Download Detailseite

Total Page:16

File Type:pdf, Size:1020Kb

Download Detailseite PANORAMA MACHBOIM TEDDY 30 HIDE AND SEEK Dan Wolman 1946 im britischen Mandatsgebiet Palästina: Der zwölfjährige Uri ent- Israel 1979 deckt, dass sein Nachhilfelehrer Balaban heimlich Briefe mit einem 85 Min. · DCP · Farbe jungen arabischen Mann austauscht. Er vermutet, dass der Lehrer ein Spion ist, und informiert den jüdischen Untergrund. Regie, Buch Dan Wolman Kamera Ilan Rosenberg Schnitt Shoshi Wolman Musik Amnon Wolman Stills Eyal Yizhar Produzenten Jeff Justin, Dan Wolman Geboren 1941 in Jerusalem. Studierte Film Darsteller in den USA und drehte über 50 kurze sowie Chaim Hadaya (Uri) abendfüllende Dokumentar- und Spielfilme. Gila Almagor (Uris Mutter) Lehraufträge u.a. an der Universität Tel Aviv, Doron Tavori (Balaban) an der MA'ALE School in Jerusalem, der New Efrat Lavie (Chayale) York University und der School of Visual Arts in New York. Schrieb und inszenierte Produktion auch Theaterstücke in den USA, Israel und Dan Wolman Film Production Ltd. Frankreich. Engagiert sich in der Förderung Ramat Gan, Israel israelisch-äthiopischer Filmemacher und [email protected] entwickelt neue Strategien für die unabhängige Filmdistribution. Mehrfach preisgekrönt und Mitglied zahlreicher Festivaljurys, u.a. in Istanbul, Bratislava und Mumbai. Doron Tavori, Mochamad Chalwani Foto: Dan Wolman Born in Jerusalem in 1941, he studied film in the USA and has directed over 50 short and 1946 in the British Mandate for Palestine: twelve-year-old Uri discovers feature-length documentaries and fiction that his private tutor Balaban is secretly corresponding with a young films. He has taught at Tel Aviv University, Arab man. Suspecting his tutor of espionage, the boy informs the the Ma’aleh School in Jerusalem, New York Jewish underground. University and the School of Visual Arts in New York. He has also written and produced theatre plays in the USA, Israel and France. He is involved in the support of Israeli-Ethiopian filmmakers and is developing new strategies for independent film distribution. He has won many awards and been a member of numerous festival juries including in Istanbul, Bratislava and Mumbai. Filmografie Auswahl: 1970 Ha-Timhoni (The Dreamer) 1972 Floch 1975 Michael Sheli (My Michael) ; IFB, Informationsschau 1979 Machboim (Hide and Seek) 1984 Chayal Halayla (Soldier of the Night) 1994 Ha-Merhak (The Distance) 2000 Ahot Zara (Foreign Sister) 2004 Habiographia Shel Ben (Ben's Biography) 2006 Yadayim Kshurot (Tied Hands) 2010 Gei Oni (Valley of Strength).
Recommended publications
  • Israel: Growing Pains at 60
    Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left.
    [Show full text]
  • Annual Report, 1991-92
    UNIVERSIT.' OF ILLSNOiS LIBRARY AT URBANA-CHAMPAIGN iQOKSTAGKS Digitized by the Internet Archive in 2011 with funding from University of Illinois Urbana-Champaign http://www.archive.org/details/annualreport02univ STX Th« CofnmJtto* on Jeu^l/h Cullufo ood Society Liberal Arts and Sciences University of Illinois 213 English Building 608 South Wright Street Urbana, Illinois 61801 'Or-. ANNUAL REPORT, 1991-92 BENEFACTORS We wish to acknowledge with gratitude the contributions made to the Committee by the following donors: the Champaign-Urbana Jewish Federation, the Community Relations Council of the Champaign-Urbana Jewish Federation, the Decatur Jewish Federation, Douglas and Rebecca Shular Hoffman, and Tepper Electric Supply Company. The Committee is also supported by the College of Liberal Arts and Sciences of the University of Illinois. PUBLIC EVENTS In cooperation with several other units of the University of Illinois and various organizations within the community, the Committee co7;ponsored the following programs and lectures: July 8-9, 1991 1991 Illinois Summer Research Laboraton,' on Russia and Eastern Europe Discussion Group on Simon Duhiiov and His Heriia\ie on the 50th Anniversary of His Deaih . November 1991 Rinat, Israel's National Choir, directed by Stanley Sperber, as the first part of the year-long MidEast Fest. November?, 1991 Mayer Oruber, (Ben-Gurion University of the Negev), The Rashi Scandal: What Happened to Rashi's Pictorial Illustrations? November 21, 1991 Asher Susser, (Tel Aviv University), The Middle East and the Peace Process after the Gulf War December 2, 1991 Jerome Badanes, (Sarah Lawrence College, New York), in a reading from his novel The Final Opus of Leon Solomon .
    [Show full text]
  • Ninth Annual Israeli Film Festival
    NINTH ANNUAL ISRAELI FILM FESTIVAL SPONSORED BY WEINSTEIN PROPERTIES January January 9-13, 2019 ■ Weinstein JCC ■ Richmond, VA 23-26 ■ An Israeli Love Story Festival Concessions ■ The Essential Link: Sponsored by Risa and Jay The Story of Wilfrid Israel Levine ■ *All screenings held Shelter at the Weinstein JCC unless otherwise noted ■ The Cakemaker* Wednesday, January 9 7PM A film by Dan Wolman Drama/History, 93 minutes Hebrew with English subtitles An Israeli Love Story tells a passionate tale of love and independence. Set in pre- Thursday, January 10 • 7PM state Palestine, a couple is A film by Yonatan Nir, Documentary, 71 minutes torn between their love for English, Arabic, Hebrew one another and where they The Essential Link: The Story of Wilfrid Israel sheds light on see their own futures in the a wealthy German Jew who—through wily negotiations Jewish state. In the budding with the Nazis, large sums of his own money and a long theatre world of Tel Aviv and the kibbutzim, Margalit series of selfless acts—saved thousands of Jews in WWII. finds her place in the spotlight, while Eli is drawn The story of this extraordinary man becomes very per- deeper into the armed struggle for Jewish indepen- sonal as filmmaker Yonatan Nir takes us on a journey from dence from the British. Based on the true story of a kibbutz in northern Israel to Germany in the 1930's. theatre director and actress Pnina Gary. Panel discussion follows with Virginia Holocaust Museum staff Saturday, January 12 Sunday, January 13 7PM 2PM at The Byrd Theatre* A film by Eran Riklis A film by Ophir Raul Graizer Drama, 93 minutes Drama, 104 minutes English, Arabic, Hebrew English, Hebrew, German In Shelter, Naomi, an Israeli The Cakemaker is the story of Mossad agent, is sent to Ger- Thomas, a German baker, and many to protect Mona, a Oren, an Israeli married man Lebanese informant recover- who frequently visits Berlin.
    [Show full text]
  • Why Have You Despised the Word of God, to Do What Is Evil in His Sight
    Conclusions Thus, who is Goliath? “Why have you despised the word of God, to do what is evil in his sight? You have smitten Uriah the Hittite with the sword, and have taken his wife to be your wife” (2 Samuel 12:9). “Ultimately it is this fraternity that makes it possible, over the past two centuries, for so many millions of people, not so much to kill, as willingly to die for such limited imaginings” (Anderson, 1991, p.224). We started the journey of the representation of the IDF soldier in Israeli cinema at the time where there was no Israeli cinema, because there was no State of Israel. In the first decade of the 21st century, more than sixty years after the establishment of the state, several Israeli films won awards in film festivals all around the world, establishing the “new,” blossoming Israeli cinema. As we observed, contemporary Israeli cinema dismantles the equation created by the early Zionist Realist cinema of nationhood and masculinity. According to Gertz, this cinema does not obliterate the homogeneous Zionist identity; rather, it merges this identity into a broader dialogue of identities and voices: “Instead of simplistically replacing the Hebrew masculine identity with a feminine Jewish one, it integrates both identities and examines them inside and out. This cinema treats space similarly. Instead of replacing the Israeli space with an alternative space, it makes different spaces overlap and commingle. This cinema expresses the crisis in Israeli identity and the attempt to overcome it by combining and blending the spaces, nationalities, and genders created within it” (Gertz, 2003).
    [Show full text]
  • March 18-25 2018
    March 18-25 2018 www.katzjcc.org/film FilmFest 2018 B.indd 1 2/2/18 10:45 AM Welcome to the Festival! As festival organizers we are always searching for new ways to satisfy your movie going experience. Our 13th Annual Cherry Hill Volvo Cars Jewish Film Festival is the most ideal way to share our passion for Judaic movies. The big-screen experience provides an irreplaceable pleasure and opportunity to view these films. Submissions to the Festival are often viewed by our committee members on laptop computers, so we can’t wait for everyone to see the stunning visuals of a film such asAcross the Waters as well as the breathtaking scenery in The Milk Trial and the pleasure of seeing Hedy Lamarr once again, all on the big screen. We are very proud of the 19 films that we have chosen to highlight in this year’s festival. We are fortunate that several guest speakers will be joining us to provide additional insight into the films. They include writers, directors, producers, film stars, film subjects, and local Rabbis. You will get a chance to meet Fleming Meeks who conducted the interview with Hedy Lamarr in Bombshell: The Hedy Lamarr Story, Samantha Elisofon and Brandon Polansky, actors starring in Keep the Change, and Daniel Sorochkin, the writer/director of the short Check Please. Other speakers are listed in the brochure. Of course, a festival like ours can only thrive with community support. We are fortunate to live in a community that enjoys the arts and passionately supports Jewish culture.
    [Show full text]
  • Dan Wolman Based on a True Story
    A film by Dan Wolman Based on a True Story Synopsis The film An Israeli Love Story is based on the true story of the love affair between Pnina Gary (Dromi) from Nahalal and Eli Ben-Zvi the son of Rachel Yanait and Yitzhak Ben-Zvi the second president of the State of Israel. The film is set during the turbulent period of pre-state Israel 1947-1948. Margalit (Pnina Gary) meets Eli by chance on a bus and instantly falls in love with him. She tries to get close to him, hoping he'll fall for her, but Eli is too preoccupied with the Palmach* and with smuggling Holocaust survivors into Palestine. Finally the barriers come down and a compelling relationship develops between the two. Margalit moves onto Eli’s kibbutz, Beit Keshet and they set up a date for their wedding but Israel's harsh reality intervenes. *Elite fighting force of the Haganna underground army during the British Mandate. Director Dan Wolman Screenwriter Dita Guary Based on the true story of Pnina Gary Producer Dan Wolman 2017, 93 min, Hebrew, Israel Cast: Adi Bielski Aviv Alush Maya Wertheim Issac Hizkiyahu Alex Anski Amir Mugrabi Crew: Cameraman Ran Aviad Lighting Elad Bracha Recorder Yoav Damti Set design Liron Lazar, Giyora Bergel DAN WOLMAN Dan Wolman is a veteran Israeli filmmaker whose films have been presented at Cannes, Venice, Berlin and many other film festivals winning awards and prizes globally. His film Valley of Strength which was released in 2011, was a great success in Israel and won awards in Berlin, France, Rumania, India and China.
    [Show full text]
  • Nov 5-21, 2017 Los Angeles
    NOV 5-21, 2017 LOS ANGELES WWW.ISRAELFILMFESTIVAL.COM © 2017 A presentation of the IsraFest Foundation, Inc. Key art designed by eclipse. FILM GUIDE | SCREENING SCHEDULE | EVENTS MISSION AND HONORARY COMMITTEE NOTE FROM THE FESTIVAL’S FOUNDER & EXECUTIVE DIRECTOR HONORARY MEIR FENIGSTEIN COMMITTEE FOUNDER / DIRECTOR WELCOME TO THE 31ST ISRAEL FILM FESTIVAL Meir Fenigstein CHAIRMAN Adam Berkowitz Dear Friends, HONORARY CHAIRMAN Arnon Milchan On behalf of the IsraFest Foundation, Inc. and its family of filmmakers and sponsors, I would like to welcome you to our 31ST ISRAEL FILM FESTIVAL in Los Angeles. HONORARY COMMITTEE This is an exciting chapter in our Festival’s ongoing adventure, as we start our 4th Sheldon G. Adelson decade as the largest showcase of Israeli films in the United States, and one of its Beny Alagem oldest and most prestigious foreign film festivals. Gila Almagor This year we are pleased to introduce close to 40 new feature films, thought- Avi Arad provoking documentaries, innovative television series, and award-winning shorts. Arthur Cohen 25 Israeli filmmakers will attend the various screenings and events to meet the Beverly Cohen audience and introduce their work. We are proud to announce our first ever Robert DeNiro television-focused program: Israeli TV – An American Success Story as we celebrate the success of Israeli television in the American marketplace. Danny Dimbort Michael Douglas We extend our sincerest congratulations to this year’s Festival honorees Jeffrey Richard Dreyfuss Tambor, recipient of the 2017 IFF Achievement in Television Award, and Lior Meyer Gottlieb Ashkenazi, recipient of the 2017 Cinematic Achievement Award, for their amazing Peter Guber accomplishments, as well as their abiding friendship to Israel and Israeli culture.
    [Show full text]
  • The Kibbutz and Israeli Cinema : Deterritorializing Representation and Ideology
    UvA-DARE (Digital Academic Repository) The kibbutz and Israeli cinema : deterritorializing representation and ideology Kedem, E.M. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): Kedem, E. M. (2007). The kibbutz and Israeli cinema : deterritorializing representation and ideology. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 The Kibbutz and Israeli Cinema: Deterritorializing Representation and Ideology ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof.dr. J.W. Zwemmer ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Aula der Universiteit op dinsdag 11 september 2007, te 12:00 uur door Eldad Meshulam Kedem geboren te Kibbutz Maagan, Tiberias Faculteit der Geesteswetenschappen Promotiecommissie: promotor: prof.dr.
    [Show full text]
  • Israel: Growing Pains at 60
    Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left.
    [Show full text]
  • KOLODNEY-THESIS-2014.Pdf (721.3Kb)
    Copyright by Uri Kolodney 2014 The Thesis Committee for Uri Kolodney Certifies that this is the approved version of the following thesis: A Different War, a Different Sex Gay Identity Politics in Israeli Cinema and its Relation to the Zionist Ethos APPROVED BY SUPERVISING COMMITTEE: Supervisor: Karen Grumberg Blake Atwood A Different War, a Different Sex Gay Identity Politics in Israeli Cinema and its Relation to the Zionist Ethos by Uri Kolodney, BA; MSIS Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2014 Acknowledgements I thank my committee members, Prof. Karen Grumberg and Prof. Blake Atwood, for their guidance and comments. I especially thank Prof. Grumberg for her patience and encouragement during my studies, instilling in me the belief I could complete this task successfully. I thank Prof. Sofian Merabet, who has encouraged me to write about cinema while I was taking his class “Gender and masculinities in the Middle East.” Many thanks to the University of Texas Libraries interlibrary loan team, and especially to Wendy Nesmith, Kristin Walker, and Fahime Foroughi; no research is possible without your enormous help and kindness! My thanks and love to my wife Susan and my daughter Emily for their support and encouragement. Last but not least, special thanks to our beloved cat Shadow, who was a wonderful companion throughout many hours of studying and writing. iv Abstract A Different War, a Different Sex Gay Identity Politics in Israeli Cinema and its Relation to the Zionist Ethos Uri Kolodney, MA The University of Texas at Austin, 2014 Supervisor: Karen Grumberg This thesis deals with gay identity politics and its relation to the Zionist ethos as it is portrayed in several Israeli films.
    [Show full text]
  • 10635 CA 2018 JFF Brochure FINAL
    Our Diverse Film Universe June 3-7, 2018 Landmark Plaza Frontenac Cinema Clayton Road and Lindbergh 314.442.3179 stljewishfilmfestival.org Presented by the Jewish Community Center 23rd Annual Advertising supplement to the St. Louis Jewish Light Opening Day HEADING HOME: THE TALE OF TEAM ISRAEL 1:00pm Your Film USA/Israel/Japan/South Korea • English Directors: Daniel Miller, Jeremy Newberger, Seth Kramer Trifecta! Documentary: 85 minutes A stirring story of sports, patriotism and personal growth Follow the journey of Israel’s underdog national baseball team competing for the first time in the World Baseball Classic, as they go from the U.S. to Tel Aviv, and Jerusalem to Seoul with their “Mensch on a Bench” mascot. Sponsored by Kuhn Foundation Introduction by Alan Spector, author of Baseball: Never Too Old to Play the Game Ticket Information Opening Day Films Weekday Films $15 per ticket or Weekday film tickets - $12/in advance • $13/at the door Buy multiple tickets and SAVE! Students 16 and under - $10/Opening Day • $8/weekdays $25 - Any two films Weekday Four Pack Special - Only $44! $40 - All three films! Tickets: in person at the J Box Office, Please note new Sunday film times. at brownpapertickets.com or 314.442.3179 1 23nd Annual St. Louis Jewish Film Festival MAKTUB (FATE) Opening Day 4:00pm Sunday, June 3 Sunday, Israel - Hebrew • English subtitles Director: Oded Raz Feature: 105 minutes Hilarious…a politically incorrect caper Protection collectors from a Jerusalem crime ring find themselves the sole survivors of a terrorist attack. Later at the Western Wall, they interpret their survival as a clear directive to end their criminal ways and become fairy godfathers for Wall wishers.
    [Show full text]
  • A Decade in Motion: the Israel Film Fund the New Voice of Israeli Cinema
    TABLE OF CONTENTS 6 TEN YEARS LATER 59 Actors to Watch Dan Fainaru 79 THAT KID IS ME: THE PERSONAL 10 THE ICEBERG EFFECT: ISRAEL'S CINEMA FILMS OF THE EARLY 21ST CENTURY OF DISENGAGEMENT Avital Bekerman Pablo Utin 84 REDUCING THE LIGHT: 16 LAMENTING LOST YOUTH: THE 'LEBANON' AN INTERVIEW WITH FILMS OF THE EARLY 21ST CENTURY CINEMATOGRAPHER SHAI GOLDMAN Yael Munk Pablo Utin 22 AN INTIMATE FAMILY PICTURE: 89 THE PEOPLE WANT POPULAR CINEMA A LOOK INTO THE FRAGILITY OF THE PRESENT Marat Parkhomovsky Tom Shoval 94 Producers 28 THE FAMILY IN LATE MARRIAGE Roger Ebert 102 INDUSTRY FACTS & FIGURES 29 DIRECTORS & SCRIPTWRITERS TO WATCH 103 ONE BIG FILM SCHOOL Joshua Simon 43 THE VITAL TENSIONS OF CONTEMPORARY ISRAELI CINEMA 107 THE INDEPENDENT FILM SCENE Annette Insdorf Noa Mendel 46 AJAMI: ONE CONFLICT, MANY VIEWS, 108 ISRAELI CINEMA COMES NO ACTORS OUT OF THE SHADOWS Ethan Bronner Hélène Schoumann 49 THE ‘ETHICAL TURN’ IN RECENT 110 LEADING FESTIVAL AWARDS ISRAELI CINEMA Nurit Gertz 112 PHOTOGRAPHY CREDIT LIST 54 THE REMARKABLE CASE OF JOSEPH CEDAR Yair Raveh A DECADE IN MOTION: THE ISRAEL FILM FUND THE NEW VOICE OF ISRAELI CINEMA CHIEF EDITOR: CHAIRMAN OF THE BOARD: KATRIEL SCHORY JACOB PERRY EDITORS: EXECUTIVE DIRECTOR: KATRIEL SCHORY JACOB PERRY PROF. DAVID ALEXANDER AVITAL BEKERMAN, NOA MENDEL KATRIEL SCHORY Executive Director Chairman of the Board Chairman Israel Film Fund Israel Film Fund Israel Film Council PRODUCTION ASSISTANT: HEAD OF PRODUCTIONS & FINANCE: NAAMA BOTZER DAVID LIPKIND GRAPHIC DESIGN: BOARD OF DIRECTORS: The Israel Film Fund is the main fund which encourages, In the last decade, since the Cinema Law was legislated AVIGAIL REINER – THE STUDIO GERY AGRON, DORLEE ALMAGOR supports and promotes Israeli films and Israeli and the Israel Film Council was established, The State of AVIHAI MIZRAHI NISSIM CALDERRON, URI DORI, DOV EICHENWALD, filmmakers.
    [Show full text]