Téléchargez La Version

Total Page:16

File Type:pdf, Size:1020Kb

Téléchargez La Version sm13-2_Cover copy.qxd 9/28/07 12:36 PM Page 1 Octobre 2007 October Vol. 13.2 • 5,35$ En kiosque jusqu’au / Display until 2007-11-7 0 2 0 6 5 3 8 5 20 24 86 1 51 91 Canada Post PMSA no. 40025257 sm13-2_pXX_layout.wkc2_c2.qxd 9/30/07 8:25 PM Page 2 Jeudi 4 et vendredi 5 octobre Salle Pollack – 20 h – 10 $ Et le jazz à McGill … Orchestre symphonique de McGill Alexis Hauser, chef Wagner : Die Meistersinger von Nürnberg (Prélude) Jeudi 4 octobre Bruckner: Symphonie no 3 en ré mineur (version de 1877) Salle Tanna Schulich – 100 $ ****** Réception à 18h 15 Mercredi 10 octobre Concert à 19 h Salle Pollack – 20 h – 5 $ Ranee Lee, chanteuse Série des professeurs et invités de McGill Kevin Dean, trompette – Joe Sullivan, trombone Olivier Thouin, violon – Yegor Dyachkov, violoncelle Jan Jarczyk, piano – André White, percussion Œuvres de Schulhoff, Honegger, Martinu, Ravel Orchestre de jazz I de McGill Gordon Foote, saxophone et direction ****** Vendredi 12 octobre Billetterie : (514) 879-2350 Salle Redpath – 20 h – 5 $ Orchestre baroque de McGill ****** Hank Knox, chef Samedi 6 octobre Salle Tanna Schulich – 20 h – 5 $ ****** Orchestre de jazz 1992 de McGill Mardi 16 octobre Gordon Foote, chef Salle Pollack – 20 h – 5 $ célèbre le 15e anniversaire Symphonie d’instruments à vent de McGill Alain Cazes, chef de sa tournée européenne Michael Maxwell, clarinette Michael Daugherty : Brooklyn Bridge (création canadienne) ****** Trevor Grahl : Urquitaqtuq (Prix SOCAN 2007) Jeudi 11 octobre Alfred Reed : The Hounds of Spring Salle Tanna Schulich – 20 h – 5 $ J.S. Bach : Toccata et Fugue en ré mineur Série des professeurs et invités de McGill John Williams : A Star War Trilogy Les couleurs du jazz Jan Jarczyk, piano ****** Mercredi 17 octobre et le 12-Piece Jazz Orchestra Salle Pollack – 20 h – 5 $ Ensemble de musique contemporaine de McGill ****** Denys Bouliane, chef Mercredi 24 octobre Jonathan Crow, violon Salle Tanna Schulich – 20 h – 5 $ Anthony Tan : Orison (création) Orchestre de jazz II de McGill György Ligeti : Dix pièces pour quintette à vent Ron DiLauro, chef Ligeti : Concerto pour violon «le premier d’une série de six concerts consacrés ****** aux concerti de Ligeti (4 en 2007-08 et 2 en 2008-09)» Vendredi 26 octobre ****** Salle Tanna Schulich – 20 h – 5 $ Vendredi 19 octobre Orchestre de jazz III de McGill Salle Pollack – 20 h – 5 $ Dave Mossing, chef Orchestre d’instruments à vent de McGill Alain Cazes, chef Renseignements : (514) 398-5145 ou www.mcgill.ca/music/events/concerts sm13-2_pXX_layout.wkc2_c.qxd 9/27/07 10:12 PM Page 3 Jeudi 4 et Vendredi 5 Tel qu’entendu à Orchestre symphonique de McGill Alexis Hauser Jeudi 4 1699 1699 Mercredi 10 JAMES BOWMAN, DANIEL TAYLOR Ranee Lee Here Let My life Kevin Dean Joe Sullivan Redécouvrez les plus beaux airs d’Henry Purcell dans une interprétation magistrale de Daniel Taylor accompagné du contre-ténor étoile James Bowman. Laissez-vous enchanter par Here Let My Life, RÊVERIE Olivier Thouin Yegor Dyachkov Jan Jarczyk André White Marie-Andrée Ostiguy le premier disque de Daniel Taylor sous étiquette Analekta. Orchestre de jazz I de McGill Gordon Foote Vendredi 12 À SURVEILLER 99 17ch. 99 Orchestre baroque de McGill 99 16 Hank Knox Samedi 6 37 MOZART, PIANO CONCERTOS VIVALDI, 11&12 CD+DVD LES GITANS BAROQUES Orchestre de jazz 1992 de McGill Janina Fialkowska, édition Ensemble Caprice, Mardi 16 Chamber Players limitée Matthias Maute Gordon Foote of Canada MARIA SACD Hybrid Cecilia Bartoli Symphonie d’instruments à vent de McGill Alain Cazes 99 Michael Maxwell 14 1699 Jeudi 11 THE BATTLE OF BACH, KILLIECRANKIE CONCERTI & SONATA La Nef HANDEL ARIAS, Ensemble Masques, Meridith Hall AH! MIO COR Olivier Fortin, Sophie Gent Matthew White Magdalena Kozena Les couleurs du jazz NOUVEAUTÉS CD Jan Jarczyk 14 99 Mercredi 17 12-Piece Jazz Orchestra 99 ALESSANDRO 4 SCARLATTI, CONCERTOS BEETHOVEN, Ensemble de musique contemporaine de McGill POUR FLÛTE PIANO CONCERTO HAPPY BIRTHDAY Francis Colpron, NO. 5 Angèle Dubeau & La Piétà Denys Bouliane Mercredi 24 Les Boréades Hélène Grimaud Carte d'anniversaire + CD Jonathan Crow Orchestre de jazz II de McGill Ron DiLauro $ ****** pour Vendredi 26 225 Autres titres également en vente 99 RHAPSODIES SOLO MOZART Vendredi 19 Orchestre de jazz III de McGill ou Alain Lefèvre, OSM Angèle Dubeau SYMPHONIES NOS 40 & 41 PROMOTION 14 ch. Tafelmusik, Bruno Weil Dave Mossing Orchestre d’instruments à vent de McGill 15 MAGASINS TÉLÉCHARGEMENT Alain Cazes pour connaître nos adresses: ACHAT EN LIGNE COMMANDE ET SERVICE AUX www.zik.ca 514.849.8589, 1.877.849.8589 www.archambault.ca INSTITUTIONS ET ENTREPRISES ou sur www.archambault.ca Formats MP3 ou WMA 514.849.8589 ou 1.877.849.8589 sm13-2_pXX_layout.wkc2_c.qxd 9/27/07 10:13 PM Page 4 Nouveautés DVD A Musical Journey, une visite tout en musique des plus grandes villes du monde. 99 9ch. BRITTANY NORMANDIE CHÂTEAU DE LA LOIRE Musique de Debussy Musique de Chopin TUSCANY Musique de Vivaldi, Verdi, Puccini et plusieurs autres Autres titres également en vente. En promotion 99 18 ch. DVORAK, SAINT-SAËNS, PASSION CELLO CONCERTOS Maria Callas Mstislav Rostropovih BACH IN NOTRE-DAME DE PARIS Daniel Taylor, Ensemble Orchestral de Paris, John Nelson Grande sélection de titres du catalogue EMI CLASSICS à prix réduits. 15 MAGASINS COMMANDEZ pour connaître nos adresses: ACHETEZ EN LIGNE par téléphone 514.849.8589, 1.877.849.8589 www.archambault.ca 514.849.8589 ou www.zik.ca ou sur www.archambault.ca 1.877.849.8589 sm13-2_p05_SubAd.qxd 9/30/07 11:43 PM Page 5 NOUS VOUS INVITONS À ABONNEZ-VOUS RÉPANDRE LA MUSIQUE AVEC NOUS… RECEVEZ UNE PARTIE DES PROFITS DE LA VENTE D’ABONNEMENTS AU MAGAZINE LA SCENA MUSICALE! UTILISEZ VOTRE CACHET POUR FINANCER LES CONCERTS ET ACTIVITÉS DE VOTRE GROUPE OU ASSOCIATION! 43 I Système facile à implanter 5,35 I Prime en fonction du rendement garantie I Service personnalisé I Moyen simple de recueillir des fonds SUBSCRIBE NOW I Une excellente façon d’introduire votre entourage à la scène musicale ! En dénichant de nouveaux abonnés, vous obtiendrez 5.35 un pourcentage des profits réalisés. 43 INSCRIVEZ-VOUS LE PLUS TÔT POSSIBLE AFIN DE PROFITER DE CETTE OFFRE INCROYABLE ! Info: [email protected] • (514) 948-2520 ¡ GRATUIT! / FREE! AVEC UN ABONNEMENT DE 2 ANS / SAVE / WITH 2 YEAR SUBSCRIPTION SPREAD MUSIC WITH US… ÉCONOMISEZ CD: Yannick Nézet Séguin - Bruckner 7 CD: Alain Lefèvre 40% CD: Sophie Milman RECEIVE A PART OF THE SUBSCRIPTIONS REVENUES OF Tasse LSM Coffee Cup LA SCENA MUSICALE. USE YOUR EARNINGS TO FINANCE CONCERTS AND OTHER ACTIVITIES FOR YOUR Je m’abonne pour une durée de 2 ans (73 $) GROUP OR ASSOCIATION! et reçois un CD gratuit! I want to subscribe for 2 years ($73) and receive a free CD! I Easy to start un Je m’abonne à La Scena Musicale pour 1 an (43 $). I I want to subscribe to La Scena Musicale for 1 year ($43). On commission (guaranteed) ess Je em’abonnen à Lat SCENAi epour 1 anl (4! numéros - 20 $). I Get your own customized form I want to subscribe to La SCENA for 1 year (4 issues - $20). a must! I Excellent for fundraising Don / Donation: ________________________$ I A great way to introduce your community to NOM / NAME the music scene! ADRESSE / ADDRESS By unearthing new subscribers, you will get a percentage of the revenues. VILLE / CITY PROVINCE CODE POSTAL CODE TÉL /TEL REGISTER AS SOON AS POSSIBLE TO TAKE Paiement joint / Payment Enclosed ADVANTAGE OF THIS INCREDIBLE OFFER! Facturez-moi / Bill Me Info: [email protected] • (514) 948-2520 / NUMÉRO DE CARTE DE CRÉDIT / CREDIT CARD # EXP VISA MC AMEX sm13-2 SIGNATURE FRANÇAIS ENGLISH 5409 RUE WAVERLY MONTRÉAL, QC H2T 2X8 sm13-2_p06_Cont_Credits 9/30/07 9:42 PM Page 6 CONTENT LUCIANO PAVAROTTI › P.12 / RÉDACTEURS FONDATEURS / FOUNDING EDITORS Wah Keung Chan – Philip Anson VOL. 13.2 – OCTOBRE 2007 OCTOBER 2007 ÉDITEUR/PUBLISHER La Scène Musicale CONSEIL ADMINISTRATIF / BOARD OF DIRECTORS Wah Keung Chan (prés.), Sandro Scola, Gilles Cloutier, Holly Higgins-Jonas RÉDACTEUR EN CHEF/EDITOR Wah Keung Chan RÉDACTEUR JAZZ / JAZZ EDITOR Marc Chénard RÉDACTEUR MUSIQUES DU MONDE / WORLD MUSIC EDITOR Bruno Deschênes CONTENTSOMMAIRE COORDONNATEUR CD / CD COORDINATOR René Bricault / COLLABORATEURS / CONTRIBUTORS Pierre Marc Bellemare, Charles Collard, Frédéric Cardin, Philippe Gervais, Olivier Giroud-Fliegner, W.S. Habington, Félix-Antoine Hamel, Patricia Jean, Réal La Rochelle, Alexandre Lazaridès, Norman Lebrecht, Caroline Louis, Richard Turp, Paul Serralheiro, Joseph So, Stéphane Villemin TRADUCTEURS / TRANSLATORS Alain Cavenne RÉVISEURS / COPY EDITORS & PROOFREADERS Alain Cavenne, Patricia Jean, Lilian I. Liganor, Annie Prothin, Jef Wyns CALENDRIER RÉGIONAL / REGIONAL CALENDAR Eric Legault ASSISTANTS AU CALENDRIER / CALENDAR ASSISTANTS Dominic Spence, Andie Sigler, Sylviane Trofimoff DIRECTEUR ARTISTIQUE / ART DIRECTOR Bruno Dubois GRAPHISME / GRAPHICS Kamal Akhabir, Ferdinand Hehewerth photo: O'Neill Decca/Terry SITE WEB / WEBSITE Normand Vandray, Michael Vincent CONTENTS SOMMAIRE CE MOIS-CI • THIS MONTH IMAGE DE COUVERTURE / COVER IMAGE Michel Lapensee, artiste / PHOTO DE COUVERTURE / COVER PHOTO Filipe Estrela ADJOINTS ADMINISTRATIFS / ADMIN. ASSISTANTS Langakali Halapua, Graham Lord ACTUALITÉS / IN THE NEWS DIRECTRICE DE LA DISTRIBUTION / DISTRIBUTION MANAGER Langakali Halapua 7 Editorial TECHNICIEN COMPTABLE/BOOKKEEPER Kamal Ait Mouhoub BÉNÉVOLES / VOLUNTEERS Maria Bandrauk, Wah Wing Chan,Yannick Chartier, 8 Robert Savoie Virginia Lam, Cécile Lazartigues-Chartier, Patricia Jean, Linda Lee, Antoine Letendre, Lilian I. Liganor, Stephen Lloyd,
Recommended publications
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970
    Carnegie Ha %mfwE&5£'3t'lHr* . <S) •COLUMBIA.' WmARCASREG PRINTED IN U S .A. Columbia Records announces a distinguished recording event. Columbia celebrates the Beethoven Bicentennial with a special salute to the great master from Leonard Bernstein and the New York Philharmonic. "Leonard Bernstein brings to his readings of Beethoven an overwhelming dramatic dynamism and surge of human feeling. One is swept into the world of Beethoven's own creative furies." —Stereo Review On Columbia Records Outside the United States and Canada, Columbia Records bear the CBS Records label THE CARNEGIE HALL CORPORATION Isaac Stern, President Frederick W. Richmond, Chairman of the Board Robert W. Dowling, Chairman, Executive Committee John Barry Ryan III, Executive Vice President Hon. Eugene M. Becker, Harry Van Arsdale, Gerald F. Warburg, Vice Presidents Lucien Wulsin, Treasurer Raymond S. R ubi now, Secre tary Nordlinger, Riegelman, Benetar and Charney, Counsel Board of Trustees Leonard Altman Hon. MacNeil Mitchell Hon. George W. Ball Mrs. George W. Naumburg Hon. Eugene M. Becker Frederick W. Richmond T. Roland Berner Col. Harold Riegelman Julius Bloom Raymond S. Rubinow James S. Deely John Barry Ryan III Jack deSimone Hon. Constantine Sidamon-Eristoff Robert W. Dowliny Aye Simon Hon. Abe Fortas Isaac Stern Hon. Roy M. Goodman Harry Van Arsdale Mrs. Dorothy Hirshon Gerald F. Warburg Mrs. Jacob M. Kaplan Mrs. Philip Wise Hon. John V. Lindsay Lucien Wulsin Joseph B. Martinson Honorary Trustees Marian Anderson Mrs. Albert D. Lasker Robert S. Benjamin Norman K. Winston Dr. Ralph J. Bunche David L. Yunich Mrs. Marshall Field Julius Bloom, Executive Director Ronald J.
    [Show full text]
  • Opera Recordings: a Very Personal Guide by Ralph Moore
    “Untouchable” and ”Most Recommendable” Opera Recordings: a very personal guide by Ralph Moore My handful of regular readers might have noticed some glaring omissions in the list of thirty-seven major operas whose discographies I have surveyed over the last couple of years - operas whose quality and popularity are such that one might reasonably have expected me to have included them in my labours. There are, after all, probably around fifty truly first-rate operas which have been most often performed and recorded and I have by no means covered them all. I received requests to survey some of the following but on consideration, I realised that there were good reasons for my reluctance to do so. The most obvious omissions are these twelve operas: Verdi’s La traviata and Il trovatore; Wagner’s Lohengrin and Tannhäuser; Mozart’s Don Giovanni; Puccini’s La bohème, Tosca, Madama Butterfly and Turandot; Rossini’s Il barbiere di Siviglia; Donizetti’s Lucia di Lammermoor and Beethoven’s Fidelio. My reason for not having reviewed them collectively is that either the opera in question has received one or two recordings of such definitive quality that consideration of the others is otiose or there are so many good recordings of it in the catalogue that making a helpful or meaningful recommendation becomes difficult. I have therefore decided to circumvent the problem by making some brief, annotated recommendations and guidance for those major operas hitherto neglected. Obviously, my selections are highly subjective and controversial, and other collectors will be dismayed that I have ostensibly rejected their own candidates for recordings of classic status or nominated one they loathe but at the same time I think I may fairly claim that these are, in general, recordings which have stood the test of time.
    [Show full text]
  • Concert Flyer
    California State Polytechnic University, Pomona • College of Letters, Arts and Social Sciences Peace Concert by Arohi Ensemble November 19, 2016 (Saturday), 7:00 to 8:30 p.m. Bronco Student Center, Ursa Major Room, Cal Poly Pomona Campus Arohi Ensemble will perform a concert of original 'Raga-Jazz Chamber Music' which is steeped in the classical music traditions of India, meditative ragas and exciting rhythms in an innovative east-west musicality incorporating elements of jazz, gamelan and Latin music on sitar, bansuri (flute), cello, tabla and the drums. Music from their 2016 CD release 'Ahimsa, Love is a Weapon of the Brave' will be featured dedicated to the historic legacy of nonviolence and its relevance today. Paul Z. Livingstone is known for Pedro Eustache is a creative his virtuosity on the sitar and an multi-instrument world music array of stringed instruments. performer on solo woodwinds Paul had the privilege of being a and reeds, and a synthesist and protégé of Pandit Ravi Shankar. composer with a unique, richly He is the Founder and Artistic eclectic, personal voice rooted Director of the Sangeet School in his professional experience in of World Music in Los Angeles the classical European, Jazz, and was on the faculty of the Indian, Armenian, Arab, popular Cal Arts. and electronic music forms. Neel Agrawal is a tabla player and multi-percussionist integrating various musical traditions from across the world into his own unique voice. Neel has performed in a wide array of musical contexts, ranging from classical to contemporary, across the U.S. and India. Peter Jacobson is a Cellist who performs with eclectic influences ranging from his western classical training, Indian music, to reggae, hip hop and other popular music styles.
    [Show full text]
  • Strauss' Capriccio
    Richard Strauss’ Capriccio - A survey of the discography by Ralph Moore Strauss’ swansong opera Capriccio is not especially well represented in the catalogue; of the 22 complete recordings listed in the CLOR catalogue, only around a dozen have ever been available on CD and the rest were on video. Of those CD issues, several are no longer available and only three are studio recordings; two are radio broadcasts and the remainder are live or live composite stage performances. I consider here ten recordings, including all three of those studio accounts. The libretto was based on an original concept by Stefan Zweig, who had fled to the USA after the rise of the Nazis and committed suicide earlier in the year of the opera’s premiere, 1942. It was further developed by his successor as Strauss’ librettist, Josef Gregor, then Strauss himself took it over before passing it to his conductor friend Clemens Krauss – incidentally, possessor of one of the most blatant comb-overs in history - who completed it with continued input from the composer. The text is witty and more enjoyable if the libretto is to hand or you speak German. Like Strauss’ domestic comedy Intermezzo, Capriccio is wordy and conversational, but its intellectual and philosophical content is certainly higher and couched in some of the most sublime music Strauss ever penned. As a result, it is more popular and frequently performed than other of his late works. It is a vehicle for a supreme singer-actress with a creamy voice and a gift for enlivening text; noted performers who made recordings include Krauss’ second wife, Viorica Ursuleac, Lisa Della Casa, Elisabeth Schwarzkopf, Gundula Janowitz, Kiri Te Kanawa and, more recently, Renée Fleming.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Downbeat.Com July 2010 U.K. £3.50
    .K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette,
    [Show full text]
  • Fidelio På Storskærm Figaros Bryllup På Den Ny Opera Ordinær
    figaros bryllup på den ny opera Den Ny Opera opsætter Figaros bryllup i Musikhuset Esbjerg hvor instruktøren Katrine Wiedemann sammen med sceno- grafen Maja Ravn kaster helt nye blikke på et af operahisto- riens største mesterværker. Operaen synges på dansk, og på scenen står bl.a. Frede- rikke Kampmann, Lars Møller, Henriette Bonde Hansen, Jens Søndergaard, Francine Vis, Liv Oddveig Midtmageli, Jørn Pedersen og Jakob Næslund Madsen. NR. 3 · MAJ 2020 I orkestergraven sidder 30 medlemmer af Baroksolisterne – Den Ny Operas faste og fremragende samarbejdspartner. Musikerne skaber på originalinstrumenter en orkesterklang tæt op af dén, Mozart hørte for sit indre øre, da han sad og skrev musikken i Wien i 1786. Figaro skal giftes med Susanna, som jages af Greven, der mistror Grevinden, som forgudes af Cherubino, der samtidig er i lag med Barbarina, hvis far Antonio er rasende, ligesom Bartolo, der sammen med Marcelina (og med hjælp fra Basi- Ordinær generalforsamling lio og Curzio) prøver at få skovlen under førnævnte Figaro, Da en række restriktioner med henblik på bekæmpelse af som for øvrigt viser sig at være deres (altså Marcelina og Bar- coronavirus forventes ophævet i de næste faser af genåb- tolos) egen søn… ningen af Danmark, indkalder vi hermed igen til ordinær Forvirret? Se Figaros bryllup og få redt trådene ud! Vi har generalforsamling tirsdag 25. august 2020 kl. 19 i møde- nemlig sikret os 40 billetter til matinéforestillingen søndag lokalet i FO-byen, Frederiksgade 78B i Aarhus. 30. august 2020. Turens pris er 550 kr. og omfatter billet i Forslag til kandidater til bestyrelsen samt emner til den bedste priskategori samt bustransport til og fra Musik- behandling på generalforsamlingen sendes til bestyrelsen huset i Esbjerg.
    [Show full text]
  • Richard Drexler POB 950795 — Lake Mary FL 32795-0795 Phone: 727.365.4581 — E-Mail: [email protected], [email protected]
    Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected] Profession Musician (piano, keyboards, bass violin, voice, violin, viola, ‘cello, percussion), teacher, composer, arranger, recording producer, music contractor Education Masters of Music (Composition) UNIVERSITY OF CENTRAL FLORIDA, Orlando FL – 2013 Bachelor of Music (Piano Performance) ILLINOIS WESLEYAN UNIVERSITY, Bloomington IL – 1977 Cum Laude Cross Cultural Arts Studies GREAT LAKES COLLEGE ASSOCIATION, New York NY – 1976: Apprentice to David Horowitz, Jackson MacLow and Charles Morrow Diploma in Bible Studies RHEMA BIBLE TRAINING CENTER, Broken Arrow OK – 1980 Summa Cum Laude Teaching Experience • University of Central Florida, Orlando FL – Adjunct instructor in 2005-present Jazz Studies • Valencia College (East Campus), Orlando FL – Adjunct jazz 2013-present instructor • Private instructor, central FL – Teacher of piano, acoustic bass, 1989-present improvisation, composition, arranging and jazz harmonic theory • Players School of Music, Clearwater FL – Jazz piano faculty 2003-2005 • Numerous universities in Europe, South America and USA – Guest clinician 1983-present • Jamey Aebersold Summer Jazz Camps – Jazz faculty, bassist 1979, 1980, 1981 Publication • Richard Drexler & Dr. Herb Silverstein: “Jazz Harmony & Improvisation – Scores & Recordings of Original Tunes” – Trafferd Publishing, ISBN #978-1-4251-3608-6 2 Richard Drexler Recording Experience as Bassist, Pianist, Producer and Composer/Arranger Selected
    [Show full text]
  • Schenk Inszeniert in Wien
    Programminformation Kultur/Musik/Film Mit der Bitte um Ankündigung! Schenk inszeniert in Wien Utl.: 1. Wiener Opernkino mit Otto Schenk und Arthaus-Wschwerpunkt im November 2007. = (LCG7151 – Wien, 23.10.2007) Spielplan im November 2007: Donnerstag, 1. November 2007,19.30 Uhr Die Perlenfischer von Georges Bizet Liveaufführung, Teatro La Fenice di Venezia, 2004, mit Annick Massis, Yasu Nakajima, Luca Grassi, Luigi De Donato, Dirigent: Marcello Viotti Freitag, 2. November 2007, 19.00 Uhr Boris Godunov von Modest Mussorgsky Liveaufführung, Kirov Opera, St. Petersburg, 1990, mit Robert Lloyd, Alexei Steblianko, Olga Borodina, Sergei Leiferkus, Dirigent: Valery Gergiev Samstag, 3. November 2007, 18.00 Uhr Carmen von Georges Bizet Opernverfilmung von Herbert von Karajan, 1967, mit Grace Bumbry, Jon Vickers, Mirella Freni, Justino Diaz, Olivera Miljakovic, Kurt Equiluz, Dirigent: Herbert von Karajan Sonntag, 4. November 2007, 11.00 Uhr Die Großherzogin von Gerolstein von Jacques Offenbach Liveaufführung, Théâtre Musical de Paris, 2004, mit Felicity Lott, Sandrine Piau, Yann Beuron, Franck Leguérinel, Francois Le Roux, Dirigent: Mark Minkowski Donnerstag, 8. November 2007, 19.30 Uhr Lucia di Lammermoor von Gaetano Donizetti Liveaufführung, Metropolitan Opera, 1982, mit Joan Sutherland, Alfredo Kraus, Pablo Elvira, Paul Plishka, Dirigent: Richard Bonynge Freitag, 9. November 2007, 19.30 Uhr Simon Boccanegra von Giuseppe Verdi Liveaufführung, Metropolitan Opera, 1995, mit Placido Domingo, Vladimir Chernov, Kiri Te Kanawa, Robert Lloyd, Bruno Pola,
    [Show full text]
  • MUSIC by ALEX HEFFES with ANOUSHKA SHANKAR 01 Prologue 11 Raag Khamaaj Composed & Performed by Shujaat Husain Khan
    ORIGINAL TELEVISION SOUNDTRACK MUSIC BY ALEX HEFFES WITH ANOUSHKA SHANKAR 01 Prologue 11 Raag Khamaaj Composed & Performed by Shujaat Husain Khan 02 Lata’s Theme 12 There Is No Harm In Dawn 03 Your Sister, My Brother 13 The Floating Temple 04 You Too Will Marry A Boy I Choose Composed by Alex Heffes, Anoushka Shankar, Namit Das & Yamini Das 05 Lutf Woh Ishq Mein Composed & Sung by Kavita Seth 14 Pillow Talk CD 1 06 Mehfil Barkhaast Hui Composed & Sung by Kavita Seth 15 Let’s Go Away / I Never Want to See You Again 07 Smitten Kitten (Meenakshi’s Theme) 16 Na-rawa Kahiye Composed & Sung by Kavita Seth 08 Holi 17 What Happened & Maan Delirium 09 Quegdevelim Sunset 18 Muddat Hui Hai Composed & Sung by Kavita Seth Composed by Rhys D’Szousa / Performed by Bombay Brass 19 Kabir’s Letter 10 No Time, Lover, Or Friend 20 Unsuitable Tango 01 The Railway Theme 14 Free India’s First Election 02 One Loves You 15 Raag Jhinjhoti Composed & Performed by Shujaat Husain Khan 03 Your Parakeet Is Well? 16 Raag Lalit 04 Are You Making Fun of Me? 17 Maan In Turmoil 05 Farewell to Rasheed 18 Loss 06 Are You A Lipstick Girl? 19 The Fever Bird CD 2 07 Are We French Now? 20 Maan In Prison 08 Dil-e-Nadaan Composed & Sung by Kavita Seth 21 An Unfortunate Accident 09 Make Lata Love Me 22 Love Has Run Its Course (Mehfil Barkhaast Hui Duet) 10 I Can Make Any Shoe Composed by Kavita Seth / Sung by Kavita Seth & Sharvari Deshpande 11 Think Beyond Your Friends 23 A Suitable Boy 12 Fluke of A Catch 24 Lata Chooses Her Suitable Boy 13 Christmas In Prahapore 25 Monkey Wisdom Photography © Kush Patel A NOTE FROM THE DIRECTOR Music was the oxygen that drew me into the making of “A Suitable Boy.” The songs of our story’s glorious courtesan, Saeeda Bai, are based on the great poetry of Ghalib, Dagh, and Mir which Vikram Seth so eloquently brought to life in our story.
    [Show full text]