Bibliography of Secondary Sources for the ACRL WESS/SEES Program: Beyond Tintin: Collecting European Comics in the U.S

Bibliography of secondary sources for the ACRL WESS/SEES Program: Beyond Tintin: Collecting European Comics in the U.S. Presented at the ALA Annual Conference & Exhibition, San Francisco CA, June 27, 2015, 1:00-2:30pm Moscone Convention Center, Room 3004 West

Encyclopedias and Reference

Gaumer, Patrick, and Claude Moliterni. Dictionnaire mondial de la bande dessinée. Paris: Larousse, 1994. Ládek, Josef, and Robert Pavelka. Encyklopedie komiksu v Československu 1945-1989. Praha: XYZ nakladatelství, 2010. Lambeau, Frans. Dictionnaire illustré de la bande dessinée belge sous l’Occupation. Bruxelles: André Versaille éditeur, 2013. Scott, Clive. “Bande dessinée (BD)”. The New Oxford Companion to Literature in French. Oxford, England: Oxford University Press, 2005.

Monographs

Александров, Юрий (ред.) и др. Русский комикс: сборник статей. Москва: Новое литературное обозрение, 2010. Богдановић, Жика. Чардак ни на небу ни на земљи4: рађање и живот београдског стрипа, 1934-1941. Београд: Атенеум, 2006. Стайков, Антон. Кратка история на българския комикс. София: Кибеа, 2013. Alaniz, José. Komiks4: Comic Art in Russia. Jackson: University Press of Mississippi, 2010. Baetens, Jan and Hugo Frey. The Graphic Novel. New York, NY: Cambridge University Press, 2015. Beaty, Bart. Critical Survey of Graphic Novels: History, Theme, and Technique, edited by Stephen Weiner. Critical Survey of Graphic Novels. Ipswich, Mass.: Salem Press, 2013. ———. Unpopular Culture: Transforming the European Comic Book in the 1990s. Studies in Book and Print Culture. Toronto: University of Toronto Press, 2007. Bellefroid, Thierry, ed., L’âge d’or de la bande dessinée belge: la collection du Musée des beaux-arts de Liège. Bruxelles: Impressions nouvelles, 2015. Bezděková, Olga. Po stopách kreslených seriálů. Praha: Volvox Globator, 2012. Błażejczyk, Michał, ed., Zeszyty komiksowe: magazyn o komiksach. [Poland]: Centrala, 2004. Błażejczyk, Michał, и Michał Traczyk. Komiks historyczny. ZK Zeszyty Komiksowe, no. 12/2011. Poznań: Fundacja Tranzyt, 2011. Brancato, Sergio, и Alberto Abruzzese. Il secolo del fumetto4: lo spettacolo a strisce nella società italiana, 1908-2008. Lapilli, no.14. Latina: Tunué, 2008. Castaldi, Simone. Drawn and Dangerous4: Italian Comics of the 1970s and 1980s. Jackson: University Press of Mississippi, 2010. ———. Italian Comics of the 1970s and 1980s. Jackson: University Press of Mississippi, 2010. Cavanna, Cabu, and Professeur Choron, eds., 1960-1985, la gloire de Hara-kiri. Grenoble: Glénat, 2013. Chopelin, Paul, and Tristan Martine, eds. Le siècle des lumières en bande dessiée: de poudre et de dentelles. Paris: Karthala, 2014. Czaja, Justyna. Historia Polski w Komiksowych Kadrach. Poznań: Wydawn. Poznańskiego Tow. Przyjaciół Nauk, 2010. Dacheux, Eric, Sandrine Le Pontois, and Jerôme Dutel, eds. La BD, un miroir du lien social: bande dessinée et solidarités. Communication et civilisation. Paris: Harmattan, 2011. Dias de Deus, António, и Leonardo De Sá. Os comics em Portugal: uma história de banda desenhada. Cadernos da Bedeteca. LisboaB: CotoviaB: Bedeteca, 1997. Dierick, Charles, ed. Le Centre belge de la bande dessinée. Tournai: Renaissance du livre, 2000. Dolle-Weinkauff, Bernd, and Deutsche Nationalbibliothek. Comics made in Germany4: 60 Jahre Comics aus Deutschland 1947-20074; eine Ausstellung der Deutschen Nationalbibliothek Frankfurt am Main und des Instituts für Jugendbuchforschung der Johann Wolfgang Goethe-Universität Frankfurt am Main. Gesellschaft für das Buch, Bd. 10. Wiesbaden: Harrassowitz, 2008. Dozo, Björn-Olav, and Fabrice Leroy. La bande dessinée contemporaine. Textyles, no 36-37. Bruxelles: Le Cri Éd, 2010. Carlà, Filippo, ed. Caesar, Attila und Co.: Comics und die Antike. Darmstadt: Philipp von Zabern, 2014. Edwards, Natalie, Amy Hubbell, and Ann Miller. Textual & Visual Selves: Photography, Film, and Comic Art in French Autobiography / Hubbell, Amy L. Lincoln: University of Nebraska Press, 2011. Elsner, Daniela, Sissy Helff, and Britta Viebrock, eds. Films, Graphic Novels & Visuals4: Developing Multiliteracies in Foreign Language Education4: An Interdisciplinary Approach. Fremdsprachendidaktik in Globaler Perspektive, Band 2. Berlin: Lit, 2013. Fasiolo, Francesco. Italia da fumetto: il graphic journalism e la narrativa disegnata che raccontano la realtà italiana di ieri e di oggi. Lapilli. Segni, 28. Latina, Italy: Tunué, 2012. Foret, Martin. Studia komiksu : možnosti a perspektivy. Olomouc: Univerzita Palackého v Olomouci pro Centrum kulturálních, mediálních a komunikačních studií při Filozofické fakultě, 2012. Forsdick, Charles, Laurence Grove, and Libbie McQuillan, eds. The Francophone Bande Dessinée. Faux Titre, 265. AmsterdamB; New York, NY: Rodopi, 2005. Frąckiewicz, Sebastian. Wyjście z getta4: rozmowy o kulturze komiksowej w Polsce. Warszawa: Stowarzyszenie 40000 Malarzy, 2012. Friske, Matthias. Die Geschichte des Mosaik von Hannes Hegen: eine Comic-Legende in der DDR. durchgesehene und erg. Aufl, 3. Berlin: Lukas-Verlag, 2010. Gabut, Jean-Jacques. L’âge d’or de la BD: les journaux illustrés, 1934-1944. Paris: Catleya, 2001. Gadducci, Fabio, Leonardo Gori, and Sergio Lama. Eccetto Topolino4: lo scontro culturale tra fascismo e fumetti. L’arte delle nuvole, 3. Roma: NPE, 2011. Gajewska, Grażyna, and Rafał Wójcik. Kontekstowy Miks4: przez opowieści graficzne do analiz kultury współczesnej. Prace Komisji Filologicznej, 67. Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2011. García, Santiago. On the Graphic Novel. Jackson: University Press of Mississippi, 2015. ———. Panorama4: la novela gráfica española hoy. Colección Sillón orejero. Bilbao: Astiberri Ediciones, 2013. Garric, Henri, ed. L’engendrement des images en bande dessinée. Collection Iconotextes. Tours: Presses universitaires François-Rabelais, 2013. Genovese, Renato. L’avventurosa storia del fumetto italiano: quarant’anni di fumetti nelle voci dei protagonisti. Roma: Castelvecchi, 2009. Geōrgelos, Giōrgos. 1os katalogos Hellēnikōn ekdoseōn Komiks 1939-2010. [De Rijp]: Esperos Comics, 2011. Gibson, Mel. Remembered Reading: Memory, Comics and and Post-War Constructions of British Girlhood. Studies in European Comics and Graphic Novels. Leuven, Belgium: Leuven University Press, 2015. Gipi, and Alberto Casiraghi, eds. Gipi: lo straordinario e il quotidiano di un narratore per immagini. Lezioni di fumetto, 16. Roma: ComicOut, 2013. Gobin, Marie-Hélène. “Proust en B.D.”? Que dirait Baudelaire?: étude sémiotique: littérature et esthétique. Paris: Connaissances et savoirs, 2006. Grennan, Simon, and Laurence Grove. Transforming Anthony Trollope: Dispossession, victorianism and nineteenth-century word and image. Studies in European comics and graphic novels. Leuven, Belgium: Leuven University Press. Groensteen, Thierry. M. Töpffer invente la bande dessinée. Bruxelles: Les Impressions Nouvelles, 2014. Groensteen, Thierry, Bibliothèque nationale de France, and Centre national de la bande dessinée et de l’image (France), eds. Maîtres de la bande dessinée européenne. Paris: Bibliothèque nationale de FranceB: Seuil, 2000. Grove, Laurence. Comics in French4: The European Bande Dessinée in Context. Polygons, 14. New York: Berghahn Books, 2010. Grünberg, Reiner, and Michael Hebestreit. Mosaik-Handbuch: die Welt der Digedags. Leipzig: Lehmstedt, 2012. Gual Boronat, Óscar. Viñetas de posguerra: los cómics como fuente para el estudio de la historia. História i memória del franquisme. Valencia: Universitat de València, 2013. Hamelin associazione culturale. Perdersi a ...: esplorazioni urbane a fumetti. Bologna: Kappa edizioni, 2012. Kertész, Sándor. Comics szocialista álruhában. Nyíregyháza: Kertész Nyomda és Kiadó, 2007. Kořínek, Pavel, and Tomáš Prokůpek, eds. Signals from the Unknown4: Czech Comics 1922-2012. Řevnice: Arbor vitae, 2012. ———. Signály z Neznáma4: Český Komiks 1922-2012. Řevnice: Arbor vitae, 2012. Krzanicki, Marcin. Komiks w PRL, PRL w komiksie. Rzeszów: Instytut Pamięci Narodowej, Oddział w Rzeszowie, 2011. La BD est Charlie. Grenoble: Glénat, 2015. Leclerc, Michel-Edouard, Jean-Baptiste Barbier, CIBDI (Organization), and Fonds Hélène & Édouard Leclerc pour la culture, eds. Métal hurlant: (À suivre). Landemeau: Fonds Hélène et Edouard Leclerc pour la culture, 2013. Leclerc, Michel-Edouard, и Chantal-Marie Wahl. Itinéraires dans l’univers de la bande dessinée. Paris: Flammarion, 2003. Leroy, Fabrice. Sfar so Far: Identity, History, Fantasy, and Mimesis in Joann Sfar’s Graphic Novels. Studies in European Comics and Graphic Novels, 2. Leuven, Belgium: Leuven University Press, 2014. Marie, Vincent, Gilles Ollivier, Alain David, Celia Bornas, and Palais de la porte dorée (Paris, France), eds. Albums: des histoires dessinées entre ici et ailleurs: bande dessinée et immigration 1913-2013. Paris: FuturopolisB: Musée de l’histoire de l’immigration, 2013. Maris, Bernard, Charb, and Riss, eds. Charlie hebdo: les 20 ans: 1992/2012. Paris: Éditions les Échappés, 2012. Mazur, Dan, и Alexander Danner. Comics4: A Global History, 1968 to the Present. London: Thames & Hudson, 2014. McKinney, Mark. History and Politics in French Language Comics and Graphic Novels. Jackson: University Press of Mississippi, 2008. ———. Redrawing French Empire in Comics. Studies in Comics and Cartoons. Columbus: The Ohio State University Press, 2013. ———. The Colonial Heritage of French Comics. Contemporary French and Francophone Cultures, 17. Liverpool: Liverpool University Press, 2011. Miller, Ann. Reading Bande Dessinée: Critical Approaches to French-Language Comic Strip. Bristol, UKB; Chicago, IL.: Intellect Books, 2007. Miller, Ann, and Bart Beaty, eds. The French Comics Theory Reader. Studies in European Comics and Graphic Novels, 1. Leuven, Belgium: Leuven University Press, 2014. Nolent, Alexis. Made in France4: 8 artists and the graphic novel. [New York, N.Y.]: NyehausB: Foundation 20 21, 2007. Obremski, Wojciech. Krótka historia sztuki komiksu w Polsce4: 1945-2003. Toruń: Adam Marszałek, 2005. Pérez-del-Solar, Pedro. Imágenes del desencanto: nueva historieta española 1980-1986. La casa de la riqueza. Estudios de cultura de España, 23. MadridB: Frankfurt am Main: IberoamericanaB; Vervuert, 2013. Pontier, Jean-Marc. Lectures de David B. Montrouge: PLG, 2010. Pratt, Hugo, Patrizia Zanotti, and Thierry Thomas. Periplo incantato: 1945-1995, 50 anni a fumetti. Milano: Rizzoli Lizard, 2013. Prokůpek, Tomáš. AARGH! Výroční speciál. Brno: Analphabet Books, 2010. Roca, Paco, and Koldo Azpitarte. Una Retrospectiva de la obra de Paco Roca. [Barcelona]: Laukatu, 2009. Rubovszky, Kálmán. Apropó, comics!: a hazai fogyasztású, magyar nyelvű képregények értékjellegzetességei. [Budapest]: Művelődéskutató Intézet, 1988. Rusek, Adam. Od rozrywki do ideowego zaangażowania komiksowa rzeczywistość w Polsce w latach 1939- 1955. Warszawa: Biblioteka Narodowa, 2011. ———. Tarzan, Matołek i inni4: cykliczne historyjki obrazkowe w Polsce w latach 1919-1939. Warszawa: Biblioteka Narodowa, 2001. Sackmann, Eckart. Deutsche Comicforschung, 2005. Scott, Randall W. European Comics in English Translation4: A Descriptive Sourcebook. Jefferson, N.C.: McFarland & Co., 2002. Screech, Matthew. Masters of the Ninth Art: Bandes Dessinées and Franco-Belgian Identity. Contemporary French and Francophone CulturesB;; 3. Liverpool: Liverpool University Press, 2005. Sekulić, Aleksandra, and Radovan Popović. Invisible Comics: Alternative Comics in Serbia 1980-2010. Belgrade: National Library of Serbia, 2011. Smolderen, Thierry. Naissances de la bande dessinée4: de William Hogarth à Winsor McCay. [Bruxelles]: Les Impressions nouvelles, 2009. Steimberg, Oscar. Leyendo historietas: textos sobre relatos visuales y humor gràfico. Ex libris. Buenos Aires: Eterna Cadencia Editora, 2013. Szyłak, Jerzy. Gra ciałem4: o obrazach kobiet w kulturze współczesnej. Gdańsk: Timof i Cisi Wspólnicy, 2013. ———. Komiks w szponach miernoty4: rozprawy i szkice. Warszawa: Timof Comics, 2013. Valloatto, Stéphanie. Caricaturistes - Fantassins de la démocratie. EuropaCorp. Distribution, 2014. Vessels, Joel E. French Comics and the Republic. Jackson: University Press of Mississippi, 2010. Weiner, Stephen. The Rise of the Graphic Novel. New York: NBM Publishing, Inc., 2012. Witkowska, Ewa. Komiks japoński w Polsce4: historia i kontrowersje. Toruń: Wydawnictwo Kirin, 2012. Zanatta, Sara. Le donne del fumetto: l’altra metà dei comics italiani: temi, autrici, personaggi al femminile. Lapilli, 17. Latina: Tunué, 2009.

Journals & Periodicals

Российская государственная библиотека для молодежи. Центр комиксов и визуальной культуры. Изотекст, 2010-. Aaarg!: Bande dessinée & culture à la masse. Marseille: Bigger Boat, 2013-. Citrus: revue illustrée. Paris: Éditions L’Agrume, 2014-. International Journal of Comic Art. Drexel Hill, PA: John A. Lent, 1999-; http://www.ijoca.com 9e art: les cahiers du musée de la bande dessinée. Angoulême: Centre national de la bande dessinée et de l’image; 1996-.

Journal Articles and Book Chapters

Alaniz, José. “Towards a history of a “stalled” medium: comics in Russia”. International Journal of Comic Art 1, no. 2: 4–28. Alaniz, José. “Czech Comics Anthropology: Life and Story in O Přibjehi: Keva. Comics Forum (May 11, 2012).” Comics Forum, 2012; http://comicsforum.org/2012/05/11/czech-comics-anthropology-life-and- story-in-o-pribjehi-keva-by-jose-alaniz. ———. “Czech Comics: A Symposium”. International Journal of Comic Art 11, no. 1 (2009): 5–79. ———. “History in Czech Comics: Lucie Lomová’s Divoši. Ulbandus, Vol. 15 (2013).” Ulbandus 15 (2013): 81–108. ———. “Introduction: A Czech Patchwork”. International Journal of Comic Art 11, no. 1 (2009): 7–20. ———. ““I Want”: Women in post-Soviet Russian Comics”. ULBANDUS, The Slavic Review of Columbia University 11 (2008): 142–79. ———. “KomMissia: The Natasha Monastyrova International Festival of Drawn Stories”. International Journal of Comic Art 9, no. 2 (2007): 591–95. ———. “Late/Post-Soviet Russian Komiks: A Symposium”. International Journal of Comic Art 7, no. 1 (2005): 4–125. ———. “Masculinity and the Superhero in Post-Soviet Russian Comics”. International Journal of Comic Art 11, no. 1 (2009): 396–425. ———. “([Post]-Soviet) Zone of Dystopia: Voronovich/Tkalenko’s Sterva”. Slavic & East European Journal 57, no. 2 (2013): 203–28. ———. ““Serious” Comics Adaptations of the Classics in the Late Soviet Era: Askol’d Akishin’s A Chronicle of Military Actions”. International Journal of Comic Art 13, no. 1 (2011): 235–48. ———. “The “Quintessentially Russian” Komiks of Zhora Litichevsky”. International Journal of Comic Art 7, no. 1 (2005): 110–25. ———. “The 7th Annual Natalya Monastyrova KomMissia International Festival of Drawn Stories”. International Journal of Comic Art 10, no. 2 (2008): 840–61. ———. “Where the White Clouds Sail ... (100 Years Since the Birth of Jaroslav Foglar)”. International Journal of Comic Art 10, no. 1 (2008): 583–86. Alaniz, José, and Michael Rhode. ““6th Annual Komiksfest!” Festival”. International Journal of Comic Art 14, no. 1 (2012): 615–17. ———. “Fifth Annual Komiksfest!”. International Journal of Comic Art 13, no. 1 (2011): 756–60. Baetens, Jan. “Littérature et bande dessinée: Enjeux et limites”. Cahiers de Narratologie 16 (2009). Baetens, Jan and Ari J. Blatt. “Of Graphic Novels and Minor CulturesB: The Fréon Collective (English)”. Yale French studies 114 (2008): 95–115. Barry, Lynda. “Car and Batman”. Critical Inquiry 40, no. 3 (2014): 11–19. doi:10.1086/677326. Barry, Lynda, Ivan Brunetti, Crumb R., and Gary Panter. “Panel: Lines on Paper”. Critical Inquiry 40, no. 3 (2014): 237–54. doi:10.1086/677375. Baudot, Anne. “Le manga en bibliothèque publique: Un mauvais genre pour reconquérir les publics.” Bulletin des Bibliotheques de France 55, no. 3 (2010): 62–66. Bechdel, Alison, и Hillary Chute. “Public Conversation”. Critical Inquiry 40, no. 3 (2014): 203–19. doi:10.1086/677373. Benhaïm, André. “La Langue au Chat (du Rabbin)B: Itinéraires dans l’Etrange Bande Dessinée de Joann Sfar”. Contemporary French & Francophone Studies 11, no. 2 (2007): 241–52. doi:10.1080/17409290701248898. Berrada, Taïeb. “L’Intrus postcolonial maghrébin dans la littérature, le cinéma et la bande dessinée francophones”. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 68, no. 3 (2007): 1010–1010. Berthou, Benoit. “La Bande dessinee de FantasyB: un genre françaisB?”. Contemporary French & Francophone Studies 15, no. 2 (2011): 209–22. doi:10.1080/17409292.2011.557931. Bolalek, Radoslaw. “The Most Popular Polish Comics (1957-1989)”. International Journal of Comic Art 11, no. 2 (2009): 59–87. Bugailiškienė, Jurgita. “Šiulaikinis Lietuvos Komiksas (1990-2005).” Knygotyra, no. 49 (2007): 138–67. Bukatman, Scott. “Sculpture, Stasis, the Comics, and Hellboy”. Critical Inquiry 40, no. 3 (2014): 104–17. doi:10.1086/677334. Burns, Charles, Daniel Clowes, Seth, and Chris Ware. “Panel: Graphic Novel Forms Today”. Critical Inquiry 40, no. 3 (2014): 151–68. doi:10.1086/677339. Chute, Hillary, and Alison Bechdel. “Bartheses: Barthesian Doubt Edition”. Critical Inquiry 40, no. 3 (2014): 52. doi:10.1086/677329. Chute, Hillary, and Patrick Jagoda. “Special Issue: Comics & Media”. Critical Inquiry 40, no. 3 (2014): 1–10. doi:10.1086/677316. De Bruyn, Dieter. “Patriotism of Tomorrow? The Commemoration and Popularization of the Warsaw Rising Through Comics”. Slovo (Maney Publishing) 22, no. 2 (2010): 46–65. De Bruyn, Dieter, and Michel De Dobbeleer. “Classics Interpreted: Graphic Narrative Adaptations of Slavic Literary Works [Special Section]”. Slavic and East European Journal 57, no. 2 (2013): 150–228. De Dobbeleer, Michel, and Dieter De Bruyn. “Graphic Grotesque? Comics Adaptations of Bohumil Hrabal and Bruno Schulz”. Slavic and East European Journal 57, no. 2 (2013): 175–202. Ðergović-Joksimović, Zorica N., and Ivana Ðurić-Paunović. “Školska lektira u stripu: od noćne more do horora”. Književna istorija 43, no. 145 (2011): 757–71. Diesing, Helena. “Kája Saudek: The King of Czech Comics”. International Journal of Comic Art 11, no. 1 (2009): 51–62. Dozo, Björn-Olav. “Ambivalence de l’éthylisme: Représentations des figures d’auteurs alcoolisés dans la „nouvelle bande dessinée“ francophone”. COnTEXTES: Revue de Sociologie de la Littérature 6 (2009). ———. “La Bande dessinée francophone contemporaine à la lumière de sa propre critique: Quand une avant- garde esthétique s’interroge sur sa pérennité”. Belphégor: Littérature Populaire et Culture Médiatique 6, no. 2 (2007). Duée, Claude. “Là où le mot se fait image et où l’image se fait mot: Nouvelle bande dessinée et bande dessinée d’avant-garde”. In Orientations: Space/Time/Image/Word: Word & Image Interactions 5, edited by Claus Clüver, Véronique Plesch, Leo Hoek, and Charlotte Schoell-Glass, 229–43. Textxet: Studies in Comparative Literature (Textxet), 48. Amsterdam, Netherlands: Rodopi, 2005. Gabilliet, Jean-Paul. “Comic Art and Bande Dessinée: From the Funnies to Graphic Novels”. In The Cambridge History of Canadian Literature, edited by Coral Ann Howells и Eva-Marie Kröller, 460–77. Cambridge, England: Cambridge UP, 2009. Gloeckner, Phoebe. “Valiente and Arpía”. Critical Inquiry 40, no. 3 (2014): 182–86. doi:10.1086/677341. Gloeckner, Phoebe, Justin Green, Aline Kominsky-Crumb, and Carol Tyler. “Panel: Comics and Autobiography”. Critical Inquiry 40, no. 3 (2014): 86–103. doi:10.1086/677333. Gunning, Tom. “The Art of Succession: Reading, Writing, and Watching Comics”. Critical Inquiry 40, no. 3 (2014): 36–51. doi:10.1086/677328. Hathaway, Rosemary V. “Reading Art Spiegelman’s “Maus” as Postmodern Ethnography”. Journal of Folklore Research 48, no. 3 (2011): 249–67. doi:10.2979/jfolkrese.48.3.249. Hautemulle, Mathieu. “Cesta do Syldávie. Pohled (nejen) francouzských komiksů na východní Evropu”. Soudobé dějiny 10 (2003): 319–33. Hayles, N. Katherine, Patrick Jagoda, and Patrick LeMieux. “Speculation: Financial Games and Derivative Worlding in a Transmedia Era”. Critical Inquiry 40, no. 3 (2014): 220–36. doi:10.1086/677374. Ignjatović, Srba. “Posle tri decenije ponovo o stripu”. Književnost 67, no. 3 (2012): 167–91. Jardel, Jean-Pierre. “La Bande dessinée “antillaise” comme moyen de communication, d’information et d’éducation”. Etudes Creoles 15, no. 2 (1992): 126–37. Jareš, Michal, and Tomáš Prokůpek. “‘Dobrý voják Švejk” a komiks”. Česká literatura 58, no. 5 (2010): 607– 25. J...n, Dominik. “The Four-Leafed Phenomenon”. New Presence: The Prague Journal of Central European Affairs 7, no. 3 (2005): 44–46. Khitrova, Daria. ““This Is No Longer Dance”: Media Boundaries and the Politics of Choreography in The Steel Step”. Critical Inquiry 40, no. 3 (2014): 134–49. doi:10.1086/677337. Kominsky-Crumb, Aline, and Kristen Schilt. “Public Conversation”. Critical Inquiry 40, no. 3 (2014): 118–31. doi:10.1086/677335. Kořínek, Pavel. “Hledání komiksových dějin”. Česká literatura 56, no. 3 (2008): 437–40. ———. “Komiksový bod obratu”. Česká literatura 58, no. 5 (2010): 626–30. ———. “Řítící se novostavba komiksu”. Česká literatura 54, no. 1 (2006): 118–21. Kowalczyk, Kamila. ““Przed ’dawno, dawno temu” i po “żyli długo i szczęśliwie” - o filmowych i komiksowych prequelach i sequelach na przykładzie “Jasia i Małgosi” braci Grimmów”.” Literatura Ludowa 58, no. 4–5 (2014): 39–49. Kuczyńska, Kinga. “Polish Comics -- A World Without Women?”. International Journal of Comic Art 13, no. 1 (Spring 2011): 385–97. Kuhlman, Martha. “The Silence of the Page: Une Trop bruyante solitude: The Graphic Novel Adaptation of Too Loud a Solitude by Bohumil Hrabal”. European Comic Art 1, no. 2 (2008): 157–73. ———. “Time Machine: Rudiš/Jaromír 99’s Wilson Main Train Station”. International Journal of Comic Art 11, no. 1 (2009): 63–73. Lachman, Magdalena. “Komiks – paradoksy fenomenu (nie)osobnego”. Konteksty kultury 10, no. 4 (2013): 425–42. Lumbala, Hilaire Mbiye. “Emergence de la bande dessinée africaine”. Notre Librairie: Revue des Litératures du Sud 145 (2001): 34–39. Łysak, Tomasz. “Contemporary Debates on the Holocaust in Poland: The Reception of Art Spiegelman’s “Graphic Novel” Maus”. POLIN 21 (2009): 469–79. Makoveeva, Irina. “Revisualizing Anna Karenina”. Tolstoy Studies Journal 16 (2004): 42–54. Mangum, Lisa. “František Skála, or Deep Into the Enchanted Bohemian Woods”. Part of a special section: Czech Comics: A Symposium 11, no. 1 (2009): 74–79. Mangum, Lisa J. “On the Margins: Underground Comics and Counter Culture in Contemporary Serbia.” PhD diss., University of Washington, 2007. Marie, Vincent. “De case en classe, étudier une fiction historique en bande dessinée: C’était la guerre des tranchées de Jacques Tardi”. In Bande dessinée et enseignement des humanités, edited by Nicolas Rouvière, 225–45. Didaskein. Grenoble, France: ELLUG, 2012. McKinney, Mark. “La Frontière et l’affrontière: La Bande dessinée et le dessin algériens de langue française face à la nation”. Expressions Maghrébines: Revue de la Coordination Internationale des Chercheurs sur les Littératures Maghrébines 6, no. 1 (2007): 113. Mcleod, Catriona. “Adopting and Adapting: Ethnic Minority Women’s Quest for Identity in the Bande Dessinée”. In Adaptation: Studies in French and Francophone Culture, edited by Neil Archer and Andreea Weisl-Shaw, 207–18. Modern French Identities, 99. Oxford, England: Peter Lang, 2012. Menéndez-Otero, Carlos. “Making James Joyce’s Life into a Graphic Novel. An Interview with Alfonso Zapico”. Estudios Irlandeses, no. 9 (2014): 121–27. Mertlíková, V., and J. Zeman. “Vztah verbální a neverbální složky komiksu”. Český jazyk a literatura 47, no. 1– 2 (1997): 8–13. 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Newspaper and Magazine Articles

Barkham, Patrick. “Bryan Talbot: an interview with the father of the British graphic novel”. The Guardian, accessed February 2, 2015; http://www.theguardian.com/books/2015/jan/29/sp-bryan-talbot-grandville- father-of-british-graphic-novel

Web Resources

Angoulême 42nd International Comics Festival; http://www.bdangoulemepro.com/ Bande Dessinée, Les Signets de la bibliothèque nationale de France; http://signets.bnf.fr/html/categories/c_020bande_dessinee.html Bandes Dessinées & Graphic Novels, library, Alliance française; http://www.fiaf.org/library/bandes- dessinees.shtml. Bedetheque - BD, Manga, Comics; http://www.bedetheque.com Columbia University Research Guides: Graphic Novels; http://library.columbia.edu/subject- guides/graphic_novels.html Comic Art Collection Home Page, Michigan State University Libraries; http://comics.lib.msu.edu Comic Book Legal Defense Fund ; http://cbldf.org Comiclopedia - Illustrated artist compendium | Lambiek Comiclopedia; https://www.lambiek.net/artists/index.htm. ComicsDB; http://www.comicsdb.cz Comics research bibliography; http://homepages.rpi.edu/~bulloj/comxbib.html Gilman, Todd. “Yale University Library Subject Guides. Media, Popular Culture, and Communication Rights Research Guide. Comics & Graphic Novels.”; http://guides.library.yale.edu/content.php?pid=119897&sid=1032573. Goethe.de/Comics: Deutschsprachige Comics - Goethe-Institut; http://www.goethe.de/kue/lit/prj/com/enindex.htm Graphic Novels and Comics Websites; http://courses.unt.edu/efiga/GraphicNovels/GraphicNovelsAndComicsWebsites.htm Guía del Cómic; http://www.guiadelcomic.es Guide to the Comic Book and Graphic Novel Collection, 1938-2012, David M. Rubenstein Rare Book & Manuscript Library, Duke University, David M. Rubenstein Rare Book & Manuscript Library; http://library.duke.edu/rubenstein/findingaids/comicbooks La cité internationale de la bande dessinée et de l’image; http://www.citebd.org L’Association; http://www.lassociation.fr Les signets de la Cité; http://www.citebd.org/spip.php?rubrique24 Suomen sarjakuvaseura; http://www.sarjakuvaseura.fi www.bdnet.com: 1ère librairie de bande dessinée sur internet; http://www.bdnet.com