6 X 10.Three Lines .P65

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Index locorum

Adespota Tragica Soph. (Radermacher) TrGF fr. 2.2127 158 2 337 fr. 2.655 377 4 337 Auctor ad Herennium 12 344 3.15.27 341 13 337 3.20 358 14 328 Aeschines 16 237 2.34 317 19 258 2.157 320 27 338, 420 3.142 238, 320–1 27–28 336 3.209 320 28 331, 336, 338 3.209–10 320 29 336 3.210 238, 320 31 309, 328, 336, 339 3.228 324 32 336, 338 3.229 320, 324 34 337 Aeschylus Anaxagoras (DK 59) Ag. a1 140 62 285 a39 143 242 195, 285 a92 142, 147 1152–53 194–5 a94 140, 143 1456 285 b3 165 Cho. b4 143, 211 797 438 b12 90, 167 PV b21 143, 211 360–61 272 b21a 143, 167, 284 460 237 Anaxandrides (K–A) TrGF fr. 11 466 fr. 78a col. 1.5–8 (Theoroi) Anaximander (DK 12) 195, 332, 520 a9 140 fr. 392 253 a11 173 fr. 398 253 a25 173 Aesop b5 173 Fab. Anaximenes (DK 13) 1 364 a1 140 Alcidamas a5 143 Fragments (Avezzu`) a7.2 144 frr. 8–9 339 a7.5 144 T4–6 322 a9–10 144 T6–9 335 b3 144 T7 335 Anaximenes T14 335, 339 Rh. Al.

569

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570 Index locorum

Anaximenes (cont.) Ran. 22.8 321 795–803 262 25.1 321 801 267 25.3–4 321 818–25 264, 267 Anth. Pal. 819 455 6.222–23 486 820 272 6.352 334 862 120, 253 7.45 188 909–10 297 7.76 486 911–15 253 7.193 352 924 272 7.299 486 928 272 7.478 515 939–43 273 7.479 515 940 272 9.424 486 945–46 253 9.568 486 956–57 267 12.152 486 1004 272 16.191 488 1005 274 Anth. Plan. 1057 272 4.54 334 1059 272–3 16.120.3–4 334 1122 253 Antiphon (K–A) 1323 441 fr. 207.1–3 498 1369 263, 273 fr. 953.3 498 Thesm. Antiphon 49–57 270 6, Hypoth. 318 54 455 Antisthenes (Decleva Caizzi) 120–22 185 fr. 51 309, 323, 329 985 185 Apuleius 986 455 Met. Aristotle 1.2 343 Cael. Aratus 294a21–28 162 783–87 486 De an. Aristides 1.1.403a10–11 112 Or. 1.5.410a1–2 154 1.14–16 188 1.5.410a7–8 154 Aristides Quintilianus 1.5.410a18–21 120 1.14 236 2.1.412a8–9 112 2.17 493 2.1.412a17 120 Aristophanes 2.6.418a11–18 242 Av. 2.7.420b13–14 224 1373–1409 107 2.8.420b 324 Eq. 2.8.420b5–9 363 39 253 2.8.420b5–13 333 526–28 274 2.8.420b26–29 228 531–33 274 2.8.420b32 363 Nub. 2.12.424a17–b3 417 638 441 3.1.425b9 46 640–41 267 3.2.425b23–24 417 975–76 60–1 3.4.429a11–12 112 1367 253, 379–80 3.5.430a12–13 112 Pax 3.5.430a22–23 112 749–50 272 Eth. Eud. Plut. 1215b11–14 143 759 186 3.2.10.1231a2–12 53

Index locorum 571

3.2.10.1230b31–35 53 Z 10.1035a19 120 1235a25–9 151–2 Z 10.1036a8–9 130 Eth. Nic. Z 13.1039a9 165 7.15.1154a27–28 141 Z 17.1041b11–33 220, 224 7.15.1154b7–9 140 Mete. 9.9.1170a29–b4 54 357a24–25 140 10.4.1174b14–20 53 Part. an. 10.4.1174b14–23 53 1.5.645a22–26 99 10.5.1175b33 54 2.16.660a2–8 238 10.7.1177a25–26 54 2.17.660a17–23 362 10.7.1178a1–2 298 660a29–33 344 10.9.1179b9 66 Ph. Gen. corr. 1.3.187a3 165 1.1.315b6–15 174 2.1.193a9–28 148 1.1.315b12–14 235 3.5.204b22 149 1.1.315b14–15 235, 301 4.6 145 1.2.316a–b 165 Poet. 1.2.316b13–14 239 1.1447b8 96 Hist. an. 1.1447b9–10 97 4.9.535a28–b1 228 2.1448a5–6 249 Int. 4.1448b17–19 249, 264 1.16a 324 4.1448b19 95 1.16a3–4 318, 319, 336 4.1448b25 99 4.16b26 313 4.1449a8 112 4.16b31–32 225 4.1449a8–9 101, 115, 498 4.16b31–33 225 4.1449a17–18 102 Metaph. 4.1449a22–24 103 A 1.992b24–25 146 6.1449b24–29 114 A 3.983b6–8 147 6.1449b25 106 A 4.985a32 154, 220 6.1449b28–29 114 A 4.985b4–19 216, 217, 220 6.1449b33 114 A 4.985b11–16 218 6.1449b34–35 114, 237 A 4.985b13–15 217 6.1450a9–10 105 A 5.986a17 149 6.1450a15 119 A 5.986b21–25 164 6.1450a15–18 114 A 8.988b22–27 148 6.1450a23–25 102 B 3.998a23–25 214 6.1450a25–29 102 G 6.1011a31–32 288 6.1450a29–30 95 D 3.1014a26–34 219 6.1450a29–33 105, 226 D 4.1014b36–37 148 6.1450a30–31 115 H 2.1042b15–20 502 6.1450b1–2 99, 250 H 3.1043b4–12 225 6.1450b1–3 95 I 2 91 6.1450b17 327 I 3.1054b9–10 91 6.1450b18–19 102 M 3.1078b1–5 100 7.1450b35–1451a6 97 Z 7.1032b14 113, 130 7.1451a5 101 Z 7.1035a2–3 148 7.1451a6–7 103, 318, 498 Z 7.1035a6–7 148 7.1451a6–15 101 Z 7.1035a17 99 7.1451a7 101 Z 7.1035a20 148 7.1451a10 101 Z 10.1034b32 105 8.1451a16 252 Z 10.1035a6–7 113 8.1451a16–17 252 Z 10.1035a14–17 222 8.1451a21 252 Z 10.1035a17–22 113 8.1451a31–35 119, 235

572 Index locorum

Aristotle (cont.) 26.1461b32–1462b14 316 8.1451a32–35 296 26.1462a2–10 103 9.1450a4–5 119 26.1462a11–12 103 9.1451b27–28 104 26.1462a12–13 104 9.1451b37 314 26.1462a17–18 115 10.1452a18–19 119 26.1462b1 97 13.1452b29 115 26.1462b10–11 106 13.1452b31 119 Pol. 13.1452b33 115, 499 3.11.1281b10–15 420 13.1452a34–36 253 8.5.1340a25–28 249 13.1452a36–37 253 8.6.1341a24–25 323 13.1453a13 253 Protr. (Du¨hring) 14.1453b2–3 102 fr. b12 517 14.1453b3–6 104 fr. b73 55 14.1453b32 116 fr. b87 53 14.1453b36–39 110 fr. b89–90 54 15.1454a37 102 Rh. 15.1454b7 116 1.1.1354a15 116 15.1454b8–11 99 2.23.1398b11 350 15.1454b10–11 420 3.1.1404a24–26 316 15.1454b15–16 101 3.1.1403b14–15 317 16.1454b31–32 102 3.1.1403b20 316 16.1454b34–35 105 3.1.1403b20–22 317 17. 1455a22–26 115 3.1.1403b21 316 17.1455b2 104 3.1.1403b22 328 17.1455b2–3 95 3.1.1403b23–24 316 17.1455b8 116 3.1.1403b26 316 18.1456a7–8 113 3.1.1403b27 318 19.1456b5–7 103 3.1.1403b27–31 324–25 19.1456b7–8 104 3.1.1403b31 213, 318, 334 19.1456b10 103, 317 3.1.1403b35 316 19.1456b15–18 203 3.1.1404a1–8 313 19.1456b18–19 103, 317 3.1.1404a7 316–17 20.1456b20–23 218, 219 3.1.1404a11 318 20.1456b22 218 3.1.1404a14–15 316 20.1456b31–33 228 3.1.1404a15–16 327 20.1456b31–34 340 3.1.1404a15–19 316 20.1456b33–34 238 3.1.1404a18–19 313, 318 20.1457a3–6 225 3.1.1404a20 312 21.1458a9 237 3.1.1404a21–24 318 22.1458a18 319 3.1.1404a23 328 22.1458a28 237 3.1.1404a24 323 22.1458b1 319 3.1.1404a28–29 319 22.1458b21–22 99 3.1.1404a29–39 329 22.1459a11–13 106 3.1.1404a34–36 313 24.1459b11–12 99 3.1.1404a35–36 329 24.1460b1–5 249–50 3.1.1404a26 313 24.1460a18–19 250 3.2.1404b1–2 319 25.1460b15–16 102, 498 3.2.1404b11–14 225 25.1460b21 115 3.2.1404b18–19 319 25.1460b24–25 115 3.2.1404b22 316 25.1461a4 99 3.2.1404b24–25 329 25.1461a21–25 351 3.2.1404b25 237, 324 26.1461b29–30 103 3.2.1405b6–8 314

Index locorum 573

3.3.1406b1 380 9.1–11 327 3.3.1406b1–2 323 10.15–21 391 3.4.1407b.20–21 45 11.13–15 390 3.5.1407a34–35 140 12.1–9 390 3.5.1407b11–12 318, 339 21.22–23 391 3.7.1408b30–31 319 23.28–24.1 389 3.8.1409a19–21 353 27.18–20 325 3.9.1409a22–24 319 27.18–32 235–36 3.9.1409b1 98 27.19–20 325 3.9.1409b13–22 353 28.5 227 3.9.1409b23–29 323 29.1 239 3.12.1413b8–9 315 36.15–37.7 227 3.12.1413b13 314 37.1–8 325 3.12.1413b14 314 37.2 186 3.12.1414a12 98 37.3–6 236 3.12.1414a15–17 328 Rhythm. 2 (Pearson) 3.12.1414a18–19 315 5–6 75 3.13.1414b17 314, 323 6 227 3.15.1415a10 323 7 185 Sens. 8 236 1.437a9 46 9 227 1.437a11–17 313 11 236 2 66 16 227 3.439b20 153 Fr. Neap. (Pearson) 4.442a29–31 416 fr. 11 185 6.446b1–13 100 Frr. (Wehrli) Top. frr. 103–12 109, 187 2.6.112b22–24 258 Artemidorus 6.5.154b23 242 1.5 489 fr. 162 (Rose) 518 2.39 489 [Aristotle] Athenaeus De audib. 8.338c–d 376 803b26 58 10.448c 376 803b37 299 10.448c–d 402, 374 Col. 10.452–3 376 793b12–19 303 10.455b–c 402 Div. arist. Mutschmann 10.455c 387 30 [24], p. 38, cols. 1.4 10.456c 376 and 2.6 350 10.458a–e 377 Mund. 11.467a 399, 372 399b29–400a7 514 14.61e–f 323 Pr. 14.185a 371 19.15.918b12–16 316 14.615a–e 381 19.48.922b14 386 14.624e 404 Aristoxenus 14.632a–b 107 Harm. (da Rios) 14.634e 371 1.3 325 14.637d 329 1.18 239 14.637f–638a 380 2.6–3.4 327 14.659a 109 3.5–6 58, 236, 327 Augustine 3.5–24 392 Ep. 3.5–26 388 3.18 56 3.20–24 389 Ausonius 7.20–34 227 Epigr. (Green) 8.13–9.29 390 37 515

574 Index locorum

Bacchylides Cratinus (K–A) 10.10–14 520 fr. 70 274 10.11 481 fr. 92 253 fr. 198 274 Callimachus fr. 199 275 Aetia (Pfeiffer) fr. 205 274 fr. 100 488 fr. 206 274 fr. 114 488 Critias (DK) Ia. 6 407 88a22 68 6.47 488 Catullus Damian 68.89–94 516 Opt. Scho¨ne Cicero 27.16 211 Brut. 27.19 211 33 509 Demetrius 68 508 Eloc. 118 509 12 407, 515 133 350 13 515 163 350 48–49 508 313 350 68 508 Inv. rhet. 176 493 2.1 420 193 314 Nat. D. Demetrius of Phaleron (Wehrli) 1.47–48 55 fr. 169 340 1.49 488 Democritus (DK 68) 2.93 174, 220 a29 211 De or. a37 216 1.150 358 a45 234 1.164 509 a64 234 2.34 366 a111 143, 167, 284 2.63 509 a119 147 3.40 361 a125 211 3.40–41 320, 321 a135(59) 58 3.171 508 a135 (79) 234 3.175 509 a171 200 3.222 327 b4b–c 211 Orat. b5h 211 9 407 b5i 211 55 327 b5f 211 56–59 320 b11f 211 77–78 508 b15b 143 149 509 b15c–26a 174, 210 176 345 b17–18 211 220 509 b18 212 224 509 b21 211, 512 Tusc. b28a 210 1.48.116 335, 339 b300.14 514 Clemens Alexandrinus Demosthenes Strom. 18.259 321 5.8.48.5 361 18.259–60 359 Cleobulus 18.280 359 fr. 581 PMG 480 18.285 320–21 Cleon 18.291 359 180.5 389 18.308 359

Index locorum 575

18.313 321 3 326, 407 19.126 320 13 326, 339–40, 347 19.199 321 Lys. 19.216 321 3 305 19.216–17 342 11 208, 250, 322 19.255 359 13 352 19.336 359 15 218 19.337–39 320 22 352 Dio of Prusa 23 352 Or. Thuc. 12.69–71 408 5 472, 473 12.71 408 23 472 12.83 409 24 315 Diodorus Siculus [Dionysius Thrax] 12.53.4 305 Ars Gramm. ¼ GG 1.1 Diogenes of Apollonia (DK 64) §1 354 a19.43 143 §4 352 Diogenes Laertius §6 223 2.103 316, 359 Dissoi Logoi (DK 90) 3.107 350 2 203 4.31 352 3.10 297, 444 6.17 329 3.11–13 301 7.56 219, 350 3.17 324 8.47 442 Duris of Samos 9.48 319 76f1 FGrHist 107 Dionysius of Halicarnassus fr. 32 Wehrli 182 Antiq. Rom. 1.90.1 210 Empedocles (DK 31) Comp. a1.63 152 6 504 a34 153 11 106, 186, 238, 308, 309, 325 a43 153 13 228, 239 a86 147 14 239, 246, 400, 372, 375 a94 154 22 208, 214, 229, 399, 506, 507, 508 b2 156 23 228 b3 156 24 166 b3.9–13 169 Dem. b21.1–8 157 7 380 b21.13–14 155 21 355 b23 152, 154, 211 22 310, 318 b23.9 158, 285 25 310 b23.10 155, 156 26 210, 310, 315, 321 b33 502 35 320 b39 160, 162 38 507 b62 333 50 355 b71 153 54 318 b71.4 154 54–56 322 b84 140 De imit. b85 155 fr. 6 271 b87 502 fr. 9 312, 329 b96 154, 155 Epist. ad. Pomp. b96.4 154 4.3 472 b100.11 155 Isoc. b107 154 1 283 b111.6 155 2 247, 344 b112.4 162

576 Index locorum

Ephorus of Cyme (FGrHist 70) Gorgias (DK 82) t22 107 a1a 298 f6 326 a4 305 f 107 326 a35 305 f 107–08 326 82a1–5 279 Artium Scriptores §33 Radermacher 326 82a9 279 Epicurus b3 (84) 290 Ep. Men. 126 55 b3 (85) 290, 292 Eratosthenes 82b4 185 ap. Strab. 1.2.3 324 b6 305, 345 Euripides b11 (Helen) Electra §1 304 175–80 194–5 §2 283, 289 Helen §4 284, 285, 286 34 286 §5 304 262 287 §6 285 Hippolytus §8 278, 282, 298, 299, 316 25–31 191–2 §§8–9 285 Ion §§8–17 282 184.208 191 §9 225, 285, 289, 311, 313 Orestes §13 283, 289, 284 558 498 §14 283, 295 Rhesus §15 280, 282, 283 547–48 194–5 §§15–17 293, 296 Troades §§15–19 285 489 515 §§16–17 283 TrGF §17 282 fr. 5.2.913 (incert.) 284 §18 283, 285, 286, 295, 300, 420 fr. 369 (Erectheus) 351 §§18–19 415 fr. 370.90–91 191 §19 285, 286 fr. 372 (Eurystheus) 334 §21 279, 304 fr. 578.2–3 (Palamedes) 237 b23 296 Eustathius b26 280 ad Il. b28 305–6 10.385–89 359, 372 MXG 24.1–2 387 974a25–974b1 295 980a12–19 290 FGE 980a18 290 fr. 1 47 980a21 282 Fronto 980b1–3 291 Ep. 980b3–4 288 5.55 362 980b6–8 291 980b11–14 288 Galen 980b14–15 290 De plac. Hippoc. et Plat. (De Lacy) 980b16–17 288 5.448–49 265 980b18–19 294 Geminus(?) (Scho¨ne) 980b19 288 Opt. 980b26 282 28.11–19 443 GL Heraclides of Pontus iv:475.9 218 On Poetics and On Poets iv:525.19 351, 363 ap. D.L. 5.88 182 iv:535.19 351 fr. 163 (Wehrli) 385–6 v:548.3 214 Heraclitus (DK 22) GL Suppl. clxxxi.23 214 a1a 140

Index locorum 577

b1 168 5.356 380 b5 488 5.770–72 156 b12 168–9 6.293–95 171–2 b30 306 6.459–60 477 b31 306 7.89–91 477 b35 168 7.433–53 517 b42 140 8.16 161 b54 168, 306 11.24–44 264 b55 168 12.13–33 517 b56 140, 376, 449 14.394 380 b123 168, 306 15.146–47 162 [Heraclitus] 17.434–35 479 Quaest. Hom. 17.538–39 465 43.1 512 18.474–75 409 43.8 511 21.38 380 43.10–14 512 23.331–2 17, 477 Hermias Od. in. Phdr. 5.234–51 268–9 239.1–2 258 6.306 159 Herodotus 8.246–53 269 1.pr. 472 11.438 285 5.59–60 473 12.185–92 324 5.62 437 13.108 159 7.6.3 377 14.69 285 9.78.2 473 15.106–08 172 Hesiod 19.225 447 Op. 19.226–31 446 25–26 268 23.184–204 264 648–49 268 Hom. Hymn Ap. 656–62 268 163 181 Theog. Hom. Hymn Merc. 265–66 159 47–51 369 720 161 52–57 369–70 Hieronymus of Rhodes Homerica fr. 52b (Wehrli) 347 Certamen (Allen) Hippias of Elis (DK 86) 16 348 a2 184, 266 279 349 a11 213 328 376 a12 213 333 348 Hippo (DK 38) [Plutarch] Vita Homeri a9 200 135 477 Hippocrates 216 455 Carn. Horace 18 333 Ars. P. Flat. 294 265 3.3 284 Carm. VM 3.30 516, 492 1.3 163, 207 Sat. 9.3–4 206 1.4.11–12 274 Vict. 1.4.76 508 11.1 284 Homer Ibycus (SLG) Il. 255.4 370 2.811–14 17, 477 Ion of Chios 3.221–22 342 fr. 32 West 370

578 Index locorum

Ion of Chios (cont.) 30.1–2 460 fr. 32.3–4 West 371, 378 31.2 472 FGrHist 392f6 27 35.3 512–13 TrGF fr. 1.42 386 36.3 170, 490, 491 Isocrates 38.2 344–5 Or. 38.4 472 4.186 346 39.4 213 5.25–26 342 39.4–40.1 247 5.25–29 311 40.1 460 5.81 341 40.4 460 5.85 250 Lucan 9.10 185 9.969 516 9.74 345 Lucian 9.75 420 De domo 10.29 343 8 303 12.2 345 11 303 12.10 341 Dom. 12.95–96 343 21 285 13–14 345 Hist. conscr. 13.12–15 342 27 254–5 13.16 309 Im. 15.7 346, 456–7 5–9 420 15.46–47 321, 325 Jup. Trag. 15.255 344 7 489 Ep. 8 489–90 1.2 321, 325, 344 9–11 490 1.9 341 Merc. Cond 8.7 341 25 66 Frr. Pro imag. fr. 12 321 23 407 Vit. Isoc. (Mandilaras i: 212) 341 Lucretius 1.15–20 157 Juvenal 3.513 301 Satire 10.146 516 4.414–19 260

Lasus of Hermione (PMG ) Metrodorus of Lampsacus fr. 702 384, 375, 385 P. Herc. 831 col. 8.10–12 fr. 702.1 402 N Ko¨rte 272 fr. 704 375 Michael Psellus Licymnius of Chios (PMG ) Opuscula frr. 768–73 314 2:57 336 [Longinus] Rhythm. Pearson Subl. 3 185 1.4 247 Moschus 1.4.1 250 Europa 8.1 274 107 334 8.2 523 9.5 512 Oribasius 9.5–8 162 Coll. Med. 9.6 160, 513 45.16.5 362 12.4 274 Ovid 15.7 462 Met. 16–22 347 1.260–415 516 17.2 450 15.424 516 18.2 472 15.871–72 492

Index locorum 579

Parmenides (DK 28) P. Herc. 1081 col. 9.24 498 a46 333 col. 13 498 b1.29–30 292 P. Herc. 1676 col. 3.1–3 499 b2.4 292 col. 4.5–9 498 b7.3–6 169 col. 5.3–28 499 b8 158 col. 6.1–11 240, 500, 497 b8.38–41 88, 90, 168 col. 7.7–17 116, 498 b8.41 153 De poem. 5 Mangoni b8.42–49 151 cols. 1–5 184 b8.43–49 127 col. 23.38 500 b8.50–56 168 col. 24.31 241 b8.51–52 297 col. 25.30 498 b8.52 512 cols. 27–28 495 b23.9 449 De mus. 4 Delattre Pausanias cols. 60.45–61.1–6 493 5.10.3 411–12 col. 136.25–26 579 5.11.9 407, 412 col. 136.35–38 238, 325 5.21.17 508 Rhet. 4 Sudhaus 9.12.6 323 P. Herc. 1423 cols. 16a.13–17a.9 340 10.15.12 437 Philoponus 10.33.8 478, 516 in Gen. corr. Persius 14.2:181.23 283 1.15–21 358 in Ph. Pherecrates (K–A) 16:25.7 283 fr. 100 272 Philostratus fr. 155.14 498 Her. Philochorus (FGrHist) 52.2 420 328f23 397 55.4 383 Philodemus VA De poem. 1 Janko 6.19 407 col. 27 495 VS col. 55.2–9 501 483 345 col. 74.8 498 492 271, 279, 305 col. 83.11–14 500 505 341 col. 84.7 500 593 309 col. 84.12 500 Photius col. 89.11–12 500 Bibliotheca col. 89.19–20 502 Cod. 265, 493a 359 cols. 90–91 396 Pindar col. 112.20 502 Dith. Oxy. col. 114.10–25 116–17 2.1–2 402 col. 114.16 502 2.1–5 378 col. 128 495 2.8–18 379 cols.132.27–133.1 498 2.18 397 cols. 132.27–133.3 116 8.62 463 col. 194 495 Isth. De poem. 2 1.22–25 399 P. Herc. 994 col. 27.25 502 2.45–46 457 col. 34 270 Ol. col. 34.5–11 501 1.7–9 381 col. 34.22–25 270 3.6–9 45 cols. 36.25–37.1 326 3.7 393 col. 37.6–7 394 3.8 386 col. 37.9–13 394 4.2 393 col. 37.19–20 394 4.10 520

580 Index locorum

Pindar (cont.) 290b–c 260 6.1–3 463, 520 297e5–298a5 258–9 6.86–87 393 297e5–298b1 107 Nem. 298a6–7 107, 241 4.6 519–20 299c 259 4.14 393 299d–300b 259 4.79–85 462 Ion 5.1–3 519–20 530b–c 84, 93 5.1–5 128, 346, 457 533d–534c 94 7.14 182 533e8–534a4 94 8.46–48 462 534b3–6 84 Pae. 534c2–3 94 8.62–86 437 534c8 94 8.67 172, 438 534d 84 8.68–71 437 536c3 94 8.70–71 440 Lach. 8.78–79 440 197d 441 Pyth. Leg. hypoth. 31 400 2.658e 256 1.1–4 45 2.667e 256 1.4 382 2.668ab 256 2.69–71 386 2.669c–670a 107 3.112–15 519–20 2.672e 58, 327 6.7–17 462 3.700a–701b 107 12.4–27 379 3.700d1–e1 381 12.7–8 379 3.700d–701a 256 12.19 394 10.886d–e 147 12.23 86 Menex. Fragments (Snell–Maehler) 234c–35c 67 75 399 Meno 107a1–3 382 91d 414, 412 140b11–17 380 Phd. 194 505, 462, 512 79c 90 282 399 80b1–5 129 Plato 86c 58 Crat. 100d 86, 89 424b–c 213, 240 100d3 88 424c–425a 240 103e 127 424c1 220 Phdr. 424c7 214, 220 247c 92 424d 211 247c6 89 426d–427c 461 250b–c 88 431c 89 258e–259d 364 434c 222 264c 97, 118 Euthphr. 264c5 98 305c 340 264d 480 Grg. 267c 210, 314 465a 240 268c5–d5 119 501e–502c 327 268d–e 328 502a 256 268d5 98 502c 255, 256, 445 270a 158 503e 58 275d 332 Hipp. mai. 276a8–9 336 285d 213 278d8–e1 270 288d–289a 260 279b9 89

Index locorum 581

Phlb. 234c 285 18b6 222 234c5–6 295 18c–d 220, 222–3 235b–c 412 50d–53c 87 235d–236a 412 51b3 89 235e–236a 100 51c 87 240d2 418 51c1 2 246a–c 146 51c2–3 89 263d 321 51c–d 87–8 Symp. 51d6 88 198d5–6 324 51e7 89 210d3–8 88 52c–d 89 210e–211b 90 53a–b 87–8 211a–b 90 64e–65a 100 211c–d 240 Prt. 211e 86, 90 318d–19a 266 Tht. 337c 258 152a 198 338e–339e 203 152b 198 344b 203 178b 198 Rep. 201e–202b 223 2–3 84 202e6 222 3.396b–397c 327 206a–b 218 3.396c2 327 206b 325 3.397b6–c6 85 Tim. 3.397d5 85 33b–34b 91 3.398d8–9 85 33c–d 90 3.398e–399e 87 47d 256 3.399a–d 327 47d–e 59 3.399a8–9 327 48b8–c2 219 3.399e 87 67c 211 3.399e8–10 85 67c–68d 211 3.400a–c 441 87c–d 100 3.400a1 327 [Plato] 3.400d–e 59 Def. 3.410a–412b 327 414d1 351 3.411b 120 Plato (comic poet) 475d 257 fr. 99.2 (K–A) 314 476a10 257 Pliny the Elder 5.476b 256–7 HN 5.476b4–8 58 34.65 415, 418 6.487e–488a 43 35.4–6 444 6.507b9–508b4 88 35.29 58 6.507c–e 41 35.30 60 7.531a7 227 35.44 60–1 548e5 257 35.64 420 8.568d 87 35.65 175 9.586b–c 285 35.81–3 12 10 84 35.84 12 10.596d–e 295 36.18 407 10.601a4–b8 86 36.100 508 10.601b6 94 Pliny the Younger 10.603b5–6 58 Epist. 10.607d 324 1.20.10 357 Soph. 6.10.3–5 516 233e–235a 295 9.26.6 380

582 Index locorum

Pliny the Younger (cont.) b2 170, 265 9.34.1 343 Porphyry Plotinus In Harm. Enn. 76 364 1.6.3 503 Posidippus (AB) 1.6.4 503 1 485 1.6.5 89, 126 2 485 5.8 407 3 485 5.8.2 84 4 485 Plutarch 5 485 Dem. 7 485 7 358–9 8 485 11 359 10 485 Mor. 11 485, 490 15d 297 11.6–8 490 16b–c 95 11.8 490 30d 495–6 13 485–6 45c 170 14 485 79b 253, 272 15 484, 498 86a 265 15.7 485 346f 462 16 485 348c 108 17 485 349a 362 19 485 636c 265 20 485 837a 340 63 334 Per. 68 490 12.4 189 Pratinas (PMG) Sol. fr. 708 322, 395 8.2 509 fr. 712 385 [Plutarch] fr. 712b 395 Mor. Proclus 844e–f 359 ap. Phot. 845a 359 320b12–18 380 848b 362 in Ti. De mus. 1:59.19–21 226 1132d 398 Prodicus (DK 84) 1133a 398, 400 a19 257–8 1133b 382 Protagoras (DK 80) 1134b 384 a19 202 1134c 380, 400 a29 200 1135d 382 a1 201 1137a 393 a18 201 1137a–b 393 b1 198 1138b 383, 401 b4 200 1141c 382, 384 b7 200 1141c–1142b 107 Pythagoras (DK 58) 1142c 382 a15 170 Pollux 4.83 401 Quintilian 4.83–4 383, 400 1.1.26 360 4.133 271 1.1.37 360 Polybius 1.4.3 358–9 30.22 381 1.4.4–5 184 Polyclitus (DK 40) 1.5.33 210

Index locorum 583

1.7.31 358 6 473 1.8.1 354 22a–b 473 1.8.1–2 361 Fragments 1.8.2 361 fr. 190b Bergk 195, 461 1.8.5 361 fr. 531 PMG 463, 521 1.10.1 184 fr. 531.1 PMG 475 1.10.22 59 fr. 531.9 PMG 480–1 1.10.26–27 186–7 fr. 542.1–3 PMG 263, 459 1.10.46 184 fr. 598 PMG 297 1.11.5 362 Simonides(?) 2.5.9 509 fr. 947 PMG 386, 394 2.17.12 359 P. Berol. 9571v col. 2.55 379, 455 11.2.33 343 Simpl. 11.3.1 327 in Cael. 11.3.4 108 242.23–25 239 11.3.7 359 Solon (West) 11.3.23–26 363 fr. 1.2 512 11.3.35–39 354 Sophocles 12.10.5 453 Ajax 12.10.9 407 1230 272 12.10.51 358 Antigone 12.10.55 358 1111 253 12.11.21–24 184 Oedipus Coloneus hypoth. 503 Rhetorica ad Herennium, see Auctor Oedipus Tyrannus ad Herennium 896 182 1113 266 Sappho (LP) 1407 266 fr. 96.1 128 Stesimbrotus of Thasos (FGrHist 107) fr. 96.20 128 f21–25 198 Seneca The Elder Stobaeus Controversiae 10.5.8 407 120.3 339 Seneca The Younger Strabo Epistulae 8.3.3 411 31.10–11 407 8.353–54 407 95.53 514 9.3.10 383, 400 Sext. Emp. 17.1.6 490 Math. Suda Lexicon 1.99–121 214 Lasus 384 1.100 351 Sophokle¯s 253 7.208 303 Suetonius 7.60 198 Caligula Pyrh. 1003.004 1.118 303 Nero 1.130 303 20.1 359 1.216 198 1.218 205 Tacitus Shepherd of Hermas Dialog. Vison 2.1[5]:4 360 22.5 509 Simonides 22.6–7 492 ap. Plut. Mor. Teleclides (K–A) 18a 195 fr. 42 270 346f 195 Telestes (PMG) Epigr. (Campbell) fr. 806 399, 400

584 Index locorum

Telestes (PMG) (cont.) 7.praef.11 210, 211–12 fr. 810 397, 400 7.praef.12 194, 441 Theagenes of Rhegium (DK 8) a2 180 Xenocrates (Isndardi Parente) a1a 180 fr. 87 58, 186 Theocritus fr. 88 351 Idylls fr. 120 219 15.80–3 333 Xenophanes (DK 21) Theon a32 159 Prog. a33 16 61.28–65.25 352 a33.3 158–9 Theon of Smyrna (Hiller) a41a 160 59.4–60.11 389 b1.17 164 Theophrastus b1.19–21 140 Sens. b6 140 29 140 b10 140 Fragments (FHS&G) b11 140 fr. 78 118 b15 152 fr. 666.17a–b 316 b23–26 164 fr. 666.24 316 b28 159–60 fr. 681–92 316 b32 159 fr. 691 238, 325 b34 207 fr. 698–704 316 b36 168 fr. 707 316 b81 324 fr. 712 326 Xenophon fr. 712–13 316 Mem. Theopompus (FGrHist 115) 1.6.14 352 t34 107 3.10.1–4 170–1, 251 Thucydides 3.10.1–8 345 1.22.4 237, 314 3.10.2 420 2.40.1 66 3.10.11 186 2.43.1–4 475 4.2.20 214 2.43.2–3 463 Symp. 6.54.7 515 4.22 258

Varro Zeno (DK 29) De lingua Latina b2 143 10.59 514 Vita Aeschyli (Page) inscriptions 4–5 297 CEG 331.15–19 271 14 457, 470 332.9 271 18 457, 470 333.10–11 271 26 457, 470 Vitruvius 57 466 1.1.12 184 106 466 1.2.2–5 505 143 466 1.2.4 227 152 466 4.3.3 227 188 466 5.4.1–9 367 264 477 5.5.1 366, 367, 368 351 13 5.5.1–8 366 391 13 5.5.2–3 366–7 399(i) 461 5.5.6 367 429 465 5.5.8 368 430 47

Index locorum 585

548.8 466 scholia 596 461 Aesch. Eum. 111 727 470 Dion. Thrax 17.29–34 (Hilgard) 778 466 328, 342 784 477 30.25–47.31 214 CIL 120.37 350 vi.2.9447 359 170.5 356 viii 212–13 516 175.21–22 215 EKM 181.37 352 1. Beroia 373 359 197.28–30 239 Epig. Anat. 197.29 214 13:71.15 465 198.19–23 215 IG 212.23–24 352–3 3 i 297 13 299.38–300.2 239 3 i 533 330, 331 300.1 218 3 i 1261 331 303.28 356 2 ii 429 331 316.24–26 350 2 ii 3169/70 359 316.24–27 223 iv 591 359 316.24–30 218 2 iv 1:66 12 317.24–28 239 xiv 1 414, 471 353.4–5 353 IGR 471.34–35 356 3.118 465 478.25–28 352–3 I. Smyrna 483.17–18 352 659 359 506.25 235 IvO 568.15 356 237 359 SEG 1710 105 34 470 Eur. Phoen. 15. 517 350 Hom. Il.T6.459–60 477 papyri A 6.511a 354 Oxon. Barocci. bT 7.445 517, 518–19 131. fol 415t-v 109 T 7.445 518–19 P. Berol. 9571v 376 bT 12.3–35 518 col.1.17 455 D 12.4 518 col. 1.53 455 A 17.75a 354 col. 2.52–7 379 bT 17.263–65 356 col. 2.55 379, 455 P. Herc. Lucian Dial. mort. 77.10.1 437 1788 fr. 3 158 1788 fr. 3.3–6 162 Pind. Ol. 7 459 P. Hib. 12 396 1.1–3 328 Pyth. .praef. 1 13 1 2 328 12.15b 396 . cols. – 12 31 396 P. Mich. Inv. . a 2754 10 348 12.39a–b 396 . 12 41 396 P. Osl. . 2.13 350 Wessley Soph. Ajax 14 108 xlv 361 346 111

General index

Achaean wall 445, 479, 517 social character 16–17 ancient scholia on 517, 518–19 see also aesthetics of experience Addison, J. 31, 49 aesthetic form, see formalism Adorno, T. 2, 48, 49 aesthetic function 49 (see also Mukarˇovsky´) Aeschines 238, 320–1, 322, 324–5, 335, 342, 359 of language (in Aristotle) 114 Aeschylus 190 of archaic lyric 453 (see also la parole et and scaenographia 210 le marbre) as innovator in language and spectacle aesthetic inquiry (defined) 25–6 102, 106, 108, 379 aesthetic materialism as sublime poet 271–3 critical function 11, 71, 275–307 associated with deception 297 in antiquity 7–8 in Aristophanes’ Frogs 262–73, 455 ineluctability 5–6, 9, 15, 32–3, 89 in Pherecrates’ Crapataloi 272 modern rise 31–2, 31–2, 32–3 on sunthesis 237 see also materialist aesthetics on vividness of plastic art 195, 332, 334, 338, aesthetic particulars, see aesthetics, of the 425, 520 (sensuous) particular; idion; plot criticized by Aristophanes 253–4 empiricism, radical Psychostasia (Weighing of Souls) 273 aesthetic pleasure Life of Aeschylus 108 mark of aesthetic value 39–40 aesthetic attention 13, 31, 48, 50, 53, 54–5, 64, aural 246, 310, 324, 329–30, 360 70–1, 78, 79, 97–101, 100–1, 249, 254, (see also euphony) 426, 436, 440, 448, 510 belonging to larger economies of pleasure 47 see also under aisthe¯sis; Aristotle, on complexity of 63, 66 contemplation; defamiliarization; in archaic poetry 172 Kant, on aesthetic contemplation; in Aristotle 53–4, 57, 114–15, 141–2, 248–51 experience; Verweilung in Gorgias 296 aesthetic description and analysis (ancient) in Kant 54 alleged or apparent impoverishment 6, 56 in Shklovsky 79 borrowed and shared character 8–9, 62–3 enjoyed for its own sake 11 emergence 8–9 of the senses (in sophists and Plato) 256–60 rich abundance 6–7, 56–68 shaped by social and cultural frameworks aesthetic experience 13, 34, 47 complexity of 65 see also beauty; intensities, aesthetic; sublime, the shared across formal boundaries 49, 63–4, aesthetic public sphere (in antiquity) 7, 193–6, 64–5, 65–6 298, 492–3 and impoverished nature of standard aesthetic reflection and inquiry (in antiquity) aesthetic labels for 65 historical rise 1, 3–4, 179 origins of (in experience of matter) 406–7 phenomenological rise 21, 406–7 phenomenological origins 155–6, 167, 250 shared across (pre-)disciplinary boundaries proto-theory of 16 41–2, 44, 195–6 fundamental unity of 1, 36–7 see also folk theories; aesthetic contemplation

586

General index 587

aesthetic subject 52, 54, 67, 68 and the theme of le parole et le marbre 457 aesthetic value, see value, aesthetic influence on Aeschines and Demosthenes 322 aestheticism 20, 35 on idealization in art 420 aesthetics on the fixity of writing 331, 335–6 and experience of life 48–56 (see also on the vivacity of the voice 335–9 under attention; life; vivacity) rivalry with Isocrates 344–7 and politics, see politics writings on physics 339 and religion, see gods; religion individual works art-centered vs. experience-based 29 On the Writers of Written Speeches, or, as a term 1, 4, 7, 25, 26, 40 On Sophists 328, 329, 335–9, 348 defined as a distribution of the sensible 32 The Contest of Homer and Hesiod defined as a mapping of the senses 31–2, 32–3 (Certamen) 182, 338, 347–9 everyday 47, 49, 62, 106, 270, 528–9 The Museum 182, 348–9, 350 (see also Saito) aisthe¯sis (sensation, perception) 4, 46, 52, 94, 197, Greek 208, 354, 390, 416, 498 “non-canonical” expressions 10, 42 in Aristotle 45–6, 54, 55, 97–8, 100–1, 103, 113, implied 40–1, 42 (see also “folk theories”) 140–1, 212 object-oriented nature of 18, 482–3 in Aristoxenus 208, 227, 390–1 shared (“interdisciplinary”) character 58–9 in Baumgarten 26 history of, viewed as a distribution of the in Dionysius of Halicarnassus 228, 507–8 sensible 32 in Gorgias 186, 287–96, 290–1 instrument of cultural expression: see culture, in medicine 206–7 and aesthetics in Protagoras 198–204 modern (post-1710) in Plato 94 biases and deficiencies 2, 6, 8, 42–3 in the Presocratics 140–1, 142–3, 144, 154, 416 invention 26, 28, 29, 31–2, 32–3, 44 see also alogos aisthe¯sis; empeiria; experience; (see also autonomy, aesthetic; sensation Baumgarten; British empiricism; Alexandria 2, 187 Diderot; Enlightenment; Greenberg; Museum 10, 118, 348 Hutcheson; Kant; Kristeller; modern see also Hellenistic period system of the arts; Shaftesbury) Alexandrian scholars 180, 183, 224, 230, 350–1, not marking a rupture with antiquity 33–4 354, 356 of the gap or interval 100–1, 118–20, 135–6, see also under Achaean wall 137–8, 217, 228, 229–30, 460, 478, 506–8, allegory 70, 115, 180, 187, 273, 274, 511–12, 522 507–8 (see also under chronos; see also Crates of Mallos; Metrodorus of defamiliarization; harmonikoi; Lampsacus; Theagenes of Rhegium sublimity, of the void) alogos aisthe¯sis 208, 312, 355, 372 of the (sensuous) particular 11, 15, 76, see also irrational criterion 82, 172–3, 239–48, 245–6, 247–8, Anaxagoras of Clazomenae 247–8, 258, 498 (see also empiricism, and hedonism 143 radical; idion) and (proto-aesthetic) interest in phenomena of the surface 6, 73, 80, 81, 83, 134, 135, 136–7, 143, 167, 170–1, 210, 211–12 231, 234, 424–6, 435–6 and perspectival theory 174, 210 (see also appearances; facture; surfaces) and Plato’s formulation of beauty 90 the discipline 26, 32, 34 and proliferation of matter 165 unifying capacity 2, 7, 40 as a pluralist 129 see also materialist aesthetics; idealism, on aisthe¯sis 140–1, 142–3 in art; formalism, in art on deception 297 aesthetics of experience 4–7, 16 anti-empiricism Alcidamas of Elaea prior to Plato 15, 151, 167 and Aristotle 314, 328, 329, 335 see also Eleatics; idealism and Isocrates 339, 341 Antiphon 197, 201, 266 and musical analysis of language 205, 237, On the Chorister 318, 362 328–9 Antiphanes, monument and inscription and the dithyramb 329 to 330–2

588 General index

apate¯ (deception) 152, 157–8, 175, 278, 280, and the New Music 107, 256, 401 424–6, 443, 444, 447, 449 as literary critic 139, 262–75 Apelles of Cos 11–12, 251 on Aeschylean spectacle 108, 379 Apollonius of Rhodes on dance 185 and poetic grandeur 486 on euphony 379, 496 appearances on music 106 and phantasia 185, 206, 229–30, 390 on plot 119–20, 253–4 as a formal abstraction in works of art 74 witness to contemporary literary criticism as effect of sunthesis 228–9, 229–30, 241–2, 261–75 356, 497–8, 500, 504–5 Aristophanes of Byzantium 108–9 as palpable 15, 405, 407 Aristotelianism 116, 117–18, 495, 504 in architecture 505 (see also entasis) see also Aristotle in Aristotle 98 Aristotle in Aristoxenus 227, 390, 391–2 and the kath’ hauton (“in itself”) 53, 101, 116, in art 169–70, 192, 411–15, 414–15, 424–17, 118–20, 495 444–50, 486 compared with Kant 95 in Democritus 143, 167, 200, 211–12 formalism of 84, 91, 96–101, 102, 112–15, 116, in Dionysius of Halicarnassus 355–7, 504–5, 117, 118, 141–2, 417, 498 504–5, 506–8 his theory of tragedy rejected in Gorgias 294, 298, 301 by Aristoxenus 109; by author(s) of The Life in Kant 51–2 of Aeschylus; by Plutarch; by Psellus(?), in Plato 90, 91–3, 255, 412–13, 417–18 On Tragedy 109–12; by Quintilian in the Presocratics 154, 167–9, 196–7, 108–9; by tragic scholia 108 205, 211–12 momentary aesthetic materialism of 248–51 in Protagoras 198 on aesthetic perception 97–101 in tragedy 111 on architecture 517 of the divine 407–9 on beauty 53, 96–101, 116, 142, 248–55, proliferation 20, 295–6 256–7 the expression of matter in 3, 18, 19, 121–76, on color 250 196, 287 on common sensibles 45–6 see also deception; phenomena; on god 164 phenomenality; rhythm; stoicheion; on hupokrisis (gesture) 326 sunthesis; surfaces; verbal architecture; on literary and aesthetic autonomy 280 sublime monuments on matter 128, 130, 147, 165, 176, 502 Aratus of Soli on music 105–7, 110–11, 212 and poetic grandeur 486 on pleasure 40, 56, 64 Arcesilaus 352 on poetics 84, 203 arch form, the 514–15 on prose rhythm 353 see also keystone; vault on speech-writing 339 Archilochus 140, 349 on sunthesis 224–5, 226, 237, 301, 324, 503 and the Mnesiepes inscription 350 see also stoicheion, in Aristotle architecture 3, 14, 62, 79, 128, 135, 173, 190, 368, on the Achaean wall 517–18, 519 413–15, 418, 441–4, 471, 517 on the aulos and the voice 323 and acoustics 65, 187, 366, 389, 508 on the love of life 54–5 and dimensionality 373–83, 473–4 on the sublime 523 and other arts 36, 62, 65, 182, 191–2, 366, on the voice 309, 312–19, 324–5, 329, 363 411, 438, 439 Platonism of (in aesthetics) 107, 112–15 and structure 120, 512–13 predecessors in aesthetics and poetics 57, 59, and the sublime 413–14, 472, 516 234–5, 237–8, 251–4 see also embate¯r; la parole et le marbre; sound see also aisthe¯sis, in Aristotle; anti- sculpture; verbal architecture; Pindar, Aristotelianism; Aristotelianism; beauty, Paean 8 in Aristotle; stoicheion, in Aristotle Aristarchus of Samothrace 118, 187, 353–4 Aristoxenus of Tarentum Aristophanes (comic poet) empiricism of 208, 392 and nostalgia for the literary past 349 eurhuthmos in 185

General index 589

later influence of 59, 186, 238–9, 325, 367 atom(s) 130, 131, 165–7, 200, 202, 218, 234, on aisthe¯sis 208 239, 486 on dance 75, 109, 187 of time 227, 236 on form 75 of language, see under stoicheion on harmonics 186 atomism 119, 145, 157, 166, 301, 434 on harmonicist predecessors 227, 327 (see also and ancient aesthetics 21, 138, 165–7, 230, harmonikoi) 300–1, 417 on Lasus of Hermione 388 and the invisible 19 on musical and linguistic analysis 186, and the sublime 271, 513, 522–3 235–7, 325 see also ogkos on musicological predecessors generally 183 theory of tragic and comic form 235 on Plato’s desire to burn Democritus’ theory of language 216–17, 219, 225–6 books 212 theory of pleasure 56 on rhythm and time 75, 187–8 see also atom(s); atomists; stoicheion on the musical note 223, 388, 389–92 atomists 19, 129, 138, 158, 165–7, 202, 225–6, on the sigma 372, 373, 399–400 239, 522 on the voice 58, 388 see also Democritus, Epicurus; Leucippus; phenomenalism of 392 Lucretius; Nausiphanes of Teos reaction to the dithyramb 401 Atticism 42 stoicheion model in 227 see also helle¯nismos individual works Auerbach, E. 29, 31 Elements of Harmony (date of) 238 Augustine, St. 56, 136 Of the Primary Duration 187 Ausonius 117 art history autonomy ancient aesthetic 13, 27–8, 31, 33, 34–5, 54, 73, as overlapping with adjacent aesthetic 454, 527–8 inquiry 187 incoherence of the concept 13, 34, 39, 280 materialism of 13, 60 contemporary rejection of 35 origins of 182 contrasted with sensuous absorption 13, 527 see also under Duris of Samos; idealization; of art 13, 30–1, 33, 56, 74 Pliny the Elder; Xenocrates of Athens in Aristotle 102; see also kath’ hauton modern of Being 288 as reliable guide to ancient aesthetics 60–1 of language 276–84, 287–92, 312 biases of 2, 30, 435–6 of pleasure 14 deficiencies of 41, 44, 60, 61, 187, 448 of sensation 13 art(s) of the discipline of aesthetics 31, 34–5 as a domain of shared experience: see under of the fine arts 27, 36–7 aesthetic experience see also Dewey; Hutcheson; Kristeller; Reid; as genres of experience 7, 56 modern system of the arts as socially embedded 16–17, 39 as unbounded 38 Bacchylides autonomy of, see autonomy, of art and sublime monuments 481, 520 concept of allegedly lacking in antiquity 27 scholia on 354 fine, see also under Kristeller Bakhtin, M. 80–1, 343 interacting with sciences 62 (see also Barthes, R. 20, 79, 248, 352, 357, 449, 510 mathematics; medicine; Presocratics) Baudrillard, J. 244, 278 interacting with bordering art forms Bauer, R. 89 27, 29, 36, 44, 45, 58–9, 61 Baumgarten, A. G. 26, 31, 32, 44, 75, 77 (see also experience, shared Baxandall, M. 16, 40, 58, 410, 449 commonalities of) Beardsley, M. K. 50, 82 modern system of, see also Kristeller beauty 37, 42, 48, 141, 175 see also habitus; structures of feeling; and aesthetic autonomy 34 and under individual art forms and aesthetic materialism 172–3, 175, 208, Assmann, J. 18, 307, 481 210, 239, 240–8, 248–55, 260 Athenaeus 42, 371, 373–8, 376–7, 381, 402–4 and the stoicheion model 240–1

590 General index

beauty (cont.) on materials of art (statuary) 488, 491 and the sublime 260, 472, 473, 527 carmina epigraphica (inscribed poems) 18, 171, 464 as a convention 124, 245 see also under epigrams; inscriptions, as a sensory value 240–8 sepulchral; la parole et le marbre contrasted with aesthetic intensity 20, 229 carmina figurata (shaped poems) 232 contrasted with formalist aesthetic Carpenter, R. 43 criteria 70, 116 Carroll, N. 50 in architecture 414–15 Carson, A. 46, 47, 180, 455, 462 in Aristotle 53, 96–101, 116, 142, 248–55, Chaeremon 314 256–7 charis (charm) 59, 511 in Chrysippus 265 chronos (time duration) 507–8, 17, 75, 228, in Epicurus 55–6 236, 460 (see also under Aristoxenus in Gorgias 284–307 of Tarentum) in Hegel 175 chorus 61, 106, 182, 191, 194, 267, 322–3 in Hippias of Elis 107–8 see also under Lasus; performance in Homer 268–70 classicism in James 244–5, 244–6 ancient: 9, 19, 255, 347–54, 357, 486–7, in Kant 51, 245 500, 506 in Plato 2, 19, 58, 83–95, 239–40, 412 modern 14, 15, 33, 42, 127, 193 in Plotinus 84, 89, 126, 503 see also formalism; helle¯nismos; idealism; in Polyclitus 170, 265 and see under purism in Protagoras 202 Clonas 384, 398 in the Presocratics 152–8 Coke 345 moral and other non-aesthetic beauty 27, 34, see also Pepsi 37, 66 Collingwood, R. G. 28, 115 “material beauty” 20 color 58, 85–6, 95, 223, 227, 271, 303, 355–6, of language 314 448–9, 469 see also sepulchral inscriptions; euphony; and musical terminology 44, 86 sunthesis; verbal in Anaxagoras 143 pure form of 44, 54 in Aristotle 44, 91, 95, 249, 250 see also beauty, in Plato in Democritus 211 sensuous beauty 20, 240 in Empedocles 153–5 see also intensities, aesthetic; sublimity; value, in Gorgias 186, 283, 285, 291, 292, 293, aesthetic terms for 300, 305 Bell, C. 20, 71–2, 81 in Hegel 88 Berleant, A. 49 in inscriptions 468 Bernays, J. 106, 108 in Kant 95 Bosanquet, B. 29 in Longinus 450 Bourdieu, P. 16 in Plato 85–6, 87–90, 141, 256–7 Brecht, B. 76 in Pliny 60 British empiricists 31–2 in Plotinus 89 see also empiricism, modern in Sophocles 27 Books, Cleanth 527 see also painting; polychromy Bruns, G. 357 colossal, the Burke, E. 31, 32 in architecture 413–14, 472, 490, 516 Byzantine aesthetics 9, 29, 109, 112, 135, 417 in Hellenistic poetics 485–7 Psellus(?) On Tragedy 109–12 in painting 412 in sculpture 407–9, 412, 420–2 caelatura (relief engraving) 46 see also Colossus of Rhodes; scale; megethos; Callimachus sublime, the and euphony 273 Colossus of Rhodes 490, 491, 513 and interest in material remains 483 see also colossal, the and poetic grandeur 486 common sensibles, see under Aristotle and poetic refinement (leptote¯s) 273, 484 componential analysis, see stoicheion contemporary of Posidippus 483 composition, see melopoiia; sunthesis

General index 591

craft defamiliarization 17, 75–9 as opposed to art 27, 35 see also aesthetic attention; Brecht; Jakobson; as material process; 16, 152, 311–12, 408, 420–2, Russian Formalists; Shklovsky 454, 455–6, 466, 493, 498–502, 511, 519–23 Delacroix, E. 38 see also under various arts (architecture, dematerialization painting, sculpture); facture; craft- in Bakhtin 73 metaphors (for art); labor manufacturing in Gorgias 286 process; stoicheion; sunthesis; verbal in Hegel 73, 88 architecture in poetry 521 craft-metaphors (for art) 264–75 in Riegl 135–6, 435 Crates of Mallos in vase painting 431, 433–4 and Aristarchus 187 impossibility of 20, 136, 521 and euphony 116, 241, 329, 494 see also Hegel; idealism and the stoicheion 223–4 de¯miourgoi (artists and craftsmen) 58 as a Homerist 511–12, 518 Demiurge, the 90 as a kritikos 183 Democritus of Abdera 163, 514 on eggrammatos pho¯ne¯ 350 aesthetic pursuits 174, 182, 205, 210, 211, Cratinus 253, 273–5 212, 319, 512 Critias 68 and Aristotle 235 culture 4 and Plato 125 ancient views of 66, 275–6, 296, 306–7 and skepticism 284 and aesthetics 9, 10, 14, 16–17, 38–40, heritage of 528 47–8, 105, 113–14, 188–96, 206–8, on appearances 143, 167, 200, 211–12 281, 310 on experience 200 and perspectives on matter 122–32, 150, 277–8 on language 217, 226, 300–1 see also material culture see also under stoicheion oral 215, 335, 341, 357–64 on sensation 416 sophistic 340 theory of matter 128, 166 visual 46, 192, 405–50 see also under atoms; touch wars (ancient) 256, 335, 340 Demosthenes see also value and Aeschines on the voice 238, 317, Cycladic sculpture 426–9 320–1, 324–5 later reception 310–11, 352, 354–5, 357, 420 dactyl training 322, 359, 360 basic architectural unit of measure 441 detail, the unit of prosody 267, 441 see under aesthetics, of the (sensuous) Damon of Oa 59, 441 particular; idion; empiricism, radical dance 14, 27, 58, 111, 180, 185, 194, 322 Dewey, J. 34, 36–8, 49, 65, 121, 174, 522 Aristotle on 96, 103, 113 and vitalism 36 Aristoxenus on 75, 109, 187 his democratization of art 37 see also under performance on architecture 36, 439 deception on beauty 48 and Aeschylus 297 on the Greek conception of art 37 in art generally 296, 436 on the disgrace of matter 126 in conventionalist language theories 297 on the fine arts 36–7 in Pindar 440, 444 on the vivacity of sensation 332 in Simonides 296–7 diagrams 128, 129, 367 in the Dissoi Logoi 297, 444 dialogism 343 for Empedocles 157–8, 285 see also dialogue; Isocrates, simulated orality for Gorgias 278, 287, 295, 296, 297 dialogue: for Heraclitus 175–6 spoken 106, 107, 347 for Parmenides 157–8, 297 written 193, 465 for Plato 297, 418, 436 diametros (set-square) 266 in visual art 95, 414–15, 444–50, 486 diathesis (arrangement) 59, 225, 493, 505 see also apate¯; illusion Diderot, D. 36, 37

592 General index

die¯ge¯sis 85, 326–7 see also Lasus; Melanippides; New Music; dimensionality Pindar; Pronomus and aesthetics of the surface 135, 136–7, 430–5 divinity, see gods and measurement 262 Douglas, M. 122 as criterion of matter 129 Dover, K. J. 27 in architecture 367–8, 440, 441–4 Duris of Samos 107, 182 in vase painting 430–5 in sculpture 407, 411–15, 428 Eagleton, T. 34, 39, 127, 248 of (aesthetic) objects 5, 57, 60, 65, 73, 264, ecphrasis 191, 270, 285, 334, 425, 447, 354–5, 405, 485–90, 490–1, 528 472–3, 509 of words (as sounds) 270–5, 357, 494–509 see also ecphrastic poetry semantics of 271 ecphrastic poetry 18, 456 see also aesthetic value; measure; ogkos; see also ecphrasis sound sculpture; sublime, the; education synaesthesia in Aristotle 323 Diogenes of Babylon 219, 238 in Lucian 66 Dionysius of Halicarnassus see also paideia; vocal training and the irrational criterion 207, 208, 372 eggrammatos pho¯ne¯ (voice capable of being and the musical tradition 208, 238–9 articulated into letters) 223, 350, 351, 353 and the stoicheion model 214, 218, 238–9, 240–1 Egypt 19, 29, 135, 361, 441, 468, 481, 490 and verbal architecture 504–5, 506–8 eighteenth century and visualization of the voice 355–7, and rise of modern aesthetics 26, 27, 28, 30, 504–5, 506–8 31–2, 33–4, 44, 138 as a euphonist 329–30 see also modern system of the arts on Aeschines 320 Eliot, T. S. 82, 491 on euphony 246–7 Elizabethan England 40 on Herodotus 472, 473 Elsner, J. 41, 445 on hupokrisis (delivery) 318 embate¯r 227–8 on Isocrates (via Hieronymus of Rhodes) 339–40 emmetros (well balanced) 68 on Lasus of Hermione 372–3 see also Critias; Polyclitus; metros; proportion on literary and musical analysis 186, 208, Empedocles of Acragas 308, 319 and aesthetic impulses 159 on sigmatism 399–400 and Aristotle (on material mixture) 502 on the conflation of voice and text 310–11 and empiricism 169 on the illusory nature of euphony 228–30 and Gorgias 209, 282–3, 285, 300 on the primacy of convention in language 234 and Hellenistic euphonists 502 on strength of breath 352–3 and Pliny 60 Individual works and repunctuation of Homer 351 De compositione verborum (title probably and sublime language 162 inherited from the fourth century bce) as a pluralist 129 238, 321 on language and deception 296 Dionysius Thrax 223 on life and the voice 333 scholia to 214, 223, 239, 352–3 on painting and color 152–3, 285 disciplines on material and phenomenal beauty 152 boundaries of (modern) 4, 6, 17, 41, 44, on phenomenal change 154 46, 47, 59, 483 on sensation 154 boundaries of (ancient) 2, 17, 45, 47, on sunthesis 153–4, 156–7, 502 62–3, 169–70, 181–8, 213, 217, 235–7, on the homes of the Acragantines 152 328–30, 366, 440, 483, 492–4 on Xenophanes 162 of classics 2, 4 empeiria (experience) 46, 197, 240 dithyramb see also experience; aisthe¯sis; perception Alcidamas and 329 empiricism and dance 61 in art and aesthetics 5–6, 9, 10, 72, 75, 95, 115, and Licymnius 314, 323 133–4, 179, 328, 371, 388–9, 392 Plato on 256 and the rise of modern aesthetics 31–2

General index 593

in philosophy 143, 163, 167–9, 196–205, 207, in Longinus 461–2 244, 448–9 pre-Hellenistic 18, 174, 210, 212, 231, 246, in history and medicine 197, 206, 207, 473 304–5, 308–53, 319–30, 370, 371–404, radical, see radical empiricism 461–2, 509–10 (see also under Aeschines; see also anti-empiricism; British empiricists; Alcidamas; Demosthenes; Isocrates; James, W.; materialism; phenomenalism; Licymnius of Chios) Presocratics, pluralists; sensualism Roman tradition of 59, 183–4, 186–7, 320, enargeia (vividness) 55, 356 350, 353–4, 357–62, 365–6 (see also enlightenment era Cicero; Fronto; Quintilian) ancient 138, 179, 275 see also under music; sigma; sound sculpture; modern 31, 32, 125 sunthesis; voice entasis (swelling) 79, 413, 414, 439 eurhuthmia (rhythm) 444, 505 ephemerality 242, 478, 520 see also rhuthmos; rhythm see also matter, as contingent and ephemeral Euripides Ephorus of Cyme 107, 326 and euphony 496 Epic Cycle 269, 487 and sigmatism 396 epic poetry 103, 220, 370, 476, 484, 486, 487, 520 and use of music in performances 111–12 see also Homer discussed in Plato’s Phaedrus 252 Epicureanism in Aristophanes’ Frogs 262–73 and Winckelmann 7 on Daedalic statues 334 as a materialist philosophy 128, 130 Longinus on 460 see also Epicurus; Lucretius; Philodemus Socrates on 252 Epicurus 56 Individual works on experience 55–6 Erechtheus (and allusions to the on pleasure 56, 63–4 contemporary construction of on the materiality of the gods 488 Erechtheion) 190 see also beauty, in Epicurus Ion (and descriptions of temple friezes) 195 Epigonus of Sicyon 388, 389, 392, 393 Palamedes (and sunthesis) 237 epigram (ex)ergasia (artistic elaboration) 241, 264, 295 archaic 441–2, 455, 456, 457–9, 465–6, 470–1, experience 473, 479–81, 500 aesthetic, see aesthetic experience classical 46–7, 370–1, 500 ancient vocabulary for expressing and Hellenistic 18, 260, 334, 481–2, 482–6, analyzing 46 490, 500 and definition of art, see art Latin 515–16 as indivisible totality 36, 45 see also Ausonius; carmina epigraphica; cultural conditions of, see under culture epitaphic poetry; inscriptions; empirical, see under empiricism sepulchral; la parole et le marbre; lived 5–6, 45, 47–8, 168, see also under life Posidippus; Simonides objects of 78, 169, 175, 522–3 epitaphios logos (funeral oration) 18, 66–7, 464 of culture 47–8 see also under carmina epigraphica; epitaphic of experience 78 poetry; inscriptions, sepulchral; Socrates, public spheres of 6, 66, 69, 185–8, 195–6 Pericles sensuous 1, 6, 7, 20, 115, 204, 401, 495, 522 epitaphic poetry 463, 480–1, 521 shared commonalities of 4, 7, 46, 60, 185–8 euphonists, see also under euphony; kritikoi see also under Aristotle; arts (as genres of euphony experience); Carroll; common sensibles; and ancient medicine 362–3 Dewey; feeling; James contemporary 357 (see also Barthes; Bruns; voice, and the ‘grain of the voice’; facture 16, 17, 249, 250–1, 417, 434, 465, 510 ‘vocal writing’) see also craft-metaphors (for art); labor; Hellenistic 18, 20, 116–17, 228–30, 246–7, manufacturing process 308, 310, 353–4, 354, 494–509 (see also Crates of Mallos; kritikoi; feeling Dionysius of Halicarnassus; and beauty 50–1 Neoptolemus of Parium) as “feeling classical” 255, 500

594 General index

feeling (cont.) see also under Aristotle; form; idealism; Plato; as a social product 16, 67–8 Russian Formalism as a subjective sensation 5, 46, 48, 53, 55–6, Forms (Platonic) 43–4, 89–95, 146–7 77, 82, 207, 242, 244, 294 and art 42, 43, 140 of life 52, 54, 75, 332 beauty and 142 see also structures of feeling; experience; beauty of 2 vivacity their origin in empirical experience 19 fine arts 27–38, 39 see also Plato; Platonism; Neoplatonism see also modern system of the arts Fronto 362 folk theories 42 Fry, R. 71, 82 form aesthetic 2, 70–120, 493, 527, 529 Galen 62, 200, 363 architectural 439–40, 503, 514; see also arch gods form, the; keystone; vault and beauty 55 as defined by Kant 71 and the (quasi-)immaterial 127, 144, 146–7, as an organizational principle of a work of art 164, 488 74–5, 119, 498, 503, 527–8 as corporeal 149–50 contrasted with matter 148, 417, 490 as phenomenal (in art) 111, 407–9, ideality of 2 411–15, 488–9 materiality of, see materiality, of form critiques of 488 (Heraclitus); 489–90 of appearances 51–2 (Lucian) of beauty 83–95, 83–95, 96, 503 as unavailable to the senses (in Protagoras) 200 of letters 466–8 Goethe 54 of matter 5, 147, 410, 426, 476, 491 and his Altar of Good Fortune 90–1 of tragedy 112–15 Gombrich, E. H. 63, 448, 449 perceptual 71–3 Gorgias of Leontini 194, 197, 205, 209 “pure form” 20, 71 and Alcidamas 334–5, 336–7, 340, 345 relational nature of 118–19 and Isocrates 340–1, 345 “significant form” 20, 71–2, 119 Aristotle 114, 225, 313, 316–17, 319 unlocatability of 71 and materialism 225, 275–87, 298–307, 445 see also aesthetic form; formal properties; on art 305–6, 457 formalism; Forms (Platonic); Kant, on culture 296–8 formalism of; New Critics; Russian on language 255, 257, 275–87, 298–307, Formalists; sunthesis; sustasis 310–11, 315 formalism on sensation 209, 257, 275–87, 405 aesthetic 1, 2, 70–120, 253–4 grandeur and the Presocratics 140, 142 and the sublime; see megethos; sublime, the and Dewey 174 in Hellenistic poetry, see under contrastive as aesthetic tendency in antiquity 8, 83–5 scales; individual poets (Apollonius of as associated with Plato and Aristotle 7, 42–3, Rhodes, Aratus, Callimachus, Posidippus, 83–5, 85–120, 142, 247 Theocritus); Hellenistic baroque as hostile to materialism 70, 83–95, 96 Greenberg, C. 30–1, 32, 73, 83, 428 as hostile to the senses 72–3, 96, 527–8 as sensualism in disguise 7, 15, 503, 504 habitus 16, 59, 191, 500 as tied to materialism 491 (see also as cognitive style 40 under Jakobson; Mukarˇovsky´; see also structures of feeling; Bourdieu; Shklovsky; Russian Formalism) “feeling classical” defined as attention to palpable experience Halliwell, S. 43, 89, 348 75–83 harmonia (musical scale, concord, composition) defined as attention to purity of form used to describe all the arts 58, 59, 60 2, 71–3, 74–5, 87–92, 527–8 in music 311, 370, 385–6, 393 in Kant 35 in literary criticism 235, 247 incoherence of the concept 72–3, 74, 83 Harmonia (in Empedocles) 155 modern variety of, as contrasted with the harmonikoi (harmonicists) 187, 194, 227, 257, Aristotelian 118–20 327, 328–30

General index 595

Hegel and Presocratic philosophers 140, 149, idealist aesthetics of 41 151–2, 155, 156, 159, 171, 173, 175–6, 180, and definition of beauty 175 210, 211, 342 and “dematerialization” of art 73, 88 and the sublime 161–2, 361, 380, 471, on Greek statues as “congealed light” 66 486–7 on identity of form and content 79–80 Aristarchus on 118 on light and color 88 Aristotle on 249–50 on Verweilung (tarrying) 54 composes own epitaph 348 Hellenism, ideology of 357 materialism of 127, 149–50, 172–3, 264, helle¯nismos 42, 180, 309 268–70, 409, 416 see also Atticism; Hellenism, ideology of Protagoras on 203 Hellenistic baroque 486, 487, 510 voice 349, 351 Hellenistic era see also Achaean wall; The Contest of Homer and literary criticism 41, 503 and Hesiod; epic poetry; inscriptions: see also kritikoi; Crates of Mallos quasi-inscriptions; Theagenes of and oral tradition 354 Rhegium see also under individual Hellenistic poets Humboldt, W. von 33 Heraclides of Pontus hupokrisis (acting, gesturing, delivery) as writer on music 384, 385–6 and rhapsodic performance 328 as writer on poets and poetry 182 and the inscriptional voice 330–2 on Lasus of Hermione 385, 404 in Aristotle’s Poetics 103, 318 on Pratinas 385–6 in Aristotle’s Rhetoric 312, 315–19, 326–7 Heracliteanism in Quintilian 108 in Gorgias 287 evolution, from theater to rhetoric 187, 312, in Plato 203 315–19 Heraclitus of Ephesus Hutcheson, F. 34, 72 and empiricism 167, 168 and Gorgias 287, 306 idealism and Lasus of Hermione 376–7 aesthetic 1, 2, 19, 42–3, 105, 405, 419, 420 and musical harmony 151–2 materialist underpinnings of 19–21, 89 as a materialist 129 (see also matter, sublimation of) as a critic of Homer 151–2, 175–6, 180 philosophical, see Hegel; Neoplatonism; as a critic of traditional religion 488 Parmenides; Plato; Platonism on appearances 168, 449 see also classicism; formalism; immateriality; on experience 168–9 naturalism Hieronymus of Rhodes 18, 339–41, 347, 352 idealization (aesthetic) 419–26, 427 Hippias of Elis ideology and Aristoxenus 235–7, 325 and aesthetics 7, 67, 310 and astronomy 266 and burial practices 470 and mathematical pursuits 266 and pleasure 68 and musical pursuits 213–14, 340 Athenian civic 66 and Plato 240–1 cultural 16, 34, 345, 357, 362, 500 as writer and lecturer on various art see also politics; value forms 184 idion (particular; aesthetic detail; locus of on beauty 107–8 originality; proper function) on the musical nature of language in Aristotle 112, 113, 115, 242 213–14 in art 426 Hippias of Thasos 351 in euphonistic criticism 116–17, 241–2, 245–6, Hippo (of Samos or Rhegium) 200 497–8, 498–500 Homer 1, 17, 18, 86, 93–4, 116, 180, 181, 368, in Prodicus 257 408, 477–9 see also under aesthetics, of the (sensuous) aesthetic language of 324, 334–5, 356, 370 particular; idion; empiricism, radical and allegory 511–12 illusion, see apate¯ (deception) and classicism 349–50, 357 immaterial sublime, the 20, 429, 528 and orality 347, 353–4 see also under sublimity, of the void

596 General index

immateriality on Aeschylus 272 absence of in Homer 149–50 on Sophocles 27 and origins of the concept of matter 127–9, 144 irrational criterion (alogos krite¯rion) 207, 254, and the divine 127, 144, 146–7, 164, 488 265, 355, 495 as counter to aesthetic materiality 3 Isocrates 185, 247, 283, 321, 325–6, 335, 341, in ancient aesthetic and critical traditions 419–20, 457 (“immaterialist” or “idealist” aesthetics) proverbial weakness of voice 339, 341, 352, 353 19–21 and simulated orality 340–1, 341–7 in Aristotle 53, 119, 234, 503 in art, see Riegl Jakobson, R. 79 in modern aesthetics 71, 527–8 (see also pure James, W. 50, 126, 197, 202, 242–6, 247, 302–3 form; significant form) see also empiricism, radical in Plato 43 (see also Forms, Platonic) Jex-Blake 60 see also under classicism; demateralization; formalism; idealism; materiality; kalos (beautiful) Neoplatonism; Presocratics, Eleatics understood as aesthetically beautiful: see under inscriptions beauty aesthetic features 17, 46–7, 172, 330–2, 350, understood as an aesthetic value (not as 359, 413–14, 458, 461, 464–81, 465–6, 482 beautiful) 244–6, 472; see also under and “epigraphic turn” in fifth century 18 intensities, aesthetic and euphonist criticism 500–1, 510 Kant, I and historical writing in fifth century 472, aesthetic theory of 26, 28, 32, 34, 35, 36, 42, 474, 475–6 44, 48, 50, 51–2 and materiality 465–6, 468, 481, 510 compared with Aristotle 52–3, 54–5, 56, 95 and ruins 515–16 compared with Epicurus 55–6 dedicatory 8, 12, 172, 330–2, 359, 463, 471, compared with Plato 95 473, 479 formalism 33, 49, 51–2, 71, 72, 73, 95, 125 Egyptian 481 on aesthetic contemplation 54–5, 78 monumental 413–14, 459, 472, 481, 482, 516 see also attention; aesthetic contemplation; nonsense 231–4 Verweilung on vases 46, 181, 231–4, 468, 469 on experience (Erfahrung) 36, 50–2 (see also inscriptions, nonsense) on pleasure and displeasure 50–1, 52, 56, 63, 64 poetry and 459, 479–81, 481–2, 509, 515 on sentience and the feeling of life 52, 54 quasi-inscriptions (Homeric) 18, 476–7, 481–2 on subreption 245 sepulchral 18, 234, 335, 352, 464–81, 472–3, on the fine arts 32 475–6, 482, 516 see also beauty, in Kant stoichedon style 466–8 Karusos, C. 172–3, 464 see also Antiphanes, Archilochus; kath’ hauton (“in itself”) 53, 100–3, 112, 116, architecture; carmina epigraphica; 495, 498 epigram; funerary monuments; la parole see also under Aristotle; euphony; idion et le marbre; oggetti parlanti; Phaedimus; Keats 14 Phrasicleia; Simonides; sound sculpture; Keuls, E. 28 Tabulae Iliacae; verbal architecture; keystone 514–15 writing Kristeller, P. O. 2, 26, 27–8, 27–38, 39, 57, 174 instruction 70; see also paideia kritikoi (Hellenistic euphonist critics) 18, 20, intangibility, see immateriality 116–17, 174, 183, 225, 230, 238, 241–2, 268, intensities, aesthetic 20, 64, 340, 472, 487 330, 426, 494–5, 508, 509–10 see also value, aesthetic see also euphony, Hellenistic intervals, see aesthetics of the gap or interval; chronos, and see under Aristoxenus, la parole et le marbre 18, 453, 479–81, 500–1 on rhythm and time labor 189, 250–1, 264, 295, 420–2, 454, 466, 485, Ion of Chios 489–90, 514 and aesthetic criticism 182 see also craft; craft-metaphors (for art); and aesthetic self-description 370 exergasia; facture; manufacturing and musical innovations 370–1, 381 process

General index 597

Lasus of Hermione and vase inscriptions 232 and expansion of musical range 30, 393–7 definitions of 341, 343 and Heraclitus’ riddle about Homer 376–7 see also writing as author on music 180, 384 literary criticism (ancient) discussed in Philodemus’ On Poems 394 and classicism 349 innovations in the dithyramb 371, 385–7, 402–4 as aesthetic inquiry 40, 454 innovations in harmonic theory 387–93 biased perceptions of (contemporary) 43–4, Latinity 309 47, 57–9 Lebensgefu¨hl, see under life, feeling of evolution of (ancient) 179–83 Leucippus 163, 217, 234–5 post-Aristotelian 1, 41, 320, 325, 330, 493–4, leukographia (simple sketch) 95; see also under 504, 510 painting, in Aristotle pre-Aristotelian 179–83, 261–75, 281, 321 lexis (style) understood as poetics 152 as contrasted with meaning 310–11, 324 see also Plato; Aristotle; Demetrius; Dionysius conflated with delivery in Aristotle’s Rhetoric 317 of Halicarnassus; euphonism, and under first occurrence of the term 314 other adjacent disciplines historical rise of 313–19, 329 Longinus in Psellus(?), On Tragedy 110 and euphony 310, 496 scanted in Aristotle’s Poetics 96, 104–5, 249, and Herodotus 472 313–19 and Polyclitus 170 theory of in Plato’s Republic 326–7 and Simonides 459 Licymnius of Chios and the aesthetic particular 247 and the New Music 314–15, 323 and Xenophanes 160, 162 and the sublime 315 on Homer 512–13 divided language into sound and sense 94, 314 on illusionism 347, 450 explored music of language 205 on Isocrates 345 life on structural ruin 513 and aesthetics 174–5 on the Colossus of Rhodes 490–1, 513 and art 35, 37, 64, 332, 444–5 on tragedy 522, 523 and the sublime 347, 460 see also sublime, the; sublimity and vitalism 36, 126, 143 Lucian 20, 66, 197, 254–5, 271, 303, 489–90 civic 67 Lucius Anicius, concert instigated by (167 bce) 381 cultural 48–56 Lucretius 130, 157, 166, 260, 513, 522 daily 36, 49, 125 Lysander of Sicyon object of experience 50–2, 54–5, 75, 140–1 imitator of Sacadas on the cithara 396–7 object of feeling 52, 54, 75–81, 332–6, 424–6 style characterized as euogkos 380 object of love (value) 54–5 Lysippus 415, 417, 418, 419, 443, 490 and materialism 49, 202, 332–5, 363, 465–70, 516 manufacturing process 173, 265, 331, 434, 490 social 37 see also craft, craft-metaphors (for art) “stream of ” (in Dewey) 36 facture, labor see also under Dewey; experience, lived; Martindale, C. 42 Mukarˇovsky´; Shklovsky; value; Marx, K. 16–17, 66, 127 vitalism; vivacity Marxism 127, 454 lipogram 372, 375, 376–8, 386, 395 material culture 528 see also pangram; Lasus of Hermione; material sublime 20, 89, 164, 429, 453, 472, 528 Nestor of Laranda; Oulipo; Perec; materialist aesthetics 80 Triphiodorus of Sicily and Byzantine aesthetics 109 literacy and orality and euphonist criticism 510 and public inscriptions 46 and everyday objects 260 and Simonides 454 and idealism (or naturalism) 423–4 and the orality of writing 318, 343 (see also and the profusion of appearances 20 under Alcidamas; Isocrates; voice; and valuation processes 11 writing, as simulated orality) and W. James 247 and the rise of linguistic theory 215 as opposed to form and formalism 14–15, 71

598 General index

materialist aesthetics (cont.) as dirt or dirty (being “out of place”) 122–32 as self-standing tradition in antiquity 9 as experienced 5, 11, 19, 113 collision of permanence and loss in 18–19 conceptual origins of 3, 127–9, 138–51 rejection of (by Bakhtin) 80–1 defined 130–2 modern forms 132 defying form 131–2 see also aesthetic materialism; aesthetics, disgraced 8, 11, 14–15, 122–32, 417, 488 sensuous; material sublime; sublime (see also under art history, modern biases matter of; idealism; formalism; Platonism; materiality 7–14, 76 Neoplatonism) and beauty 466 elusiveness 19, 130–2, 132–3, 202, 303 and defamiliarization 76–7 form of; see form, of matter and ephemerality: see also under matter, ineluctability 521–2 as contingent and ephemeral invention of the category (by the Presocratics) and Hellenistic aesthetics 482–6 18, 127–9, 138–51 and Hellenistic epigram 482 sublimation of 128, 158–65 (see also sublime (see also Posidippus) matter) and late archaic poetics 454 measurement and monuments 471, 475–6, 477–9 and the sublime 495 and sepulchral epigrams 465–70, 475–6 as common element among different aesthetic and the form of reality 306 areas 62, 440 and the stoicheion 220–6, 247 in architecture 440 and the sublime 460 (see also material sublime; in music 227 sublime matter) in sculpture 227–8, 411–15, 443, 488 (see also defined as inert quality of matter 135, 165–6 under Polyclitus, The Canon) defined as impenetrability 127, 135 of aesthetic value, in Aristophanes 262–73 elusiveness of 19, 132, 202, 303 rejection of: see irrational criterion exclusion from classical studies 2, 127 see also chronos, diametros; embate¯r; metron; in contrast to form or structure 490 pous; rhuthmos; summetria in Gorgias 276–84 medicine, medical writers, and medical terminology ineluctability of 21, 89, 521–2 and empiricism 163 of appearances 204 and sculpture 62 of art 82, 132–8, 172–3, 251, 255, 410–11, 424, and significance to study of ancient aesthetics 429, 434, 445, 446–7, 482, 490–1, 519 3, 62, 120 (see also verbal architecture) and the analysis of sound 62 of experience 244, 246 and the irrational criterion 206–7 of form 13, 14, 72, 73, 75–83, 77–8, 79–80, 124, and the verbal arts 62, 206 174, 306–7, 426–9, 434, 503–4 and the voice 318, 324, 333, 362–3 of language 229–30, 304, 319–30, 363–4 in Aristotle 119, 301 of matter 5, 410, 426 in Gorgias 283 in Sartre 131–2 megethos (grandeur; weight; sublimity) 59, 335, of texts 303 471, 508 “of the poetic word” (Svenbro) 454, 479 see also sublimity (la parole et le marbre) see also Melanippides, author of Marsyas 323 of the voice: see also under voice melopoiia (musical composition) of writing 231–4, 341, 467–9 (see also under in Pindar 403 inscriptions; voice) in Psellus(?), On Tragedy 111 paradoxes of 521–3 melos, see music see also form; immateriality; matter Mesopotamia 29, 511 mathematics 62, 100, 143, 169–70, 169–70, 192 metrikoi (metricians) 237–8, 326, 340 see also measurement metron (measure) matter in Aristophanes 267 and appearances 3, 18, 121–76, 151–8 in Protagoras (homo mensura) 198 as resistant and enduring 410 in Simonides(?) 455–6 as contingent and ephemeral 19, 364, 475–6, Metrodorus of Lampsacus 522 477–9 (see also things, vulnerability) mime¯sis (imitation, representation)

General index 599

as opposed to art’s sensuous appearances scanted in modern classicism 14 248–9, 249–50, 251–4, 436, 449–50, 478 see also Aristoxenus; harmonikoi; mousikoi; before Plato 152, 181, 327 Lasus of Hermione; New Music in Aristotle 105, 114, 248–54 in Plato 84, 85 naturalism modern system of the arts 26; 27–36; 38 in art 193, 405, 423, 424, 520 see also fine arts; Kristeller in literary theory 11, 206 Mondrian, P. 89, 91 Nausiphanes of Teos 174, 235 monuments 510 Neoplatonism 128, 503 funerary 331–2, 464–81 see also Plotinus see also architecture; la parole et le marbre; Neoptolemus of Parium 116 sublime monuments Nestor of Laranda 377 morals, see value, moral New Criticism 18, 49, 82 mousike¯ (culture, music, poetry) 58, 370 see also Bell, C.; Jarrell, R.; Eliot, T. S.; see also music Fry, R.; Beardsley, M. K.; Ransom, J. C. mousikoi ago¯nes (musical competitions) 190 Newman, B. 27 Mukarˇovsky´,J.49 New Music 106, 256, 323, 380, 400–1 music see also under Lasus; Licymnius of Chios; and aesthetic vocabularies 58, 369, 492–3 Timotheus; voice, the music of and analysis of sound 62 Nietzsche, F. 48, 80 and built structures (theaters, music halls, and Dewey 36 temples) 366–9, 436–40 and illusion 449 and composition, see melopoiia and project on “the history of (rhythmic) and contests (mousikoi ago¯nes) 190 sensation” 127, 193 and harmonies (scales, concords) on Democritus 166 see under harmonia on form 80 and musical instruments 59, 111, 369–71, on Greek superficiality 435 393, 426–9 on tragedy as performance 102, 108, 192 and intervals (diaste¯mata) and microintervals non-materialist aesthetics 75, 137, 208, 227, 236, 326, 366–7, 368, aligned with classicism 14–15 384, 387–93 (see also aesthetics of the naturalizes values 11 gap or interval) see also disgrace of matter; idealism; formalism and language 44, 58, 180–8, 213–14, 235–9, nonsense 241, 308, 325, 365–6, 494–5 (see also under see under inscriptions, nonsense; sound, as Dionysius of Halicarnassus; euphony; contrasted with sense Hippias of Elis; voice, the music of) and musicology (ancient) 187, 205–6, object-oriented aesthetics 213, 227, 235, 328–30, 369, 370, 384, see also objects; thing-theory; things 398, 403 oggetti parlanti (speaking objects) and musicology (modern) 2, 44 and archaic grave inscriptions 469–70, 473 and musical notes 75, 88, 217, 218, 223, 235–6, and the euphonist tradition 520 325, 367, 387–97 and the idea that writing is encoded voice 351 and performance 45, 105–7, 190, 192 and poems conceived as objects 18 and Pythagorians 169–70 as a general rubric for ecphrastic objects 509 and rhythm, see rhuthmos in Herodotus 473 and time quantities, see chronoi in Longinus 460 and tragedy 104, 105–7, 111, 114, 192 see also ecphrasis; Phrasiclea; sound sculpture and visual analysis and description 44, 64–5 ogkos (weight, bulk, grandeur, atom) 165, as an ancient field 3, 6, 7, 27 271, 272, 328, 364, 380, 386, of the voice (see voice, musicality of) 486, 493 purity of (in Plato) 88 see also atom(s); sublimity scanted in ancient formalism and idealism optics (inter alia) 84, 85–7, 105–7, 110–11, 120, and ske¯nographia (perspective) 142–3, 443 255–7, 323, 401 (see also under Aristotle and tactility 65, 416 and Plato) Aristotelian 65

600 General index

optics (cont.) as author of work(s) on painting 181 contribution to public aesthetic discourse 62, 195 as interested in visible surfaces only 175, Empedoclean 154, 155–6 251, 444–5 orality, see literacy and orality in Xenophon’s Memorabilia 171 Oulipo (Ouvroir de Litte´rature Potentielle) 372 Pater, W. Overbeck, J. 60 and archaic materialism in art 172–3 on G. Rossetti 20 Paeonius of Mende 410–11, 415 on the sophists 197 paideia on Winckelmann 20 enkuklios paideia (liberal education) 184 pathos (suffering, emotion, affection) 110–11 in Isocrates 345 pebbles, aesthetics of see also education in modernity, see Ponge pain in the Bronze Age 484 caused by the sigma 372 in the Hellenistic era, see under Posidippus field of aesthetic value 6 see also aisthe¯sis; empeiria; experience in Anaxagoras 140–1, 142–3 Pepsi 345 in Epicurus 55 see also Coke in Kant 50, 51, 52 Perec, G. 372, 377–8, 395 in Plato 87 see also lipogram; Oulipo; pangram primitive aesthetic sensation 5, 52, 64, 246 performance see also pleasure as a useful aesthetic category 70 painting cultural and ideological resonances of 67 and aesthetic materialism 132–3, 134, 303, 445 multi-“disciplinary” nature of 27, 45, 61, and classical aesthetics 14 139, 182, 190, 191–2, 365–6, 366–9, and other arts 30, 31, 41, 60, 271, 341, 355–6, (see also sounding vessels) 463 366, 450, 491, 493 of theory (epideictically, in public) 194–5, and perspective 418, 424–5 328–30, 349, 361 (see also musikoi ago¯nes) as a metaphor 511 see also under Aristotle, on tragedy; hupokrisis; in Aristotle 95, 99 Plato, anti-sensualism and formalism of; in Hegel 73 recitatio in Kant 95 Pericles in Plato 87, 89, 91, 96, 171, 412–13 and building program 188–93 in the Presocratics 152, 174, 184, 210, 283, 297 and love of culture 66 see also Apelles; color; Duris of Samos; and the Funeral Oration 463, 474–6 Euphranor; Parrhasius; pigment; and vocal training 359 polychromy; scaenographia; Simonides; Phaedimus (archaic sculptor) 457–9 Xenocrates of Athens; Zeuxis phenomenalism palpability among the Presocratics 196 see form, as palpable; touch and tactility as evolutionary stage in Greek art 416–19 pangram 361, 377 in Aristotle 100, 142 see also lipogram; Perec in euphonist criticism 241–6, 504–5, 509 Panofsky, E. 28, 39, 491 in Lasus and Aristoxenus 389, 390–2 paradeigma (ideal) 43–4 in Plato 142 see also Forms; Plato; idealism in Protagoras 196–205 Parmenides of Elea in the fifth-century bce 13, 179, 196, 205–6, 257 and Gorgias 287–96 phenomenality and opposition to matter and appearances and linguistic stoicheia 215–35 19, 111, 129, 151, 449 and materialist aesthetics 10, 134 empiricism 169 and the origins of all aesthetic experience 19–21 hidden materialism 150 in art 435–6 on color 88 in Gorgias 301 on death 333 in poetry 436–40, 444–50 on form as immutable reality 127 in Presocratic philosophy 151–8, 167–9 Parrhasius of language 304 and Zeuxis 175, 444–5 of matter 19, 132

General index 601

of poetry as heard 117 rejection of matter and materialism 19, 87–92, of sound 392 129–30 of tragedy 96, 111, 115 see also anti-Platonism in aesthetics; see also appearances; phenomenalism; Platonism; neo-Platonism; Socrates stoicheia; deception Platonic Forms, see Forms, Platonic Phidias Platonism 2, 43, 125, 244, 302 in [Aristotle] De mundo 514 pleasure, see aesthetic pleasure in Demetrius On Style 506 Pliny the Elder in Dio Chrysostom 407–9 Natural History: Chapters on the History in Pausanias 411–12 of Art 11, 13, 60, 356, 418, 443, 444–5 in Plato 259, 412–13 Pliny the Younger Philipp, H. 141, 172, 439, 440, 447, 465, 473 on the written voice 357–8 pho¯naskia 358–9 Plotinus 41, 84, 89, 125–6 see also vocal training see also beauty, in Plotinus Philodemus of Gadara, see kritikoi, hoi pluralists, see also under Presocratics Phrasicleia 331, 332 Plutarch physics 493, 56, 58, 62, 153–4, 217, 218, 220, 235, on dramatic performance 108 282–3, 390 on Pericles’ building program 189 see also atomism; Presocratics; stoicheion on the early practice of euphonist criticism 495–6 Pindar poetics and architecture 172, 436–40, 444, 462–3, 520–1 as contrasted with aesthetics 96–7 and Democritus 512 materialist 115–16, 443 (see also la parole et le and eupho¯n- terms 320 marbre; sound sculpture; verbal and Lasus of Hermione 187, 371, 373–8, architecture; sublime monuments) 373–83, 384–5, 393–4, 400–1 of sound, in the musical tradition 309, and loudness of voice 352, 378–80, 386, 462 371–3, 378–87 and poetic self-consciousness 182 poie¯sis (poetry, making) 59, 490 and Sacadas of Argos 396, 397–9 see also art; poetry; manufacture; craft and sibilancy 183, 373–83, 397–9 poikilia (variety) and sound sculpture 505 disparaged by Plato 87 and the dithyramb 373–83, 397–9, 400–1 in euphonist criticism 394 and the language of later literary criticism in music 393 45, 139, 182 in Pindar 393 Clearchus on 373–8, 402–4 see also polyphony; polychromy on statues 457, 519–20, 347 politics Olympian 7, inscribed at temple of Athena at aestheticization of 66–8 Lindus on Rhodes 459 and aesthetics 17, 68 Paean 8, 436–40, 445–6 and the formation of subjects 67, 68 Plato and inscriptions 468, 469 aesthetic theories 1, 83–95 Pollitt, J. 43, 60, 203–4, 416, 441 aesthetic anti-sensualism and formalism polychromy 14, 428, 468 83–95, 141–2, 259–60, 327 see also color contested role in modern histories of Polyclitus aesthetics 28–9 Canon 128, 170, 182, 186, 194, 203, 217, and philosophical antimaterialism 141 227–8, 264–6 later influence in aesthetics 1, 43, 141 definition of beauty 100, 141, 245, 334 materialism 19, 89 in Longinus 491 materialist and sensualist predecessors successor to Pythagoras of Rhegium 442 (in aesthetics) 4, 10, 59, 107 polyphony 86, 384, 386, 393–4, 395 (see also harmonikoi) pondus (grandeur, weight) 59 on beauty, see beauty, Plato on see also megethos ; sublimity on language as a system and a unity 220, 222–3 Ponge, F. 483–4 on music 7, 256–7, 401 pous (foot) 441 on perspectival illusion in sculpture 412–13, Posidippus 417–18, 449–50 and aesthetic materialism 483, 498

602 General index

Posidippus (cont.) on the culture of the voice 361 and contrastive scales 483–7, 508, 522 on vocal training 360 and the sublime 483–7, 490, 508, 522 on statues 334, 490 radical empiricism Individual works in antiquity 197, 239–48, 295 Lithika 260, 483–7 in W. James 126, 242–6 Prall, D. W. 49 in Tanselle 302–3 Pratinas of Phlius see also under aesthetics, of the (sensuous) against the subordination of song to particular; idion; empiricism, radical melody 322–3 Rancie`re, J. 32 and Lasus 395 Ransom, J. C. 82 on the Aeolian mode 385–6 reading Praxiteles 407, 418 aloud 314–15, 318, 353–4 Presocratics hearing in 356 (see also under enargeia) aesthetic tendencies 144, 151–73, 165–7 of tragedy (in contrast to experiencing it and the sublime 472 performed) 104, 114–15 appearances 151–73, 167–9, 449 see also under hupokrisis; instruction; contribution to ancient aesthetics 10, 17, 18, Licymnius of Chios; recitatio; 20, 107, 121, 122, 127, 138–45, 173–6 subvocalization; voice concept of matter 18, 127–8 recitatio (public recitation) 358 materialism 20, 120, 129, 145, 196, 205, 207, see also hupokrisis; reading, aloud 217, 218, 239, 301, 333, 416 Reid, T. 37, 49 and the sophists 197, 201, 209, 290, 299 religion 9, 11, 16–17, 34, 35, 38, 122, 152, 181, 190, Eleatics 19, 82, 129, 131, 142, 147, 149, 209, 339 192, 212, 383, 521 pluralists 10, 19, 82, 129, 131, 142, 147, 157, 158, 201 see also gods see also atomists; atomism; see under sublime, Renaissance, Italian: 2, 9, 29, 439 the; see also under individual Presocratic art historians 42 philosophers rhuthmikoi (rhythmicists) 257, 326 Prodicean akribeia (exactitude) 257, 345 rhuthmos (rhythm) Prodicus of Ceos across various arts 58, 59, 75, 446 theory of proper names and kinds in atomism 166 of pleasure 257 linguistic 213, 318, 319 on “the fine” (to kalon) 258–9 musical 10, 75, 227 Pronomos of Thebes 323 visual 14, 137, 436–40, 443, 444 proportion, see summetria see also under Aristoxenus; music; rhuthmikoi Protogenes 11–12, 251 Richardson, J. 14, 31 Pseudo-Heraclitus 511–12 Riegl, A. 41, 49, 121, 134–8, 410, 416, 448 punctuation, see also under writing, and anticipated by A. Feuerbach 135 punctuation influence on H. Protzmann 419 purism influence on B. Schweitzer 441 formal (aesthetic) 31, 87–92, 101, 107 on art as haptic (taktisch, haptisch) 41, 135, linguistic 42 136–7, 410, 416–17, 435–6 metaphysical purism 101, 107 on art as painterly (optisch, malerisch, see also Atticism; helle¯nismos; formalism; koloristisch) 135, 137, 410, 435–6 Platonism on the ideal beholder 49 Pythagoras of Samos 128 Russian Formalists 75–81 Pythagoras of Rhegium 442 see also Jakobson; Mukarˇovsky´; Shklovsky Pythagoreanism 170, 368, 389 Pythagoreans 44, 58, 149, 169–70, 389, 390 Sacadas of Argos 190, 380, 383–5, 396–7, 397–9, 399–401 Quintilian Saito, Y. 2, 35, 253–4, 303, 529 on enkuklios paideia 183–4 Santayana, G. 72, 83 on hupokrisis (delivery) and performance Sartre, J.-P. 131–2 108–9, 186–7 scaenographia (scene painting; perspectival on music 59 drawing) 143, 210, 211–12, 443, 448

General index 603

Scarry, E. 48 in Democritus 211 Schapiro, M. 74–5 in Epicurus 55–6, 63–4 sciences in Empedocles 154 see disciplines, boundaries of (ancient); in Gorgias 209, 257, 275–87, 405 and under individual sciences in Hellenistic aesthetics 487 Scranton, R. L. 41, 417 in Kant 51 sculpture in Plato 87 and architecture 411 mixed 65 and classicism 14 see also synaesthesia and poetry 46–7, 455–6, 459–62 of aesthetic particulars 246 (see also under and literary connoisseurship 354–5 aesthetics, of the sensuous) particular; and materiality 133 idion; empiricism, radical) and mathematics 227–8, 411–15, 443, 488 of life, see also under life (see also dactyl; embate¯r; of matter 121 Polyclitus, Canon) in the Presocratics 167–9 and medical anatomy 62 of time 98, 229–30 and subjectivism 203–4 unbounded nature 4, 49 (see also under life) and the rivalry with the verbal arts 18, 331, see also aisthe¯sis; alogos aisthe¯sis; aesthetic 335–6, 411–15, 457–9 (see also la parole pleasure; irrational criterion; pain; life; et le marbre) Nietzsche; Prodicus; Protagoras, radical and the sense of touch 41 empiricism; and individual senses and vase painting 431–2 senses, the Cycladic 426–9 hearing, see sound in Alcidamas 335–6 smell in Dio Chrysostom 408 and aisthe¯sis-vocabulary in Greek 197 in Hegel 73 and synaesthesia 417 in Plato 107, 259–60, 412 in Aristotle 53 see also sound sculpture; Colossus of Rhodes; in atomism 216 Lysippus; Paeonius of Mende; Phidias; in Hegel 73 Posidippus; Praxiteles; Theodorus of in sophistic empiricism and Samos phenomenalism 196 Schlikker, F. W. 60 taste Schuhl, P.-M. 88, 89 in Aristotle 52, Scodel, R. 182, 477, 478 in Hegel 73 sensation in Anaxagoras 143 and beauty 244–5 in Gorgias 292, 293 and distribution of the sensible 31–2 touch, see touch and tactility and music, see under harmonikoi; music see also experience; perception; sensation; and sunthesis 216 (see also under stoicheion) vivacity and vivacity 75, 98, 332 sensuousness as a cultural pathway 16–17, 296–8 and aesthetic reflection 133–4 (see also structures of feeling) and form 2 as foundation of aesthetic experience as productive of aesthetic experiences 4–7, 11, 32, 40, 65–6, 69, 75, 133, 406–7 deeply rooted nature of 8, 11, 14, 33, 419 (see also under aesthetic experience, suppressed in classicism 14, 73 (see also phenomenological origins of; aisthe¯sis; dematerialization; matter, disgraced) Baumgarten; Russian Formalism; visual 436 Riegl) sensus communis, see experience, shared autonomous 13 commonalities of; common sensibles disgraced 39 (see also under matter, disgraced) sentience, see experience; life; senses; sensualism; empirical 32, 75 vivacity in Anaxagoras 140–1, 142–3 Shaftesbury, Earl of 34 in Aristoxenus 208, 227, 392 (see also Shklovsky, V. 75–9, 80, 81, 98, 134, 222–3, under Aristoxenus) 229–30, 257 in Aristotle 100–1 (see also under Aristotle) shock 77

604 General index

sigma and sigmatism, see also under Lasus; Pindar in Aristotle 119, 218, 228, 340 signifiance 248 in Dionysius of Halicarnassus 238–9 (see also Simonides under Dionysius of Halicarnassus) and Cleobulus 479–80 in Gorgias 298–307 and epitaphic poetry 463, 473, 475–6, 480–1 in the Presocratics 154 and innovations in poetics 454, 459 in Vitruvius 505 and verbal architecture 443, 505, 519 material character 220–6 concrete language of 263, 455–6, 459–62 see also sunthesis (composition) epigram to Harmodius and Aristogiton 46–7 structures of feeling 16 first literary critic 180 see also feeling on appearances and deception 296–7 sublime, the on music 180 and Aeschylus 271–3 on poetry and painting 195, 455, 457, 461, and aesthetic intensity 64, 229 462, 520 and beauty 20 Scopas ode 203, 263, 459–62, 508 and classicism 255, 347 Socrates and Cratinus 274 in the Menexenus 66–7 and indexicality 247 on painting, in Xenophon’s Memorabilia 171 and letter-sounds (stoicheia) 260, 271 see also Plato and music 386 Sontag, S. 81 and natural philosophy 158 sophists, fifth-century and sculpture 429 see under Alcidamas; Gorgias; Hippias; and sensuous experience 20, 521–2 Prodicus; Protagoras; Thrasymachus and sound 363–4, 380, 496 Sophocles and the aesthetics of contrastive scales discussed in Plato’s Phaedrus 252 487, 508, 523 (see also under Posidippus) on color terms in Simonides and Pindar 27 and the diminutive 260 on ogkos in Aeschylus 272 and the Presocratics 19, 138–51, 158–65, 166 use of music in performances 111–12 as a tradition of aesthetics and criticism Individual works ix, 20, 274, 472–4, 513–14 Oedipus at Colonus: its arrangement emergence in antiquity 1 described as “ineffable” by scholia 503–4 Longinian 247, 450, 459, 512, 528 On the Chorus 185, 253 see also immaterial sublime, the; Longinus; sound material sublime, the; sublime matter; and beauty 58, 256–7 sublime monuments; sublimity and musicality, see also euphony; voice, sublime anti-matter 516 musicality of sublime matter 4, 144–5, 158–65, 248, 519–23, 521–2 and physiology 62 sublime object 522 contrasted with sense 79, 82, 94, 116–17 sublime monuments 20, 269, 331, 453–523 patterns 194–5, 494–5, 511 defined 453 see also euphony; idion ; music; sound sublimity sculpture and architecture 413–14, 472, 516 sound sculpture 65, 453, 506–9; 494–509 and sculpture 429, 514 see also verbal architecture and the je ne sais quoi 65 sounding vessels (echea) 366–8 and aesthetic intensity 229, 245 Steiner, D. 332, 461–2, 481, 521 and beauty 260, 472, 473, 527 Stesimbrotus of Thasos 183 and divinity 407 Stewart, A. 41, 306 and euphony 496 Stewart, S. 357, 510 and grandeur 522–3 stoicheion (element; letter-sound) and everyday objects 260 and radical empiricism 239–48 and the confrontation with matter 487, 521–2 as sublime magnitude 271, 523 and the microscopic 260, 522–3 (see also as atom of language 218, 221, 226, 235, 236 under stoicheion, as sublime magnitude) as element of componential system 3, 17, and the void 513 (see also aesthetics of the gap 213–20, 325, 392, 497 or interval) as phenomenal and non-phenomenal 226–35 and tragedy 523

General index 605

as an aesthetic perception 5 Tabulae Iliacae 487 as an aesthetic judgment 44 see also Homer; contrastive scales; Theodorean in Homer 471 art; Theodorus of Samos; writing, visual in Lucretius 260 impact of in Plato 19, 158 tangibility in Quintilian 184, 361 see form, as palpable; touch and tactility of matter, see sublime matter Tanselle, G. T. 302–3 see also Longinus; sublime; the; sublime Theophrastus of Eresus anti-matter; sublime matter; sublime and Peripatetic formalism 118 object; sublime monuments and Psellus(?), On Tragedy 110 subvocalization 343 and literary sunthesis (harmonia) 235, 238 see also reading; voice on hupokrisis (delivery) 316, 321–2, 330 summetria (symmetry, commensurability) Individual works 62, 100, 185, 265, 411, 441–2, 493, 505 On Stones 483 summetros (symmetrical, commensurate) 186, 266 tarrying sunthesis (composition) see aesthetic attention; Goethe; Hegel; Kant; as a common element of literary and musical Shklovsky; Verweilung thought 322 techne¯ (art, artistry, or craft) 59, 112, 230, 240, as a literary form 504 241, 250, 311 earliest occurrences of the term 321 see also art; craft of events (in a tragedy) 503 Terpander 380 of matter 216, 356 thauma (wonder) of paint pigments 300 in Aristotle 522 of perceptions 504–5 in Herodotus 472 of rhythm 499 in Homer 446–7 of sensations 244 in Plato 67 verbal 205–6, 230, 234, 241, 267–75, 302–4, in Pliny 12 394, 497, 499, 502, 504 in Posidippus 486 surfaces in Shklovsky 79 and sensuousness 11, 19, 49, 80, 81, 83, in the Presocratics 156–7, 159, 173 171–3, 234, 435–6 see also attention, aesthetic as aesthetic finish 11–12 The Contest of Homer and Hesiod (Certamen), as (qua) surfaces 231, 469 see under Alcidamas, individual works in architecture 413, 444 Theocritus in gemstones 486, 487 and poetic grandeur 486–7 in painting 134, 444–5 Theodorean art 487 in statues 488 see also Theodorus of Samos in temple reliefs 409–10 Theodorus (actor; author (?) of On Vocal in vase painting 430–5 Training) 316, 359 of appearances 201 Theodorus of Samos of language 230, 241, 305, 455–6, 497, 508 and metrological reliefs 128 of matter 163, 164, 165, 196, 409–10 as early prose-writer on art and architecture see also under aesthetics, of the surface; 180, 441 appearances; facture; Prall as possible eponym for the Tabulae Iliacae sustasis (organization, plot) style 487 (see also Theodorean art) and the Aristotelian soul 120 as renowned miniaturist 487 and the Presocratic soul 120 Theopompus of Chios 107, 326 in Aristotle’s Poetics 119, 503 thing-theory 17, 127 in post-Aristotelian literary criticism 504 see also things prior to Aristotle’s Poetics 119–20, 252–3 things Svenbro, J. 18, 330–1, 350, 454–5, 457, 481 and aesthetics 482–3 synaesthesia 3, 45–7, 64–6, 355–6, 368, 417, 492, 511 abundance of see also under Aristotle, on common among Presocratic pluralists 143, 144–5, 156–7 sensibles in Homer 127 symbolism 70 and materialism 11, 72, 127, 129–30

606 General index

things (cont.) and perception 49 and radical contingency, see idion ethical 10 and reification 165–6, 465–6, 491 ideological shapes 7, 13, 34, 47, 67–8 and sublimation (into Things) 166–7, moral 11, 34–5, 364 429, 491 of life 54–5 (see also under life) and “thinking through things” 482 of value 11 and writing origins of 11 as inscribed object 509 prosodic and phonetic (dunamis, potestas) as nonsense: see under inscriptions, 213–15, 300 nonsense terms for 63, 65 as sensuous objects of aesthetic evaluation utilitarian 9, 34–5 5, 69 (see also Shklovsky) vases relations between, as experienced 244–6 aesthetic complexity 61, 65, 182 see also (radical empiricism) and music 190, 366, 393 (see also sounding vulnerability 474, 477–9, 479–80, 519, vessels) 521–2 (see also la parole et le marbre) and naturalism 424 see also aesthetics, Greek, object-oriented; as closed, formal objects (well wrought empiricism; experience; matter; Ponge; urns) 527 Sartre, sensualism; thing-theory; touch exploration of surface/depth 424–5 and tactility in the classicizing imagination 14 Thomas, R. 46, 468 see also inscriptions, on vases; sounding Thrasymachus vessels (echea) and the paean 353 Individual vases on delivery (hupokrisis) 329 The Foundry Cup 418, 420–2, 424 Individual works Dipylon Master’s vases 424 Eleoi (Appeals to Pity) 316 The Nolan Amphora by the Berlin time, see also under aesthetic attention; chronos; Painter 430–5 defamiliarization vault 506, 508, 514–15 Timotheus of Miletus see also arch; keystone and musical innovations 380, 393 verbal architecture 4, 267–75, 462–3, 490–4, author of oldest preserved Greek book 506–9 (in stoichedon) 468 see also sound sculpture touch and tactility Verweilung 54, 78, 490 and aesthetic materialism 79–80, 83, see also attention; aesthetic contemplation; 131–2, 136–7 Goethe; Hegel; Kant; tarrying and empiricism 167 vision, see optics and matter 121, 527–8 visual culture 46, 188–93 and sculpture 41, 417, 429, 433, 434–5 Vitruvius and transience 19, 478, 500–1, 528 and the componential model 505 and vision 65, 136–7, 416, 417 on earliest known architectural writings 441 as aesthetic faculty 3, 4–6, 37, 64 on scaenographia (perspective) 174 as source of pleasure 10 on the acoustics of theaters 366–8 in Aristotle 52–3, 65 vivacity in Democritus 147, 166 of art 195, 332–5, 333–5, 345, 447 in Hegel 73 of experience 3, 81 in Plato 91–2, 141, 146–7 of perception 77, in Riegl 135 (see also Riegl, on art as haptic) of sensation 75, 98, 332 Triphiodorus of Sicily 377 of the voice 330, 333–5, 339–40, 363 Tynnichus of Chalchis 84 see also under life; voice vocal training 316, 357–64 value voice, the aesthetic 4, 7, 13, 20, 39–40, 67–8, and “the grain of the voice” 262–75, 357, 407, 454, 521–2 as heard 347–54; see also under euphony (see also intensities, aesthetic; as material, see also under stoicheion; writing classicism; idion) as visualized 355–6, 355–7

General index 607

as written, see also under inscriptions; as simulated orality 340–1, 341–7, 358 literacy and orality; oggetti parlanti; fixity of 331 (see also under Alcidamas; la parole “vocal writing”; writing; et le marbre) cultures of 357–64 history of (in Ephorus of Cyme) 107 movement of 58, 325, 327, 388, 390 mythical invention of in antiquity 237 musicality 85 on vases; see inscriptions, on vases training, see vocal training visual impact of 46–7, 221, 231–4, vivacity 330, 333–5 455–6, 458, 468, 487 (see also carmina see also under Alcidamas; euphony; figurata) Hieronymus of Rhodes; Isocrates; “vocal writing” 330–2, 335–9, 339–41, kritikoi; oggetti parlanti; stoicheion; 341–7, 347–54, 351–2, 357, 510 Svenbro; verbal architecture; vocal (see also under Barthes; Alcidamas; writing; sublime monuments Hieronymus of Rhodes; Isocrates; oggetti parlanti; voice) Williams, R. see also inscriptions; lexis; orality see also structures of feeling Winckelmann, J. J. Xenocrates of Chalcedon 219 as idealist 7, 42 Xenophanes of Colophon as sensualist 7, 20, 43, 61 and divinity 164 wonder, see thauma; attention; aesthetic and empiricism 167 writing and fossils 16 aesthetic effects of 313–19, 326 and reductive materialism 146, 159, 163 and possible contribution to sense of matter and the senses 155, 171–2, 173 and the immaterial 128–9, 221 as a critic of Homer 152, 180 and punctuation 347–54, 353–4, 359, 360 as a critic of the traditional gods 152 as analogue for inscriptions 474–6, 509 as a pluralist 129 as best training for speaking 357–8 criticized by Empedocles 162 as inscribed on material surfaces 46–7, on the heavens 158–9 466–70, 509 on the sublimity of matter 159–61, 164 as transcribed voice 350, 352–3, 453–523 as material process of construction, Zeno of Elea 142, 150, 339 see stoicheion; sunthesis; sublime Zˇ izˇek, S. 434, 522 monuments; verbal architecture