is further copied, reproduced, distributed, displayed or published, in any format or medium; The content and/or metadata is not used for commercial purposes; The content is not altered or adapted without written permission from the rights owner/s, unless expressly permitted by licence. For enquiries about BG Research Online email [email protected]. ‘Under the existing rules’: Anne Lister and the Halifax Literary and Philosophical Society The Literary and Philosophical Societies established in the late eighteenth and early nineteenth centuries have been seen, generally speaking, to operate within a masculine model of civic sociability. Davidoff and Hall, for example, observe -
Unesco in England
UNESCO IN ENGLAND WIDER VALUE of UNESCO to the UK 2 England is home to 101 UNESCO sites and projects as well as a dynamic network of experts working in UNESCO’s fields of competency 55 12 77 48 11 54 75 50 76 85 51 9 34 59 83 49 3 53 6 79 33 44 58 30 5 29 73 46 8 64 78 35 7 52 65 67 41 21 26 63 56 69 16 15 47 42-43 66 80-82 45 36-39 14 68 4 27-28 22 86 13 71 61-62 17-19 20 70 31-32 60 2 84 40 25 1 74 23 24 57 10 72 2 UNESCO Designation No. Names Biosphere Reserves 2 1 Brighton and Lewes Downs 2 North Devon Creative Cities 7 3 Bradford City of Film 4 Bristol City of Film 5 Liverpool City of Music 6 Manchester City of Literature 7 Norwich City of Literature 8 Nottingham City of Literature 9 York City of Media Arts 10 Global Geoparks 2 English Riviera Global Geopark 11 55 North Pennines Global Geopark 12 77 48 12 11 Memory of the World 55 Narrative Created Through Sirkka-Liisa Konttinen’s Photography and 54 75 Programme Amber’s Films (Amber Collective) 13 The Roman Curse Tablets from Bath (Bath & North East Somerset Council) 50 14 Appeal of 18 June 1940 (BBC Sound Archives) 15 Cura Pastoralis of Gregory (Bodleian Library at the University of Oxford) 76 85 51 9 Manuscript Collection of Shota Rustaveli’s Poem “Knight in the Panther’s 34 Skin” (Bodleian Library at the University of Oxford) 59 83 49 3 The Gough Map (Bodleian Library at the University of Oxford) 16 53 GPO Film Unit collection, 1933-1940 (British Film Institute) 6 Hitchcock’s Silent Films (British Film Institute) 79 33 Peter Worden Collection of Mitchell and Kenyon Films (British -
Gentleman Jack
GENTLEMAN JACK A cura di Odamei Copyright © <2019> Gentleman Jack Usa/UK 2019 Network: HBO/ BBC Produzione esecutiva Sally Wainwright Faith Penhale Laura Lankester Produzione Phil Collinson Screenwriter Sally Wainwright Regia Sally Wainwright Sarah Harding Jennifer Perrott Opening theme “Gentleman Jack” di O’Hooley & Tidow CAST Suranne Jones Anne Lister Sophie Rundle Ann Walker Rosie Cavaliero Elizabeth Cordingley Albane Courtois Eugénie Pierre Gemma Whelan Marian Lister Gemma Jones Aunt Anne Lister Ben Hunter Joseph Booth Timothy West Jeremy Lister Tom Lewis Thomas Sowden Joe Armstrong Samuel Washington Amelia Bullmore Eliza Prestley Stephanie Cole Aunt Ann Walker George Costigan James Holt Peter Davison William Prestley Shaun Dooley Jeremiah Rawson Vincent Franklin Christopher Rawson Lydia Leonard Marianna Lawton Katherine Kelly Elizabeth Sutherland Jodhi May Vere Hobart Anthony Flanagan Sam Sowden Rupert Vansittart Charles Lawton Sylvia Syms Mrs. Rawson Brendan Patricks Reverend Thomas Ainsworth Sofie Gråbøl Queen Marie of Denmark Creata da Sally Wainwright e ambientata nello Yorkshire, nel 1832, è basata su un adattamento dei diari di Anne Lister, che avevano già ispirato il film “The Secret Diaries of Miss Anne Lister”, prodotto dalla BBC nel 2010. Andata in onda dal 22 aprile 2019 negli USA per la HBO e dal 19 maggio 2019 nel Regno Unito per la BBC, la serie è stata rinnovata per una seconda stagione (che vedremo sugli schermi non prima del 2021). Gentleman Jack narra del ritorno di Anne Lister a Shibden Hall, dove iniziò ad amministrare la tenuta di famiglia ed aprì una miniera di carbone. Parallelamente, un ruolo di primo piano viene assunto dalle sue avventure amorose e del suo incontro con la ricca ereditiera Ann Walker, la donna con la quale trascorse gli ultimi anni della sua vita. -
Filming, Including James a Remarkable Woman; a Landowner, Business Woman, Norton Who Proved a Popular and Delightful Guest Diarist, Mountaineer, Traveller and Lesbian
HAPPY VALLEY GENTLEMAN JACK Sally Wainwright's other BAFTA-winning series, Starring Suranne Jones, Sophie Rundle, Gemma Happy Valley, was also filmed in the surrounding Rundle, Gemma Jones, Timothy West and Rhodri the area and starred Sarah Lancashire and James Deerhound, the BBC/HBO costume drama is based on Norton, Siobhan Finneran, Steve Pemberton the life of Anne Lister (1791 - 1840) of Shibden Hall, and George Costigan. Several actors stayed at around three miles from Holdsworth House. Lister was Holdsworth House during filming, including James a remarkable woman; a landowner, business woman, Norton who proved a popular and delightful guest diarist, mountaineer, traveller and lesbian. Anne kept - thankfully nothing like his on-screen character diaries of around five million words – three times Tommy! the length of Samuel Pepys’ diary – chronicling her daily life. Approximately one sixth of Anne’s diaries THE PLOT are written in code, self-invented and referred to as Catherine Cawood is a strong-willed police her ‘crypt hand’. The coded entries describe Anne’s sergeant in West Yorkshire. Catherine is struggling deepest emotions, private affairs and her relationships to cope with her daughter’s death and just as she with a number of women. Anne chose to always dress seems to be getting her life back together she in black, presenting an unusual sight around Halifax. spots Tommy Lee Royce, the man she believes How she dressed and conducted herself led to her responsible for her daughter’s suicide. She becomes derogatory nickname ‘Gentleman Jack’. obsessed with finding Royce, unaware that he is involved in a kidnapping, where things slide quickly Anne's diary entries are brought to our screens in out of control. -
Queer Subjectivities, Closeting and Non- Normative Desire in Nineteenth-Century Women’S Poetry and Life Writing
QUEER SUBJECTIVITIES, CLOSETING AND NON- NORMATIVE DESIRE IN NINETEENTH-CENTURY WOMEN’S POETRY AND LIFE WRITING CAROLINE BAYLIS-GREEN A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the Degree of Doctor of Philosophy Department of English Manchester Metropolitan University December 2015 Dedication This thesis is dedicated to the wonderful folk of the Granite City and Aberdeenshire. As Dorothy clicking her ruby baffies might have said, ‘Aire nae placie like hame!’ 1 Table of Contents Acknowledgements…………………………………………………………………………………………..4 Abstract…………………………………………………………………………………………………………….6 Introduction………………………………………………………………………………………………………7 Chapter One……………………………………………………………………………………………………..45 The Curious Case of Anne Lister’s Journals Chapter Two……………………………………………………………………………………………………..97 Beyond Binary? Emily Brontë’s Resistant Poetics Chapter Three………………………………………………………………………………………………...147 Christina Rossetti and Adelaide Anne Procter: Poetry’s Strange Reserve Chapter Four…………………………………………………………………………………………………..198 Failed Closets & Awkward Subcultures in the Writing of Michael Field & Amy Levy Conclusion……………………………………………………………………………………………………….268 Bibliography…………………………………………………………………………………………….........276 Appendix One: Joshua Horner C. (1830), Anne Lister……………………………………….302 Appendix Two: Unknown C. (1850), Haworth Parsonage……………………………….303 Appendix Three: Emily Brontë (1837), Diary Paper………………………………………….304 Appendix Four: Charles Auguste Mengin (1877), Sappho………………………………..305 Appendix