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Shakespearean Actors Display Talents at ND
II III II 11111111111i'" Program Guide Specialty Shows 7 - 9 pm Daily ., Monday: Regressive Thursday: Hlp Hop WI! aRJ Tuesday: Rock-n-Roll/Sports Friday: Reggae Request Line: . Wednesday: Jazz Saturday: Hardcore/ 239-6400 ==============64 Sunday: Metal Punk These are the Voices of the Fighting Irish Monday Tuesday Wednesday Thursday Friday Saturday Sunday Mike BertinI Jason Hoida Mike Schwabe Pat Ninneman John Strieder Kathy Hordlek 7-9 a.m. "Rock Out With "Morning 'We're Brellking "H Hint Of 'Hot Brellkfllst Your Rooster Out" Stiffness" Pllrietllls' Hnesthesia" In No Time Rt RII" ~ ~ John Staunton Mystery D,J, Kristen Moria SullilJan Kelly Boglarsky ~/ffff/h • Sol & Cllrol's 'If I Rsked You To Baumler 'Mllnioclll "Bogue Not V#//ffM 9-11a.m. Spllnk Me, Would You Mudslinging BBO Plulldlse" Say N01 "Un Poco De Sko" Menllqerie' Uogue" 10:00 am - 1 :00 pm Paul Broderick John Dugan Greg Murphy Joson Wins lode Mike Montroy Rebecca Paul Saiz 'Jazun Jetsam's 11-lp.m. "Paul's Power "Nothing Short of "Midday "Bloodshot OSCillating Rudlo "Death By Ciletti Hour (or two)" Total War" Cramps" Karma" Sculpture' Disco" Chris Chris Infante Brad Barnhorst Karen 1-3p.m. Neil Higgins Kristen John Furey Scherzinger "Big Cheese "No LOlJe Lost" Holderer 'Rlldio Schlep Goes Downer" Harknett "Undergromd" Public' Dan langrill Jeff Sepeta Jeff Jotz Mike McMahon Shllwn Nowlerskl Jennifer Hnne Seifert 3-5 p.m. 'Don Lllngrill's "Uoices On The "Orifice Party "Me Rnd Your 'Songs O'Bjorn Rnd "ElJeryday Is Rudio Mood Ring' Fringe" '90" Mom" Fjords' Reiland Like Sundaq" Mark KelJin Brian Geraghty Kathy RleH Nunez Hlyson Naimoli Tom Fellrath "The Urban MCDonou~h • Eluls HilS Left 5-7 p.m. -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
Audio Catalog
over both a sampled lounge singer and couldn't find a major label for this al- some of the most dissonant noise this bum. Although it's been available in side of a subway tunnel-and sometimes Canada for some time now, Russell has it's funky and tuneful,el laJames Brown marketed it mostly through a toll -free or E.U. The messages aren't pretty, and telephonenumber, 800-DAR-KANG, if urban holocaust makes you queasy, that reappears in the name of his record label. Go ahead. He's only a phone call stick to George Michael. But if you're up Magazine for a no -holds -barred adventure, "Back away. A.N. -11-1C from Hell" is as real as it gets. Sample "Ferry Kloss broughtDolby sound, Cr02 cassette tape.and Slayer television quote: "To the maximum, I keep askin' SLAYER: Seasons in the Abyss. large screen projection and made the 'em/When's the city gonna fix where the (vocals and instrumentals).War Ensem- into !wing rooms, blacks are from?" P.P. ble; Blood Red; Spirit in Black; Expend- donunant speakerssystemsofthree decades: Acoustic Research inthe able Youth; Dead Skin Mask; Hallowed 195ds, KLII in the '60s,and TOM RUSSELL BAND: Poor Man's Point;and four others. DEF AMERICAN C) Advent in the /Os. Car n - 224307-4, @ 224307-2 (42 min). Now he's atit again at Dream.Tom Russell (vocals, guitar, gri- di- tas); vocal and instrumental accompani- bridge SoundWorks, selling Performance:Brutal m, to the public. ' ment.Blue Wing; The Heart of the Work- Recording:Good ing Man; Veteran's Day; Walkin' on the Moon; Outbound Plane; Bergenfield; Why do I, a reasonably mature guy, like Spanish Burgundy;and six others. -
Kesha's 'High Road' Is a “Defiant Reclamation of Lightness”
Kesha’s ‘High Road’ Is a “Defiant Reclamation of Lightness” New Album OUT TODAY via Kemosabe/RCA Records LISTEN HERE Today, Kesha drops her new album ‘High Road’ (Kemosabe/RCA Records), reclaiming her throne as “the badass of pop” (Billboard). A delicious mix of debaucherous odes to living life to the fullest, reflections on self-love, and folk-tinged moments embracing all that makes us human, ‘High Road’ is the GRAMMY-nominated popstar’s most eclectic collection to date. Whether discussing topics of self-identity, free love, best friendship, heartbreak or childhood longing, ‘High Road’ expertly encompasses Kesha’s knack for heartfelt vulnerability, her wild child energy, and oddball sense of humor all with major modern pop integrity. It’s an album about not taking life too seriously, but it is done seriously well. For 'High Road', Kesha enlisted a diverse roster of collaborators / songwriters / producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert among others to help her make this celebratory chapter of her career a reality. Today’s album release follows last night’s incredible performance of “Resentment” on The Late Late Show with James Corden, and the recent announcement of her forthcoming North American spring tour. ‘High Road’ has already delighted critics, with Stereogum saying it “strikes a believable balance between vulnerability and the bluster she made her name on,” The Independent praising it as “a mature and defiant reclamation of lightness,” and AllMusic calling it “a heady good time”. Album standout tracks like “Tonight” (“100 percent your new night-out anthem” – MTV), “Father Daughter Dance” (“a crushing vocal showcase that no one could have expected” – American Songwriter), “Raising Hell” (feat. -
2018 Great Expectations Daylilies-AHS Daylily Display Garden-Montville, OH
2018 Great Expectations Daylilies-AHS Daylily Display Garden-Montville, OH A FEW GOOD MEN A GIFT FOR TREVA ABOVE THE CLOUDS ABRAHAM LINCOLN 34",Tet,5",Evr,EM,Frag,Re 26",Tet,6",SEv,E,Frag,Db,Re 52",Tet,9",Evr,E,Re 32",Tet,6",SEv,M,Re BELL-T. ELLER-N. HANSEN D RICE-JA 2009 2008 2006 2008 ACROSS THE GALAXY ACROSS THE UNIVERSE ADMIRAL BROWN ADORABLE TIGER 32",Tet,6.25",Evr,M,Re 25",Tet,6.50",Evr,EM,Frag,Re 36",Tet,6.50",SEv,M,Frag 26",Tet,5",Dor,M,Frag TRIMMER TRIMMER HAEHN RASMUSSEN 2007 2004 2004 1998 AEGEAN WIND AFTER THE GOLDRUSH AGE OF EMPIRES AGNES MARY DOWDELL 36",Tet,7",SEv,ML,UFO 33",Tet,6",Dor,ML,Frag,Re 38",Tet,6.50",Dor,M 30",Tet,6",Dor,EM,Frag HANSON C HANSON-C. MOLDOVAN MOLDOVAN 2006 2012 2010 2005 2018 Great Expectations Daylilies-AHS Daylily Display Garden-Montville, OH ALIEN INSTINCT ALIEN INVADER ALL I WANT FOR ALL THE RAVE 35",Tet,7.50",Dor,M,UFO 28",Dip,4.50",SEv,EM,Re,UFO CHRISTMAS 37",Tet,6.50",Evr,EM,Re SELMAN ABAJIAN 34",Tet,9.50",Evr,EM,Re,UFO PIERCE 2016 2005 WILKERSN 2016 2010 AMANDA'S LITTLE RED AMBER STAINED GLASS AMERICAN CLASSIC AMERICAN SPRING SHOES 26",Tet,6",Evr,M,Frag,Re 41",Tet,6.75",Evr,E,Frag,Re 35",Tet,5",Evr,M 24",Dip,6",SEv,E,Frag,Db,Re STAMILE TRIMMER KIRCHHOFF-D. ELLER N 2009 2013 2011 2004 ANSWERING ANGELS APPLE BLOSSOM WHITE APPLIQUE APPROACHING 24",Tet,5.50",Evr,EM,Re 33",Tet,6.25",Evr,E,Frag,Re 30",Tet,10",Evr,EM,Re,UFO STORM STAMILE TRIMMER STAMILE 36",Tet,5.50",Dor,M 2006 2012 2002 NORRIS-R. -
Reflections on the Delmar Hotel and the Demise of the Catskills
Reflections on the Delmar Hotel and the Demise of the Catskills pp. 198-213 in Philip Brown, edited, In the Catskills: A Century of the Jewish Experience in “The Mountains.” New York: Columbia University Press, 2002. Jerry A. Jacobs 727 S. Latches Lane Merion, PA 19066 610-664-7132 [email protected] For many years I rarely discussed my parents’ hotel, but lately I find myself mentioning it more often. As I settle into my forties and watch my two little girls grow up, I wonder how to tell them what it meant to me to grow up in the Catskills. When I had the chance to read Phil Brown’s book, Catskill Culture, I admired his ability to come to terms with this period in his life. I thought that perhaps it was time to take a stab at it myself. And to try to understand how the Catskills vanished so quickly and so completely that an archive had to be established to ensure that some traces survive. In our family there was often talk about writing a book about the hotel. But how to capture the zaniness, the colorful characters, the exhausting routine and the special camaraderie that made up the Delmar Hotel? We would try organizing it around a day-in-the-life. My mom rose at six to begin to prepare for breakfast, first for the staff, then for the guests. My dad bantered with a guest who was up at dawn waiting to complain about something askew. The day ended at 11 PM as the nightly performance in the casino drew to a close and the last trays in the tea room, where guests would repair after the show, were put away. -
The Waterboys L’Électron Libre Du Rock Irlandais
The Waterboys L’électron libre du rock irlandais Good Luck, Seeker Cooking Vinyl Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie The Waterboys est un groupe de musique créé en 1983 par Mike Scott. Les membres du groupe, passés et présents, sont essentiellement écossais et irlandais. Le groupe voyagea et élut domicile dans différentes villes telles que Londres, Dublin, An Spidéal, New York et Findhorn. The Waterboys a abordé différents styles musicaux durant son existence, mais la majeure partie de sa musique peut être décrite comme un mélange de musique folk celtique et de rock ‘n’ roll, ou folk rock. Après dix années d’enregistrements et de tournées, la formation musicale se sépara au début des années 90 et Mike Scott poursuivit une carrière solo. Reformé en 2000, The Waterboys reprit son rythme d’enregistremens d’albums et de tournées. Le leader du groupe souligna lui-même une continuité entre le groupe The Waterboys et son travail personnel, affirmant que « pour moi, il n’y a pas de différence entre Mike Scott et The Waterboys; ils signifient tous deux la même chose. Ils sont à la fois moi-même et ceux qui m’accompagnent durant mes tournées musicales ». Leur quinzième album Where The Action Is est sorti le 24 mai 2019 et a annoncé le retour des Waterboys sur scène. A l’été suivant, le groupe a parcouru de nombreuses scènes françaises pour le plus grand plaisir du public ! « Pour moi, il n’y a pas de différence entre Mike Scott et The Waterboys; ils signifient tous deux la même chose. -
SURF MUSIC by Geoffrey Himes
SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys. -
George Macdonald As Rock Star? John Pennington
North Wind: A Journal of George MacDonald Studies Volume 25 Article 10 1-1-2006 George MacDonald as Rock Star? John Pennington Follow this and additional works at: http://digitalcommons.snc.edu/northwind Recommended Citation Pennington, John (2006) "George MacDonald as Rock Star?," North Wind: A Journal of George MacDonald Studies: Vol. 25 , Article 10. Available at: http://digitalcommons.snc.edu/northwind/vol25/iss1/10 This Notes and Queries is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. N&Q George MacDonald as Rock Star? John Pennington e all remember the chapter “Nanny’s Dream” from At the Back of Wthe North Wind: Nanny finds herself inside the moon where she looks at “such lots of stars, all so big, and shining as hard as ever they could!” Diamond tells her that “the little girl-angels had been polishing them,” which prompts Nanny to state: “What nonsense you do talk!” Maybe I am talking a bit of nonsense equating MacDonald to a rock star. But there is one rock star who aligns himself with MacDonald, finding inspiration for his music in the Victorian writer. So maybe MacDonald is a rock star after all! Mike Scott, the leader of the Scottish band The Waterboys, has been channeling MacDonald’s spirit into his music for years. In its 2003 album Universal Hall, The Waterboys sing in this library I could lose myself transports, gateways on every shelf dark words, bright words or ice and fire as if an angel did descend and use the writer as a pen for here are “avalon of the heart” “flight into freedom” macdonald’s “lilith” and “fantastes” [sic] lewis’s “perelandra” The refrain of the song is the following: “ i sacrifice my power on the altar of your love / that it may be born again on another world.” The song also uses the images of the stairs and tower, which is most certainly a homage to MacDonald. -
Room to Roam England's Irish Travellers
E N G LA N D’S IRISH TRAVE LL E R S Room to Roam England's Irish Travellers Dr Colm Power Report of Research Funded by the Community Fund June 2004 1 ROOM TO ROA M Acknowledgements I would like to thank the following people and organisations all of whom have provided me with assistance, advice, support or other positive contributions without which it would have been much more difficult to develop, plan, execute and complete the research and write the report. I take full responsibility for the content of the final report. The project research team including fieldworkers Anthony Drummond, Patricia Twomey and Jane Whittle who all contributed data and knowledge to this report. Dr Jane Longmore, former head of the History, Social and Cultural Studies department at St. Mary’s College, who actively supported me throughout the development and submission of the original research bid to the Community Fund, and the numerous people who gave advice on the bid content. The staff and management committee of Action Group for Irish Youth (AGIY) who lead the research bid consortium and managed the overall project. The staff of Brent Irish Advisory Service Irish Travellers Project (BIAS ITP) who joined the research consortium and facilitated much of the fieldwork. The staff of Irish Community Care Manchester’s Irish Traveller Project who became associate members of the research consortium and facilitated much of the fieldwork. The staff of St. Mary’s College (the third research consortium member) who managed the actual research project and provided the researchers with academic support. -
Jacques' Proposal for Huntly
Science of Place A brief methodology: Consulting the community of Huntly Keeping to the objective of searching for a valid brand identity for Huntly, I would like to follow a methodology that remains true to my normal mode of work and try to steer away from the clichés often found in the marketing industry. I have drawn up some flexible guidelines: An open-minded approach. Going to a strange place gives one the advantage of experiencing it with fresh eyes. To strengthen this element, I am going to consciously ignore any preconceived expectations of Huntly. I suggest spending at least the first week merely observing town life and settling in without forcing any agendas. Close consultation with the project partners. Only after allowing the first week of “clean” observation, to sit down and get a clear vision of what it is that the ATP and Deveron Arts want to achieve with this project. Is the idea to position Huntly as a fashionable getaway destination, a rural family town, a business hub, a cosmopolitan community, a “green” town or a boomtown, or a combination of all the above (or none of the above?). What would be viable and realistic and what are possible concerns or expected pitfalls. Embracing ordinary, day-to-day life. To get an insight in the dynamics of the Huntly “family scene” and the various age groups thereof by engaging the community with my wife and children. Asking questions without questionnaires. Rather focusing on informal conversation while socialising. (What do people really think of their town?) Creating means for community participation. -
W Sklepach Muzycznych Ostatnio Wiele Się Zmienia. Kurczą Się
Sylwetki W sklepach muzycznych ostatnio wiele się zmienia. sonem. To oni tworzyli podstawowy Kurczą się stoiska z płytami kompaktowymi, skład, który w następnych latach wielo- krotnie przechodził roszady. To zresztą natomiast coraz więcej powierzchni zajmują znak rozpoznawczy grupy. „Zmieniający analogi. Równocześnie wraca stara muzyka. się nieustannie skład instrumentalistów, grających coraz to inną muzykę” – tak Pojawiają się wznowienia płyt znanych wykonawców, otwarcie mówi o zespole Mike Scott. zwykle zremasterowane, a niekiedy wzbogacone Po czym dodaje: „Nie wiem, czy powi- o nagrania dotąd niepublikowane. nienem być z tego dumny, ale mieliśmy więcej członków niż jakakolwiek inna Grzegorz Walenda grupa w historii rocka. Więcej nawet niż Santana”. edług danych Nielsena, zują się jej kolejne albumy na winylach Scott na czele w roku 2015 sprzedaż i nie brakuje nieznanych dotąd histo- Nad wszystkim panuje Scott i to głów- wznowień w USA przewyż- rycznych nagrań na kompaktach. Dla- nie jemu twórczość zespołu zawdzię- szyła po raz pierwszy sprzedaż nowości. Me- tego warto grupę przypomnieć, tym czała swój ostateczny kształt. Lider jest lomani kupili o 3,6 % więcej płyt katalogo- bardziej, że w tym roku mamy gościć ją dla The Waterboys jak Ian Anderson dla wych – a za takie uważa się albumy dostępne w Polsce. Jethro Tull czy Jeff Lynne dla Electric co najmniej 18 miesięcy – niż premier. Formacja oficjalnie debiutowała w 1983 Light Orchestra. Bez niego formacja nie albumem „The Waterboys”, ale już dwa istnieje. Zespół na czasie lata wcześniej jej późniejszy lider – Mike Jeśli muzyka grupy się zmieniała, to Brytyjska formacja The Waterboys do- Scott – rozpoczął współpracę z Antho- nie ze względu na roszady personalne, skonale wpisuje się w tę tendencję.