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02.15.2014 billboard.com billboard.biz

; Country's Ii Woman Woes What's behind ' radio struggle

8 New Hot Acts Of 2014 PLUS Spring's most wanted

From left: Tonight's booker Jonathan Cohen, Fallon and

How Fallon & Co. became the hottest stop in music: as the host reveals his CONGRATULATIONS ASCAP ON YOUR

WorldMags.netWorldMags.net WorldMags.net

valuing music since 1939. Photo by Danny Clinch WorldMags.net THIS WEEK 15 Volume 126 FEB No. 5 2014

FEATURES

CONTENTSPhotographer 24 Andrew 30 New Artists Hetherington 36 at Billboard’s Feb. 4 photo 38 Spring Preview shoot with Jonathan SPECIAL FEATURE Cohen, Jimmy Fallon and 43 ASCAP Questlove. Below: Giorgio TOPLINE Moroder 6 Country radio’s photographed by David Black girl problem. on Dec. 20 in 14 Questions . Answered Iñigo Zabala, Warner Music Latin America & Iberia 16 The Deal Romeo Santos partners with Dr Pepper. 18 Think Tank With the Brand, Latin Notas 19 My Day Sarah Trahern, Assn.

BACKBEAT 20 Parties XLVIII, Howard Stern’s FEATURE 60th birthday 23 New York Fall Fashion Week FEATURE P.24 “No one at NBC tells MUSIC me to do —they JIMMY 67 Happening Now GIORGIO Beyoncé, Pete see what we’ve done with Seeger MORODER our show.” FALLON CHARTS 69 Over the Counter P.36 “Until Grammy glows on COUNTRY the . recently I was 70 Charts 92 Coda ’s mostly playing P.6 “Kacey Musgraves is a challenge for “Your ” gets MIKE a revival by Aloe a lot of golf— DUNGAN country radio, but new music should be Blacc. but now I’m too challenging. That’s what moves the needle UNIVERSAL MUSIC ON THE COVER GROUP Jonathan Cohen, Jimmy Fallon busy for that.” and shapes the culture. We’re for it.” and Questlove photographed by Andrew Hetherington on Feb. 4 at Jack Studios in New York. FEATURE SET DESIGN BY ROB STRAUSS STUDIO FALLON: HAIR BY COURTNEY BENEDETTI. GROOMING BY CYNDI LOU BOEHM. STYLING BY STEPHANIE BIEAR. QUESTLOVE: HAIR BY MAISHA TEACHER. GROOMING BY MARIA SCALI. STYLING P.30 “I wake up one morning and want to sound like Joni BY BRITTANY JONES-PUGH. COHEN: GROOMING BY SYLVESTER CASTELLANO SAM FOR BERNSTEIN & ANDRIULLI USING DIOR COSTMETICS. STYING BY DON SUMADA Mitchell. Then I want to sound like Beyoncé. My aim was FOR BERSTEIN & ANDRULLI. to have my voice be all things.” SMITH

BILLBOARD APP MOST READ ON BILLBOARD.BIZ THIS WEEK ON BILLBOARD.COM r r Download this 1 on the lack of 1 The College Dropout at 10: week’s issue and successful female country artists An oral history of ’s get exclusive access 2 ’s Super Bowl blitz debut 2 Full coverage of New Jammin' to charts, news 3 fires manager 4 York Fashion Week 3 Video 'Jimmy and more. Go to scores most-watched Q&As: , Charlie Wilson 4

billboard.com/ipad Super Bowl halftime show ever Pop Shop weekly podcast HETHERINGTON, COHEN, FALLON & QUESTLOVE: NATHAN OSTERHAUSE FOR ANDREW HETHERINGTON; MORODER: GROOMING BY HELEN ROBERTSON FOR SMASHBOX COSMETICS AT CELESTINE AGENCY CELESTINE AT COSMETICS SMASHBOX FOR ROBERTSON HELEN BY GROOMING MORODER: HETHERINGTON; ANDREW FOR OSTERHAUSE NATHAN QUESTLOVE: & FALLON COHEN, HETHERINGTON, WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 5 WorldMags.net

THE Action

ATLANTIC LARCENY A former COUNTRY Atlantic Records executive has been charged with first- degree grand larceny after allegedly embezzling $1.3 Country Radio’s Girl Problem million from the company and its parent, . Danielle Smith, who On the heels of two Grammy wins—including best country —Kacey worked A&R for Atlantic’s urban division, turned herself BEATS Musgraves is the hottest thing in twang, so why are PDs tuning out? in to the New York County BUDDIES District Attorney’s office, UP TO By Chris Willman having resigned from the INDIES company in 2011 following an Dr. Dre internal investigation. Smith and Jimmy allegedly used her company Iovine made nice with credit card for vacations and digital rights group Merlin to luxury goods. license from 20,000 independent labels and artists to Beats Music, the recently launched digital streaming service. The deal gives Beats SIRIUS* I (OxA4))) Music access to the catalogs SATELLITE II AD 0 of Kobalt, , Beggars Group and Merge, among others. Indies have SIRIUSXM applauded Beats, and its CEO REVENUE Ian Rogers, for offering fair ROCKETS terms that are equal to those SiriusXM granted to the majors. revenue went celestial in the fourth quarter, WRATH OF jumping 12%, from $892 THE TIGER million to $1 billion, as the satellite radio giant added is being 411,000 subscribers during sued by the the period. Yearly revenue authors of for 2013 was also up 12%, to ’80s hit “Eye of the Tiger” $3.8 billion. SiriusXM added over allegedly withholding 1.7 million subscribers in royalties. Frank Sullivan and 2013, bringing its total base James Peterick of rock band Kacey to 25.6 million. Yearly overall Survivor, which rose to fame Musgraves earnings at the company, after the song soundtracked performing controlled by investor John a classic scene in “Rocky at the Malone’s Liberty Media, were III,” say they’re owed 50% Grammy down, however, as expenses of royalties generated from Awards on increased and the company licenses of the master of Jan. 26. paid down debt. Adjusted the song, according to their operating cash flow, the 1978 contract with the label. s there anywhere Kacey Musgraves’ arrow isn’t pointing nowadays? The profitability metric that Sirius The dispute is over digital primarily focuses on, rose downloads, which Sony is country singer is the only artist you’ll see on tour with both 41% in the fourth quarter to counting as record sales and a quarterly record of $326 therefore subject to a less and this summer. Her debut, Same Trailer Different Park, a million. favorable sharing agreement. Icritics’ darling and two-time Grammy Award winner, returned to the top of Billboard’s country albums chart following her neon cactus-lit SURVIVOR"EYE OF THE TIGER" performance of “” on the Jan. 26 Grammys broadcast. hs-Erz,, FROM Watched by 28.5 million, according to Nielsen, the performance boosted KYIII album sales by 177%, according to Nielsen SoundScan, and it has sold 343,000 copies so far. She has earned five nominations for the upcoming Academy of Country Music Awards, and beauty endorsement inquiries are said to be flying in since she wowed on multiple Grammy Week red carpets. Constituencies left to win over? A little one by the name of country radio, as “Follow Your Arrow” ran out of gas at No. 50 on the Country Airplay chart. Can this fledgling marriage be saved? Or is Musgraves proving it’s possible to gain star status

for the life of me fgure out MUSGRAVES: KEVORK DEJANSEZIAN/GETTY IMAGES; DRE & LOVINE: KEVIN MAZUR/WIREIMAGE; SMITH: JOE KOHEN/WIREIMAGE FOR FULL PICTURE with or without radio’s imprimatur? “I cannot WorldMags.net 6 BILLBOARD | FEBRUARY 15, 2014 WorldMags.netA time of love, A time of hate, A time of peace, I swear it’s not too late.

Legacy Recordings joins the music and fans around the world in celebrating the life andWorldMags.net music of Pete Seeger. TOPLINE WorldMags.net

Musgraves continued from p. 6 why every station is not playing this girl,” KRTY San Jose, Calif., PD Julie Stephens says. “I’m completely bafed.” Not to worry, Nashville Warner Music Group chairman/CEO Mike Dungan says: “When Randy narrowed Travis hit, radio was not playing traditional country. its losses to That career exploded and paved the way for a glorious $37 million and grew return to basics. Kacey is a challenge, but new music revenue to should be challenging—that’s what moves the needle $815 million and shapes the culture. We are all up for it.” in its fiscal first quarter, Theories about Musgraves’ radio struggles abound, ended Dec. one of them is that she’s too arty. “Her music leans 31, from eclectic compared to mainstream country, and while $769 million a year ago. that ofers the diversity programmers look for, it also However, its can mean slower adds and slower conversions,” WKLB operating PD Mike Brophey says. Or maybe she’s too . . . profit fell to $15 million female? “It’s no secret that there’s a shortage of wom- from $51 en in the country format,” he adds. “Other than Taylor million. [Swift], Carrie [Underwood] and Miranda [Lambert], we’re not seeing superstar female acts.” That issue was raised in a recent interview with Un- derwood on Billboard.com, where she said of her fe- male peers, “There seems to only be room for a few . . . All the women [on the radio] are outselling the men . . . at Los Angeles’ Sunset Sound Factory was done dur- Elliott LEGACY so I don’t know why more aren’t played.” ing the sessions for Coughing’s 1998 album, El Smith, shown here Label chief Dungan insists the sexism theory is “not Oso. “I am angry because it’s shitty music,” former in 2000, died relevant” in Musgraves’ case. But programmers don’t Soul Coughing bassist Sebastian Steinberg tells Bill- in October dismiss it so quickly. “Carrie is right, but I don’t think Elliott Smith: board, “and Elliott trusted us not to make shitty mu- 2003. it’s radio’s fault—it’s just where the audience is,” KEEY sic with what he recorded with us. I doubt Doughty Minneapolis PD Gregg Swedberg says. “Listeners tell knows if he’s telling the truth or not. I don’t really us they like the guys better. It’s a shame, and I don’t know what Elliott’s admirers think, except for the know why that is . . . But we need to take advantage of The EDM overwhelming howls of pain, bewilderment and this attention Kacey’s getting. It would be foolish of us disgust I have been hearing nonstop for the past 43 to say she’s too quirky, too odd, too traditional, too de- hours.” Others complained that Doughty didn’t re- pressed—because we’ll make up a lot of excuses.” lease the unaltered version of Smith’s songs, so fans Swedberg says releasing “Follow Your Arrow” too could compare them. early in Musgraves’ career may have been a goof. “I Mike Doughty puts an electronic “I felt that it was right to utilize his voice the way he think it’s the best song on the record, and makes a very and I agreed to,” Doughty says, “but the naked ses- clear statement that this is not your mama’s country spin on previously unreleased sions belong to his estate. I haven’t been contacted music star. But if you’re going for mass-appeal airplay, vocal tracks from the ‘Good Will by them. I will send the complete session to them, of to hit with a song about girls kissing girls that advocates course, whenever they get in touch . . . I did send the rolling a joint is not going to play in some markets.” Hunting’ era—and makes no full session—which altogether, every take, and all the Another hurdle: There may be a lingering suspi- apologies for it. ‘Elliott’s fans are talking between, is under 14 minutes—to Larry Crane, cion that she’s an alt-country artist in mainstream who worked with Elliott and maintains some of his ar- clothing—Musgraves did originally sign with the now- hypersensitive,’ he says chives.” Doughty says that Crane responded positively. defunct Lost Highway before shifting to Mercury, after By Tim Appelo Previously, Doughty had sampled John Denver for all. WQDR Raleigh, N.C., PD Lisa McKay notes that a track on his 2012 album, The Flip Is Another Honey. she’s “critically acclaimed like Lyle Lovett, but has “John Denver’s estate was over the moon about the the potential to blow up like Miranda, and really, her sample of his voice in ‘Sunshine,’” Doughty says. “El- choices will set her up for either [path].” An indie-rock controversy erupted Jan. 28 when liott’s fans are hypersensitive only because Elliott Musgraves’ manager Jason Owen believes her alt- former Soul Coughing frontman Mike Doughty re- moved them so powerfully. I was moved the same ness has been overstated. “She’s still a 25-year-old leased what he termed “a collaboration” with the late way, and I empathize deeply with their emotions. who loves fngernail polish and shopping,” Owen Elliott Smith, adding EDM beats and manipulations “I think this was an adventurous lark for him—it says. “You could see that in her Grammy perfor- to previously unreleased vocal tracks Smith record- took less than 14 minutes,” Doughty continues. “I mance. You’d probably never see ed while working on “Miss Misery,” his Academy don’t think he listened to , so I don’t with neon cacti and lit-up . Kacey is super-girly, Award-nominated song for Gus Van Sant’s 1997 flm know what he would’ve envisioned. The idea that I and a lot of the music doesn’t refect that, but as a per- “Good Will Hunting.” explained to Elliott was to sample his voice and de- son she really is.” Mary Lou Lord, who took the pre-fame Smith un- ploy it over beats.” Swedberg believes the format catching up with the der her wing and toured with him in the ’90s, wrote on Doughty doubts Smith would be as ofended as his fawning media depends on the next single. “If they , “NO!!!” (Lord actually spelled “NO” with defenders by the EDM-ized tracks. “This probably choose a more happy, easy approach, like with ‘Step 166 O’s.) Many on the social network, as well as on wouldn’t be Elliott’s favorite work, but the guy was Of,’ I think she’ll fnd a home at country radio.” and , accused Doughty of exploiting down for a fun experiment, and I’d bet that’s what Turns out his wish is Mercury’s command: “Step the fragile, soft-spoken Smith, who died in 2003, and he’d hear it as. Of” will likely be the fourth radio single, with pro- travestying his low-tech esthetic. “To pitch them that “I saw there were reactions from other artists: I just motion starting in March. But anyone who thinks this it was a true ‘collaboration’ is so very wrong,” Lord can’t read them. I have to focus on the work. I have to song is milquetoast compared with Musgraves’ more wrote of Doughty’s press campaign. “Elliott put his make peace with the fact that anybody can say what overtly challenging tunes would do well to remember very soul into every recording he ever did. Painstak- they want to on the Internet. I don’t think I can con- that its title is essentially a euphemism for “fuck of,” ingly even.” vince anybody that my intentions are pure.” albeit sung in the sweetest, most irresistible way pos- Others criticized Doughty for saying it was a Informed that Doughty to read his detrac- sible, proving that girliness and edginess can coexist. 0 Smith-DoughtyWorldMags.net collaboration when the recording, tors’ words, Lord tells Billboard, “Of course he did.” SMITH: AUTUMN DE WILDE 8 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net

STEPHEN FERRERA In celebration of his life and work, with love from his Sony Music family.

WorldMags.net Bruno Mars wows the Super Bowl TOPLINE WorldMags.net crowd.

4 Who Won The Big Game? Which brands and artists benefited the most from their $8 million-per-minute commercials?

Super Bowl XLVIII wasn’t just a record year in terms of ratings. It was also a historic year for the music industry, Super Bowl Sales Gains with more high-prof le synchs booked than ever before—upwards of 30 for the top three music publishers com- In The Last Three Years bined. With Nielsen SoundScan sales tracking ending around 3 a.m. EST on Feb. 3, some f ve hours after the Super Bowl wrapped, Billboard takes an early look at the Big Game’s big winners. Bruno Mars 4 Super Bowl XLVIII Feb. 2, 2014 “Puppy Love” U.S. TV Audience 115.3M Passenger, Album sales Digital song sales “Let Her Go” 60,000 week ending Feb. 2, 2014 week ending Feb. 2, 2014 59K | 206% 294K | 116% 50,000 Album sales Digital song sales , week ending Feb. 2, 2014 week ending Feb. 2, 2014 “Find You” 13K | 220% 64K | 121%

“Hero’s Welcome” 40,000 Skylar Grey, “Coming Home Pt. II”

Diddy Featuring Skylar Grey, “Coming Home”* 30,000 “Life” “The Phone Call”

Unit SalesUnit Ane Brun, , “Don’t Leave” “Working for the Bob Dylan, Weekend” “Things Have 20,000 Changed”

“Nice“ Bob Dylan, Electric Light Beyoncé & “I Want You” , Super Bowl XLVI Feb. 5, 2012 10,000 Destiny’s Child “Evil Woman” Super Bowl XLVII Feb. 3, 2013 U.S. TV Audience 114M U.S. TV Audience 110.8M Album sales Album sales week ending Feb. 5, 2012 week ending Feb. 3, 2013 26K | 410% 20K | 186% Digital song sales Budweiser Chevrolet Chobani Chrysler Bud Light Radio ShackHyundai Budweiser Platinum Digital song sales week ending Feb. 5, 2012 1 week ending Feb. 3, 2013 94K | 214% Unit sales according to Nielsen SoundScan. 294K | 116% Sources: Nielsen, Nielsen SoundScan *Wasn’t used in Budweiser commercial

but still received a sales bump. SANCHIS LUIS URBAN: MUSGRAVES; CHRISTINE KELLY MUSGRAVES: SARAH BARLOW; SWIFT: MICHAEL TRAN/FILMMAGIC; LEGEND: OF NETTWERK RECORDS; COURTESY PASSENGER: IMAGES; MAZUR/GETTY MADONNA: KEVIN BEYONCÉ, IMAGES; SQUIRE/GETTY MARS: JAMIE

for something a little more cheery, MacMillan and the it’s a viral sensation—the Budweiser spot, for which Sad Song + Adorable label got a bigger breakthrough than they ever imag- Nett werk earned an undisclosed six-f gure fee for one ined. Budweiser, and its ad agency Anomaly, selected year, racked up more than 44 million YouTube views in Puppy = Big Score “Let Her Go” for the dialogue-free Super Bowl spot a week, and sales jumped 51% to 176,000 overnight. “Puppy Love,” featuring the brand’s signature Clydes- The song is poised to best its No. 6 Passenger rides Budweiser synch dale horses and one adorable pup. peak next week. “It was pretty down to ,” MacMillan says, “It’s a favorite topic around here at the of ce,” to viral breakout noting that rights were cleared with Nettwerk and Nettwerk VP of marketing and label strategy Liz Er- publisher Sony/ATV on the Monday before the big man says. Riding the Budweiser wave, Nettwerk will Karen MacMillan, senior director of advertising and game. “But if you asked me for my way to break continue to promote “Let Her Go” before releasing a branding at independent label Nettwerk, had an up- that song in the U.S. marketplace, it would have been new Passenger album in spring or summer. Though hill climb with “Let Her Go,” the emotionally stirring that ad.” with iTunes and Walmart coming onboard to push but thematically mournful single from British singer/ Of course, “Let Her Go” had broken already—a 2-year-old album All the Little Lights during Valen- Passenger originally released in August “Tonight Show” performance and VH1 You Oughta tine’s Day retail campaigns, and a “Today” perfor- 2012. But after a year-and-a-half of pitching the track Know spotlight last summer had helped drive sales to mance booked for Feb. 24, no one’s ready to let this to brands and ad agencies, most of which were looking 2.9 million, according to NielsenWorldMags.net SoundScan. But now moment go just yet. —Reggie Ugwu 10 BILLBOARD | FEBRUARY 15, 2014 11 THIS WEEK 85,000 54,000 48,000 last week last 208K Grammy acts Albums sold by by sold Albums UNITS SOLD UNITS LAST WEEK 1,000 13,000 20,000 % % % FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ | 2014 15, FEBRUARY Taylor Well” Too “All Musgraves Kacey Arrow” Your “Follow Urban Keith “Cop Car” 4,265 335 320 DIGITAL DOWNLOADS DIGITAL THIS WEEK 4,000 37,000 38,000 UNITS SOLD UNITS LAST WEEK Less Less performing his Legend John of Me,” hit,strong-selling “All the Grammys. at than 1,000 9,000 8,000 last week last 1.1M Grammy acts Tracks soldTracks by

% % % WorldMags.netWorldMags.net —Ed Christman Stevie Life of Key the in Songs Musgraves Kacey Park erent Diff Trailer Same Access Memories Random 334 373 699 aft Punk and Kacey aft Punk and Kacey the big were Musgraves winners, sales album Imagine Dragons, while and Daft Legend John enjoyed similar sales gains after the after gains sales similar enjoyed In terms of tracks, the unit sales win- the unit sales ofIn terms tracks, On a percentage basis, one basis, On a percentage Memories Access Random Punk’s Daft SOUNDSCAN GRAMMY GAINERS on music’s biggest night biggest music’s on Grammys Keep On Giving On Keep Grammys show, with the former spiking to 38,000 38,000 spiking to with the former show, sales and the latter’s 9,000, units from 8,000. from 37,000 to increasing “Radioac- Imagine Dragons’ was ners units jumped 269,000 to which tive,” 2 versus the periodfor 20-Feb. of Jan. 6 and Jan. Jan. sold between the 90,000 200% gain, good a nearly for 19, enough Lucky” soared “Get Punk’s Daft while Leg- and John 162,000 39,000 to from from 216,000 to leapt of Me” “All end’s periods. in the corresponding 79,000 Punk’s songs enjoyed the biggest gains the biggest enjoyed songs Punk’s least at show, the Grammy from on a unit basis. Steviebig winner was Wonder’s , which Life of Key the Songs in 4,000 to units 700% spiked his Grammy after in the week Star.” performance of “Another “All Swift’s Taylor Meanwhile, performed she which Well,” Too on the night, a whopping enjoyed 4,265% down- about 48,000 to gain the show, after weeks two in the loads scanned units the title 1,000 the versus ofin the week the show. erent Dif Same Trailer and Musgraves’ Park D ALBUMS and Kacey Musgraves have breakthrough have moments and Musgraves Kacey Legend John WorldMags.net Passenger’s Go” “Let Her soundtracked Budweiser’s Super Bowl ad.

Ring on It)”

performance halftime show 5.5M 2.2M 268K reunited onstage at the end of Mars’at music moments 2 57.5 K 252.5K How fans reacted fans How halftime performance tweets about Beyoncé of “Single Ladies (Put a Ladies (Put of “Single COMPARED TO 2013... Beyoncé’s performance Beyoncé’s 229,533 on Twitter to the bigon Twitter

TPM the conclusion at of 215,540 tweets per minute (TPM) TPM during performance Tweet Heat Tweet tweets during the Red Hot TPM when Destiny’s ChildTPM when Destiny’s tweets Mars’ during Bruno Chili Peppers portion Peppers Chili of the during theduring Super Bowl

la- I .1. Pe TOPLINE WorldMags.net Red, Hot And Unplugged Red Hot Chili The Chili Peppers spark debate Peppers go If _I-Ammo wireless at the with Super Bowl air Super Bowl. By Shirley Halperin

Bruce Springsteen did it. So did Beyoncé, and . So why all the hubbub over the Red Hot Chili Peppers’ playing to a backing track during the Super Bowl half- A History Of time show? The f re was lit by Living Colour guitar- Faking It ist Vernon Reid, who tweeted seconds into the band’s performance (with Bruno Mars) of 1991 hit “Give It Away,” “That guitar is plugged into NOTHING.” He then noted: “It’s a f aw in the illusion. They slipped up by not covering that for the camera.” Indeed, though the band had recorded a version of the song especially for the Super 2004 Bowl, ’s bass and guitarist Josh Klinghof- Ashlee Simpson attempts to fer’s Fender weren’t much more than props. lip-sync “Autobiography” on “,” claiming As Flea explained on RedHotChiliPeppers. 1983 acid refl ux disease as her excuse. com two days later, “It was clear to us that the vocals would be live, but the bass, drums performs “Billie Jean” at the televised and guitar would be prerecorded.” The rea- “ 25: Yesterday, sons are plenty, ranging from the size of the Today, Forever” special. He 2009 stadium to ensuring broadcast quality sound does the moonwalk for the fi rst time—while lip-syncing. and, perhaps most importantly to the NFL Jennifer Hudson lip-syncs the national and Fox TV, leaving nothing to chance. anthem at the Super “Particularly when it’s outside, there’s Bowl at the request of technical worries about sound bouncing . around or feedback,” says a talent coordi- nator who’s worked on multiple Super Bowl 2009 halftime shows. “It’s fairly , espe- 1990 cially with pop acts [where often] the instru- Renowned classical cellist ments aren’t even turned on. It’s weirder for Milli Vanilli’s track at a Yo Yo Ma admits to playing show starts skipping. The to a prerecorded track at rock bands.” members are later outed President ’s That uneasiness was clearly on the minds as never having sung on fi rst inauguration ceremony. of the Chili Peppers, who revealed that they their own records. conferred with multiple music pals and de- O cided that “it was a surreal-like, once in a life 2013 time crazy thing to do,” Flea wrote. “Could 1991 we have plugged in and avoided bumming Beyoncé admits to lip-syncing the Nirvana “play” U.K. people out? . . . We thought it better to not national anthem show “Top of the at Obama’s second pretend. It seemed like the realest thing to Pops” to a backing inauguration—and track, throwing their do in the circumstance.” then belts it a instruments around However, some disagreed. Among them cappella at a ridiculously while Kurt press conference was Guns N’ Roses frontman Axl Rose, Cobain mumbles his to prove she can way through “Smells who cracked, “Flea courageously had . . . sing live. Like Teen Spirit.” microchip technology installed in his ass that picked up the frequencies of his bass.” Master air-guitarist Dan Crane—aka Björn Türoque, “master of airemonies” for the U.S. and World Air Guitar Championships and author of “To Air Is Human: One Man’s Quest to Become the World’s Greatest Air Guitarist”—of ered: “We as air guitarists Halftime In 140 Characters like to keep it real. They were faking.” Using the criteria of stage presence and The Super RICE JOE BONAMASSA BRANDON STOSUY LUKE O’NEIL JASON FARR charisma, technical merit (“They had a lot,” Bowl halftime Crane says) and “airness,” he scores the performance @ChaseRiceMusic @JBONAMASSA @brandonstosuy @lukeoneil47 @JasonFarrJokes Peppers’ performance as 5.5 on the Olympic spurred 2.2 million Three words for this Flea... I mean we all Folks “disappointed” Who cares if the Fans are outraged f gure skating scale of 7.0. Crane’s wish for halftime show. I. know, but for god’s in RHCP for miming RHCP weren’t RHCP weren’t live tweets. Here’s Want. Garth. sake at least try to their halftime “set” playing live? on the Super Bowl. next year? “Journey doing ‘Separate Ways’ how the Twitterati humor the children. should take a long look Neither were the But fine with where they all play air instruments and that reacted to the Red #unpluggedlive in the mirror. Then Broncos. like “ning, nang, nong, new guy they found on YouTube is the only Hot Chili Peppers smash their face into nong, neng, neng, nong, one actually . It’s the perfect meta unplugged. that mirror. nong, ning, nang” Super Bowl that America deserves.” WorldMags.net JACKSON: HOGAN/GETTY IMAGES; COBAIN: FRANS SCHELLEKENS/REDFERNS; MILLI VANILLI: TIME & LIFEBEYONCÉ: PICTURES/GETTY ANDREW HARRER/BLOOMBERG/GETTY IMAGES; RED HOT CHILI PEPPERS: JAMIE IMAGES; SQUIRE/GETTY YO MA: CHIP SOMODEVILLA/GETTY IMAGES; IMAGES; HUDSON: BEN LIEBENBERG/NFL/GETTY IMAGES; SIMPSON: JAMES DEVANEY/WIREIMAGE 12 BILLBOARD | FEBRUARY 15, 2014 CONGRATULATESSONGSMUSIC PUBLISHING

ON HER GRAMMY AWARDS® WorldMags.netWorldMags.net WorldMags.net "ROYALS" THE YEARSONG OF BESTPERFORMANCE POP SOLO www.songspub.com NEWV @SONGSpublishing YORK // LOS ANGELES ®// NASHVILLE @songsmusicpub // TOPLINE WorldMags.net The Deal Santos Partners With Dr Pepper

WHAT: Dr Pepper Snapple Group has partnered with Latin art- ist Romeo Santos as part of the beverage company’s “One of One” campaign that celebrates unique individuals. Santos is only the sec- ond musical act in this year’s campaign (the other is Macklemore & Ryan Lewis) and the only Latino. The yearlong campaign includes a series of national TV spots (one of them an “anthem” ad that also features Macklemore and Lewis, YouTube beauty entrepreneur Mi- chelle Phan and grafti artist Retna, among others) including Santos’ own individual ad in both Spanish and Spanglish and featuring his music. The Santos ads will begin airing on general-market and Spanish-language TV prior to the Feb. 25 release of his album For- mula Vol. 2 on Sony Music U.S. Latin. Santos will also be integrated into in-store materials, consumer communications, and events and promotion around major Dr Pepper-sponsored events like awards show Premios Juventud.

WHY: Dr Pepper was actively seeking a personality to reach the key Hispanic demo and Santos’ name had already come up as part of the brand’s consumer research. Sony Music U.S. Latin had reached out to Dr Pepper last summer to pitch Santos on the strength of his ac- complishments, including “the live broadcast of his concert at [New York’s Madison Square Garden] on HBO, the fact that he’ll be the frst Latin artist to perform on ‘The Bachelor’ [and] the fact that he is without a doubt one of the top 50 social artists,” says Mary Nunez, director of music licensing and business development at Sony Music Entertainment U.S. Latin. “We are bringing bachata to the masses. And the brand really loved that component.” The clincher was the album’s release date, which dovetailed with the campaign’s launch.

WHO: Dr Pepper is heavily vested in the Latino demographic and has previously partnered with major Latin acts, most visibly with in 2011 and 2013. Santos, one of ’s top stars, had the genre’s top-selling album of 2012 (solo debut Formula Vol. 1) and four sellouts at the Garden. Sony was aggressive in providing analyt- ics. “We pitched a very precise presentation of what Romeo means for the Latino in the U.S., and they listened,” Sony Music U.S. Latin president Nir Seroussi says. The deal-closer was Santos’ “one-of-a- kind” story as a bilingual, bicultural act who sings bachata. “There are great artists out there but if there isn’t a story we can tell, it’s a little harder,” says Olivia Vela, director of Hispanic brand marketing at Dr Pepper Snapple Group.

IF: When Santos tweeted about the campaign to unveil his album collaborations, he ended up trending worldwide, and “Dr Pepper Dr Pepper is heavily vested in the Latino had a chance to be part of that,” says Brian Bell, manager of inte- grated brand public relations for Dr Pepper Snapple Group, noting demographic and has previously partnered the brand is eager to see what sort of engagement develops after the campaign launches. Sony, which brokered the agreement, sees it as with major Latin acts, most visibly with Pitbull a major cornerstone of the album campaign. “This is really going to take him to a diferent stratosphere,” Nunez says. —Leila Cobo in 2011 and 2013.

Latin labels. Having a major TV advertising. Santos’ Pepsi and Coca Cola. brand campaign coincide “One of One” TV spots are Both have been leaders in with an album launch is a another example of a major tapping big Latin names for universal goal, yet one that brand airing ads in Spanish or both domestic and global is still rare in the Latin realm. Spanglish on general-market campaigns. Dr Pepper’s If the Santos/Dr Pepper TV—other recent spots comprehensive alliance alliance moves the needle for include Target’s with Pitbull and now Romeo Sony, expect more long-term ads. If effective, expect to see Santos indicates a serious planning from labels seeking much more of this type of third player that also offers SONY MUSIC ILATIN to maximize exposure. advertising moving forward. Pepsi a compelling package of WorldMags.net opportunities. SHAKIRA: COURTESY OF YOUTUBE 14 BILLBOARD | FEBRUARY 15, 2014 ILLUSTRATION BY BRIAN STAUFFER WorldMags.net

U.S. media spend by Dr U.S. albums sold by Overall viewers of SANTOS BY THE Pepper Snapple Group Santos as a solo act and ABC’s “Bachelor” NUMBERS in January-November with Aventura, according premiere on Jan. $130.9m 2013, according to 2.1m to Nielsen SoundScan. 8.5m 6, according to Kantar Media. Nielsen.

EXECUTIVE TURNTABLE I N

Mark TV/FILM MEMORIAM Rafalowski Dick Clark Productions, which is owned by Bill- board parent company Guggenheim Media, names Mark Rafalowski executive VP of its newly launched division, Dick Clark Productions International. president He is responsible for growing the company’s inter- Ashley Newton remembers colleague national distribution reach, as well as its content Stephen Ferrera development network. He is based in Santa Monica, Calif., and reports to DCP president Michael Mahan. The company’s existing shows that will be moved into the new distribution arm include the , , Hollywood Film Awards, People Magazine Awards, Academy of Country Music Awards and “Dick Clark’s New Year’s Rockin’ Eve.”

LABELS Warner Bros. Records appoints Peter Thea execu- tive VP of creative operations. He was executive VP of Republic and Island Def Jam. Columbia Records promotes Mark Williams to executive VP of A&R. He was senior VP. Kemosabe Records and Prescription Songs name Maria Alonte-McCoy senior VP of flm and TV. Most recently, she started the flm and TV licensing company District Music for Red Light Longtime label executive Stephen Ferrera died Jan. 27 Management. at his home in New York after a prolonged battle with lung cancer. The A&R veteran—who was also an accom- PUBLISHING plished musician, songwriter and producer—spent his BMG North America appoints Joe Gillen CFO. early years at Chrysalis Group U.K. He went on to senior He was senior VP of fnance for Universal Music VP stints at RCA Music Group, working with Leona Lew- Group’s Capitol Music division. is, Kelly Clarkson, Carrie Underwood, Ne-Yo and Rod —Mitchell Peters, [email protected] Stewart, among others, and was a key player in secur- ing the “” contract; Island Def Jam; and Columbia, where he spent the last years of his career. Co- lumbia Records Group president Ashley Newton refects on his colleague and friend. —Shirley Halperin Further Dealings Steve Ferrera was a close personal friend for more than 20 years. He was one of those rather strange people who understood that real life is actually more Global Publishing has signed the chart since moving allowing non-domiciled celebrities to important than the music business. He had a deep Script to join its growing roster along- to Nashville in 2001: ’s come to the state to take advantage of love for his family, keen interest in culture and the side recent signings the Vamps, Jungle, “Love’s Gonna Make It Alright,” Dari- the generous likeness statutes of Wash- arts, great pride in being a New Yorker and immense Say Lou Lou and Fox. With more us Rucker’s “Come Back Song,” Josh ington, where Hendrix was born but did passion for his Italian heritage. than 20 million in record sales, two Turner’s “Your Man,” ’s not reside at the time of his death. On While Steve was an accomplished musician and U.K. No. 1 albums and fve platinum “Never Wanted Nothing More” and Luke Jan. 29, the appeals court reversed that producer, as an A&R executive he was an exceptional U.S. singles, the Script’s popularity has Bryan’s “Drink a Beer,” which he co- ruling and handed the estate additional song sleuth—always searching for powerful copy- been cemented in the United Kingdom wrote. Throughout his career, Stapleton victories on the trademark front. Hen- rights and agonizing over casting the perfect voice to and internationally. The band’s 2013 hit has placed more than 170 songs on al- drix Licensing is run by Andrew Pitsica- do them justice. It’s such an instinctual talent and one “Hall of Fame” has generated more than bums by such artists as , Tim Mc- lis, a business partner of Jimi’s younger that, as everyone knows, brought profound success. I YouTube views and Spo- Graw, Blake Shelton and Jason Aldean, brother Leon. The Hendrix estate, particularly admired his commitment to the generous tify plays. Meanwhile, British group the and the six-time ASCAP award winner meanwhile, is controlled by Janie, the and patient mentorship of our young Columbia A&R Vamps, who are hotly tipped for 2014, has written with Vince Gill, Hendrix brothers’ adopted sister. staf, schooling them in the craft of record-making. scored a No. 2 hit with their frst single and Peter Frampton. Stapleton has also Camilla, Steve’s wife, told me she had uncovered “Can We Dance,” and will release second contributed to the soundtracks to “Cars The Script a fax while looking through a box of old photographs. single “Wild Heart” on Jan. 18. Global’s 2” and “Valentine’s Day” . . . The Ninth frontman Steve had sent it a decade ago to a PR guy seeking his Danny new signings join a boutique roster of Circuit Court of Appeals has ruled in O’Donoghue career details for a press release. The opening line including Corinne Bailey favor of the estate in a of his response revealed his quiet humility: “Writing Rae, , Lawson and the battle against online vendor Hendrix about myself feels like self-administered root canal Vaccines . . . Warner/Chappell Mu- Licensing, which sold T-shirts, posters surgery. I can’t explain why exactly but I’ve always sic has signed a worldwide publishing and other items designed to capitalize been a poor self-promoter. Please understand that agreement with Mercury artist Chris on the fame of the rock legend. In Feb- I’m much more comfortable allowing my work to Stapleton. Warner/Chappell will pub- ruary 2011, a federal judge surprised le- speak for me—that is my best calling card.” lish S tapleton’s songwriting catalog as gal observers by fnding that Washing- Steve was a private man of inherent decency, well as all of his work. Stapleton ton state’s publicity rights law violated respected and loved by his label colleagues and O’DONOGHUE: SHIRLAINE FORREST/WIREIMAGE has scored fve No. 1s on Billboard’s the due process of the Constitution by WorldMags.net throughout the industry and creative community. 0 PHOTOGRAPH BY BEN CLARK FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 15 TOPLINE WorldMags.net

Iñigo Zabala Favorite breakfast: Cafe con photographed leche and two slices of toast QUESTIONS at his office in with olive oil. Miami. First job: Washing dishes at a restaurant to make money Answered to buy my instruments. But my first music job was as keyboardist of La Union.

Memorable moment: When Iñigo Zabala our first single with La Union President reached No. 1 [on Spain’s national radio charts]. That Warner Music Latin America & Iberia a song I had written could be No. 1 was extraordinary. My other moment was when became the first of my signings to sell over What did you wake up thinking about this morning? Before 1 million copies in Spain. getting out of bed I think of all the things that will happen during the day. This week, Latin America is going through a very challenging Advice for young executives: Be fearless. time, and I woke up thinking how this is going to afect our business Follow your instincts. Work and how we can minimize the impact as much as possible while our hard, and pursue what you companies go about their day to day. The problem is particularly acute want relentlessly. And don’t forget that you got into the in , where the local currency has begun to devalue. But I industry because you love also woke up thinking that this week we’ll get new singles by [Chilean music. rock band] La Ley, who are recording in Los Angeles after 10

years and are planning a spectacular Latin-American tour. I’ll also get 1 new singles by Alexander Acha and Sandoval, and that’s very exciting.

What will define your career in the coming year? The answer may sound obvious, but it’s a fact: Create as many hit singles as pos- sible. That will defne my career and that’s what defnes my career every year. We also need to continue adapting our company to a new environment where the consumer has constant access to mu- sic from anywhere at any time. But in the end, there’s nothing more important than hits. We’re releasing a new single by featuring [Sony act] at the end of the month that I 1 “A cassette 3 “I’ve always think can be a huge hit. of the first worked on a album round table. released by I like them Describe a lesson you’ve learned from a failure. What I’ve re- my band, because I alized through the years is that every time I’ve tried to follow a trend, La Union. It find them reminds me of to be more every time I’ve considered the trend more important than the artist it- why I’m still in inviting to self, I’ve always failed. A&R always has to be in the business of creating this industry.” participate. trends, not following them. This applies to everything in life—when you It’s also an equalizer for become a follower, you usually don’t do as well. And musically speak- 2 “I like this all gathered ing, there are trends I arrived at too late, like bachata, for example, photograph participants.” because it where by the time we signed acts the moment had passed. represents a life dedicated 4 “I will Name a project that you’re not afliated with that has most to music. always The hands remember impressed you in the last year. Marc Anthony’s “Vivir Mi Vida” are those of a lunch with was very compelling, beginning with its conception as a cover of an a Brazilian our Latin African song translated to Spanish that became No. 1 [on Billboard’s street rock act musician.” Maná and Hot Latin Songs chart] for many weeks. Atlantic Records Who’s your most important mentor, and what did you learn? 2 3 founder Ahmet The frst is Nacho Cano [Spanish pop star, composer and co-founder of Ertegun. Spanish group Mecano]. He put up his own money, produced my band His tales of [La Union] and took us to a label, and our frst single—“Hombre Lobo the industry were one en Paris”—spent 13 weeks at No. 1 [on Spain’s national radio charts]. of the most After I left the band he recommended me for a job at Warner’s A&R enjoyable department. I’ve learned from him to be consistent and relentless. and interesting Another mentor is Saul Tagarro, my boss in Warner Spain. He taught moments in me everything I know, from basics like always keeping your ofce door my career.” open to providing explanations along with your answers. That’s essen- tial for a company to retain its culture. My third mentor is my father, who taught me responsibility, hard work and getting up after a fall. 4

Name a desert island album. If it’s a Caribbean island, Natty Dread by Bob Marley & the Wailers. If it’s a cold island, then ’s Low or The Clash by the Clash. —Leila Cobo 17, whairdIsay ThellitionticStory 11. “A&R always has to be 77-`-

- , 0 IS, in the business of 0091'1' creating trends, not IthlfPri; following them.” WorldMags.net 16 BILLBOARD | FEBRUARY 15, 2014 PHOTOGRAPHS BY NICK GARCIA WorldMags.net BECAUSE IT‘S YOURS PPL is the global leader in international collections and has been collecting global performance royalties* for over 10 years.

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regii sac nn Sociedad de Autores y Compositores de

La Sociedad de Autores y Compositores de México, felicita al maestro Armando Manzanero por haber sido galardonado con el premio Grammy Lifetime Achievement, reconocimiento a sus logros de toda una vida.

La música romántica es necesaria, mientras exista el deseo de tomar de la mano a la persona amada y manifestarle nuestro amor; seguirá existiendo y va a existir siempre.

Armando Manzanero WorldMags.net CHRYSLER, CHOBANI, BUD LIGHT PLATINUM, TARGET COMMERCIALS: COURTESY OF YOUTUBE; ORTIZ: KEVIN WINTER/GETTY IMAGES; ROYCE: MIKE COPPOLA/GETTY IMAGES FOR PEPSI; 3BALLMTY: MICHAEL BUCKNER/GETTY IMAGES BUCKNER/GETTY MICHAEL 3BALLMTY: PEPSI; FOR IMAGES COPPOLA/GETTY MIKE ROYCE: IMAGES; WINTER/GETTY KEVIN ORTIZ: YOUTUBE; OF COURTESY COMMERCIALS: TARGET PLATINUM, LIGHT BUD CHOBANI, CHRYSLER, and Flori- Lewis Ryan Macklemore & Macklemore Meanwhile, some new acts have managed to pop to up managed some new acts have Meanwhile, But such cases are few and far between, and the im- and far few cases are such But Latin album sales accounted for 3.4% for of accounted all album sales album Latin Of course, lack of artist development isn’t unique unique of isn’t artist lack development Of course, Obviously, the scarcity of new Latin acts isn’t the of acts isn’t the scarcity new Latin Obviously, heightened awareness of Latin music and artists of music Latin in the awareness heightened and Maná. Shakira pact on sales is undeniable. Despite the explosion of the explosion Despite is undeniable. pact on sales of popularity Latin, the obsession of brands all things , Dragons . In the tally of the top-sellingLorde albums, Latin the number fell to 3.1%, and last year it stood at 2.9%, a it stood 2.9%, at year and last 3.1%, to the number fell to the Latin world. But a look at SoundScan’s year- SoundScan’s a look at But world. the Latin to Luis 50: Luis act among the top one debut only there’s mere one percentage point higher than classical. Sales point higher than classical. one percentage mere root of all evil. But many of the problems that hamper that of the problems many root ofevil. But all more recently, 3BallMTY. recently, more mainstream, sales of Spanish-language music have not have music of Spanish-language sales mainstream, has also dipped. share market Nielsen SoundScan. to in 2011, sales according In 2012, atCoronel No. 49. of digital tracks also slipped, from 1.6% to 1.5%. to also slipped, 1.6% from of digital tracks end tally of the top-selling albums (including track- end tally of the top-selling track- (including albums debuts—Imagine three finds albums) equivalent digital songs also include these three acts, plus acts, plus these also three digital songs include only dropped (like most other genres), but its overall but its overall only dropped (like most other genres), and even persevere. Royce, an unknown just four years an unknown just years four Royce, persevere. and even Ortiz as is Gerardo and, example, is a shining ago, and media with reaching the Latino demographic and demographic the Latino and media with reaching —among them. The 10 top- selling selling da Georgia Line—among them. The 10 top- be avoided? More be More avoided? How can conflicts can conflicts How all parties. transparency from from transparency with 15 and the with 11.era

_ LEILA COBO @LEILACOBO COBO LEILA Jenni Riv

Marc Anthony Marc with 16, Prince Royce WorldMags.netWorldMags.net by late uperstars dominate the list of the 2014 fnalists for dominate Billboard uperstars landing 17 nominations, followed 17 followed landing nominations, Santos with Romeo do, Latin Music Awards, which will air live April 24 on Telemun- April will air live which Awards, Music Latin ight Platinum and Target in 2013, each using using in 2013, each and Target ight Platinum d L How can such conficts of commerce be avoided be conficts such of avoided can commerce How Working with a double-booked star can have its its have star can with a double-booked Working Last year, for example, the top fnalists were Santos, Rivera, Royce, Rivera, Santos, Royce, fnalists were the top example, for Last year, But it can also mea- it can confuse and sometimes But fans The lack of new acts with substantial chart presence is indicative of is indicative of chart presence new acts with substantial The lack The challenge is to ensure that the quality, A&R-savvy, and media A&R-savvy, the quality, that ensure is to The challenge LATIN NOTAS appeared in two ads for two diferent brands— diferent two for ads appeared in two lake his single “Suit & Tie,” then MasterCard and Tar- then MasterCard “Suit & Tie,” his single house or repping for his hometown of De-house his hometown for or Eminem repping from 1.2% in May 2013 to 1.1% in November, accord- in November, 2013 1.1% to in May 1.2% from but also because their original, exciting material moved the needle moved but also because material exciting their original, , who’s only recently only recently , who’s Eminem Even the tune. played product slowed as Platinum’s market share dipped share market as Platinum’s product slowed in the future? More transparency from all parties, from for transparency More in the future? ing to Symphony IRI (which doesn’t track bar and bar and track doesn’t IRI (which Symphony ing to isn’t happening now. isn’t that is fnally afecting its bottom line. It’s a genre that’s getting static, getting that’s a genre It’s its bottom is fnally afecting line. that . In 2012, they were Omar, Royce, Royce, . In 2012, Omar, they were Don Yandel Omar and Wisin & table onslaught of promotion for her then-new sin- for of promotion onslaught table to-back commercials (for Reebok and Citi) that also also and Citi) that Reebok (for commercials to-back team to generate experiences no other company no other company experiences generate to team throughout the year with the beer brand, sales of the sales with the beer brand, the year throughout where music isn’t eagerly discovered, anticipated and consumed, but and consumed, anticipated discovered, eagerly isn’t music where troit on behalf oftroit Chrysler. with Timberlake’s one-year deal with Bud Light Light with Bud deal one-year with Timberlake’s rather solemnly revered . The silver lining is that this lining is that The silver a distance. from solemnly revered rather restaurant sales). restaurant knew and Chobani about starters. Chrysler Though more creative with the artist and its management with the artist and its management creative more show itself then appearing on-camerashow back- in two started saying “yes” to commercial opportunities, commercial to “yes” started saying in 2011ads Super Lipton in two for Bowl starred surably dilute a brand’s business, as was the case the case as was business, a brand’s dilute surably year’s fnalists are not only competitive merely due to their star power, due their star power, to merely not only competitive fnalists are year’s each other’s Dylan spots of the secre- ahead time, Dylan other’s each on many levels. on many get (again) in 2014, each depicting a scene where in 2014, (again) a scene where depicting get each gle “Girl on Fire,” premiering the song during the the the song during premiering on Fire,” “Girl gle a pervasive rut that Latin music seems unable to get out of, and one out of, get to seems music unable Latin rut that a pervasive and label support flters down to the up-and-comers, support to down and label flters something that Brisk and Chrysler. and Brisk get has to by nature which a brand, for advantages Bu Platinum. Though the singer did several programs programs several did the singer Though Platinum. could ofer, like Timberlake showing up at a fan’s a fan’s up at showing Timberlake like could ofer, Timberlake was surprising his fans. At MTV’s 2012 MTV’s At surprising was his fans. Timberlake unleashed a veri- unleashed Awards, Video Music Fresh Faces Fresh S Where are stars theWhere new in Latin music? Wanted:

Gerardo Gerardo Ortiz (top) and 3BallMTY (bottom) at the Billboard Mexican Music Awards. Above: Prince Royce performing in New York a PepCity at event. WorldMags.net Bob Dylan license one of to agreed his best-known songs, “I Want You,” for a a for You,” “I Want songs, his best-known hen major coup for the yogurt company, as it as it the yogurtmajor for company, coup sought to compete with brands like Oikos Oikos like with brands sought compete to during the big game. But the news was was news the But big game. the during Chobani Super Bowl commercial, it was a a it was Super commercial, Chobani Bowl ANDREW HAMPP @AHAMPP ANDREW HAMPP BILLBOARD | FEBRUARY 15, 2014 15, | FEBRUARY BILLBOARD

It’s a scenario that can be unfortunate for some marketers who who be can unfortunate a scenario that some for marketers It’s Justin Timber- Justin telecasts, Awards Grammy two the last During WITH THE BRAND 18 product. But it’s become increasingly common as artists common themselves become increasingly product. it’s But turn to big-name artists to help get the word out about their latest out about their latest the word artists big-name get turn to help to their music in front of audiences that even radio can’t deliver. can’t radio of even in front audiences that their music when news also broke that the Man in the Black Hat himself would himself would Hat in the Black the Man that also broke news when need multiple brands to promote their albums, fund tours and get and get fund tours their albums, promote to brands need multiple somewhat overshadowed by fans worrying about Dylan overload overload about Dylan worrying by fans overshadowed somewhat endorsing the new Chrysler 200 and licensing his song “Things his song and licensing “Things 200 the new Chrysler endorsing advertisers duringadvertisers the same broadcast, Have Changed” as the soundtrack. Changed” Have appear on-camera in Chrysler’s latest cinematic Super spot, cinematic Bowl latest appear on-camerain Chrysler’s

turn different in commercials up for Think Tank Think whose brand gets diluted? brand gets whose

Endorsements Double Booked Booked Double W

When Bob Dylan and TOPLINE WorldMags.net Sarah Trahern photographed at the Country Music Assn. offices in Nashville.

cy surrounding Timberlake’s surreptitious album Artists who launch in 2013 resulted in a lot of surprised sponsors have double- dipped on Grammy night. with their Sometimes, though, a “Kumbaya” moment oc- endorsements include Super curs, as Janelle Monáe was able to arrange with her Bowl star sponsors Target, Sonos and Cover Girl last Septem- Bob Dylan ber for an elaborate album launch party outside New (Chobani, Blake Shelton with York’s Intrepid Museum. It was an almost-ironic per- Chrysler) his male vocalist of and Grammy the year statuette at sonif cation of a rising tide lifting all boats . O magnet Justin the CMA Awards in Timberlake November. (Bud Light, My Day Target). Sarah Trahern | CEO, Country Music Assn.

artist development hamper the genre overall: lack of a LATIN MUSIC During her tenure as senior VP/GM for Scripps Net- 12.30 Lunch at Etch with Kyle Young from the PM

strong touring circuit; restrictive radio formats; dimin- works Interactive’s Great American Country, Sarah Country Music Hall of Fame. Kyle and I were ishing sales outlets, which are crucial for many buyers Trahern was used to juggling a busy schedule, but in the same Leadership Music class in 1999. It’s

who still rely on cash and physical CDs; lack of media Billboard’s since assuming her new role as CEO of the Country fun to get to sit down now with Kyle as longtime support; and f awed A&R that lacks innovation. Latin Music Music Assn. (CMA) on Jan. 1, the Nashville-based ex- friends and colleagues. Which brings us back to this year’s top f nalists. Conference ecutive’s days now include everything from a cadre celebrates Santos is up largely on the strength of “Propuesta In- its 25th of talented school kids to meetings with the 2.00 Meeting with members of our finance PM

decente,” the f rst single of his upcoming album, For- anniversary at ABC. staff. We had our first committee meeting mula Vol. 2, and of “Loco,” an track this year and of the year with our board the [next day] so we registration on which he’s featured. Royce appears in the wake of is now open. had a last-minute staff meeting to make sure we his successful third album, Soy el Mismo, which is all Register at 6.00 To the Green Hills YMCA to do Pilates were buttoned up to present our budget to the billboard- AM original material. And Anthony’s major hit, “Vivir Mi with my girlfriends Robin and Sally. I’m not committee, and they did a great job. latin- Vida,” is a cover of a dance song. But what a cover it conference. a morning person. I’d rather exercise at night, but is—one that propelled his 3.0 to become the top-selling com, and use days just aren’t controllable in my world now. 5.00 Got to go down to the CMA Theater [in the code BIZ14 PM Latin album of 2013. Country Music Hall of Fame and Museum] and save. The year’s top f nalists may not be a triumph of new 8.30 I got to the office and had an early-morning for CMA’s fifth annual Keep the Music Playing AM

acts, but they are a triumph of original ideas. And that’s meeting with some of our team. Even All Stars Concert. I helped Joe Galante, who is a start. O though it’s the first month I’ve been here, it’s been a chairman of the CMA Foundation, present a $1 variety of things. million check on behalf of the musicians who did Music Fest for free to the Nashville public schools It’s a genre that’s 10.00 I had my first sit-down meeting since I’ve program. The highlight of the whole day was the AM

been on the job with Robert Deaton, who is concert with the students from [Metropolitan getting static, where the producer of all of our TV properties. Robert and Nashville Public Schools]. Thanks to our musicians, I have worked together on a number of programs the end result of what happens at Music Fest [is over the years. He’s already hard at work on the getting] to see those bright faces on the stage. Eric music isn’t eagerly production for the CMA Music Fest special that Paslay hosted the event and it was a really special tapes in June, going to meetings with ABC, so I night. discovered, anticipated wanted to sit down with Robert and get his top-line —Deborah Evans Price ideas on the year.

TRAHERN HAIR AND MAKEUP: KIRSTEN PATE; SHELTON: FREDERICK BREEDON IV/FILMMAGIC SHELTON: TRAHERN MAKEUP: KIRSTEN AND HAIR PATE; and consumed. WorldMags.net SARAH TRAHERN PHOTOGRAPH BY ROBBY KLEIN FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 19 WorldMags.net

1 VH1’s Sandy Alouete and 1 Rick Krim (right) with J. Cole after his performance at the A Super Week VH1 Super Bowl Blitz stop at New York’s Queens College on Jan. 27.

2 Janelle Monáe took center Of Shows stage on Jan. 28 when the VH1 Super Bowl Blitz hit When the Super Bowl came to town, VH1 shook Lehman College in the Bronx. New York’s five boroughs with six nights of 3 Model Chrissy Teigen (left) and husband John Legend music while Howard Stern marked a milestone (second from right) with Citi Cards CEO Jud Linville and with rocking and roasting by Train, Adam wife Cindy at Legend’s show at the McKittrick Hotel in Levine, Sarah Silverman and Manhattan on Jan. 29. 4 Kings of Leon’s Jared, Caleb, Matthew and Nathan Followill (from left) before playing Fox Sports 1’s Super Bash at New York’s Highline Stages on Jan. 30.

5 Beth and Howard Stern with Steven Tyler at Stern’s 60th-birthday bash at Hammerstein Ballroom in New York on Jan. 31.

6 New Jersey Gov. Chris Christie and represented the Garden 5 State at Stern’s soiree. 7 From left: Lena Dunham, Natalie Maines and Sarah Silverman toasted Stern.

8 Seth Meyers (left) and Jimmy Fallon at Stern’s party.

9 “The Howard Stern Show” executive producer Gary Dell’Abate (left) and Slash at the Stern bash.

10 Johnny Knoxville and Heidi Klum celebrated the King of All Media. 3

4

2 WorldMags.net IMAGES 4: EUGENE GOLOGURSKY/GETTY MAZUR; 3: KEVIN IMAGES; OF VH1; 2: AL PEREIRA/GETTY 1: COURTESY 20 BILLBOARD | FEBRUARY 15, 2014 21 eird choice for a 60th for choice eird ing out Misty Copeland Copeland ing out Misty 14 TLC’s Chilli and Chilli p.m. TLC’s 8:45 “I’d like to thank my thank my to like p.m. “I’d 7:25 Super Bowl VH1’s 11:45 p.m. At “Dead or alive? or alive? p.m. “Dead 7:05 “So this is soundcheck 10:15 p.m. “So this is soundcheck of Horses, 11:15 Band p.m. After THURSDAY, JAN. 30 JAN. THURSDAY, WEDNESDAY, JAN. 29 JAN. WEDNESDAY, FRIDAY, JAN. 31 JAN. FRIDAY, T-Boz br T-Boz friends at Citi for naming the entire naming the entire Citi for at friends Legend John me,” after weekend Evening rst f Citi’s at onstage jokes performance the With at Legends in Manhattan. Hotel McKittrick Fall Bowl, concert at Blitz singer out Out Boy brings with the Williams help to Hayley Down.” Goin’ We’re “Sugar, to chorus the upcoming tour, of a taste FOB’s It’s fans. band tells birthday,” jokes Jimmy Kimmel, MC MC Kimmel, Jimmy jokes birthday,” at Bash Stern Birthday of the Howard in New Ballroom the Hammerstein and Train Bon Jovi Jon after York, or Alive.” Dead perform “Wanted Seems a w like 0 0 0 of verse Left during Eye’s dance to The audience wild, goes “Waterfalls.” their 45-minute close the three before at Be” to “Meant set with new single the at show their VH1 Super Blitz Bowl in Manhattan. Theatre Beacon of Band around,” messing and we’re as says, Ben Bridwell frontman Horses Legends Citi he begins an unplugged Hotel. the McKittrick at show a gift as they exit: get concert-goers are that masks one of white the eerie the More,” of No “Sleep a signature piece. theater interactive McKittrick’s 0 0 WWW.BILLBOARD.BIZ | 2014 15, FEBRUARY 13 12

have as much fun there there fun as much have —Steven Tyler —Steven there!” as we have getting have we as “Here’s to hell. May we we May hell. to “Here’s 7 WorldMags.netWorldMags.net owl Party on owl Party and actress at Cohen Andy rocked as part of rocked Moon Zombie Sheri s Evenings With Legends With s Evenings ’ i Rob ZombieRob took Lamar took Kendrick concert and party. and Bravo’s and Bravo’s series at Roseland Ballroom in Ballroom Roseland series at Auerbach Cit Basketball City at Manhattan’s City Manhattan’s at Basketball 36 on Jan. 31. Pier New York on Jan. 31. New York the stage at ESPN’s Party at Party the stage ESPN’s at turned up for the Stern up for turned the GQ Super B wife wife Dan Dan Black13 The Keys’ 11 12 Ratajkowski 14 Model Emily Jan. 31. WorldMags.net 10 11 6 8

9 6, 7, 8, 10: KEVIN MAZUR/GETTY IMAGES; 9, 11: LARRY BUSACCA/GETTY IMAGES; 12: ROBIN MARCHANT/GETTY IMAGES; 13: JANETTE PELLEGRINI/GETTY IMAGES; 14: CRAIG BARRITT/GETTY IMAGES BARRITT/GETTY CRAIG 14: IMAGES; PELLEGRINI/GETTY JANETTE 13: IMAGES; MARCHANT/GETTY ROBIN 12: IMAGES; BUSACCA/GETTY LARRY 11: 9, IMAGES; MAZUR/GETTY KEVIN 10: 8, 7, 6, BACKBEAT WorldMags.net

15 “Chad Smith threw me a touchdown pass on the fi eld—one of the greatest feelings of my life.” 17 —Anthony Kiedis, Red Hot Chili Peppers

22

16 18 19

FRIDAY, JAN. 31 23 20

9:15 p.m. “You’ve been holding that up for the last hour, and it’s really creeping me out,” says to a fan waving the frontman’s “Sexiest Man Alive” cover of People. “I’ll sign this for you, but if I sign this it’s going to be a contract between me and you that you’ll never show me this again.” Then the band continued its performance for JBL at the Beacon Theatre in New York. SATURDAY, FEB. 1

9:57 p.m. At Brooklyn’s Barclays Center for WFAN’s Big Hello to Brooklyn concert, Red Hot Chili Peppers’ Anthony Kiedis picks up a red bra thrown from the crowd, straps it around his crotch and thrashes about.

10:41 p.m. “We’re just about to go into a period of hibernation to make a new record—a time of progress,” Flea 21 says onstage. “It’s really nice to get one more blowout before we do that.”

0 12:13 a.m. Former MTV Networks CEO Judy McGrath (currently running a multimedia joint venture with Sony) is spotted at the gig at the Bud Light Hotel Amphitheatre. Also seen: Fox programming chief Kevin Reilly and A&E Networks president/ CEO Nancy Dubuc.

12:31 a.m. “I wish I could play you our whole new record, but I don’t want 24 to do that yet . . . It’s a fuckin’ surprise,” Dave Grohl teases halfway through Foo Fighters’ performance.

1:30 a.m. wraps a quick set, never having removed his coat, for Maxim’s Super Bowl party at 15: DONALD TRAILL/INVISION /AP; 16: EUGENE GOLOGURSKY/GETTY IMAGES; 17: GILBERT CARRASQUILLO/FILMMAGIC; 18: CINDY ORD/GETTY IMAGES; 19, 22, 24: KEVIN MAZUR/GETTY IMAGES; 20: MICHAEL LOCCISANO/GETTY IMAGES; 21: NOAM GALAI/WIREIMAGE; 23: KEVIN C. COX/GETTY C. 23: KEVIN COX/GETTY GALAI/WIREIMAGE; 21: NOAM IMAGES; 20: MICHAEL LOCCISANO/GETTY IMAGES; MAZUR/GETTY 19, 22, 24: KEVIN IMAGES; ORD/GETTY 18: CINDY CARRASQUILLO/FILMMAGIC; 17: GILBERT IMAGES; 16: EUGENE GOLOGURSKY/GETTY 15: DONALD TRAILL/INVISION /AP; WARGO/WIREIMAGE 25: THEO IMAGES; Espace as Steven Tyler looks on. WorldMags.net 22 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net

Proenza Schouler spring 2014 NEW YORK FALL FASHION WEEK show DJs Of The Runway Designers’ top music tastemakers reveal what’s in the mix this season

Jus-Ske Elle Dee Malin Spinning for: Spinning for: DahlstrÖm Alexander Wang, Oscar of of Niki & the de la Renta, G-Star Mercedes- Dove Raw, Public School Benz Fashion after-parties Week, Hardware Signature: There’s London, a reason why this New York native 15 rocked the Revolt TV Schutz parties has been a fixture at Louis Vuitton, party at Time Warner Cable Balenciaga and Nike shows and was Signature: She’s a former Studios on Feb. 1. chosen as the DJ for Justin Timberlake drummer and it shows. Her and Jay Z’s Legends of the Summer eclectic mixes of rock, ’80s 16 (left) and and Pharrell’s In My Mind tours. His dance and deep house have Sean “Diddy” Combs at the sets fuse electronic beats, old-school gotten her opening gigs Revolt party. hip-hop and the latest rap, and always for the Dead Weather and sound fresh. the Black Keys and has her 17 Paramore’s Hayley Williams at spinning at such New York DirecTV’s Celebrity Beach Bowl at This season’s vibe: It’s a fast-moving, clubs as Le Bain and the New York’s Pier 40 on Feb. 1. sporty aesthetic reflected in trap, which Electric Room. “is more than a ,” Jus-Ske 18 Eli Manning (left) and Aaron says of the sound, which is rooted in This season’s vibe: “Spring Paul at DirecTV’s bash. Southern hip-hop and speedy, electronic fashion is going more toward beats. “It’s an identity, an attitude and fun and playful,” the Brazilian 19 Jay Z and Beyoncé wowed aesthetic that comes with it.” DJ says. “A lot of trends are guests at the Beach Bowl. mixing sporty and feminine, Top track: “,” Beyoncé as are music genres, mixing 20 (left) and DirecTV featuring Jay Z with electronic CEO Mike White at Pier 40. beats. Also, it’s cold in New York and we all just want to 21 DJ Tiësto (left) and AXS dance to warm things up.” TV chairman Mark Cuban at DirecTV’s Beach Bowl. Alexander Wang Top track: “Mother Protect spring 2014 show (GoldRoom Remix),” Niki & 22 Alice in Chains’ Jerry Cantrell the Dove (left) and Guns N’ Roses’ Duff McKagan at the Super Bowl Pregame Show on Feb. 2. Charles Browne Chelsea Leyland 23 Bruno Mars pounded at the Spinning Spinning Halftime Show. for: Rebecca for: Veronica Vallance, Beard, Naeem 24 The Red Hot Chili Peppers’ ManvsMachine Khan runway Chad Smith, Flea, Josh runway shows; shows; Vince, Klinghoffer and Anthony Kiedis Timo Weiland Suno, G-Star (from left) backstage at the Super after-party parties Bowl. Signature: “Playing music people Signature: Think Four Tet 25 Foo Fighters’ Dave Grohl (left) don’t know they want to hear meets Todd Terje. “I play and Taylor Hawkins (right) flank until they hear it,” Browne says of everything from reggae and Anheuser-Busch’s Mike Sundet at merging jazz, indie rock, electro dub to hard rock and electro. I the Bud Light Main Event concert and rap. “House and top tend to never stick in one box,” on Feb. 1. 40 mashups never fail to get the the British-born DJ says. dancefloor moving.” This season’s vibe: “The 25 This season’s vibe: “The name of mood for the Veronica Beard the Rebecca Vallance collection show is ’70s girl with an edge, this season is Lady’s Man, which so I’m going with ’70s rock,” she described as having more Leyland says. “Naeem likes a of an androgynous feel, but also lot of classic female vocalists, upbeat,” says the jazz aficionado which reflects his love of old- who produced the Fashion Week- school glamour. But he wanted themed compilation Fashion something electronic to bring Killer. “The first thing I imagined it to the present. I’m opening was Haim or Chvrches for a with a Nicolas Jaar remix of a base—that beautiful voice to a Nina Simone song.” slightly grungy upbeat track.” Top track: “Paper Trails,” Top track: “The Mother We Darkside Naeem Khan Share (Moon Boots Remix),” Timo Weiland spring 2014 Chvrches fall 2013 show show CHARLES BROWNE; MODEL: EDWARD JAMES/WIREIMAGE; JUS-SKE: COURTESY OF JUS-SKE; MODEL: THOMAS CONCORDDIA/WIREIMAGE OF JUS-SKE; COURTESY JUS-SKE: JAMES/WIREIMAGE; MODEL: EDWARD CHARLES BROWNE; FILMMAGIC; LEYLAND: ROMMEL DEMANO/GETTY IMAGES; MODEL: FRAZER HARRISON/GETTY IMAGES FOR MERCEDES-BENZ; BROWNE: COURTESY OF COURTESY MERCEDES-BENZ; BROWNE: FOR IMAGES MODEL: FRAZER HARRISON/GETTY IMAGES; ROMMEL DEMANO/GETTY LEYLAND: FILMMAGIC; CLOCKWISE FROM TOP: PROENZA SCHOULER RUNWAY: MEHDI TAAMALLAH/AFP/GETTY IMAGES; DEE: HASSAN KINLEY; DAHLSTRÖM: PAUL REDMOND/ PAUL DAHLSTRÖM: KINLEY; DEE: HASSAN IMAGES; MEHDI TAAMALLAH/AFP/GETTY PROENZA SCHOULER RUNWAY: FROM TOP: CLOCKWISE WorldMags.net FEBRUARY 15, 2014 | WW.BILLBOARD.BIZ 23 r WorldMags.net; -

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WorldMags.net 24 BILLBOARD | FEBRUARY 15, 2014 Jimmy WorldMags.net Fallon, Jonathan Cohen and Ahmir “Questlove” Thompson (from left)

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WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 25 WorldMags.net

Below left: Justin Timberlake as and Jimmy Fallon as on “Saturday Night Live” in 2013. Below right: Fallon with “SNL” castmate Colin Quinn in 1999.

Little-known fact: Before he had his own NBC or landed a gig with “Saturday Night Live,” Jimmy Fallon appeared on a late-night program. The year was 1980-something. The show: “Let- terman.” Sitting in the audience, the perennially psyched Fallon says “the camera panned by me as I was in the crowd. And. I. Freaked. Out. I told everyone to watch.” It was hard to miss him: “I was screaming and waving my hands.” But just in case you did, he videotaped it and on Feb. 17. Fallon built his audience doing things his that “when [NBC] told me I got the job, I asked, ‘Can would replay it for anyone who’d watch—in slow motion, “a blur of a own way—which has meant taking risks on oddball we do it from New York?’ There was just silence on the human, waving.” skits that go viral, and emphasizing a range of music phone.”) Leno’s program moves at a sauntering pace, To this day, giving his viewers the same manic thrill he experienced that runs from icons like Bruce Springsteen to f edg- while there is a youthful hustle to Fallon’s show. And in the “Letterman” crowd is so important to the host. “I have to involve ing acts like U.K. dance sensation Disclosure. With as “Late Night” has become a compelling argument for the audience,” he says. “They have to be a part of it.” This means not U2 booked as his f rst “Tonight Show” musical guest, the mystic power of social media, “” only interacting with his studio audience, but also making viewers at one question is, Can he keep the informal, indepen- continues to willfully operate on lo-f , ad-driven rev- home on their couches feel as if they’re in the moment with him. dent ethos that has given him so much credibility as enue (albeit lucrative, with $125 million in 2013). Fallon possesses an unconditional, breathless love for music that he moves to a bigger platform? “No one tells me [to do] anything—they see what began in his early adolescence. After growing up on a steady playlist Most of the challenge comes from the fact that the we’ve done with our show,” Fallon says of NBC execu- of his parents’ doo-wop records, he discovered at a young age how two shows are simply wired dif erently. Where Leno’s tives. “At one point, they said I couldn’t host the Em- playing ’ “Honky Tonk Women” on vinyl could “Tonight Show” takes place in Los Angeles, Fallon’s will mys: ‘No one will watch if you host it. You have too make his speaker’s dust cap explode of , as the cone beneath vibrated be shot in New York. (His f rst episode will mine “how young of an audience.’ We hosted the Emmys and did powerfully. Each musical guest booking, the presence of his house much we love the city,” he says, recalling what we normally do on our show. Its ratings were band —world-renowned artists in their own right—and the up from the year before. With ‘The Tonight Show,’ pin-droppingly pristine acoustics of his new “Tonight Show” they’re kind of just letting me do it.” studio at in Manhattan all speak to his attempt to recapture that platelet-rattling, f st-in-the-sky feeling. That dynamism has run through Fallon’s at the “Late Night” franchise, from 2009 through Feb. 7, when the host, 39, of cially was given the keys to “The Tonight Show,” perhaps the most storied franchise in TV history. At “Late Night,” he and his creative brain trust—bandleader Ahmir “Questlove ” Thompson and music booker Jonathan Cohen— have evolved performances from artists as diverse as Mariah Carey, and Chvrches into bona-f de events. With the Winter Olympics as his splashy lead-in, Fallon now faces the herculean task of both hanging on to his fans (which averaged 1.8 million last year, according to Nielsen) and translating that energy to Jay Leno’s more mature audi-

ence (3.7 million) when he takes over “The Tonight Show” BISHOP/NBC (5): LLOYD NIGHT WITH JIMMY FALLON” “LATE IMAGES; BANK/GETTY PHOTO ELLEN MATTHEWS/NBCU MARY RIGHT: BOTTOM IMAGES; BANK/GETTY PHOTO EDELSON/NBCU DANA LEFT: BOTTOM WorldMags.net EKEND 26 BILLBOARD | FEBRUARY 15, 2014 UPDATE 27 Carly Rae Jepsen, Jimmy Fallon Rae Fallon Jepsen, Jimmy Carly Fallon Jimmy Cyrus, Miley Robin Thicke, Jimmy Fallon Fallon Jimmy Thicke, Robin Ylvis, Jimmy Fallon & the Roots Fallon Jimmy Ylvis, Mariah Carey, Jimmy Fallon Fallon Jimmy Mariah Carey, 17,356,263 16,281,343 16,068,192 15,053,050 12,523,520 FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ | 2014 15, FEBRUARY Uploaded: 2012 June 8, Uploaded: Oct. 2013 8, Aug. 1, 2013 Uploaded: 1, Aug. Uploaded: Oct. 2013 9, Performers: Performers: Performers: Performers: Dec. 4, 2012 Uploaded: Dec. 4, & the Roots & the Roots & the Roots Performers: Views: Views: Views: Views: & the Roots Greatest Hits Greatest Views: from the ‘Late Night’ Night’ ‘Late the from The top 5 music videos 5 music The top YouTube channel YouTube Jimmy’s Jimmy’s “Call Me Maybe” Stop” “We Can’t “”“Blurred “What Does the Fox Say?” “What Does Fox the “All I Want for Christmas Is You” Is Christmas for Want I “All , the multiplatinum pop star’s pop star’s , the multiplatinum

WorldMags.netWorldMags.net —Jimmy Fallon —Jimmy No one will testify to this more than Christian Clancy, the former Clancy, Christian than this more to one will testify No Bob Roux, co-president of North American concerts at Live Roux,Bob co-president of concerts Live North American at With that trust in place, Clancy reached out to Cohen a year later to later a year Cohen out to reached Clancy trustWith in place, that To be fair, Conan O’Brien was also a music nerd forging personal forging nerd also was a music Conan O’Brien be fair, To On the day Billboard visited “Late Night,” Bon Iver’s Justin Ver- Justin Bon Iver’s Night,” “Late visited Billboard On the day Tyler, the Creator was booked on the show at Fallon’s behest, even Fallon’s at booked was on the show the Creator Tyler, Although the idea of playing with the Roots lures countless acts to acts countless with the Roots lures of the idea playing Although “I feel like that’s the best example to date of how we can be can of a very we how date to best the example that’s like “I feel friendships with artists (and doing bits with Paul McCartney) years years McCartney) with artists bits with Paul doing friendships (and berlake is just the start: Expect a future announcement from Island Island is juststart: the from announcement berlake Expect a future lake stunt. lake The 20/20 Experience 20/20 of The release the up to facilitate Odd Future associate Frank Ocean’s solo TV debut. The per- Ocean’s associate Frank Future Odd facilitate formance ended with a surprise announcement that Ocean’s highly with a surprise ended Ocean’s formance that announcement ity with those artists.” debuted at No. 2 on the Billboard 200, with 200, 2 on the Billboard No. at debuted Orange Channel us.” for hour changes. It’s like a game of Operation—you have to put them at to of have a game Operation—you like It’s hour changes. though Cohen wasn’t sure the timing was right and Questlove had Questlove and right the timing was sure wasn’t Cohen though the Roots’ accompaniment, the bandleader says, “He was out of was his “He says, accompaniment,the Roots’ the bandleader ter [he performed], he got screamed at and he stormed out. [laughs] out. and he stormed at screamed [laughs] he got [he performed], ter frst album in seven years. in seven album frst the lyrics to “Sandwitches” with cheeky afrmations about staying in about staying afrmations with cheeky “Sandwitches” to the lyrics imagine, because playing TV is one of the least fun things you can can TV you becauseimagine, is one of fun things playing the least into this coaxing process. this coaxing into the show, Questlove has learned that “nine times out of times “nine 10 they’re that has learned Questlove the show, strategic partner to an artist launching a project,” Cohen says. Tim- says. Cohen partner a project,” an artist to launching strategic manizes [artists]. That show gave its audience a peek at a kid that con- its audience a kid that a peek at gave show That manizes [artists]. nects beyond the shock and all the things people think he is,” he says. he says. people think he is,” and all the things the shock nects beyond while we run the song nine times over. Sometimes they’ll 11th- do run the song we over. nine times while says, “but I don’t want everyone jumping on my back.”) jumping on my everyone want “but I don’t says, mind: ‘Yeah, I want a gnome onstage. And then I want to destroy the destroy to And then I want a gnome onstage. I want ‘Yeah, mind: serious reservations. While speaking on the phone to Tyler about speaking Tyler the phone to While on serious reservations. man’—my God—they were scared to death of Tyler,” Clancy adds. adds. Clancy of Tyler,” God—they death to scared were man’—my established artists,” he says. “And Fallon also has close connectiv- also has close Fallon “And he says. artists,” established school and going to church. By comparison, By “when we did ‘Letter- church. to going and school night on iTunes—a full-week digital exclusive, before the CD release. the CD release. before night on iTunes—a full-week digital exclusive, sales of Nielsen SoundScan. 131,000 to sales units, according be- we’ve non happened by the set. fun. for swing to “Basically, Just nervous. Like when M.I.A. came on . . . I know the psychology now. now. M.I.A. when on . . . I know the psychology came Like nervous. gnome.’ I just knew, ‘Oh, God. I’m going to get blamed for this.’” Still, this.’” for blamed get to going God. I’m ‘Oh, I just knew, gnome.’ , whom he met in his “SNL” days. in his “SNL” he met whom Bono, do as a musician.” do ago—which led to ’ weeklong stint on his NBC show stint ago—which weeklong Stripes’ the White to led and playing a monthlong residency there, too. But Fallon’s Fallon’s too. But there, residency a monthlong playing and the Strokes ease.” Often, the deep-breathing yoga techniques he’s learned factor factor learned he’s techniques yoga Often, the deep-breathing ease.” Kings of Leon—sees Fallon’s show as a key way to get visibility. visibility. get to way as a key show of Leon—seesKings Fallon’s Interscope marketing executive who manages hip-hop Odd manages who collective executive Interscope marketing Future, led by controversial frontman Tyler, the Creator. “Fallon hu- “Fallon the Creator. Tyler, frontman by controversial led Future, Nation—who has overseen tours by Springsteen, and and Fire Arcade by Springsteen, tours has overseen Nation—who Def Jam (IDJ) about a big event in fall 2014, in fall event about a big by the Timber- (IDJ) inspired Def Jam , would be available that , would be available Orange debut, Channel Def Jam anticipated and Questlove. “I always enjoy going over there—which is hard to there—which to is hard over enjoy going “I always and Questlove. come friends. We just get along really well,” Vernon says of Cohen says Vernon well,” really along just get We friends. come Timberlake coup entailed a series of exclusive appearances leading appearances a series of entailed coup exclusive Timberlake That’s what makes Fallon, Fallon.” Fallon, makes what That’s Tyler was so reassured by that conversation that he agreed to soften to he agreed that conversation by that so was reassured Tyler They’ll in the dressing room a little too long, room a little in the audienceThey’ll sit the dressing in stay 7-year-old having the time of his life.” (Which was totally cool, Fallon cool, Fallon totally was (Which the time of his life.” 7-year-old having “They do a great job of setting up tour cycles and album releases for for releases and album of job cycles setting up tour “They a great do “Jumping on Fallon’s back [after his performance], Tyler looked like a like looked Tyler his performance], [after back on Fallon’s “Jumping “We had to have 19 meetings about ‘What’s he going to do?’ Then af- do?’ to he going about ‘What’s 19 meetings have had to “We “That pissed of everyone at retail,” Clancy says. “But it was amazing it was “But says. Clancy retail,” at “That pissed of everyone WorldMags.net

Under the watchful eye of executive producer Lorne of executive eye the watchful Under In participating in skits, games and interviews, art- and interviews, In participating games in skits, Historically, Hollywood stars have been the top- have stars Hollywood Historically,

At its most cool, “Late Night With Jimmy Fallon” has Fallon” Night With Jimmy its most cool, “Late At At its most mind-blowing, the show has captured has captured the show its most mind-blowing, At At its most powerful, the show has played host to its most powerful, has played At the show how many ways we could use we the Roots as part ways of many thehow freedom he’s been given: “Lorne and I have worked worked been “Lorne and I have given: he’s freedom Springsteen donned wigs with Fallon to parody him- to with Fallon wigs donned Springsteen billed anchors of late-night TV, in a bid to win big win big in a bid to TV, of late-night anchors billed likes), Instagram (1.1 million followers) and Pinter- million followers) (1.1 Instagram likes), lon have a conversation in hashtags—has amassed a conversation have lon paved the way for such acts as Lorde, Kendrick Lamar, Lamar, Kendrick acts as Lorde, such for the way paved lows us to do things completely unique the show.” to completely things us do to lows performances, that kicked things up a bit,” says Cohen, says up a bit,” things kicked performances, that know Lorne and to have past relationships through past relationships know Lorne have and to ists have been given voices. In collaborating with the In collaborating been voices. given ists have ists alike—a bigger stage, so to speak. Fallon says of the says ists alike—a so speak. to Fallon stage, bigger pop-culture so footprint compelling that has grown under Fallon’s spell. Fallon’s under time chatter. themselves up to all parts of Fallon’s social media all parts up to themselves of Fallon’s to occasionally be granted a minute or two of or two couch- a minute be occasionally to granted lon’s debut “Tonight Show” act after he placed a call to a call Show” he placed act after “Tonight debut lon’s their place: to perform, to shake the host’s hand and hand and perform, to the host’s their place: shake to tastes are similar.” are tastes the program, serenading sleepy viewers. Artists viewers. had sleepy serenading the program, their live show before a national audience—many a national before show withtheir live the Roots as their backing band. “Once we fgured out fgured we band. “Once the Roots as their backing the music industry. Gleefully bilking talk-show con- Gleefully bilking talk-show industry. the music thetic makeup so they can look like Bruce Springsteen. Springsteen. Bruce so look like they can makeup thetic to package musicians as personalities. The show’s personalities. as show’s musicians The package to these years and going to all these shows . . . I just called all these to shows and going these years would come in at fve in the morning to apply in the morning to pros- fve in at would come stampede: YouTube (2 million subscribers), Twitter Twitter subscribers), (2 million stampede: YouTube right), Fallon & Co. fipped & Co. model. They’ve that given right), Fallon ratings. Musicians were shoehorned in at the end of shoehorned in at were Musicians ratings. so closely together over the years, and musically, our and musically, the years, over together so closely mously fastidious about TV appearances, has fallen about TV has fallen mously fastidious appearances, my] Kimmel or [David] Letterman or [Craig] Ferguson Ferguson or [Craig] Letterman or [David] Kimmel my] self circa 1986. Questlove says, “I don’t know if [Jim- “I don’t 1986.self circa says, Questlove ventions, it boasts a deep reservoir of of-kilter ways ways of of-kilter it boasts reservoir a deep ventions, oneer of night-time musical performances in his own oneer of musical night-time est (6,000-plus followers). To put that in perspective, in perspective, put that To followers). (6,000-plus est one skit with Justin Timberlake—in which he and Fal- Timberlake—in with Justin one skit which you don’t have to do it.’” In fact, U2 was booked In fact, U2 was as Fal- it.’” do to have don’t you even elusive Hall of Famers like Prince, who’s fa- who’s Prince, like of Hall Famers elusive even During its fve seasons on the air, “Late Night air, the on seasons fve During its Michaels (the “Saturday Night Live” creator who’s a pi- who’s creator Night Live” “Saturday (the Michaels Roots onstage, artists have been creatively inspired. inspired. been artists creatively Roots onstage, have they’ve of opened the above, in any engaging By a wide swath of performers—indie swath a wide art- and major-label a former senior editor at Billboard. “Their al- presence Billboard. seniora former at editor Fallon disarming legacy artists. the time Bruce legacy Like disarming Fallon With Jimmy Fallon” has become a game-changer for Fallon” With Jimmy Odd Future and dance sensation Disclosure to debut to Disclosure sensation and dance Future Odd That takes commitment.” takes That

Timberlake for fve consecutive nights. “It’s good to nights. “It’s consecutive fve for Timberlake silence on the phone.” phone.” silence on the [some artists] personally: ‘I have this idea, this is the bit,[some artists] personally: ‘I have 21.3 million hits on YouTube. (11.4 million followers), Facebook (1.2 million-plus Facebook (11.4 million followers),

‘SNL,’” Fallon says. “Being around all York New “Being around says. Fallon ‘SNL,’”

‘Can we do it from New York?’ There was just just was There York?’ New do it from we ‘Can “When NBC told me I got the job, I asked, I asked, job, “When the NBC me I got told

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By contrast, on the Jan. 31 show, Vernon volunteered to sit in with Ahmir the Roots and perform his Auto-Tuned song “Woods.” He even took “Questlove” Thompson one for the team by busting out an intro for guest David Beckham. All told, it took the musicians a couple of hours to hammer out their se- lections—a luxury of time for the Roots, who’ve been known to learn a tune in 30 seconds or less. (Once, Paul McCartney asked them—during a commercial break—to back him up on “Lady Madonna.” Questlove makes a freaked-out face. “Then we heard, ‘Five, four, three, two . . .’ Thank God we nailed it.”) “They always make you feel special and encourage you to be your- self,” Vernon adds. “That’s pretty hard when you know the machines that are sometimes behind the music scene these days.”

Like any cultural movement, it’s taken a village to afect change. Here, that’s led by Fallon (the buoyant personality), Questlove (the un- fappable musician’s musician) and Cohen (the brainy straight-man). The lattermost had been at Billboard for almost 10 years when his friend Nick Stern of Vector Management (Phosphorescent, Circa Sur- vive) introduced him to “Late Night” senior talent executive Jamie Granet. “I got hired two weeks before we went on the air,” Cohen re- members. He was given only one directive: “Our voice is the voice of an iPod,” Fallon says, “which is: .” Cohen was a calculated risk. “We met with a lot of people,” says Fallon, who furtively quizzed applicants about music. “The thing with Jonathan that clicked is that I couldn’t stump the guy.” At the NBC studios, the then-fedgling Cohen found a de facto mentor in Jim Pitt, Conan O’Brien’s longtime music booker, of of whom he would bounce ideas. Negotiating the overlap between credibility and accessibility be- came his challenge. “We certainly kept an eye on artists gaining expo- sure through YouTube,” he says. “When ‘Friday’ came out a few years ago, initially I, like every other television booker, was trying to get Re- becca Black on the show. But Jimmy had a brilliant idea: our own lavish, over-the-top version that he and did together. “I get emails from Jimmy in the middle of the night all the time,” Cohen says. The host may send him a list of bands he likes, a song he heard on KEXP Seattle or, in the case of Neon Indian, an act he discov- ered using Shazam in his car. “And I’m defnitely texting Quest at all hours if something pops into my head, asking him if he might help to facilitate it or what he thinks about it.” Questlove, meanwhile, “TiVos all the other talk shows to see who they had on,” he adds. “And some- times I’ll be super-salty: ‘Yo, man, we had the chance to get them, and we passed on it!’” Fallon and Cohen meet “fairly regularly,” at which time Cohen plays him 20-25 songs on YouTube for feedback. “The show is selec- tive,” says Bruce Flohr, who manages Dave Matthews Band at Red Light Management (RLM). “A lot of artists don’t get asked to perform.

Jimmy Vs. Jimmy Fallon and Kimmel’s competition for bookings

fter 11 years on the air, ABC’s Los Angeles-based “Jimmy KIMMEL FALLON Kimmel Live!” is looking forward to being “the only 11:30 BEST VIRAL STUNT: Twerking girl catches on fire BEST VIRAL STUNT: Ode to New Jersey Gov. game in town”—and all the primo music performances (2013) An elaborate video—revealed to be a hoax— Chris Christie’s Bridgegate scandal (2014) Fallon that come with that exclusivity. “It hasn’t really sunk in, showed an attempt at the infamous Miley and Bruce Springsteen mocked the politician Abut it’s about to,” “Kimmel” music booker Scott Igoe says. “My Cyrus dance move that ended in a flame- with a parody of “Born to Run.” phone’s been ringing of the hook.” out. “We just put it up on YouTube and To that end, Igoe notes that “more country and adult contem- let the magic happen,” Kimmel said at BIGGEST CONTROVERSY: Quest- porary artists” like Martina McBride and Eric Church are slated to the time. love vs. Michele Bachmann (2011) take the show’s outdoor stage, which boasts new sponsor AT&T The drummer sparked a media (the program’s multiple song performances will be streamed to the BIGGEST CONTROVERSY: Kimmel firestorm—and nearly got fired—for phone provider’s customers) and room for an audience of 1,000. Jimmy vs. Kanye West (2013) After mocking playing ’s “Lyin’ Ass Bitch” Also planned are more music mini-sets on Hollywood Boulevard, Kimmel the rapper’s spate of nonsensical in- as the walk-on music when the where Justin Timberlake and Paul McCartney headlined in 2013. (left) and terviews, West went on a Twitter rant Republican presidential candidate This coming year, Igoe hopes to shut down the -heavy Jimmy calling the late-night host a “manipula- was a guest. stretch for a full week. Fallon onstage at tive media motherfucker.” West later sat Jay Leno’s exit leaves Conan O’Brien, Craig Ferguson and the 63rd down with Kimmel and hashed it out. MOST MIND-BLOWING PERFORMANCE: Arsenio Hall competing for acts in the after-midnight slot, but, Primetime Bruce Springsteen, and the Igoe warns, with Seth Meyers, Jimmy Fallon and David Letterman, Emmy MOST MIND-BLOWING PERFORMANCE: Prince Roots doing “Because the Night” (2010) “That was “that’s a very crowded atmosphere—and you can’t do Odd Future at Awards in (2012) A 15-minute medley of his greatest hits, the most playing I’ve ever done,” Questlove 11:30.” Although Fallon disagrees with that last part. Los Angeles on Sept. 18, including “When Doves Cry” and “Raspberry Beret.” said two days after the performance. 2011. —Shirley Halperin WorldMags.net JOHN SHEARER/WIREIMAGE 28 BILLBOARD | FEBRUARY 15, 2014 29 Jonathan Cohen Jonathan couch—it’s couch—it’s a certainly ours— goal of mom would mom would hipster my love and love That’s love. spot.” sweet Jonathan Jonathan Cohen finding that finding that friend would would friend was on the on the was the kind of kind of the my that thing — “Barry Gibb FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 2014 | 15, FEBRUARY For one, as of last year, Fallon’s following had a median age of had a median age 53, following Fallon’s as of year, one, last For Tellingly, the new “Tonight Show” teasers cast wide nets. One nets. wide Show” cast teasers the new “Tonight Tellingly, “Barry Gibb was on the couch—he and Jimmy have such a great rap- a great such have on the couch—he was and Jimmy Gibb “Barry “It couldn’t be smoother right now,” Fallon says confdently. So he’s So he’s confdently. says Fallon be smoother now,” right couldn’t “It kind of thing that my mom would love and my hipster friend would friend hipster and my mom would love kind of my thing that kids who’ve dreamed of this moment. dreamed who’ve kids port—and then he played one of his classics with the Roots,” Cohen with the Roots,” port—and one of his classics then he played certainly of spot.” a goal ours—fnding sweet that That’s love. those Show” “The “The for and Daily Colbert Which Report” 42.) are tinued,” plays up the franchise’s storied history, leading to Fallon’s Fallon’s to leading history, storied up the franchise’s plays tinued,” to be worried about.” be about.” to worried with a younger demographic. with a younger just nor- that’s I am. But “Oh, nighttime talk show? the highest-rated sitioning. We’re different people.” different sitioning. We’re means his challenge may actually lie more in recalibrating viewers’ viewers’ in recalibrating actually lie more may his challenge means says. “Something about that felt very ‘Tonight Show’ to me. It’s the It’s Show’ me. to ‘Tonight very “Something felt about that says. as cutesy the host and his band in fashback: depicts It one? recent not waking up in the middle of up in the middle the night in a panic about taking over not waking before he quips, see to a doctor about that,” going me—I’m mal for dience. At the same time, his social media savvy keeps him in touch his social keeps time, the same media savvy At dience. a few years behind Leno’s 58. (By comparison, Conan’s is 36, and is 36, comparison, Conan’s 58. (By behind Leno’s years a few ad features Fallon imitating ’70s-era John Travolta, strutting to the strutting to Travolta, ’70s-era John imitating Fallon ad features Con- Tradition “A the nostalgic Another, Alive.” “Staying ’ adding, “I have a 6-month-old baby, and I have a show. There’s a lot There’s a show. and I have a 6-month-oldadding, “I have baby, chapter with—andchapter this is key—Leno introducing him. And the most “Tonight Show” expectations than scrambling to please an older au- please an older to Show” than scrambling expectations “Tonight

WorldMags.netWorldMags.net In Questlove, Fallon has also a social found media Fallon In Questlove, Show” host O’Brien, unseated due to low ratings ratings due low unseated to Show” host O’Brien, form on. Right of the bat, you have the ability to change change to on.form the ability Right of have the bat, you massive.” was created but the chatter sale, for Jay show. of people than Conan’s generation ferent before,” Fallon says, referencing fleeting “Tonight “Tonight fleeting referencing says, Fallon before,” is totally supportive—he’s onboard. No one’s up- one’s onboard. No supportive—he’s is totally to live by.” live to the musician started connecting with fans more than more startedthe musician with fans connecting the kind of performance you’d normally do.” He argues He normally do.” the kind of performance you’d enough. “Dave momentum is reward the resulting that a song was that wasn’t social It huge metrics. got that was for Odd Future. “That was the moment I realized “That was Future. Odd for was and suddenly it on TV, “I watched he says. arrived,” we time a mu- the frst That’s topics. trending had four we munity site. He considers Tyler, the Creator’s “Fallon” “Fallon” the Creator’s Tyler, considers He site. munity sical act did that. And we felt that’s something we have have something we that’s act did that. felt sical And we sage. A regular tweeter with nearly 3 million followers, 3 million followers, with nearly tweeter A regular sage. set. Maybe that’s something they learned from the the from something they learned set. that’s Maybe Matthews and Jimmy Fallon did something together did something together Fallon and Jimmy Matthews appearance as much a turning point for the show as it a turning point as much the show for appearance a decade ago through , his hip-hop com- Okayplayer, through ago a decade Conan thing, or something they learned from tran- Conan thing, from or something they learned and Leno’s return to late night. “Our show is a dif- show night. “Our late to return and Leno’s “So far, it’s totally different than the way it was it way the than different totally it’s “So far, WorldMags.net

Not everyone agrees. RLM’s Flohr notes that some that la- notes Flohr RLM’s agrees. everyone Not He’s thought a lot about the band’s transition to transition the band’s about a lot thought He’s Like Cohen, the Roots were also a gamble. In “Mo’ In “Mo’ Cohen, alsoa gamble. the Roots were Like “Pull up D Train’s ‘You’re the One for Me,’ like, that like, Me,’ the One for ‘You’re “Pull up D Train’s “I, too, wonder what will happen the super-indie what to “I, too, wonder Swanson, executive VP of media and artist relations at VP of Swanson, media and artist executive relations Show” theme during his chat with Billboard and think- with Billboard Show” his chat theme during hole. And as the band’s infuence has grown, so have infuence so has grown, have And as the band’s hole. bels have stopped artist funding bels have performances on late- big bumps from late-night TV.” To her point, artist IDJ To TV.” late-night big bumps from because that was the hottest thing out there,” he says he says out there,” thing because the hottest was that like to take full advantage of full the reported take advantage $5 million set to like particular texture,” he blurts out mid-interview a to particular texture,” position—you’re featured and talked about in the frst about and talked featured position—you’re people.” But Questlove has a “Tonight Show” contin- has a “Tonight Questlove But people.” units in 24 hours. it’s the far less quantifable benefts that most interest benefts most interest that quantifable less the far it’s last year, he mentions that executive producer Mi- executive that he mentions year, last into the room. He turns his head and looks into space to space and looks into the room. turns his head into He ing out loud about how he’s going to fnd the time to to going ing out loud he’s about how ing to the Roots, Fallon fnally sealed the deal, ironi- the deal, fnally sealed the Roots, ing to Fallon this business,” he says. “In a marketing plan, ‘Fallon’ is plan, ‘Fallon’ “In a marketing he says. this business,” to No. 1 on iTunes, where it moved roughly 67,700 67,700 roughly it moved where 1 on iTunes, No. to that a life-afrming dance-soul waft turn into that groove that music actually pops in your face,” he enthuses. The face,” actually pops music in your that there’s always a sit-in,” he says. “This isn’t a stepchild “This isn’t he says. a sit-in,” always there’s things will be more or less the same: “Expect Odd Fu- “Expect Odd the same: will be or less more things of the transition. he says our show,” to back come to ture tastic guys in the business, he’s creating a new “Tonight a new “Tonight creating he’s in the business, tastic guys write a new opening song for “Soul Train,” also on the a new openingwrite song “Soul for Train,” writing two new songs. two writing tent about the kind of things they want to be to associated they want the kind of about tent things with. That’s a compliment to the show.” to a compliment with. That’s night shows. “They don’t see the beneft,” he says. But he says. see the beneft,” “They don’t night shows. night television has ever been infuential—it more has ever night television re- renovation, which boasts natural-wood walls “built so “built boasts walls natural-wood which renovation, running when ‘Weird Al’ [Yankovic] was here,” he says. he says. here,” was [Yankovic] Al’ ‘Weird running when microphones” and other gear to achieve a crisp sound a crisp achieve to and other gear microphones” and ’60s. the ’50s from ofreminiscent talk shows musician in the next room over. One of the most multi- room over. in the next musician strongly in the late-night efect. “I don’t think late- efect. in the late-night “I don’t strongly space for web-video exclusives. “If I only had a camera “If I only had a camera web-video for space exclusives. six minutes of the show.” He has also instigated some has also instigated He of the show.” minutes six show’s spotlight. secure a spot, to not able “If they’re show’s stealing Fallon’s spotlight. Fallon, however, thought thought however, spotlight. Fallon, Fallon’s stealing ers from soul band Sharon Jones & the Dap-Kings, to & the Dap-Kings, soul Jones from ers band Sharon day’s agenda. High-pitched “Close Encounters” bleeps Encounters” “Close High-pitched agenda. day’s of that to Jimmy Fallon and his buzz factor. We’ve seen We’ve and his buzz factor. Fallon Jimmy of to that discussions about “plugging in” the band’s rehearsal rehearsal the band’s discussions in” about “plugging of O’Brien’s “Late Night” band. After weeks of weeks talk- band. After Night” “Late of O’Brien’s diferently. “We got to go bigger than , Weinberg, than Max bigger go to got “We diferently. give the Roots a more classic sound. would Questlove classic the Rootsgive a more group’s presence has become the show’s ace in the ace has become the show’s presence group’s gency plan in place for artists for in the might not land who in place plan gency always one of the shows many of our artists many per- one of to want the shows always Flohr. “We’re constantly looking for needle movers in movers needle looking for constantly “We’re Flohr. Meta Blues,” the autobiography Questlove published published Questlove the autobiography Blues,” Meta ally has a new resurgence,” she says. “I attribute a lot “I attribute says. she ally has a new resurgence,” IDJ (which counts the Roots believes counts among its acts), (which IDJ afects music sales is still a topic of debate. Laura Laura of is still a topic debate. sales music afects avowed gadget geek has also been “auditioning over 30 over has also been geek “auditioning gadget avowed concentrate on them. concentrate It can be frustrating getting told ‘No,’ but they’re consis- but they’re ‘No,’ told getting be can frustrating It cally in Michaels’ swanky “SNL” ofce. In time, the In time, ofce. “SNL” swanky Michaels’ in cally Channel Orange jettisoned Channel appearance Fallon Ocean’s chaels didn’t want a band with such a strong identity identity a strong a band with such want didn’t chaels Questlove’s ambitions. Questlove’s The degree to which Fallon’s social pull media Fallon’s to which degree The [artists],” he says matter of factly. Fallon maintains Fallon of factly. matter he says [artists],” ‘Late Night.’ We just have the opportunity more just have get to We Night.’ ‘Late “The Tonight Show” and decided to add two horn play- two add Show” to and decided “The Tonight “That would’ve been magical.” Then he goes back to back Then he goes been magical.” “That would’ve “We’ll still be as electric as we were when we fnished we when were as we still be as electric “We’ll 0 PHOTOGRAPHS BY AUSTIN HARGRAVE AUSTIN BY PHOTOGRAPHS

WorldMags.netWorldMags.net WorldMags.net

e acts who will help define 2014 2014 15, | FEBRUARY BILLBOARD 30 WorldMags.net NEW ARTISTS 2014 TO WATCH

n 2014, boundaries, whether music or geographical, will mat- ter less than ever. Case in point: the eight exciting new stars-to-be I here. They hail from the Bay Area, Britain, Guam and their mother’s suburban basement, repre- senting rap to pop to country and everything in between. Their back stories, and ambitions, are just as varied: Singer , who rode two dance and pop collaborations to stardom in Britain, is looking to become the male Adele. The Orwells’ big breakout was stage-humping their way to an encore on “Letter- man .” Two years after emigrating from Guam to Los Angeles, Pia Mia went viral on Keek after singing for Drake, Kanye West and the Kardashi- ans. But all eight acts do have one thing in common: They’re set to be BLOWING UP among 2014’s biggest breakouts.

From left: Sage the Gemini, Pia Mia, Sam Smith, Meg Myers and photographed in Los ERIKA PARSON/CELESTINE AGENCY FOR MAC. MEG MYERS AND BEBE REXHA HAIR BY JULIE FIGUEROA/CELESTINE AGENCY FOR ORIBE. MAKEUP BY LAUREN LANCASTER/CELESTINE AGENCY FOR TARTE COSMETICS. TARTE FOR AGENCY LANCASTER/CELESTINE ORIBE.LAUREN FOR MAKEUP BY AGENCY JULIE FIGUEROA/CELESTINE MYERS AND BEBE REXHA HAIR BY MEG MAC. FOR AGENCY ERIKA PARSON/CELESTINE WorldMags.net Angeles. THE GEMINI GROOMING BY SAM SMITH AND SAGE AND GHD. COSMETICS STILA FOR AGENCY GUERRA/CELESTINE CHRISTINA PIA MIA MAKEUP AND HAIR BY GIUSEPPE ZANOTTI. SHOES BY G-STAR. BY PR. JEANS AND BELT STYLE BY BUSTIER NAVIE. BY JACKET SETH CHERNOFF. BY PIA MIA STYLING FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 31 WorldMags.net

this week, and Emeli Sandé collaborator ’s SAM SMITH “La La La” became the United Kingdom’s fastest-selling Already topping U.K. charts, soulful singer No. 1 single. Highlighted by Smith’s muscular timbre readies stateside breakthrough and impressive range, the songs helped him land Critic’s Choice Award at the 2014 BRITS, and their videos were Dozens of female singers have been touted in recent even bigger smashes online—“La La La” has racked up years as “the next Adele.” But if an astounding 234 million-plus YouTube views. But nei- has its way, the real successor is a 21-year-old English ther clip features an appearance from Smith. guy with a fade haircut and the self-professed goal of So his debut EP, Nirvana, released Jan. 28, is his for- being the next “male diva voice.” mal introduction, with stirring ballads like “Lay Me “The core similarity is the honest lyrics,” Sam Smith Down” and midtempo banger “Money on My Mind,” says a few days before a stateside trip with Disclosure for which Smith recently performed with Taylor Swift when a trio of sold-out performances of their hit single “Latch” her Red tour hit London. His full-length debut, In the in New York. “The songs I’m writing now are so brutally Lonely Hour, is due June 3 stateside. Working with U.K. honest I can’t listen to them with my family. But the mu- songwriter/producer , Smith assembled sic is completely dif erent [from Adele]. a list of collaborators as eclectic as his electronic-soul once said, ‘Always be a f rst-rate version of yourself rath- sound—Disclosure, and Linda Perry , for starters. er than a second-rate version of someone else.’” “It was important for me to be almost limitless when Music fans got an introduction to Smith, one of Capi- I went into writing sessions,” Smith says. “If I wake up SAGE THE GEMINI tol CEO Steve Barnett’s f rst high-prof le signings since one morning and want to sound like , I Newcomer rapper looks to cash in on two - leaving Columbia in 2012, this past year through a pair should be allowed to. Then if I want to sound like Be- friendly Hot 100 hits of guest spots: Disclosure’s “Latch” hits No. 13, a new yoncé, I also should be allowed to. That was my aim —to peak, on Billboard’s Hot Dance/Electronic Songs chart have my voice be all things .” —Andrew Hampp Bay Area rapper Sage the Gemini has yet to release his debut album, but gold and platinum plaques already adorn his wall, thanks to breakout single “Gas Pedal” (featuring IAmSu!) and follow-up “Red Nose.” The videos for both Billboard Hot 100 hits—from Sage’s Gas Pedal EP—have notched more than 71 million YouTube/ views combined, catching the atten- tion of radio, TV programmers (Sage is set to perform on “Jimmy Kimmel Live!” on Feb. 13 and “The Arsenio Hall Show” a week later) and even , who appears on a remix of “Gas Pedal.” Both songs also went viral on Vine and Instagram, inspiring thousands of fan-made dance videos. “I’m keeping kids out of trouble,” Sage told Billboard in September. “Instead of carrying guns, why not give them a new dance to learn?” Sage’s smooth f ow f rst made waves in 2008, when he released “You Should Know” on Myspace. He spent the next f ve years honing his sound, joining forces with Bay Area crew the HBK Gang (aka the Heartbreak Gang) before signing with Republic in 2013. What took so long? “When you’re doing something you love, time passes fast,” Sage says. “One day it’s 2008, and the next day it’s 2014. And now I’m here.” Sage is working on his debut LP, Remember Me, which is due later this spring (pre-orders begin Feb. 11). Until then, he can be heard on labelmate Dev’s Hit-Boy-produced single “Kiss It” as well as “Only That Real,” the formal f rst single from fellow HBK crew member IAmSu!, along with . As for his sound, Sage confesses that even he doesn’t know what to call it. “Maybe it’s the HBK genre,” the rapper/producer says with a laugh. “My music is reso- nating by design. I took time to listen to what was hap- pening musically, and I produced my project based on that—combining multiple sounds to create my songs. I knew it would work, and it did.” —Gail Mitchell

“I’m keepingepingC tkids out of trouble. Instead of carrying guns, why not give them a new dance to learn?” —Sage the Gemini WorldMags.net 32 BILLBOARD | FEBRUARY 15, 2014 PHOTOGRAPH BY JOSEPH LLANES

33 in Los Foxes Angeles. photographed FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ | 2014 15, FEBRUARY

Mia’s moment wasn’t an isolated one, however. By age 11, the Guam-born singer was already already was singer 11, age the Guam-born By however. one, an isolated moment wasn’t Mia’s What happened next is the stuf pop star dreams are made of. Kim Kardashian posted a Keek posted a Keek Kim Kardashian of. made happened are What is the stuf pop next star dreams Mia is at work recording and writing her debut EP, a mix of uptempo and stripped-down songs EP, her debut and writing recording work is at Mia “We were in the middle of eating, and it was really, really nerve-racking,” says the 17-year-old, says nerve-racking,” really of really, middle eating, and it was in the were “We “When I moved out to L.A., my dad wanted me to document my life, so I started life, journals, L.A., document writing “When out to me to my wanted I moved dad my performing professionally at the weddings of Japanese tourists on the island. In 2010, Mia and her Mia In 2010, on the island. tourists of Japanese the weddings performing at professionally is chomping at the bit to go into the studio into go with her.” the bit to at is chomping who counts Kylie Jenner as a close friend and Mariah Carey, and and Celine Whitney Houston Carey, and Mariah friend as a close Jenner Kylie counts who that she describes as “a rhythmic pop sound,” with a heavy dose of frst-person teenage perspective. dose of teenage frst-person with a heavy pop sound,” rhythmic describes as “a she that —Jill Menze —Jill thing.” the same through all going know we’re to teenagers want self. Adding to the pressure cooker? When the request comes from Kanye West while seated at the at seated while West Kanye from comes When the request cooker? the pressure to Adding self. most .” most like mother left her father and siblings behind to pursue her career in Los Angeles. That was where where was That in Los Angeles. pursue her career behind to and siblings her father mother left video of the impromptu performance, which highlighted Mia’s impressive vocal range and went range vocal impressive Mia’s highlighted of performance, which video the impromptu on to garner 1.2 million views. In no time, Mia was felding label requests, eventually signing with signing eventually requests, label felding was Mia In no time, 1.2 million views. garner on to eventually, Interscope president of urban records Joie Manda, who was, in a word, wowed. “She has wowed. in a word, was, who Manda, Joie of records urban Interscope president eventually, It’s not every day that you’re asked to sing “Hold On, We’re Going Home” in front of Drake him- of in front Drake Going Home” On, We’re “Hold sing to asked you’re that day not every It’s Kardashians’ dinner table. Kardashians’ Mia met manager Neima Khaila, who signed her to management company 88th Commission, company and, management her to signed Khaila, who Neima manager met Mia as infuences. “I was so nervous I changed the melody of up liking it.” the song, ended as infuences. so I changed “I was nervous but Drake Interscope in December. “I’m a person that goes of vibes,” she says. “Interscope was what felt felt what “Interscope was says. she of a person goes vibes,” that “I’m Interscope in December. an incredible voice, her style is amazing, and she’s a beautiful young girl,” Manda says. “Everyone “Everyone says. Manda girl,” a beautiful young is amazing, her style and she’s voice, an incredible and I like to write [songs] from them,” she says. “I need to relate to what I’m singing about, singing and I I’m what to relate to “I need says. she them,” from [songs] write to and I like PIA MIA PIA Viral video star connectionViral typical is not your with Kardashian teen sensation WorldMags.netWorldMags.net WorldMags.net . But the record, which is which the record, . But

Foxes, who’s as enthusiastic and cheeky in conversation conversation in and cheeky as enthusiastic who’s Foxes, Foxes, however, wants to take her time getting there. there. her time getting take to wants however, Foxes, Two tracks, “Youth” and “,” have have Tonight,” and “Let Go for “Youth” tracks, Two “We’re trying to fll out her story more,” RCA head of head RCA more,” fll out her story trying to “We’re been released in the United Kingdom. Foxes’ U.S. label, label, U.S. Foxes’ Kingdom. in the United been released be touring “a shitload,” she says, including U.K. dates in dates U.K. including says, she shitload,” be “a touring ing into her debut album, Glorious her debut ing into but with the record as good as it is there’s a tremendous a tremendous as good as it is there’s but with the record priority is helping fans get to know Foxes beyond “Clarity.” beyond Foxes know to get fans is helping priority pop/rock marketing Aaron Borns says. “She’s a pop artist “She’s Borns says. Aaron marketing pop/rock then a U.S. run later in the year. In the meantime, RCA’s RCA’s In the meantime, in the year. run later then a U.S. with a little bit of mystery. We want her to be her to want one of the We bit ofwith a little mystery. rows of seats to jump on her collaborator Zedd. so “I was collaborator of jump on her to seats rows the mouth,” gum in my I had chewing not expecting it that want to seed it a bit frst.” —Emily Zemler seed to want it a bit frst.” more than a year ago, to thank for much of much the hype thank for to lead- ago, than a year more slated for a May release, reveals an entirely new side of new side the an entirely reveals release, a May for slated singer, who has also guested on tracks by and Out by Fall has also who guested on tracks singer, says. “‘Clarity’ is an EDM track. My music has dance ele- has dance music My track. is an EDM “‘Clarity’ says. ments but it’s a lot more organic. It’s kind of a big diary.” like It’s organic. more a lot ments but it’s takes a left turn new forces in mainstream pop. It’s a lofty goal, obviously, obviously, a lofty goal, pop. It’s in mainstream new forces on Zedd’s “Clarity,” a dance-pop number she recorded a dance-pop number recorded she “Clarity,” on Zedd’s ready for a while,” she says. “But I want to push ‘Youth,’ push ‘Youth,’ to want I “But says. she a while,” for ready When “Clarity” was announced as best dance recording recording as best dance announced was When “Clarity” at the Grammy Awards, Louisa Roseby goes Allen, who Awards, the Grammy at Foxes, threw her purse into the air and climbed over two over climbed the air and her purse into threw Foxes, British singer says. “It was hilarious.” was “It says. singer British as she is enigmatically sultry in her music, has her feature has her feature sultry in her music, is enigmatically as she . “‘Clarity’ defnitely put me on the map, and defnitely Rudimental. “‘Clarity’ I’m very grateful, but it’s more Zedd’s baby than mine,” she than mine,” baby Zedd’s more it’s but grateful, very I’m RCA, is pushing the former on pop radio. Foxes will also Foxes RCA, on pop the former is pushing radio. February and March, an Australian tour with Bastille and with Bastille tour an Australian and March, February amount of potential.”

and then another single, rather than just put it all out there. just than put it all out there. rather and then another single, but I me, for big goal fulfllsPutting a pretty out an album FOXES

After winning a Grammy with Zedd, British singer winning a Grammy After “The album was fnished a couple of months ago. It’s been It’s of a couple months ago. fnished “The was album S CVAR. HEATHER BY MAKEUP AND HAIR ANGELES-WESTWOOD. LOS W. OF COURTESY LOCATION FOXES: WorldMags.net

MEG MYERS Los Angeles singer lays bare with brutally honest major-label efort

Los Angeles singer Meg Myers has a major-label deal with Atlantic Records, but commercial success is far from her mind. “I’m not like, ‘I want to be famous!’” BEBE REXHA says the 27-year-old Tennessee native, now based in Singer/songwriter channels inner demons into hits for Los Angeles. “If I’m true to myself and that comes next, Eminem, and then that’s awesome.” It’s not the typical artist development story, but Though they probably don’t yet realize it, pop fans are already familiar then again, Myers isn’t your typical musician. On her with the work of singer/songwriter Bebe Rexha. After being dropped 2012 debut EP, Daughter in the Choir, Myers delivered from Island Def Jam, Rexha poured her frustrations into an early ver- a strikingly visceral feeling and the sort of deeply re- sion of what eventually became Eminem and Rihanna’s No. 1 smash latable angst artists like came up on. The “The Monster,” which she co-wrote. She also sings on Cash Cash’s result is at times guttural and primitive in its execution, “Take Me Home,” which hits a new peak of No. 79 on the Billboard which is exactly what Atlantic and producer Doctor Hot 100 this week. Rexha has come a long way since 2012, when she Rosen Rosen (Drake, Katy Perry) are counting on with parted ways with Pete Wentz’s Black Cards and fell into a follow-up EP Make a Shadow, out Feb. 11. deep depression—one that later helped inspire her songwriting break- “I’ve never gone into making music with a vision through for Eminem. ahead of time,” she says. “We just wanted it to be more “I thought I was losing my mind. I started seeing therapists,” she re- stripped down and more emotional.” calls. “I found a quote online that said, ‘If we stop looking for monsters So far, the label has unveiled videos for two tracks under our beds, we’ll realize they’re inside us.’ I thought, ‘This speaks of the EP, including a haunting (both fguratively and to me. I may be a little of, I may be depressed, but it’s whatever.’” literally) clip for impassioned single “Desire” in which Now signed to Warner, Rexha is at work preparing her debut al- Myers plays out a love scene with a ghostly, invisible bum, which she hopes to release in the fourth quarter. It will be led partner. There will be more videos and a lot of touring by the single “Timeframe,” set for spring. She speaks glowingly of a to come: After opening several dates for the Pixies last pair of planned singles—“I Can’t Stop Drinking About You” and “Cry fall, Myers will perform at South by Southwest and sev- Wolf”—and album cut “So What I’m Fuckin’ Crazy” is another dive eral summer festivals, including Governors Ball. into Rexha’s struggles. Billy Steinberg and producer Fraser T Smith But Myers says her biggest milestone for 2014 is are among her songwriting and production collaborators. completing her unscheduled, still-untitled debut full- “I love alternative, I love EDM, I love pop—the album is all my favor- length—for artistic and emotional reasons, not proft- ite things put into one,” she says. able ones. “As long as everything that comes out is hon- Rexha will also be featured on an upcoming single, est and real, then I’m happy.” —Emily Zemler and her manager Chris Anokute says Usher is considering a song she co-wrote with Max Martin. But despite her collaborative successes, Rexha wants to carve out her own space with her album. “If you chase mainstream radio, you’re already too late,” she says. “I want to do something WorldMags.netfresh and unique.” —Chris Payne 34 BILLBOARD | FEBRUARY 15, 2014 THE ORWELLS PHOTOGRAPH BY SAVERIO TRUGLIA. DAN & SHAY PHOTOGRAPH BY SARAH BARLOW AND STEPHEN SCHOFIELD. WorldMags.net

THE ORWELLS reckless energy of Georgia band Black Lips, an obvi- From left: Feisty fi ve-piece graduates from the garage to ous inf uence on “Who Needs You.” “We would see The Orwells’ Matt O’Keefe the national stage them live in high school and their shows were bat-shit (guitar), twin insane,” O’Keefe recalls. “They were like nothing I’d brothers David Letterman rarely requests an encore from his ever seen before.” Henry (drums) and Grant musical guests. But garage-punk band the Orwells The Orwells, who still rehearse in O’Keefe’s (bass) Brinner, so impressed with their lively late-night debut on Jan. mother’s basement, recorded their f rst album for Mario Cuomo 15—which featured rambunctious frontman Mario roughly $300. Now, on an imprint of Atlantic, they’ll (vocals) and Dominic Cuomo writhing across the studio f oor—that the host enjoy substantial backing during the leadup to the Corso (guitar), demanded more. release of their still-untitled major-label debut this photographed “I’d never seen Letterman do that—I was like, ‘Is summer. After serving as primary support on Arctic outside O’Keefe’s this a joke?’” says Matt O’Keefe, who, having already Monkeys’ American tour, the band will set sail to the mother’s broken all his guitar strings playing single “Who Bahamas aboard the Cruise and headline gigs house in Needs You,” was in no position to take up the host’s in the United Kingdom and North America through Elmhurst, Ill. of er. So instead, Paul Schaef er led the early April. Produced by Chris Coady, Jim Abbiss and in a gleeful take on the Orwells’ song—and even laid TV on the Radio’s Dave Sitek, the album will feature down on the f oor to imitate Cuomo’s hip thrusts. “Who Needs You” as its lead single, which has racked The Orwells had arrived. Two years prior, an up its f rst radio add at ’s WKQX, the band’s equally frenetic CMJ Music Marathon show led Can- hometown alt-rock station. vasback Records A&R rep Daniel Chertof to sign the All this before any of the band members have band. “You never know where they’ll go,” Chertof turned 21. They may not be old enough to enter most says. “Every performance is dif erent and exciting.” of the venues they’ll be raising hell in this year, but The Orwells formed in the Chicago suburb of Elm- they’ve found ways to make do. “We’re still underage, hurst, Ill., in 2009, when their f ve members were still drinking in the van in the parking lot,” O’Keefe says. in high school, inspired by suburban angst and the “It’s our trademark.” —Chris Payne

"We're still unde ,drinking in the van in the parking lot. It's our trademark." -Matt O'Keefe, the Orwells

DAN & SHAY Country duo ready to make near-overnight success last

It’s been a fast and furious ride for Dan Smyers and Shay Mooney, col- lectively known as Dan & Shay. Less than a year after they met at a party, the duo charted its f rst single, “19 You + Me.” In its 17th week on Billboard’s Country Airplay chart, the song has reached No. 17, and also cracked the Billboard Hot 100, moving 78-85. Their rapport was instant and their output prolif c. The morning af- ter the party, the pair began writing together. By day’s end the two had a song on hold for . “It just worked musically,” Mooney says. “It was the direction we were both trying to get to for so long.” The pair kept writing, sometimes up to three songs a day. “Within two months, we had 10 publishing of ers,” Smyers says. The idea to join forces as a recording duo wasn’t immediate, they say—until women kept asking them to perform together at par- ties. “There was a point where we realized, ‘This is really cool,’” says Mooney, who was previously signed to T-Pain’s Nappy Kid Entertain- ment as a solo artist. (“I was a redneck in an urban world,” he recalls.) Warner Music Nashville president/CEO John Esposito, who signed the duo, says the focus is now on trimming the voluminous number of songs the act has recorded down to the dozen that will be on Dan & Shay’s still-untitled April 1 debut. “We’ve got six or seven cued up to be single No. 2,” Esposito says. “It’s not a bad problem to have.” The pair, which nabbed an Academy of Country Music Award nomination for vocal duo of the year, will tour with labelmates Hunt- er Hayes in March and Blake Shelton in the fall. Smyers says he’s not the only one who’s excited. “My mom’s already asked, ‘Can you get Blake’s autograph for me?’” —Melinda Newman

Dan & Shay photographed THE ORWELLS: GROOMING BY MORGAN BLAUL; DAN & SHAY: GROOMING BY TIANNA CALCAGNO. GROOMING BY & SHAY: DAN MORGAN BLAUL; GROOMING BY THE ORWELLS: in Nashville. WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 35 WorldMags.net

GIO DAFTPUNK'S1111 DON HOW THE 73-YEAR-OLD EDM PIONEER RETURNED AS THE SPIRIT OF THE ROBOTS

Producer Giorgio Moroder, who helped invent disco in the 1970s with soundtracks like . I don’t know how many samples they took from that. (“,” “Love to Love You Baby”) before conjuring the ’80s synth sound of f lm In f lm, I was surprised when I f rst saw the movie “Drive.” I said, “Oh, God. It sounds soundtracks (“Scarface,” “,” “”), disappeared from pop great—I love it. Wow, this could be the soundtrack from ‘American Gigolo’ or ‘Cat culture for two decades. Catapulted back into the spotlight with an unexpected starring People.’” But I’m surprised that the director would agree with a composer to write that role on Daft Punk’s 2013 megahit release —a four-time kind of sound. Grammy Award winner, including album of the year—the 73-year-old is basking in In the early ’80s, my sound—especially that mysterious kind of synthesized EDM’s ecstatic embrace, working on a new record, remixing ascending acts like Haim to sound that was used so much—every relatively cheap TV show eventually had it blogosphere acclaim and DJ’ing before jubilant international crowds of tens of thousands because it’s not expensive. It’s just one guy doing the whole soundtrack. So it was easily young enough to be his grandkids. Billboard asked Moroder to ref ect on his overdone. But the great thing is now the quality is so much more interesting. Think remarkable re-emergence. of what did in “The Social Network”—those beautiful, sparse sounds. I’d like to do it again myself. I was supposed to do a movie, which I cannot mention. The budget was OK—nothing great, because even in movies, they don’t ntil recently I was mostly playing a lot of golf. I picked it up while pay millions anymore. My agent saw, I think, 20 minutes and he hated it. So I living in a small city in the Dolomites [in ]. One day I was putting didn’t do it, thank God. To have my f rst movie after all of these years f op? That on a hill in Zurich, and a few hundred yards away was would have been terrible. U doing a sound test at an arena for a performance that night of “Take This year I’ve begun DJ’ing, and it keeps growing. I have to tell you it’s absolutely My Breath Away,” my song with her. That was a very nice game, an incredible. I did some gigs as a singer 30 years ago and it was terrible. I didn’t have incredible feeling. the voice, or I was nervous, or I couldn’t remember the words. The day before I But now I’m too busy for that. Things have come around for me again. It started couldn’t sleep: “Am I going to be able to reach that note?” with the Daft Punk song “,” from their new album. I didn’t have Now I do an hour-and-a-half [of DJ’ing] but if they would let me, I would do two any idea what they would have me do when they called me in to their studio on La hours. The audience goes and doesn’t stop. At the end I do “Call Me” and it’s the Cienega [in Hollywood], around the time they were working on . My agent was end of the world. In Mexico, the audience of 20,000 was still shouting “Giorgio! talking to their manager, Paul Hahn. Paul said, “Why don’t we set up a lunch?” I went Giorgio!” as they took me out. “Sorry, I have to go.” there; they showed me their . Now I’m talking to a hotel in [Las] Vegas to do a disco-themed club show. I don’t I brought my son. At the time he was 22. Kids: They are not too easy to impress. know yet if it’s once or twice or three times a week. I have to think about it. I may get Growing up, he was heavy, heavy into Korn and Linkin Park, and I didn’t do too an apartment. The traveling I am already doing is quite demanding: Tokyo, Berlin, much in the last 20 years. But he loves the Dafts so much. For him, I grew in his Paris. I am 73. esteem enormously. Of course, there’s also a new club named after me—Club Giorgio. Bryan Rabin It’s interesting to see the rise of EDM. Obviously the movement of the past plays disco music at the Standard on the Sunset Strip. I went one time—he invites f ve, six, seven years took a lot from “I Feel Love.” When I speak to David Guetta me every weekend but my wife loves it so she goes there once every few weeks. I or or Tiësto, that’s the f rst thing they tell me. Then they tell me about don’t because I want to keep a little bit of mystique. —As told to Gary Baum MORODER GROOMING BY HELEN ROBERTSON FOR SMASHBOX COSMETICS AT CELESTINE AGENCY; MORODER & DAFT PUNK: MARK DAVIS/WIREIMAGE; MORODER & DONNA SUMMER: ECHOES/REDFERNS; MORODER DJ’ING: GABRIEL OLSEN/FILMMAGIC MORODER DJ’ING: MORODER & DONNA SUMMER: ECHOES/REDFERNS; MARK DAVIS/WIREIMAGE; PUNK: MORODER & DAFT AGENCY; CELESTINE AT COSMETICS SMASHBOX FOR HELEN ROBERTSON MORODER GROOMING BY WorldMags.net 36 BILLBOARD | FEBRUARY 15, 2014 PHOTOGRAPH BY DAVID BLACK WorldMags.net

Giorgio Moroder photographed in Los Angeles. Opposite page: Moroder with one of the Daft Punk robots at the Grammy Awards on Jan. 26, with Donna Summer circa 1976 and performing at HARD Day of the Dead in Los Angeles on Nov. 3, 2013.

WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 37 WorldMags.net From to —and that’s just the A’s—29 of the most highly anticipated HEAR releases of the coming season, including , Shakira and even the late, great &NOW (-11kr\

SCHOOLBOY Q t/// Oxymoron, Feb. 25 L Interscope/ /7"-- M \\, Terrence Henderson, Dave Free and Moosa, Top Dawg Entertainment B Caroline Yim and Zach Iser, ICM Partners -1 Following Kendrick Lamar is no easy task, but ScHool- boy Q, his labelmate , is out to do just that with his major-label debut, Oxymoron. The album, and its title, were inspired by the rapper’s life, in which he '------has gone from drug dealer to successful artist and father. “It’s doing bad for good,” the 27-year-old says. “But I’m not in the streets now—I have to provide for my family. I can’t talk to my daughter on the phone from jail.” Q’s last album, 2012’s Habits & Contradictions—re- leased just before Top Dawg’s 2012 deal with Aftermath/ Y--1-----\ Interscope—garnered critical acclaim but only sold \ \ 46,000 copies, according to Nielsen SoundScan. But if,,,,..--.--'1/---- now Q and Top Dawg have major-label muscle behind them, which helped fuel the success of Lamar’s good kid, m.A.A.d city. The executive producer of that album, Aftermath head Dr. Dre, didn’t contribute to Oxymoron, although Q says Lamar, who appears on melodic lead single “Collard Greens,” was “unof cial A&R.” Q guests on Macklemore & Ryan Lewis’ hit “White Walls,” which sold 1,247,000 downloads. His own new singles—“Collard Greens,” “Man of the Year,” “Break the Bank”— haven’t gained near that level of traction . “Kendrick didn’t have a big-ass single before his album dropped, which gives me hope,” he says. “ I’m going to shoot for my core fans. They made it possible for me to succeed, not the radio. Good music is —it ( speaks for itself.” —Sowmya Krishnamurthy

\ / \------1;.-' ,-7,77--"4N, 0....-: ,,itg-A4,..., '-,"`ClIt...----.10:41);' . ',----'--\\,,s V i.k ,P;-?0,..go, ti-2.-),A-zyvU).0. Feb. 25 ,..t-ii-Ast,, ,....,tpro.. ,4--t%)"(-`-''. , L Capitol --.4tr, M (- _,,,,:, Bill Silva, Silva Artist Management B Creative Artists Agency

0:-,w For his first proper album since 2008’s Modern Guilt, Beck has signed with Capitol and returned to the sound and team of musicians (guitarist Smokey Hormel, bassist Justin Meldal- Johnsen and drummer Joey Waronker among them) that shaped 2002’s somber, acoustic Sea Change. Even further indebted to Laurel Canyon ’70s rock than its counterpart, Morning Phase is Beck stripped down to layered falsetto WorldMags.net RAKSHA Q: RENATA SCHOOLBOY 38 BILLBOARD | FEBRUARY 15, 2014 ILLUSTRATION BY DAVID JOHNSON WorldMags.net L Label M Management B Booking M W

harmonies (“Turn Away,” “Morning”), crisp TH FRAY guitar work (first single “Blue Moon,” “Heart Is a Drum”) and lyrics that find him mournful but in a hopeful state (“Blackbird Chain,” “Wave”). Miss the kitchen-sink-beats Beck? Another, more rhythmic collection, including 2013 one-off singles like “Gimme” and “I Won’t Be Long,” is expected later this year.

THE FRAY ELIO' Helios, Feb. 25 L Epic album. “Be loud, be bold, be yourself, Up!” is poised for a solo breakthrough of his YG M Ken Levitan and Kevin Spellman, Vector whether or not people understand,” Michele own with “The Man,” thanks to prominent My Krazy Life, March 18 Management says. “That’s what I think of when I think placement in a series of TV commercials for L B Jonathan Adelman, Paradigm Agency of the album.” That ethos is evident on the Beats by Dr. Dre. “It’s great to taste what it Def Jam/CTE M set’s debut single, “Cannonball,” which feels like to have a top 10 single, but to now Russell Redeaux, Stampede is both more aggressive and more packs the of a Demi Lovato ballad have my name attached to it? Even better,” Management B optimistic than ever before on its fourth and reached No. 75 on the Billboard Hot 100 Blacc says. “It just goes to show the active Mitch Blackman, ICM album, which frontman says late last year. It was co-written by Sia, who ingredients in my songs—my lyrics and is the result of the four members “being joins and the Messengers as my voice.” And that’s just the beginning. Years after his 2009 breakout hit “Toot in a great place” in their lives and working collaborators on the album. Lift Your Spirit has plenty of modern-soul It and Boot It,” YG finally returned to the with new collaborators like producer Stuart anthems in the vein of and charts last year with bouncy single “My Price. “Each of us got pushed sonically RICK ROSS Marvin Gaye, with production from DJ Khalil Hitta,” the first off his forthcoming debut, and lyrically into new territory,” Slade says. (Eminem, Kendrick Lamar) and Pharrell. My Krazy Life. The LP is a concept album March 4 In addition to Price, such songwriting Mastermind, Advertisers have already noticed: The that follows of the 23-year- collaborators as Matt Hales (aka ), L Def Jam strutting “Can You Do This” was featured old navigating the streets of Compton, Relient K’s Matt Thiessen, Busbee and Brett M Gucci Pucci in a Beats Music ad during the Super Bowl, Calif. “A lot of people know my music but James were recruited, along with a first-ever B Tawanda Roberts and “Ticking Bomb” provided a tense don’t really know me,” YG says. “They don’t teaming with fellow Denverite Ryan Tedder backdrop for EA’s “Battlefield 4” trailer. understand the lifestyle where the music on the single “Love Don’t Die,” currently at Rick Ross’ sixth solo album has seen its comes from. I want to give [listeners] a No. 10 on Billboard’s chart. share of delays. But there’s been as much, JUANES piece of my life.” The album’s artwork is a if not more, anticipation, thanks to street recreation of YG’s mugshot from a 2009 March 11 singles “No Games” (featuring Future) and Loco de Amor, robbery conviction. Longtime collaborator the brassy “The Devil Is a Lie” (featuring Jay L Universal Music Latino DJ Mustard is executive-producing the Feb. 25 Riser, Z), and the announcement of an unlikely M Rebecca Leon project along with Young , and Drake L Capitol Nashville collaboration with former rival Young Jeezy B Michel Vega, William Morris Endeavor makes a standout appearance on the M Mary Hilliard Harrington, the titled “No Wars.” Mastermind arrives on second single, “Do You Love.” Greenroom, and Coran Capshaw, Red Light the heels of 2012’s God Forgives, I Don’t, Following his 2013 MTV Unplugged set, Management which debuted at No. 1 on the Billboard Juanes returns to the studio for an earthier B Jay William, William Morris Endeavor 200, and a controversy over lyrics that led sound, simpler melodic lines and joyous Supermodel, March 18 Reebok to drop the rapper as a spokesman. lyrics befitting the album title, which L Seven albums into his career—including Sean “Diddy” Combs mixed the set, which translates to “crazy for love.” The LP is a RCA M four No. 1s on Billboard’s Top Country includes production from and departure in many ways: It marks producer Brett Williams and Brent Kredel, Albums chart—Dierks Bentley goes deeper Mike Will Made It. Steve Lillywhite’s first Spanish-language Monotone B than ever for his latest, Riser. Fueled by album and Juanes’ first co-writes, with pals Kirk Sommer and Dave Tamaroff, William personal triumph and tragedy, Bentley says ALOE BLACC Miguel Bosé and Emmanuel del Real of Cafe Morris Endeavor “lyrics of substance and weight, relief and Tacvba. Recorded entirely with acoustic March 11 escape informed the songs. Sometimes Lift Your Spirit, , the album centers on love. “I believe Following up 2011’s Torches, which you need life to kick you in the ass. My dad L XIX Recordings/Interscope love is the most powerful energy we have in featured breakout hit “Pumped Up Kicks,” passing away at the start of the project and B Brian Edelman, William Morris Endeavor this life,” Juanes says. “I wanted to put a Foster the People partnered with producer my son being born at the end did just that.” of love through a prism. It’s all the different for a more raw and organic Kacey Musgraves, and The uncredited voice on Avicii’s “Wake Me approaches love has in relationships.” sound. Epworth and frontman Mark Foster Charlie Worsham are among the guests features on the 12-track set. Bentley worked with producers Arturo Buenahora Jr. and Ross Copperman for the first time, and says they helped him explore new ground and sounds. “We kind of threw out the rule book and went exploring.” ELI YOUNG BAND 10,000 Towns, March 4 DUCK St Quack, March L Republic Nashville M George Couri, Triple 8 Management L Fool’s Gold B Brian Hill, Paradigm M TMWRK Management (A-Trak), X-Mix Productions () B Sam Hunt, Windish Agency The 2011 album Life at Best yielded Eli Young Band’s first two No. 1 singles, the The long-awaited debut album from Duck Sauce, Quack, will fnally be released this ballad “Crazy Girl” and midtempo anthem “Even If It Breaks Your Heart.” The goal with year, and despite the duo’s 2010 surprise hit “” (nearly 70 million 10,000 Towns was to keep the commercial YouTube views and counting), it’s packed with dancefoor-fllers, not novelty tracks. attention while better representing the Star DJ/producers A-Trak (born Alain Macklovitch) and Armand van Helden were group’s onstage energy. “We make records inspired by the early work of , sample-heavy afairs with narrative themes to go play them out live,” guitarist James Young says. “For the sake of the set, we and invented characters—like, you know, alien ducks. “Those albums were so visual— needed some more rockin’ tunes.” The you could imagine yourself ficking through crates of records,” A-Trak says. first two singles, “Drunk Last Night” (No. The pair refers to Quack as partly a comedy album, and the skits are hilarious— 1 on Billboard’s Country Airplay chart) particularly one that re-imagines Wu-Tang Clan’s “Torture” as an emo-hipster’s Ok- and just-released “Dust,” underscore that Cupid profle. But it’s a club juggernaut too, manipulating obscure disco samples into commitment and the project’s gritty tone. irresistible modern-day party-starters. The rights clearances of all those snippets de- layed the album’s release for more than a year. “Every track has a sample,” A-Trak says. “[Our managers] had to track down license holders for old, bygone records.” Louder, March 4 Not concerning themselves with those details contributed to their freedom in the L Columbia Records M Alissa Vradenburg, Untitled studio, where, Van Helden says, the duo’s camaraderie and shared musical history Entertainment make almost anything possible. “All our studio sessions are based on ‘fukiness,’” he B William Morris Endeavor says. “The whole magic behind Duck Sauce is the fuke potential.” “We just created the album we wanted to make,” A-Trak says. “Now the duck fies Five years after “Glee” debuted, star Lea Michele is finally ready to release a solo of, and we’ll see how it goes.” —Kerri Mason DUCK SAUCE: COURTESY OF BIZ3 COURTESY DUCK SAUCE: WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 39 WorldMags.net

kicked off the writing process in late 2012 it appears a little change has done Kylie June Carter Cash and — lyrics and velvety vocal takes. The singer in Morocco—an influence that resonates Minogue good. “I truly had an epiphany that recorded in Nashville in 1981 and 1984 stays true to her feelings, good or bad, throughout the disc’s 11 tracks. The band I needed an epiphany and then, kablam! Lots and produced by Billy Sherrill, then- whether fighting herself for an old love— unveiled surging single “Coming of Age” and lots of new things,” she says of the new head of A&R at CBS Records Nashville. ex-husband , maybe?—on “Rumble,” or last month and will release several more moves and the new sound on her follow-up to Cash’s son, John Carter Cash, along with doing the opposite and letting herself fall tracks leading up to the album’s release. 2010’s Aphrodite. Armed with a fresh batch of co-producer/archivist Steve Berkowitz, for the innocence of a phone call on “Bless “The single served as a good bridge from songs from extra-now collaborators like Ariel enlisted Marty Stuart—who plays guitar the Telephone.” our first record into a more guitar-driven Rechtshaid (soaring electro-ballad “If Only”), and mandolin on the album—Buddy album,” Foster says. “There’s some songs Pharrell (funked-out “I Was Gonna Cancel”) Miller and Carlene Carter to collaborate that still have the celebratory familiar and (the sumptuous title in restoring the recordings. The album is sound of Foster the People, but there are track)—not to mention co-executive producer a global priority for Sony Music, and John Pop Psychology, April 22 L others that are going to surprise people. It’s Sia—the 45-year-old artist is as primed for a Carter Cash will be the spokesman for it. Island Def Jam a darker record.” stateside resurgence as ever. Euphoric lead “It’s a previously unheard treasure from a M Indegoot single “Into the Blue” is already reminding period of dad’s life when he was in a true B David Klein, Creative Artists Agency fans why Minogue is in a class of her own. prime,” he says. “His voice is perfect and the songs are unforgettable.” Utah’s Neon Trees follow up the top 10 Kiss Me Once, March 18 JOHNNY CASH success of their 2011 single “Everybody L Warner Bros./Parlophone SHAKIRA Talks” with a new album named in M Out Among the Stars, March 25 Roc Nation reference to frontman ’s recent B Creative Artists Agency L Columbia/Legacy Shakira, March 25 stint with a psychologist. “I was at such a L RCA/Sony Latin Iberia low point and I blamed the band and the With new management and a new U.S. The Man in Black lives on in 2014. Sony M Roc Nation lifestyle,” he says. “Talking to someone, label (Warner Bros., following Warner has restored a dozen recently discovered B Live Nation and really sorting out the weight that I was Music Group’s acquisition of Parlophone), Johnny Cash tracks—including duets with carrying in my head, spurred on a lot of Shakira’s new self-titled set, her first album truth in these songs.” Glenn again teamed in three years, aims to “reveal my current with producer and Sugarcult frontman Tim sentimental state,” the Latin superstar said Pagnotta and, in the end, produced a slick in a recent YouTube video. And what a fine batch of chorus-driven new wave nuggets. state it is: The 37-year-old is in a thriving “It’s as much a pop record with treated relationship with soccer star Gerard Pique, sounds and designed synths and catchy father to her year-old child Milan, and living songs as it is a rock record recorded as a the good life in Barcelona. First single band playing the instruments and bringing “Can’t Remember to Forget You” (featuring it to life,” Glenn says. Rihanna) is No. 15 on the Billboard Hot 100, and has garnered more than 71 million CHROMEO views on YouTube. The song, and the album overall, evokes Shakira’s beginnings as a White Women, April self-proclaimed “rock chick,” she said. “I L Parlophone/Atlantic wanted to go back to my roots.” Sia and M Kevin Kocher, TAO Ne-Yo also guest on the album, and John Hill B Sam Hunt, Windish Agency and Greg Kurstin are among the producers. Shakira’s return to the judges’ panel on the Chromeo has been partying like it’s upcoming season of NBC’s “The Voice” will 1977 for a decade now, and with Pharrell give the album a huge boost. and Daft Punk pushing disco back atop the Billboard Hot 100 and the Grammy Awards, the funky Canadian duo has a chance to transcend its cult status. “The Testimony, April 15 album has a postmodern, schmucky, L NNTME/Def Jam Larry David sensibility,” frontman Dave M Donald Albright and Henry “Noonie” Lee, Macklovitch says. Joining the fun are guest NNTME vocals from past collaborators Solange and B Cindy Agi, William Morris Endeavor ’s Ezra Koenig, as well as an eye-opening vocal performance from “My music is a gift from God that saved Toro y Moi’s Chaz Bundick, who sheds his my life,” August Alsina says. And he’s not indie inhibitions and goes full-on pop- kidding. Born into a family where drug on single “Come Alive.” And yes, there is a and alcohol addiction were a constant, the saxophone solo. 21-year-old soldiered through the 2010 iviARTINAMcBRIDL murder of his older brother Melvin—who ENRIQUE IGLESIAS Everlasting, April 8 inspired the New Orleans-born talent to pursue his musical ambitions. Alsina’s TBA, April L L candid portrayal of that upbringing Republic/Universal Music Latino Vinyl Records M Fernando Giaccardi, Red Light M Morris Artists Management inspired his edgy, ear-arresting debut Management B Rod Essig, Creative Artists Agency EP, Downtown: Life Under the Gun, and pumped out the single “I Luv This Sh*t,” B Creative Artists Agency featuring labelmate Trinidad James, which Martina McBride has seemingly done it all during her two-decade-plus career. peaked at No. 1 on Billboard’s Mainstream Enrique Iglesias’ last album, 2010’s She’s racked up hit after hit, and is one of only three women to win four female R&B/Hip-Hop chart. Debut LP Testimony Euphoria, spawned radio smashes “I Like vocalist of the year awards from the Country Music Assn. includes production by Eric Hudson, It” and “Tonight (I’m F*cking You).” He’ll attempt to resurrect that hit-making But after McBride’s stints on RCA and Republic Nashville, the April 8 release Drumma Boy and the Featherstones, the lattermost crafting new single “Make It prowess with the follow-up, which he told of Everlasting marks a career frst for the singer—a release on her own label, Vi- Home” (featuring Young Jeezy). Now on Billboard is “definitely more eclectic” than nyl Records, through Kobalt Music Services. the road with 2 Chainz and on the Euphoria. The 38-year-old is leaning on a “It’s a big responsibility, but I get to do things my own way,” she says. “I’ve 2 Good to Be T.R.U. tour, Alsina says of his wide range of collaborators, including Kylie always been very involved in my career, and I never felt like I was compro- album, “People can expect more honest Minogue (who also duets on “Beautiful”) music. I just tell the truth.” and producers the Cataracs (Robin mised in any way, but it’s just a diferent way of doing things. It’s very much Thicke, Gomez). “I try to write with a new adventure.” songwriters that come from completely Everlasting is a stylistic departure for McBride as well: It features the country different musical backgrounds,” he said. Food, April 21 star taking on classic soul and R&B songs, including Harold Melvin & the Blue “That helps me a lot.” That strategy has L already yielded Inglesias’ record 24th No. Notes’ “If You Don’t Know Me by Now” and Jimmy Rufn’s “What Becomes M Red Light Management 1 on Billboard’s Hot Latin Songs chart of the Broken Hearted.” , the studio veteran-turned-Blue Note presi- B Marty Diamond, Paradigm with “Loco,” featuring Romeo Santos. Next dent, produced the album, working out of McBride’s Blackbird Studios in Nash- up will likely be “El Perdedor,” featuring ville. “I knew that he was the right person to make this record—it was an instinct The always adventurous Kelis follows Mexico’s king of croon, Marco Antonio thing,” McBride says. “His records are very organic, real and honest.” up 2010’s dance-heavy Flesh Tone Solís, which has become the opening (Interscope) with another unexpected turn. theme of Univision soap opera “Lo Que la The album also includes an uptempo collaboration with Kelly Clarkson on Her sixth studio album will be released Vida Me Robo.” On the English side, ”Turn ’ “In the Basement” and Gavin DeGraw adds his signature touch on on experimental U.K. indie Ninja Tune, the Night Up” became Iglesias’ 13th No. the classic “Bring It On Home to Me.” and TV on the Radio’s Dave Sitek took the 1 on the chart, and “I always wanted to make this record,” McBride says. “These songs are all reins on production, providing rock-funk- new single “I’m a Freak” (featuring Pitbull) infused backdrops for her hopeful, honest very important to me.” —Chuck Dauphin arrived in mid-January. WorldMags.net OF SHORE FIRE MEDIA McBRIDE: COURTESY 40 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net L M B Label Management Booking ALBUM PREViEYJ FOSTER PEOPLE SUPERMODEL EMPRESS OF TBA, late spring

L Terrible Records/XL Recordings M Brian Justie, No Recordings B Avery McTaggart, Windish Agency

The rise of Empress Of, aka singer/songwriter/producer Lo- rely Rodriguez, started with a SoundCloud post of hazy ballad “Don’t Tell Me” in 2012. “I recorded it in my bedroom—all I need is a pair of headphones and my computer,” says the 24-year-old Brooklynite, also known for her work with psychedelic band Ce- lestial Shores. “It was one upload, and it spiraled from there.” The buzz resulted in a deal with Brooklyn indie Terrible Re- cords and comparisons to Grimes, and eventually caught the at- tention of XL Recordings (Adele, Vampire Weekend), which will team with Terrible to release her debut. Rodriguez is currently writing, producing and recording the LP herself in Mexico City. “When the label asked who I wanted to work with, I said, ‘I want to do it myself,’” Rodriguez says. “That’s the only way I know how to work right now. This is my debut album—I want to have my own voice.” —Gabrielle Sierra

LUCY HALE , at No. 78 on the Billboard 200), set for Aiko’s Souled Out. No I.D., the album’s main , May 20 allowed the Swedish electro-pop quartet to producer, calls her “a modern Sade.” Aiko adds: “My slow down and dig deep for its follow-up. “We music is alternative—new-generation R&B like Frank L didn’t have to rush it or stress it,” says singer Ocean, Miguel and even Drake. It’s not in a box.” M Elissa Leeds, Reel Talent Management Yakimi Nagano, also known for collaborations B Aaron Tannenbaum and Marc Dennis, with ’s Big Boi and Raphael Saadiq. Creative Artists Agency “Before we couldn’t afford to not tour, so TBA, late spring we were writing on the road.” First single In 2003, Tennessee-bred got her L “Klapp Klapp,” which will be released Feb. 14 Parlophone/Warner Bros. Records big break in showbiz by winning teenager- and performed on “Late Show With David M Todd Interland, Rocket Music Entertainment themed “American Idol” spinoff “American Letterman” five days later, showcases the Group Juniors.” “I was convinced I was the second jazzier, darker “new flavor,” Nagano says. “We B Marty Diamond, Paradigm coming of Kelly Clarkson,” she joked to didn’t want to repeat ourselves.” Billboard last year. Now older and wiser, the In the five years since Lily Allen’s 2009 It’s Not Me, 24-year-old is readying her country debut AFROJACK It’s You, the U.K. pop singer got married, had two with co-writer Kristian Bush (of ) babies and popped up on songs by T-Pain and P!nk. and producers Mark Bright (Carrie TBA, May In late 2012, she finally rejoined longtime producer Underwood) and Mike Daly (). L Island Def Jam Greg Kurstin in the studio to work on her comeback Lead single “You Sound Good to Me” is the M Thomas Deelder, Montana ECI on her new label home, Parlophone/Warner Bros. first sampling of an album full of lovestruck B Ace Agency Last November, Allen released first single “Hard Out lyrics and sweeping choruses that Hale Here,” which skewers the music industry’s outlandish hopes will vault her into Nashville’s top tier. Nick van de Wall, the artist better-known expectations of the female body, and a controversial “Once you get in the circle of country music, as Afrojack, is no stranger to hits—from his video that has garnered almost 20 million YouTube they stay with you for life,” Hale said. “But single “Take Over Control,” to his production views. “[Allen] wanted to make people think about they don’t just let anyone in.” on Pitbull’s No. 1 “,” to the role of women and feminism in music,” manager co-producing his mentor David Guetta’s Todd Interland says. Playful second single “Air smash “Titanium.” So it was no surprise Balloon,” produced by Shellback, is due March 2, and when Island Def Jam inked an album deal album cut “L8 CMMR” will be featured on the second Corazon, May with the Dutch DJ/producer in 2013. But soundtrack album to HBO’s “Girls” (Feb. 11). L RCA/Sony Latin Iberia that doesn’t mean his album will follow a M Michael Vrionis, Universal Tone crossover-pop prescription. When Island PHARRELL B A&R reps suggested he rearrange a track, Creative Artists Agency Afrojack recalls, he was clear: “I said, ‘I love TBA, late spring L Carlos Santana has long collaborated with you guys, you’re really smart, and you have Columbia M fellow Latin artists, but Corazon is his first so much experience. But this is not the way I Ron Laffitte, Laffitte Management B Spanish-language album. The set will want to present the product. And if you don’t William Morris Endeavor feature collaborations with Gloria Estefan, like it, take back your money.’” Romeo Santos, Ziggy Marley and Juanes— Pharrell’s second solo album will arrive with with whom Santana recorded first single “La JHENÉ AIKO considerably higher expectations than 2006’s Flaca.” “This [album] will change the energy critically adored but commercially slept-on In My Souled Out, late spring of the world from Mexico to Brazil,” Santana Mind, with the triple-threat singer/songwriter/ L ARTium/Def Jam producer capping a blazing-hot 2013 with a sweep said at a press conference for the 2013 Latin M Ketrina “Taz” Askew, Art Club at the Grammy Awards with Daft Punk and a Grammy Awards. The release also includes a live concert filmed in Mexico that will air on International forthcoming performance at the B of his original song nominee “Happy,” which is No. 8 HBO Latin and HBO Latin America. Caroline Yim, ICM on the Billboard Hot 100. For his new album, expect LITTLE DRAGON After an apprenticeship gracing songs by more of that track’s blissed-out ’70s vibe, with a B2K, Kendrick Lamar, J. Cole and others, touch of the newfound confidence he struts on Nabuma Rubberband, May Jhené Aiko came into her own in late 2013. current features for (“Aerosol Can”) and L The first artist signed to producer No I.D.’s (“ATM Jam”). Loma Vista Recordings M ARTium label, the singer drew national Andy Valdez and Heathcliff Berru, Life or Death attention with EP Sail Out (No. 8 on the Reporting by Leila Cobo, Chuck Dauphin, Alex Gale, B Amy Davidman, Windish Agency Billboard 200). Along with a cameo on Phil Gallo, Gary Graff, Andrew Hampp, Sowmya Drake’s “From Time,” a slot on his recent tour Krishnamurthy, Jason Lipshutz, Kerri Mason, Gail The success of Little Dragon’s third album, and key TV spots (“Late Night With Jimmy Mitchell, Chris Payne, Erika Ramirez, Tom Roland 2011’s Ritual Union (its first to chart in the Fallon,” “Saturday Night Live”), the stage is and Emily Zemler. EMPRESS OF: LANDON SPEERS OF: EMPRESS WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 41 WorldMags.net THANK YOU!!!! FOR A CENTURY OF: Activism Support Collaboration Advocacy Professionalism

inEDWARD B. MARKS MUSIC oi COMPANY CARLI\ AVI-RICA MUSIC

126 East 38th Street,WorldMags.net NYC 10016 I 212-779-7977 www.carlinamerica.com WorldMags.net SPECIAL FEATURE

Composers Songwriters, Protects HowASCAP Age InTheDigital AndPublishers

WorldMags.net ILLUSTRATION BY BEN JOHNSTON FEBRUARY 15, 2014 I WWW.BILLBOARD.BIZ 0 GROOMING: KRISTEN RUGGIERO KRISTEN GROOMING: John John ASCAP ASCAP president/ chairman Paul Williams (left) and CEO LoFrumento work with ASCAP’s of board directors— made up of songwriters, composers and publishers— to guide the performance rights organization. PHOTOGRAPH BY MATT FURMAN MATT BY PHOTOGRAPH Century continued on p.56 on continued Century And, as ASCAP meets those new challenges, And, as ASCAP its fi- 2013 for the oficial numbers Although some billion performances tracks 250 ASCAP song- The financial success comes as ASCAP celebrating our 100th-year one hand we’re “On John Titta membership puts it, As executive VP, its revenue and distributions to con-its revenue members tinue to increase. tonancial report yet be have released, preliminary distributing $851.2 million estimates ASCAP have $827 million in 2012 and to from its members—up the sixth the $800 con- million mark for breaking collecting million, up secutive $944.4 year—while $941 million in 2012. from (up 17% members its 500,000 nearly for annually since and has 2012) distributed $5 billion in royal- ties during the past six years. continuewriters to gain recognition. Its members nomination this for by every represented were in the album and song of Awards Grammy year’s categories.the year his collaboration And for with on Random Access Punk duo Daft Memo- French album for the Grammy shared Williams ries, Paul of the year. been of vast suc- 100 years and it’s anniversary counsel Beth executive VP/general cess,” ASCAP at an inflec- is really Matthews ASCAP says. “But tion point, the need embracing to are reg- and we ourselves.” innovate and reinvent ularly vital and it is “a history, rich long, despite ASCAP’s important place.”

BY CRAIG ROSENBY Performance rights organizations assure that rights organizations assure Performance is the larg- PROs, ASCAP And among the world’s things about ASCAP, of the remarkable “One ASCAP As it celebrates itscentennial this year, WorldMags.netWorldMags.net copyright holders are paid fairly when their music when paid fairly are copyright holders or— live the airwaves, over publicly, is performed now—online.increasingly est and one of the oldest. The American Society of was founded and Publishers Composers, Authors York. in New 1914, 13, ago on Feb. 100 years says been 100 years,” able to for thrive we’ve with ASCAP works who John LoFrumento, CEO and ASCAP’s Williams Paul chairman/president comprisesboard which of directors, songwrit- had “We’ve composers and publishers. ers, been excited by the We’ve challenges. many been threatened by the chal- We’ve challenges. We’ve the challenges. overcome lenges. We’ve have We still here. and we’re 100 years survived in the really businessa flexible model. We’re supportbusiness of providing to songwriters, composers and publishers.” is continuously adapting to the ever-evolving itsbusiness members of music, to working ensure compensated fairly in the ageare of the Internet, technologies. emerging audio and other streaming the eforts challenging it is currently Most notably, royalty to pay lower Pandora service of streaming the use of musicrates for composed by its mem- also believes it is time to the revise bers. ASCAP it licenseswhich music. Thoseunder terms terms establishedwere by a consent in decree reached with the Department1941 of Justice. AHEAD WorldMags.net THE CENTURY CENTURY THE ..,...... 7.--- 1 ---- in n an era the music which has seen business unprecedented and change ...... , 1 2014 15, | FEBRUARY BILLBOARD . 44 industry has been built. upon which the music upon which financial foundation financial foundation for their work is the for their work publishers to get paid publishers to get of creators and their of creators business. And the ability business. heart of the music composers lies at the composers lies at songwriters and The creativity of The creativity remain constant. disruption, some things . I 1 if

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WorldMags.net CONGRATULATIONS WE WERE THERE SINCE THE BEGINNING! ASCAP Sony/AWMUSIC PUBLISHING SPECIAL FEATURE WorldMags.net large part of the Spanish-speaking creative com- munity, really big writers, were able to collaborate with members of the urban music community. It was a mix-and-match of genres. I would say that would be another shining star at the moment. I love that ASCAP gathers every year such a great collec- FIGHTING tion of experts, with the latest technology. FOR ALL As you became familiar with ASCAP, what kind of services did it ofer then as compared to now? ASCAP has evolved as a platform. Its flexibility has allowed it to run at the forefront of [tracking] how music is delivered as the world changes. If I am SONGWRITERS laying in a hotel room in 1982 and waking up with the TV on and “The Love Boat” is playing, I’d say, “Thank you, God, it’s nice to be working” . . . When that theme that and I wrote is per- ‘ASCAP PUT FOOD ON MY TABLE AND formed in any fashion anywhere around the world, ASCAP is there to license it for me. GAS IN MY CAR,’ PRESIDENT/CHAIRMAN ASCAP OnStage allows members who are out there performing in clubs and whatnot to tell us PAUL WILLIAMS SAYS about their live performances via an online portal and to get paid for them. Also, we have the long- BY ED CHRISTMAN standing ASCAP Plus Awards, which support members with annual cash awards outside our [performance] surveys.

As a member, did you appreciate what ASCAP was doing for songwriters? fter more than five de- nization has responded to the evolv- those times as an “easy listening” ASCAP The opportunities to participate as a board mem- cades as a songwriter ing digital world. And he draws par- writer—ASCAP ofered a blanket president/ ber was a huge awakening for me, as to what chairman and actor, Paul Williams allels to ASCAP leaders who came license including the stations that Paul ASCAP actually did, and a world that I was totally is now playing perhaps before him, fighting for songwriters would be playing my kind of music. Williams unaware of before. For example, the world of advo- A joined the the most important role of his career, to get fair compensation when mu- So the fit was natural. cacy. ASCAP is there, rising to the occasion to deal Daft Punk as president and chairman of ASCAP, sic was performed on another new robots with these changing [times], [and the] sometimes helping the performance rights orga- technology: radio. Was the diference clear right away? onstage at turbulent cyberworld we are living in nowadays. nization fight against copyright in- You get your membership card in the the Grammy Also, we have been monitoring online [music Awards to fringements and ensuring songwrit- How did you begin writing songs? mail. I remember holding my card accept the performances] since 1995. As we move further ers get fair compensation for their I was an out-of-work actor. I knew and right there it says the American album of into the digital world—where the collection and creative eforts. nothing about the music business. I Society of Composers, Authors and the year monitoring of data is key—we have spent a great statuette Williams is well-known for the was totally ignorant about how the Publishers and there is your num- for Random amount of money, time, efort and intellect mak- hits he has written and co-writ- music business worked. I had writ- ber and your membership and your Access ing sure that we have the system that is absolutely Memories ten—Three Dog Night’s “Old Fash- ten a few songs and then a friend name. Something clicked in the cen- . the best to monitor what we license and collect for ioned Love Song,” the Carpenters’ played them for A&M. I showed up at ter of my chest. I had done something our members. “We’ve Only Just Begun” and Barbra A&M Records in 1967 in a borrowed that a lot of people don’t really get to We are across the board in the cyberworld and Streisand’s “Evergreen,” to name a car. My only connection to the music do. I was living my dream. I was mak- we will continue to grow. We have our challenges— few—as well as the dozens of roles business, even when I was in high ing a living doing what I loved—what the Pandora situation is classic. [Pandora is seek- he has portrayed on TV and in film, school, [was that] I totally loved the I was put in this world to do. When I ing to pay lower royalty rates for the use of music including “,” . My favor- wrote my first song, I felt like I was composed by ASCAP members.] But as you look and appearances on “The Muppet ite lyricist is , who wrote home. The first time I played a song at our history, you can see again and again we Show,” “Walker, Texas Ranger” and “Here’s That Rainy Day” with com- and a young lady tilted her head to meet the challenge [of new technology]. ASCAP is “Hawaii Five-O.” poser . My other the side and went “Ahhh,” I said, “Oh, there—flexible and changing and rising to the oc- Even though he still gets called all-time favorite lyricist is Lorenz boy. This is what I am supposed to do. casion so that we can not only survive but flourish. on to write songs with hipster Hart, an ASCAP writer. Rodgers & This is the beginning of my path.” There is no one that does better what we do. bands like Scissor Sisters and Daft Hart, [George & Ira] Gershwin, Irving Today, ASCAP ofers not only that Punk—with whom he accepted the Berlin, Cole Porter. When everyone emotion to young songwriters, but Were you aware of ASCAP’s advocacy eforts album of the year Grammy Award else was listening to Chuck Berry, I the opportunity to back it up. If you when you joined, or did that unfold after you be- on Jan. 26 for the French duo’s Ran- was listening to [Frank] Sinatra. look at the ASCAP “I Create Music” came a member? dom Access Memories—nowadays Expo, the ASCAP Song Camp, the ASCAP always worked beautifully for you as a Williams is best-known as a cham- How did you become an ASCAP TV and film composer workshop, songwriter, whether you were aware of it or not. It’s pion against the forces of the “copy- member? the work of the ASCAP Foundation— wonderful that ASCAP is doing all this work. Advo- left” movement. As soon as I had my toe in the water, there are endless opportunities for cacy is obviously important to what they do. I talked Earlier this year at a copyright and as soon as I became a friend of the writers not only to feel connected This interview to a young writer last night and I told him, “Learn summit staged in Washington, D.C., some of the other people in the busi- like they are living the dream as cre- with ASCAP about your world.” When I first joined ASCAP, I was by CISAC, the International Confed- ness, it was clear that I belonged at ators, but a real opportunity to learn president/ already having hit songs. My circle of friendships chairman eration of Societies of Authors and ASCAP. The most beautiful part of their craft, rub elbows with the greats Paul Williams grew. I became aware of what was going on. But Composers, Williams declared in a my story is that , a great and collaborate. My career has ben- appears there has really been a steep learning curve in my keynote address that calling the ille- character and a generous soul, took efited many times [from] somebody online, years [since joining] the board in 2001 and in the accompanied gal download of music “piracy” glam- me by the hand and said, “We need walking up to me and saying, “Do you by the video last few years as president. My point is that whether orizes what is really “plain outright to walk you over to ASCAP. That’s want to do this?” ASCAP provides “ASCAP 100: you are aware of it or not—and there was a time theft.” He argued forcefully against where you belong.” And he was right. that to its membership. Why We when I was unaware of it—ASCAP is there fighting Create Music,” claims of the technology sector that produced for my rights and for all songwriters’ rights. copyright stifles innovation. “Copy- Why did you belong at ASCAP? What is ASCAP’s most impor- by the right is the very definition of innova- At the time, music was changing. I tant tool to help developing performance So before you joined the board, you were un- rights tion,” he said. am not an expert on programming songwriters? organization aware of the policy issues afecting songwriters? As leader of ASCAP in its 100th- but I think for the kind of song I was Expo would be our shining star. It’s with I was remarkably unaware. As the creative spirit, anniversary year, Williams talked involved with—at the time I would an annual event. We just had a sepa- comments we dive into our world and follow our heart. I was from its with Billboard about how the orga- describe myself under the terms of rate amazing event in Miami where a members. Fighting continued on p.58 WorldMags.net RUGGIERO GROOMING: KRISTEN 46 BILLBOARD | FEBRUARY 15,2014 PHOTOGRAPH BY MATT FURMAN WorldMags.net

I WAS AN OUT- OF-WORK ACTOR. I KNEW NOTHING ABOUT THE MUSIC BUSINESS. SAMMY CAHN TOOK ME BY THE HAND AND SAID, ‘WE NEED TO WALK YOU OVER TO ASCAP.’

WorldMags.net FEATURESPECIAL RUGGIERO KRISTEN GROOMING: PHOTOGRAPH BY MATT FURMAN MATT BY PHOTOGRAPH What’s exciting connect- is these new members What’s sit at the negotiating we down When table about deeply our board also very cares ASCAP’s ing with more establisheding with more and creating members to wonderful see this communitynew music. It’s as serves to see and wonderful that ASCAP grow, careers. members’ our home throughout a creative and writers up of made a board does having How ASCAP? benefit publishers existence is to pro- The sole purpose of ASCAP’s vide support as they to and publishers writers their craft. pursue and publishers writers Having sitting focus the on our board brings into sharp a of beingrealities and challenges a songwriter, Because every composer or a music publisher. by the knowledge, is informed decision make we and insightexperience of our board members— songwriters, com-those who are board members they’re posers and music publishers—ultimately, talking in their ca- necessary to us about what’s ought to we be able to serve And ultimately, reer. their needs in the best possible. way In ASCAP made because to a change we proud say are we have songwriters or composers or publishers because that change, what’s for reflect they asked in the marketplace. a particularwith licensees have we focus. We interests but those no other of our mu- represent credibility have and that means we sic creators, with our licensees. as a whole and especially the nextmembership a great have of music They creators. generation PROVIDE THE SOLE THE SOLE ASCAP IS TO IS TO ASCAP SUPPORT TO PURPOSE OF PURPOSE OF

PUBLISHERS. WRITERS AND A driving force that has changed our member- force A driving fabric of our membership. Because often writers of our membership. fabric up as grow they in their careers, early join very see in their them We family. part of the ASCAP stagesformative at the top are of they and when pleasure us more their game. And nothing gives achievement. for an award them than giving rules is the Internet. the years over ship ASCAP’s the same in that to beremain need a member you that was in an environment to a performance have licensed the In- ASCAP Well, licensed by ASCAP. talented young, ternet, many so [and] for songwrit- is on and composers, performance their first ers the Internet. eligible to be are Thus, they members had an explosion in the number of We’ve of ASCAP. because have we members of that. WorldMags.netWorldMags.net John John ASCAP ASCAP members “represent genre every imaginable,” ASCAP CEO LoFrumento says.

WorldMags.net 66 NEW NEW BY CRAIG ROSEN CRAIG BY ON ASCAP’S ow in his 17th year as CEO of ASCAP, John LoFru- of ASCAP, as CEO year in his 17th ow mento has helped rights the performance guide some of its through most organization (PRO) in its and dramatic changes 100-year progressive

PAST—AND FUTURE PAST—AND NAVIGATING NAVIGATING

BILLBOARD | FEBRUARY 15, 2014 15, | FEBRUARY BILLBOARD

CEO JOHN LoFRUMENTO

As ASCAP heads into its second century, he’s confident that he’s heads into its second century, As ASCAP TECHNOLOGIES

48 N How has that membership evolved through the years? through evolved has that membership How average, On right now. members close to have 500,000 We of our Two-thirds a year. new members addwe about 30,000 made up of songwriters and composers. are members The oth- imaginable. genre every represent They is publishers. third er of music becomes and subgenre new genre part of the Every How would you define ASCAP’s current membership? current ASCAP’s define you would How mem- the newest with people work from vast and varied. We It’s ber to Our the member who has been 50 or 60 years. with us for standards of great songwriters of is full and great membership Mer- Johnny Gershwin, & George Ira the past, Berlin, Irving like songwriters the great have And we Cahn. Sammy , cer, in the Latin Z, Jay of today Katy Beyoncé, field [writers like Perry; Antonio television Marco in film and have Solís; we including] a varied and have . We [composers including] roster. deep membership What are some of the innovations you’ve made to adapt to to to adapt made you’ve the innovations of some What are the new challenges? of new digital the accessThe proliferation for of mu- platforms devel- sic has increased our need to performances. We’ve track oped technology to us to allow that. do Last tracked we year and processed something in the neighborhood billion of 250 scal- with our new systems, and our systems are performances in unique probably than that. can handle more able. We We’re that position, to be able to do that kind of processing, while at the same time maintaining in our and transparency eficiency distribution function. What are the key challenges facing ASCAP as it celebrates as it celebrates ASCAP facing challenges the key What are anniversary? its 100th the business today that envi- challenge is the fact Our primary framework that the regulatory so is changing rapidly ronment licensing PRO needs tothat governs be up to brought date. The music licensing need governing torules the realities of reflect they Right now, behavior. the music and consumer marketplace don’t. talking are So we to all of the stakeholders this is- around becausesue to want we build consensus and create a winning music all, including fans. for environment the organization can navigate its presented latest by challenge, re- win-win with another emerge music and streaming services, and partners. its composers, songwriters, for sult publishers history, as it continues created to by deal with the challenges history, new technologies. V9

WorldMags.netWorldMags.net

WorldMags.net PUBLISHINGUNIVERSAL GROUP MUSIC SOLÍS: TIM MOSENFELDER/GETTY TIM SOLÍS: OUR FOR OUR TYPES OF HAS BEEN BEEN HAS MEMBERS. 0 LICENSEES DIFFERENT CRITICAL IN DEALING WITH We also have a robust suite of member benefits, a robust also have We has made it ASCAP about now, 100For years excited to really continue that mission We’re FLEXIBILITY IN IN FLEXIBILITY COMPENSATION COMPENSATION ACHIEVING FAIR FAIR ACHIEVING of work. No. 2 is, our revenues have grown steadily grown have revenues 2 is, our of work. No. has That helped. 3 is, all-overthe years. No. over Since represent we control of. kept costs we’ve impor- it’s and songwriters, composers, publishers tant us to recognize for we’re that that the money spending is their money. in 2014? growth of areas key ASCAP’s What are A continuation in cable [TV]. in the growth Cable a num- us for for of growth has been area a strong in our look growth can for always We ber of years. grills, restaurants, licensing—bars, hotels—general in the new-media also seeing growth and we’re also looking potential in our for growth area. We’re afiliates. foreign from area foreign making you and alliances are What partnerships in the future? forward move ASCAP to help constantly are closely with our sister working We societies to opportunities the world develop around the challenges toand eficiencies help us confront business in the dynamic an ever-changing from digital environment. is a part- which insurance, most notably MusicPro provides with Sterling & Sterling. MusicPro nership toinsurance meet the needs music of working pro- Sterling Healthworks recently, fessionals. More to with a service help navi- our members provided Act. Care gate the new Afordable what milestone, this centennial celebrate you As ASCAP? for pride of is a source else inter- is keenly Our advocacy ASCAP programs. ested in protecting in the rights of our members and chair- president area. ASCAP the legislative and our board of directors Williams man Paul D.C., voice in [Washington] strong a very have constantly visiting and speaking with and we’re understand they sure that the tolegislators make a the composer are publisher and the songwriter, importantvery part and need of American culture to be nurtured. possible music to for of millions of touch the lives businessespeople while enabling the world around that use music to and songwriters, compos- thrive, their work. from to a living earn and publishers ers to tell I like peoplein the future. that this is not year this is the first but rather 100th year, ASCAP’s of its business.of the rest This is the beginning of a new century.

Marco Marco star Antonio Solís (above). ASCAP ASCAP John CEO LoFrumento the says PRO has “the great songwriters of today,” including Jay Z, Beyoncé, Katy Perry and Latin

WorldMags.netWorldMags.net The process utilize that we is critical to the trans- In 1999, ASCAP’s operating costs were 16%, so 16%, were costs operating ASCAP’s In 1999, out. paid was in, 84 cents taken dollar every for rate? cost operating the current What’s in one of the lowest It’s 12.4%. it’s Right now the world. to that change? led What factors use technol- start We of with the technology. We’ll us, at a minimum cost,ogy allows which to do a lot Generally speaking, we have developed good have speaking, we re- Generally lationships with our licensees. It is not confronta- once in a Every it win-win. to make try tional. We find a licenseewhile we to who doesn’t want get as Pandora, such scenario, in a win-win involved happy to of the confrontation that much say but I’m had in the past anymore. just doesn’t exist we’ve established negotiations win-win radio, with We’ve and wewith television, major users, with our other in a partnership now comfortablefeel that we’re than a confrontation.rather its to ensure use does ASCAP methods Which payment? proper receive members that has and regulations rules of all, ASCAP First statedare in our distribution process, fol- and we re- are all members those sure low to rules make payments. and fair ceiving proper our distribution. of and efectiveness We parency I When can do this with advanced only technology. listening to were ago, we years 30 came to ASCAP watching perfor- were music and we on the radio not that’s world mances on television, but in today’s the technology possible so nor is it desirable, it’s and use us to the surveys that we that allows [do] becausethe census, without those could we not do those manually. vices and we feel that the same will hold true with that the same vices feel and we media other emerges and with whatever streaming in the future. that “too said time much has been In 1999 you than rather confrontation on in the past spent has that How the case? Is that still partnership.” the years? through changed WorldMags.net BILLBOARD | FEBRUARY 15, 2014 15, | FEBRUARY BILLBOARD We’ve learned that our flexibility learned in dealing with these dif- We’ve behind all of that history us. have we lookAs we at streaming, I would addI would that, as as I am of our technological proud abilities, In our model, the ASCAP model, everybody wins. Songwriters, model, everybody In our model, the ASCAP 50 our licensees. We’ve already done that with many digital done that with many already ser- our licensees. We’ve This experience has given us a perspective picture. has of the bigger This experience given been all of these - have through We know: One thing we deals with struck and we’ve logical history throughout changes ferent types of licenseesferent has been critical a rea- in achieving compensation.sonable rate and fair a diferent business model. And each business modela diferent had to be negotiated a license point from of view and the business model license we it. the way informs work heard, and ASCAP embraces new technologies, embraces so when and ASCAP heard, work startedwe would We live. out, music were the only performances the opportunity have then televi- then of radio, with the advent sion, one had cable and satellite. Each one was a challenge. Each tion with digital streaming services? with digitaltion streaming to new technology. have start loves We that ASCAP with the fact their want they performed, their work want [members] ASCAP formance rights. formance TV, with radio, deals in negotiating history has ASCAP’s How situa- current the it for prepared platforms and satellite cable way, and that is most valuable in today’s digital environment. in today’s and that is most valuable We way, people to their questions, their problems solve have answer there happening of per- in the world understandand help them what’s and access to the music love. that they what also matters put a human face to is that we our members personal connect in a very them with We toof this technology. all their creative works; businesses, hand, win because works; on the other their creative able to and ef- simply are license repertory they our incredible win because choice greater ficiently; and consumers have they gard to market share. Our data has integrity, and that is some- Our data share. togard market has integrity, thing music willing to businesses and are pay for. desire win becausecomposers paid for and music are publishers they musicians and licensees in the digital and licensees future? musicians ability of performances numbers to enormous identify ASCAP’s has us to a credibility allowed develop with our licensees in re- ators have done throughout our history. It’s a handof from one a handof from It’s our history. throughout done ators have to another. composers of songwriters, publishers generation and of the needs to serve positioned uniquely ASCAP What makes sense of responsibility and we’re always thinking about those always sense of responsibility we’re and can and composers writers ASCAP young coming up and how best opportunities provide to as music other cre- them thrive for 0 WorldMags.net

WAR ER/CHAPPELL &

WAR ER BROS RECORDS

CO\ GRATULATE

ASCAP ON 100 YEARS OF SUCCESS

THA\K YOU

FOR ALL THAT

YOU DOI

WorldMags.net

8, 9: ASCAP ARCHIVES; 10: BILL EPPRIDGE/TIME-LIFE PICTURES/GETTY; 11: ASCAP ARCHIVES; 12: ALLAN WARREN; 13: ELEKTRA RECORDS ELEKTRA 13: WARREN; ALLAN 12: ARCHIVES; ASCAP 11: PICTURES/GETTY; EPPRIDGE/TIME-LIFE BILL 10: ARCHIVES; ASCAP 9: 8, 1: MICHAEL OCHS ARCHIVES/GETTY; 2: MUSEUM OF THE CITY OF NEW YORK/GETTY; 3: CARL VAN VECHTEN; 4, 5, 6: ASCAP ARCHIVES; 7: COURTESY OF SONY MUSIC ENTERPRISES; ENTERPRISES; MUSIC SONY OF COURTESY 7: ARCHIVES; ASCAP 6: 5, 4, VECHTEN; VAN CARL 3: YORK/GETTY; NEW OF CITY THE OF MUSEUM 2: ARCHIVES/GETTY; OCHS MICHAEL 1: 7 4 5 To celebrate great American music of the 20th celebrate great To a concert presents in San ASCAP century, Edward Kennedy “Duke” Ellington celebrates Kennedy “Duke” the success Edward Singing cowboy movies of the 1930s—starring Gene “The of Oz” Wizard introduces movie-goers to the magic ASCAP members including Rudy Vallée, Irving and Vallée, members including Rudy ASCAP and Hughie Prince and recorded by the Andrew Sisters, Sisters, by the Andrew and recorded Prince and Hughie and & Costelloappears in the Abbott film “Buck Privates” becomes an iconic World War II tune. becomes War an iconic World “Boogie Woogie Bugle Boy,” co-written by Don Raye 1941 “Boogie Boy,” Bugle Woogie of ASCAP in 1942.) of ASCAP dio and motion pictures. “The Lullaby of Broadway,” by Harry by Harry “Thedio and motion pictures. of Broadway,” Lullaby and Deems Taylor. (Taylor subsequently was elected subsequently was president (Taylor and Deems Taylor. has more than 700,000 licensed and licensinghas more customers, repre- sentatives of the country. who cover region every Magidson Conrad members Herb and Con 1934 ASCAP become for people the first to take home an Academy Award “The winning for music in a motion picture, Continental” from “The since members have won Oscars in ASCAP Divorcee.” Gay scores total a grand for of 169 Oscar-winning years, but three all and songs. and clubs to ballrooms big band boom1935 The from spreads ra of “Caravan,” first performed a year earlier by the performed a year earlier by the Duke first of “Caravan,” has used director the El- Allen Woody recent years, In Orchestra. and Lowdown.” and “Sweet lington classic in his films “Alice” 1938 Ritter and Johnny Tex Sons of the Pioneers, Rogers, Roy Autry, Autry cowboy fabric. partMarvin—make songs of the national Whitley. with Ray co-wrote “Back in the Saddle Again” also 1939 the Rainbow”of “Over by composer Arlen and lyricist E.Y. Harold “Yip” Harburg. Warren and , becomes Dubin, Brothers. and Al the Dorsey a hit for Warren 1936 to Washington, among those who return are Gershwin George on behalf of music creators. to lawmakers lobby D.C., 1937 1940 accompanied Arlen, Harold among others, featuring, Francisco as well as Hoagy Car- the Rainbow,” Garland on “Over by Judy Mercer Johnny Kern, Jerome Handy, Berlin, W.C. michael, Irving 6 1 Composer joins Composer Harold a career and launches ASCAP 3 w medium for music. The first w medium music. first for The

ASCAP opens ASCAP “Blackbirds of 1928,” featuring the stan- of 1928,” featuring “Blackbirds “Stardust” is written by lyricist Mitchell AP’s first member first to AP’s U “Bewitched, “The and Bewildered,” Bothered and others. Lady Is a Tramp” starring Jolson, 1927 “The Al Jazz Singer,” a ne launches its first general general its first licensing office in Charlotte, N.C. ASCAP Today, win the Pulitzer Prize (in win the Pulitzer Prize the musical for drama) Thee I Sing.” “Of 1933 dard “I Can’t Give You Anything but Love,” marks “I Can’t You Give dard of composerthe songwriting partnership Jimmy one of the Fields, and lyricist Dorothy McHugh Pan successful songwriters of Tin first female and Hollywood.Alley 1929 and composer It be- . Parish comes and performed one of the most recorded in history. songs or Rain will producethat such classics as “Come “That Black Old Weather,” Shine,” “Stormy Come “Over Happy,” in Love,” “Get Fall Magic,” “Let’s the Positive” “Ac-Cent-Tchu-Ate the Rainbow,” the for (And One More My Baby for and “One later board Road).” Arlen served on the ASCAP in his career. of musical 1931 One of the greats theater Cole of the 1920s and ’30s, in 1931. His Porter joins ASCAP standards and include “Night “I Get a Kick Out of You,” Day,” Under My Skin,” You Got “I’ve “My Heart Belongs to Daddy” the Top.” and “You’re becomes Gershwin 1932 Ira ASC feature-length motion picture with synchronized with synchronized motion picture feature-length it the first making has six songs, dialogue also movie musical. 1928 1930 WorldMags.netWorldMags.net George Gershwin joins ASCAP joins ASCAP Gershwin George with lyr- after his song “Swanee,” WorldMags.net With the music fueling the Roaring ’20s, ’20s, the music fueling the Roaring With join ASCAP. Sissle and Noble Blake Eubie Turner Layton, a leading songwriter in New Turner s Society) rep- for agreement sign the first “St. written Louis Blues,” pioneer by blues and lyricist Rodgers Composer Richard ASCAP wins a landmark victory in the U.S. wins a landmark victory in the U.S. ASCAP s meets with Congress and successfullys meets with Congress lob- ics by , becomes a hit. ics Caesar, by Irving 1921 takes on the task of licensing restau- ASCAP sites other hotels, of and all rants, royalty its first performances,public and makes distribution to its writer members. and publisher 1922 Along,” on “Shuffle two collaborators The are musicals written and Broadway one of the first directed by African-Americans. discovery1923 The and use of music moves to an new And ASCAP technology—radio. emerging begins licensing stations radio time. the first for mem- 1924 A delegation of 18 leading ASCAP ber bies for stricterbies for on the airwaves. copyright laws 1925 member becomes ASCAP a hit for Handy, W.C. jazzand influential vocalist Bessie Smith. The on cornet and Louis Armstrong features record on harmonium. Longshaw Fred 1926 two The become giants Hart join ASCAP. Lorenz writing such standards as “My of musical theater, “Blue Moon,” “Where or When,” Valentine,” Funny resentation of ASCAP members abroad. Today, Today, members abroad. resentation of ASCAP agreements with more has reciprocal ASCAP than 100 countries. 1920 1917 Court, Justice Wen- Supreme with Chief Oliver in the case of Herbert presiding, v. dell Holmes backing to the legal ASCAP which gives Shanley, the licensingpursue of music users. 1918 community African-American and an York’s You’ve has his song “After member, early ASCAP a white record- by Marion Harris, Gone” released ing artist as Queen of the Blues. known Performing (Britain’s and PRS 1919 ASCAP Right 2 Five years after years the Copyright Five Act the rights of of 1909 affirmed BILLBOARD | FEBRUARY 15, 2014 15, | FEBRUARY BILLBOARD

fly,” composer Hubbell and lyricist Raymond fly,” 52 John Golden, both ASCAP charter members, both ASCAP Golden, John debut the jazz standard Butterfly” “Poor in a production of “TheBroadway Big Show.” songwriters to be their work, paid for some of the composers of the agemost prominent convene 13, on Feb. in New York the Hotel Claridge at to the American launch Society of Composers, George Music publisher and Publishers. Authors president. first Maxwell is ASCAP’s greatest Berlin, one of America’s 1915 Irving charter member, songwriters and an ASCAP hits pub- one of his first writes “I Love a ,” lished after joining ASCAP. opera “Madame But- by Puccini’s 1916 Inspired ter 1914

A CENTURY OF HISTORY OF ASCAP AND ITS MEMBERS OF ASCAP OF HISTORY A CENTURY

IN THE YEARS IN THE REELING 53 , features theme music by composer Mancini and Henry , features Electric. Ladyland FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 2014 | 15, FEBRUARY To better serve its growing country music membership, better country music membership, serve its growing To one On By,” with “Walk has a top 10 record Dionne Warwick “The and Rodgers Sound of Music,” with music by Richard is elected the same year Cy Coleman board, to the ASCAP spends by the Doors, the debut album from My Fire,” “Light the the same year he releases joins ASCAP Jimi Hendrix mem- Woodstock a milestone marks ASCAP in pop culture. “Days of Wine and Roses,” starring and Roses,” JackLee of Wine Lemmon and 1962 “Days Remick lyricist , which wins the Oscar song. best for original Mercer, lyricist Johnny 1963 opens office its first in Nashville. ASCAP 1964 hitsof her many written and by the songwriting David team of Hal a new sophistication toBurt who brought Brill Bacharach, the Building sound of the 1960s. 1965 in lyricsBroadway by Oscar appeared on Hammerstein II, originally 1959. But the 1965 film musical adaptation, starring Andrews Julie becomes one of the most successful and Christopher Plummer, and beloved movie musicals. 1966 Charity”—with the musical “Sweet that lyrics music by Coleman, and a book Fields Simon—debuts by Neil on Broadway. by Dorothy a major advocate and was Coleman music creators his fellow for 1966 to in 2004. his death from board served on the ASCAP 1967 song is credited 100. The to weeks atop the Billboard Hot all three the same year. who join ASCAP members of the Doors, four 1968 album 1969 include Jimi Hendrix, , bers among the performers and Arlo Guthrie. Melanie Richie Havens, 12 13

6

and

4 Tito

Guy 3 with 8 “West George 10 The

2

Jimi Hendrix The Doors Dionne Warwick Dionne George & Ira George ASCAP’s first first ASCAP’s Actress Alice Actress Cab Calloway 5 Nashville office Duke Ellington Duke 7 , composer Walker Bernstein Leonard and songwriters Green Adolph Betty Comden left) (from Side Story” 9 Puente scene Woodstock at 11 12 13 & Ira Gershwin & Ira 1928 circa Smith Bessie 1 Gershwin playwright Bolton “The Magnificent Seven” debuts by Oscar- with a score in theaters, 11 8 ok by Arthur Laurents, music by Leon- by Arthurok Laurents,

Cartoonist, artist, engineer, songwriter Cartoonist, artist, engineer, A pioneer of the Cage joins ASCAP. John winning composer Bernstein. score Elmer The has been adapted frequently in new settings in the decades since. 1961 After his success a year earlier with with the returns “The Checker Chubby Twist,” Again,” Twist “Let’s Award-winning Grammy written Appell. Mann and Dave ASCAP by Kal opens its Los Angeles office. ard Bernstein and and conception,ard choreography the marks It also Robbins. direction by Jerome debut of a young lyricist named Ste-Broadway Sondheim.phen 1958 of “Rube Goldberg and inventor Rube Goldberg, most unique and one of ASCAP’s machine” fame advocate a great was of music cre- members, 1958, he made In rights. when ators’ Otto president he teamed ASCAP with former Harbach a political to cartoon draw criticizing a forbade artistsloophole in copyright that law to Unfortu- profits. jukebox from collect royalties the two unsuccessful, were and the law nately, until 1978. wasn’t revised 1959 movement in music, Cage avant-garde post-war music theorist, writer and artist a composer, was and South Eastern from inspiration who drew and philosophy as well as Indian Asian cultures, Buddhism. Zen 1960 Alfred Hitchcock’s film “The Hitchcock’s Man Who 1956 Alfred stars Much” Stewart Jimmy and Doris Knew Too performance of “Que Day’s and features Day Sera, Sera,” written Livingston and Ray by Jay It wins the Oscar best song. for Evans. original 1957 “” debuts on Broadway with a bo WorldMags.netWorldMags.net “Luck Be a Lady,” written by Frank written by Frank Be a Lady,” “Luck Loesser by Frank and published n drama “,” with a score Noon,” with a score “High n drama WorldMags.net The instrumental theme song for the origi- instrumental theme song for The the Clock,” “Rock written Around by Max C. as a leader in the emerges Tito Puente ASCAP begins licensing a new, emerging emerging begins licensing a new, ASCAP Music, debuts in the Broadway musical “Guys musical “Guys Music, debuts in the Broadway Ottoand Dolls.” Harbach is elected as ASCAP’s fifth president. had established an 1951 By ASCAP the 1950s, department,”“index in which staff listen to hours the nation to across from recordings of radio would be distributed. properly royalties ensure than 250 billion processes more ASCAP Today, performances annually. Cooper1952 Gary and Grace star Kelly in the classic wester nal TVnal series “Dragnet,” composed by Walter in partSchumann by ’s and inspired toscore the 1946 film “The becomes Killers,” a hit Anthony. by Ray recorded in a version 1954 De Jimmy (aka and James E. Meyers Freedman becomesKnight), & the Com- Bill a hit for Haley ets and opens the film “Blackboard Jungle.” 1955 dance-oriented mambo and Latin jazz scene. wrote de los Timbales, Rey El nicknamed Puente, in 1963. It Va,” Como work, “Oye his best-known adapted famously in 1970 by Santana.was by , who also co-wrote the theme who also by Dimitri Tiomkin, Both the song with lyricist . and theme song won Oscars. score 1953 technology featuring music—TV. The organiza- The technology music—TV. featuring a “tabulatingtion creates department” to process amount of data, the forerun- an ever-increasing In state-of-the-artner of its current data center. collected than $308 million 2012, ASCAP more its TVfrom licensees. and cable 1950 1949 10 9 ormy Weather.” Calloway, who joined Calloway, Weather.” ormy A songwriter with a background in law in law A songwriter with a background A boom year for Broadway musicals in- A boom Broadway year for “(Get Your Kicks On) Route 66,” written by “(Get Your ASCAP member ’s famous famous Copland’s member Aaron ASCAP Jerome Robbins creates a ballet called a ballet creates Robbins Jerome and music publishing, Fred E. is elected Ahlert Fred and music publishing, an integral and was fourth president ASCAP’s team career. during his 30-year part of the ASCAP cludes the debuts of “Brigadoon,” with a book and and music by Frederick Lerner Jay lyrics by Alan with a book by E.Y. Rainbow,” Loewe; “Finnian’s and music by Burton Saidy and Fred Harburg Lane; and “Kiss Kate,” Me with music and lyrics by Porter. Cole 1948 Bobby Troup, is first recorded by the Nat “King” by the Nat recorded is first Troup, Bobby Other of the song in- notable versions Trio. Cole the Rolling Berry, by Chuck clude those recorded Stones, Depeche Mode Mayer. and John 1947 piece of Americana, “Appalachian Spring,” wins Spring,” piece of Americana, “Appalachian in the music category. the Pulitzer Prize 1946 ASCAP a year earlier, was a songwriter, jazz singer a songwriter, was a year earlier, ASCAP and bandleader most associated with the Cotton in 1988 presented him in Harlem. ASCAP Club Ellingtonwith its Award. Duke 1944 Bern- using the music of Leonard “Fancy Free” musical stein. into It evolves the 1949 Broadway with music by Bernstein and lyrics the Town” “On by Betty Green. and Adolph Comden 1945 Irving Berlin’s “White is recorded Christmas” Berlin’s 1942 Irving and Inn” the film “Holiday for by with listeners during World a deep chord strikes Network is flooded Forces Armed II. The with War and near, the song as the holidays for requests end it becomes 1 hit, a No. later earning by year’s Berlin an Oscar best song. for original in performs with his orchestra Calloway 1943 Cab the film “St S 1 WorldMags.net

4

3

1 Bob with Lionel Marley Richie, 2 Lyricists songwriter Alan of the year Bergman at the first and (future ASCAP Pop ASCAP Awards in president) 1984 Marilyn 6 Madonna Bergman 7 Beyoncé with 8 John composer Mayer Marvin 9 Jermaine Hamlisch Dupri and 3 Johnny Alicia Keys Cash 10 The 4 Burt Killers’ Bacharach Brandon and Hal Flowers David 11 Katy 5 Friends Perry 2 celebrate 12 Jay Z

“Tears of a Clown” is the latest 1976 The Copyright Act of 1976 overhauls ASCAP, where he would stay until his death in 1987 “Les Misérables”—written by PRS members Alain Boublil, 1970 hit for ASCAP member Smokey U.S. copyright law for the first time since 1909. 2003. Claude-Michel Schönberg, Herbert Kretzmer and SACEM member Robinson (co-written with Stevie Wonder) with Among its many provisions, the act extends Jean-Marc Natel—debuts on Broadway, where it runs for 16 years his group the Miracles. Robinson also wrote protection of copyrighted works to 75 years 1982 The ASCAP Foundation presents the first and 6,680 performances. for Motown labelmates the Temptations, Mary for pre-1978 works, and “life plus 50 years” for Award for lifetime achieve- Wells, the Marvelettes and others. works published in 1978 or later. (These terms ment in musical theater. Notable recipients have 1988 Composer founds the ASCAP TV and film scor- are extended again in 1998.) included Betty Comden, , Stephen ing workshop to nurture young composers. Graduates have scored 1971 Music From Big Pink, the debut album from Sondheim, and Irving Caesar. In major films, TV series and videogames. Several have won Emmy the Band, includes the hit “The Night They Drove 1977 ASCAP negotiates a license fee with HBO, November, Michael Jackson releases with and BAFTA Awards. Old Dixie Down,” written by ASCAP member the first network to broadcast continuously production by ASCAP member . It Robbie Robertson. through satellite and the first true premium cable becomes the best-selling album in history. 1989 ASCAP holds its second Rhythm & Awards. network. Other major cable providers are soon Originally titled the Black Music Celebration, the annual event rec- 1972 A year after Bob Marley joins ASCAP, his to follow. Today, ASCAP licenses some 11,000 1983 The same year she releases her debut ognizes the achievements of ASCAP members in R&B, hip-hop and song “Stir It Up” becomes a hit in the United cable services. album, featuring first single “Everybody,” a young soul. The 1989 ceremony honors hitmakers Rick James, Jimmy Jam, States and the United Kingdom for fellow New York singer and dancer named Madonna Terry Lewis, Prince, , Smokey Robinson and more. ASCAP member Johnny Nash. 1978 Following a decade of successful song- becomes an ASCAP member. writing, film scoring, arranging and producing, Broadway’s 46th Street Theatre is rechristened the 1973 Composer Marvin Hamlisch teams with lyr- Quincy Jones joins ASCAP. In 2012, he receives 1984 ASCAP holds its first Awards, 1990 Richard Rodgers Theatre. To celebrate this honor icists Marilyn & Alan Bergman (future president the prestigious Founders Award at the ASCAP initiating a tradition that has become one of for one of its most beloved members, ASCAP builds a permanent of ASCAP) for the film “,” star- Rhythm & Soul Music Awards. ASCAP’s most star-studded events. The first exhibit in the theater that details Rodgers’ rich career. ring Barbra Streisand and Robert Redford. The songwriter of the year at the event is Lionel title song wins an Oscar for best original song. 1979 ASCAP becomes the first performance Richie, who would win again in 1985 and 1986. 1991 releases its self-titled “Black Album,” with songs rights organization (PRO) to license, survey and credited to each of the four bandmates, all ASCAP members. 1974 ASCAP songwriter/guitarist Jose Feliciano make royalty payments for college radio perfor- 1985 ASCAP members and John Mel- writes the theme to the hit NBC sitcom “Chico mances. Today, ASCAP licenses more than 750 lencamp co-found with Willie Nelson. 1992 After 30 years, ASCAP’s Nashville branch outgrows its origi- and the Man,” which presents the Mexican- college stations throughout the United States. The organization stages its first benefit concert nal headquarters and opens a new, modern building on the same American barrio to mainstream TV audiences. for America’s farmers on Sept. 22 in Champaign, site. Lyricist Hal David becomes Ill. ASCAP member Dave Matthews subse- 1975 Jack Norworth, an ASCAP charter member 1980 ASCAP’s ninth president. A tire- quently joins the Farm Aid board. 1993 interns at ASCAP Nashville during his tenure at and writer of “Take Me Out to the Ballgame,” less advocate for intellectual property rights, he Belmont University. More than 20 years later, he’s one of the most leaves his royalties to ASCAP, and the bequest serves as president for five years. 1986 Morton Gould, renowned composer of decorated singer/songwriters in country music. results in creation of the ASCAP Foundation, classical music, musicals and ballets, is elected committed to nurturing talent and preserving the 1981 ASCAP adds another legend to its roster president of ASCAP and guides the organization 1994 Oscar-winning film/TV songwriter Marilyn Bergman be- FRANK MULLEN/WIREIMAGE; 12: ASCAP ARCHIVES FRANK MULLEN/WIREIMAGE; legacy of American music. of country superstars when Johnny Cash joins through the early years of the Internet. comes ASCAP’s first female president in 1994. Bergman holds this 10: 8: ASCAP ARCHIVES; 9: L.COHEN/WIREIMAGE; ENTERTAINMENT; PARKWOOD FOR MAZUR/WIREIMAGE 7: KEVIN 1, 2, 3, 4, 5: ASCAP ARCHIVES; 6: MICHAEL PUTLAND/GETTY;

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sphere with her third studio album, Teenage Dream. She becomes the first female artist in pop music history to have five songs from the same album hit No. 1, and eventually breaks the record for the most consecutive weeks in the top 10 of the Billboard Hot 100.

post during some of the organization’s most cru- showcase at South by Southwest in 2000, shortly 2011 ASCAP brings 18 songwriters to a medieval chateau in cial years, ensuring that ASCAP remains ahead of before signing to Aware Records. He is awarded for a retreat aimed at writing hits. Formerly a hit-making the many technological developments affecting the ASCAP Foundation Sammy Cahn Award the 7 haven, the chateau was dormant for a decade before ASCAP came its members. following year. calling. The retreat has since become an annual tradition.

1995 In the same year that ASCAP.com goes on- 2001 earns the Founders Award 2012 ASCAP launches ASCAP OnStage. The program gives line, ASCAP issues its first performance license at the 2001 Pop Awards. “To say a few serious honored with the Golden Note at ASCAP’s Pop ASCAP members the opportunity to receive royalties when their to a website, RadioHK.com. ASCAP would later things about songs,” Waits said in his acceptance Awards. Keys wins the Golden Note in 2009. music is performed live at venues of all sizes throughout the become the first PRO to distribute royalties from speech, “I guess they’re really like vessels. When country. Internet performances. people migrate, they take with them their seeds 2006 ASCAP holds its inaugural ASCAP “I Cre- and their songs, and I think that’s pretty much all ate Music” Expo in Los Angeles. The first panel 2013 ASCAP takes streaming service Pandora to task for its at- 1996 ASCAP officially launches its member you’ll need when you get there.” brings together music luminaries Jimmy Jam, tempts to lower payments to songwriters and composers. ASCAP’s benefits program, with a credit union member- John Rich, Linda Perry and Michael Giacchino. petition against Pandora receives more than 7,000 signatures and ship. The program has since grown to include 2002 The ASCAP Foundation complements its The Expo continues to educate and inspire the a combined 2,800 tweets and Facebook posts, for a total reach of insurance options and discounts for travel and Morton Gould Award with two new honors for music community today. The ninth annual Expo more than 5 million supportive viewers. online education. ASCAP composers under the age of 30: the Herb will be held April 24-26. Alpert Jazz Composer Award and the Frederick ASCAP celebrates its 100th anniversary. 1997 The Jazz Wall of Fame is dedicated at Fennell Prize for Concert Band. 2007 ASCAP gives its first Troubadour Award 2014 ASCAP’s New York offices to honor members to Stevie Wonder. The honor is bestowed at who have made important contributions to this 2003 Unsigned Las Vegas band per- ASCAP’s exclusive annual Songwriter Night vital American genre. Each year, awards are given forms at ASCAP’s annual showcase at the CMJ in Washington, D.C., and accompanied by a to both “living legends” and promising young jazz Music Marathon in New York. Two days later, the tribute concert featuring , Smokey musicians. The first of ASCAP’s living legends is group signs to Island, going on to sell millions of Robinson, India.Arie, Wyclef Jean, Joan Osborne, saxophonist/composer Benny Carter. albums and earn seven Grammy nominations. Chaka Khan and Diane Reeves. Frontman Brandon Flowers reminisces: “When 1998 The same year her R&B group Destiny’s record labels were not willing to step up, ASCAP 2008 ASCAP establishes a Bill of Rights for Child releases its first album, Beyoncé Knowles took us under their wing.” Songwriters and Composers and publishes its chooses ASCAP as her PRO. position paper, Music Copyright in the Digital 2004 ASCAP and the Radio Music License Com- Age. The Bill of Rights has received more than 1999 ASCAP stages the first Stories Behind the mittee, representing most of the nearly 12,000 13,000 signatures so far at ascap.com/rights. Songs concert in Washington, D.C. The event, commercial radio stations in the United States, featuring music by Marilyn & Alan Bergman, strike a new licensing agreement totaling more 2009 Oscar, Grammy and Golden Globe-win- Hal David, Rudy Perez and , aims than $1.7 billion—the largest single licensing ning songwriter Paul Williams is elected ASCAP to raise awareness among government leaders deal in the history of American radio. president in April. The charismatic writer of of ASCAP’s mission by giving a glimpse into the “We’ve Only Just Begun” and “The Rainbow work and experiences of songwriters. 2005 R&B luminaries Jermaine Dupri and Alicia Connection” brings new passion and vigor to Keys share songwriter of the year honors at the ASCAP’s advocacy efforts in the digital age. plays the ASCAP 2005 Rhythm & Soul Awards. Just a few months 2000 Presents . . . Quiet on the Set earlier, Keys earned four Grammys and Dupri was ASCAP member Katy Perry 2010 launches into the pop strato- 12

WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 55 SPECIAL FEATURE WorldMags.net

latest technology that makes music easier than The ASCAP Foundation, mean- Century continued from p.44 ever for consumers to hear but more of a chal- while, is dedicated to nurturing the lenge for PROs to track. ii talent of tomorrow, preserving the Matthews and Titta are relatively new to Yet ASCAP executives also point out that it has legacy of the past and sustaining ASCAP. Both made the transition after doing a unique identity that sets it apart from the other the creative incentive for today’s cre- business with the PRO. Matthews worked at Via- PROs. It’s the only one run by songwriters, com- ASCAP’S ators through its activities. com Media Networks before joining ASCAP in posers and publishers for songwriters, composers As executive VP, licensing,Vincent January 2013, while Titta founded MPCA Music and publishers. UNIQUE Candilora notes, much of what Publishing in 2006 and previously worked for “The most important member service that we ASCAP does goes beyond just dol- several publishers, including Warner/Chappell give on the top level is that we give comfort and IDENTITY lars and cents. Music, prior to joining ASCAP in October 2013. peace of mind that our distributions are fair and COMES “Forget about the commercial as- So both have a unique perspective on the PRO’s transparent,” LoFrumento says. “But also, the hu- pect of music and think about and reach. man face we our relationships with our FROM ITS fact that the songwriters also make Working with ASCAP from the other side of members is very important to them.” a tremendous contribution to us as a the fence, Matthews found the organization To that end, ASCAP ofers career development STATURE AS society and to individuals,” he says. “uniquely positioned. It’s an incredibly efective programs across the country, as well as work- “It helps us manage our emotions collective licensing model from a licensee’s per- shops for its members at every stage of their ca- THE ONLY perhaps a little better, understand spective, in the sense that you don’t have to clear reer, ranging from songwriting camps to film and our feelings a little better, at times rights with thousands of diferent entities. It’s TV scoring workshops. PRO raise our social consciousness a lit- sort of convenient one-stop shopping.” LoFrumento calls ASCAP’s annual “I Create tle more through the songs we hear. Titta adds, “I’ve been a publisher my whole Music” Expo “the gem in our crown of music de- OWNED BY Sometimes that gets lost when we adult life, so my relationship with ASCAP had velopment.” The Expo, now in its ninth year, is think about the value of music.” been from afar, but I was keenly aware of the set for April 24-26 at the Loews Hollywood Ho- SONGWRITERS, Titta concurs, noting that the fact services that ASCAP had ofered songwriters tel in Los Angeles. “To see those young people that ASCAP is run by songwriters, at every level, because I would always point my and songwriters of every age and stripe going COMPOSERS composers and publishers makes songwriters in the ASCAP direction.” from one opportunity to another, to learn, to it easy for executives to pitch their Using the latest technology to track broadcast network, is wonderful,” he adds. “It’s like being AND services to members of the music airplay on radio, TV, cable and the Internet, as well in college.” community both young and old. as performances and in-store play in restaurants ASCAP also honors its songwriters and com- PUBLISHERS. “It’s run by people like them,” he and bars, ASCAP has a reputation for pursuing posers annually at eight diferent award ceremo- says, then paraphrases a song from the proper payment for its songwriters, com- nies, ranging from its Pop Music and Film & TV ASCAP songwriter Elvis Costello: posers and publishers. Through the years, it has Music Awards to its genre-specific Latin, Coun- All those who join ASCAP, he says, evolved with the industry and kept pace with the try, Rhythm & Soul and Christian Music Awards. PP “can see that our aim is true.” 0

A significant milestone... anextraordinaryjour me

Congratulations to ASCAP on 100 years of paving the way and steering a new course for the music industry. Thank you for mentoring and inspiring the creativity of future generations. digitalhhr.corn on the cutting edge of convergence WorldMags.net 56 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net

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where songwriters from various states are intro- How has ASCAP improved its data and royalty collections? Fighting continued from p.46 duced by their local representatives. We spent a ton of money and created an entire new system I see an increasing willingness of members to in the last five to seven years, which has [been] continually up to my ears in [my] career. The other thing that step forward and say, “I am writing this from my improved and upgraded. When you deal in zeros and ones is key to my life is [that] I have been sober for 24 chest. The business world is using my music to and the brilliance and the capacity of introducing a com- years, so my clarity is a great asset to my life. If you create great profit. We deserve to have our fair puter to deal with this information now, versus the days of go back to the 1980s and 1970s—like a lot of young share of that.” sampling 20 or 30 years ago when people worked with pen- writers and artists—I had the blinders on. A lot of From the days of Metallica or Lily Allen, who cils and typewriters, the ability to monitor this information is elements to my life probably sufered a little bit, as stepped up on these issues and clearly sufered in getting better and better. Also, through our Member Access a father, a family man. One of the gifts of my recov- some way from a backlash . . . now the world is be- online portal, our members have access to an enormous level ery is my clarity. ginning to see that things are clearly out of balance. of detail about their catalogs, performances and royalties. When you have the ability to experience the When a thousand streams is worth 8 cents, some- We are constantly upgrading to handle the information re- world around you, one of the things that quickly thing is terribly wrong. [ASCAP has stated that, on sponsibly and act on it more quickly than any other organiza- follows is gratitude. I have become so grateful for average, every 1,000 plays of a song on Pandora is tion in the world. the ASCAP of today. worth about 8 cents to the songwriters, compos- Ultimately, we are a membership organization. ers and music publishers, according to its inter- Is there anything about ASCAP’s history that you’ve We are owned and operated by the members. And nal calculations. The PRO now believes it is time learned that made you appreciate the organization in a the fruit that ASCAP bears clearly translates to to revise the terms under which it licenses music. diferent way? food on the table and gas in my car and getting my Those terms were established by a consent decree One of my favorite stories is the story of radio. Having to deal kids into school. I have two wonderfully successful reached in 1941 with the Department of Justice.] with a world where an entire industry turns to you and says, young adults who were raised on ASCAP. “Sorry, this is not a performance. This is an electronic trans- I’m very proud of ASCAP’s advocacy, our de- Before you assumed a position of power in the mission and we can prove it is not a performance.” At that votion, our integrity, our history, the legacy of organization, was there anything you wished point, we saw ASCAP as a warrior for the light. [ASCAP’s lead- great songwriters and composers, and espe- ASCAP was doing for its members that you ers then] said, “You are wrong. This is a performance. People cially our future. helped get the organization to do since taking are listening to it, falling in love to it, and you are selling ad- on a leadership role? vertising around it, and we want a piece of that advertising so Should young members be involved in making There isn’t one thing that I can look at that should that people who are writing songs can continue to write songs the case for the advocacy of songwriters? have been done but wasn’t done. I am really pleased so people can continue to dance to it. It is an absolute issue We have had marvelous support. I recently did an with the process of the way the board works. You of the heart.” event with Ne-Yo where he sang some of his songs are sitting with 12 individual writers and publishers To this day it stuns me that, before I was born, there were for a bunch of members of the [U.S. Senate] Judi- and they all have their own interests and you see people here fighting so that this product of my heart would be ciary Committee. It was a wonderful event. The Li- little or none of that in the boardroom. The board’s treated respectfully and lovingly and I would be able to make a brary of Congress has been an amazing partner in capacity to be altruistic and caring about the mem- living at it—that I could have a life to fulfill my dreams and do [the putting together events annually. We do an event bership has amazed me. creative work] I want to do. 0

CONGRATULATIONS

HAPPY 100TH BIRTHDAY!

Like you, we believe the greatest songwriters deserve an equally great home.

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Congratulations ASCAP ON YOUR FIRST 100Years

FROM YOUR COLLEAGUES AT

SESAC.COM WorldMags.net SPECIAL FEATURE WorldMags.net ‘LOOKING OUT FOR US SINCE THE BEGINNING’ SONGWRITERS SING ASCAP’S PRAISES

Pharrell “When I fi nally got my [membership] certifi cate in because I know my music is in the best possible Williams 1955, I said, ‘Man, I’m in ASCAP!’ I was happy, be- hands.” —Drake cause so were Duke Ellington and all these great people.” —Quincy Jones “Being a part of ASCAP, I never felt alone. They were there for me way before anything, when I “When my husband passed away in No- was still a dreamer. It could feel very lonely as a vember 1994, I was a widow with two struggling songwriter. I remember that sense, and “I’m the last person you want to ask about how children. I was actually down on my luck, I never forgot that. You could go to sleep know- important ASCAP is, because I’m the guy scream- and what helped bail me out and helped ing that a fi ght is being fought in the name of ing from the rooftops: We have to protect the me get back on my feet were the us songwriters getting paid. It gives me a sense writers. The technology that’s coming can come ASCAP checks that I got from peo- of pride to be able to say that I’ve been there for from great or bad institutions. Once these people ple covering ‘Because the Night.’ ASCAP and they’ve been there for me all these understand that there is a copyright—that copy- I’m grateful in good times, and years.” —Marc Anthony right is protected, that someone created it and it’s I was really grateful in hard as real as real can be—only then will you gain the times.” —Patti Smith “THEY TAKE CARE OF respect you need for technology to move forward ME. IT’S JUST LIKE A and still compensate the people that are creating “A big part of making the content. Content is king. And songwriters are WELCOMING, WARM HOME. music is getting the the reason for that content.” — opportunity to work A COMMUNITY OF GREAT with people I love, trust WRITERS AND MUSICIANS “To have a force like ASCAP in Washington [D.C.] and respect. As an orga- WHO ULTIMATELY JUST Championing for us is the greatest thing in the nization run by music cre- WANT TO MAKE MUSIC world. I thank God that they’re there.” —Ne-Yo ators, ASCAP represents a AND CONTINUE TO MOVE whole community of kindred “They’re an integral part of my team . . . and they’re spirits. Joining ASCAP was THE WORLD.” really good at collecting [royalties]. Especially in- — just a natural choice for me, ternationally.” —Katy Perry WILLIAMS: PICTURE GROUP; DRE: C.FLANIGAN/FILMMAGIC HANEKROOT/REDFERNS; SMITH: GIJSBERT

HAPPY BIRTHDAY, ASCAP! bobbi marcus public relations & talking pictures media WorldMags.net 60 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net

“What attracted me to ascap was that it is this day job. I was able to just concentrate on my mu- “THEY’RE THE END OF IT, collective. It’s for songwriters, by songwriters. You sic all the time.” —Desmond Child AS FAR AS WRITERS GO. meet people from diferent genres and we’re all creating the same thing, we’re all creating music, “I love the consistency and the longevity of ASCAP EVERYBODY WHO DOES and really is this universal language.” as it supports writers. In a time when technology WRITING SHOULD BE —Lin- Manuel Miranda, author/composer/ continues to change the medium of music and INVOLVED WITH ASCAP. IF lyricist for “In the Heights” how it is spread, shared, heard and enjoyed, the YOU’RE A SONGWRITER, THIS writing of the song is still the same, period. That IS WHERE YOU NEED TO BE.” “In October 2003, I remember being the first happens the same way, and that is with human —DR. DRE of three unsigned bands in an ASCAP show- beings and inspiration. That’s what ASCAP is case at [the] CMJ [Music Marathon]. Two days about.” — Dr. Dre later, signed us. When record la- bels were not willing to step up, ASCAP took “ASCAP does an amazing job fostering and men- us under their wing and gave us the opportu- toring young talent. It is an essential aspect of nity to have our music heard. Seven years later, what ascap does, and i’m a huge supporter of the we were getting the ASCAP Vanguard Award. wonderful programs that ascap sponsors.” It’s nice to have had someone supporting us and —John Debney, film composer looking out for us since the beginning.” —Brandon Flowers, the Killers “ASCAP MEMBERSHIP HAS CHANGED MY LIFE, BOTH “ASCAP is a citadel, a fortress of security in very INSPIRATIONALLY AND strange and dificult times for songwriters and all persons interested in intellectual property.” FINANCIALLY.” —Jimmy Webb —ALF CLAUSEN, COMPOSER

“Probably the first professional afiliation I ever “Before I moved to Nashville, my gross income had in my career was with ASCAP, and that has per year was less than $10,000. I was living week continued on and certainly been the longest one to week, sometimes day to day. I don’t remember of my career.” —Trent Reznor, the amount of that first ASCAP check I received, but it was enough to . I xe- “When I got my first royalty check from ASCAP, I roxed it, and have it in a file somewhere. It was “They’re the people who look out for my songwrit- just couldn’t believe it. I had a hit with Kiss called life-changing, life-afirming. It was bearing fruit ing interest. They make sure nobody’s ripping of ‘I Was Made for Loving You,’ which was a hit all financially in a way that I had never experienced the artist, and that’s huge. It’s great to have some- over the world. It was extraordinary. I had never before with the gift of songwriting.” body like ASCAP watching and fighting for you.” seen that kind of money, ever. It made such a dif- —Allen Shamblin, songwriter — ference in my life. I was able to not have to work a

WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 61 SPECIAL FEATURE WorldMags.net

Writer Board Members ASCAP’S Paul Williams (president/chairman) Richard Bellis Marilyn Bergman Bruce Broughton BOARD OF Desmond Child Alf Clausen Dan Foliart Wayland Holyfield DIRECTORS Stephen Paulus Valerie Simpson Jimmy Webb (vice chairman) Doug Wood WRITERS, PUBLISHERS SHARE Publisher Board Members A VOICE IN GUIDING PRO Martin Bandier Caroline Bienstock Barry Coburn Zach Horowitz Laurent Hubert ASCAP is, of course, the American Society of Composers, Authors and Publishers. So it is Dean Kay appropriate that writers and publishers comprise ASCAP’s board of directors, who guide the James M. Kendrick (treasurer) actions of the performance rights organization. Leeds Levy “I’ve been able to see ASCAP from the inside because I was on the board,” hit-making Mary Megan Peer songwriter/producer Jimmy Jam says. “I like the idea of a board representing songwriters Matt Pincus and publishers and it’s made up of songwriters and publishers. The creative people are going Irwin Robinson (vice chairman) to look out for the creative people. That’s what it’s all about.” Cameron Strang The writers and publishers on the ASCAP board are elected from and by the membership every two years. This board elects a president/chairman, who must be a writer. Members of Counsel to the Board the board are appointed to actively serve on various committees by the president/chairman, Fred Koenigsberg who presides over all board meetings. At right is the current roster of ASCAP’s board of directors.

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[N., ler. SeirAbody That I Used To Knew L billboard WorldMags.net 62 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net AILS0111° BIT THE BILLION250 NUMBERS PERFORMANCES PROCESSED BY ASCAP ANNUALLY $5 BILLION loyalties cistributed LLION to ASCAP members in WORKSIN THE ASCAP REPERTOIRE the past sixyears

Approximate number of songwriter, composer 500,00 and music publisher members, up 17% from 2012 Licensees of ASCAP repertoire700,000 Congratulations ASCAP

on a century spent championing the ri hts of music creators everywhere. frNMPA National Music Publishers' Association Rights. Simplified. nmpa.org harryfox.com WorldMags.net FEBRUARY 15,2014 | WWW.BILLBOARD.BIZ 63 SPECIAL FEATURE WorldMags.net Celebrations Of Song WITH AWARD SHOWS AND EVENTS, ASCAP HIGHLIGHTS THE TALENT OF ITS MEMBERS, IN ALL MUSICAL GENRES, THROUGHOUT THE YEAR 1

1 Katy Perry was honored at the 29th annual ASCAP Pop Music Awards in Hollywood in April 2012, joined here by ASCAP CEO John LoFrumento (left) and president/chairman Paul Williams.

2 George Strait received the Founders Award at the 2013 ASCAP Country Music Awards in Nashville. From left: ASCAP VPs of membership, Nashville Michael Martin and LeAnn Phelan; Strait; ASCAP’s Paul Williams; and ASCAP executive VP, membership John Titta.

3 The 2012 ASCAP “I Create Music” Expo in Los Angeles drew (from left) songwriter/ producers Ari Levine, Bruno Mars and Philip Lawrence, collectively known as .

4 Marc Anthony (center) received the Founders Award at the 2012 ASCAP Latin Music Awards from his friend and international soccer star David Beckham (right) and ASCAP’s Paul Williams.

5 Gathered at the 26th annual ASCAP Rhythm & Soul Music Awards in June 2013 are (from left) ASCAP’s Paul Williams; Usher, who won the Golden Note Award; ASCAP VP of membership, rhythm and soul/urban Nicole George- Middleton; and ASCAP’s John LoFrumento.

6 Pharrell Williams received the Golden Note Award at the 25th annual ASCAP Rhythm & Soul Music Awards in June 2012. From left: ASCAP’s Nicole George, Williams and ASCAP’s Paul Williams and John LoFrumento. 2 3 7 Dr. Luke speaks at the 2011 ASCAP “I Create Music” Expo in Los Angeles.

8 Songwriter/producer Max Martin with Katy Perry backstage at the 29th annual ASCAP Pop Music Awards.

9 (right) is congratulated by ASCAP VP of membership, pop/rock Marc Emert-Hutner after receiving the Vanguard Award at the 2013 ASCAP Pop Music Awards.

10 Golden Note honoree Trent Reznor (left) shares a moment with ASCAP’s Paul Williams (center) and John LoFrumento at the 2012 ASCAP Pop Music Awards in Los Angeles. WorldMags.net 64 BILLBOARD | FEBRUARY 15, 2014 WorldMags.netWE CREATE MUSIC ASCAP100YEARS

4 CONQRATULArroNs ON 100 YEARS!

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Congratulations and best wishes

9 on ASCAP's 100th Anniversary!

10

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SHUNICHI TOKURA MITSUO SUGAWARA Chairman President

3-6-12 Uehara, Shibuya-ku,Tokyo 151-8540 Japan Telephone:+81-3-3481-2121 Fax:+81-3-3481-2154 IMAGES 1, 2, 3, 4, 6, 7, 8, 9, 10: PICTUREGROUP; IMAGE 5: FRANK MICELOTTA/INVISION FOR ASCAP/AP IMAGES ASCAP/AP FOR 5: FRANK MICELOTTA/INVISION IMAGE 1, 2, 3, 4, 6, 7, 8, 9, 10: PICTUREGROUP; IMAGES WorldMags.net FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 65 WorldMags.net

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WorldMags.net 67 We Shall Overcome: The We , which debuts at No. 8 on , which debuts No. at , a covers album of folk songs songs of folk ssions, a covers album THE THE d’s Folk Albums chart with 2,000 (up chart with 2,000 Albums Folk d’s oar Pete Seeger Pete 488% —Keith Caulfield, William Gruger and Gary Trust Gruger and William Caulfield, —Keith 812K 20,690%). best- Land” Seeger’s “This was Land Is Your selling download last week, shifting 3,000 amount the week a negligible copies, up from version eclipsed of his sales It narrowly before. and which he wrote Turn!,” Turn! of “Turn! covered it. the Byrds before recorded The which topped version, the Billboard Hot Byrds’ had a sales weeks in 1965, also three 100 for the selling 2,000 for death, bump after Seeger’s week upping its (a 182% gain), to-date digital tosales 406,000. 3 on 2006, Bruce SpringsteenIn No. reached the Billboard 200 with Seeger Se Seeger’s catalog 24,000 sold of songs Seeger’s 2, downloads in the week ending Feb. according up to Nielsen SoundScan. That’s week, a whopping 4,916% over the previous less than 1,000 total.when he sold terms In his best the week seller for is The of albums, Pete SeegerEssential Billb that Seeger popularized. That LP increases by Seegerthat LP increases popularized. That 488% to the week less than 1,000 for ending since 2, its best frame Christmas sales Feb. week 2009. Wikipedia 2, Seeger’s the week ending Feb. For page according received 811,670 views, to in a 9,094% increase Next Big Sound. That’s week, when it drew the previous from traffic 8,828. 4,916% 3K Numbers FEBRUARY 15, 2014 | WWW.BILLBOARD.BIZ 2014 | 15, FEBRUARY Following the Jan. 27 death of Pete Seeger at age 94, age Seeger at of Pete 27 death the Jan. Following Seeger’s music. icon/activist’s the folk to focked fans did his social as profle, surged, and songalbum sales career. of his multifaceted the legacy reinforcing

O NOW HAPPENING MUSIC

Marshall, a 24-year-old Parisian, Parisian, a 24-year-old Marshall, the only artist in- isn’t Beyoncé But true the audi- hit song is one where “A of a song“Instead just to listening on dancers he choreographed, was shared was he choreographed, dancers and has on Facebook, herself by Beyoncé “It views. than 775,000 more received and my Year’s New Christmas, like felt he recalls. time,” the same all at birthday started videos in music out dancing a and launched musicals, and stage With ago. years four channel YouTube than and more subscribers 200,000 become he’s views, 18 channel million with an international a choreographer in fact, video, The “Partition” clientele. Marshall where flmed in Ukraine, was of “So on the local version You worked of the “Most Can Dance.” Think You because are people today I get jobs he says. me via YouTube,” found Most world: dance YouTube’s spiring uptempo pop Icona recent hits, from “Timber,” Pitbull’s to It” “I Love Pop’s another It’s clips. similar conjured have is changing of technology how example with music. interact fans the way says active,” to passive from goes ence VP of creative executive Singer, Dion Records. Bros. Warner at and marketing Derulo, whose with Jason works Singer Dirty” has in- “Talk new single kinetic with mil- videos dance multiple spired the song helping climb lion-plus views, 6-4 100 this week. on the Hot make to the energy have] [fans the radio, on YouTube,” and put it up video a dance the song “That must mean is says. Singer people.” afecting really WorldMags.netWorldMags.net third comes with sepa- comes WorldMags.net

wo months after Beyoncé dropped her surprise Beyoncé self-titled months after wo cut Album industry. up the music still shaking album, it’s Songs Streaming 49 on Billboard’s No. reached “Partition” de- streams, than 1.4 with more week million U.S. chart last

TREND REPORT TREND Marshall’s “Partition” YouTube video, featuring him and a group of him and a group featuring video, YouTube “Partition” Marshall’s The “Partition” phenomenon is in some ways similar to “Harlem “Harlem to similar phenomenon is in some ways The “Partition” in a song be look for it to is for dynamic, so“What it I really post- and began 2006, since has been a choreographer Hanagami Beyoncé’s 100 this week, on the Hot 73-70 moves “Partition” choreographers’ popular online videos Shake Up Charts Up Shake song on the chart, joining singles “Drunk in Love” (No. 2) and “XO” and “XO” 2) (No. song on the chart, “Drunk in Love” singles joining 2, Feb. ending in the week copies sold 19,000 “Partition” 50). (No. Nielsen SoundScan, to according a jump of 13%. Radio grew airplay Nielsen to 25 4.8 to percent according million audience impressions, of the Streaming falls the track although up 2%, are Streams BDS. are “Partition” for numbers streaming But Songs tally this week. a two-part Beyoncé track. it’s that boosted by the fact and each, for the other “Partition”) “Yoncé,” titled (one videos rate both to videos parts, diferent uploading her lead, followed have fans video Hanagami’s tally. the song’ streaming toward count all of which part the frst of one by danc- the song, like others, while uses “Yoncé,” section. use the “Partition” Marshall, Yanis er/choreographer Shake,” the viral, dorm-room dance meme that took DJ/producer took DJ/producer meme that dance dorm-room viral, the Shake,” 23, of 100 the week Feb. Hot of the top to the Billboard straight Baauer with “Har- unlike However, clicks. 2013, millions of thanks to YouTube “Parti- of featuring videos the most popular many dance Shake,” lem Hanagami. Kyle like choreographers by professional created are tion” 27-year-old, who the Los Angeles-based says boring,” get doesn’t the song to to he choreographed crew of a video a dance uploaded to views 400,000 23, nearly on Jan. receiving channel his YouTube regard.” in that dream a choreographer’s is like “‘Partition’ date. the YouTube the time when around right his channel to ing videos great“It’s began. marketing,” phenomenon dance Hanagami says. they know to students, and the way teach to internationally “I travel is YouTube.” the world fy me around spite the fact that the video (available for purchase with the album) album) with the purchase for (available the video that the fact spite on , available and the audio isn’t or Vevo, on YouTube isn’t Through services. So, is this possible? or other similar how Pandora of community by a vibrant driven videos, YouTube user-generated the song it to shaking on camera. crews dance choreographed T By WilliamBy Lipshutz and Gruger Jason Beyoncé’s ‘Partition’ is latest hit fueled by by hit fueled is latest ‘Partition’ Beyoncé’s YouTube DancersYouTube

enter)

Yannis Yannis Marshall c the song up the charts. choreographed a video for Beyoncé’s “Partition” “Partition” has that helped drive (above, YANNIS: COURTESY OF YOUTUBE; BEYONCÉ: ROBIN HARPER ROBIN BEYONCÉ: YOUTUBE; OF COURTESY YANNIS: billboard WorldMags.net MARKETPLACE CONNECT WITH THE MUSIC INDUSTRY’S MOST IMPORTANT DECISION MAKERS

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FOR AD PLACEMENT IN PRINT CALL JEFF SERRETTE: 212-493-4199/[email protected] 68 BILLBOARD | FEBRUARY 15, 2014 WorldMags.netDAFT PUNK’S RANDOM IMAGINE DRAGONS’ ’S “TALK ACCESS MEMORIES SALES “RADIOACTIVE” SALES DIRTY” SALES 30,000 208,000 234,000 THIS WEEK THIS WEEK THIS WEEK 300% 239% 21%

CHARTS

OVER THE COUNTER KEITH CAULFIELD MARKET WATCH CHART A WEEKLY NATIONAL MUSIC SALES REPORT Weekly Unit Sales Grammy Glows ALBUMS DIGITAL DWilTAL 0 0 0 0, usual* TRACKS This week 4,636,000 2,304,000 23,749,000 On Billboard 200 Last week 4,282,000 2,060,000 23,736,000 Music’s biggest night shines on the chart, with album ‘Wonders’ Never Ceases Change 8.3% 11.8% 0.1% debuts This week Last Year 5,254,000 2,416,000 25,804,000 of the year winner Daft Punk returning to the top 10 at No. 18 on Rock Digital Songs with its ‘80s classic Change -11.8% -4.6% -6.0% “Seven Wonders,” which sold *DieIre album sales are also ccustal within album sales. 13,000 downloads in the Nielsen SoundScan tracking week that ended Feb. 2 (up his week’s Billboard 200 is brought to you performance of her single “Drunk in Love,” is pushed 9,086%). The song surges Weekly Album Sales0,4,111on unto) by the Grammy Awards, the Super Bowl, back a notch to No. 5, with 48,000 (up less than 1%). after Stevie Nicks sang it to open the Jan. 29 episode of 2014 MP3 and the Google Play store. Bruno Mars—who won the best pop vocal album FX’s “American Horror Story: 2013 Coven.” Originally released The Grammys, held Jan. 26, afect the award for sophomore set Unorthodox Jukebox—fies 05 charts in full this week, now that seven 18-7 (42,000; up 180%). as the second single from 1987’s Tango in the Night, 10 Tdays of post-show sales have been registered. Mean- Of course, Mars also played the Super Bowl half- “Wonders” reached No. 19 on while, Super Bowl halftime performer Bruno Mars time show on Feb. 2 (the fnal day of the most recent the Billboard Hot 100 and No. S 2 on Mainstream Rock. As of (along with special guests Red Hot Chili Peppers) sales tracking week), so he profts from that exposure 0 last month, Christine McVie F 81 A le / A S 0 N 0 rack immediate gains on the Billboard charts from as well. His Super Bowl spot was the most-watched has rejoined the group after just one day of impact (Feb. 2). Finally, a bevy of al- halftime performance ever, with an audience of 115.3 16 years, with a Fleetwood bums collect monster gains in the wake of deep dis- million U.S. TV viewers, according to Nielsen. Out- Mac tour possible this year. YEAR-TO-DATE —Gary Trust counting at Amazon MP3 and the Google Play store. side the top 10, Mars’ frst album, Doo-Wops & Hoo- Overall Unit Sales

At the top of the chart, ligans, zooms 82-19 with 2013 2014 OlAbIGE THE BIG NUMBER the soundtrack to “Fro- 16,000 and a 303% gain. Albums 26,492,000 22,990,000 -13.2% zen” holds steady for a At No. 10 is Daft Digital Tracks 143,649,000 127,780,000 -11.0% fourth nonconsecutive Punk’s album of the week, fending of the year winner Random Store MVOs 331,000 203,000 -38.7% surging 2014 Grammy Access Memories, which Total 170,472,000 150,973,000 -11.4% Nominees album at No. 2. fies up 29 rungs with Album wnEr 40,856,900 35,768,000 -12.5% The last theatrical flm 30,000 sold. The Daft Indudes trad equivalent abarn sales (TEA) seek 10 tradc downloads ere Natant to one album sak. soundtrack to spend four MUSIC Punk robots also played 90 weeks atop the chart was the telecast, perform- Bad Boys II, which ruled ing its hit “Get Lucky”— Album Sales hgUNL Next week’s top new entry on for four consecutive THE 56TH GRAMMYs which won record of the the Billboard 200 will likely be frames in August 2003. year—with Pharrell and Now 49 with around 90,000 2013 copies, according to industry 2014 23.0 million Frozen sold another . This is forecasters. It could bow at 94,000 copies in the the album’s frst visit to No. 2, and has a chance of bumping Frozen from No. 1. week ending Feb. 2, for the top 10 since July 2013. SalesbyAlbum Format a gain of 1%, while the It’s also the former No. 1 2013 2014 CHARGE com- album’s best sales week a) 13,319,000 11,102,000 -16.6% pilation sold 87,000 since the same month, (up 47%), according to when it was in its sixth DOW 12,629,000 11,178,000 -11.5% Nielsen SoundScan. A week ago, it debuted at No. 2 week on the chart and sold 31,000. Vinyl 497,000 680,000 36.8% with 59,000. Notable re-entries on the Billboard 200 this week other 46,000 31,000 -32.6% The “Frozen” soundtrack benefted from the rere- include Stevie Wonder’s and lease of the flm on Jan. 31 in theaters as a “singalong” Madonna’s The Immaculate Collection. Both artists movie. The new print (complete with a bouncing performed at the Grammys, and their respective al- Sales by Album Category snowfake to help audiences sing along) arrived in bums return after decades away from the chart at Nos. 2013 2014 OtAlaGe more than 2,000 theaters during the weekend, ac- 99 (4,000; up 1,037%) and 153 (3,000; up 494%), re- Commit 13,186,000 11,159,000 -15.4% companied by a TV advertising blitz. spectively—their best sales weeks in years. Catalog 13,306,000 11,830,000 -11.1% Wonder and Madonna’s albums proft from a Deep Catalog 10,544,000 9,624,000 -8.7% Grammy & Super Bowl Action: Seven of the top 10 limited-time sale price in the Google Play store, albums on the Billboard 200 are directly afected by where each title was briefy marked down to 99 cents the Grammy Awards. After the 2014 Grammy Nomi- for select consumers. In fact, pretty much all of the Current Album Sales nees release at No. 2, the titles at Nos. 3, 5 and 7-10 all head-scratching re-entries on the chart can be cred- bask in Grammy’s glow. In the top 40 of the chart, ited to Amazon and Google Play. In theory, things 2013 13.2 61111hms there are 13 albums that have Grammy- related gains. should get back to normal next week—barring anoth- 2014 11.2 1811110ii That said, this year is the frst time since 2009 that, er how-low-can-they-go discount. in the week after the Grammy telecast, there aren’t Also in the sale mix are $1.99 ofers for Kacey CatalogAlbumSales any albums that sold more than 100,000 copies. In Musgraves’ charging Same Trailer Diferent Park and 2013 2009, in the week after the show, Taylor Swift’s Lorde’s . Musgraves rallies 28-12 with .com Fearless was the top-selling album, with 92,000 sold 27,000 (up 177%) and Lorde steps 5-3 with 68,000 2014 (up 44%). At No. 2 that week was & Ali- (up 86%). Other $1.99 albums on the chart include, Nelsen Soundscan counts as contort ortk seaside* the fast a/ an album's release (12 Read more months for classical and jazz albums). TitleS that stay In Me top halt of the Billboard 200. hamster. remain son Krauss’ album of the year winner, , among many others, Drake’s as current. Titles older than 18 months are catalog. (kaput -troll is a subset of catalog for titles out more Chart Beat at with 77,000 (up 715%). (No. 17, up 10%) and Kanye West’s The College Drop- than 36 months billboard.com/ For week enti-sg Feb.2.2014 Figures are rounded. Complied from a national sample of 1, taken Beyoncé, who opened the 2014 Grammys with a out (No. 100, up 197%). OWorldMags.netchartbeat. retail store and rack sales reports collected by Nielsen SoondScars FEBRUARY 15, 2014 | WWW.BILLBOARD.COM/BIZ 69 MKS. LAST THIS TITLE Artist pPosEAR WCHKARTS.ON WAS. LAST THIS TITLE Artist PposEAR WEScHnONT WorldMags.netCERT CERT. AGO WEEK WEEK PRODUCER (SONGWRITER) NAPRINT/PROIAOTION LABEL AGO WEEK WEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL

#1 DARK HORSE Katy Perry Featuring 2 WKS 1 20 BRAVE Sara Bareilles 23 34 1 DR. LUKE,MAX MARTIN,CIRKUT (J.HOUSTON, 31 26 ¡ L.GOTTWALD,S.T.HUDSON,MAX MARTIN,H.WALTER) CAPITOL M.ENDERT (S.BAREILLES,J.ANTONOFF) EPIC Following her performance of the song SG DRUNK IN LOVE Beyonce Featuring Jay Z 27 13 DETAIL,B.KNOWLES (B.KNOWLES,N.C.FISHER,S.C.CARTER, with at the Grammy Awards A.E.PROCTOR,R.DIAZ,B.SOKO,T.V.MOSLEY,J.HARMON) PARKWOOD/COLUMBIA (Jan. 26), it reaches a new peak, completing Beyoncé scores her 15th Hot the chart’s third-longest trip to the top 25. 100 top 10 and first since Lady AWOLnation’s “Sail” reached the region in 51 Gaga’s “Telephone,” on which weeks, while ’s “Little she’s featured, reached No. 3 in Talks” needed 35. 2010. Jay Z extends his record for the most top 10s among rappers Idina Menzel 21 10 26 21 24 0 (21). and Ludacris share K.ANDERSON-LOPEZ,R.LOPEZ (K.ANDERSON-LOPEZ,R.LOPEZ) WALT DISNEY second place with 18 apiece. ADORE YOU 22 8 OF COURTESY CLINCH; SANTOS: DANNY MASON POOL; BAREILLES: BEYONCÉ: 30 30 41) O.YOEL (S.BARTHE,O.YOEL) RCA MY HITTA TIMBER Pitbull Featuring Ke$ha 1 17 YG Feat. Jeezy & Rich Homie Quan ¡ 19 18 1 2 3 DR. LUKE,CIRKUT,SERMSTYLE (A.C.PEREZ,K.SEBERT,L.GOTTWALD, 27 29 0 DJ MUSTARD,M.LEE (K.D.R.JACKSON,D.MCFARLANE, P.R.,J.SANDERSON,B.S.ISAAC,H.WALTER,L.OSKAR,K.OSKAR,G.ERRICO) MR. 305/POLO GROUNDS/RCA J.W.JENKINS,D.LAMAR,C.C.BROADUS JR.,A.JOHNSON,C.LAWSON,C.MILLER) CTE/DEF JAM/IDJMG

TALK DIRTY Jason Derulo Featuring 2 Chainz 47 WRECKING BALL Miley Cyrus 1 24 15 18 20 27 6 0 R.REED (J.DESROULEAUX,T.EPPS,E.FREDERIC, DR. LUKE,CIRKUT (L.GOTTWALD,M. MCDONALD,S.R.MOCCIO,S.SKARBEK,H.WALTER) RCA J.EVIGAN,S.DOUGLAS,O.KAPLAN,T.MUSKAT,T.YOSEF) BELUGA HEIGHTS/WARNER BROS.

Hot 100 OneRepublic 2 33 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 4 26 3 5 0 20 24 26 MAJID JORDAN,NINETEEN85,N.SHEBIB (A.GRAHAM, 2 R.B.TEDDER,N.ZANCANELLA (R.B.TEDDER) MOSLEY/INTERSCOPE M.MASKATI,J.K.COOKE UILLMAN,P. JEFFERIES,N.SHEBIB) YOUNG MONEY/CASH MONEY/REPUBLIC

LET HER GO 6 27 15 20 Passenger 2 23 2S 29 WHITE WALLS Macklemore & Ryan Lewis Feat. & Hollis 2014 670 C.VALLEJO,M.ROSENBERG (M.D.ROSENBERG) BLACK CROW/NETTWERK/WARNER BROS. R.LEWIS (B.HAGGERTY,R.LEWIS,M.HANLEY,H.WEAR) MACKLEMORE/ADA/WARNER BROS.

SAY SOMETHING A Great Big World & 4 13 STAY THE NIGHT Zedd Featuring Hayley Williams 18 20 4 4 7 2 22 22 30 D.ROMER (I.AXEL,C.VACCARINO,M.CAMPBELL) BLACK MAGNETIC/EPIC ZEDD (A.ZASLAVSKI,B.E.HANNAH,H.WILLIAMS,C.FAYE) INTERSCOPE February 15 AG HAPPY Pharrell Williams 85 BLURRED LINES 1 42 33 31 31 Robin Thicke Feat. T.I. + Pharrell 6 P.L.WILLIAMS (P.L.WILLIAMS) BACK LOT MUSIC/COLUMBIA P.L.WILLIAMS (P.L.WILLIAMS,R.THICKE) STAR TRAK/INTERSCOPE Pharrell’s seventh Hot 100 top 10 SWEATER WEATHER The Neighbourhood 14 34 21 23 32 ¡ (and second as a lead, following J.PILBROW,E.HAYNIE (J.J.RUTHERFORD,Z.ABELS,J.FREEDMAN) [R]EVOLVE/COLUMBIA 2003’s No. 5-peaking “Frontin’”) LOVE ME AGAIN John Newman 32 11 hurtles 41-15 on Radio Songs (59 35 32 33 S.BOOKER,J.NEWMAN,M.SPENCER (J.NEWMAN,S.BOOKER) UNIVERSAL ISLAND/REPUBLIC million audience impressions, up 91%) and 27-15 on Streaming Songs BEST DAY OF MY LIFE American Authors 32 12 32 34 0 (3.2 million U.S. streams, up 44%), S.GOODMAN,A.ACCETTA (Z.BARNETT,J.SHELLEY,D.RUBLIN,M.SANCHEZ,M.GOODMAN,S.ACCETTA) ISLAND/IDJMG while surging by 17% to 219,000 DRINK A BEER Luke Bryan 33 13 downloads sold. 34 35 0 J.STEVENS (J.BEAVERS,C.STAPLETON) CAPITOL NASHVILLE

LEGEND ROYALS Lorde 1 31 DO WHAT U WANT Feat. R. Kelly 13 15 7 4 19 25 36 DJ WHITE SHADOW,LADY GAGA (S.GERMANOTTA, Bullets indicate titles with 4111 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC P.BLAIR,M. BRESSO,W.GRIGAHCINE,R.S.KELLY) STREAMLINE/INTERSCOPE greatest weekly gains. TEAM 8 19 HEY BROTHER 36 9 Album Charts Lorde 37 36 37 Avicii 0 Recording Industry Assn. of ci0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC AVICII (T.BERGLING,A.POURNOURI,V.PONTARE,S. AL FAKIR) PRMD/ISLAND/IDJMG America (RIAA) certification for physical shipments & digital POMPEII Bastille 10 25 YOUNG GIRLS Bruno Mars 38 5 downloads of 500,000 albums io4:01 68 54 0 (Gold). c) M.CREW,D.SMITH (D.SMITH) VIRGIN/CAPITOL THE SMEEZINGTONS (BRUNO MARS,P.LAWRENCE II,A.LEVINE,J.BHASKER,E.HAYNIE) ATLANTIC ¡ RIAA certification for physical shipments & digital downloads THE MONSTER Eminem Featuring Rihanna 1 14 WHATEVER SHE’S GOT David Nail 38 18 of 1 million units (Platinum). 5 5 12 FREQUENCY,AALIAS (M.MATHERS III,B.FRYZEL, 39 38 39 0 Numeral noted with Platinum A.KLEINSTUB,M.ATHANASIOU,R.FENTY,J.BELLION,B.REXHA) WEB/SHADY/AFTERMATH/INTERSCOPE C.AINLAY,F.LIDDELL,G.WORF (J.ROBBINS,J.M.NITE) MCA NASHVILLE symbol indicates album’s multi- platinum level. DG RADIOACTIVE Imagine Dragons 3 75 SAFE AND SOUND 8 40 ™ RIAA certification for physical 6 36 39 40 Capital Cities shipments & digital downloads (IMAGINE DRAGONS,A.GRANT,J.MOSSER) KIDINAKORNER/INTERSCOPE R.MERCHANT,S.SIMONIAN (R.MERCHANT,S.SIMONIAN) LAZY HOOKS/CAPITOL of 10 million units (Diamond). Numeral noted with Diamond STORY OF MY LIFE 6 14 CHILLIN’ IT Cole Swindell 38 16 symbol indicates album’s multi- 9 12 14 J.BUNETTA,J.RYAN (J.SCOTT,J.BUNETTA,J.RYAN, 0 38 40 (1) 0 platinum level. H.STYLES,N.HORAN,Z.MALIK,L.TOMLINSON,L.PAYNE) SYCO/COLUMBIA J.STEVENS (C.SWINDELL,S.MINOR) WARNER BROS./WMN ) Latin albums certification for physical shipments & digital CAN’T REMEMBER TO FORGET YOU 23 Mike WiLL Made-It Feat. Miley Cyrus, Wiz Khalifa & Juicy J downloads of 50,000 units (Oro). Shakira Feat. Rihanna 15 3 11 20 23 61 0 J.HILL,,S.I.MEBARAK RIPOLL (J.HILL,T.HULL, 29 37 42 MIKE WILL MADE-IT,P-NASTY (M.L.WILLIAMS, ¢ Latin albums certification for D.A.LEDINSKY,E.HASSLE,S.I.MEBARAK RIPOLL,R.FENTY) RCA P.R.SLAUGHTER,T.THOMAS,T.THOMAS,C. THOMAZ,J.HOUSTON) EARDRUMMERS/INTERSCOPE physical shipments & digital downloads of 100,000 units BURN Ellie Goulding 13 22 DJ Snake & Lil Jon 37 6 (Platino). Numeral noted with 14 14 16 42 41 0 Platinum symbol indicates G.KURSTIN (R.B.TEDDER,E.GOULDING,G.KURSTIN,N.ZANCANELLA,B.KUTZLE) CHERRYTREE/INTERSCOPE DJ SNAKE,J.SMITH (J.H.SMITH,W.GRIGAHCINE,M. BRESSO) COLUMBIA album’s multi-platinum level. ALL OF ME John Legend 17 17 INVISIBLE 44 2 Digital Songs Charts 49 27 0 0 88Q 0 RIAA certification for 500,000 D.TOZER,JOHN LEGEND (JOHN LEGEND,T.GAD) G.O.O.D./COLUMBIA D.HUFF,H.HAYES (H.HAYES,B.BAKER,K.ELAM) ATLANTIC/WMN paid downloads (Gold). RIAA certification for 1 million ODIO ¡ DEMONS 6 41 Romeo Santos Featuring Drake 45 1 paid downloads (Platinum). 13 15 18 Imagine Dragons A.SANTOS,RICO LOVE,E.HOOD (A.SANTOS,A.GRAHAM,RICO LOVE, Numeral noted with platinum ALEX DA KID (IMAGINE DRAGONS,A.GRANT,J.MOSSER) KIDINAKORNER/INTERSCOPE K.RODRIGUEZ,E.HOOD,E.GOUDY II,D.NESMITH,N.SHEBIB) SONY MUSIC LATIN symbol indicates song’s multiplatinum level. The track storms 39-1 on Hot Latin Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2014, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for sales activity the firstSee Charts for time. on billboard.com/biz Legend and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are WAKE ME UP! Avicii 4 32 Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by ranked all genres, songs across most popular current The week’s 11 17 19 ¡ Songs and enters Latin Airplay at Awards AVICII (T.BERGLING,ALOE BLACC,M.EINZIGER) PRMD/ISLAND/IDJMG HG (Heatseeker Graduate) No. 1 (see page 86). It also sets PS (PaceSetter for largest % album ROAR 1 26 sales gain) 16 18 20 Katy Perry 4 a Hot 100 record, logging the DR. LUKE,MAX MARTIN,CIRKUT (K.PERRY,L.GOTTWALD,MAX MARTIN,B.MCKEE,H.WALTER) CAPITOL GG (Greatest Gainer for largest highest bow for a predominantly volume gain) DG (Digital Sales Gainer) THE MAN Aloe Blacc 16 6 Spanish-language track in the AG (Airplay Gainer) 17 16 , 21 DJ KHALIL,ALOE BLACC (ALOE BLACC, BY COMPILED SALES DATA SG (Streaming Gainer) I K.ABDUL-RAHMAN,S.BARSH,D.SEEFF,E.JOHN,B.TAUPIN) ALOE BLACC/XIX/INTERSCOPE chart’s history.

Publishing song index available on SHOW ME Kid Ink Featuring 19 13 WHEN SHE SAYS BABY Jason Aldean 43 10 billboard.com/biz. 24 19 DJ MUSTARD (B.T.COLLINS,D.MCFARLANE, C.JONES,J.FELTON,C.M.BROWN,A.GEORGE,C.MCFARLANE) THA ALUMNI GROUP/88 CLASSIC/RCA M.KNOX (T.R.AKINS,B.HAYSLIP) BROKEN BOW Visit billboard.com/biz for complete rules and explanations. AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net 70 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 . 2 WKS. LAST THIS TITLE Artist PEAK *05.00 ?WKS. LAST THIS TITLE Artist PEAK WKS.01 WHEN WorldMags.net CERT. AGO WEEKWEEK POS. CHART AGO WEEK WEEK POS. CHART PRODUCER (SONCEWREEERI IMPRINT/PROMOTION LABEL PRODUCER ISONGY/RITERt IMPRINT/PROMOTION LABEL YOU’RE SAIL AWOLNATION 3 17 74 COP CAR 74 1 47 42 47 NEW A.BRUNO (A.BRUNO) RED BULL 0 Z.CROWELL,K.URBAN (Z.CROWELL,M.JENKINS,S.HUNT) HIT RED/CAPITOL NASHVILLE NEAR

ANIMALS 48 20 M.A.A.D CITY Kendrick Lamar Feat. MC Eiht 75 3 ME, I FEEL 0 SOUNWAVE,THC (K.DUCKWORTH, 53 00 M.GARRIX (M.GARRIX) SPINNIN’/SILENT/CASABLANCA/REPUBLIC RE-ENTRY 0 M.SPEARS,R.RIERA,A.MORGAN,A.TAYLOR) TOP DAWG/AFTERMATH/INTERSCOPE LIKE I’M IT WON’T STOP Sevyn Streeter Feat. Chris Brown 30 18 74 5 50 48 49 PICARD BROTHERS,DIPLO,FREE SCHOOL (A.STREETER, 78 74 0 STANDING M.PICARD,C.PICARD,M.HENRY,R.BUENIDA,J.BAPTISTE,M.POWELL) CBE/ATLANTIC/RRP J.L.NIEMANN,J.L.SLOAS (D.GEORGE,L.MILLER,B.WARREN,B.WARREN) SEA GAYLE/ARISTA NASHVILLE BIEBER: DARREN TIESTE; IMAGINE DRAGONS: REID ROLLS DRAGONS: IMAGINE TIESTE; BIEBER: DARREN WITH AN 45 7 56 12 45 46 50 XO Beyonce 56 63 77 UP ALL NIGHT R.B.TEDDER,T.NASH,B.KNOWLES (R.B.TEDDER,T.NASH,B.KNOWLES) PARKWOOD/COLUMBIA B.BUTLER,J.PARDI (J.PARDI,B.BUTLER,B.BEAVERS) CAPITOL NASHVILLE ARMY. 51 7 76 9 PARANOID Ty Dolla $ign Featuring B.o.B 79 76 DO I WANNA KNOW? 6500 DJ MUSTARD (T.GRIFFIN JR,D.MCFARLANE,B.R.SIMMONS, JR.) ATLANTIC/RRP 0 J.FORD (A.TURNER) DOMINO/ADA “ADORE YOU,” MILEY CYRUS FRIDAY NIGHT Eric Paslay 47 16 TAKE ME HOME Cash Cash Feat. Bebe Rexha 79 3 59 Q 52 94 86' 0 M.ALTMAN (E.PASLAY,R.FALCON,R.CROSBY) EMI NASHVILLE CASH CASH (J.P.MAKHLOUF,S.W.FRISCH,A.L.MAKHLOUF,B.REXHA,B.LOWRY) BIG BEAT/RRP

ALL ME Drake Featuring 2 Chainz & 0 20 19 LOYAL Chris Brown Feat. Lil Wayne & French Montana Or & Too $hort 80 3 44 44 53 KEY WANE (A.GRAHAM,A.PALMAN,S.M.ANDERSON, 82 84 0 NIC NAC (N.BALDING,M.KRAGEN,C.M.BROWN,T.GRIFFIN JR,R.BRACKINS,D.CARTER, T.EPPS,D.M.WEIR II,L.WILLEMETZ,J.CHARLES,M.YVAIN) YOUNG MONEY/CASH MONEY/REPUBLIC K.KHARBOUCH,S.COX,O.AKINLOLU,M.BETHA,S.COMBS,C.WALLACE,T.A.SHAW,A.PUTHLI) RCA

38 10 69 5 57 4:00 54 LET IT GO Demi Lovato 72 69 81 LOVE DON’T DIE The Fray E.KIRIAKOU,A.GOLDSTEIN (K.ANDERSON-LOPEZ,R.LOPEZ) WALT DISNEY S.PRICE,R.B.TEDDER (THE FRAY,R.B.TEDDER) EPIC

RAP GOD Eminem 7 16 GET ME SOME OF THAT Thomas Rhett 79 4 51 53 55 DVLP,FILTHY (M.MATHERS III,B.ZAYAS, JR.,M.DELGIORNO,S.HACKER, 90 79 0 D.L.DAVIS,L.WALTERS,D.M.BIRKS,J.M.BURNS,J.LEE,F.SHAHEED,K.NAZEL) WEB/SHADY/AFTERMATH/INTERSCOPE L.LAIRD (C.SWINDELL,M.CARTER,T.R.AKINS) VALORY Q&A COMPASS Lady Antebellum 56 13 GOODNIGHT KISS Randy Houser 83 4 N.CHAPMAN,LADY ANTEBELLUM (T.E.HERMANSEN, 91 83 6200 0 D.GEORGE (R.HOUSER,R.HATCH,J.SELLERS) STONEY CREEK M.S.ERIKSEN,A.MALIK,R.GOLAN,D.OMELIO,E.HAYNIE) CAPITOL NASHVILLE Oren Yoel 28 16 66 12 40 45 57 STAY Florida Georgia Line 0 4 84 WAITING FOR SUPERMAN Daughtry J.MOI (J.K.MOI,J.F.YOUNG,C.ROBERTSON,J.LAWHON,B.WELLS) REPUBLIC NASHVILLE M.JOHNSON (C.DAUGHTRY,M.JOHNSON,S.HOLLANDER) 19/RCA 1 BOTTOMS UP Brantley Gilbert 58 7 19 YOU + ME Dan + Shay 78 5 67 81 7 85 Cr) C) D.HUFF (B.GILBERT,B.JAMES,J.WEAVER) VALORY DAN + SHAY,S.HENDRICKS (D.SMYERS,S.MOONEY,D.ORTON) WARNER BROS. NASHVILLE/WMN

DO YOU WANT TO BUILD A SNOWMAN? 55 6 58 3 61 Kristen Bell, Agatha Lee Monn & Katie Lopez S3 58 86 REWIND Rascal Flatts Q 59 K.ANDERSON-LOPEZ,R.LOPEZ (K.ANDERSON-LOPEZ,R.LOPEZ) WALT DISNEY J.DEMARCUS,RASCAL FLATTS (C. DESTEFANO,A.GORLEY,E.PASLAY) BIG MACHINE

FOLLOW YOUR ARROW Kacey Musgraves 60 1 SWEET ANNIE 47 16 NEW 0 54 62 87 K.STEGALL,Z.BROWN (Z.BROWN, K.MUSGRAVES,L.LAIRD,S.MCANALLY (K.MUSGRAVES,B.CLARK,S.MCANALLY) MERCURY NASHVILLE W.DURRETTE,C.BOWLES,S.LEIGH,J.PIERCE) ATLANTIC/SOUTHERN GROUND

GIVE ME BACK MY HOMETOWN Eric Church 55 4 EVERYTHING I SHOULDN’T BE THINKING ABOUT Thompson Square 88 3 You produced and co-wrote 55 67 0 95 89 0 Miley Cyrus’ “Adore You,” J.JOYCE (E.CHURCH,L.LAIRD) EMI NASHVILLE NV (K.THOMPSON,D.L.MURPHY,B.JAMES) STONEY CREEK which moves 30-25 on the Billboard Hot 100 this Katy Perry 14 15 A MAN WHO WAS GONNA DIE YOUNG Eric Church 89 1 43 49 62 NEW 0 week—your biggest hit by DR. LUKE,MAX MARTIN,CIRKUT (K.PERRY,L.GOTTWALD,MAX MARTIN,H.WALTER) CAPITOL J.JOYCE (E.CHURCH,J.SPILLMAN) EMI NASHVILLE far. That was a total shocker, to be 63 3 80 4 a single for Miley’s []. 84 66 ' DOIN’ WHAT SHE LIKES Blake Shelton S9 80 90 RIDE SoMo 0 S.HENDRICKS (P.O’DONNELL,W.KIRBY) WARNER BROS. NASHVILLE/WMN C.TARPLEY,M.SCHULTZ (J.SOMERS-MORALES,D.C.TARPLEY JR.) REPUBLIC There was on the record, Will.i.am stuf, NEON LIGHTS Demi Lovato 64 6 F THE HEART OF DIXIE Danielle Bradbery 58 9 and then there was little 70 CD R.B.TEDDER,N.ZANCANELLA (M.MARCHETTI, 87 82 91 0 B.JAMES (C.SMITH,B.JAMES,T.VERGES) REPUBLIC NASHVILLE/BIG MACHINE ol’ me. But I had a pretty T.VARTANYAN,R.B.TEDDER,N.ZANCANELLA,D.LOVATO) HOLLYWOOD good inclination what was 65 7 Featuring Pitbull 60 2 happening when they asked I HOLD ON Dierks Bentley 92 77 160 , (A.MAHONE,A.C.PEREZ,A.SCHWARTZ,J.KHAJADOURIAN me for the radio edit. I 00 R. COPPERMAN (B.JAMES,D.BENTLEY) CAPITOL NASHVILLE W.LOBBAN-BEAN,E.LOWERY,L.MAHONE,K.MAYBERRY,C.SIMPKINS,L.W.TOWNSELL) CHASE/CASH MONEY/REPUBLIC thought, “That’s probably a good sign.” FOR THE FIRST TIME IN FOREVER 57 6 THINKING ABOUT YOU 87 3 64 66 Kristen Bell & Idina Menzel 93 87 93 Feat. G K.ANDERSON-LOPEZ,R.LOPEZ (K.ANDERSON-LOPEZ,R.LOPEZ) WALT DISNEY C.HARRIS (C.HARRIS,A.MARAR) DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/COLUMBIA Your first high-profile gig was producing the bulk of UP DOWN (DO THIS ALL DAY) T-Pain Feat. B.o.B 65 11 CAN’T RAISE A MAN K. Michelle 94 1 Asher Roth’s 2009 album, DJ MUSTARD,M.ADAM (T-PAIN,D.MCFARLANE, 6600 NEW 0 T.TAYLOR,E.LEWIS (K.PATE,T.TAYLOR,E.LEWIS,M.TIMOTHEE,N.MCDOWELL) ATLANTIC Asleep in the Bread Aisle. M.ADAM,J.M.COHEN,B.R.SIMMONS, JR.) KONVICT/NAPPY BOY/RCA How did your career change 12 2 91 2 after that? One Direction NA NA Trey Songz Initially it opened up the RE-ENTRY 0 J.BUNETTA,J.RYAN (J.SCOTT,J.BUNETTA,J.RYAN,L.TOMLINSON,L.PAYNE) SYCO/COLUMBIA - DJ MUSTARD (T.NEVERSON,D.MCFARLANE,S.HLOOKOFF) SONGBOOK/ATLANTIC 0 0 wrong doors, because I was getting hit up about very CONFIDENT Justin Bieber Feat. Chance The Rapper 41 2 SHE KNOWS J. Cole Feat. Amber Cofman & The Cults 90 4 S O U N D Z (J.BIEBER,K.COBY, 92 41:1 96 surface-y white rappers. If M.N.SIMMONDS,C.BENNETT) SCHOOLBOY/RAYMOND BRAUN/ISLAND/IDJMG J.L.COLE (J.COLE,R.MATTOS,M.FOLLIN MCKENNA,R.GILMORE,P.WHITFIELD) ROC NATION/COLUMBIA something feels gimmicky, it’s After charting for a week (Dec. 28), gimmicky. I absolutely love 97 2 hip-hop, especially when it’s the song returns following Bieber’s THEY DON’T KNOW Rico Love RICO LOVE,E.HOOD,E (RICO LOVE,E.GOUDY II,T.MCCREA) DIVISION1/INTERSCOPE cool and new and diferent, Jan. 23 arrest for DUI, resisting arrest but I had to make a change and driving with a suspended license. 59 16 because I wasn’t having the 60 70 98 DON’T LET ME BE LONELY D.HUFF (S.BUXTON,R.CLAWSON,C.TOMPKINS) REPUBLIC NASHVILLE cool shit knocking on my door. With 81% of its Hot 100 points owed to It was the gimmicky shit, so I had to open up some diferent streams, it enters Streaming Songs at WORST BEHAVIOR Drake 89 8 98 99 doors. No. 31 (2.5 million, up 821%). 0 DJ DAHI (A.GRAHAM,A.PALMAN,D.NATCHE) YOUNG MONEY/CASH MONEY/REPUBLIC What’s next for you?

The week’s most popular current songs across all genres, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data by online music sources tracked by Nielsen BDS. Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by ranked all genres, songs across most popular current The week’s and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for sales activity the firstSee Charts for time. on billboard.com/biz Legend and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are PARTITION Beyonce 70 4 ON TOP OF THE WORLD Imagine Dragons 100 1 I just started working with 86 IlD 0 ,JROC,J.TIMBERLAKE,B.KNOWLES,KEY WANE (B.KNOWLES, NEW ALEX DA KID,IMAGINE DRAGONS T.NASH,J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,D.M.WEIR II,M.DEAN) PARKWOOD/COLUMBIA (D.REYNOLDS,W.SERMON,B.MCKEE,A.GRANT) KIDINAKORNER/INTERSCOPE , who is incredibly As the fourth single from Night Visions talented. I also did a song with Ryan Tedder and my friend SEE YOU TONIGHT Scotty McCreery 71 10 bows, second release “Radioactive” 75 0ell F.ROGERS (S.MCCREERY,A.GORLEY,Z.CROWELL) 19/INTERSCOPE/MERCURY NASHVILLE [songwriter/producer] Noel blasts 33-13, up 239% to 208,000 Zancanella—it’s a duet for Adam Levine and his artist 70 9 downloads sold. Of that sum, 73% Rozzi Krane. And there’s some SALES DATA COMPILED BY COMPILED SALES DATA 76 4100 M.ALTMAN,S.HENDRICKS (R.CLAWSON,C.TOMPKINS,J.KEAR) WARNER BROS. NASHVILLE/WAR comes from the version with Kendrick other really cool stuf that I Lamar after the two acts performed the can’t talk about yet. I hate to THE LANGUAGE Drake 51 15 be that guy, but I just can’t. 69 68 73 BOI-1DA (A.GRAHAM,A.PALMAN,M.SAMUELS, A.RITTER,A.HERNANDEZ,B.WILLIAMS,N.C.FISHER) YOUNG MONEY/CASH MONEY/REPUBLIC song at the Grammys. —Gary Trust —Nick Williams AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 71 2 WICS THIS ARTIST Title PEAKWK5.0N ?WS TH5 ARTIST Title PEAK WKS. ON AGO WEEK WorldMags.netP05. CHART AGO WEEK P05.CHART IMPRINT/DISTRIBUTING LABEL IMPRINT: DISTRIBUTING LABEL

#1 SOUNDTRACK 3 12 4 WK S Frozen 0 1 10 VARIOUS ARTISTS NOW 48 WALT DISNEY SONY MUSIC/UNIVERSAL/UME

VARIOUS ARTISTS 2014 Grammy Nominees 22 BRUCE SPRINGSTEEN High Hopes 13 GRAMMY/ATLANTIC/AG COLUMBIA

GG LORDE Pure Heroine 0 3 18 GRATEFUL DEAD Dave’s Picks Vol. 9: Harry Adams Field House, U. Of Montana, MT. 5/14/74 30 1 LAVA/REPUBLIC GRATEFUL DEAD/RHINO The Dave’s Picks series grants the OF MICE & MEN Restoring Force 41 RISE band its 61st chart entry, as this new efort bows with 12,000 sold. It BEYONCE 18 4 4 5 Beyonce ¡ will likely linger on the tally for just PARKWOOD/COLUMBIA a week or two, as most of the sales

CASTING CROWNS Thrive 61 of the title (like most of the Dead’s OF COURTESY BIG WORLD: A GREAT LEWIS: JOHN KEATLEY; & RYAN MACKLEMORE NEW 0 BEACH STREET/REUNION/PLG recent archival sets) were generated by pre-orders. BRUNO MARS Unorthodox Jukebox 2 1 60 27 18 0 ATLANTIC/AG

IMAGINE DRAGONS Night Visions 2 2 74 PASSENGER All The Little Lights 26 27 10 11 0 KIDINAKORNER/INTERSCOPE/IGA BLACK CROW/NETTWERK

KATY PERRY PRISM 1 15 JAMIE GRACE Ready To Fly 32 1 0 CAPITOL GOTEE/PLG DAFT PUNK Random Access Memories 1 37 A GREAT BIG WORLD Is There Anybody Out There? 32 83 39 0 3 DAFT LIFE/COLUMBIA BLACK MAGNETIC/EPIC Between the album’s debut week MACKLEMORE & RYAN LEWIS 2 69 74 The Heist ¡ MACKLEMORE being powered by pre-orders and the Many of the Billboard 200’s bullets are impact of the Grammys, A Great Big collected by titles that zoom thanks to World inevitably fell (dropping 77% to exposure from the Grammy Awards (like 11,000). It’s the biggest fall for a top this one, up by 62%). The Heist took home three debut since Dec. 14, 2013, when the best rap album Grammy during the Five Finger Death Punch’s The Wrong program, which aired Jan. 26. Side of Heaven and the Righteous Side of Hell: Volume 2 tumbled 2-34.

KACEY MUSGRAVES 2 39 JOHN LEGEND 4 22 81 28 (I) Same Trailer Diferent Park 35 MERCURY NASHVILLE/UMGN G.O.O.D./COLUMBIA ANDY MINEO Never Land (EP) 13 1 ONEREPUBLIC Native 0 4 45 NEW 41) REACH MOSLEY/INTERSCOPE/IGA

KIDZ BOP KIDS 33 DAVID CROSBY 36 1 3 6 14 Kidz Bop 25 Croz RAZOR & TIE BLUE CASTLE

EMINEM 1 13 With his first album since 1993, the veteran 8 10 15 The Marshall Mathers LP 2 WEB/SHADY/AFTERMATH/INTERSCOPE/IGA artist claims his highest-charting solo efort since 1971, when his solo debut, If I Could MILEY CYRUS 1 17 15 16 16 Bangerz Only Remember My Name, hit No. 12. On Folk RCA Albums, Crosby starts at No. 2.

The Billboard 200 DRAKE 1 19 18 17 17 Nothing Was The Same YOUNG MONEY/CASH MONEY/REPUBLIC

BASTILLE 11 22 MUMFORD & SONS 1 71 12 13 18 Bad Blood 71 69 Babel 2 2014 VIRGIN/CAPITOL GENTLEMAN OF THE ROAD/GLASSNOTE

PS BRUNO MARS Doo-Wops & Hooligans 3 171 R. KELLY 48 87 82 2 17 Black Panties ELEKTRA 22 38 0 RCA February 15 JENNIFER NETTLES 53 ARCTIC MONKEYS 6 21 5 12 20 That Girl 31 32 39 AM s.NUM MERCURY NASHVILLE/UMGN DOMINO KENDRICK LAMAR good kid, m.A.A.d city ¡ 2 67 Cilvia: Demo 40 1 55 33 (1) NEW TOP DAWG/AFTERMATH/INTERSCOPE/IGA 0 TOP DAWG

SARA BAREILLES 2 26 RED HOT CHILI PEPPERS 18 57 45 24 G Greatest Hits 2 EPIC WARNER BROS.

ONE DIRECTION 1 10 The Chili Peppers, who joined Bruno 13 15 23 Midnight Memories ¡ SYCO/COLUMBIA Mars for his Super Bowl halftime performance (Feb. 2), return with this

JUSTIN TIMBERLAKE 1 18 and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend all genres, albums across top-selling The week’s 26 25 411) The 20/20 Experience (2 Of 2) ¡ hits set (9,000; up 445%). Mars and RCA the band played “Give It Away,” which LUKE BRYAN 1 25 earns a 620% gain in downloads for 19 20 25 Crash My Party ¡ CAPITOL NASHVILLE/UMGN the week (10,000 sold). FLORIDA GEORGIA LINE Here’s To The Good Times ¡ 4 61

16 19 26 BY COMPILED SALES DATA REPUBLIC NASHVILLE/BMLG

P!NK 1 72 1 67 43 38 ' The Truth About Love ¡ TAYLOR SWIFT Red 4 RCA BIG MACHINE/BMLG

WorldMags.net 72 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 E WKS. LAST THIS PEAKW 5 OK S WKS. LAST THIS PEAKWKS. ON ARTIST Title CERT. ARTIST Title CERT. AGO WEEKWEEK WorldMags.netP05. CHART AGO WEEK WEEK POS CHART IMPRINT/DISTRIBUTING LABEL IMPRINT/DISTRIBUTING LABEL

11 3 73 1 11 The River & The Thread DUM DUM GIRLS Too True 21 43 NEW BLUE NOTE SUB POP The rock act nets its best week ever with the arrival of 5 82 0 74 0 0 + 0 its third full-length album, Too True. It launches with HU_ ELEKTRA f"OM G LI RD 5,000 and also bows at No. 20 on Top Rock Albums. LANA DEL REY 2 105 38 47 45 Born To Die ¡ POLYDOR/INTERSCOPE/IGA The SMITH & MYERS 46 1 1 159 NEW 0 (Acoustic Sessions) EP 1490 0 1 b ATLANTIC/AG APPLE/CAPITOL/UME Sounds U2 1 105 NIRVANA 1 270 RE-ENTRY 0 RE-ENTRY 0 Nevermind a Of No. 1 ISLAND/INTERSCOPE/UME SUB POP/DGC/GEFFEN/UME Disney’s “Frozen” soundtrack JHENE AIKO 8 11 FALL OUT BOY 1 42 is frozen solid at No. 1 on 34 40 48 Sail Out (EP) 48 67 76 Save Rock And Roll the Billboard 200 for a ARTCLUB/ARTIUM/DEF JAM/IDJMG DECAYDANCE/ISLAND/IDJMG fourth nonconsecutive week, LADY GAGA 1 12 ELLIE GOULDING 9 58 elevating it to fairly rare air 35 42 49 ARTPOP 65 62 77 Halcyon among soundtracks in the STREAMLINE/INTERSCOPE/IGA CHERRYTREE/INTERSCOPE/IGA Nielsen SoundScan era. Frozen is the first BOB MARLEY AND THE WAILERS 18 298 K. MICHELLE 2 15 soundtrack to spend four 117 131 0 Legend: The Best Of Bob Marley And The Wailers a RE-ENTRY 0 Rebellious Soul TUFF GONG/ISLAND/UME ATLANTIC/AG weeks at No. 1 since 2007, when the TV soundtrack to GARTH BROOKS 1 10 VARIOUS ARTISTS 56 2 “High School Musical 2” ruled 28 46 51 Blame It All On My Roots: Five Decades Of Influences 0 79 NOW That’s What I Call Country Ballads 2 PEARL SONY MUSIC/UNIVERSAL/UME for four frames. The last film soundtrack to spend four EMINEM 1 148 3 17 weeks at the top was Bad 157 167 The Marshall Mathers LP a 36 176 0 Closer To The Truth Boys II, which reigned for a WEB/AFTERMATH/INTERSCOPE/UME WARNER BROS. month in 2003. Since SoundScan started YOUNG THE GIANT 72 ARIANA GRANDE 1 22 Mind Over Matter 66 65 81 Yours Truly powering the Billboard 200 0 53 FUELED BY RAMEN REPUBLIC chart on May 25, 1991, only nine soundtracks have spent SWITCHFOOT 63 THE GASLIGHT ANTHEM 82 1 at least four weeks at No. 1. In 6 29 54 Fading West The B-Sides LOWERCASE PEOPLE/ATLANTIC/AG NEW 0 SIDEONEDUMMY that span, Frozen is now tied with four other soundtracks BLAKE SHELTON 3 45 ADELE 1 154 with four weeks atop the list. 44 52 55 Based On A True Story ... ¡ 64 75 83 21 a In the SoundScan era, The WARNER BROS. NASHVILLE/WMN XL/COLUMBIA Bodyguard leads with the most weeks at No. 1 for a JUSTIN TIMBERLAKE 1 46 KEITH URBAN 1 21 57 63 0 The 20/20 Experience 2 67 79 84 Fuse soundtrack with 20 (see chart, RCA HIT RED/CAPITOL NASHVILLE/UMGN below). In the history of the Billboard 3 92 10 43 FUN. Some Nights ¡ 151 CD 0 LANA DEL REY Paradise (EP) 200 (stretching back to 0 FUELED BY RAMEN POLYDOR/INTERSCOPE/IGA when it became a regularly published weekly chart in KID INK 34 BILLIE JOE + NORAH 19 10 1958) the longest-running No. 1 21 34 58 My Own Lane 37 53 86 Foreverly THA ALUMNI GROUP/88 CLASSIC/RCA REPRISE/WARNER BROS. soundtrack is 1962’s West Side Story, with 54 weeks at No. 1. FLEETWOOD MAC 11 172 THE NEIGHBOURHOOD 25 41 Frozen has a decent shot at 200 191 Q Rumours j 54 68 87 I Love You. claiming a fifth frame atop the WARNER BROS. [R]EVOLVE/COLUMBIA list next week, as the highest new entry will likely be Now 5 20 1 35 42 58 60 AVICII True 85 78 88 VAMPIRE WEEKEND Modern Vampires Of The City 49, with around 90,000 sold. PRMD/ISLAND/IDJMG XL —Keith Caulfield ROBIN THICKE 1 27 23 62 59 61 61 Blurred Lines 61 70 89 Lindsey Stirling STAR TRAK/INTERSCOPE/IGA LINDSEYSTOMP MOST WEEKS AT NO. 1 ON THE BILLBOARD 200 FOR SOUNDTRACKS IN THE PERIPHERY 62 1 DAUGHTRY 6 11 SOUNDSCAN ERA Clear 70 73 90 Baptized NEW 0 SUMERIAN 19/RCA 20

JASON ALDEAN 1 68 AVENGED SEVENFOLD 1 23 41 57 63 Night Train ¡ 58 77 91 Hail To The King BROKEN BOW/BBMG WARNER BROS. 16 CHILDISH GAMBINO 78 RIHANNA 1 57 30 44 64 Because The Internet 176 94 92 Unapologetic ¡ GLASSNOTE SRP/DEF JAM/IDJMG

GARY CLARK JR. 6 21 SHARON JONES AND THE DAP-KINGS 22 3 Blak And Blu 22 50 93 Give The People What They Want - 0 0 WARNER BROS. DAPTONE 10 SOUNDTRACK 14 10 THE 1975 28 12 20 37 66 Inside Llewyn Davis: Original Soundtrack Recording 106 Q 94 The 1975 STUDIOCANAL/MIKE ZOSS PRODUCTIONS/NONESUCH/WARNER BROS. DIRTY HIT/VAGRANT/INTERSCOPE/IGA

VARIOUS ARTISTS 25 19 TAMAR BRAXTON 2 22 49 54 67 WOW Hits 2014 46 86 95 Love And War 5 PROVIDENT/WORD-CURB/CAPITOL CMG STREAMLINE/EPIC 44 4 44 ELTON JOHN 9 68 2 121 RE-ENTRY 0 Rocket Man: Number Ones 0 RE-ENTRY 0 Back To Black 2 CHRONICLES/ROCKET/ISLAND/MERCURY/UME REPUBLIC

The week’s top-selling albums across all genres, ranked by sales data as compiled by Nielsen SoundScan. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2014, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend all genres, albums across top-selling The week’s RED DRAGON CARTEL 69 1 AGAINST ME! 23 2 Red Dragon Cartel - G 97 Transgender Dysphoria Blues NEW 0 FRONTIERS TOTAL TREBLE

ABOVE & BEYOND Acoustic 70 1 ABBA Gold — Greatest Hits 6 36 130 8 Mile (2002)

NEW 0 RE-ENTRY 0 (2013) Frozen ANJUNABEATS/ULTRA POLAR/POLYDOR/UME (1997)

71 1 1 81 Bad II (2003) Boys THE LAWRENCE ARMS Metropole STEVIE WONDER Songs In The Key Of Life a (1994) SALES DATA COMPILED BY COMPILED SALES DATA

RE-ENTRY 0 The Bodyguard (1992) NEW 0 EPITAPH TAMLA/MOTOWN/UME Dangerous Minds (1995) Waiting to Exhale (1995) to Waiting 7 103 2 75 HUNTER HAYES KANYE WEST 2 (2007) High School Musical !U1 71 72 Hunter Hayes ¡ RE-ENTRY CI The College Dropout 2 ATLANTIC/WMN ROC-A-FELLA/DEF JAM/IDJMG

WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 73 2 WKS. THIS ARTIST Title WKS. ON 2 WKS LAST THIS ARTIST Title PEAKWKS. All WorldMags.netCHART AGO WEEKWEEK POS. CHART AGO WEEK IMPRINT/DISTRIBUTING LABEL IMPRINT/DISTRIBUTING LABEL

BRITNEY SPEARS Britney Jean 49 g 1 118 RCA MAVERICK/REPRISE/WARNER BROS.

SOUNDTRACK O Brother, Where Art Thou? 8 1 111 B.O.B Underground Luxury 22 7 LOST HIGHWAY/MERCURY/IDJMG/UME REBELROCK/GRAND HUSTLE/ATLANTIC/AG The 2002 Grammy winner for album of the SOUNDTRACK Nashville: The Music Of Nashville: Season 2 / Volume 1 34 7 Christian year returns, thanks in part to a temporary ABC STUDIOS/LIONS GATE/BIG MACHINE/BMLG sale price in the Google Play store for $1.99 94 50 Leader (which was matched by Amazon MP3). The set MOTLEY CRUE Greatest Hits 0 MOTLEY/ELEVEN SEVEN Casting Crowns (above) sold 4,000 for the week (up by 203%). tallies its fifth top 10 album Following the band’s Jan. 28 announcement that it on the Billboard 200 with will break up after its upcoming concert trek, this Thrive. The group’s latest 2009 hits package returns for the first time since 2012 release enters at No. 6 with 1 30 (3,000; up 195%). HUYNH WHITNEY GRACE: JAMIE OF SONY MUSIC ENTERTAINMENT; COURTESY CROWNS: CASTING 43,000 copies sold in its first 82 92 103 JAY Z Magna Carta... Holy Grail 2 week, according to Nielsen ROC-A-FELLA/ROC NATION SoundScan. MM.= The release also steps to 1 39 2 17 78 89 104 LADY ANTEBELLUM Golden 0 90 100 132 PANIC! AT THE DISCO Too Weird To Live, Too Rare To Die! No. 1 on the Christian Albums CAPITOL NASHVILLE/UMGN DECAYDANCE/FUELED BY RAMEN chart, marking the act’s sixth leader on the tally. THE ROLLING STONES Hot Rocks 1964-1971 4 245 OF MONSTERS AND MEN My Head Is An Animal 6 96 RE-ENTRY c 93 108 133 Á Casting Crowns now has the 0 ABKCO REPUBLIC most top 10s on the Billboard 200 than any Christian act THE LUMINEERS The Lumineers 2 96 MAROON 5 Overexposed 2 81 in the SoundScan era (May 68 87 106 Á 168 173 0 Á 1991-present). The group DUALTONE A&M/OCTONE/IGA breaks a tie with Kirk Franklin, P.O.D. and Third 2 11 2 20 62 88 101 FIVE FINGER DEATH PUNCH The Wrong Side Of Heaven And The Righteous Side Of Hell: Volume 2 96 109 135 JUSTIN MOORE Of The Beaten Path Day, all of whom have four PROSPECT PARK VALORY/BMLG top 10s each. Casting Crowns’ last studio GUNS N’ ROSES Appetite For Destruction 1 155 NEWSBOYS Restart 38 9 RE-ENTRY i 98 64 136 album, 2011’s Come to the 0 GEFFEN/UME SPARROW/CAPITOL CMG Well, debuted and peaked at No. 2 on the Billboard 200 Pitch Perfect 3 67 [Hybrid Theory] 2 122 with 99,000 first-week copies. 51 85 109 SOUNDTRACK Á 141 165 09 LINKIN PARK a UME WARNER BROS. It was the second of thus far two No. 2-peaking albums for 4 25 1 21 the act, following 2007’s The 86 103 110 SKILLET Rise QUEENS OF THE STONE AGE ...Like Clockwork Altar and the Door. ATLANTIC/AG MATADOR On Christian Albums, The band helped close out the Grammy Thrive’s No. 1 placing follows COLDPLAY A Rush Of Blood To The Head 4 5 106 RE-ENTRY Awards, with a collaborative performance the group’s previous leaders: 0 CAPITOL Come to the Well, Until the with Nine Inch Nails, Dave Grohl and Lindsey Whole World Hears (2009), 6 14 THOMAS RHETT It Goes Like This Buckingham. In turn, Queens of the Stone Christmas album Peace on 89 96 112 VALORY/BMLG Earth (2008), The Altar and Age’s most recent album steps back onto the the Door and Lifesong (2005). 1 41 chart with a 24% gain. Last month, Casting Crowns 100 132 49 MICHAEL BUBLE notched its record 20th top 10 REPRISE/WARNER BROS. on the Christian Songs chart when “Thrive” peaked at No. 1 33 1 123 182 185 40 KANYE WEST Á RE-ENTRY SOUNDTRACK f 10 on the Jan. 4 tally. The act G.O.O.D./ROC-A-FELLA/DEF JAM/IDJMG 0 REPRISE/RHINO was tied with MercyMe (at 19 top 10s) for the most in the KATY PERRY Teenage Dream 2 1 169 PTX: Vol. II 10 9 chart’s nearly 11-year history. 138 116 115 RE-ENTRY0 CAPITOL MADISON GATE —Keith Caulfield 1 81 13 170 69 99 116 ZAC BROWN BAND Uncaged Á - 162 0 MICHAEL JACKSON Number Ones 4 ROAR/SOUTHERN GROUND/ATLANTIC/AG MJJ/EPIC

2PAC All Eyez On Me 1 105 MUMFORD & SONS Sigh No More 2 200 RE-ENTRY 9 112 125 142 3 0 DEATH ROW GENTLEMAN OF THE ROAD/GLASSNOTE

61 36 6 18 118 114 118 TASHA COBBS Grace (EP) 79 107 143 HAIM MOTOWN GOSPEL/CAPITOL CMG COLUMBIA

14 3 21 11 14 76 119 JON PARDI Write You A Song 99 129 144 NICKELBACK The Best Of Nickelback: Volume 1 CAPITOL NASHVILLE/UMGN ROADRUNNER

37 9 21 7 73 97 120 Common Courtesy 108 122 145 LECRAE Church Clothes: Vol. 2 ADTR REACH/INFINITY

YO GOTTI I Am 7 11 THE BAND PERRY The Band Perry Á 4 130 50 93 121 RE-ENTRY0 COCAINE MUZIK/EPIC REPUBLIC NASHVILLE/BMLG

DARIUS RUCKER True Believers 2 37 NICKELBACK All The Right Reasons 1 178 128 118 122 163 184 Q 8 CAPITOL NASHVILLE/UMGN ROADRUNNER

Bakersfield 25 5 NOW 47 2 26 RE-ENTRY VINCE GILL & PAUL FRANKLIN 140 144 148 VARIOUS ARTISTS 0 MCA NASHVILLE/UMGN UNIVERSAL/SONY MUSIC/UME

Cavalier Youth 124 1 Recovery 149 1 and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend all genres, albums across top-selling The week’s NEW ALGEBRA BLESSETT 0 PROSPECT PARK PURPOSE/EONE

1 14 Charting since 2006, the R&B singer nets her Algebra Biesserr 72 95 125 ARCADE FIRE Reflektor MERGE/CAPITOL first entry on the big chart with her second album (3,000). On the Adult R&B airplay tally, 110 312 CAROLE KING Tapestry a she’s posted five entries, with her most recent - 177 0 BY COMPILED SALES DATA ODE/EPIC/LEGACY efort her highest-charting yet: “Nobody but 1 291 You” reached No. 11 in December. 173.157 49 METALLICA Metallica g BLACKENED/WARNER BROS.

WorldMags.net 74 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 2 WKS.S. LAST THIS ARTIST PEAKWKS. GM 2 WKS. LAST THIS ARTIST Title PEAKINKS-KK Title CERT. CERT. AGO WEEK WEEK WorldMags.netP05. CHART AGO WEEKWEEK POS.CHART IMPRINT/DISTRIBUTING LABEL IMPRINT/DISTRIBUTING LABEL

1 41 9 29 193 166ED PARAMORE Paramore 148 178 180 VOLBEAT Outlaw Gentlemen & Shady Ladies FUELED BY RAMEN VERTIGO/REPUBLIC

1 96 14 73 135 123 151 ONE DIRECTION Up All Night 2 111 150 181 TAMELA MANN Best Days SYCO/COLUMBIA TILLYMANN

2 19 2 130 97 105 152 KINGS OF LEON Mechanical Bull 119 152 182 LUKE BRYAN Tailgates & Tanlines 2 RCA CAPITOL NASHVILLE/UMGN Q&A

2 142 3 75 Jamie RE-ENTRY 0 MADONNA The Immaculate Collection a RE-ENTRY 0 RIHANNA Loud ¡ SIRE/WARNER BROS. SRP/DEF JAM/IDJMG Grace 45 2 2 13 45 154 HARD WORKING AMERICANS Hard Working Americans 95 138 184 CELINE DION Loved Me Back To Life Your sophomore album, MELVIN/THIRTY TIGERS COLUMBIA Ready to Fly, bows at No. 32 on the Billboard this week. 43 2 2 81 WARPAINT Warpaint SHERYL CROW The Very Best Of Sheryl Crow Your 2011 debut, One Song 43 155 RE-ENTRY 0 3 ROUGH TRADE A&M/INTERSCOPE/IGA at a Time, earned you a Grammy Award nomination 18 127 2 44 and the Gospel Music Assn.’s 188 179 0 BLAKE SHELTON Loaded: The Best Of Blake Shelton 0 166 181 186 THE BAND PERRY Pioneer 0 REPRISE NASHVILLE/WMN REPUBLIC NASHVILLE/BMLG new artist of the year trophy. Were you worried 66 39 1 64 about a sophomore slump? RE-ENTRY PRINCE The Very Best Of Prince ¡ 107 119 187 ONE DIRECTION Take Me Home 2 I would sometimes feel so WARNER BROS. SYCO/COLUMBIA terrified. You have your whole 5 151 5 275 life to write your first record, 125 136 158 JOHNNY CASH The Legend Of Johnny Cash 2 RE-ENTRY 0 TAYLOR SWIFT Taylor Swift 5 and then you get to your LEGACY/COLUMBIA NASHVILLE/AMERICAN/ISLAND/UME BIG MACHINE/BMLG second record and you’ve got one to three years, so 3 32 3 14 it’s totally diferent. It was 196 127 159 DEMI LOVATO Demi PAUL MCCARTNEY New HOLLYWOOD MPL/HEAR/CONCORD intimidating, but then there were days I was excited 6 16 The Beatle’s latest returns, thanks because the songs were 120 146 160 SCOTTY MCCREERY See You Tonight 19/INTERSCOPE/MERCURY/UMGN to a performance of the set’s sounding really good, and “Queenie Eye” on the Grammy people liked the first single, 14 44 “.” 115 137 161 PITBULL Global Warming Awards (with fellow Fab Four MR. 305/POLO GROUNDS/RCA member ). “New” is up What’s your goal for the new album? 15 28 by 38%. I just hope, in the way God has 185 83 162 IN THIS MOMENT Blood CENTURY MEDIA used these songs to touch my life, that he can use them to 4 42 touch someone else’s too. RE-ENTRY Q THE WHO Who’s Next 3 MCA/UME You were diagnosed with 1 19 65 6 Tourette’s syndrome when RE-ENTRY CD JACK JOHNSON From Here To Now To You 77 106 190 SOUNDTRACK American Hustle you were 11. How does it BRUSHFIRE/REPUBLIC MADISON GATE/LEGACY afect you? I can be very fidgety, and I 165 2 72 35 can repeat a lot of things and - VARIOUS ARTISTS Las Bandas Romanticas de America 2014 - THE BEATLES Hey Jude 0 165 1( 72 191 FONOVISA/UMLE APPLE/CAPITOL/UME get very anxious. A lot of it is stuf that people wouldn’t EMINEM The Eminem Show 1 150 5 90 typically notice until I have to 92 140 166 a RE-ENTRY 0 P!NK Greatest Hits... So Far!!! ¡ sit still for a while. I went to WEB/AFTERMATH/INTERSCOPE/UME LAFACE/JIVE/RCA a jazz concert the other night 7 171 12 16 and I was a nervous wreck 170 187 0 Mothership 2 102 134 193 CHVRCHES Bones Of What You Believe through the entire thing, SWAN SONG/ATLANTIC GOODBYE/GLASSNOTE shaking my legs the whole time and tapping my feet. I 71 98 4 19 was all over the place. In a 91 117 168 ORIGINAL BROADWAY Wicked 2 134 161 194 JUICY J Stay Trippy DECCA BROADWAY/DECCA KEMOSABE/COLUMBIA room with a bunch of people, if I get to talk and move 169 1 40 45 around, you probably won’t DAVE BARNES Golden Days 164 182 195 CHRIS TOMLIN How Great Is Our God: The Essential Collection NEW 0 50 YEAR PLAN SIXSTEPS/SPARROW/CAPITOL CMG really see it. I tend to pump up my personality so that a 2 38 17 4 small twitch is completely RE-ENTRY 0 TIM MCGRAW Two Lanes Of Freedom 0 RE-ENTRY 0 NATALIE GRANT Hurricane overlooked. My hand might BIG MACHINE/BMLG CURB be going of on a twitching tangent, but I’ll be dancing so 1 81 84 110 no one notices. RE-ENTRY Q THE NOTORIOUS B.I.G. Life After Death a 109 135 197 AWOLNATION Megalithic Symphony BAD BOY/AG RED BULL —Deborah Evans Price JOURNEY Journey’s Greatest Hits 10 290 4 57 130 164 172 f RE-ENTRY 0 QUEEN A Night At The Opera 3 COLUMBIA/LEGACY HOLLYWOOD

88 3 A limited-time discount in 88 110 173 VARIOUS ARTISTS When Jazz Meets Guitar UNIVERSAL SPECIAL MARKETS/STARBUCKS the Google Play store, where select customers could WILLIE NELSON To All The Girls... 98 - 198 purchase a bevy of classic Q LEGACY albums for 99 cents each, 44 26 helps this Queen album 105 112 175 THE PIANO GUYS The Piano Guys MASTERWORKS/SONY MASTERWORKS return to the list (up 3,457%) for the first time since the The week’s top-selling albums across all genres, ranked by sales data as compiled by Nielsen SoundScan. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2014, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend all genres, albums across top-selling The week’s 38 22 116 148 176 ZEDD Clarity --011V/1 INTERSCOPE/IGA ’70s. —Keith Caulfield *7teriA.ta JULION ALVAREZ Y SU NORTENO BANDA Soy Lo Que Quiero: Indispensable 177 1 NEW 0 FONOVISA/UMLE

10 38 97 178 THIRD DAY Miracle METALLICA Metallica: Through The Never (Soundtrack) SALES DATA COMPILED BY COMPILED SALES DATA 136 98 RE-ENTRY CI ESSENTIAL/PLG BLACKENED/WARNER BROS.

30 6 WEEZER Weezer 16 78 RE-ENTRY Q SEVYN STREETER Call Me Crazy, But... (EP) RE-ENTRY 3 CBE/ATLANTIC/AG DGC/GEFFEN/UME

WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 75 RADIO SONGSTM WorldMags.netDIGITAL SONGSTM STREAMING SONGSTM

LAST THIS TITLE Artist WKS. OR LAST THIS TITLE Artist [ERE LAST THIS TITLE Artist WIS. ON WEEK WEEK IMPRINT/PROMOTION LABEL CHART WEEK WEEK IMPRINT/PROMOTION LABEL CHART WEEK WEEK IMPRINT/LABEL CHART #1 #1 #1 3 WKS COUNTING STARS OneRepublic 21 4 WKS DARK HORSE Katy Perry Feat. Juicy J 19 2 WKS DRUNK IN LOVE Beyonce Feat. Jay Z 7 O MOSLEY/INTERSCOPE O CAPITOL 0 PARKWOOD/COLUMBIA

2 TIMBER Pitbull Feat. Ke$ha 16 TALK DIRTY Jason Derulo Feat. 2 Chainz 4 RE CAN’T REMEMBER TO FORGET YOU Shakira Feat. Rihanna 2 MR. 305/POLO GROUNDS/RCA BELUGA HEIGHTS/WARNER BROS. 0 RCA DARK HORSE Katy Perry Feat. Juicy J 8 HAPPY Pharrell Williams 4 DARK HORSE Katy Perry Feat. Juicy J 15 CAPITOL BACK LOT MUSIC/COLUMBIA 0 CAPITOL

4 THE MONSTER Eminem Feat. Rihanna 14 RADIOACTIVE Imagine Dragons Feat. Kendrick Lamar 6 65 4 TIMBER Pitbull Feat. Ke$ha 14 WEB/SHADY/AFTERMATH/INTERSCOPE O KIDINAKORNER/INTERSCOPE/IGA MR. 305/POLO GROUNDS/RCA TEAM Lorde 9 LET HER GO Passenger 2 27 TALK DIRTY Jason Derulo Feat. 2 Chainz 6 LAVA/REPUBLIC BLACK CROW/NETTWERK 0 BELUGA HEIGHTS/WARNER BROS.

BURN Ellie Goulding 11 6 SAY SOMETHING A Great Big World & Christina Aguilera 2 13 ROYALS Lorde 27 O CHERRYTREE/INTERSCOPE BLACK MAGNETIC/EPIC 0 LAVA/REPUBLIC

STORY OF MY LIFE One Direction 11 DRUNK IN LOVE Beyonce Feat. Jay Z 7 7 SAY SOMETHING A Great Big World & Christina Aguilera 11 O SYCO/COLUMBIA O PARKWOOD/COLUMBIA BLACK MAGNETIC/EPIC

LET HER GO Passenger 19 8 TIMBER Pitbull Feat. Ke$ha 17 LET HER GO Passenger 19 O BLACK CROW/NETTWERK/WARNER BROS. MR. 305/POLO GROUNDS/RCA 0 BLACK CROW/NETTWERK/WARNER BROS.

SAY SOMETHING A Great Big World & Christina Aguilera 9 9 POMPEII Bastille 18 9 WRECKING BALL Miley Cyrus 23 O BLACK MAGNETIC/EPIC VIRGIN/CAPITOL RCA ROYALS 10 WAKE ME UP! Avicii 26 Lorde 4 31 10 COUNTING STARS OneRepublic 22 PRMD/ISLAND/IDJMG 0 LAVA/REPUBLIC MOSLEY/INTERSCOPE ROYALS Lorde 27 ALL OF ME John Legend 8 THE MONSTER Eminem Feat. Rihanna 14 0 10 11 LAVA/REPUBLIC G.O.O.D./COLUMBIA WEB/SHADY/AFTERMATH/INTERSCOPE

POMPEII Bastille 13 12 TEAM Lorde 16 12 STORY OF MY LIFE One Direction 14 0 VIRGIN/CAPITOL 0 LAVA/REPUBLIC SYCO/COLUMBIA THE MAN 13 DEMONS Imagine Dragons 21 13 Aloe Blacc 5 12 13 ROAR Katy Perry 25 KIDINAKORNER/INTERSCOPE 0 ALOE BLACC/XIX/INTERSCOPE/IGA CAPITOL COUNTING STARS OneRepublic DRUNK IN LOVE Beyonce Feat. Jay Z 6 14 0 34 POMPEII Bastille 9 00 PARKWOOD/COLUMBIA MOSLEY/INTERSCOPE/IGA VIRGIN/CAPITOL HAPPY Pharrell 2 GET LUCKY Daft Punk Feat. Pharrell Williams 3 27 HAPPY Pharrell Williams 2 00 BACK LOT MUSIC/COLUMBIA 00 DAFT LIFE/COLUMBIA BACK LOT MUSIC/COLUMBIA LET IT GO Idina Menzel 16 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 26 16 0 10 TEAM Lorde 9 YOUNG MONEY/CASH MONEY/REPUBLIC 0 WALT DISNEY 0 LAVA/REPUBLIC

17 STAY THE NIGHT Zedd Feat. Hayley Williams 16 NEW 0 INVISIBLE Hunter Hayes 1 RADIOACTIVE Imagine Dragons 56 INTERSCOPE ATLANTIC/WMN KIDINAKORNER/INTERSCOPE

SHOW ME Kid Ink Featuring Chris Brown 8 BRAVE Sara Bareilles ¡ 31 GET LUCKY Daft Punk Feat. Pharrell Williams 36 THA ALUMNI GROUP/88 CLASSIC/RCA fit_® EPIC 0 DAFT LIFE/COLUMBIA TALK DIRTY Jason Derulo Feat. 2 Chainz THE MONSTER Eminem Feat. Rihanna 23 Mike WiLL Made-It Feat. Miley Cyrus, Wiz Khalifa & Juicy J 3 19 14 13 19 19 :100 BELUGA HEIGHTS/WARNER BROS. WEB/SHADY/AFTERMATH/INTERSCOPE/IGA EARDRUMMERS/INTERSCOPE DRINK A BEER Luke Bryan 11 41 20 ADORE YOU Miley Cyrus 7 LET IT GO Idina Menzel 4 0j0 CAPITOL NASHVILLE RCA 010 WALT DISNEY ROAR Katy Perry STORY OF MY LIFE One Direction MIDNIGHT MEMORIES One Direction 21 26 21 0 13 1 CAPITOL SYCO/COLUMBIA NEW SYCO/COLUMBIA DEMONS Imagine Dragons FRIDAY NIGHT Eric Paslay 18 22 39 18 22 SAIL AWOLNATION 56 0.1 0 EMI NASHVILLE KIDINAKORNER/INTERSCOPE/IGA RED BULL ROAR Katy Perry CHILLIN’ IT Cole Swindell 15 23 4 25 MY HITTA YG Feat. Jeezy & Rich Homie Quan 18 01 0 WARNER BROS./WMN CAPITOL 01 23 CTE/DEF JAM/IDJMG

WHATEVER SHE’S GOT David Nail 16 24 TURN DOWN FOR WHAT DJ Snake & Lil Jon 0 7 ALL OF ME John Legend 4 (41 24 MCA NASHVILLE COLUMBIA 010 G.O.O.D./COLUMBIA

BRAVE Sara Bareilles 29 25 BURN Ellie Goulding 20 ADORE YOU Miley Cyrus 6 EPIC CHERRYTREE/INTERSCOPE/IGA 01 RCA WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis WHEN SHE SAYS BABY Jason Aldean 8 26 17 17 26 RAP GOD Eminem 16 BROKEN BOW MACKLEMORE WEB/SHADY/AFTERMATH/INTERSCOPE HEY BROTHER MY HITTA YG Feat. Jeezy & Rich Homie Quan 7 27 Avicii 7 22 DEMONS Imagine Dragons 30 CTE/DEF JAM/IDJMG PRMD/ISLAND/IDJMG KIDINAKORNER/INTERSCOPE 400 BEST DAY OF MY LIFE American Authors 10 28 BEST DAY OF MY LIFE American Authors 8 CAN’T HOLD US Macklemore & Ryan Lewis Feat. Ray Dalton 49 ISLAND/IDJMG ISLAND/IDJMG 010 MACKLEMORE/ADA/WARNER BROS.

29 SWEATER WEATHER The Neighbourhood 21 RE FOLLOW YOUR ARROW Kacey Musgraves 2 SHOW ME Kid Ink Feat. Chris Brown 9 [R]EVOLVE/COLUMBIA MERCURY NASHVILLE/UMGN 29 THA ALUMNI GROUP/88 CLASSIC/RCA

30 DO WHAT U WANT Lady Gaga Feat. R. Kelly 14 30 DO YOU WANT TO BUILD A SNOWMAN? Kristen Bell, Agatha Lee Monn & Katie Lopez 6 30 WAKE ME UP! Avicii 30 STREAMLINE/INTERSCOPE WALT DISNEY PRMD/ISLAND/IDJMG

COMPASS Lady Antebellum 7 NEW ODIO Romeo Santos Feat. Drake 1 NEW 0 CONFIDENT Justin Bieber Feat. Chance The Rapper 1 CAPITOL NASHVILLE SONY MUSIC LATIN SCHOOLBOY/RAYMOND BRAUN/ISLAND/IDJMG SAFE AND SOUND LOCKED OUT OF HEAVEN Bruno Mars BURN 32 Capital Cities 36 RE 4 34 32 Ellie Goulding 15 LAZY HOOKS/CAPITOL ATLANTIC/AG CHERRYTREE/INTERSCOPE YOUNG GIRLS Bruno Mars 4 LOVE ME AGAIN John Newman 4 SWEATER WEATHER The Neighbourhood 15 Hot 100 Breakout 100 Hot 33 28 33 ATLANTIC UNIVERSAL ISLAND/REPUBLIC [R]EVOLVE/COLUMBIA 010 LOVE ME AGAIN John Newman 4 4, JUST GIVE ME A REASON P!nk Feat. 2 35 THRIFT SHOP Macklemore & Ryan Lewis Feat. Wanz 56 UNIVERSAL ISLAND/REPUBLIC RCA 010 MACKLEMORE/ADA/WARNER BROS. BLURRED LINES Robin Thicke Feat. T.I. + Pharrell SAME LOVE Macklemore & Ryan Lewis Feat. Mary Lambert BLURRED LINES Robin Thicke Feat. T.I. + Pharrell 35 38 RE 2 25 38 STAR TRAK/INTERSCOPE MACKLEMORE 041) STAR TRAK/INTERSCOPE 2014 ALL OF ME John Legend 2 NEW A MAN WHO WAS GONNA DIE YOUNG Eric Church 1 LET IT GO Demi Lovato 9 G.O.O.D./COLUMBIA EMI NASHVILLE/UMGN 0 36 WALT DISNEY 0 0

EVERYTHING I SHOULDN’T BE THINKING ABOUT Thompson Square 3 37 SHOW ME Kid Ink Feat. Chris Brown 10 29 37 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 25 0 STONEY CREEK THA ALUMNI GROUP/88 CLASSIC/RCA YOUNG MONEY/CASH MONEY/REPUBLIC February 15 IT WON’T STOP Sevyn Streeter Feat. Chris Brown 18 RE CAN’T REMEMBER TO FORGET YOU Shakira Feat. Rihanna 2 ANIMALS Martin Garrix 12 0 CBE/ATLANTIC/RRP 0 RCA ej 38 SPINNIN’/SILENT/CASABLANCA/REPUBLIC WAKE ME UP! DOIN’ WHAT SHE LIKES Blake Shelton 2 39 Avicii ¡ 32 WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis 10 WARNER BROS. NASHVILLE/WMN PRMD/ISLAND/IDJMG 01 0 MACKLEMORE/WARNER BROS.

40 STAY Florida Georgia Line 15 40 BLURRED LINES Robin Thicke Feat. T.I. + Pharrell 6 42 40 WE CAN’T STOP Miley Cyrus 35 REPUBLIC TRAK/INTERSCOPE/IGA RCA

HELLUVA LIFE Frankie Ballard 4 RE YOUNG GIRLS Bruno Mars 3 41 HEY BROTHER Avicii 4 WARNER BROS. NASHVILLE/WAR 0 ATLANTIC/AG PRMD/ISLAND/IDJMG 010 42 WHITE WALLS Macklemoore & Ryan Lewis Feat. ScHoolboy & Hollis 17 42 DRINK A BEER Luke Bryan 13 47 XO Beyonce 6 MACKLEMORE/ADA/WARNER BROS. CAPITOL NASHVILLE/UMGN PARKWOOD/COLUMBIA MY HITTA YG Feat. Jeezy & Rich Homie Quan 43 ALL ME Drake Feat. 2 Chainz & Big Sean 16 ¡ 18 35 43 GAS PEDAL Sage The Gemini Feat. IamSu! 28 YOUNG MONEY/CASH MONEY/REPUBLIC 0 CTE/DEF JAM/IDJMG BLACK MONEY/EMPIRE/REPUBLIC

R&B/ adult, rock, pop, country, sales activity the first1,236 stations, encompassing for time. and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by as measured impressions audience airplay radio by ranked all genres, songs across most popular current RADIO SONGS: The week’s songs and on-demand videos on radio top streamed SONGS: The week’s Nielsen SoundScan. STREAMING by sales data as compiled by ranked all genres, songs across top-downloaded SONGS: The week’s a week. 7 days DIGITAL 24 hours a day, electronically monitored are jazz and Latin formats, Christian, gospel, dance/electronic, hip-hop, and Nielsen SoundScan, Inc. All charts reserved. rules and explanations. All rights complete Global Media, LLC for © 2014, Prometheus Hot 100. See Charts the Billboard on billboard.com/biz Songs data is used to compile Hot Digital Songs and Streaming Legend online music services.leading Hot 100 Airplay, I HOLD ON Dierks Bentley 2 44 BOTTOMS UP Brantley Gilbert 4 44 THE MAN Aloe Blacc 2 010 CAPITOL NASHVILLE VALORY/BMLG 0 ALOE BLACC/XIX/INTERSCOPE

PARANOID Ty Dolla $ign Feat. B.o.B 2 45 MMM YEAH Austin Mahone Feat. Pitbull 2 NEW ODIO Romeo Santos Feat. Drake 1 0 ATLANTIC/RRP CHASE/CASH MONEY/REPUBLIC SONY MUSIC LATIN

NEW GOODNIGHT KISS Randy Houser 1 GIVE ME BACK MY HOMETOWN Eric Church 3 46 UNCONDITIONALLY Katy Perry 11 0 STONEY CREEK 0 EMI NASHVILLE/UMGN CAPITOL THE HEART OF DIXIE Danielle Bradbery JUST THE WAY YOU ARE Bruno Mars TREASURE Bruno Mars 2 RE 5 49 RE 22 REPUBLIC NASHVILLE/BIG MACHINE ELEKTRA ATLANTIC 0 BY COMPILED SALES DATA SEE YOU TONIGHT Scotty McCreery CAN’T HOLD US Macklemore & Ryan Lewis Feat. Ray Dalton IT WON’T STOP Sevyn Streeter Feat. Chris Brown NEW 1 RE 4 36 48 14 0 19/INTERSCOPE/MERCURY NASHVILLE 0 MACKLEMORE CBE/ATLANTIC/RRP REPLAY NEW THE MAN Aloe Blacc 1 49 Zendaya 0 15 49 One Direction 26 ALOE BLACC/XIX/INTERSCOPE HOLLYWOOD SYCO/COLUMBIA FOR THE FIRST TIME IN FOREVER Kristen Bell & Idina Menzel SO SWEET ANNIE Zac Brown Band 17 50 5 RE 0 LOCKED OUT OF HEAVEN Bruno Mars 21 ATLANTIC/SOUTHERN GROUND WALT DISNEY ATLANTIC AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net 76 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 Shakira WorldMags.netUNCHARTEDTM SOCIAL 506 Shakes Up THE ARTIST C ARTIST ERS.ON WEER CHART IMPRINT/LABEL CHART #1 #1 Streaming 12 WKS 14 3 WKS SHAKIRA 166 CAKED UP SONY MUSIC LATIN/EPIC Songs KYGO 13 2 2 JUSTIN BIEBER 167 00 SCHOOLBOY/RAYMOND BRAUN/ISLAND/IDJMG Shakira (below) makes her MILEY CYRUS GRAMATIK 113 3 3 95 first foray on Streaming Songs RCA DAFT PUNK: COURTESY OF OF CAPITOL COURTESY PUNK: DAFT 00 as “Can’t Remember to Forget SHAKIRA: GOMILLION & LEUPOLD/RCA RECORDS; SHAKIRA: GOMILLION & LEUPOLD/RCA VICETONE 13 RIHANNA 167 You” (featuring Rihanna) SRP/DEF JAM/IDJMG 0 0 debuts at No. 2 following the 12 KATY PERRY 167 Vevo debut of the track’s fi, 0 CAPITOL 7. 0 Grammys ofcial music video on Jan. 30. THE WHITEST BOY ALIVE 8 RE 0 DAFT PUNK 39 The sexy clip, which featured RE 0 DAFT LIFE/COLUMBIA Get both pop stars rolling around MARC KINCHEN 14 BEYONCE 166 in bed together, caused heads 12 0 PARKWOOD/COLUMBIA 0 Social to turn, as evidenced by 8 ARIANA GRANDE DJ CARNAGE 14 4 8 63 It’s all about Daft Punk million Vevo on YouTube U.S. 11 0 REPUBLIC views, accounting for 86% of (above) on the Social 50 this ONE DIRECTION 14 9 5 SECONDS OF SUMMER 14 7 9 116 week. The duo, along with one the clip’s 9.3 million overall SYCO/COLUMBIA of its collaborators, scale the plays. 22 0 ROBIN SCHULZ 14 BRUNO MARS 156 chart thanks to their wins and Fellow diva Beyoncé blocks 16 0 ATLANTIC Shakira and Rihanna from performance at the Grammy PITBULL DJ TAJ 8 5 11 164 Awards (Jan. 26). opening atop Streaming Songs 0 11 MR. 305/FAMOUS ARTIST/POLO GROUNDS/SONY MUSIC LATIN/RCA as “Drunk in Love” (featuring The robots re-enter at LORDE 12 NOISIA 158 19 No. 6 after winning multiple Jay Z) returns to No. 1 for a 00 LAVA/REPUBLIC second week after giving way awards and performing “Get EMINEM 13 BONDAX 14 9 13 166 Lucky,” while co-collaborator to Katy Perry’s “Dark Horse” WEB/SHADY/AFTERMATH/INTERSCOPE (featuring Juicy J) last issue. Pharrell also takes a hike on 14 FLICFLAC 13 TAYLOR SWIFT 167 The track improves by 74% 14 0 BIG MACHINE the chart, rising 37-18. in overall streams to 9.4 Daft Punk ascends mostly JUSTIN TIMBERLAKE HUCCI 14 13 138 million, helped in part by 35 0 RCA thanks to a 740% bump in weekly views of the act’s the afterglow of the married 14 10 16 BRITNEY SPEARS 164 duo’s performance of the 30 0 RCA Wikipedia page. The pair’s track at the Grammy Awards videos across Vevo and DEMI LOVATO 16 17 MAYA JANE COLES 62 11' 17 157 (Jan. 26). The song’s Vevo HOLLYWOOD YouTube receive 11.6 million plays improved by 39% to 3.7 overall plays for the week 18 SOULECTION 11 PHARRELL 3 million—a significant bump— 37 0 COLUMBIA (up 155%) as Facebook conversations about the duo but was dwarfed by the PETE SEEGER ,C, 19 KAYTRANADA 13 NEW 0 1 216% gain (to 3.2 million) in COLUMBIA rose 4.6%, and the group added 172,000 new fans. weekly user-generated plays. 40 0 DJ BL3ND 159 165 Pharrell also receives The main driver of this viral 22 0 HOLLYWOOD a similar boost thanks to activity? Actor Vin Diesel. On 28 21 THE WHITE PANDA 14 25 ROMEO SANTOS 17 Jan. 28 the action-movie star el SONY MUSIC LATIN his onscreen appearances with Daft Punk (and his uploaded a black-and-white 20 22 CHLOE HOWL 14 22 TYRESE 7 webcam video of him dancing VOLTRON RECORDZ now-famous hat), which drew plenty of post-show coverage. around his living room (in GOLD PANDA 101 23 AVICII 28 ever-stylish camouflage cargo 0 23 PRMD/ISLAND/IDJMG He gained 431,000 new fans overall—a 61% increase over shorts). THE MAGICIAN 3 24 ENRIQUE IGLESIAS 109 Elsewhere, One Direction 34 0 UNIVERSAL MUSIC LATINO/REPUBLIC the previous week. Below Daft Punk, Bruno makes its way onto the list WIZ KHALIFA DEORRO 14 25 154 Mars jumps into the top 10 with “Midnight Memories,” 0 25 ROSTRUM/ATLANTIC the title track to the group’s (16-10)—an upward trend 27 26 STWO 4 26 JENNIFER LOPEZ 153 recent Billboard 200 chart- ISLAND/IDJMG that will likely carry into next topper. The track debuts at week’s rankings as activity SAVANT 6 P!NK 131 RE 0 RCA surrounding his Super Bowl No. 21 thanks to the release of 0 its ofcial music video on Jan. halftime performance (Feb. RE 0 DJ KING ASSASSIN 2 28 MICHAEL JACKSON 157 31. In less than three full days, MJJ/EPIC 2) is sure to afect the chart’s the track pulled in 2 million rankings. An 18% jump in AMINE EDGE 6 IMAGINE DRAGONS 11 KIDINAKORNER/INTERSCOPE weekly video plays, along with Vevo views, accounting for GO 0 72% of its overall streaming the addition of 728,000 new 39 30 KEYS N KRATES 3 167 total. —William Gruger 31 0 YOUNG MONEY/CASH MONEY/REPUBLIC fans (up 28%), are behind the increase in position. MACKLEMORE & RYAN LEWIS 37 31 DUBMATIX 14 RE 0 38 MACKLEMORE —William Gruger

Social/Streaming SOUND REMEDY 5 24 32 PRINCE ROYCE 17 0 32 SONY MUSIC LATIN

RE 0 RYAN HEMSWORTH 3 30 33 AVRIL LAVIGNE 164 EPIC

FLATBUSH ZOMBIES 6 ELLIE GOULDING 23 50 0 0 34 CHERRYTREE/INTERSCOPE

2014 BOB MARLEY RE 0 AGNES MONICA 4 29 35 108 TUFF GONG/ISLAND/UME

METRONOMY 128 LIL WAYNE 166 36 39 0 YOUNG MONEY/CASH MONEY/REPUBLIC 0i

February 15 NEW 0 THE GLITTERBOYS 1 32 37 LUDACRIS 38 DTP/DEF JAM/IDJMG

4 38 SOHN 12 34 38 LADY GAGA 167 STREAMLINE/KONLIVE/INTERSCOPE CRIZZLY 10 RE 0 MARC ANTHONY 10 EE 0 SONY MUSIC LATIN 40 KIDNAP KID 14 22 0 " SYCO/COLUMBIA 41 LUCAS LUCCO 2 AUSTIN MAHONE 37 00 CHASE/REPUBLIC

48 42 JUICY M 4 RE 0 11 YOUNG MONEY/CASH MONEY/REPUBLIC RE 0 ODESZA 4 LANA DEL REY 50 0© POLYDOR/INTERSCOPE

The week’s top new and developing artists who have yet to appear on a major Billboard chart, regardless of country of origin. Ranking is based on a formula incorporating streamed songs, page views and fans according to MySpace, as well as sources tracked by online aggregator Next Big Sound, including YouTube, YouTube, Big Sound, including Next online aggregator by tracked as sources as well to MySpace, and fans according songs, page views streamed chart, to appear on a major Billboard of country artistsyet incorporating is based on a formula of origin. Ranking regardless and developing top new who have The week’s UNCHARTED: Facebook, Vevo, artists most active sites YouTube, on social networking SOCIAL 50: The week’s on specificallycharts others.to appear on Uncharted,outlined Billboard Last.fm,among In order Music artistsnot appeared SoundCloudMySpace than 80 overall). and Wikipedia, (more acts must be registered and have Twitter, Facebook, rules and explanations. complete for Big Sound. See Charts on billboard.com/biz Next by as measured Legend plays, song and weekly with page views Artists'along and Instagram. Myspace SoundCloud,additions of friends/fans/followers Wikipedia, popularityweekly is determined by Twitter, and Nielsen SoundScan, Inc.All charts reserved. All rights Global Media, LLC © 2014, Prometheus 36 44 BENGA 32 MARIAH CAREY 59 0 44 ISLAND/IDJMG

NEW 0 RUBEN & RA 1 44 45 ADELE 150 XL/COLUMBIA

45 46 DJ CANDYLAND 6 47 46 CHRISTINA AGUILERA 69 RCA

SHADOW CHILD 3 41 47 LINKIN PARK 166 RE 0 MACHINE SHOP/WARNER BROS.

SOCIAL 50 DATA SOCIAL 50 DATA BY COMPILED STAR SLINGER 89 RE 0 50 CENT 123 RE 0 G UNIT/SHADY/AFTERMATH/INTERSCOPE

CHARLIE DARKER 3 45 49 DAVID GUETTA 166 RE 0 WHAT A MUSIC//CAPITOL USHER SO JAZZYFUNK 2 RE 0 136 RCA UNCHARTED DATA DATA UNCHARTED BY COMPILED WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 77 ON -DEMAND SONGST" WorldMags.netDANCE/ELECTRONIC STREAMING SONGSTM MAINSTREAM TOP 4OTM LAST THIS TITLE Artist '!BKS ON LAST THIS TITLE Artist WKS. ON IASI THIS TITLE Artist ,,KS 1111 WEEK WEEK IMPRINT/LABEL CHART WEEK WEEK IMPRINT/LABEL (HART WEEK WEEK IMPRINT/PROMOTION LABEL CHART #1 #1 #1 4 WKS DARK HORSE Katy Perry Feat. Juicy J 15 1 WK GET LUCKY Daft Punk Feat. Pharrell Williams 42 1 3 WKS TIMBER Pitbull Feat. Ke$ha 16 0 CAPITOL 0 DAFT LIFE/COLUMBIA MR. 305/POLO GROUNDS/RCA

DRUNK IN LOVE Beyonce Feat. Jay Z 6 WAKE ME UP! Avicii 31 2 COUNTING STARS OneRepublic 16 0 PARKWOOD/COLUMBIA PRMD/ISLAND/IDJMG MOSLEY/INTERSCOPE ROYALS Lorde 29 ANIMALS Martin Garrix 21 DARK HORSE Katy Perry Feat. Juicy J 9 011 0 CAPITOL 0 LAVA/REPUBLIC O 0 SPINNIN’/SILENT/CASABLANCA/REPUBLIC BURN Ellie Goulding 16 POMPEII Bastille 26 HEY BROTHER Avicii 12 O 0 CHERRYTREE/INTERSCOPE O 0 VIRGIN/CAPITOL o PRMD/ISLAND/IDJMG STORY OF MY LIFE One Direction 13 SAY SOMETHING A Great Big World & Christina Aguilera 10 STAY THE NIGHT Zedd Feat. Hayley Williams 19 5 O 0 SYCO/COLUMBIA BLACK MAGNETIC/EPIC INTERSCOPE THE MONSTER Eminem Feat. Rihanna 14 6 TIMBER Pitbull Feat. Ke$ha 14 6 APPLAUSE Lady Gaga 25 WEB/SHADY/AFTERMATH/INTERSCOPE MR. 305/POLO GROUNDS/RCA STREAMLINE/INTERSCOPE TEAM Lorde 10 TEAM Lorde 18 HARLEM SHAKE Baauer 44 O 0 LAVA/REPUBLIC LAVA/REPUBLIC JEFFREE’S//WARNER BROS. 0 LET HER GO Passenger 17 TALK DIRTY Jason Derulo Feat. 2 Chainz 5 SUMMERTIME SADNESS Lana Del Rey & Cedric Gervais 27 o BLACK CROW/NETTWERK/WARNER BROS. BELUGA HEIGHTS/WARNER BROS. POLYDOR/INTERSCOPE 0 O 0 SAY SOMETHING A Great Big World & Christina Aguilera 11 O 0 BLACK MAGNETIC/EPIC 9 COUNTING STARS OneRepublic 27 TURN DOWN FOR WHAT DJ Snake & Lil Jon 6 MOSLEY/INTERSCOPE O 0 COLUMBIA STAY THE NIGHT Zedd Feat. Hayley Williams 17 10 INTERSCOPE 10 THE MONSTER Eminem Feat. Rihanna 14 10 CLARITY Zedd Feat. Foxes 44 WEB/SHADY/AFTERMATH/INTERSCOPE 0 INTERSCOPE POMPEII Bastille 12 VIRGIN/CAPITOL RADIOACTIVE Imagine Dragons CINEMA Benny Benassi Feat. Gary Go O 0 74 11 44 KIDINAKORNER/INTERSCOPE ULTRA DO WHAT U WANT Lady Gaga Feat. R. Kelly 14 STREAMLINE/INTERSCOPE LET HER GO Passenger 23 TO DANCE Daft Punk Feat. Pharrell Williams 12 BLACK CROW/NETTWERK/WARNER BROS. RE DAFT LIFE/COLUMBIA GG TALK DIRTY Jason Derulo Feat. 2 Chainz 4 O 0 r BELUGA HEIGHTS/WARNER BROS. HAPPY Pharrell Williams 2 I NEED YOUR LOVE Calvin Harris Feat. Ellie Goulding 42 12 13 WAKE ME UP! Avicii 26 BACK LOT MUSIC/COLUMBIA CHERRYTREE/DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/INTERSCOPE/COLUMBIA/COLUMBIA/COLUMBIA/COLUMBIA Id 14 PRMD/ISLAND/IDJMG

14 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 25 15 14 BANGARANG Feat. Sirah 35 YOUNG GIRLS Bruno Mars 7 YOUNG MONEY/CASH MONEY/REPUBLIC BIG BEAT/OWSLA/ATLANTIC/RRP O p ATLANTIC

DEMONS Imagine Dragons 56 16 WORK B**CH! Britney Spears 20 LOVE ME AGAIN John Newman 14 0 KIDINAKORNER/INTERSCOPE 0 RCA Oil 0 UNIVERSAL ISLAND/REPUBLIC For all genre streaming charts, visit billboard.com/biz. 16 LET IT GO Idina Menzel 8 ADORE YOU Miley Cyrus 5 WALT DISNEY Og 0 RCA YOUTUBETm YouTube WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis 18 17 BURN Ellie Goulding 22 IS 18 CHERRYTREE/INTERSCOPE MACKLEMORE/WARNER BROS. LAST THIS TITLE Artist WKS ON WEEK CHAP I XO WAKE ME UP! Avicii 30 MEE IMPRINT/LABEL 19 Beyonce 6 18 0 PARKWOOD/COLUMBIA PRMD/ISLAND/IDJMG #1 CAN’T REMEMBER TO FORGET YOU Shakira Feat. Rihanna 3 23 2 WKS REPLAY Zendaya 15 SWEATER WEATHER The Neighbourhood RCA 19 25 00 HOLLYWOOD [R]EVOLVE/COLUMBIA TIMBER Pitbull Feat. Ke$ha 7 NEON LIGHTS Demi Lovato 8 MR. 305/POLO GROUNDS/RCA ROAR Katy Perry 25 00 HOLLYWOOD 0 CAPITOL WRECKING BALL Miley Cyrus 22 HAPPY Pharrell Williams 2 GET LUCKY Daft Punk Feat. Pharrell Williams 42 RCA 00 BACK LOT MUSIC/COLUMBIA DAFT LIFE/COLUMBIA E 4 MIDNIGHT MEMORIES One Direction 1 TAKE ME HOME Cash Cash Feat. Bebe Rexha 6 NEW STORY OF MY LIFE One Direction 13 SYCO/COLUMBIA 00 BIG BEAT/RRP 22 SYCO/COLUMBIA ROAR Katy Perry 25 HEY BROTHER Avicii 8 THE MAN Aloe Blacc 3 CAPITOL 00 PRMD/ISLAND/IDJMG O 23 ALOE BLACC/XIX/INTERSCOPE CONFIDENT Justin Bieber Feat. Chance The Rapper 1 BRAVE Sara Bareilles 18 NEW 6 EPIC ALL OF ME John Legend 6 SCHOOLBOY/RAYMOND BRAUN/ISLAND/IDJMG 0 G.O.O.D./COLUMBIA O 0 ROYALS 13 7 Lorde 19 LAVA/REPUBLIC Airplay Radio 25 ALL ME Drake Feat. 2 Chainz & Big Sean 19 YOUNG MONEY/CASH MONEY/REPUBLIC 8 COUNTING STARS OneRepublic 16 ADULT CONTEMPORARYTM MOSLEY/INTERSCOPE 26 MY HITTA YG Feat. Jeezy & Rich Homie Quan 16 CTE/DEF JAM/IDJMG DARTE UN BESO Prince Royce 16 EAST THIS TITLE ArtistRIK ON 9 WEEK WEEK IMPRINT/PROMOTION LABEL CHART O 27 SHOW ME Kid Ink Feat. Chris Brown 4 SONY MUSIC LATIN THA ALUMNI GROUP/88 CLASSIC/RCA #1 ROAR Katy Perry 2014 24 WAKE ME UP! Avicii 31 11 WKS 10 0 CAPITOL PRMD/ISLAND/IDJMG 28 WRECKING BALL Miley Cyrus 23 RCA BRAVE Sara Bareilles 32 THE MONSTER Eminem Feat. Rihanna 13 EPIC 11 0 CAN’T HOLD US Macklemore & Ryan Lewis Feat. Ray Dalton 53 WEB/SHADY/AFTERMATH/INTERSCOPE MACKLEMORE/ADA/WARNER BROS. LOVE SOMEBODY Maroon 5 32 0 3 HAPPY Pharrell Williams 4 A&M/OCTONE/INTERSCOPE

12 February 15 BACK LOT MUSIC/COLUMBIA 30 FOR THE FIRST TIME IN FOREVER Kristen Bell & Idina Menzel 5 WALT DISNEY 4 ROYALS Lorde 19 LAVA/REPUBLIC 15 13 DRUNK IN LOVE Beyonce Feat. Jay Z 7 0 XO Beyonce 6 PARKWOOD/COLUMBIA WAKE ME UP! Avicii PARKWOOD/COLUMBIA 17 0 0 PRMD/ISLAND/IDJMG 14 STORY OF MY LIFE One Direction 15 HEY BROTHER Avicii 9 SYCO/COLUMBIA COUNTING STARS OneRepublic 20 O 0 PRMD/ISLAND/IDJMG 0 MOSLEY/INTERSCOPE 15 PROPUESTA INDECENTE Romeo Santos 21 WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis 10 SONY MUSIC LATIN GONE, GONE, GONE Phillip Phillips 40 O 0 MACKLEMORE/WARNER BROS. 19/INTERSCOPE

34 RAP GOD Eminem 16 LET HER GO Passenger 18 WEB/SHADY/AFTERMATH/INTERSCOPE NEXT BIG SOUND™ O 0 BLACK CROW/NETTWERK/WARNER BROS. 23 Mike WiLL Made-It Feat. Miley Cyrus, Wiz Khalifa & Juicy J 18 MIRRORS Justin Timberlake 34 35 RCA EARDRUMMERS/INTERSCOPE THIS WEEK ARTIST JUST GIVE ME A REASON P!nk Feat. Nate Ruess 39 BLURRED LINES Robin Thicke Feat. T.I. + Pharrell 37 10 RCA 0 STAR TRAK/INTERSCOPE 1 REIGNWOLF SAFE AND SOUND Capital Cities 26 TENNIS COURT Lorde 19 0 LAZY HOOKS/CAPITOL 0 LAVA/REPUBLIC 2 MR. PROBZ GG SAY SOMETHING A Great Big World & Christina Aguilera 5 35 SAIL AWOLNATION 95 O 0 BLACK MAGNETIC/EPIC RED BULL 3 7 MINUTES DEAD DEMONS Imagine Dragons 14 SUMMERTIME SADNESS Lana Del Rey & Cedric Gervais 28 O 0 KIDINAKORNER/INTERSCOPE POLYDOR/INTERSCOPE 0 4 ARTHUR BEATRICE 14 EVERYTHING HAS CHANGED Taylor Swift Feat. Ed Sheeran 25 BIG MACHINE/REPUBLIC 38 HOLY GRAIL Jay Z Feat. Justin Timberlake 30 ROC-A-FELLA/ROC NATION 0 5 YEARS & YEARS BEST DAY OF MY LIFE American Authors 7 0 ISLAND/IDJMG 41 ADORE YOU Miley Cyrus 8 0 RCA 6 SOCH CLOSE YOUR EYES Michael Buble 18 0 REPRISE/WARNER BROS. 33 42 DO WHAT U WANT Lady Gaga Feat. R. Kelly 12 STREAMLINE/INTERSCOPE 7 KERWIN DU BOIS WRECKING BALL Miley Cyrus 11 0 RCA .13 STAY THE NIGHT Zedd Feat. Hayley Williams 12 INTERSCOPE 8 SPLITBREED STORY OF MY LIFE One Direction 4 0 SYCO/COLUMBIA NEW 0 M.A.A.D CITY Kendrick Lamar Feat. MC Eiht 1 The online music services. on leading songs and on-demand videos within the genre RADIO AIRPLAY: radio top streamed SONGS: The week’s STREAMING music subscription services. channels on leading radio DANCE/ELECTRONIC unlimited listener-controlled from and plays requests top on-demand play ON-DEMAND SONGS: The week’s sales activity the first for and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by as measured as measured impressions, audience by ranked which are Country for and R&B/Hip-Hop, detections, except airplay radio by ranked genres, various songs across most popular current week's and Nielsen SoundScan, Inc. All charts reserved. rules and explanations. All rights complete Global Media, LLC for © 2014, Prometheus a week. 7 days See Charts on billboard.com/biz Legend 24 hours a day, electronically monitored are Stations time. TOP DAWG/AFTERMATH/INTERSCOPE 9 APASHE 19 19 UNCONDITIONALLY Katy Perry 9 CAPITOL SAFE AND SOUND 45 Capital Cities 31 HOLD ON LAZY HOOKS/CAPITOL 10 TEEMID 5 0 REPUBLIC 46 DO YOU WANT TO BUILD A SNOWMAN? Kristen Bell, Agatha Lee Monn & Katie Lopez 4 LOVE DON’T DIE The Fray 4 WALT DISNEY 11 POLAR COLLECTIVE 0 EPIC LOVE ME AGAIN John Newman 3 WAITING FOR SUPERMAN 12 SARAH EL GOHARY Daughtry 5 0 UNIVERSAL ISLAND/REPUBLIC 19/RCA BITCH, DON’T KILL MY VIBE Kendrick Lamar 49 POMPEII Bastille 2 RE 13 BESNINE TOP DAWG/AFTERMATH/INTERSCOPE 0 VIRGIN/CAPITOL GET LUCKY Daft Punk Feat. Pharrell Williams 15 49 WE CAN’T STOP Miley Cyrus 34 14 KINGSWOOD RCA 0 DAFT LIFE/COLUMBIA COME TO ME Goo Goo Dolls 8 THRIFT SHOP Macklemore & Ryan Lewis Feat. Wanz 25 RE 51 15 DJ LAORA WARNER BROS. MACKLEMORE/ADA/WARNER BROS. AIRPLAY/STREAMING DATA COMPILED BY BY COMPILED DATA AIRPLAY/STREAMING WorldMags.net 78 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 ADULT TOP 4OTM WorldMags.netALTERNATIVETm ROCKTM LAST THIS TITLE Artist 1WKS ON LAST THIS TITLE ArtistWILSON LAST THIS TITLE Artist WKS OR MU WEEK IMPRINT/PROMOTION LABEL CHART WEEK WEEK IMPRINT/PROMOTION LABEL CHART WEEK WEEK IMPRINT/PROMOTION LABEL CHART #1 #1 #1 1 WK LET HER GO Passenger 30 3 WKS DO I WANNA KNOW? Arctic Monkeys 22 1 WK TEAM Lorde 18 0 BLACK CROW/NETTWERK/WARNER BROS. 0 DOMINO/ADA 0 LAVA/REPUBLIC

1 COUNTING STARS OneRepublic 34 TEAM Lorde 18 DO I WANNA KNOW? Arctic Monkeys 21 MOSLEY/INTERSCOPE O 0 LAVA/REPUBLIC DOMINO/ADA

SAY SOMETHING A Great Big World & Christina Aguilera 17 COME A LITTLE CLOSER Cage The Elephant 26 3 COME A LITTLE CLOSER Cage The Elephant 26 O 0 BLACK MAGNETIC/EPIC DSP/RCA DSP/RCA

PASSENGER: COURTESY OF NETTWERK RECORDS COURTESY PASSENGER: BEST DAY OF MY LIFE American Authors 20 AFRAID The Neighbourhood 24 4 POMPEII Bastille 31 O 0 ISLAND/IDJMG O 0 [R]EVOLVE/COLUMBIA VIRGIN/CAPITOL DEMONS Imagine Dragons 23 POMPEII Bastille 32 SIRENS Pearl Jam 20 KIDINAKORNER/INTERSCOPE VIRGIN/CAPITOL MONKEYWRENCH/REPUBLIC ‘Go’ STORY OF MY LIFE One Direction 10 IT’S ABOUT TIME Young The Giant 14 6 DEMONS Imagine Dragons 49 O 0 SYCO/COLUMBIA O 0 FUELED BY RAMEN/RRP KIDINAKORNER/INTERSCOPE WAKE ME UP! Avicii 23 UNBELIEVERS Vampire Weekend 23 UNBELIEVERS Vampire Weekend 24 Time PRMD/ISLAND/IDJMG O 0 XL/BEGGARS GROUP o XL/BEGGARS GROUP Following its increased pop- TEAM Lorde 9 COMING OF AGE Foster The People 3 OUT OF MY LEAGUE Fitz And The Tantrums 51 0 LAVA/REPUBLIC O 0 STARTIME INT’L/COLUMBIA DANGERBIRD/ELEKTRA/ATLANTIC culture profile thanks to its inclusion in Budweiser’s well- 10 POMPEII Bastille 14 9 SIRENS Pearl Jam 20 AFRAID The Neighbourhood 20 0 VIRGIN/CAPITOL MONKEYWRENCH/REPUBLIC O 0 [R]EVOLVE/COLUMBIA received ad starring horse and puppy pals, “Let Her Go” by LOVE DON’T DIE The Fray 15 10 DEMONS Imagine Dragons 44 11 COMING OF AGE Foster The People 3 0 EPIC KIDINAKORNER/INTERSCOPE 0 STARTIME INT’L/COLUMBIA Passenger (above) crowns SWEATER WEATHER The Neighbourhood 23 OUT OF MY LEAGUE Fitz And The Tantrums 51 IT’S ABOUT TIME Young The Giant 14 the Adult Top 40 airplay chart CD [R]EVOLVE/COLUMBIA DANGERBIRD/ELEKTRA/ATLANTIC O 0 FUELED BY RAMEN/RRP (2-1). WAITING FOR SUPERMAN Daughtry 18 THE MOTHER WE SHARE CHVRCHES 19 SHEPHERD OF FIRE Avenged Sevenfold 11 In its 30th week, the song 19/RCA GOODBYE/GLASSNOTE WARNER BROS. O 0 O 0 completes the third-longest TIMBER Pitbull Feat. Ke$ha 10 HOUSE OF GOLD Twenty One Pilots 17 TIRED Stone Sour 20 13 climb to the top in the MR. 305/POLO GROUNDS/RCA FUELED BY RAMEN/RRP 0 .3 ROADRUNNER/RRP 4:1® tally’s 18-year history (tying HOLD ON Colbie Caillat 11 FALL IN LOVE Phantogram 8 WAYS TO GO Grouplove 34 14 15 14 Gavin DeGraw’s “Not Over d REPUBLIC 00 BARSUK/REPUBLIC CASABLANCA/ATLANTIC You,” which reigned in its 13 15 ROAR Katy Perry 26 HEAVY BELLS J Roddy Walston & The Business 17 THE WALKER Fitz And The Tantrums 7 CAPITOL 00 ATO O 0 DANGERBIRD/ELEKTRA/ATLANTIC 30th frame two years ago this month). The Script’s 17 LOVE ME AGAIN John Newman 18 THE WALKER Fitz And The Tantrums 8 ADRENALINE Shinedown 17 0 UNIVERSAL ISLAND/REPUBLIC 00 DANGERBIRD/ELEKTRA/ATLANTIC O 0 ATLANTIC “Breakeven” reached the summit in its record 36th 20. BURN Ellie Goulding 7 CANNIBAL Silversun Pickups 4 14 17 BATTLE BORN Five Finger Death Punch 18 0 CHERRYTREE/INTERSCOPE 00 DANGERBIRD PROSPECT PARK week (2010), breaking the WAKE ME UP! mark of 35 weeks that Snow 26 GG DARK HORSE Katy Perry Feat. Juicy J 4 Neon Trees 3 18 18 Avicii 26 CAPITOL 00 MERCURY/IDJMG PRMD/ISLAND/IDJMG Patrol set with “Chasing Cars”

YOUNG GIRLS Bruno Mars 7 19 HELL AND BACK The Airborne Toxic Event 14 TEMPLE Kings Of Leon 14 (2007). 0 ATLANTIC 0 ISLAND/IDJMG 0 RCA The coronation of “Go” HUMAN Christina Perri 10 TEMPLE Kings Of Leon 15 4 THE MOTHER WE SHARE CHVRCHES 15 follows its four-week ATLANTIC/RRP 00 RCA GOODBYE/GLASSNOTE 0 0 command of Triple A in 19 21 UNCONDITIONALLY Katy Perry 15 HOLDING ON FOR LIFE Broken Bells 12 21 FALL IN LOVE Phantogram 5 CAPITOL COLUMBIA BARSUK/REPUBLIC December and January. Its stateside ascent follows its DO WHAT U WANT Lady Gaga Feat. R. Kelly 9 22 ON TOP OF THE WORLD Imagine Dragons 10 26 COME WITH ME NOW Kongos 2 0 STREAMLINE/INTERSCOPE KIDINAKORNER/INTERSCOPE 0 TOKOLOSHE/EPIC No. 2 peak on the Ofcial U.K. Singles chart last June. 23 STAY THE NIGHT Zedd Feat. Hayley Williams 10 DIRTY PAWS Of Monsters And Men 12 20 WHAT IF I WAS NOTHING All That Remains 8 INTERSCOPE 0 REPUBLIC 0 RAZOR & TIE On Mainstream Top 40, Christina Aguilera becomes ALL OF ME John Legend 8 TONIGHT YOU’RE PERFECT New Politics 13 24 I SAT BY THE OCEAN Queens Of The Stone Age 13 0 G.O.O.D./COLUMBIA 0 RCA MATADOR/BEGGARS GROUP one of 10 acts with at least 14 THE MONSTER Eminem Feat. Rihanna COME WITH ME NOW Kongos HOUSE OF GOLD Twenty One Pilots top 10s in the chart’s 21-year 25 9 GG 2 71 25 13 WEB/SHADY/AFTERMATH/INTERSCOPE 0 TOKOLOSHE/EPIC FUELED BY RAMEN/RRP history (see graph, below), as “Say Something” with A Great Big World rises 11-9. Having COUNTRYTm R&B/HIP-HOPTM ADULT R&BTM reached No. 3 last year as a guest on Pitbull’s “Feel This LAST THIS TITLE ArtistW LON LAST THIS TITLE Artist WM OIK LAST THIS TITLE Artist M15.05 Moment,” Aguilera has sent WEEK WEEK HAPRINWPROMOTION LABEL CHART WEEK WEEK IMPRINT/PROMOTION LABEL CHART WEEK WEEK IMPRINT/PROMOTION LABEL CHART songs to the top 10 during #1 #1 #1 1 WK DRINK A BEER Luke Bryan 14 3 WKS DRUNK IN LOVE Beyonce Feat. Jay Z 8 1 WK ALL OF ME John Legend 25 back-to-back years for the CAPITOL NASHVILLE 0 PARKWOOD/COLUMBIA 0 G.O.O.D./COLUMBIA first time since 2002-03, when 4 FRIDAY NIGHT Eric Paslay 41 MY HITTA YG Feat. Jeezy & Rich Homie Quan 15 FOR THE REST OF MY LIFE Robin Thicke 36 she entered the region with EMI NASHVILLE CTE/DEF JAM/IDJMG STAR TRAK/INTERSCOPE 0 0 “Beautiful” (four weeks at No. 1 WHATEVER SHE’S GOT David Nail 36 IT WON’T STOP Sevyn Streeter Feat. Chris Brown 25 HURT YOU Toni Braxton & 24 MCA NASHVILLE CBE/ATLANTIC MOTOWN/IDJMG 1), “Fighter” (No. 5) and “Can’t Hold Us Down,” featuring Lil’ 3 CHILLIN’ IT Cole Swindell 28 ROYALS Lorde 16 4 WITHOUT ME Fantasia Feat. & 34 WARNER BROS./WMN O 4 LAVA/REPUBLIC 19/RCA Kim (No. 3). —Gary Trust

6 WHEN SHE SAYS BABY Jason Aldean 15 5 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 26 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 19 ACTS WITH THE MOST BROKEN BOW YOUNG MONEY/CASH MONEY/REPUBLIC O0 YOUNG MONEY/CASH MONEY/REPUBLIC MAINSTREAM TOP 40 TOP 10s 9 COMPASS Lady Antebellum 18 6 ALL ME Drake Feat. 2 Chainz & Big Sean 24 MY FAVORITE THING Ronald Isley Feat. Kem 17 (1992-2014) CAPITOL NASHVILLE YOUNG MONEY/CASH MONEY/REPUBLIC RI TOP TEN/NOTIFI/EONE 24 STAY Florida Georgia Line 21 SHOW ME Kid Ink Feat. Chris Brown 12 I CAN’T DESCRIBE (THE WAY I FEEL) Jennifer Hudson Feat. T.I. 16 REPUBLIC NASHVILLE O 0 THA ALUMNI GROUP/88 CLASSIC/RCA 0 ' RCA EVERYTHING I SHOULDN’T BE THINKING ABOUT Thompson Square 34 THEY DON’T KNOW Rico Love 18 11 ALL THE WAY HOME Tamar Braxton 23 STONEY CREEK 0 DIVISION1/INTERSCOPE 0 STREAMLINE/EPIC DOIN’ WHAT SHE LIKES Blake Shelton 7 ALL OF ME John Legend 21 MARCH George Tandy, Jr. 20 WARNER BROS./WMN G.O.O.D./COLUMBIA O 9 REDSTAR 17 17 O 0 16 16 HELLUVA LIFE Frankie Ballard 29 10 I LUV THIS SH*T August Alsina Feat. Trinidad James 37 10 AGE AIN’T A FACTOR Jaheim 39 15 WARNER BROS./WAR NNTME MUCO./RADIO KILLA/DEF JAM/IDJMG ATLANTIC 14 14 14 14

I HOLD ON Dierks Bentley 24 PARANOID Ty Dolla $ign Feat. B.o.B 11 11 GENIUS R. Kelly 18 CAPITOL NASHVILLE O 0 ATLANTIC O RCA GOODNIGHT KISS Randy Houser 21 O 12 THE LANGUAGE Drake 13 I BLAME YOU Ledisi 18 STONEY CREEK YOUNG MONEY/CASH MONEY/REPUBLIC 0 VERVE THE HEART OF DIXIE Danielle Bradbery 30 UP DOWN (DO THIS ALL DAY) T-Pain Feat. B.o.B 12 NOBODY BUT YOU Algebra Blessett 28 REPUBLIC NASHVILLE/BIG MACHINE O 0 KONVICT/NAPPY BOY/RCA 0 PURPOSE/EONE

SEE YOU TONIGHT Scotty McCreery 42 14 LOVE MORE Chris Brown Feat. Nicki Minaj 28 17 DRUNK IN LOVE Beyonce Feat. Jay Z 5 19/INTERSCOPE/MERCURY RCA 0 PARKWOOD/COLUMBIA

DRINK TO THAT ALL NIGHT Jerrod Niemann 19 NA NA Trey Songz 3 4 15 I STILL HAVE YOU Charlie Wilson 16 SEA GAYLE/ARISTA NASHVILLE O 0 SONGBOOK/ATLANTIC P MUSIC/RCA

GIVE ME BACK MY HOMETOWN Eric Church 5 LOYAL Chris Brown Feat. Lil Wayne & French Montana Or & Too $hort 4 15 SAY THAT Leela James Feat. Anthony Hamilton 14 EMI NASHVILLE RCA J&T/BMG O 0 P!nk 0 Nelly Usher 19 YOU + ME Dan + Shay 17 HURT YOU Toni Braxton & Babyface 23 24 GG HAPPY Pharrell Williams 2 WARNER BROS./WMN MOTOWN/IDJMG Rihanna BACK LOT MUSIC/COLUMBIA 0 Madonna Katy Perry Katy REWIND Rascal Flatts 4 18 WITHOUT ME Fantasia Feat. Kelly Rowland & Missy Elliott 41 18 16 V.S.O.P. K. Michelle 17 BIG MACHINE 19/RCA ATLANTIC Mariah Carey Britney Spears Britney The week's most popular current songs across various genres, ranked by radio airplay detections, except for Country and R&B/Hip-Hop, which are ranked by audience impressions, as measured as measured by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by as measured as measured impressions, audience by ranked which are Country for and R&B/Hip-Hop, detections, except airplay radio by ranked genres, various songs across most popular current The week's RADIO AIRPLAY: and Nielsen SoundScan, Inc. All charts reserved. rules and explanations. All rights complete Global Media, LLC for © 2014, Prometheus a week. 7 days See Charts on billboard.com/biz Legend 24 hours a day, electronically monitored sales activityare the firstStations for time. BEAT OF THE MUSIC 19 HAPPY Pharrell Williams 2 SIDE EFFECTS OF YOU Fantasia 11

20 Timberlake Justin

GG Aguilera Christina ATLANTIC/WMN O 0 BACK LOT MUSIC/COLUMBIA 0 19/RCA THE MONA LISA Brad Paisley 11 OG BOBBY JOHNSON Que 3 WHERE DID WE GO WRONG? Toni Braxton & Babyface 3 ARISTA NASHVILLE O 0 FORBES/ATLANTIC O 0 MOTOWN/IDJMG

LETTIN’ THE NIGHT ROLL Justin Moore 15 ALL THE WAY HOME Tamar Braxton 21 21 21 LOOK UP Daley 20 VALORY 0 STREAMLINE/EPIC DALEYMUSIC/POLYDOR/REPUBLIC GET ME SOME OF THAT Thomas Rhett 12 PART II (ON THE RUN) Jay Z Feat. Beyonce 4 CRIED Candice Glover 5 VALORY ROC-A-FELLA/ROC NATION O 0 19/INTERSCOPE

BOTTOMS UP Brantley Gilbert 7 23 BLURRED LINES Robin Thicke Feat. T.I. + Pharrell 35 BEAUTIFUL Mali Music 3 VALORY STAR TRAK/INTERSCOPE 0 BYSTORM/RCA

YOUNG LOVE Kip Moore 11 24 TOM FORD Jay Z 28 IT WON’T STOP Sevyn Streeter Feat. Chris Brown 5 MCA NASHVILLE ROC-A-FELLA/ROC NATION O 0 CBE/ATLANTIC

COP CAR Keith Urban 7 22 25 SHE KNOWS J. Cole Feat. Amber Cofman & The Cults 11 29 LOVE WON’T LEAVE ME OUT Chrisette Michele 16 0 HIT RED/CAPITOL NASHVILLE ROC NATION/COLUMBIA 0 MOTOWN/IDJMG

AIRPLAY DATA COMPILED BY BY COMPILED DATA AIRPLAY 03 WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 79 COUNTRY.", WorldMags.netROCKTM R&B/HIP-HOPTM

EAST 9115 WKS. 011 LAST THIS EAST THIS TITLE Artist CERT TITLE Artist TITLE Artist WEEK WEEK IMPRINT/LABEL ' CHART WEEK WEEK IMPRINT/LABEL ain CHART WEEK WEEK IMPRINT/LABEL #1 #1 #1 ' 1 WK INVISIBLE Hunter Hayes 2 25 WKS RADIOACTIVE Imagine Dragons 80 3 WKS TALK DIRTY Jason Derulo Feat. 2 Chainz 5 ATLANTIC/WMN KIDINAKORNER/INTERSCOPE/IGA 6 BELUGA HEIGHTS/WARNER BROS. O O 0 FOLLOW YOUR ARROW Kacey Musgraves 10 LET HER GO Passenger 2 35 HAPPY Pharrell Williams 9 MERCURY/UMGN BLACK CROW/NETTWERK 0 BACK LOT MUSIC/COLUMBIA 0 NEW A MAN WHO WAS GONNA DIE YOUNG Eric Church 1 1 POMPEII Bastille 31 DRUNK IN LOVE Beyonce Feat. Jay Z 7 EMI NASHVILLE/UMGN VIRGIN/CAPITOL 0 PARKWOOD/COLUMBIA

DRINK A BEER Luke Bryan 13 ROYALS Lorde 4 34 ALL OF ME John Legend 0 25 CAPITOL NASHVILLE/UMGN LAVA/REPUBLIC 0 G.O.O.D./COLUMBIA BOTTOMS UP Brantley Gilbert 7 TEAM Lorde 21 THE MONSTER Eminem Feat. Rihanna 14 © © VALORY/BMLG LAVA/REPUBLIC WEB/SHADY/AFTERMATH/INTERSCOPE/IGA GIVE ME BACK MY HOMETOWN Eric Church 4 DEMONS Imagine Dragons 61 WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis 22 0 EMI NASHVILLE/UMGN KIDINAKORNER/INTERSCOPE/IGA MACKLEMORE COP CAR Keith Urban 2 BEST DAY OF MY LIFE American Authors 17 SAME LOVE Macklemore & Ryan Lewis Feat. Mary Lambert 2 62 O 0 HIT RED/CAPITOL NASHVILLE/UMGN ISLAND/IDJMG O 0 MACKLEMORE WHATEVER SHE’S GOT David Nail SWEATER WEATHER The Neighbourhood SHOW ME Kid Ink Feat. Chris Brown 18 27 8 49 fi MCA NASHVILLE/UMGN 0 [R]EVOLVE/COLUMBIA ¡ THA ALUMNI GROUP/88 CLASSIC/RCA

9 CHILLIN’ IT Cole Swindell 36 9 SAIL AWOLNATION 148 BLURRED LINES Robin Thicke Feat. T.I. + Pharrell 45 WARNER BROS./WMN 0 RED BULL 3 STAR TRAK/INTERSCOPE/IGA 6

LOOKIN’ FOR THAT GIRL Tim McGraw 10 SAFE AND SOUND Capital Cities MY HITTA YG Feat. Jeezy & Rich Homie Quan 20 1 10 48 10 CTE/DEF JAM/IDJMG ¡ NEW 0 BIG MACHINE/BMLG LAZY HOOKS/CAPITOL ALL TOO WELL Taylor Swift MY SONGS KNOW WHAT YOU DID IN THE DARK Fall Out Boy CAN’T HOLD US Macklemore & Ryan Lewis Feat. Ray Dalton 51 3 11 3 52 4 BIG MACHINE/BMLG DECAYDANCE/ISLAND/IDJMG O 0 MACKLEMORE 0 DOIN’ WHAT SHE LIKES Blake Shelton 4 12 LOVE DON’T DIE The Fray 13 M.A.A.D CITY Kendrick Lamar Feat. MC Eiht 28 0 WARNER BROS./WMN EPIC O 0 TOP DAWG/AFTERMATH/INTERSCOPE/IGA 23 Mike WiLL Made-It Feat. Miley Cyrus, Wiz Khalifa & Juicy J 13 WHEN SHE SAYS BABY Jason Aldean 13 ON TOP OF THE WORLD Imagine Dragons 50 13 21 BROKEN BOW/BBMG 0 KIDINAKORNER/INTERSCOPE/IGA EARDRUMMERS/INTERSCOPE/IGA I 13 14 DRINK TO THAT ALL NIGHT Jerrod Niemann 14 14 DO I WANNA KNOW? Arctic Monkeys 21 XO Beyonce 7 SEA GAYLE/ARISTA NASHVILLE/SMN DOMINO PARKWOOD/COLUMBIA THRIFT SHOP Macklemore & Ryan Lewis Feat. Wanz GET ME SOME OF THAT Thomas Rhett 9 15 CHOCOLATE The 1975 5 7 75 o VALORY/BMLG VAGRANT/INTERSCOPE/IGA MACKLEMORE RAP GOD 24 I HOLD ON Dierks Bentley 22 THE WALKER Fitz And The Tantrums 2 16 Eminem 15 CAPITOL NASHVILLE/UMGN DANGERBIRD/ELEKTRA 18 WEB/SHADY/AFTERMATH/INTERSCOPE/IGA RIDE SoMo 17 REWIND Rascal Flatts 3 16 17 YOUNG AND BEAUTIFUL Lana Del Rey 41 17 17 15 BIG MACHINE/BMLG WATERTOWER/POLYDOR/INTERSCOPE/IGA ¡ REPUBLIC

IS STAY Florida Georgia Line 19 NEW SEVEN WONDERS Fleetwood Mac 1 HOLY GRAIL Jay Z Feat. Justin Timberlake 30 REPUBLIC NASHVILLE/BMLG 0 WARNER BROS. ROC-A-FELLA/ROC NATION PARANOID Ty Dolla $ign Feat. B.o.B 17 19 COMPASS Lady Antebellum 17 IT’S TIME Imagine Dragons ¡ 94 24 7 CAPITOL NASHVILLE/UMGN 00 KIDINAKORNER/INTERSCOPE/IGA ATLANTIC/AG 20 19 YOU + ME Dan + Shay 12 GONE, GONE, GONE Phillip Phillips 57 10 HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 26 19 WARNER BROS./WMN 23 19/INTERSCOPE/IGA ¡ 14 YOUNG MONEY/CASH MONEY/REPUBLIC 2

21 THAT’S MY KIND OF NIGHT Luke Bryan 25 21 ALONE TOGETHER Fall Out Boy 19 15 71 GAS PEDAL Sage The Gemini Feat. IamSu! 29 14 CAPITOL NASHVILLE/UMGN DECAYDANCE/ISLAND/IDJMG BLACK MONEY/EMPIRE/REPUBLIC

72 CRUISE Florida Georgia Line 86 HOLDING ON FOR LIFE Broken Bells 1 NEV/ CAN’T RAISE A MAN K. Michelle 1 16 REPUBLIC NASHVILLE/BMLG 6 NEW Q COLUMBIA ATLANTIC/AG

THIS IS HOW WE ROLL Florida Georgia Line Feat. Luke Bryan 10 23 COME TO ME Goo Goo Dolls 17 IT WON’T STOP Sevyn Streeter Feat. Chris Brown 21 25 0 REPUBLIC NASHVILLE/BMLG 20 WARNER BROS. 34 CBE/ATLANTIC/AG PARTITION Beyonce FRIDAY NIGHT Eric Paslay 21 25 24 TENNIS COURT Lorde 25 31 7 O 24 EMI NASHVILLE/UMGN LAVA/REPUBLIC PARKWOOD/COLUMBIA

27 25 SEE YOU TONIGHT Scotty McCreery 23 RE UNDER THE BRIDGE Red Hot Chili Peppers 2 26 25 ALL ME Drake Feat. 2 Chainz & Big Sean 19 19/MERCURY/INTERSCOPE/UMGN el WARNER BROS. YOUNG MONEY/CASH MONEY/REPUBLIC 0

Digital Songs LATINTm DANCE/ELECTRONICTm CHRISTIANTm

LAST Th15 TITLE Artist LAST THIS TITLE Artist aRt UST THIS TITLE Artist cm vas. ON WEEK WEEK IMPRINT/LABEL . CHANT WEEK WEEK 1APPcP,T..1:11:El CHANT WEEK WEEK IMPRINT/LABEL CHART 2014 #1 #1 #1 1 WK ODIO Romeo Santos Feat. Drake 1 12 WKS GET LUCKY Daft Punk Feat. Pharrell Williams 42 13 WKS OCEANS (WHERE FEET MAY FAIL) United 27 SONY MUSIC LATIN DAFT LIFE/COLUMBIA 3 HILLSONG/SPARROW/CAPITOL CMG

PROPUESTA INDECENTE Romeo Santos 27 TURN DOWN FOR WHAT DJ Snake & Lil Jon 7 NEW YOU CAN’T STOP ME Andy Mineo 1 SONY MUSIC LATIN COLUMBIA 0 REACH

February 15 OVERCOMER Mandisa EL PERDEDOR Enrique Iglesias Feat. Marco Antonio Solis 12 HEY BROTHER Avicii 20 3 30 UNIVERSAL MUSIC LATINO/UMLE PRMD/ISLAND/IDJMG SPARROW/CAPITOL CMG

VIVIR MI VIDA Marc Anthony 41 WAKE ME UP! Avicii 32 4 THIS IS AMAZING GRACE Phil Wickham 18 SONY MUSIC LATIN PRMD/ISLAND/IDJMG ¡ FAIR TRADE/PLG SHAKE MercyMe DANZA KUDURO Don Omar & Lucenzo 181 ANIMALS Martin Garrix 30 5 11 YANIS/ORFANATO/MACHETE/UMLE 5 SPINNIN’/SILENT/CASABLANCA/REPUBLIC 0 FAIR TRADE/PLG

HIPS DON’T LIE Shakira Feat. Wyclef Jean 213 STAY THE NIGHT Zedd Feat. Hayley Williams 21 6 WRITE YOUR STORY Francesca Battistelli 3 EPIC INTERSCOPE/IGA FERVENT/WORD-CURB 10,000 REASONS (BLESS THE LORD) Matt Redman WAKA WAKA (THIS TIME FOR AFRICA) Shakira Feat. Freshlyground ¡ 195 APPLAUSE Lady Gaga 25 7 0 102 EPIC/SONY MUSIC LATIN O STREAMLINE/INTERSCOPE/IGA SIXSTEPS/SPARROW/CAPITOL CMG

DARTE UN BESO Prince Royce 29 FIND YOU Zedd, , Miriam Bryant 2 NEW NEVER LAND Andy Mineo Feat. Marz 1 SONY MUSIC LATIN INTERSCOPE/IGA 0 REACH

LOCO Enrique Iglesias Feat. Romeo Santos 24 TAKE ME HOME Cash Cash Feat. Bebe Rexha 21 9 LORD I NEED YOU Matt Maher 48 UNIVERSAL MUSIC LATINO/UMLE 0 BIG BEAT 0 ESSENTIAL/PLG

QUE Wisin 19 SUMMERTIME SADNESS Lana Del Rey & Cedric Gervais 27 10 The Fray 213 SONY MUSIC LATIN POLYDOR/INTERSCOPE/IGA ¡ EPIC I CAN ONLY IMAGINE MercyMe LIMBO 69 CLARITY Zedd Feat. Foxes 55 12 213 EL CARTEL//UMLE INTERSCOPE/IGA ¡ FAIR TRADE/PLG ¡

I KNOW YOU WANT ME (CALLE OCHO) Pitbull 159 LATCH Disclosure Feat. Sam Smith 21 12 KEEP MAKING ME Sidewalk Prophets 8 ULTRA 2 PMR/UNIVERSAL ISLAND/INTERSCOPE/IGA FERVENT/WORD-CURB THINKING ABOUT YOU SUERTE Shakira 211 Calvin Harris Feat. Ayah Marar 18 13 BEAUTIFUL DAY Jamie Grace 7 EPIC/SONY MUSIC LATIN DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/COLUMBIA GOTEE/PLG WHOM SHALL I FEAR (GOD OF ANGEL ARMIES) PROMISE Romeo Santos Feat. Usher 127 TITANIUM David Guetta Feat. Sia 111 13 14 Chris Tomlin 66 SONY MUSIC LATIN WHAT A MUSIC/PARLOPHONE/WARNER BROS. 2 SIXSTEPS/SPARROW/CAPITOL CMG

HERMOSA EXPERIENCIA Banda Sinaloense MS de Sergio Lizarraga 13 WORK B**CH! Britney Spears 19 THE ONLY NAME (YOURS WILL BE) 19 SABINAS RCA 19 0 FERVENT/WORD-CURB LOBA Shakira 211 Pitbull Feat. Christina Aguilera 62 I AM Crowder 9 EPIC/SONY MUSIC LATIN 0 MR. 305/POLO GROUNDS/RCA ¡ O 16 SIXSTEPS/SPARROW/CAPITOL CMG

TE HUBIERAS IDO ANTES Julion Alvarez y Su Norteno Banda 3 Daft Punk Feat. Pharrell Williams 14 BELIEVE Brooks & Dunn 6 FONOVISA/UMLE DAFT LIFE/COLUMBIA " 0 ARISTA NASHVILLE/SMN

LOCA Shakira Feat. El Cata 172 THE DARK SIDE Trevor Moran 2 18 MONSTER Skillet 213 EPIC/SONY MUSIC LATIN PARIMORE 16 ARDENT/FAIR TRADE/PLG ¡ and Nielsen SoundScan, Inc. All charts reserved. rules and explanations. All rights complete Global Media, LLC for © 2014, Prometheus Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend genres, various songs across top-downloaded The week's ELLA Y YO Aventura Feat. Don Omar 192 MIDNIGHT CITY M83. ¡ 120 SPEAK LIFE tobyMac 21 PREMIUM LATIN M83/MUTE O 0 FOREFRONT/CAPITOL CMG

6 AM J Balvin Feat. Farruko 3 LEVELS Avicii 117 20 HELLO, MY NAME IS Matthew West 48 CAPITOL LATIN/UMLE LE7ELS/VERATONE/ATOM EMPIRE/INTERSCOPE/IGA ¡ 24 SPARROW/CAPITOL CMG LA NOCHE ES TUYA 3BallMTY Feat. America Sierra & Gerardo Ortiz 3 I LOVE IT Icona Pop Feat. Charli XCX 54 21 GOD’S NOT DEAD (LIKE A LION) newsboys 106 FONOVISA/UMLE RECORD COMPANY TEN/BIG BEAT/ATLANTIC/AG 2 INPOP/CAPITOL CMG

LA NUEVA Y LA EX Daddy Yankee 8 YOU MAKE ME Avicii 19 GOOD MORNING Mandisa Feat. tobyMac 108 EL CARTEL/CAPITOL LATIN/UMLE PRMD/ISLAND/IDJMG 27 SPARROW/CAPITOL CMG

RABIOSA Shakira 156 BONELESS , Chris Lake & Tujamo 20 23 REDEEMED Big Daddy Weave 86 EPIC/SONY MUSIC LATIN DIM MAK/ULTRA 26 FERVENT/WORD-CURB YOU FOUND ME The Fray Shakira Feat. Alejandro Sanz 168 I’M A FREAK Enrique Iglesias Feat. Pitbull 3 17 24 213 EPIC/SONY MUSIC LATIN REPUBLIC EPIC 3

ECHA PA’LLA (MANOS PA’RRIBA) Pitbull 73 I CAN’T STOP Flux Pavilion 58 ALONE YET NOT ALONE Joni Eareckson Tada 2 MR. 305/FAMOUS ARTIST/SONY MUSIC LATIN CIRCUS/BIG BEAT O 0 ENTHUSE BY COMPILED SALES DATA WorldMags.net 80 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 HEATSEEKERS ALBUMSTMWorldMags.net THIS ARTIST PEA KYS ON 5 LAST ARTIST Title PEAK WEEK RAPRIN-c,015-TRIBuTING LABEL POS CHART AGO KEE 01PRINTIOISTRIBUTING LABEL SOS. #1 HOT SHOT 1 WK YOU ME AT SIX Cavalier Youth 1 1 26 THE MILK CARTON KIDS The Ash & Clay 3 13 DEBUT PROSPECT PARK ANTI-/EPITAPH

NEW ALGEBRA BLESSETT Recovery 2 1 27 LONDON GRAMMAR If You Wait 4 15 PURPOSE/EONE METAL & DUST/COLUMBIA

TRANSATLANTIC Kaleidoscope 3 1 28 MS MR Secondhand Rapture 2 38 RADIANT/METAL BLADE CREEP CITY/COLUMBIA

AMERICAN AUTHORS American Authors (EP) 1 21 29 THEE SILVER MT. ZION MEMORIAL ORCHESTRA Fuck Of Get Free We Pour Light On Everything 10 2 ISLAND/IDJMG 0 CONSTELLATION

GG STARBOMB Starbomb 1 7 REENTRY BANKS London (EP) 6 9 STARBOMB 0 HARVEST

HOSPITALITY Trouble 6 1 31 SOMO My Life 24 6 MERGE REPUBLIC

X AMBASSADORS The Reason (EP) 7 1 REENTRY SOULFIRE REVOLUTION Revival 11 5 KIDINAKORNER/INTERSCOPE/IGA SPARROW/CAPITOL CMG

CECILE MCLORIN SALVANT Womanchild 5 10 REENTRY KODALINE In A Perfect World 7 8 MACK AVENUE B-UNIQUE/RCA

LOVE & THE OUTCOME Love & The Outcome 5 9 34 2 15 WORD-CURB/WARNER-CURB 8 38 SLATE CREEK/SMITH

RHONDA VINCENT Only Me 10 1 REENTRY 1 GIRL NATION 1 Girl Nation 2 20 UPPER MANAGMENT REUNION/PLG

GREGORY PORTER Liquid Spirit 6 19 RE-ENTRY BAILEY/LLEWELLYN, NORTH CAROLINA SYMPHONY, PEREMSKI Britten: Cello Symphony: Cello Sonata 36 2 BLUE NOTE 0 TELARC/CONCORD REVEREND HORTON HEAT REV 2 2 37 SIMONE DINNERSTEIN Bach: Inventions & Sinfonias: BWV 772-801 37 2 VICTORY 0 SONY CLASSICAL/SONY MASTERWORKS 13 DAMIEN JURADO Brothers And Sisters Of The Eternal Son 1 2 38 THE CADILLAC THREE The Cadillac Three 19 3 SECRETLY CANADIAN NOBODY BUYS/BIG MACHINE/BMLG

AMY RAY Goodnight Tender 14 2 39 WILD CUB Youth 11 2 00 DAEMON MOM + POP 8 9 15 14 15 JASMINE THOMPSON Bundle Of Tantrums REENTRY DARKSIDE Psychic 5 16 JASMINE THOMPSON OTHER PEOPLE/MATADOR

NEW PRIMAL FEAR Delivering The Black 16 1 41 THE DEVIL MAKES THREE I’m A Stranger Here 2 12 0 FRONTIERS 0 NEW WEST NEW DROWNERS Drowners 17 1 NEW GRAMATIK The Age Of Reason 42 1 0 FRENCHKISS LOWTEMP NEW SAM SMITH Nirvana E.P. 18 1 REENTRY J RODDY WALSTON & THE BUSINESS Essential Tremors 5 10 0 CAPITOL ATO 19 NEW POLITICS A Bad Girl In Harlem 1 25 NEW JOSH BALDWIN Rivers 44 1 RCA WATERSHED 20 2 REENTRY MARY LAMBERT Welcome To The Age Of My Body (EP) 20 35 45 BLOOD ORANGE Cupid Deluxe 2 12 CD CAPITOL DOMINO

NEW LATICE CRAWFORD Latice Crawford 21 1 NEW QUILT Held In Splendor 46 1 RCA INSPIRATION/RCA MEXICAN SUMMER/KEMADO 3 58 2 27 18 2-1 22 LORD HURON Lonesome Dreams 47 SAGE THE GEMINI Gas Pedal: The EP IAMSOUND BLACK MONEY/EMPIRE/REPUBLIC

Launch Pad TOMMY CASTRO AND THE PAINKILLERS The Devil You Know 8 2 48 Love Songs Drug Songs (EP) 11 3 ALLIGATOR KIDINAKORNER/INTERSCOPE/IGA

LUCIUS Wildewoman 5 16 HEW GEM CLUB In Roses 49 1 MOM + POP HARDLY ART

ICE NINE KILLS The Predator Becomes The Prey 3 2 50 The Fallout 1 30 OUTERLOOP 24 47 RISE 2014 HEATSEEKERS SONGSTM REGIONAL HEATSEEKERS #1 ALBUMS™ February 15 1151 THIS TITLE 5 ON Artist S WEEK WEEK ImPRINTIPRommlou LABEL CHART PACIFIC EAST NORTH CENTRAL NORTHEAST #1 2 WKS PARANOID Ty Dolla $ign Feat. B.o.B 11 YOU ME AT SIX YOU ME AT SIX YOU ME AT SIX 0 ATLANTIC/RRP CAVALIER YOUTH CAVALIER YOUTH CAVALIER YOUTH 2 DO YOU WANT TO BUILD A SNOWMAN? Kristen Bell, Agatha Lee Monn & Katie Lopez 8 WALT DISNEY FOLLOW YOUR ARROW Kacey Musgraves 3 MERCURY MOUNTAIN SOUTH ATLANTIC MID ATLANTIC 6p. HELLUVA LIFE Frankie Ballard 12 BLUE SKY RIDERS ALGEBRA BLESSETT YOU ME AT SIX 0 WARNER BROS. NASHVILLE/WAR FINALLY HOME RECOVERY CAVALIER YOUTH 5 UP ALL NIGHT Jon Pardi 16 CAPITOL NASHVILLE DO I WANNA KNOW? Arctic Monkeys 14 DOMINO/ADA TAKE ME HOME Cash Cash Feat. Bebe Rexha 4 0 BIG BEAT/RRP 19 YOU + ME Dan + Shay 9 0 WARNER BROS. NASHVILLE/WMN 9 RIDE SoMo 7 REPUBLIC THE HEART OF DIXIE Danielle Bradbery 12 0 REPUBLIC NASHVILLE/BIG MACHINE

11 MMM YEAH Austin Mahone Feat. Pitbull 2 CHASE/CASH MONEY/REPUBLIC CAN’T RAISE A MAN K. Michelle 1 NEW ATLANTIC THEY DON’T KNOW Rico Love 7 Cal® DIVISION1/INTERSCOPE CHOCOLATE The 1975 4 DIRTY HIT/VAGRANT/INTERSCOPE

THE WORST Jhene Aiko 2 WEST NORTH CENTRAL SOUTH CENTRAL Cif, ARTCLUB/ARTIUM/DEF JAM/IDJMG OCEANS (WHERE FEET MAY FAIL) Hillsong United 7 The Milk Carton Kids—who 0 16 HILLSONG/SPARROW/CAPITOL CMG attended the Jan. 26 Grammy 1 TOMMY CASTRO AND THE PAINKILLERS THE DEVIL YOU KNOW 1 RHONDA VINCENT ONLY ME

24 PROPUESTA INDECENTE Romeo Santos 24 Awards as first-time nominees SONY MUSIC LATIN 2 YOU ME AT SIX CAVALIER YOUTH 2 ZUILL BAILEY/GRANT LLEWELLYN BRITTEN: CELLO SYMPHONY: CELLO SONATA 0 for their The Ash & Clay (No. 18 MAN OF THE YEAR ScHoolboy Q 2 26 on Heatseekers Albums)— TOP DAWG/INTERSCOPE 3 TRAMPLED UNDER FOOT BADLANDS 3 YOU ME AT SIX CAVALIER YOUTH The week's top-selling albums by new or developing acts, defined as those who have never appeared in the top 100 of the Billboard 200 or the top 10 of , Top Rock Albums, Top R&B/Hip-Hop Albums, Top Latin Albums, Christian Albums or Gospel Albums. If a title reaches any of those levels, it and the of those levels, any Latin Albums, Christiana title reaches Albums or Gospel Albums. If Albums, Top R&B/Hip-Hop Albums, Top Rock Country Albums, Top 200 or the top 10 of Top in the top 100 of Billboard appeared never acts, defined as those who have or developing new albums by top-selling The week's ALBUMS: HEATSEEKERS as a lead artist appeared the Hot 100 (or never in the top 50 of Billboard acts, defined as those who have or developing new by all formats most popular songs across SONGS: The week's Nielsen SoundScan. by HEATSEEKERS sales data as compiled by ranked are Albums. Titles then ineligible to appear on Heatseekers act's albums are subsequent online music by activity Nielsen SoundScandata provided by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by ranked are Songs. Titles then ineligible to appear on Heatseekers songs are subsequent it and the act’s prior to Dec.those levels, top 50 of Hot 100 Airplay a title reaches 5, 1998). If and Nielsen SoundScan, Inc. All charts reserved. rules and explanations. All rights complete Global Media, LLC for © 2014, Prometheus See Charts Nielsen BDS. on billboard.com/biz by tracked Legend sources have a very busy touring 19 LOVE IS AN OPEN DOOR Kristen Bell & Santino Fontana 6 WALT DISNEY schedule ahead of them this 4 THE TEXAS TENORS YOU SHOULD DREAM 4 ALGEBRA BLESSETT RECOVERY year. “We’re faced with a COLLARD GREENS ScHoolboy Q Feat. Kendrick Lamar 17 TOP DAWG/INTERSCOPE situation we never had before, 5 STARBOMB STARBOMB 5 STARBOMB STARBOMB " where shows that are five IN SUMMER Josh Gad 6 21 WALT DISNEY months out have been selling 6 AMERICAN AUTHORS AMERICAN AUTHORS (EP) 6 AMERICAN AUTHORS AMERICAN AUTHORS (EP) CLASSIC MKTO 1 out,” the duo’s Kenneth NEW COLUMBIA 7 HOSPITALITY TROUBLE 7 LUCIUS WILDEWOMAN SALES DATA COMPILED BY COMPILED SALES DATA Pattengale says. “We’ve 1 usually been a quiet little folk NEW OG BOBBY JOHNSON Que ATLANTIC band that has trouble getting 8 DAVE SIMONETT RAZOR PONY (EP) 8 THE CADILLAC THREE THE CADILLAC THREE

22 24 OUT OF MY LEAGUE Fitz And The Tantrums 19 people into rooms, and it DANGERBIRD/ELEKTRA/ATLANTIC seems to be coming a little 9 CAROLINE SMITH HALF ABOUT BEING A WOMAN 9 TRANSATLANTIC KALEIDOSCOPE DARTE UN BESO Prince Royce 26 easier these days.” SONY MUSIC LATIN 10 TRANSATLANTIC KALEIDOSCOPE 10 JASON EADY DAYLIGHT / DARK —Keith Caulfield AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 81 WorldMags.net 2 WKS, LAST IRIS TITLE Artist WKS. ON LAST THIS ARTIST Title ADO WEEK WEE% PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL CIRRI WEEK WEEK IMPRINT/DISTRIBUTING LORDS #1 #1 4 WKS DRINK A BEER Luke Bryan 1 13 2 WKS KACEY MUSGRAVES Same Trailer Diferent Park 46 J.STEVENS (J.BEAVERS,C.STAPLETON) CAPITOL NASHVILLE GG MERCURY/UMGN

WHATEVER SHE’S GOT David Nail 2 32 JENNIFER NETTLES That Girl 3 C.AINLAY,F.LIDDELL,G.WORF (J.ROBBINS,J.M.NITE) MCA NASHVILLE 0 MERCURY/UMGN CHILLIN’ IT Cole Swindell 0 2 36 LUKE BRYAN Crash My Party ¡ 26 J.STEVENS (C.SWINDELL,S.MINOR) WARNER BROS./WMN CAPITOL NASHVILLE/UMGN MUSGRAVES CHRISTINE KELLY MUSGRAVES:

INVISIBLE Hunter Hayes 4 2 FLORIDA GEORGIA LINE Here’s To The Good Times 61 DG D.HUFF,H.HAYES (H.HAYES,B.BAKER,K.ELAM) ATLANTIC/WMN REPUBLIC NASHVILLE/BMLG ¡

WHEN SHE SAYS BABY Jason Aldean 4 18 TAYLOR SWIFT Red 67 AG M.KNOX (T.R.AKINS,B.HAYSLIP) BROKEN BOW BIG MACHINE/BMLG 4 FRIDAY NIGHT Eric Paslay 6 29 ROSANNE CASH The River & The Thread 3 Grammy M.ALTMAN (E.PASLAY,R.FALCON,R.CROSBY) EMI NASHVILLE BLUE NOTE COMPASS Lady Antebellum 7 18 GARTH BROOKS Blame It All On My Roots: Five Decades Of Influences 10 Boosts For N.CHAPMAN,LADY ANTEBELLUM (T.E.HERMANSEN,M.S.ERIKSEN,A.MALIK,R.GOLAN,D.OMELIO,E.HAYNIE) CAPITOL NASHVILLE PEARL

STAY Florida Georgia Line 1 20 BLAKE SHELTON Based On A True Story ... 45 Musgraves, J.MOI (J.K.MOI,J.F.YOUNG,C.ROBERTSON,J.LAWHON,B.WELLS) REPUBLIC NASHVILLE 0 WARNER BROS./WMN ¡

BOTTOMS UP Brantley Gilbert 9 7 JASON ALDEAN Night Train 68 Hayes D.HUFF (B.GILBERT,B.JAMES,J.WEAVER) VALORY BROKEN BOW/BBMG ¡ The first complete airplay/ SG FOLLOW YOUR ARROW Kacey Musgraves 10 13 HUNTER HAYES Hunter Hayes ¡ 121 K.MUSGRAVES,L.LAIRD,S.MCANALLY (K.MUSGRAVES,B.CLARK,S.MCANALLY) MERCURY ATLANTIC/WMN streaming/sales tracking week following the Grammy Awards GIVE ME BACK MY HOMETOWN Eric Church 7 5 VARIOUS ARTISTS NOW That’s What I Call Country Ballads 2 2 41) J.JOYCE (E.CHURCH,L.LAIRD) EMI NASHVILLE SONY MUSIC/UNIVERSAL/UME (Jan. 26) yields noteworthy DOIN’ WHAT SHE LIKES Blake Shelton KEITH URBAN Fuse results for Kacey Musgraves 21 17 ID 12 7 21 S.HENDRICKS (P.O’DONNELL,W.KIRBY) WARNER BROS./WMN HIT RED/CAPITOL NASHVILLE/UMGN (above) and Hunter Hayes. I HOLD ON Dierks Bentley LADY ANTEBELLUM Golden Musgraves’ Same Trailer 1/ 1 cp 13 22 0 39 R. COPPERMAN (B.JAMES,D.BENTLEY) CAPITOL NASHVILLE CAPITOL NASHVILLE/UMGN Diferent Park leaps 5-1 on Top RE-ENTRY 0 SEE YOU TONIGHT Scotty McCreery 14 33 THOMAS RHETT It Goes Like This 14 Country Albums (27,000 sold, F.ROGERS (S.MCCREERY,A.GORLEY,Z.CROWELL) 19/INTERSCOPE/MERCURY VALORY/BMLG up 177%, according to Nielsen HELLUVA LIFE ZAC BROWN BAND SoundScan), while Hayes’ new Country Frankie Ballard Uncaged 16 I'(1) 15 20 ¡ 82 M.ALTMAN,S.HENDRICKS (R.CLAWSON,C.TOMPKINS,J.KEAR) WARNER BROS./WAR ROAR/SOUTHERN GROUND/ATLANTIC/AG track “Invisible” surges 7-1 on COP CAR JON PARDI Country Digital Songs (92,000, 41 Keith Urban 16 4 Write You A Song 3 2/ 0 Z.CROWELL,K.URBAN (Z.CROWELL,M.JENKINS,S.HUNT) HIT RED/CAPITOL NASHVILLE CAPITOL NASHVILLE/UMGN up 164%). DRINK TO THAT ALL NIGHT DARIUS RUCKER Musgraves’ set, which 18 4:11 41) Jerrod Niemann 17 15 True Believers 37 J.L.NIEMANN,J.L.SLOAS (D.GEORGE,L.MILLER,B.WARREN,B.WARREN) SEA GAYLE/ARISTA NASHVILLE CAPITOL NASHVILLE/UMGN debuted at No. 1 on Top 2014 GET ME SOME OF THAT Thomas Rhett 18 12 VINCE GILL & PAUL FRANKLIN Bakersfield 17 Country Albums in April 2013, 0 L.LAIRD (C.SWINDELL,M.CARTER,T.R.AKINS) VALORY MCA NASHVILLE/UMGN took the Grammy for best GOODNIGHT KISS SOUNDTRACK country album, while lead 25 Randy Houser 19 17 Nashville: The Music Of Nashville: Season 2 / Volume 1 8 7' 0 D.GEORGE (R.HOUSER,R.HATCH,J.SELLERS) STONEY CREEK ABC STUDIOS/LIONS GATE/BIG MACHINE/BMLG single “Merry Go ’Round”

February 15 19 YOU + ME JUSTIN MOORE (which peaked at No. 14 on 19 19 20 Dan + Shay 18 15 Of The Beaten Path 20 DAN + SHAY,S.HENDRICKS (D.SMYERS,S.MOONEY,D.ORTON) WARNER BROS./WMN VALORY/BMLG Hot Country Songs a year , . REWIND SCOTTY MCCREERY ago) earned the best country 20 21 Rascal Flatts 8 4 See You Tonight 16 J.DEMARCUS,RASCAL FLATTS (C. DESTEFANO,A.GORLEY,E.PASLAY) BIG MACHINE 19/INTERSCOPE/MERCURY/UMGN song nod. With Digital Gainer SWEET ANNIE TIM MCGRAW honors on Hot Country Songs, 6 II 22 Zac Brown Band 6 22 PS Two Lanes Of Freedom 0 52 K.STEGALL,Z.BROWN (Z.BROWN,W.DURRETTE,C.BOWLES,S.LEIGH,J.PIERCE) ATLANTIC/SOUTHERN GROUND BIG MACHINE/BMLG Hayes’ “Invisible” surges EVERYTHING I SHOULDN’T BE THINKING ABOUT WILLIE NELSON 23-4, marking his best rank on 26 Thompson Square 23 18 To All The Girls... 16 411) NV (K.THOMPSON,D.L.MURPHY,B.JAMES) STONEY CREEK LEGACY the list since “I Want Crazy” HOT SHOT A MAN WHO WAS GONNA DIE YOUNG Eric Church 24 1 THE BAND PERRY Pioneer 0 44 peaked at No. 2 last summer. DEBUT J.JOYCE (E.CHURCH,J.SPILLMAN) EMI NASHVILLE REPUBLIC NASHVILLE/BMLG Concurrently, Musgraves’ THE HEART OF DIXIE JAKE OWEN “Follow Your Arrow” (which 22 25 Danielle Bradbery 16 23 Days Of Gold 9 B.JAMES (C.SMITH,B.JAMES,T.VERGES) REPUBLIC NASHVILLE/BIG MACHINE RCA NASHVILLE/SMN she performed on the Grammy

NEW LOOKIN’ FOR THAT GIRL Tim McGraw 26 1 DANIELLE BRADBERY Danielle Bradbery 10 telecast) becomes her first top 0 B.GALLIMORE,T.MCGRAW (J.T.SLATER,C.TOMPKINS,M.IRWIN) BIG MACHINE REPUBLIC NASHVILLE/BMLG 10 on Hot Country Songs (26- ALL TOO WELL Taylor Swift 17 3 TYLER FARR Redneck Crazy 18 10), adding Streaming Gainer CI N.CHAPMAN,T.SWIFT (T.SWIFT,L.ROSE) BIG MACHINE COLUMBIA NASHVILLE/SMN stripes (961,000 U.S. streams, LETTIN’ THE NIGHT ROLL Justin Moore PARMALEE Feels Like Carolina up 229%, according to Nielsen 28 . 28 12 8 0 J.S.STOVER (J.MOORE,J.S.STOVER,R.CLAWSON) VALORY STONEY CREEK/BBMG BDS). “Arrow” shoots 10-2 on BEAT OF THE MUSIC Brett Eldredge CASSADEE POPE Frame By Frame Country Digital Songs, earning 29 29 0 29 13 17 R. COPPERMAN,B.ELDERDGE (B.ELDREDGE,R.COPPERMAN,H.MORGAN) ATLANTIC/WMN REPUBLIC NASHVILLE/BMLG Musgraves her best rank on YOUNG LOVE Kip Moore LEE BRICE Hard 2 Love the survey (56,000, up 98%). 31 30 0 30 10 0 93 B.JAMES (K.MOORE,D.COUCH,W.DAVIS) MCA NASHVILLE CURB On the BDS-driven Country THIS IS HOW WE ROLL Florida Georgia Line Featuring Luke Bryan Tornado Airplay chart, Luke Bryan 30 31 0 18 10 ¡ 73 J.MOI (B.KELLEY,T.HUBBARD,C.SWINDELL,L.BRYAN) REPUBLIC NASHVILLE CAPITOL NASHVILLE/UMGN logs his eighth No. 1 with THE MONA LISA Brad Paisley GEORGE STRAIT Love Is Everything “Drink a Beer” (2-1). He’d 36 32 0 32 7 38 B.PAISLEY (B.PAISLEY,C.DUBOIS) ARISTA NASHVILLE MCA NASHVILLE/UMGN most recently led with “Crash WHISKEY IN MY WATER CHASE RICE My Party,” which spent three 34 34 0 Tyler Farr 33 8 Ready Set Roll (EP) 15 J.CATINO,J.KING (T.FARR,P.LARUE,J.OZIER) COLUMBIA NASHVILLE DACK JANIELS weeks on top last July. (Next WAKE UP LOVIN’ YOU Craig Morgan CODY JOHNSON Cowboy Like Me single “That’s My Kind of 38 39 0 34 15 3 C.MORGAN,P.O’DONNELL (J.OSBORNE,M.RAMSEY,T. ROSEN) BLACK RIVER COJO Night” peaked at No. 2 three COLD BEER WITH YOUR NAME ON IT Josh Thompson A.M. months ago.) “Beer” spends a 37 38 0 35 13 20 M.WRIGHT,C.AUDRETCH, III (B.ANDERSON,C.DANIELS) SHOW DOG-UNIVERSAL RCA NASHVILLE/SMN fourth week atop Hot Country THE OUTSIDERS Eric Church RHONDA VINCENT Only Me Songs. 35 41 0 6 16 1 J.JOYCE (E.CHURCH,C.BEATHARD) EMI NASHVILLE UPPER MANAGMENT Also on Country Airplay, WE ARE TONIGHT ALAN JACKSON 47 37 Billy Currington 37 5 37 37 The Bluegrass Album 19 Frankie Ballard achieves his D.HUFF (M.BEESON,J.OSBORNE,S.HUNT) MERCURY ACR/EMI NASHVILLE/UMGN first top 10 in three tries with SLOW ME DOWN Sara Evans 38 14 TOBY KEITH Drinks After Work 14 “Helluva Life” (13-10). Ballard’s 46 . 43 0 39 38 M.BRIGHT (M.GREEN,H.MORGAN,J.ROBBINS) RCA NASHVILLE SHOW DOG-UNIVERSAL first single, “Tell Me You Get WILD IN YOUR SMILE SOUNDTRACK 33 35 39 Dustin Lynch 32 19 Nashville: The Music Of Nashville: Season 1: Volume 2 37 Lonely,” peaked at No. 33 in B.BEAVERS,L.WOOTEN (T.R.AKINS,B.HAYSLIP,M.GREEN) BROKEN BOW ABC STUDIOS/LIONSGATE HOME ENTERTAINMENT/BIG MACHINE/BMLG January 2011. He followed six EVERYBODY’S GOT SOMEBODY BUT ME Hunter Hayes Featuring Country: The Everly Brothers 17 .:;; 40 18 19 RE CD 6 months later with a No. 27 D.HUFF,H.HAYES (H.HAYES,D.BRAINARD,J.ZUFFINETI) ATLANTIC/WMN SONY MUSIC CMG peak for “A Buncha Girls.” CLOCKWORK ERIC CHURCH NOV 0 Easton Corbin 41 1 44 41 Caught In The Act: Live 43 —Wade Jessen C.CHAMBERLAIN (C.CHAMBERLAIN,W.KIRBY,A.GORLEY) MERCURY EMI NASHVILLE/UMGN SOBER GARY ALLAN Little Big Town 27 12 41 42 Set You Free 52 0 J.JOYCE (L.MCKENNA,H.LINDSEY,L.ROSE) CAPITOL NASHVILLE MCA NASHVILLE/UMGN READY SET ROLL Chase Rice LUKE BRYAN 4 Album Collection 45 27 17 1, . 43 9 44 0 C. DESTEFANO (C. DESTEFANO,T.R.AKINS,C.RICE) DACK JANIELS/T8/RPM CAPITOL NASHVILLE/UME

HOPE YOU GET LONELY TONIGHT RANDY HOUSER titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by country most popular current songs, ranked SONGS: The week's COUNTRY HOT 200's top 100. See Charts in the Billboard on but still residing old or older than 18 months less than 18 months Legend are if they defined as current Nielsen SoundScan. by Albums are sales data as compiled by most popular country The week's ALBUMS: albums, ranked COUNTRY sales activity the firstTOP for time. and/or airplay widespread and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for billboard.com/biz 27 42 44 Cole Swindell 27 3 47 How Country Feels 49 M.CARTER (C.SWINDELL,M.CARTER,T.HUBBARD,B.KELLEY) WARNER BROS./WMN (ID STONEY CREEK/BBMG BEACHIN’ ZAC BROWN BAND RE-ENTRY 0 Jake Owen 44 2 43 45 The Grohl Sessions: Vol. I (EP) 8 J.MOI (J.JOHNSTON,J.M.NITE,J.ROBBINS) RCA NASHVILLE SOUTHERN GROUND I GOT A CAR VARIOUS ARTISTS 50 46 George Strait 46 7 4/, 46 NOW That’s What I Call Country Volume 6 34 cr) T.BROWN,G.STRAIT (K.GATTIS,T.DOUGLAS) MCA NASHVILLE UNIVERSAL/SONY MUSIC/UME C.) THE SOUTH BILLY CURRINGTON 43 45 47 The Cadillac Three Feat. Florida Georiga Line, Dierks Bentley & Mike Eli 43 4 34 47 We Are Tonight 18 Ca D.HUFF,J.NIEBANK (J.JOHNSTON) NOBODY BUYS/BIG MACHINE MERCURY/UMGN SALES DATA COMPILED BY COMPILED SALES DATA DON’T PUT DIRT ON MY GRAVE JUST YET HOME FREE NEW CD Hayden Panettiere 48 1 30 48 Crazy Life 3 NOT LISTED (NOT LISTED) ABC STUDIOS/LIONS GATE/BIG MACHINE MADISON GATE/COLUMBIA

IT AIN’T THE WHISKEY Gary Allan 45 8 BRETT ELDREDGE Bring You Back 23 J.JOYCE (G.W.BARNHILL,J.DADDARIO,C.DEGGES) MCA NASHVILLE 5:3 0 ATLANTIC/WMN WHO I AM WITH YOU ALAN JACKSON REENTRY 0 Chris Young 49 2 ,19 50 Precious Memories: Volume II 43 J.STROUD (M.GREEN,J.SELLERS,P.JENKINS) RCA NASHVILLE ACR/EMI NASHVILLE/UMGN AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net 82 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 HOT ROCK SONGSTMWorldMags.netTOP ROCK ALBUMSTM 2WKS. LAST 1116 TITLE Artist PEAT WKS, ON ARTIST Title 1116ON AGO WEEK WEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL P05 COOT NANUNTANSTNIBUTING LABEL CHART #1 #1 4 WKS SG LET HER GO Passenger 2 1 46 10 WKS GG LORDE Pure Heroine 0 18 0 C.VALLEJO,M.ROSENBERG (M.D.ROSENBERG) BLACK CROW/NETTWERK/WARNER BROS. 0 LAVA/REPUBLIC

2 ROYALS Lorde 1 35 OF MICE & MEN Restoring Force 1 4 RISE 0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC 0DEBUTNOT AG TEAM Lorde 2 21 IMAGINE DRAGONS Night Visions 2 74 0U J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC 0 KIDINAKORNER/INTERSCOPE/IGA POMPEII Bastille 4 38 4 BASTILLE Bad Blood 22 0 M.CREW,D.SMITH (D.SMITH) VIRGIN/CAPITOL VIRGIN/CAPITOL

9 DG RADIOACTIVE Imagine Dragons 6 1 71 5 BRUCE SPRINGSTEEN High Hopes 3 U2 Unveils 0U ALEX DA KID (IMAGINE DRAGONS,A.GRANT,J.MOSSER) KIDINAKORNER/INTERSCOPE COLUMBIA DEMONS Imagine Dragons GRATEFUL DEAD Dave’s Picks Volume 9 New Hit 5 5 6 2 70 NEW 1 ALEX DA KID (IMAGINE DRAGONS,A.GRANT,J.MOSSER) KIDINAKORNER/INTERSCOPE 0 GRATEFUL DEAD/RHINO SWEATER WEATHER The Neighbourhood 4 54 PASSENGER All The Little Lights 27 While U2 remains in the 6 6 7 Á BLACK CROW/NETTWERK J.PILBROW,E.HAYNIE (J.J.RUTHERFORD,Z.ABELS,J.FREEDMAN) [R]EVOLVE/COLUMBIA 0 Triple A top 10 (at its No. 7

BEST DAY OF MY LIFE American Authors 7 20 NEW DAVID CROSBY Croz 1 peak) with its Academy

Rock BLUE CASTLE 0 S.GOODMAN,A.ACCETTA (Z.BARNETT,J.SHELLEY,D.RUBLIN,M.SANCHEZ,M.GOODMAN,S.ACCETTA) ISLAND/IDJMG 0 Award-nominated and Golden

b 9 SAFE AND SOUND Capital Cities 2 54 MUMFORD & SONS Babel 71 Globe-winning “Ordinary PS GENTLEMAN OF THE ROAD/GLASSNOTE 2 R.MERCHANT,S.SIMONIAN (R.MERCHANT,S.SIMONIAN) LAZY HOOKS/CAPITOL 0 Love,” from the “Mandela: SAIL ARCTIC MONKEYS 49. Iii AWOLNATION 4 91 AM 21 Long Walk to Freedom “ 10 3 10 DOMINO A.BRUNO (A.BRUNO) RED BULL biopic, the band enters 2014 DO I WANNA KNOW? Arctic Monkeys 11 24 11 LANA DEL REY Born To Die 105 Rock Airplay at No. 35 (see J.FORD (A.TURNER) DOMINO/ADA POLYDOR/INTERSCOPE/IGA Á 0 3 Billboard.biz) with new

ii 12 LOVE DON’T DIE The Fray 11 15 NEW SMITH & MYERS (Acoustic Sessions) EP 1 track “Invisible.” The song, S.PRICE,R.B.TEDDER (THE FRAY,R.B.TEDDER) EPIC ATLANTIC/AG in partnership with (RED)

February 15 ON TOP OF THE WORLD Imagine Dragons YOUNG THE GIANT Mind Over Matter I 13 46 2 and Bank of America, raised 0 ALEX DA KID,IMAGINE DRAGONS (D.REYNOLDS,W.SERMON,B.MCKEE,A.GRANT) KIDINAKORNER/INTERSCOPE FUELED BY RAMEN

O 13 more than $3 million for the CHOCOLATE The 1975 SWITCHFOOT Fading West 3 ' 13 20 14 3 Global Fund to Fight AIDS, 0 M.CROSSEY,THE 1975 (G.DANIEL,M.HEALY,A.HANN,R.MACDONALD) DIRTY HIT/VAGRANT/INTERSCOPE LOWERCASE PEOPLE/ATLANTIC/AG tuberculosis and malaria in COME A LITTLE CLOSER PERIPHERY 16 16 15 Cage The Elephant 15 25 NEW Clear 1 36 hours (Feb. 2-3) through J.JOYCE (CAGE THE ELEPHANT) DSP/RCA SUMERIAN 0 free downloads on iTunes. THE WALKER Fitz And The Tantrums GARY CLARK JR. Blak And Blu 40 16 4 RE 20 (All proceeds from additional 00 T.HOFFER (M.FITZPATRICK,J.KARNES,J.KING,J.RUZUMNA,N.SCAGGS,J.WICKS) DANGERBIRD/ELEKTRA/ATLANTIC WARNER BROS. copies of “Invisible” that sold

18 18 17 COME TO ME Goo Goo Dolls 17 17 17 SOUNDTRACK Inside Llewyn Davis: Original Soundtrack Recording 12 for $1.29 beginning Feb. 4 G.WATTENBERG (J.RZEZNIK,G.WATTENBERG) WARNER BROS. STUDIOCANAL/MIKE ZOSS PRODUCTIONS/NONESUCH/WARNER BROS. will also contribute to the

13 14 18 ALONE TOGETHER Fall Out Boy 11 24 NEW RED DRAGON CARTEL Red Dragon Cartel 1 Global Fund.) B.WALKER (FALL OUT BOY) DECAYDANCE/ISLAND/IDJMG FRONTIERS “Invisible,” which, according

19 AFRAID The Neighbourhood 19 21 NEW THE LAWRENCE ARMS Metropole 1 to U2 frontman Bono, will 20 0 J.PILBROW,E.HAYNIE (J.J.RUTHERFORD,Z.ABELS,J.FREEDMAN,M. MARGOTT,B. SAMMIS,E.HAYNIE) [R]EVOLVE/COLUMBIA EPITAPH not be the first single from

GLORY AND GORE Lorde 20 18 NEW DUM DUM GIRLS Too True 1 the band’s 13th studio album 2700 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC SUB POP due this year, debuts after its

14 19 21 COMING OF AGE Foster The People 14 3 21 FALL OUT BOY Save Rock And Roll 42 first day of airplay with 2.2 P.EPWORTH (M.D.FOSTER,I.D.INNIS,J.FINK,S.CIMINO,P.EPWORTH) STARTIME INT’L/COLUMBIA DECAYDANCE/ISLAND/IDJMG million audience impressions

19 26 SLEEPING WITH A FRIEND Neon Trees 19 4 THE GASLIGHT ANTHEM The B-Sides 1 from plays at 50 Rock Airplay 0 T.PAGNOTTA (T.GLENN,T.PAGNOTTA) MERCURY/IDJMG HEW SIDEONEDUMMY reporters.

25 22 UNBELIEVERS Vampire Weekend 22 11 LANA DEL REY Paradise (EP) 40 Meanwhile, Lorde crowns 0 R.BATMANGLIJ,A.RECHTSCHAID (R.BATMANGLIJ,E.KOENIG) XL/BEGGARS GROUP POLYDOR/INTERSCOPE/IGA O 0 Rock Airplay with “Team” (2-1).

37 ; r, HOLDING ON FOR LIFE Broken Bells 24 8 24 BILLIE JOE + NORAH Foreverly 10 She became the first woman 0 (J.MERCER,B.BURTON) COLUMBIA REPRISE/WARNER BROS. to top the nearly 5-year-old

33 -1 400 LUX Lorde 20 18 25 THE NEIGHBOURHOOD I Love You. 40 tally when breakthrough 0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC [R]EVOLVE/COLUMBIA single “Royals” reigned for

25 2.4 26 SKINNY LOVE Birdy 24 3 26 VAMPIRE WEEKEND Modern Vampires Of The City 32 eight weeks last year. NOT LISTED (NOT LISTED) 14TH FLOOR/ATLANTIC XL On Hot Rock Songs,

22 23 27 SIRENS Pearl Jam 11 20 27 DAUGHTRY Baptized 11 —featured in last B.O’BRIEN (M.MCCREADY,E.VEDDER) MONKEYWRENCH/REPUBLIC 19/RCA Kongos week’s Bubbling Under RE-ENTRY YOU’RE NOT ALONE Of Mice & Men 28 2 AVENGED SEVENFOLD Hail To The King 23 0 28 WARNER BROS. column—debut at No. 46 with D.BENDETH (A.CARLILE,A.PAULEY,A.ASHBY,P.MANANSALA,D.ARTEAGA) RISE “Come With Me Now.” The song

35 32 BUZZCUT SEASON Lorde 29 18 29 THE 1975 The 1975 11 surges 26-22 in its second 0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC DIRTY HIT/VAGRANT/INTERSCOPE/IGA week on Rock Airplay (3.1 RIBS Lorde AGAINST ME! Transgender Dysphoria Blues 43 3 26 18 2 million, up 16%). 0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC O 30 TOTAL TREBLE Fellow newcomers Suuns

31 SHEPHERD OF FIRE Avenged Sevenfold 29 10 31 THE LUMINEERS The Lumineers 90 M.ELIZONDO (AVENGED SEVENFOLD) WARNER BROS. DUALTONE Á bow on Hot Rock Songs at No. 50 with “2020.” Almost

24 32 IT’S ABOUT TIME Young The Giant 17 9 32 FIVE FINGER DEATH PUNCH The Wrong Side Of Heaven And The Righteous Side Of Hell: Volume 2 11 J.MELDA-JOHNSEN (S.GADHIA,J.TILLEY,E.CANNATA,F.COMTOIS,P.DOOSTZADEH) FUELED BY RAMEN/RRP PROSPECT PARK all the song’s chart points are from streaming, as

44 36 WHITE TEETH TEENS Lorde 33 17 33 SKILLET Rise 26 the Montreal band’s track 0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC ATLANTIC/AG drew 446,000 U.S. streams,

28 34 DIRTY PAWS Of Monsters And Men 24 20 34 A DAY TO REMEMBER Common Courtesy 9 29 OF MONSTERS AND MEN,A.ARNARSSON (N.B.HILMARSDOTTIR,R.THORHALLSSON) REPUBLIC ADTR according to Nielsen BDS, following its inclusion in RE-ENTRY AIN’T IT FUN Paramore 35 2 YOU ME AT SIX Cavalier Youth 1 0 NEW 0 PROSPECT PARK a Nike Flyknit Super Bowl J.MELDA-JOHNSEN,T.YORK (H.WILLIAMS,T.YORK) FUELED BY RAMEN/RRP commercial featuring a host

34 33 THE MOTHER WE SHARE CHVRCHES 30 16 36 ARCADE FIRE Reflektor 14 0 CHVRCHES (CHVRCHES) GOODBYE/GLASSNOTE MERGE/CAPITOL of athletes (including the Seattle Seahawks’ Richard BAD BLOOD Bastille PANIC! AT THE DISCO Too Weird To Live, Too Rare To Die! 4', 3 37 4 37 17 0 M.CREW,D.SMITH (D.SMITH) VIRGIN/CAPITOL DECAYDANCE/FUELED BY RAMEN Sherman). —Gary Trust

39 PUMPIN BLOOD NONONO 38 4 38 OF MONSTERS AND MEN My Head Is An Animal 96 ASTMA,ROCWELL (T.JIMSON,S.WAPPLING,M.FLYGARE) WARNER BROS. REPUBLIC Á A WORLD ALONE Lorde QUEENS OF THE STONE AGE ...Like Clockwork - 48 38 15 RE 0 17 0 J.LITTLE (E.Y.O’CONNOR,J.LITTLE) LAVA/REPUBLIC MATADOR HOUSE OF GOLD Twenty One Pilots 38 8 40 HAIM Days Are Gone 18 G.WELLS (T.JOSEPH) FUELED BY RAMEN/RRP COLUMBIA

41 41 FALL IN LOVE Phantogram 41 4 41 NICKELBACK The Best Of Nickelback: Volume 1 11 J.HILL,J.CARTER (J.CARTER,S.BARTHEL) BARSUK/REPUBLIC ROADRUNNER

50 WHY’D YOU ONLY CALL ME WHEN YOU’RE HIGH? Arctic Monkeys 42 3 RE 0 PARAMORE Paramore 40 0 J.FORD,R. ORTON (A.TURNER) DOMINO FUELED BY RAMEN

38 43 43 THE WIRE HAIM 25 15 43 KINGS OF LEON Mechanical Bull 19 A.RECHTSCHAID,D.HAIM,A.HAIM,E.HAIM (D.HAIM,A.HAIM,E.HAIM) COLUMBIA RCA

The week's most popular current rock songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data by online music sources tracked by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by songs, ranked rock most popular current SONGS: The week's ROCK HOT 200's top 100. See Charts in the Billboard on but still residing old or older than 18 months less than 18 months Legend are if they defined as current Nielsen SoundScan. by Albums are sales data as compiled by albums, ranked most popular rock The week's ALBUMS: ROCK sales activity the firstTOP for time. and/or airplay widespread and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for billboard.com/biz 44 44 BATTLE BORN Five Finger Death Punch 27 13 44 HARD WORKING AMERICANS Hard Working Americans 2 36 K.CHURKO (Z.BATHORY,T.J.GRINSTEAD,J.S.HEYDE,I.GREENING,K.CHURKO) PROSPECT PARK MELVIN/THIRTY TIGERS

42 46 45 LOLA MONTEZ Volbeat 35 15 45 WARPAINT Warpaint 2 R.CAGGIANO,VOLBEAT,J.HANSEN (M.S.POULSEN,VOLBEAT) VERTIGO/REPUBLIC ROUGH TRADE

COME WITH ME NOW KONGOS 46 1 46 IN THIS MOMENT Blood 27 KONGOS (J.J.KONGOS) TOKOLOSHE/EPIC CENTURY MEDIA

THINGS WE LOST IN THE FIRE Bastille 47 2 RE JACK JOHNSON From Here To Now To You 19 M.CREW,D.SMITH (D.SMITH) VIRGIN/CAPITOL BRUSHFIRE/REPUBLIC SALES DATA COMPILED BY COMPILED SALES DATA 0 R U MINE? Arctic Monkeys 48 3 48 THIRD DAY Miracle 39 1 ESSENTIAL/PLG R. ORTON (A.TURNER,ARCTIC MONKEYS) DOMINO

LOVE ALONE IS WORTH THE FIGHT Switchfoot 21 4 RE VOLBEAT Outlaw Gentlemen & Shady Ladies 24 N.AVRON,J.FOREMAN,T.FOREMAN (J.FOREMAN,T.FOREMAN) LOWERCASE PEOPLE/ATLANTIC/WORD-CURB VERTIGO/REPUBLIC

2020 Suuns 50 1 RE PAUL MCCARTNEY New 14 NOT LISTED (NOT LISTED) SECRET CITY/SECRETLY CANADIAN MPL/HEAR/CONCORD AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 83 HOT R&B/HIP-HOPWorldMags.net SONGSTM TOP R&B/HIP-HOP ALBLIMSTm WKS, LAST THIS TITLE Artist c,R, PEAK WKS.ON LAST THIS ARTIST Title Li WA:T11 AGO WEEK WEEK PRODUCER (SONGWRITER/ IMPRINT/PRGMIOTIOTI LABEL POS. CHART WEEK WEEK IMPRINT/DISTRIBUTING LABEL #1 #1 BEYONCE Beyonce 1 WK DG SG DRUNK IN LOVE Beyonce Featuring Jay Z 1 7 8 WKS ¡ 8 O DETAIL,B.KNOWLES (B.KNOWLES,N.C.FISHER,S.C.CARTER,A.E.PROCTOR,R.DIAZ,B.SOKO,T.V.MOSLEY,J.HARMON) PARKWOOD/COLUMBIA PARKWOOD/COLUMBIA TALK DIRTY Jason Derulo Featuring 2 Chainz 2 9 GG MACKLEMORE & RYAN LEWIS The Heist ¡ 69 O R.REED (J.DESROULEAUX,T.EPPS,E.FREDERIC,J.EVIGAN,S.DOUGLAS,O.KAPLAN,T.MUSKAT,T.YOSEF) BELUGA HEIGHTS/WARNER BROS. MACKLEMORE BEYONCÉ: KEVIN MAZUR/WIREIMAGE KEVIN BEYONCÉ: 3 5 EMINEM The Marshall Mathers LP 2 14 7 AG HAPPY Pharrell Williams O P.L.WILLIAMS (P.L.WILLIAMS) BACK LOT MUSIC/COLUMBIA WEB/SHADY/AFTERMATH/INTERSCOPE/IGA U 4 THE MONSTER Eminem Featuring Rihanna 1 14 DRAKE Nothing Was The Same 20 FREQUENCY,AALIAS (M.MATHERS III,B.FRYZEL,A.KLEINSTUB,M.ATHANASIOU,R.FENTY,J.BELLION,B.REXHA) WEB/SHADY/AFTERMATH/INTERSCOPE YOUNG MONEY/CASH MONEY/REPUBLIC 5 22 KENDRICK LAMAR good kid, m.A.A.d city 67 I4 ALL OF ME John Legend 0 ¡ 0 D.TOZER,JOHN LEGEND (JOHN LEGEND,T.GAD) G.O.O.D./COLUMBIA TOP DAWG/AFTERMATH/INTERSCOPE/IGA SHOW ME Kid Ink Featuring Chris Brown 4 16 JUSTIN TIMBERLAKE The 20/20 Experience (2 Of 2) ¡ 18 CO DJ MUSTARD (B.T.COLLINS,D.MCFARLANE,C.JONES,J.FELTON,C.M.BROWN,A.GEORGE,C.MCFARLANE) THA ALUMNI GROUP/88 CLASSIC/RCA RCA MY HITTA YG Featuring Jeezy & Rich Homie Quan ¡ 5 19 JOHN LEGEND Love In The Future 22 90 DJ MUSTARD,M.LEE (K.D.R.JACKSON,D.MCFARLANE,J.W.JENKINS,D.LAMAR,C.C.BROADUS JR.,A.JOHNSON,C.LAWSON,C.MILLER) CTE/DEF JAM/IDJMG G.O.O.D./COLUMBIA HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 1 26 R. KELLY Black Panties 8 Seven Is 4 6 8 MAJID JORDAN,NINETEEN85,N.SHEBIB (A.GRAHAM,M.MASKATI,J.K.COOKE UILLMAN,P. JEFFERIES,N.SHEBIB) YOUNG MONEY/CASH MONEY/REPUBLIC 2 RCA

9 WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis 3 22 ISAIAH RASHAD Cilvia: Demo 1 5 8 TOP DAWG Lucky For R.LEWIS (B.HAGGERTY,R.LEWIS,M.HANLEY,H.WEAR) MACKLEMORE/ADA/WARNER BROS. JHENE AIKO Sail Out (EP) 10 BLURRED LINES Robin Thicke Featuring T.I. + Pharrell 6 1 45 12 50 0 P.L.WILLIAMS (P.L.WILLIAMS,R.THICKE) STAR TRAK/INTERSCOPE 0 10 ARTCLUB/ARTIUM/DEF JAM/IDJMG Bey, Jay Z 23 Mike WiLL Made-It Feat. Miley Cyrus, Wiz Khalifa & Juicy J 2 21 JUSTIN TIMBERLAKE The 20/20 Experience 47 9 11 11 2 “Drunk in Love” by Beyoncé MIKE WILL MADE-IT,P-NASTY (M.L.WILLIAMS,P.R.SLAUGHTER,T.THOMAS,T.THOMAS,C. THOMAZ,J.HOUSTON) EARDRUMMERS/INTERSCOPE 1 RCA (above) jumps 4-1 on Hot R&B/ 9 21 KID INK My Own Lane 4 15 14 12 IT WON’T STOP Sevyn Streeter Featuring Chris Brown 12 Hip-Hop Songs, marking her PICARD BROTHERS,DIPLO,FREE SCHOOL (A.STREETER,M.PICARD,C.PICARD,M.HENRY,R.BUENIDA,J.BAPTISTE,M.POWELL) CBE/ATLANTIC THA ALUMNI GROUP/88 CLASSIC/RCA seventh chart-topper as a XO 12 7 ROBIN THICKE Blurred Lines 28 12 13 13 Beyonce soloist. She also led the list R.B.TEDDER,T.NASH,B.KNOWLES (R.B.TEDDER,T.NASH,B.KNOWLES) PARKWOOD/COLUMBIA 15 (1) STAR TRAK/INTERSCOPE/IGA four times as a member of PARANOID Ty Dolla $ign Featuring B.o.B 14 11 CHILDISH GAMBINO Because The Internet 8 17 16 ii /4 Destiny’s Child. Bey’s last DJ MUSTARD (T.GRIFFIN JR,D.MCFARLANE,B.R.SIMMONS, JR.) ATLANTIC GLASSNOTE Q leader on the chart was 2011’s ALL ME Drake Featuring 2 Chainz & Big Sean 6 19 K. MICHELLE Rebellious Soul 25 11 12 15 0 “Love on Top,” which ruled KEY WANE (A.GRAHAM,A.PALMAN,S.M.ANDERSON,T.EPPS,D.M.WEIR II,L.WILLEMETZ,J.CHARLES,M.YVAIN) YOUNG MONEY/CASH MONEY/REPUBLIC 34 411) ATLANTIC/AG for seven weeks in 2012. The 2 16 RIHANNA Unapologetic 63 16 19 16 RAP GOD Eminem jump by “Drunk” also marks DVLP,FILTHY (M.MATHERS III,B.ZAYAS, JR.,M.DELGIORNO,S.HACKER,D.L.DAVIS,L.WALTERS,D.M.BIRKS,J.M.BURNS,J.LEE,F.SHAHEED,K.NAZEL) WEB/SHADY/AFTERMATH/INTERSCOPE SRP/DEF JAM/IDJMG ¡ 00 featured artist Jay Z’s 10th UP DOWN (DO THIS ALL DAY) T-Pain Featuring B.o.B 17 13 SHARON JONES AND THE DAP-KINGS Give The People What They Want 3 I 12 No. 1 on the chart and first DJ MUSTARD,M.ADAM (T-PAIN,D.MCFARLANE,M.ADAM,J.M.COHEN,B.R.SIMMONS, JR.) KONVICT/NAPPY BOY/RCA 17 DAPTONE 0 since “Ni**as in Paris” with 13 3 TAMAR BRAXTON Love And War 22 RE-ENTRY CONFIDENT Justin Bieber Featuring Chance The Rapper 17 IS Kanye West led for seven S O U N D Z (J.BIEBER,K.COBY,M.N.SIMMONDS,C.BENNETT) SCHOOLBOY/RAYMOND BRAUN/ISLAND/IDJMG STREAMLINE/EPIC Q weeks in 2011. 19 6 JAY Z Magna Carta... Holy Grail 30 221 19 PARTITION Beyonce 19 19 Following Beyoncé and Jay 0 TIMBALAND,JROC,J.TIMBERLAKE,B.KNOWLES,KEY WANE (B.KNOWLES,T.NASH,J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,D.M.WEIR II,M.DEAN) PARKWOOD/COLUMBIA ROC-A-FELLA/ROC NATION 2

Z’s performance of “Drunk” at 13 19 KANYE WEST Yeezus 33 19 18 20 THE LANGUAGE Drake the Grammy Awards on Jan. BOI-1DA (A.GRAHAM,A.PALMAN,M.SAMUELS,A.RITTER,A.HERNANDEZ,B.WILLIAMS,N.C.FISHER) YOUNG MONEY/CASH MONEY/REPUBLIC G.O.O.D./ROC-A-FELLA/DEF JAM/IDJMG ¡ 00 26, the track gains across all LOYAL Chris Brown Feat. Lil Wayne & French Montana Or & Too $hort 21 3 YO GOTTI I Am 11 21 23 20 21 three of the chart’s metrics. 0 NIC NAC (N.BALDING,M.KRAGEN,C.M.BROWN,T.GRIFFIN JR,R.BRACKINS,D.CARTER,K.KHARBOUCH,S.COX,O.AKINLOLU,M.BETHA,S.COMBS,C.WALLACE,T.A.SHAW,A.PUTHLI) RCA COCAINE MUZIK/EPIC It takes home the week’s 20 8 B.O.B Underground Luxury 7 23 20 22 RIDE SoMo 22 Digital Gainer (a 94% spike to C.TARPLEY,M.SCHULTZ (J.SOMERS-MORALES,D.C.TARPLEY JR.) REPUBLIC REBELROCK/GRAND HUSTLE/ATLANTIC/AG 151,000 downloads, according HOT SHOT 41) CAN’T RAISE A MAN K. Michelle 23 1 NEW 0 ALGEBRA BLESSETT Recovery 1 to Nielsen SoundScan) DEBUT T.TAYLOR,E.LEWIS (K.PATE,T.TAYLOR,E.LEWIS,M.TIMOTHEE,N.MCDOWELL) ATLANTIC PURPOSE/EONE and Streaming Gainer (9.4 NA NA Trey Songz 24 2 SEVYN STREETER Call Me Crazy, But... (EP) 9 26 el million U.S. streams, up 0 DJ MUSTARD (T.NEVERSON,D.MCFARLANE,S.HLOOKOFF) SONGBOOK/ATLANTIC CBE/ATLANTIC/AG 74%, according to Nielsen SHE KNOWS J. Cole Feat. Amber Cofman & The Cults 24 9 JUICY J Stay Trippy 23 25 24 25 23 25 J.L.COLE (J.COLE,R.MATTOS,M.FOLLIN MCKENNA,R.GILMORE,P.WHITFIELD) ROC NATION/COLUMBIA KEMOSABE/COLUMBIA BDS) awards. At radio, the

R&B/Hip-Hop song increased 15% to 67.8 26 10 J. COLE Born Sinner 33 27 2 THEY DON’T KNOW Rico Love RICO LOVE,E.HOOD,E (RICO LOVE,E.GOUDY II,T.MCCREA) DIVISION1/INTERSCOPE ROC NATION/COLUMBIA 0 million listener impressions _ 25 0 Q and holds at No. 1 for a third 26 18 TY DOLLA $IGN (EP) 2 26 26 27 WORST BEHAVIOR Drake DJ DAHI (A.GRAHAM,A.PALMAN,D.NATCHE) YOUNG MONEY/CASH MONEY/REPUBLIC 0 27 ATLANTIC/AG week on R&B/Hip-Hop Airplay (page 79). 2014 28 3 TGT Three Kings 24 38 28 THE WORST Jhene Aiko 22 28 CD FISTICUFFS (J.A.E. CHILOMBO) ARTCLUB/ARTIUM/DEF JAM/IDJMG ATLANTIC/AG Elsewhere on Hot R&B/ Hip-Hop Songs, K. Michelle 22 2 AUGUST ALSINA Downtown: Life Under The Gun (EP) 22 . 22 29 MAN OF THE YEAR ScHoolboy Q NOT LISTED (NOT LISTED) TOP DAWG/INTERSCOPE NNTME MUCO./RADIO KILLA/DEF JAM/IDJMG makes a grand entrance as 3. 0 the Hot Shot Debut at No. 23 30 2 JANELLE MONAE The Electric Lady 21 February 15 42 OG BOBBY JOHNSON Que with “Can’t Raise a Man.” The 0 BOBBY JOHNSON BEATS (Q.SQUARE,A.BRUSCH) ATLANTIC 2) 0 WONDALAND/BAD BOY/ATLANTIC/AG second single of debut album 9 20 TLC 20 16 29 30 31 TKO Justin Timberlake Rebellious Soul (released TIMBALAND,J.TIMBERLAKE,JROC (J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,J.E.FAUNTLEROY II,B.WHITE) RCA 3 LAFACE/EPIC last August) sold 21,000 ***FLAWLESS Beyonce Feat. Chimamanda Ngozi Adichie 32 4 2 CHAINZ B.O.A.T.S. II #METIME 21 31 44 0 HIT-BOY,B.KNOWLES,REY REEL (B.KNOWLES,T.NASH,C.HOLLIS,R.REEL) PARKWOOD/COLUMBIA 32 DEF JAM/IDJMG downloads (up 831%) to debut at No. 10 on R&B Digital Songs SURVIVAL Eminem 6 17 A$AP ROCKY Long.Live.A$AP 55 28 29 33 28 33 DJ KHALIL (M.MATHERS III,K.RAHMAN,E.ALCOCK,L.RODRIGUES,P.INJETI,M.STRANGE) WEB/SHADY/AFTERMATH/INTERSCOPE A$AP WORLDWIDE/POLO GROUNDS/RCA and garnered 798,000 U.S. streams (up 387%) to enter 32 13 VARIOUS ARTISTS Hits Of The 90’s 34 ALL THE WAY HOME Tamar Braxton 29 R&B Streaming Songs at No. THE UNDERDOGS (H.J.MASON, JR.,D. THOMAS,M. DALEY,A.STREETER,J. JAMES,T. COLES) STREAMLINE/EPIC -19 PLATINUM COLLECTION/TURN UP THE MUSIC/DREW’S ENTERTAINMENT 0 19. The singer/reality TV star

SHHH... Future 34 10 e35 Trilogy 64 MIKE WILL MADE-IT,P-NASTY (N.WILBURN CASH,M.L.WILLIAMS,P.R.SLAUGHTER) A-1/FREEBANDZ/EPIC XO/REPUBLIC ¡ made news recently when she announced she wouldn’t be 36 3 X ALCHEMIST: Lord Steppington 2 .1 7 PRIMETIME Janelle Monae Featuring Miguel NATE “ROCKET” WONDER,R.G.A.IRVIN,JANELLE MONAE (J.M.ROBINSON,N.IRVIN III,C.JOSEPH II,M.J.PIMENTEL,R.G.A.IRVIN) WONDALAND/BAD BOY/ATLANTIC RHYMESAYERS returning for the third season . 0 36 - 0 of VH1’s “Love & : 29 3 A$AP FERG Trap Lord RE-ENTRY 0 PART II (ON THE RUN) Jay Z Featuring Beyonce 22 TIMBALAND,JROC (S.C.CARTER,J.E.FAUNTLEROY II,T.V.MOSLEY,J.HARMON) ROC-A-FELLA/ROC NATION 38 0 A$AP WORLDWIDE/POLO GROUNDS/RCA .” Instead, she will work with actor/director Idris THE DEVIL IS A LIE Rick Ross Featuring JAY Z 38 3 PUSHA T My Name Is My Name 17 32 38 48 00 O.WALKER,L.S.ROGERS,W.MCNEAL (W.L.ROBERTS II,O.WALKER,L.S.ROGERS,W.MCNEAL,S.C.CARTER) MAYBACH/SLIP-N-SLIDE/DEF JAM/IDJMG G.O.O.D./DEF JAM/IDJMG Elba to bring Rebellious Soul to life as a musical. MINE Beyonce Featuring Drake 25 7 THE WEEKND Kiss Land 21 39 36 09 42 0 N.SHEBIB (N.SHEBIB,A.GRAHAM,B.KNOWLES,J.K.COOKE UILLMAN,S.BROWN,D.M.WEIR II) PARKWOOD/COLUMBIA XO/REPUBLIC —Rauly Ramirez 24 19 JENNIFER HOLLIDAY The Song Is For You 2 37 41 40 POUND CAKE/PARIS MORTON MUSIC 2 Drake Feat. Jay Z BOI-1DA,J.EVANS (A.GRAHAM,S.C.CARTER,A.PALMAN,M.SAMUELS,N.C.FISHER,M.BURNETTE,J.EVANS,A.E.PROCTOR,D.COLES,R.DIGGS,G.GRICE,L.HAWKINS,HAYES,J.HUNTER,R.JONES,PORTER,C.SMI) YOUNG MONEY/CASH MONEY/REPUBLIC 0 40 EUPHONIC/SHANACHIE 31 9 MIGUEL Kaleidoscope Dream 67 41 45 V. 3005 Childish Gambino 0 D.GLOVER,L.GORONSSON,S.PONCE (D.GLOVER,L.GORANSSON,S.PONCE) GLASSNOTE 43 0 BYSTORM/BLACK ICE/RCA 3 13 J. HOLIDAY Guilty Conscience 1 32 34 42 BOUND 2 Kanye West NEW 0 K.WEST,C.POPE (K.O.WEST,JOHN LEGEND,C.WILSON,N.WHITESIDE,M.Y.JONES,S.SANDIFER,M.DEAN,E.RUTBERG,B.MASSEY,R.DUKES,C.POPE,C.YOUNG,R.SELF) G.O.O.D./ROC-A-FELLA/DEF JAM/IDJMG MUSIC LINE/HMG FROM TIME Drake Featuring Jhene Aiko 26 10 LIL WAYNE I Am Not A Human Being II 44 43 40 43 0 430 N.SHEBIB (A.GRAHAM,J.A.E. CHILOMBO,N.SHEBIB,J.BECK) YOUNG MONEY/CASH MONEY/REPUBLIC YOUNG MONEY/CASH MONEY/REPUBLIC titles, or newly-released are if they defined as current Songs are Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by songs, ranked R&B/hip-hop most popular current SONGS: The week's R&B/HIP-HOP HOT 200's top 100. See Charts in the Billboard on but still residing old or older than 18 months less than 18 months Legend are if they defined as current Nielsen SoundScan. by Albums are sales data as compiled by albums, ranked R&B/hip-hop sales activity most popular current the firsts The week's for time. and/or airplay widespread songs receiving and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for billboard.com/biz 39 43 44 I KNOW Yo Gotti Featuring Rich Homie Quan 39 6 CHARLIE WILSON Love, Charlie 40 RICH HOMIE QUAN (M.MIMS,D.LAMAR,J.KING,D.FOSTER,T.MCELROY) COCAINE MUZIK/EPIC RE 0 P MUSIC/RCA 45 1 HOPSIN Knock Madness NEW 0 MONEY BABY KCamp Featuring Kwony Cash 11 NOT LISTED (NOT LISTED) DAT REAL/FTE/4.27 0 45 FUNK VOLUME 5 17 WIZ KHALIFA O.N.I.F.C. 56 46 LOLLY Maejor Ali Featuring Juicy J & Justin Bieber 46 46 SO 0 Y.BURGANDY,DONUT,CHEF TONE,MAEJOR ALI (B.GREEN,T.SCALES,R.M.FEREBEE, JR.,J.HOUSTON,R.R.WILLIAMS,B.BELL,J.BIEBER) BELIEVE PARTNERS/ISLAND/IDJMG ROSTRUM/ATLANTIC/AG

47 HURT YOU Toni Braxton & Babyface 45 4 VARIOUS ARTISTS Ellen’s I’m Gonna Make You Dance Jams 12 45 0 BABYFACE (BABYFACE,D.SIMMONS,T.BRAXTON,A.DIXON) MOTOWN/IDJMG 50 0 WATERTOWER SALES DATA COMPILED BY COMPILED SALES DATA 48 1 JAHEIM Appreciation Day NEW 0 FOR THE REST OF MY LIFE Robin Thicke , 48 22 THICKE,PROJAY (PROJAY,R.THICKE) STAR TRAK/INTERSCOPE ATLANTIC/AG 49 1 ALICIA KEYS Girl On Fire NEW 0 COOKIE R. Kelly 0 54 WIN,T.NEWSOME,DESTIN,R.KELLY (R.S.KELLY,J.ANGEL,W.CRABTREE II,R.JOHNSON,A.REVELLE,D.R.MUNGALL) RCA RE 0 RCA 28 13 Watching Movies With The Sound Of 28 31 40 50 OLD SCHOOL LOVE Lupe Fiasco Featuring Ed Sheeran 50 DJ FRANK E (W.JACO,E.SHEERAN,A.CEDAR,G.EARLEY,J.FRANKS) 1ST & 15TH/ATLANTIC ROSTRUM AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net 84 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 WorldMags.net Mineo 0 NEW Strikes #1 #1 5 WKS DRUNK IN LOVE Beyonce Featuring Jay Z 1 7 8 WKS BEYONCE Beyonce24 ¡ 8 DETAIL,B.KNOWLES (B.KNOWLES,N.C.FISHER,S.C.CARTER,A.E.PROCTOR,R.DIAZ,B.SOKO,T.V.MOSLEY,J.HARMON) PARKWOOD/COLUMBIA PARKWOOD/COLUMBIA Again TALK DIRTY Jason Derulo Featuring 2 Chainz 1 10 JUSTIN TIMBERLAKE The 20/20 Experience (2 Of23 2) ¡ 18 R.REED (J.DESROULEAUX,T.EPPS,E.FREDERIC,J.EVIGAN,S.DOUGLAS,O.KAPLAN,T.MUSKAT,T.YOSEF) BELUGA HEIGHTS/WARNER BROS. RCA Christian rapper Andy Mineo HAPPY Pharrell Williams 2 5 JOHN LEGEND Love In The Future22 22 (below) nets his highest P.L.WILLIAMS (P.L.WILLIAMS) BACK LOT MUSIC/COLUMBIA G.O.O.D./COLUMBIA 0 position yet on Rap Albums ALL OF ME John Legend 0 4 25 R. KELLY Black Panties21 8 as his Never Land EP debuts D.TOZER,JOHN LEGEND (JOHN LEGEND,T.GAD) G.O.O.D./COLUMBIA RCA at No. 2 with 26,000 copies

HOLD ON, WE’RE GOING HOME Drake Feat. Majid Jordan 2 1 26 JHENE AIKO Sail Out (EP) 12 sold, according to Nielsen MAJID JORDAN,NINETEEN85,N.SHEBIB (A.GRAHAM,M.MASKATI,J.K.COOKE UILLMAN,P. JEFFERIES,N.SHEBIB) YOUNG MONEY/CASH MONEY/REPUBLIC ARTCLUB/ARTIUM/DEF JAM/IDJMG 0 SoundScan. The digital-only BLURRED LINES Robin Thicke Featuring T.I. + Pharrell 6 1 45 JUSTIN TIMBERLAKE The 20/20 Experience19 222 4620 P.L.WILLIAMS (P.L.WILLIAMS,R.THICKE) STAR TRAK/INTERSCOPE RCA seven-song set follows his full-length debut, Heroes IT WON’T STOP Sevyn Streeter Featuring Chris Brown 4 23 ROBIN THICKE Blurred Lines RE-ENTRY27 PICARD BROTHERS,DIPLO,FREE SCHOOL (A.STREETER,M.PICARD,C.PICARD,M.HENRY,R.BUENIDA,J.BAPTISTE,M.POWELL) CBE/ATLANTIC STAR TRAK/INTERSCOPE/IGA 0 for Sale, which opened at 25 No. 4 last May with 28,000 XO Beyonce 6 7 K. MICHELLE Rebellious Soul RE-ENTRY R.B.TEDDER,T.NASH,B.KNOWLES (R.B.TEDDER,T.NASH,B.KNOWLES) PARKWOOD/COLUMBIA ATLANTIC/AG first-week units. With PARANOID Ty Dolla $ign Featuring B.o.B 9 14 RIHANNA Unapologetic ¡ 56 virtually no promotion or DJ MUSTARD (T.GRIFFIN JR,D.MCFARLANE,B.R.SIMMONS, JR.) ATLANTIC SRP/DEF JAM/IDJMG 0 marketing—outside of his UP DOWN (DO THIS ALL DAY) 15 T-Pain Featuring B.o.B 8 21 SHARON JONES AND THE DAP-KINGS Give The People What They Want15 3 “Saturday Morning Car-Tunez: DJ MUSTARD,M.ADAM (T-PAIN,D.MCFARLANE,M.ADAM,J.M.COHEN,B.R.SIMMONS, JR.) KONVICT/NAPPY BOY/RCA DAPTONE Season 2” videos on YouTube CONFIDENT Justin Bieber Featuring14 Chance The Rapper 5 4 TAMAR BRAXTON Love And War 22 documenting the making of STREAMLINE/EPIC S O U N D Z (J.BIEBER,K.COBY,M.N.SIMMONDS,C.BENNETT) SCHOOLBOY/RAYMOND BRAUN/ISLAND/IDJMG 00 Never Land—Mineo’s fans

PARTITION 13 Beyonce 11 7 ALGEBRA BLESSETT Recovery13 1 carried this release and its TIMBALAND,JROC,J.TIMBERLAKE,B.KNOWLES,KEY WANE (B.KNOWLES,T.NASH,J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,D.M.WEIR II,M.DEAN) PARKWOOD/COLUMBIA PURPOSE/EONE impressive entrance. LOYAL Chris Brown Feat. Lil Wayne & French12 Montana Or & Too $hort 13 4 SEVYN STREETER Call Me Crazy, But... (EP) 9 NIC NAC (N.BALDING,M.KRAGEN,C.M.BROWN,T.GRIFFIN JR,R.BRACKINS,D.CARTER,K.KHARBOUCH,S.COX,O.AKINLOLU,M.BETHA,S.COMBS,C.WALLACE,T.A.SHAW,A.PUTHLI) RCA CBE/ATLANTIC/AG On Gospel Albums, Mineo arrives at No. 1—his second RIDE 11 SoMo 12 10 TY DOLLA $IGN Beach House (EP) 2 C.TARPLEY,M.SCHULTZ (J.SOMERS-MORALES,D.C.TARPLEY JR.) REPUBLIC ATLANTIC/AG leader. On Christian Albums, Never Land bows at No. 2. CAN’T RAISE A MAN K. Michelle 15 1 TGT Three Kings 24 T.TAYLOR,E.LEWIS (K.PATE,T.TAYLOR,E.LEWIS,M.TIMOTHEE,N.MCDOWELL) ATLANTIC ATLANTIC/AG Chattanooga, Tenn., NA NA Trey Songz 15 2 AUGUST ALSINA Downtown: Life Under The Gun (EP) 22 newcomer Isaiah Rashad DJ MUSTARD (T.NEVERSON,D.MCFARLANE,S.HLOOKOFF) SONGBOOK/ATLANTIC NNTME MUCO./RADIO KILLA/DEF JAM/IDJMG also makes a splash on Rap

R&B/Rap THEY DON’T KNOW Rico Love 13 12 JANELLE MONAE The Electric Lady 21 Albums with Clivia: Demo RICO LOVE,E.HOOD,E (RICO LOVE,E.GOUDY II,T.MCCREA) DIVISION1/INTERSCOPE WONDALAND/BAD BOY/ATLANTIC/AG moving 9,000 copies to open THE WORST Jhene Aiko 17 5 TLC 20 16 at No. 6. The 22-year-old MC FISTICUFFS (J.A.E. CHILOMBO) ARTCLUB/ARTIUM/DEF JAM/IDJMG LAFACE/EPIC built his buzz by participating TKO Justin Timberlake 4 20 VARIOUS ARTISTS Hits Of The 90’s 23 in the Smoker’s Club tour TIMBALAND,J.TIMBERLAKE,JROC (J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,J.E.FAUNTLEROY II,B.WHITE) RCA PLATINUM COLLECTION/TURN UP THE MUSIC/DREW’S ENTERTAINMENT 2014 alongside acts like Juicy J ***FLAWLESS Beyonce Feat. Chimamanda Ngozi Adichie 20 6 THE WEEKND Trilogy ¡ 55 and Joey Badass in 2012. HIT-BOY,B.KNOWLES,REY REEL (B.KNOWLES,T.NASH,C.HOLLIS,R.REEL) PARKWOOD/COLUMBIA XO/REPUBLIC Last year, he inked with Top ALL THE WAY HOME Tamar Braxton 9 19 THE WEEKND Kiss Land 21 THE UNDERDOGS (H.J.MASON, JR.,D. THOMAS,M. DALEY,A.STREETER,J. JAMES,T. COLES) STREAMLINE/EPIC XO/REPUBLIC Dawg Entertainment, also home to Kendrick Lamar February 15 PRIMETIME Janelle Monae Featuring Miguel 22 8 JENNIFER HOLLIDAY The Song Is For You 2 NATE “ROCKET” WONDER,R.G.A.IRVIN,JANELLE MONAE (J.M.ROBINSON,N.IRVIN III,C.JOSEPH II,M.J.PIMENTEL,R.G.A.IRVIN) WONDALAND/BAD BOY/ATLANTIC EUPHONIC/SHANACHIE and ScHoolboy Q, and released the video for “I Shot MINE Beyonce Featuring Drake 10 7 MIGUEL Kaleidoscope Dream 54 N.SHEBIB (N.SHEBIB,A.GRAHAM,B.KNOWLES,J.K.COOKE UILLMAN,S.BROWN,D.M.WEIR II) PARKWOOD/COLUMBIA BYSTORM/BLACK ICE/RCA You Down,” which has been LOLLY Maejor Ali Featuring Juicy J & Justin Bieber 3 18 J. HOLIDAY Guilty Conscience 1 viewed 933,000 times on Y.BURGANDY,DONUT,CHEF TONE,MAEJOR ALI (B.GREEN,T.SCALES,R.M.FEREBEE, JR.,J.HOUSTON,R.R.WILLIAMS,B.BELL,J.BIEBER) BELIEVE PARTNERS/ISLAND/IDJMG MUSIC LINE/HMG YouTube since its Sept. 20 (HART HURT YOU LABEL IMPRINT/DESTTUBUTINT, Toni Braxton &CHART Babyface POS. LABEL15 IMPRINT/PROMOTION 17 CHARLIE WILSON(SONGWRITER) Love,PRODUCER Charlie 36AGO premiere. ON WKS Title BABYFACE (BABYFACE,D.SIMMONS,T.BRAXTON,A.DIXON)ARTIST ONMOTOWN/IDJMG WAS. PEAK Artist P MUSIC/RCA TITLE (WKS On the Adult R&B airplay chart (see page 79), John ALBUMSTM SONGSTM RAP RAP HOT Legend scores his second chart-topper as “All of Me” steps 2-1 in its 25th week. His first leader on the list was 2012’s “Tonight (Best You Ever #1 1 17 #1 69 5 WKS TIMBER Pitbull Featuring Ke$ha 13 WKS MACKLEMORE & RYAN LEWIS The Heist ¡RE-ENTRY Had),” from the “Think Like DR. LUKE,CIRKUT,SERMSTYLE (A.C.PEREZ,K.SEBERT,L.GOTTWALD,P.R.HAMILTON,J.SANDERSON,B.S.ISAAC,H.WALTER,L.OSKAR,K.OSKAR,G.ERRICO) MR. 305/POLO GROUNDS/RCA MACKLEMORE 0 a Man” soundtrack, which THE MONSTER Eminem Featuring Rihanna 1 14 ANDY MINEO Never Land (EP)23 1 FREQUENCY,AALIAS (M.MATHERS III,B.FRYZEL,A.KLEINSTUB,M.ATHANASIOU,R.FENTY,J.BELLION,B.REXHA) WEB/SHADY/AFTERMATH/INTERSCOPE REACH spent seven weeks at No. 1. “All of Me” also reaches a new SHOW ME Kid Ink Featuring Chris Brown 3 14 EMINEM The Marshall Mathers LP 2 13 DJ MUSTARD (B.T.COLLINS,D.MCFARLANE,C.JONES,J.FELTON,C.M.BROWN,A.GEORGE,C.MCFARLANE) THA ALUMNI GROUP/88 CLASSIC/RCA WEB/SHADY/AFTERMATH/INTERSCOPE/IGA 0 peak on Hot R&B/Hip-Hop Songs, skipping 7-5, as well MY HITTA YG Featuring Jeezy & Rich Homie Quan ¡ 3 18 DRAKE Nothing Was The Same21 19 DJ MUSTARD,M.LEE (K.D.R.JACKSON,D.MCFARLANE,J.W.JENKINS,D.LAMAR,C.C.BROADUS JR.,A.JOHNSON,C.LAWSON,C.MILLER) CTE/DEF JAM/IDJMG YOUNG MONEY/CASH MONEY/REPUBLIC as on the Billboard Hot 100, where it leaps 27-17. On the WHITE WALLS Macklemore & Ryan Lewis Feat. ScHoolboy Q & Hollis 3 19 KENDRICK LAMAR good kid, m.A.A.d city ¡ 6723 R.LEWIS (B.HAGGERTY,R.LEWIS,M.HANLEY,H.WEAR) MACKLEMORE/ADA/WARNER BROS. TOP DAWG/AFTERMATH/INTERSCOPE/IGA 0 latter list, the soulful ballad

23 Mike WiLL Made-It Feat. Miley Cyrus, Wiz Khalifa & Juicy J 2 20 ISAIAH RASHAD Cilvia: Demo19 18 117 marks Legend’s first top 20 MIKE WILL MADE-IT,P-NASTY (M.L.WILLIAMS,P.R.SLAUGHTER,T.THOMAS,T.THOMAS,C. THOMAZ,J.HOUSTON) EARDRUMMERS/INTERSCOPE TOP DAWG hit, beating his previous-best ALL ME Drake Featuring 2 Chainz & Big Sean 0 4 19 KID INK My Own Lane 4 position of No. 24 with “Green KEY WANE (A.GRAHAM,A.PALMAN,S.M.ANDERSON,T.EPPS,D.M.WEIR II,L.WILLEMETZ,J.CHARLES,M.YVAIN) YOUNG MONEY/CASH MONEY/REPUBLIC THA ALUMNI GROUP/88 CLASSIC/RCA 0 Light” (featuring André RAP GOD Eminem 1 16 CHILDISH GAMBINO Because The Internet 8 3000) in 2008. GLASSNOTE DVLP,FILTHY (M.MATHERS III,B.ZAYAS, JR.,M.DELGIORNO,S.HACKER,D.L.DAVIS,L.WALTERS,D.M.BIRKS,J.M.BURNS,J.LEE,F.SHAHEED,K.NAZEL) WEB/SHADY/AFTERMATH/INTERSCOPE —Rauly Ramirez THE LANGUAGE Drake 9 18 JAY Z Magna Carta... Holy Grail 2 30 BOI-1DA (A.GRAHAM,A.PALMAN,M.SAMUELS,A.RITTER,A.HERNANDEZ,B.WILLIAMS,N.C.FISHER) YOUNG MONEY/CASH MONEY/REPUBLIC ROC-A-FELLA/ROC NATION 10 6 33 M.A.A.D CITY Kendrick Lamar Featuring MC Eiht KANYE WEST Yeezus ¡ NEW SOUNWAVE,THC (K.DUCKWORTH,M.SPEARS,R.RIERA,A.MORGAN,A.TAYLOR) TOP DAWG/AFTERMATH/INTERSCOPE G.O.O.D./ROC-A-FELLA/DEF JAM/IDJMG

SHE KNOWS J. Cole Feat. Amber Cofman & The Cults 11 8 YO GOTTI I Am14 11 J.L.COLE (J.COLE,R.MATTOS,M.FOLLIN MCKENNA,R.GILMORE,P.WHITFIELD) ROC NATION/COLUMBIA COCAINE MUZIK/EPIC WORST BEHAVIOR Drake 12 7 B.O.B Underground Luxury 7 DJ DAHI (A.GRAHAM,A.PALMAN,D.NATCHE) YOUNG MONEY/CASH MONEY/REPUBLIC REBELROCK/GRAND HUSTLE/ATLANTIC/AG

MAN OF THE YEAR ScHoolboy Q 10 2 LECRAE Church Clothes: Vol. 2 1314 NOT LISTED (NOT LISTED) TOP DAWG/INTERSCOPE REACH/INFINITY

OG BOBBY JOHNSON Que 14 2 PITBULL Global Warming RE-ENTRY50 BOBBY JOHNSON BEATS (Q.SQUARE,A.BRUSCH) ATLANTIC MR. 305/POLO GROUNDS/RCA 0 SURVIVAL Eminem 4 17 JUICY J Stay Trippy 23 DJ KHALIL (M.MATHERS III,K.RAHMAN,E.ALCOCK,L.RODRIGUES,P.INJETI,M.STRANGE) SHADY/AFTERMATH/INTERSCOPE KEMOSABE/COLUMBIA

SHHH... Future 16 4 J. COLE Born Sinner 0 3310 MIKE WILL MADE-IT,P-NASTY (N.WILBURN CASH,M.L.WILLIAMS,P.R.SLAUGHTER) A-1/FREEBANDZ/EPIC ROC NATION/COLUMBIA O PART II (ON THE RUN) Jay Z Featuring Beyonce 17 2 STARBOMB Starbomb 4 TIMBALAND,JROC (S.C.CARTER,J.E.FAUNTLEROY II,T.V.MOSLEY,J.HARMON) ROC-A-FELLA/ROC NATION STARBOMB THE DEVIL IS A LIE Rick Ross Featuring JAY Z 18 2 2 CHAINZ B.O.A.T.S. II #METIME 21 DEF JAM/IDJMG The week's most popular current R&B and current rap songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data by online music sources tracked by Nielsen BDS. Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by songs, ranked rap and current R&B most popular current RAP SONGS: The week's HOT R&B, HOT Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. R&B, RAP ALBUMS: The week's most popular current R&B and current rap albums, respectively, ranked by sales data as compiled by Nielsen SoundScan. by sales data as compiled by ranked albums, respectively, rap and current R&B most popular current The week's sales activityRAP ALBUMS: the firstR&B, for time. and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are Inc. reserved. and Nielsen SoundSZcan, All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for 200's top 100. See Charts in the Billboard on billboard.com/biz but still residing old or older than 18 months less than 18 months Legend are if they defined as current Albums are O.WALKER,L.S.ROGERS,W.MCNEAL (W.L.ROBERTS II,O.WALKER,L.S.ROGERS,W.MCNEAL,S.C.CARTER) MAYBACH/SLIP-N-SLIDE/DEF JAM/IDJMG POUND CAKE/PARIS MORTON MUSIC 2 Drake Feat. Jay Z 17 19 A$AP ROCKY Long.Live.A$AP 55 BOI-1DA,J.EVANS (A.GRAHAM,S.C.CARTER,A.PALMAN,M.SAMUELS,N.C.FISHER,M.BURNETTE,J.EVANS,A.E.PROCTOR,D.COLES,R.DIGGS,G.GRICE,L.HAWKINS,HAYES,J.HUNTER,R.JONES,PORTER,C.SMI) YOUNG MONEY/CASH MONEY/REPUBLIC A$AP WORLDWIDE/POLO GROUNDS/RCA V. 3005 Childish Gambino 20 5 ANDY MINEO Heroes For Sale 10 D.GLOVER,L.GORONSSON,S.PONCE (D.GLOVER,L.GORANSSON,S.PONCE) GLASSNOTE REACH/INFINITY BOUND 2 Kanye West 3 11 LECRAE Gravity 49 K.WEST,C.POPE (K.O.WEST,JOHN LEGEND,C.WILSON,N.WHITESIDE,M.Y.JONES,S.SANDIFER,M.DEAN,E.RUTBERG,B.MASSEY,R.DUKES,C.POPE,C.YOUNG,R.SELF) G.O.O.D./ROC-A-FELLA/DEF JAM/IDJMG REACH/INFINITY FROM TIME Drake Featuring Jhene Aiko 18 7 EVIDENCE X ALCHEMIST: STEP BROTHERS Lord Steppington 2

SALES DATA COMPILED BY COMPILED SALES DATA N.SHEBIB (A.GRAHAM,J.A.E. CHILOMBO,N.SHEBIB,J.BECK) YOUNG MONEY/CASH MONEY/REPUBLIC RHYMESAYERS

I KNOW Yo Gotti Featuring Rich Homie Quan 21 3 M.I.A. Matangi 132 RICH HOMIE QUAN (M.MIMS,D.LAMAR,J.KING,D.FOSTER,T.MCELROY) COCAINE MUZIK/EPIC N.E.E.T./XL/INTERSCOPE/IGA HOW I FEEL 12 7 A$AP FERG Trap Lord 19 SERMSTYLE,DJ FRANK E (T.DILLARD,J.SANDERSON,J.FRANKS,B.S.ISAAC,L.BRISCUSSE,A.NEWLEY) POE BOY/ATLANTIC A$AP WORLDWIDE/POLO GROUNDS/RCA

LABEL IMPRINT/DISTRIBUTING LABEL IMPRINT/PROMOTION ISONGWRTTER) PRODUCER CHART MONEY BABY KCamp Featuring KwonyCHART CashPOS. 25 1 PUSHA T My Name Is My NameWEEK WEEK 17AGO MANI Title NOT LISTED (NOT LISTED) ARTIST DAT REAL/FTE/4.27PEAK Artist G.O.O.D./DEF JAM/IDJMG TITLE THIS LAST 2WOO AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA ALBUMSTM R&B WorldMags.net SONGSTM R&B HOT Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 85 HOT LATIN SONGSTMWorldMags.netTOP LATIN ALBUMSTM

2 WIG 1 IS 1111.011 LAST THIS TITLE Artist C RT ARTIST EGO WEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEI CART WEEK WEEK IMPRINT/DISTRIBUTING LABS)

#1 ODIO #1 VARIOUS OMAR CRUZ SANTOS: 39 1 WK AG Romeo Santos Featuring Drake 1 2 2 WKS GG Las Bandas Romanticas de America 2014 2 0 A.SANTOS,RICO LOVE,E.HOOD (A.SANTOS,A.GRAHAM,RICO LOVE,K.RODRIGUEZ,E.HOOD,E.GOUDY II,D.NESMITH,N.SHEBIB) SONY MUSIC LATIN FONOVISA/UMLE JULION ALVAREZ Y SU NORTENO BANDA SG PROPUESTA INDECENTE Romeo Santos 1 28 Soy Lo Que Quiero: 1 0 A.SANTOS (A.SANTOS) SONY MUSIC LATIN FONOVISA/UMLE MARC ANTHONY 3.0 29 3 EL PERDEDOR Enrique Iglesias Featuring Marco Antonio Solis 1 8 SONY MUSIC LATIN ) C.PAUCAR (E.M.IGLESIAS,D.MARTINEZ BUENO) UNIVERSAL MUSIC LATINO/UMLE

DARTE UN BESO JENNI RIVERA 1969 - Siempre: En Vivo Desde Monterrey: Parte 1 ¢ 9 3 4 Prince Royce 1 29 FONOVISA/UMLE G.R.ROJAS,E.DAVILA JR.,D.LORA (A.CASTRO,G.GOMEZ,J.RIVEROS,G.R.ROJAS) SONY MUSIC LATIN

GERARDO ORTIZ Archivos de Mi Vida ¢ 10 5 VIVIR MI VIDA Marc Anthony 1 41 BAD SIN/DEL/SONY MUSIC LATIN M.ANTHONY,S.GEORGE (N.KHAYAT,B.HAJJI,AJ JUNIOR,A.PAPACONSTANTINOU,B.DJUPSTROM,C.KHALED) SONY MUSIC LATIN PRINCE ROYCE Soy El Mismo ¢ 17 6 LOCO Enrique Iglesias Featuring Romeo Santos 1 24 SONY MUSIC LATIN A.SANTOS,C.PAUCAR (E.M.IGLESIAS,D.MARTINEZ BUENO) UNIVERSAL MUSIC LATINO/UMLE ALEJANDRA GUZMAN La Guzman: En Primera Fila 2 HERMOSA EXPERIENCIA Banda Sinaloense MS de Sergio Lizarraga 6 15 SONY MUSIC LATIN Santos S.LIZARRAGA (E.P.CISNEROS,H.PALENCIA CISNEROS) DISCOS SABINAS 0 MARCO ANTONIO SOLIS Gracias Por Estar Aqui 15 UNIVERSAL MUSIC LATINO/UMLE MUJER DE PIEDRA Gerardo Ortiz 8 12 G.ORITZ (G.ORTIZ) BAD SIN/DEL/SONY MUSIC LATIN Shatters Latin 0 PS PRINCE ROYCE # 1’s ¢ 63 TOP STOP/SONY MUSIC LATIN 12 10 CAMBIO DE PIEL Marc Anthony 7 17 0 M.ANTHONY,S.GEORGE (J.REYES COPELLO,Y.HENRIQUEZ) SONY MUSIC LATIN VARIOUS ARTISTS Radio Exitos El Disco del Ano: 2013 Records 11 10 15 FONOVISA/UMLE 6 7 10 VAS A LLORAR POR MI Banda El Recodo de Cruz Lizarraga 5 22 L.A.LIZARRAGA,J.LIZARRAGA (M.A.ROMERO,L.L.DIAZ) FONOVISA/UMLE LOS YONIC’S 20 Kilates 1 Romeo Santos (above) soars NEW 0 FONOVISA/UMLE

2014 HASTA ABAJO Yandel 39-1 on Hot Latin Songs with i 10 16 ID TAINY (L.VEGUILLA MALAVE,M.MASIS) SONY MUSIC LATIN LOS BUITRES DE CULIACAN SINALOA Territorio Buitre 2 0 12 MUSIC VIP/SONY MUSIC LATIN new single “Odio,” featuring Drake. It’s the biggest jump 12 NUNCA ME ACUERDO DE OLVIDARTE Shakira 11 2 J.HILL,KID HARPOON,S.I.MEBARAK RIPOLL (J.HILL,T.HULL,D.A.LEDINSKY,E.HASSLE,S.I.MEBARAK RIPOLL,J.DREXLER) RCA/SONY MUSIC LATIN 10 13 VARIOUS ARTISTS Banda #1’s 2013 12 FONOVISA/UMLE to No. 1 since the chart moved LA NUEVA Y LA EX Daddy Yankee to an airplay/sales/streaming , 13 9 14 YANDEL February 15 DADDY YANKEE,LOS DE LA NAZZA (R.L.AYALA,J.M.BENITEZ) EL CARTEL/CAPITOL LATIN/UMLE De Lider A Leyenda 13 14 0 SONY MUSIC LATIN hybrid methodology in BORRACHO DE AMOR October 2012. In the process, Banda La Trakalosa 14 20 NEW 0 LOS BUKIS 20 Kilates 1 0 G.CHAVEZ (E.VIDRIO) DISCOS SABINAS FONOVISA/UMLE Santos sets download and QUE VIVA LA VIDA Wisin MARTIN CASTILLO Mundo de Ilusiones streaming marks. In its first 7 12 DG 5 19 0 16 2 0 F.SALDANA,V.CABRERA,PREDIKADOR (E.PALACIOS,F.SALDANA,V.DELGADO,J.L.MORERA LUNA) SONY MUSIC LATIN GERENCIA360/SONY MUSIC LATIN week of availability, the track PROMETO OLVIDARTE Tony Dize ALEJANDRO FERNANDEZ Confidencias sold 55,000 downloads, NCI 1, 14 16 13 12 12 17 23 R.PINA,E.FELICIANO,Y.DAMAS,E.SEMPER,X.SEMPER (G.A.CRUZ-PADILLA,R.PINA,T.FELICIANO) PINA UNIVERSAL MUSIC LATINO/UMLE entering at No. 1 on Latin TE ROBARE Prince Royce LAPIZ CONCIENTE Letras: The Album 1 Digital Songs and setting the 17 4 NEW 0 LAPIZ 0 G.R.ROJAS,E.DAVILA JR.,D.LORA (G.R.ROJAS,D.LORA,Y.THEN) SONY MUSIC LATIN record for the highest sales MARCO ANTONIO SOLIS Antologia 1 LA LUZ Juanes 16 7 NEW 0 FONOVISA/UMLE week for a Spanish-language 0 S.LILLYWHITE (J.E.ARISTIZABAL) UNIVERSAL MUSIC LATINO/UMLE track since the chart’s LALO MORA NEW 4:1) 20 Kilates 1 EL INMIGRANTE Calibre 50 19 6 DISA/UMLE inception in January 2010. 0 J.TIRADO CASTANEDA (E.MUNOZ,D.MUNOZ) DISA/UMLE “Odio” also sets the standard RIGO TOVAR 20 Kilates 1 TE LA PASAS Tito Torbellino XIII Featuring EP NEW 0 FONOVISA/UMLE for the most plays on the 1/ 1G 20 16 12 T.TORBELLINO XIII (I.CHAVEZ ESPINOZA) KIUBO 10-month-old Latin Streaming JENNI RIVERA La Misma Gran Senora ¢ 60 0 22 FONOVISA/UMLE 31 TE HUBIERAS IDO ANTES Julion Alvarez y Su Norteno Banda 21 2 Songs chart, arriving at No. 1 J.ALVAREZ (J.A.INZUNZA) FONOVISA/UMLE with 1.6 million U.S. streams. 13 23 CALIBRE 50 Corridos de Alto Calibre 15 DISA/UMLE 18 LA DOBLE CARA Banda Carnaval 18 16 Of that sum, 1.2 million clicks 25 0 J.TIRADO CASTANEDA (A.RAMOS,R.BECERRA) DISA/UMLE 24 VARIOUS ARTISTS Las Gruperas Romanticas 16 arrive from YouTube views, CHICA IDEAL 0 FONOVISA/UMLE split between user-generated 19 19 23 Chino & Nacho 19 10 ORTIZ ARVELO, SALDANA, COLUSSI, BUTTIGNO (MENDOZA DONATTI, MIRANDA PEREZ, ORTIZ ARVELO, SALDANA, COLUSSI, BUTTTIGNO) B&G/MACHETE/UMLE 15 25 VARIOUS ARTISTS Corridos #1’s 2013 12 clips (68%) and all ofcial FONOVISA/UMLE 22 0 24 RELACION CLANDESTINA Chuy Lizarraga y Su Banda Tierra Sinaloense 21 13 audio and lyric video content C.LIZARRAGA (I.CHAVEZ ESPINOZA) DISA/UMLE (32%), which doesn’t yet

15 22 25 PUT IT IN A KISS Katherine Alexander 8 10 include a proper clip of the MAFFIO (K.ALEXANDER) GOLD VOICE/SUMMA LATIN AIRPLAYTM track. FIN DE SEMANA 28 La Original Banda el Limon de Salvador Lizarraga Featuring Rio Roma 26 13 On the radio side, Odio,” J.QUIROZ (J.L.ROMA) LUZ 0 LAS THIS TITLE Artist YK5.0) the second single from his wEE MEEK (HART 6 AM J Balvin Featuring Farruko IMPRINT/MI.10TM LABEL upcoming Formula, Vol. 2, 47 . 27 3 3 0 A.RAMIREZ (J.A.OSORIO BALVIN) CAPITOL LATIN/UMLE HOT #1 SHOT 1 WK ODIO Romeo Santos Feat. Drake 1 co SONY MUSIC LATIN recorded 10.8 million audience EKUAT 39 LA TEMPERATURA Maluma Featuring Eli Palacios 28 4 impressions, according to J.RIVERA TAPIA,G.RIVERA,G.RODRIGUEZ,G.MAZORRA (E.PALACIOS,J.L.LONDONO,J.RIVERA TAPIA,G.RODRIGUEZ) SONY MUSIC LATIN 0 CAMBIO DE PIEL Marc Anthony 17 Nielsen BDS, to debut atop CP SONY MUSIC LATIN MI PEOR ERROR (PRIMERA FILA) Alejandra Guzman 27 :fl 29 12 17 Latin Airplay, his eighth chart- G.NORIEGA,T.MICHELL (P.PRECIADO,R.TORRES) SONY MUSIC LATIN EL PERDEDOR Enrique Iglesias Feat. Marco Antonio Solis 4 CI UNIVERSAL MUSIC LATINO/UMLE topper on the list and third

33 ESTA NOCHE Raulin Rodriguez 30 8 to debut at the summit. With 40 0 NOT LISTED (NOT LISTED) KACIQUE/CACAO/PLANET MUJER DE PIEDRA Gerardo Ortiz 12 0 BAD SIN/DEL/SONY MUSIC LATIN the No. 1 entry, Santos ties LA NOCHE ES TUYA 3BallMTY Featuring America Sierra & Gerardo Ortiz 29 32 0 29 3 PROMETO OLVIDARTE Tony Dize 12 Enrique Iglesias for most No. T.HERNANDEZ (S.ZAVALA,A.SIERRA,A.PIERAGOSTINO) FONOVISA/UMLE 05 PINA 1 starts in the 20-year history CANDY 30 33 0 30 6 HASTA ABAJO Yandel 15 of the Nielsen BDS-based list. F.SALDANA,V.CABRERA (O.J.VALLE,E.F.VAZQUEZ,F.SALDANA,V.CABRERAS) PINA 0 SONY MUSIC LATIN Meanwhile, Santos’ prior

23 27 33 CHUCUCHA Ilegales 23 17 LA NUEVA Y LA EX Daddy Yankee 13 single, “Propuesta Indecente,” V.DOTEL,SHADOW BLOW (V.DOTEL,J.A.FERNANDEZ SOTO) DOTEL 0 7 EL CARTEL/CAPITOL LATIN/UMLE which has spent four non- A LOS CUATRO VIENTOS La Arrolladora Banda el Limon de Rene Camacho 34 2 HERMOSA EXPERIENCIA Banda Sinaloense MS de Sergio Lizarraga 8 consecutive weeks atop Hot 43 CD DISCOS SABINAS F.CAMACHO TIRADO (T.MENDEZ) DISA/UMLE 00 Latin Songs, holds at No. 2, VAS A LLORAR POR MI TE PIENSO SIN QUERER (PRIMERA FILA) Franco De Vita Featuring Gloria Trevi 11 9 Banda El Recodo de Cruz Lizarraga 22 24 29 35 24 9 FONOVISA/UMLE making him the first act to M.STERN,F.DE VITA,A.PULIDO MARCANO,I.BARRERA (F.DE VITA) SONY MUSIC LATIN hold down the top two spots

10 10 VIVIR MI VIDA Marc Anthony 41 26 28 36 DONDE ESTA EL AMOR Pablo Alboran Featuring Jesse & Joy 16 15 SONY MUSIC LATIN on the chart since Pitbull did M.ILLAN (P.ALBORAN) PARLOPHONE/WARNER LATINA so in October 2011—with “Rain LOCO Enrique Iglesias Feat. Romeo Santos LA BOTELLA Zion & Lennox 7 11 23 31 34 0 31 7 UNIVERSAL MUSIC LATINO/UMLE Over Me” (featuring Marc NOT LISTED (NOT LISTED) BABY ) at No. 1 and “Give TE ROBARE Prince Royce 4 Anthony NO QUERIAS LASTIMARME Gloria Trevi SONY MUSIC LATIN 37 37 0 36 9 00 Me Everything” (featuring Ne- A.AVILA (G.TREVINO,A.GABRIEL,M.DE LA GARZA) UNIVERSAL MUSIC LATINO/UMLE Yo, Afrojack and Nayer) at 15 PUT IT IN A KISS Katherine Alexander 10 EN LA SIERRA Y EN LA CIUDAD...LA CHINA 0 GOLD VOICE/SUMMA 41 38 39 Javier Rosas 38 5 No. 2. —Amaya Mendizabal NOT LISTED (NOT LISTED) JAVIER ROSAS LA LUZ Juanes 6 UNIVERSAL MUSIC LATINO/UMLE 4341 CD DESDE EL PRIMER BESO Gocho “El Lapiz de Platino” Featuring Wisin 40 3 00 HYDE (J.A.A.TORRES-ABREU,J.J.SANTANA LUGO) NEW ERA/VENEMUSIC 5 15 QUE VIVA LA VIDA Wisin 19 SONY MUSIC LATIN HOTSHOT CD UNA VEZ MAS Victor Manuelle Featuring Reik 41 1 DEBUT M.RIVERA,E.GRENCI (J.J.TORRES,L.VASQUEZ,J.J.SANTANA LUGO,V.M.RUIZ) KIYAVI/SONY MUSIC LATIN 13 16 MUCHACHO DE CAMPO Voz de Mando 26 DISA/UMLE 25 35 42 A MI MODO Los Huracanes del Norte 16 19 G.GARCIA (M.FLORES) GARMEX LA FOTO DE LOS DOS 12 18 0 GAIRA/WK/SONY MUSIC LATIN

44 43 NO SE COMO PAGARTE Fidel Rueda 43 3 0 F.RUEDA (H.PALENCIA CISNEROS) DISA/UMLE BORRACHO DE AMOR Banda La Trakalosa 15 21 0 DISCOS SABINAS titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by tracked activity online music sources Nielsen SoundScandata by by and streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by Latin songs, ranked most popular current SONGS: The week's LATIN HOT The week's AIRPLAY: 200's top 100. LATIN in the Billboard but still residing old or older than 18 months less than 18 months are if they defined as current Nielsen SoundScan. by Albums are sales data as compiled by Latin albums, ranked most popular current The week's ALBUMS: LATIN sales activity the firstTOP for time. and/or airplay widespread and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for a week. 7 days See Charts on billboard.com/biz Legend 24 hours a day, electronically monitored are Stations Nielsen BDS. by as measured impressions audience airplay radio by most popular Latin songs, ranked 40 44 AQUI ESTARE La Nobleza de Aguililla 40 7 0 NOT LISTED (NOT LISTED) SIMON’S CHICA IDEAL Chino & Nacho 11 19 0 B&G/MACHETE/UMLE

34 41 45 ALOCATE Alexis & Fido 31 9 F.SALDANA,V.CABRERA,J.C.RIVERA TAPIA (J.MARTINEZ,R.A.ORITZ ROLON,F.SALDANA,G.RIVERA TAPIA,J.RIVERA TAPIA) COEXISTENCE/WILD DOGZ 8 20 PROPUESTA INDECENTE Romeo Santos 27 SONY MUSIC LATIN POR SER BONITA 42 49 46 El Dasa 40 8 EL INMIGRANTE Calibre 50 5 EL DASA (J.J.ARAUJO) DISA/UMLE 010 DISA/UMLE DOS BOTELLAS DE MEZCAL Jenni Rivera 35 42 47 27 11 20 22 RELACION CLANDESTINA Chuy Lizarraga y Su Banda Tierra Sinaloense 13 A.FACE,P.RIVERA (M.VALLADARES OREJEL) FONOVISA/UMLE DISA/UMLE SALES DATA COMPILED BY COMPILED SALES DATA

RE-ENTRY CO ME NIEGAS Baby Rasta & Gringo 48 2 LA DOBLE CARA Banda Carnaval 15 NOT LISTED (NOT LISTED) EME 26 0 DISA/UMLE

NEW LA BUENA Y LA MALA Banda Tierra Sagrada 22 24 TE LA PASAS Tito Torbellino XIII Feat. EP 11 0 49 1 KIUBO A.VALDEZ OSUNA (A.VALDEZ OSUNA) DISCOS SABINAS TU PRINCESA Gretchen Featuring Gocho FIN DE SEMANA La Original Banda el Limon de Salvador Lizarraga Feat. Rio Roma 14 RE-ENTRY 0 48 2 0 25 LUZ SANTANA (I.NILSON,G.SERRAO,J.A.A.TORRES-ABREU,J.J.SANTANA LUGO) BLACK HAWK/PLAYNOW AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA WorldMags.net 86 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 AIRPLAY DATA COMPILED BY SALES DATA COMPILED BY REGIONAL MEXICAN, LATIN POP, TROPICAL AIRPLAY: The week's most popular current regional Mexican, Latin pop and tropical songs, respectively, ranked by radio airplay detections as measured by Nielsen BDS. Stations are electronically monitored 24 hours a day, 7 days a week. REGIONAL MEXICAN, LATIN POP, TROPICAL ALBUMS: The week's most popular current regional Mexican, Latin pop and tropical albums, ranked by sales data as compiled by Nielsen SoundScan. TRADITIONAL, CONTEMPORARY JAZZ ALBUMS: The week's top-selling current traditional and contemporary jazz albums, respectively, ranked by sales data as compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. SMOOTH JAZZ SONGS: The week's most popular current smooth jazz songs, ranked by radio airplay detections as measured by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2014, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. Data for week of 02.15.2014 |For reprints chart call 212.493.4023 WEEKREGIONALLAST MEXICAN AIRPLAYTMWEEK THIS WAS. ON LASTREGIONAL MEXICAN ALBUMST" WEEKTHIS WEEKTRADITIONALLAST JAZZ ALBUMSTM THIS -NIP NB UN TE LAPASAS ME ENAMORE DISA/UMLE MI ULTIMO DESEO DISCOS SABINAS BORRACHO DEAMOR DISA/UMLE MUCHACHO DECAMPO KIUBO GERENCIA360 ME INTERESAS LUZ FIN DESEMANA DISA/UMLE EL RUIDODETUSZAPATOS DISA/UMLE LA DOBLECARA DISA/UMLE RELACION CLANDESTINA DISA/UMLE FONOVISA/UMLE VAS ALLORAR MI POR DISCOS SABINAS HERMOSA EXPERIENCIA EL INMIGRANTE FONO INTERESADA LA FOTO DELOS DOS SONY MUSICLATIN VIVIR MIVIDA LA LUZ UNIVERSAL MUSICLATINO/UMLE LOCO SONY MUSICLATIN TE ROBARE SONY MUSICLATIN PROPUESTA INDECENTE SONY MUSICLATIN QUE VIVA LAVIDA MR. 305/POLO GROUNDS/RCA TIMBER OLVIDARTEPROMETO LA NUEVA YLAEX CHICA IDE UNIVERSAL MUSICLATINO/UMLE PERDI ELCONTROL SUENOS B&G/MACHETE/UMLE TOP STOP ODIO NOODIARTE UNIVERSAL MUSICLATINO/UMLE EL PERDEDOR CAPITOL LATIN/UMLE LOVE &PARTY PR PINA SONY MUSICLATIN EL CARTEL SONY MUSICLATIN DARTE UNBESO UNIVERSAL MUSICLATINO/UMLE EL PERDEDOR GAIRA/WK/SONY MUSICLA L EL CARTEL LA NUEVA YLAEX SONY MUSICLATIN CAMBIO DEPIEL B&G/MACHETE/UMLE CHICA IDEAL UNIVERSAL MUSICLATINO/UMLE MAYIMB SONY MUSICLATIN QUE VIVA LAVIDA UNIVERSAL MUSICLATINO LA LUZ ATARI WEEK SONY MUSICLATIN CAMBIO DEPIEL Title WEEK tflaR1 2 WK

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CARLA BRUNI Little French Songs 38 THE SAINTS Andy Mineo Feat. KB & Trip Lee 6 NEW LOWELL PYE Transform 1 TEOREMA/BARCLAY/VERVE/VG REACH PURETONEZ/OVERFLOW/EONE 0 BY COMPILED SALES DATA BOMBINO PAGANINI Andy Mineo Feat. KB & Canon 1 VARIOUS ARTISTS I Have A Dream: 10 Inspirational Songs Of Hope And Triumph 2 Nomad 35 REACH O 23 MOTOWN GOSPEL/CAPITOL CMG NONESUCH/WARNER BROS. REJOICE WITH ME! Bobby Jones Feat. 7 VARIOUS ARTISTS WOW Gospel 2014 1 CSEMER BOGLARKA Boggie 2 NEW ECHOPARK-JDI 0 MOTOWN GOSPEL/WORD-CURB/RCA INSPIRATION/RCA TOM-TOM UNO UNO SEIS Andy Mineo Feat. Lecrae 6 NEW GOD’S SERVENT Diadem 1 ITZHAK PERLMAN/CANTOR YITZCHAK MEIR HELFGOT Eternal Echoes 13 REACH 0 LAMP MODE SONY CLASSICAL/SONY MASTERWORKS AIRPLAY MONITORED BY MONITORED AIRPLAY WorldMags.net 88 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 IOH DIN0211.3313/33NliaWorldMags.net n1S9NOS DIN02113313/33NVO .isuunsiv

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VI SI TSUNAMI DVBBS & Borgeous 13 19 SI 91 VARIOUS ARTISTS Ministry Of Sound: Running Trax 2014 4 SoundScan). Meanwhile, lead J.BORGER JR,A.VAN DEN HOEF,C.VAN DEN HOEF,N.HOLLOWELL-DHAR (A.VAN DEN HOEF,C.VAN DEN HOEF,J.BORGER JR,N.HOLLOWELL-DHAR) DOORN/SPINNIN’/COLUMBIA MINISTRY OF SOUND 0 single “Get Lucky,” the winner I’M A FREAK Enrique Iglesias Featuring Pitbull DARKSIDE Psychic Z1 91 91 12 4 12 17 for record of the year and best THE CATARACS (N.HOLLOWELL-DHAR,M.J.GARTON JR,R.RAMIREZ,E.M.IGLESIAS,A.C.PEREZ) REPUBLIC OTHER PEOPLE/MATADOR 0 pop duo/group performance, I CAN’T STOP GRAMATIK The Age Of Reason 1 St LI LI Flux Pavilion 12 14 NON rebounds 4-2 on Hot Dance/ J.STEELE (J.STEELE) CIRCUS/BIG BEAT/RRP 0 LOWTEMP Electronic Songs—the track’s DEADMAU5 Album Title Goes Here 55 UNDER CONTROL Calvin Harris & Alesso Featuring Hurts 12 15 " MAU5TRAP/ULTRA best position since Aug. 31, 61 43 0 C.HARRIS,ALESSO (C.HARRIS,T.HUTCHCRAFT,A.LINDBLAD) DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/COLUMBIA IL6 ACTRESS 2013, when it dipped 1-2 M3N Ghettoville 1 LI 61 TAKE BACK THE NIGHT TryHardNinja 12 6 4::) WERKDISCS/NINJA TUNE after a 13-week run at No. 1. 0 NOT LISTED (NOT LISTED) TRYHARDNINJA Atmosphere 12 “Lucky” is the Digital Gainer BONELESS Steve Aoki, Chris Lake & Tujamo 17 21 0.0 ULTRA (112,000 units, up 122%) CD S.AOKI,C. LAKE,TUJAMO (S.AOKI,C. LAKE,M.RICHTER) DIM MAK/ULTRA and Streaming Gainer (3.1 38 VARIOUS ARTISTS NOW That’s What I Call Party Anthems 76 RED LIGHTS UNIVERSAL/EMI/SONY MUSIC/CAPITOL VZ Tiesto 19 7 0 million U.S. streams, up 92%, 0 TIESTO,RAMI,C.FALK (T.M.VERWEST,C.FALK,R.YACOUB,W.A.HECTOR,M.ZITRON,M.WREDENBERG) MUSICAL FREEDOM/PM:AM/CASABLANCA/REPUBLIC 81 EZ VARIOUS ARTISTS UKF Dubstep 2013 7 according to Nielsen BDS). The UKF 01 1z A LIGHT THAT NEVER COMES Linkin Park X Steve Aoki 8 20 song tops Dance/Electronic 11if M.SHINODA (LINKIN PARK,S.AOKI) MACHINE SHOP/WARNER BROS. V? VARIOUS ARTISTS All Trap Music 8 Streaming Songs (4-1) for the WIZARD Martin Garrix & Jay Hardway 0 ALL TRAP MUSIC/AEI 91 CZ 16 5 first time, having previously M.GARRIX,J.HARDWAY (M.GARRIX,J.HARDWAY) SPINNIN’/CASABLANCA/REPUBLIC 0 BIBIO Green (EP) 1 NON spent 14 weeks at No. 2. Also ID WARP ION IONS THE DARK SIDE Trevor Moran 24 1 making waves on Hot Dance/ insTa (::) J.ZEGAN,J.SOJKA (J.ZEGAN,J.SOJKA) PARIMORE Electronic Songs is album

AtI1N3.3d Daft Punk 18 15 cut “Give Life Back to Music,” T.BANGALTER,G. DE HOMEM-CHRISTO (T.BANGALTER,G. DE HOMEM-CHRISTO,P.JACKSON, JR.,N.RODGERS) DAFT LIFE/COLUMBIA 0 which was serviced to radio )0141/33NVO MOHS raMildZillig El 9Z TAKE IT LIKE A MAN Cher 23 7 by Columbia Records two days M.TAYLOR,T.POWELL (T.POWELL,T.OTTOH,M.LEAY,CHER) WARNER BROS. 0 ISV1 Nl 31111 after the Jan. 26 Grammy BOOYAH 333 3M I Nouoriond.amtratii 12 92 LZ Showtek Featuring We Are Loud! & Sonny Wilson 13 12 telecast. The track, which SHOWTEK,WE ARE LOUD! (S.JANSSEN,W.JANSSEN,V.VAN DEN BIGGELAAR,D.ORTGIESS) SPINNIN’/POLYDOR/INTERSCOPE #1 11 WKS STAY THE NIGHT Zedd Feat. Hayley Williams 18 debuted and peaked at No. 18 BOY OH BOY Diplo GTA INTERSCOPE 6Z CDEL 19 17 in June, re-enters at No. 25. DIPLO,M.VAN TOTH,J.MEJIA (T.W.PENTZ,M.VON TOTH,J.MEJIA) MAD DECENT Z BURN Ellie Goulding 17 Elsewhere on Hot Dance/ FOR ONCE IN MY LIFE CHERRYTREE/INTERSCOPE SE Mel B 29 4 Electronic Songs, Zedd’s CD NOT LISTED (T.MCEWAN,L.H.JENSEN,G.LAKE,N.DJAFARI,M.BROWN) SBB 0 RED LIGHTS Tiesto 4 MUSICAL FREEDOM/PM:AM/CASABLANCA/REPUBLIC/UNIVERSAL latest, “Find You,” with 01 ALL THE WAY Timeflies 11 2 0] II Matthew Koma and Miriam SOFLY & NIUS,R.RESNICK (C.SHAPIRO,R.RESNICK,R.JUDRIN,J.ABRAHART,P.MELKI,S.ROCKET,M.BENASSI,A.BENASSI) ISLAND/IDJMG THINKING ABOUT YOU Calvin Harris Feat. Ayah Marar 20 * DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/COLUMBIA Bryant, soars 25-11, aided REVOLUTION R3hab & NERVO & i 31 2 by a 256% jump in download NERVO,F.EL GHOUL,U.OZCAN (O.M.NERVO,M.NERVO,F.EL GHOUL,U.OZCAN) SPINNIN’ CO S HEY BROTHER Avicii 11 PRMD/ISLAND/IDJMG sales to 24,000. That sum LAST CHANCE Kaskade & Project 46 Dance/Electronic ZE 25 6 places the track in the top NOT LISTED (R.RADDON,F.BJARNSON,R.HENDERSON,T.SHAW,A.ALLEN) ULTRA NOW OR NEVER Feat. Phoebe Ryan 11 ENHANCED 10 (21-8) of Dance/Electronic 0 LEGACY VS Krewella 22 17 21 51 NICKY ROMERO,J.YOUSAF,Y.YOUSAF,K.TINDL,T.GAD (N.ROTTEVEEL,J.YOUSAF,Y.YOUSAF,K.TINDL,T.GAD) PROTOCOL/ULTRA TIMBER Pitbull Feat. Ke$ha 12 Digital Songs. 0 0 MR. 305/POLO GROUNDS/RCA On Dance Club Songs, “Go THE SPARK Afrojack Featuring Spree Wilson SZ Se VI 21 16 STRANGERS Seven Lions With Myon & Shane 54 Feat. Tove Lo 11 F**k Yourself” forcefully AFROJACK (N.VAN DE WALL,J.YOUNG III,M.E.MAXWELL) WALL/PM:AM/ISLAND/IDJMG CASABLANCA/REPUBLIC

2014 0 0 gives My Crazy Girlfriend EARTHQUAKE Of Of. SE DJ Fresh Vs. Diplo Feat. Dominique Young Unique 26 19 DARE YOU Hardwell Feat. Matthew Koma 4 its first No. 1 with its first D.STEIN,DIPLO (D.STEIN,T.W.PENTZ,D.CLARKE) MINISTRY OF SOUND/COLUMBIA CLOUD 9/ULTRA 0 0 chart entry, thanks to remixes Y.A.L.A. 17V M.I.A. 19 13 01 OT TAKE ME HOME Cash Cash Feat. Bebe Rexha 24 If THE PARTYSQUAD (M.ARULPRAGASAM,R.FERNHOUT,J.LEEMBRUGGEN,J.BRIGHTMAN) N.E.E.T./XL/INTERSCOPE BIG BEAT/RRP from Richard Vission, 0 Papercha$er and Dave February 15 STRANGERS Seven Lions With Myon & Shane 54 Feat. Tove Lo 30 14 DARK HORSE Katy Perry Feat. Juicy J 4 m0CC SEVEN LIONS,MYON (J.MONTALVO,M.EGETO,T.LO) CASABLANCA/REPUBLIC CAPITOL Aude, among others. It’s the fourth Dance Club Songs No. HIDE LAST CHANCE Kaskade & Project 46 7 O1N338 N.A.S.A. Featuring Aynzli Jones 38 3 ULTRA S.SPIEGEL (S.SPIEGEL,J.PINHEIRO,A.R.JONES) SPECTROPHONIC SOUND 1 with the “F” word in the title 0 since 2006—from the chart’s 3 POMPEII Bastille 9 M3N HUMAN Krewella 39 1 VIRGIN/CAPITOL inception in 1976 until then ID RAIN MAN,Q.KWALAE,S.SHWARTZ (J.YOUSAF,Y.YOUSAF,K.TRINDL,Q.KWALAE,T.GAD,S.SWARTZ) KREWELLA/COLUMBIA OD ANIMALS Martin Garrix there were none. 5, VT 27 0. DARE YOU Hardwell Featuring Matthew Koma 27 8 SPINNIN’/SILENT/CASABLANCA/REPUBLIC 9f HARDWELL (R.VAN DE CORPUT,MATTHEW KOMA) CLOUD 9/ULTRA —Gordon Murray io LEGACY Nicky Romero VS Krewella st 9 M3N INTO THE BLUE Kylie Minogue 41 1 411 PROTOCOL/ULTRA 0 NOT LISTED (NOT LISTED) PARLOPHONE/WARNER BROS. COUNTING STARS OneRepublic 9 ,, MOSLEY/INTERSCOPE 617 OV ADDICTED TO YOU Avicii 23 14 4111 0 AVICII (T.BERGLING,A.POURNOURI,M.DAVIS,J.KRATCHIC) PRMD/ISLAND/IDJMG YOUTH Foxes 2 BIRD MACHINE DJ Snake Featuring Alesia RCA 82 ZE EV 21 8 01) DJ SNAKE,ALESIA (W.GRIGAHCINE,L.DEFEZ,N.PETITFRERE) JEFFREE’S/MAD DECENT REVOLUTION R3hab & NERVO & Ummet Ozcan 2 The week's most popular current dance/electronic songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan, streaming activity data by online music sources tracked by Nielsen BDS and reports from a national sample of club DJs. Songs are defined Songs are Nielsen BDS and reports by a national sample of club DJs. from tracked activity online music sources Nielsen SoundScan,data by by streaming sales data as compiled Nielsen BDS, by as measured impressions audience airplay radio by songs, ranked dance/electronic most popular current SONGS: The week's DANCE/ELECTRONIC HOT old or older than 18 less than 18 months are if they defined as current Nielsen SoundScan. by Albums are sales data as compiled by albums, ranked dance/electronic most popular current The week's ALBUMS: sales activity the firstDANCE/ELECTRONIC for time. and/or airplay widespread titles, or songs receiving newly-released are if they as current Nielsen BDS, by as monitored their hoursprogramming, submitted of mix show top 40 and select rhythmic on mainstream stations that have plays stations and mix show on 8 dance-formatted plays total weekly by songs ranked most popular current The week's AIRPLAY: SHOW 200's top 100. DANCE/MIX in the Billboard but still residing months and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for See Chartsto Billboard. on billboard.com/biz Legend SPINNIN’ M3N TAKE ME AWAY Rokelle Featuring Dave Aude 44 1 01) 0 D.AUDE (D.AUDE,C.R.LEMELSON,M.A.WARREN,J.ROBINSON) AUDACIOUS WIZARD Martin Garrix & Jay Hardway 2 SPINNIN’/CASABLANCA/REPUBLIC HIGHER Deborah Cox Featuring Paige 01) VE IV St, 23 10 PAIGE,T.COLUCCIO,A.MIRABELLA (A.COLUCCIO,D.COX,H.GURELI,M.MILLANO,A.MIRABELLA,J.PAGE,L.STEPHENS,V.VILLANI) ELECTRONIC KINGDOM LIKE SATELLITES Manufactured Superstars Feat. Danni Rouge 11 MAGIC MUZIK/BLACK HOLE F FOR YOU Disclosure Featuring Mary J. Blige 46 2 OD CD CD DISCLOSURE (G.LAWRENCE,H.LAWRENCE) PMR/UNIVERSAL ISLAND/CHERRYTREE/INTERSCOPE ENJOY THE RIDE Krewella 2 01) KREWELLA/COLUMBIA NOW OR NEVER Tritonal Featuring Phoebe Ryan 30 9 C.CISNEROS,D.REED (C.CISNEROS,D.REED) ENHANCED BONELESS Steve Aoki, Chris Lake & Tujamo 8 SALES DATA COMPILED BY COMPILED SALES DATA 0 DIM MAK/ULTRA 01) TV , ENJOY THE RIDE Krewella 36 6 RAIN MAN,DALLAS K (J.YOUSAF,Y.YOUSAF,J.A.BERMAN,B.STEINBERG,K.TRINDL,D.KOEHLKE) KREWELLA/COLUMBIA 61 EZ THE MONSTER Eminem Feat. Rihanna 10 0 WEB/SHADY/AFTERMATH/INTERSCOPE MAD Vassy CZ ow 27 9 Mn TEAM Lorde 1 D.AUDE (D.AUDE,V.KARAGIORGOS,P.BENTLEY) AUDACIOUS 0 LAVA/REPUBLIC

IV LV OS TRY IT OUT Skrillex & Alvin Risk 19 16 MANY WAYS Ferry Corsten Feat. Jenny Wahlstrom 5 SKRILLEX,A.RISK (S.MOORE,A.RISK) BIG BEAT/OWSLA/RRP 18 FLASHOVER/ROBBINS

AIRPLAY/STREAMING AIRPLAY/STREAMING BY COMPILED DATA 0 WorldMags.net Data for week of 02.15.2014 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 89

DANCE CLUB SONGSTm WorldMags.netEURO JAPAN DIGITAL SONGS COMPILED BY NIELSEN SOUNDSCAN INTERNATIONAL JAPAN HOT 100 COMPILED BY HANSHIN/SOUNDSCAN JAPAN/PLANTECH LAST HOE TITLE Artist WEE. ON WEEK WEEE IMPRINT/PROMOTION LABEL CHART LAST THIS TITLE Artist LAST THIS TITLE Artist #1 WEEK WEEK IMPRINT/LABEL WEEK WEEK IMPRINT/LABEL 1 WK GO F**K YOURSELF My Crazy Girlfriend 9 O CAPITOL 1 Feat. 1 SNOW MAGIC FANTASY SEKAI NO OWARI 2 ATLANTIC 1 TOY’S FACTORY GG DARK HORSE Katy Perry Feat. Juicy J 5 CAPITOL 2 HAPPY Pharrell Williams 2 CHOCOLATE Reo Ieiri 1 BACK LOT MUSIC/COLUMBIA 4 VICTOR TAKE IT LIKE A MAN 3 Cher 9 WARNER BROS. 3 FEELIN’ MYSELF will.i.am Feat. Miley Cyrus, French Montana, Wiz Khalifa & DJ Mustard 3 KIMI NO TONARI Aiko 6 WILL.I.AM/INTERSCOPE 18 PONY CANYON 4 TSUNAMI DVBBS & Borgeous 9 DOORN/SPINNIN’/COLUMBIA 4 TIMBER Pitbull Feat. Ke$ha NEW 4 EGAO NO KIMI HA TAIYO SA Morning Musume.’14 3 MR. 305/POLO GROUNDS/RCA UP-FRONT FOR ONCE IN MY LIFE Mel B 7 SBB 5 READY FOR YOUR LOVE Feat. MNEK 5 TSUKI Namie Amuro 11 VIRGIN 33 AVEX-J-MORE HEY BROTHER Avicii 6 O PRMD/ISLAND/IDJMG NEW 6 CRYING FOR NO REASON 6 IMAGINE USAGI RINSE/AMMUNITION 3 NAYUTAWAVE POMPEII Bastille 9 VIRGIN/CAPITOL 5 7 HEY BROTHER Avicii NEW 7 TAKAMONO ZU µ’s RIGHT THERE POSITIVA/PRMD/ISLAND LANTIS 8 Ariana Grande Feat. Big Sean 7 REPUBLIC RE 8 DRUNK IN LOVE Beyonce Feat. Jay Z 8 ZUTTO SPICY CHOCOLATE feat.HAN-KUN & TEE PARKWOOD/COLUMBIA 22 UNIVERSAL SATURDAY NIGHT Natalia Kills 8 O WILL.I.AM/CHERRYTREE/INTERSCOPE BRAVEHEART OTONE NAGARETSUKI 9 Neon Jungle NEW 9 Kiyoshi Hikawa 4 RCA COLUMBIA HANDS UP IN THE AIR Audio Playground 5 SONY MUSIC CANADA 8 10 I SEE FIRE Ed Sheeran 32 10 GET LUCKY Daft Punk Feat. Pharrell Williams SOMEBODY LOVES YOU WATERTOWER/DECCA SONY 6 Betty Who 7 RCA

NEON LIGHTS 6 12 Demi Lovato 10 HOLLYWOOD UNITED KINGDOM GERMANY

DO WHAT U WANT 13 Lady Gaga Feat. R. Kelly 8 SINGLES COMPILED BY THE OFFICIAL UK CHART CO. SINGLES COMPILED BY MEDIA CONTROL STREAMLINE/INTERSCOPE LAST THIS TITLE Artist LAST THIS TITLE Artist TAKE ME AWAY Rokelle Feat. Dave Aude 5 WEEK WEEK IMPRINT/LABEL WEEK WEEK IMPRINT/LABEL O 0 AUDACIOUS 1 RATHER BE Clean Bandit Feat. Jess Glynne 1 HAPPY Pharell WilliamsArtist MAD 1 ATLANTIC 1 BACKIMPRINT_LABEL LOT MUSIC/COLUMBIA 14 15 Vassy 13 AUDACIOUS NEW 2 FEELIN’ MYSELF will.i.am Feat. Miley Cyrus, French Montana, Wiz Khalifa & DJ Mustard 2 HARD OUT HERE Lily Allen HIGHER WILL.I.AM/INTERSCOPE 2 PARLOPHONE/WARNER 17 16 Deborah Cox Feat. Paige 12 ELECTRONIC KINGDOM 3 HAPPY Pharrell Williams 3 I SEE FIRE Ed Sheeran TIMBER 2 BACK LOT MUSIC/COLUMBIA 3 WATERTOWER/DECCA 8 17 Pitbull Feat. Ke$ha 11 MR. 305/POLO GROUNDS/RCA NEW 4 READY FOR YOUR LOVE Gorgon City Feat. MNEK 4 ATEMLOS DURCH DIE NACHT Helene Fischer GAUDETE VIRGIN 5 JEAN FRANKFURTER/POLYDOR/ISLAND 19 18 Erasure 6 MUTE NEW 5 CRYING FOR NO REASON Katy B 5 TIMBER Pitbull Feat. Ke$ha YOU MAKE ME RINSE/AMMUNITION 4 MR. 305/POLO GROUNDS/RCA 13 19 Avicii 13 PRMD/ISLAND/IDJMG 6 TIMBER Pitbull Feat. Ke$ha 6 KIDS (2 FINGER AN DEN KOPF) Marteria SATELLITE Justin Caruso & Aude Feat. Christina Novelli 6 5 MR. 305/POLO GROUNDS/RCA 8 FOUR 0- 0 AUDACIOUS 7 BRAVEHEART Neon Jungle 7 LIEDER Adel Tawil WITH YOU Kimberly Davis 5 4 RCA 6 VERTIGO/CAPITOL/UNIVERSAL O 0 D1 8 HEY BROTHER Avicii NEW 8 OMG! Marteria ALONE TOGETHER Fall Out Boy 4 6 POSITIVA/PRMD/ISLAND FOUR O 0 DECAYDANCE/ISLAND/IDJMG RE 9 DRUNK IN LOVE Beyonce Feat. Jay Z 9 CHANGES Faul & Wad Ad vs. PNAU THE MONSTER PARKWOOD/COLUMBIA 7 WEPLAY/CO. KG/FOUR 22 23 Eminem Feat. Rihanna 8 WEB/SHADY/AFTERMATH/INTERSCOPE 10 TRUMPETS Jason Derulo NEW 10 OF THE NIGHT Bastille 7 BELUGA HEIGHTS/WARNER BROS. VIRGIN 18 24 CRUCIFIED 2013 Army Of Lovers 8 STOCKHOLM

THUNDERGOD 29 25 Danny Howard & Futuristic Polar Bears 6 CARRILLO FRANCE CANADA 1W-1 GAMES Claire 4 32 DIGITAL SONGS BILLBOARD 0 ASTRALWERKS/CAPITOL COMPILED BY NIELSEN SOUNDSCAN INTERNATIONAL COMPILED BY NIELSEN SOUNDSCAN/NIELSEN BDS LAST THIS TITLE Artist LAST THIS TITLE Artist 37 CANNONBALL Lea Michele 4 WEEK WEEK WEEK WEEK COLUMBIA IMPRINT/LABEL IMPRINT/LABEL

NOW YOU’RE MINE 1 HAPPY Pharrell Williams 1 DARK HORSE Katy Perry Feat. Juicy J Kim Cameron 4 1 BACK LOT MUSIC/COLUMBIA 4 CAPITOL/UNIVERSAL 0 SIDE FX PARTNERS WHAT TO DO NOW 2 DERNIERE DANSE Indila 2 SAY SOMETHING A Great Big World & Christina Aguilera 28 29 Robbie Rivera & The EKGs 10 2 CAPITOL 3 BLACK MAGNETIC/EPIC/SONY MUSIC JUICY

BLOW RE 3 GET LUCKY Daft Punk Feat. Pharrell Williams 3 COUNTING STARS OneRepublic Beyonce 2 DAFT LIFE/COLUMBIA 1 MOSLEY/INTERSCOPE/UNIVERSAL O 0 PARKWOOD/COLUMBIA TIMBER COUNTING STARS OneRepublic 5 4 ROYALS Lorde 4 Pitbull Feat. Ke$ha 33 31 5 VIRGIN/UNIVERSAL 2 MR. 305/POLO GROUNDS/RCA/SONY MUSIC MOSLEY/INTERSCOPE

THURSDAY NEW 5 Daft Punk Feat. 5 LET HER GO Passenger 27 32 Pet Shop Boys Feat. Example 11 DAFT LIFE/COLUMBIA 5 BLACK CROW/NETTWERK/SONY MUSIC X2 Hits of the World the of Hits TEAM LOVE ME AGAIN John Newman 12 6 ZOMBIE Maitre Gims 6 Lorde 30 33 3 WATI.B 6 LAVA/REPUBLIC/UNIVERSAL REPUBLIC

LOVED ME BACK TO LIFE 7 COUNTING STARS OneRepublic 7 RUDE MAGIC! 20 Celine Dion 12 10 MOSLEY/INTERSCOPE 9 LATIUM/SONY MUSIC COLUMBIA

BURN NEW 8 SIRENS CALL Cats On Trees 8 DEMONS Imagine Dragons Ellie Goulding 3 2014 VF/TOT OU TARD 8 KIDINAKORNER/INTERSCOPE/UNIVERSAL O 0 CHERRYTREE/INTERSCOPE GIVE 9 Lily Allen 9 THE MONSTER Eminem Feat. Rihanna Malea 3 6 PARLOPHONE/WARNER 7 WEB/SHADY/AFTERMATH/INTERSCOPE/UNIVERSAL O 0 MALEA CAPTURE 10 TIMBER Pitbull Feat. Ke$ha 10 RADIOACTIVE Imagine Dragons Dawn Woods 3 8 MR. 305/POLO GROUNDS/RCA 33 KIDINAKORNER/INTERSCOPE/UNIVERSAL O 0 DAWN WOODS February 15 INCREDIBLE 31 38 Cary Nokey 6 LAST QUARTER KOREA THE SPARK Afrojack Feat. Spree Wilson 12 25 39 a WALL/PM:AM/ISLAND/IDJMG DIGITAL SONGS COMPILED BY NIELSEN SOUNDSCAN INTERNATIONAL KOREA K-POP HOT 100 COMPILED BY BILLBOARD KOREA WIZARD Martin Garrix & Jay Hardway 2 LAST THIS TITLE Artist LAST THIS TITLE Artist O 0 SPINNIN’/CASABLANCA/REPUBLIC WEEK WEEK IMPRINT/LABEL WEEK WEEK IMPRINT/LABEL UNCONDITIONALLY 34 4 Katy Perry 12 1 HAPPY Pharrell Williams 1 GOODBYE Hyolin CAPITOL 1 BACK LOT MUSIC/COLUMBIA 1 STARSHIP ENTERTAINMENT

ANIMALS 40 42 Martin Garrix 25 2 SAY SOMETHING A Great Big World & Christina Aguilera 2 FXXK U Gain SPINNIN’/SILENT/CASABLANCA/REPUBLIC 6 BLACK MAGNETIC/EPIC 68 APOP ENTERTAINMENT

HOW I FEEL DJ Rockster Feat. Paul Cless 1 3 SWING Joel Fletcher & Savage 3 SOMETHING Girl’s Day 51101 2 3 DEBUT EFE HUSSLE/MINISTRY OF SOUND LOEN TREE

38 44 BOOYAH Showtek Feat. We Are Loud! & Sonny Wilson 15 4 STRONG London Grammar 4 MY DESTINY Lyn SPINNIN’/POLYDOR/INTERSCOPE 5 METAL & DUST/MINISTRY OF SOUND/POLYDOR/ISLAND 2 MUSIC & NEW

RED LIGHTS NEW Tiesto 1 5 FREE Rudimental Feat. Emeli Sande 5 SINGING GOT BETTER Ailee MUSICAL FREEDOM/PM:AM/CASABLANCA/REPUBLIC 3 BLACK BUTTER/ASYLUM 5 NEOWIZ INTERNET

THE DRAGON FLIES VenSun Feat. David Vendetta & Sylvia Tosun NEW 1 RE 6 RIPTIDE Vance Joy 6 LA SONG Rain SEA TO SUN LIBERATION 6 LOEN TREE

IF ONLY TONIGHT NEW Assia Ahhatt 1 7 ALL OF ME John Legend NEW 7 I LOVE YOU Just SEIZE THE DAY 7 G.O.O.D./COLUMBIA YELLOW SUBMARINE

CELEBRATE Empire Of The Sun 1 NEW RE 8 ROYALS Lorde 8 MINISKIRT AOA THE SLEEPY JACKSON/ASTRALWERKS/CAPITOL UNIVERSAL 15 FNC ENTERTAINMENT

HOW I FEEL NEW Flo Rida 1 9 RUDE MAGIC! 9 SOME OCCASIONAL SHOWERS Gary Feat. Crush POE BOY/ATLANTIC 8 LATIUM/SONY MUSIC 7 LEESSANG COMPANY

DANSE Mia Martina Feat. Dev NEW 1 10 ADDICTED TO YOU Avicii 10 FRIDAY IU CP 10 POSITIVA/PRMD/ISLAND 12 LOEN TREE The week’s most popular songs played in dance clubs, compiled from reports from a national sample of club DJs. reports a national sample of club DJs. from clubs, compiled from in dance most popular songs played SONGS: The week’s CLUB DANCE to Bob Allen at [email protected]. should be submitted concerts Boxcsores managersagents. The top grossing as reportedand booking venues, promoters, by BOXSCORE: most popular music outside the U.S. An overview of the week’s OF THE WORLD: HITS and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2014, Prometheus rules and explanations. complete for See Charts on billboard.com/biz Legend WorldMags.net 90 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 02.15.2014 91 , , released , released tour, a Feb. a Feb. tour, tour.) This tour.) —Bob Allen High Hopes High Hopes the E Street Band The opener was a three- The opener was A seven-city trek through through trek A seven-city Bruce Springsteen (above) by began Feb. 5 with the rock 5 with the rock Feb. began from just a year ago. (Those ago. just a year from launched in South Africa with launched Ranking atop the list is the Ranking No. 1 No. Bellville Velodrome indoor Bellville Velodrome in January. The tour, on The tour, in January. New Zealand, at the beginning at the beginning Zealand, New legend’s first concert in legend’s in March 2013 during the 2013 during in March Melbourne and Brisbane Wrecking Ball which Springsteen is joined with two shows in Auckland, with two in Auckland, shows the the No. 2 spot on the chart.the No. the country. tops the chart with ticket tour in two dates of his 2014 through February through and wrap the city of Perth, but his three markets were covered covered were markets three first on stadium performance performances in two performances markets at the engagement night million in ticket sales. million in ticket performances in Sydney, in Sydney, performances engagement mark a return $1.8 million, earning the tour million, earning $1.8 year’s Oceania leg is set to run leg is set Oceania year’s venue, the largest stadium in the largest venue, sports located in Cape arena 1 concert in at FNB Stadium sales reported the first from support 200 of the Billboard In South In South on Jan. 26, 28 and 29 grossed and 29 grossed 28 on Jan. 26, during his firstduring concert tour in of March. of March. crowd at the city’s soccer soccer at the city’s crowd Town. The sold-out concerts Town. Springsteen’s Springsteen’s High Hopes Johannesburg. With a sellout With Johannesburg. in $3.4 Africa, the Boss raked Australia and New Zealand Zealand and New Australia Africa ANOTHER PLANET ENTERTAINMENT, PLANET ENTERTAINMENT, ANOTHER TRUST HENNEPIN THEATRE CONCERTS, OUTBACK PRODUCTIONS, JAM LIVE NATION CARDENAS MARKETING NETWORK CARDENAS MARKETING NETWORK PLANET ENTERTAINMENT ANOTHER MSG ENTERTAINMENT LIVE NATION, PRODUCTIONS BEAVER AEG LIVE AEG OCESA-CIE OCESA-CIE J & R ADVENTURES J & R ADVENTURES LIVE NATION LIVE NATION CARDENAS MARKETING NETWORK THE UNION LIVE NATION FRANK PRODUCTIONS STONE CITY ATTRACTIONS CITY ATTRACTIONS STONE LIVE NATION ZALI PRESENTS NS2, LIVE NATION FUTURE MUSIC GROUP PRODUCTIONS BEAVER LIVE NATION LIVE NATION FUN FOR T4F-TIME LIVE NATION PRODUCTIONS BEAVER LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION THE MESSINA GROUP/AEG LIVE GROUP/AEG THE MESSINA THE MESSINA GROUP/AEG LIVE GROUP/AEG THE MESSINA LIVE NATION BIG CONCERTS BIG CONCERTS BIG CONCERTS Go to BILLBOARD.COM/BIZto Go chart complete data for 5,657 6,000 SUNSET PROMOTIONS 7,651 THREE SHOWS 7,776 9,598 15,424 SOUND EVENTS 8,629 11,124 4,422 4,422 7,312 8,355 9,000 5,146 5,943 8,516 10,000 8,441 8,441 SELLOUT 10,774 10,774 SHOWS TWO 12,796 5,933 SHOWS TWO 9,086 10,922 12,793 5,636 9,770 6,800 SELLOUT 11,015 14,231 9,746 SHOWS TWO 11,686 11,915 11,915 SELLOUT 6,946 SELLOUT 12,566 SELLOUT 11,920 SELLOUT 8,131 8,131 9,384 9,620 10,600 8,626 8,626 SELLOUT 4,132 SHOWS TWO 6,262 11,699 SHOWS TWO 17,210 7,569 SELLOUT SELLOUT 11,276 SELLOUT 9,166 9,166 SELLOUT 14,846 14,846 SELLOUT 13,697 13,697 SELLOUT 17,500 17,500 SELLOUT 14,533 SELLOUT 55,385 55,385 SELLOUT 23,973 THREE SELLOUTS ATTENDANCE ATTENDANCE CAPACITY PROMOTER SEA OF DREAMS NEW YEAR’S EVE: THIEVERY CORPORATION & OTHERS SEA OF DREAMS NEW YEAR’S EVE: THIEVERY CORPORATION SAN FRANCISCO BILL GRAHAM CIVIC AUDITORIUM, JERRY SEINFELD MINNEAPOLIS ORPHEUM THEATRE, AJ DUGAS, GHENT BAND, BROWN ZAC KY. ARENA,RUPP LEXINGTON, DEC. 31 16-17 JAN. DEC. 14 PHILLIP PHILLIPS JOHN MAYER, TEXAS FRANK ERWIN CENTER, AUSTIN, DEC. 6 ALEJANDRO FERNÁNDEZ N.Y. CENTER, BROOKLYN, BARCLAYS NOV. 21 NOV. TROMBONE SHORTY & ORLEANS BAND, AVENUE BROWN ZAC SAP CENTER, SAN JOSE 16 NOV. PREMIER DJ FIVEOLOGY, JAMES, LUKE , RADIO CITY MUSIC HALL, NEW YORK DEC. 31 PHILLIP PHILLIPS JOHN MAYER, NEW ORLEANS ARENA, NEW ORLEANS DEC. 7 JOHN MAYER, PHILLIP PHILLIPS JOHN MAYER, ARENA, NASHVILLE BRIDGESTONE DEC. 4 GLORIA TREVI GLORIA MEXICO MONTERREY, BANAMEX, AUDITORIO NOV. 29-30 29-30 NOV. JOE BONAMASSA JOE BONAMASSA ATLANTA THEATRE, FOX NOV. 22-23 22-23 NOV. TRANS-SIBERIAN ORCHESTRA D.C. CENTER, WASHINGTON, VERIZON ALEJANDRO FERNÁNDEZ ILL. ARENA, ROSEMONT, ALLSTATE TRANS-SIBERIAN ORCHESTRA ARENA, NASHVILLE BRIDGESTONE TRANS-SIBERIAN ORCHESTRA CENTER, MADISON, WIS. ALLIANT ENERGY DEC. 4 24 NOV. 1, DOM G & OTHERS TITUS GLITTER NYE: HARDWELL, DYRO, & GOLD BMO CENTRE, CALGARY DEC. 31 DEC. 8 DEC. 13 TRANS-SIBERIAN ORCHESTRA BOK CENTER, TULSA, OKLA. BRADBERRY DANIELLE CHRIS YOUNG, BRAD PAISLEY, MINN. PAUL, CENTER, ST. ENERGY XCEL DEC. 19 DEC. 19 DEPECHE MODE MALMÖ ARENA, MALMÖ, SWEDEN DEC. 9 & ROPE BROTHERS, SHOVELS THE AVETT N.C. CABLE ARENA, CHARLOTTE, TIME WARNER DEC. 31 16 NOV. AVICII, WILL SPARKS, NEW WORLD SOUND NEW WORLD WILL SPARKS, AVICII, AUSTRALIA ARENA, PERTH, PERTH JAN. 27 JAN. MICHAEL BUBLÉ PEPSI CENTER, DENVER 20 NOV. KEITH URBAN, LITTLE BIG TOWN, BRETT ELDREDGE LITTLEKEITH URBAN, BIG TOWN, ONTARIO LONDON, GARDENS, BUDWEISER TRANS-SIBERIAN ORCHESTRA FLA. CENTER, ORLANDO, AMWAY JAN. 23 23 JAN. YUSUF BRAZIL HALL,CITIBANK SÃO PAULO, 16-17 NOV. 30 NOV. MICHAEL BUBLÉ ORE. PORTLAND, CENTER, MODA 16 NOV. WIDESPREAD PANIC WIDESPREAD PANIC PHILIPS ARENA, ATLANTA BILLY FLA. VETERANS MEMORIAL ARENA, JACKSONVILLE, 22 JAN. 12,112 DEC. 31 ELTON JOHN ELTON ONTARIO LONDON, GARDENS, BUDWEISER FEB. 3 ELTON JOHN ELTON PHILIPS ARENA, ATLANTA NOV. 16 NOV. GEORGE STRAIT, MIRANDA GEORGE STRAIT, CASINO CENTER, SAN DIEGO VIEW VALLEY JAN. 31 31 JAN. GEORGE STRAIT, MARTINA McBRIDE GEORGE STRAIT, SAP CENTER, SAN JOSE, CALIF. Z JAY PHILIPS ARENA, ATLANTA JAN. 30 30 JAN. DEC. 27 BRUCE SPRINGSTEEN & THE E STREET BAND BAND & THE E STREET BRUCE SPRINGSTEEN JOHANNESBURG FNB STADIUM, BAND & THE E STREET BRUCE SPRINGSTEEN AFRICA CAPE TOWN, VELODROME, BELLVILLE FEB. 1 28-29 26, JAN. ARTIST ARTIST VENUE DATE

GROSS PER TICKET PRICE(S) $538,370 $175/$160/$100/$75 $77/$46 $524,519 $65.50/$55.50/ $45.50/$25.50 $67.50/$47.50 $547,710 $547,710 $169/$129/$89/$69 $69.50/$49.50/$39.50 $250/$125/$100/$65 $66.50/$46.50 $551,067 $551,067 $69.50/$35 $551,445 $551,445 PESOS) (7,229,500 $51.18 $532,489 $532,489 $522,038 $522,038 $560,573 $560,573 $125/$69 $547,318 $547,318 $541,610 $538,427 $598,447 $598,447 $598,048 $72/$34 $597,939 $150/$125/$89/$49 $70/$34.50 $71/$31 ($638,160 CANADIAN) ($638,160 $121.48/$74.55 $621,509 $621,509 $72.50/$32.50 $59/$39 $619,829 $619,829 KRONA) (4,078,476 $120.82/$68.39 $59.50/$39.50 $630,136 $630,136 AUSTRALIAN) ($726,197 $87.68/$79.01 $99.50/$54.50 $665,598 CANADIAN) ($731,812 $79.58/$63.21 $640,572 $68.50/$30 (1,522,228 REAIS) (1,522,228 $409.74/$107.83 $99.50/$54.50 $591,619 $587,926 $596,584 $596,584 $75/$65 $914,440 $914,440 $99.50/$49.50 $604,737 $604,737 $1,126,850 $1,126,850 CANADIAN) ($1,254,861 $136.05/$64.21 $629,408 $1,163,425 $1,163,425 $165/$45 $656,540 $636,645 $716,585 $716,585 $1,175,723 $1,175,723 $89.50/$69.50 $1,498,828 $1,498,828 $89.50/$69.50 $150/$32.50 $3,409,720 $3,409,720 RAND) (34,433,400 $99.02/$29.71 RAND) (18,856,300 $88.25/$49.03 $1,207,942 $1,207,942 $1,848,788 $1,848,788

1 7 2 3 5 9 6 8 4 11 17 21 12 31 13 15 19 16 27 22 18 23 32 33 25 14 35 10 26 29 28 24 34 20 30 CONCERT GROSSES CONCERT

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U2 Stan Stan Jana Avicii Avicii Artist Artist Artist Artist Stromae Stromae Klingande Klingande Maitre Gims Maitre John Legend John Legend OneRepublic OneRepublic OneRepublic OneRepublic Mazonakis Giorgos Artists Various COMPILED BY CYTA BY COMPILED One Direction One Direction Ellie Goulding Ellie Goulding Andrea Bocelli Bocelli Andrea Various Artists Various JVG Feat. Sanni Feat. JVG Claudia de Breij Claudia de Breij Pharrell Williams Williams Pharrell Pharrell Williams Williams Pharrell Bruce Springsteen Springsteen Bruce Artists Various Pitbull Feat. Ke$ha Ke$ha Pitbull Feat. Pitbull Feat. Ke$ha Ke$ha Pitbull Feat. Pitbull Feat. Ke$ha Ke$ha Pitbull Feat. DVBBS & Borgeous & Borgeous DVBBS COMPILED BY NIELSEN BDS NIELSEN BY COMPILED Dimitris Mitropanos Rihanna Feat. Shakira Rihanna Feat. Shakira Gloria Trevi Katy PerryKaty Juicy J Feat. Dionysiou Stratos

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MOSLEY/INTERSCOPE/UNIVERSAL MOSLEY/INTERSCOPE/UNIVERSAL COUNTING STARS STARS COUNTING UNIVERSAL BURN CHERRYTREE/INTERSCOPE/UNIVERSAL VIVEME ATLANTIC/WARNER RELACION CLANDESTINA RELACION DISA/UNIVERSAL MR. 305/POLO GROUNDS/RCA/SONY MUSIC GROUNDS/RCA/SONY MR. 305/POLO OF MY LIFE STORY MUSIC SYCO/COLUMBIA/SONY EL PERDEDOR UNIVERSAL FORGETCAN’T REMEMBER TO YOU MUSIC RCA/SONY NO QUERIAS LASTIMARME HERMOSA EXPERIENCIAHERMOSA SABINAS DISCOS TIMBER DE GLIMLACH VAN EEN KIND VAN DE GLIMLACH 8BALL JUBEL KLINGANDE ORDINARY LOVE MAG IK DAN BIJ JOU IK DAN MAG HORIZON/DECCA DISTANT TIMBER GROUNDS/RCA MR. 305/POLO CAN’T REMEMBER TO FORGET YOU FORGETCAN’T REMEMBER TO YOU RCA TSUNAMI PUMMILLA TALLINNAAN PUMMILLA TALLINNAAN WARNER HEY BROTHER POSITIVA/PRMD/ISLAND ETSA OLE HULLU UNIVERSAL KIINNI JAIT EMI STARS COUNTING MOSLEY/INTERSCOPE MUSIC DOORN/SPINNIN’/DISCO:WAX/SONY BREIJWERK PRODUKTIES ALL OF ME G.O.O.D./COLUMBIA HAPPY MUSIC/COLUMBIA LOT BACK FORMIDABLE MOSAERT HORSE DARK CAPITOL/VIRGIN J’ME TIRE WATI.B MINOS/EMI/UNIVERSAL MINOS/EMI/UNIVERSAL BRAHMS: VIOLIN CONCERTO/BARTOK DECCA/UNIVERSAL IN PORTOFINO LOVE SUGAR/ALMUD/DECCA/MINOS/EMI/UNIVERSAL NA M’ EROTEFTEIS MINOS/UNIVERSAL THELEI TRAGOUDI O LAOS PME/WARNER TIMBER GROUNDS/RCA MR. 305/POLO ME LENE GIORGO: 20 XRONIA GIORGOS MAZONAKIS: 2002-2013 ME LENE GIORGO: 20 XRONIA GIORGOS 2002-2013 MAZONAKIS: HEAVEN 1960-1998 IHOGRAF. 104 TOU: KOSMOS O MOUSIKOS MINOS/EMI TRAGOUDIA MOU TA TIS PSYCHIS MINOS/EMI ROMAIKI/LAIKI/I ALLI AGORA MINOS/EMI/UNIVERSAL MINOS/EMI/UNIVERSAL MUSIC/COLUMBIA LOT BACK RULETTIIVENALAIST HIGH HOPES HAPPY COLUMBIA/SONY MUSIC MUSIC COLUMBIA/SONY EDO LILIPOUPOLI BOX MINOS/EMI/UNIVERSAL TITLE IMPRINT/LABEL IMPRINT/LABEL TITLE IMPRINT/LABEL TITLE TITLE IMPRINT/LABEL IMPRINT/LABEL 1 1 1 1 3 3 3 5 5 3 5 5 2 7 2 7 7 7 2 2 8 8 8 8 9 9 9 6 9 6 6 6 4 4 4 4 THIS THIS THIS THIS 10 10 10 10 WEEK WEEK WEEK WEEK 1 1 1 7 7 2 2 2 2 5 5 3 3 3 3 8 8 9 9 9 6 6 6 4 4 4 RE RE RE RE RE RE 14 AIRPLAY AIRPLAY DIGITAL SONGS DIGITAL DIGITAL SONGS DIGITAL ALBUMS ALBUMS LAST LAST LAST LAST MEXICO GREECE NEW NEW NEW NEW NEW NEW NEW WEEK WEEK WEEK WEEK Data for week of 02.15.2014 | For chart reprints call 212.493.4023 chart call reprints | For 02.15.2014 of week for Data SPRINGSTEEN: DANNY CLINCH DANNY SPRINGSTEEN: 111 . WorldMags.net REWINDING BILLBOARD HISTORY

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* 6 1NEAR 5.55.24, 3YOU MOCKING Elton John (left) and . Ovv3. 3v g S gm in 1970. 7 1.011232 CATS FEB. 13, B. .91 V .a3a s Below: Aloe Blacc 3 MT SWEET Vv.., Ma MI11 Losunstrt 1971 Got, vv...., tt11 MY 7 (COY. OW. 'WW1 12 7 01003/E ME Sm..). huR .40.4el TOO SONG ..5455 II :0 12 !WERE 12 (c. o.,.3. TOUR WOMM1 S. ftx 12 WHAT PEAK YAM w. 18 If 200 5 14 (No. 30) and Rhythmic (No. 33), and it continues scaling CORO 2E10 )0. MT MIRO Elton’s First Top Adult Top 40 (37-30) and Mainstream Top 40 (33-28). , 4* 3 Fueling its ascent is a synch in a Beats by Dr. Dre TV ad 10, ‘Your Song,’ featuring NBA player Kevin Garnett, which is scheduled to run through April. Charts Again If the “you can tell everybody” lyric and melody sound familiar, that’s because they incorporate Elton After 43 Years John’s classic “Your Song,” which 43 years ago this week was wrapping a four-week peak at No. 8 on the Hot 100. It became John’s f rst of 27 top 10s, a sum that places him “You can tell everybody,” Aloe Blacc announces over a in a tie for f fth-best of all time. He logged 16 of those top blast of horns, “I’m the man.” And the sing- 10s in the ’70s, the most of any act that decade. er/songwriter’s new pop/R&B hit is making that boast This isn’t the f rst time “Your Song” has helped rocket come true, as “The Man” scales a host of charts. a new artist to stardom. Before breaking in the United Having already reached the Digital Songs top f ve and States with “Lights” and “Burn,” Ellie Goulding’s cover the Billboard Hot 100’s top 20, this week the track enters of John’s 1971 hit topped the U.K. Digital Songs chart for three radio airplay tallies: Triple A (No. 23), Adult R&B two weeks in 2010. —Gary Trust

© Copyright 2014 by Prometheus Global Media, LLC. All rights reserved. No part of this publication may be reproduced, stored in any retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. BILLBOARD MAGAZINE (ISSN 0006-2510; USPS 056-100) is published weekly except for the 2nd week in January, 1st week in June, 2nd week in July, 1st week in September, and 1st and 4th week in December by Prometheus Global Media, LLC., 770 Broadway, New York, N.Y. 10003-9595. Subscription rate: annual rate, Continental U.S. $299.00. Continental Europe 229 pounds. Billboard, Tower House, Sovereign Park, Market Harborough, Leicestershire, LE16 9EF. Registered as a newspaper at the British Post Office. Japan 109,000 yen. Periodicals postage paid at New York, N.Y., and at additional mailing offices. Postmaster: Please send all UAA to CFS. Send Non-Postal and Military Facilities changes of address to Billboard, P.O. Box 45, Congers, N.Y., 10920-0045. Current and back copies of Billboard are available on microfilm from Kraus Microform, Route 100, Millwood, N.Y. 10546 or Xerox University Microfilms, P. O. Box 1346, Ann Arbor, MI 48106. For reprints contact: Wright’s Media, [email protected], 1-877-652-5295. Under Canadian Publication Mail Agreement No. 41450540 return undeliverable Canadian addresses to MSI PM#41450540, P.O. Box 2600, Mississauga, ON L4T 0A8. Vol. 126 Issue 5. Printed in the U.S.A. For subscription information, call 800-684-1873 (U.S. Toll Free); 845-267-3007 (International) or e-mail [email protected]. For any other information, call 212-493-4100. WorldMags.net INTERSCOPE OF COURTESY BLACC: WENTZELL; BARRIE TAUPIN: & ELTON 92 BILLBOARD | FEBRUARY 15, 2014 WorldMags.net

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