Hooters "Roll" to Colby
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May July June August
19861986 MAY JUNE 1. Greatest Love Of All…Whitney Houston 1. On My Own…Patti LaBelle & Michael McDonald 2. Addicted To Love…Robert Palmer 2. Live To Tell…Madonna 3. West End Girls…Pet Shop Boys 3. Crush On You…The Jets 4. Why Can’t This Be Love…Van Halen 4. I Can’t Wait…Nu Shooz 5. What Have You Done For Me Lately…Janet Jackson 5. All I Need Is A Miracle…Mike + The Mechanics 6. If You Leave…Orchestral Manoeuvres In The Dark 6. A Different Corner…George Michael 7. Harlem Shuffle…Rolling Stones 7. Nothin’ At All…Heart 8. Your Love…The Outfield 8. I Wanna Be A Cowboy…Boys Don’t Cry 9. Take Me Home…Phil Collins 9. Vienna Calling…Falco 10. Something About You…Level 42 10. Rain On The Scarecrow…John Cougar Mellencamp 11. Bad Boy…Miami Sound Machine 11. One Hit (To The Body)…The Rolling Stones 12. Is It Love…Mr. Mister 12. The Love Parade…The Dream Academy 13. Be Good To Yourself…Journey 13. Out Of Mind Out Of Sight…Models 14. Move Away…Culture Club 14. The Finest…The S.O.S. Band 15. American Storm…Bob Seger 15. I Must Be Dreaming…Giuffria 16. Never As Good As The First Time…Sade' 16. Headed For The Future…Neil Diamond 17. Rough Boy…ZZ Top 17. Listen Like Thieves…INXS 18. Tomorrow Doesn’t Matter Tonight…Starship 18. Don Quichotte…Magazine 60 19. Mothers Talk…Tears For Fears 19. Living On Video…Trans-X 20. All The Things She Said…Simple Minds 20. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Graphic Style Guide
Identity Standards Manual 2020 Contents 1 2 Introduction 3 The Logotype and Seal 4 The Typographic Palette 5 The Color Palette Black-and-white applications Color palette CMYK palette Web safe palette 8 The Stationery System Printing and type specifications Formatting letters 10 Logo Applications Print applications Sub-branding 12 Rules Governing Logo Usage Sizing Improper logo usage 18 Rules Governing Sub Brands Center for the Arts and Humanities Center for Small Town Jewish Life DavisConnects 19 Rules Governing Athletics Font Vitesse and Identifier Font: Vitesse Colby Athletics identifier lock up and usage Colby Athletics color palette Colby Athletics design guidelines Introduction 2 This style guide presents Colby’s logotype, font family, and color palette; provides clear guidelines for how these elements are to be used; shows a range Other of sample applications; and gives users the tools they Signage Website need to maintain the College’s identity across all visual communications. Logotype This style guide is comprehensive but not exhaustive. (proportions, color, There will frequently be a need for design solutions that and relative position) fall outside of given formulas. To help explain those decisions, we state the rationale for each rule and recommendation we make. No visual identity will Stationery System Business Card survive long unless its users understand how it expresses Envelope the vision, mission, and personality of the College. Folder, etc. Print Collateral Brochures Every visual identity is a struggle between the overall Viewbook institutional identity and the goals of each piece of visual Athletics Apparel/Bookstore communication. If the institutional identity is too strictly applied, the message is smothered by the system. -
COLBY MULES TRIM Ilterslit of MAINE
^Vfr j .-^^ ¦¦> ^.JSK-itJ-i'A' | | Hallowell Contest Senior Class Meeting ;: Monday, April 27th ' -¦¦ Thursday, . .. at 1.15 \ . ¦ ¦ ¦ • • • ' ¦ ¦ ¦ \ \ ¦ ' THIRD QUARTER ALUMNUS JUNIOR GLASS DAY EXERCISES G0L6Y MUSICAL CLUBS ! TO BE OFF PRESS SOON COLBY COLLEGE COLBY MULES TRIM TO BE HELD MIT 23RD IltERSlIT OF MAI NE HAVE SUCCESSFUL SEASON Will Contain as "Roll of The Junior Class Day exercises Combinations of Two Divis- WITH OEED TO MAYFLO WER HILL will be held on the evening of May 23. Honor" Names of Citi- The May Queen, who is to be chosen Roundymen Play Errorless ions Into Colb y College zens Who Contribu- Mayor Dubord Presents Papers To Herbert from the senior class by popular vote, Baseball Choir Good Scheme will be crowned. After the corona- ted to The #100,000 E. Wadsworth—Committee Holds Ban- tion "The Tempest" will "be presented Fund by the junior women. The cast is as : Displaying a fine brand of heads-up This season's record of the Colby quet In The Evening follows: baseball, the 1931 Colby Mules turned musical clubs was a very brilliant back the Maine bear by a 4 to 3 one the first under the new scheme Prospero Gwendolyn G. Mardin , The third quarter Colby Alumnus, 1 count. The holiday game was the of combination of the Men's and Wo- . The most significant step taken by problem was to make the governing Miranda Tina C. Thompson by Professor Herbert C- Libby, State series opener for Colby and now men's Glee Clubs into a mixed unit, edited- Colby college in recent decades was board of the College agree with us in Ferdinand Ruth B. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 4-25-2021 Concert: Ithaca College Madrigal Singers Hana J. Cai Ithaca College Madrigal Singers Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Cai, Hana J. and Ithaca College Madrigal Singers, "Concert: Ithaca College Madrigal Singers" (2021). All Concert & Recital Programs. 7962. https://digitalcommons.ithaca.edu/music_programs/7962 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Ithaca College Madrigal Singers Dr. Hana J. Cai, conductor Julianna LoBiondo, graduate assistant Ford Hall Sunday, April 25th, 2021 2:00 pm Program Royals Joel Little (b.1983) and Ella Yelich-O'Connor (b. 1996) arr. Deke Sharon Come Now My Dearest Jewel Thomas Weelkes (1575-1623) I Feel the Earth Move Carole King (b.1942) arr. Deke Sharon Lullabye (Goodnight, My Angel) Billy Joel (b. 1949) arr. Deke Sharon Kikkehihi Johann Hermann Schein (1586-1630) Blackbird John Lennon (1940-1980) and Paul McCartney (b. 1942) arr. Deke Sharon Time After Time Cyndi Lauper (b. 1953) and Rob Hyman (b. 1950) arr. Deke Sharon Royals I've never seen a diamond in the flesh I cut my teeth on wedding rings in the movies And I'm not proud of my address In a torn-up town, no postcode envy But every song's like gold teeth, Grey -
Pdffy (Center), Shown Duringa Janplancourse in India, Enjoys Volunteering
Addressing global food inequality SOUTH END TEEN CENTER BBQ RELIGION AT COLBY Hunger banquet Union on Thursday, April 23, divided bles, the "middle" 20 percent received Faith at core students up into three separate groups. just enough rice, beans and water, and brings resource Upon entering the event, attendees re- sat in chairs while the bottom tier, ceived a number that correlated to one consisting of 70 percent of the atten- of life for disparity to light of the groups, each serving as a dees, were given a meager amount of metaphor for a level of global re- rice and water. They ate on the floor. source availability. Before students were allowed to many on Hill By ALEXANDER RICHARDS Depending on their designated cat, however, cards relating stories SENIOR NEWS EDITOR from members of each of these real- By ALLISON EHRENREICH world groups were distributed. The ASSISTANT NEWS EDITOR Over 100 million peop le who top echelon was allowed to eat earlier were once able to provide food for While 800 mil- than the rest , and was provided with Leaving home for Mayflower Hill themselves recently lost that ability, lion people suf- accounts of wealthier citizens who ex- four years ago, Catherine Woodiwiss '09 and "joined the ranks of the hun- pected good nutrition and education knew that she was casting aside the gry." according to a notice sent out fer from for their children, whereas members comfortable, familiar and nurturing en- by the Colby Volunteer Center chronic hunger, of the lower groups learned about vironment that she had taken for granted. -
Colby Fceelo;^
Colby fcEelO;r££'<*w ^*-» «f» 'V. -4*1 «v*'' i,u*» *TL •¦ V ^i by Lloyd Benson The undefeated Colby Mules put it all on the line tomorrow afternoon when they travel to Geneva, N.Y. to face Hobart. Along with hopes of going Heading this ground assault is Ail-American Don Alexcevich. Alexcevich almost 8-0, the Mules have a solid shot at gaining recognition all along the eastern sea- beat the Mules single-handedly last year in what was a truly heart-stopping board if they win tomorrow. performance. If he is allowed to romp again tomorrow, forget it. A win could conceivably cinch the Lambert Bowl for Colby. The Lambert Bowdoin showed that Colby's defense can be run against. If'the Mules do Bowl is given to the outstanding small college team in the east. Colby is currently not shore up their defense against the run, they may very well need 35 points Number Four in the race for this coveted cup. Undefeated Alfred is top ranked. to win. Alfred beat Hobart 3 1-28 for their only defeat of the season. If the Mules better With linebacker Pete Card semi-injured (ankle) this is easier said than done that score, Waterville, Maine, will be a household word in the Northeast. Hobart does not pass often , if at all. They threw only, eight times all last season. The game will not come easily for Colby, if it is to come at all. Hobart Dick McGee knows what they will do, now all he has to do is prepare well boasts an awesome running attack that is the envy of coaches all over the north- enough so they can't do it against us. -
HUDSON RIVER RISING Riverkeeper Leads a Growing Movement to Protect the Hudson
Confronting climate | Restoring nature | Building resilience annual journal HUDSON RIVER RISING Riverkeeper leads a growing movement to protect the Hudson. Its power is unstoppable. RIVERKEEPER JOURNAL 01 Time and again, the public rises to speak for a voiceless Hudson. While challenges mount, our voices grow stronger. 02 RIVERKEEPER JOURNAL PRESIDENT'S LETTER Faith and action It’s all too easy to feel hopeless these days, lish over forty new tanker and barge anchorages allowing storage of crude when you think about the threat posed by climate oil right on the Hudson, Riverkeeper is working with local partners to stop disruption and the federal government’s all-out another potentially disastrous plan to build enormous storm surge barriers war on basic clean water and habitat protection at the entrance to the Hudson Estuary. Instead, we and our partners are laws. Yet, Riverkeeper believes that a better fighting for real-world, comprehensive and community-driven solutions future remains ours for the taking. to coastal flooding risks. We think it makes perfect sense to feel hope- History was made, here on the Hudson. Groundbreaking legal pro- ful, given New York’s new best-in-the-nation tections were born here, over half a century ago, when earlier waves of climate legislation and its record levels of spend- activists rose to protect the Adirondacks, the Palisades and Storm King ing on clean water (which increased by another Mountain and restore our imperiled fish and wildlife. These founders had $500 million in April). This year, The Empire State also banned river-foul- no playbook and certainly no guarantee of success. -
125Th Street, Harlem, NY
APOLLO ANNUAL REPORT 2016-17th 125 Street, Harlem, NY 1 TABLE OF CONTENTS APOLLO MUSIC APOLLO COMMUNITY LEADERSHIP Page 10 Page 16 Page 4 APOLLO DANCE APOLLO EDUCATION ELLA FITZGERALD Page 12 Page 18 CENTENNIAL CELEBRATION Page 6 APOLLO THEATER APOLLO IN THE MEDIA Page 13 Page 20 WOMEN OF THE WORLD Page 8 APOLLO SIGNATURE APOLLO CELEBRATIONS Page 14 Page 22 APOLLO PEOPLE STATEMENT OF Page 27 OPERATING ACTIVITY Page 24 APOLLO SUPPORTERS Page 28 STATEMENT OF FINANCIAL POSITION Page 26 JOIN THE APOLLO Page 30 “Since its inception, the Apollo Theater has been home to legendary and FROM OUR up-and-coming artists alike, serving as an ever-changing, driving force in popular music and culture, not only in Harlem but across the world.” LEADERSHIP Jonelle Procope, President and CEO of the Apollo Theater We are delighted to share this Annual Report highlighting It is an incredible honor to bring my voice to the Apollo’s the incredible accomplishments of the Apollo’s season. Key storied legacy and exciting future. My first season at the milestones from the 2016-2017 season include welcoming Apollo has been a whirlwind of inspiring and innovative Kamilah Forbes as the new Executive Producer; presenting performances and programs. I especially want to mention The First Noel, the first multi-week run of an Apollo-Presents the four-day Women of the World Festival, which was show on the iconic Mainstage; and welcoming popular anchored by a special tribute concert to the incomparable Brooklyn-based festival, Afropunk, for their first appearance artist/activist Abbey Lincoln. -
We Are the CHAMPAGNE-IONS!
SEPTEMBER 30, 2009 PAGE: 5 BEST CHEF IN CHESCO C H PAGE: 6 E S CHILI T COOKOFF E R PAGE: 16 C O JOHN LILLEY U N WWW.DAILYLOCAL.COM/CC T Y C U IS IN E & N IG H T L IF E RESTAURANT FESTIVAL PAGE: 13 e e are th S! w NE-ION AG GE: 8 CHAMP PA Twice a month we will be featuring Jimmy’s BBQ of Frazer with some great local blues bands and our we known draft and bottled beer selection. Please che www.ronsoriginal.com for dates OCTOBER FEATURES ll SAUSAGE & PEPPERS APPETIZER ck $5.99 CAPRESE DI PARMA SALAD $6.99 POLLO PRIIMAVERA NACHOS $6.99 8 OZ.F ILET MIGNON DINNER $15.99 VEAL MARSALA DINNER $17.99 RAVIOLI AURORA WITH CHICKEN $12.99 BLACK & WHITE MUSSELS & SHRIMP $9.99 0547642 xxx xxx /PAGE 3 TABLE SEPT. 30, 2009 MAGA xxx ZINE CHESTER COUNTY CUISINE & NIGHTLIFE xx xxx OF www.dailylocal.com/CC STAFF: xx xxxCONTENTS Randall P. Notter Publisher Andrew M. Hachadorian Editor Justin McAneny Contributing Writer/Editorial Coordinator PAGE: 4 Autumnal Tricia A. Johnston Bliss Advertising Director CC is a magazine of the Daily Local News, pub- lished every other Wednesday and distributed free throughout Chester County. Our offi ces are located at 250 North Bradford Avenue, West Chester PA. PAGE: 6 Copyright 2009, Daily Local News. Reproduction Chili of CC, in part or in whole, is prohibited without written permission. Cookoff PAGE: 8 Chester County To advertise in CC, call Road Trip Jim Steinbrecher at 610-430-1138. -
April 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No. -
ARTS V- Entertainment
ARTS V- entertainment Titian Schlummernde Venus” (1510) Erotica? Pornography? Who Sees What? rt and the erotic and/or pornographic image have maintained a long and in cestuous alliance. Indeed, perhaps the first known work of sculpture recovered, the Paleolithic “ Venus of Wildendorf” reflects in a size somewhat larger than a person’s thumb a avoluptuous fem ale form radiating with sexual potency. The representation of woman as sexual goddess has continued to preoccupy virtually every cultural epoch. Our own age is no ex ception. In fact, images of women in a sexual context have become so alarmingly com monplace that one is coerced into endorsing it. And that is precisely why the accelerated ex ploitation of these images through the media is so insidious. A naked woman lying suggestively upon a bed is a scene celebrated and culturally legitamatized by Titian, Rembrandt, Goya, Watteau, Manet and just about every other greater or lesser talent that has applied paint to a surface. This particular kind of image has become so ingrained in us that we accept and even pay homage to it as part of our history. In both a high and low art form people of both sexes continue to help foster and encourage it. The men who buy Playboy and the women who buy Cosmopolitan are, in truth, purchasing one and the same image. In fact, we have become so saturated with these images that they tend to cancel one another out, leaving us benumbed to their subtle manipulation. This is commonplace, a fam iliar aspect of everyday life.