Marian Goodman Gallery
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jesper Just Biography
JESPER JUST BIOGRAPHY Jesper Just Born in 1974 in Copenhagen, Denmark. Lives and works in New York EDUCATION 1997-2003 The Royal Danish Academy of Fine Arts. REPRESENTED BY Galleri Nicolai Wallner, Copenhagen Galerie Emmanuel Perrotin, Paris James Cohan Gallery, New York SOLO EXHIBITIONS 2011 ––– This Nameless Spectacle, MAC/VAL, Vitry-sur-Seine, France A Vicious Undertow, Single-Chanel Series, Des Moines Art Center, Des Moines, IA, USA John Curtin Gallery, Perth, Australia This Nameless Spectacle, BALTIC Centre for Contemporary Art, Gateshead, UK Photo Spring, Beijing, China MAP, Mobile Art Production, Stockholm, Sweden Le Mois de la Photo à Montréal, Montréal, Canada 2010 ––– ARTscape: Denmark – Jesper Just, Galerija VARTAI, Vilnius, Lithuania Jesper Just: Romantic Delusions, Tampa Museum of Art, Tampa, FL, USA 2009 ––– Invitation to Love, Kunstnernes Hus, Oslo, Norway Jesper Just, Centro de Arte Moderna José de Azeredo Perdigão - Fundação Calouste Gulbenkian, Lisbon, Portugal Tromsø Gallery of Contemporary Art, Norway 2008 ––– Romantic Delusions, Galerie Emmanuel Perrotin, Paris, France Romantic Delusions, Brooklyn Museum of Art, Brooklyn, NY, USA Romantic Delusions, U-turn / Kunsthallen Nikolaj, Copenhagen, Denmark A Voyage in Dwelling, Victoria Miro Gallery, London, England Jesper Just, La Casa Encendida, Madrid, Spain 2007 ––– A Vicious Undertow, Perry Rubenstein Gallery, New York Jesper Just, Kunsthalle Wien (Museumsquartier), Vienna Jesper Just, SMAK Stedelijk Museum voor Actuele Kunst, Gent Belgium Jesper Just, Witte de With Center -
1.1. the Dutch Republic
Cover Page The following handle holds various files of this Leiden University dissertation: http://hdl.handle.net/1887/61008 Author: Tol, J.J.S. van den Title: Lobbying in Company: Mechanisms of political decision-making and economic interests in the history of Dutch Brazil, 1621-1656 Issue Date: 2018-03-20 1. LOBBYING FOR THE CREATION OF THE WIC The Dutch Republic originated from a civl war, masked as a war for independence from the King of Spain, between 1568 and 1648. This Eighty Years’ War united the seven provinces in the northern Low Countries, but the young republic was divided on several issues: Was war better than peace for the Republic? Was a republic the best form of government, or should a prince be the head of state? And, what should be the true Protestant form of religion? All these issues came together in struggles for power. Who held power in the Republic, and who had the power to force which decisions? In order to answer these questions, this chapter investigates the governance structure of the Dutch Republic and answers the question what the circumstances were in which the WIC came into being. This is important to understand the rest of this dissertation as it showcases the political context where lobbying occurred. The chapter is complemented by an introduction of the governance structure of the West India Company (WIC) and a brief introduction to the Dutch presence in Brazil. 1.1. THE DUTCH REPUBLIC 1.1.1. The cities Cities were historically important in the Low Countries. Most had acquired city rights as the result of a bargaining process with an overlord. -
Dlkj;Fdslk ;Lkfdj
HENRIK OLESEN PRESENTS NEW WORKS AT MoMA FOR HIS FIRST U.S. SOLO MUSEUM EXHIBITION Projects 94: Henrik Olesen February 9–May 23, 2011 The Contemporary Galleries, second floor New York, February 7, 2011—For Projects 94: Henrik Olesen, on view February 9 through May 23, 2011, The Museum of Modern Art presents new works by Berlin-based artist Henrik Olesen (Danish, b. 1967) made specifically for this presentation. Olesen’s past projects have addressed a range of subjects, including legal codes, the natural sciences, distribution of capital, and art history. For his first solo museum exhibition in the United States, the artist has gathered disassembled electronic devices mounted on large Plexiglas panels, found-object sculptures, and text-based collages, which together exemplify the range of his practice. Linking this group of works is the relationship of the body and the machine, undergoing what he calls "production, reproduction, and self-production." Olesen has a longstanding interest in the obsession of early modern artists, such as the Dadaists and Surrealists, with the transformation and proliferation of bodies, machines, and systems. In this group of works, he hints at the possibility of liberation from the body, proposing an alternative conception of existence. The installation’s combination of words and objects, which waver between personal and anonymous, reflect Olesen’s view of the state of the body in technological, capitalist societies of the present day. Projects 94 is organized by Doryun Chong, Associate Curator, Department of Painting and Sculpture, The Museum of Modern Art. The Elaine Dannheisser Projects series is coordinated by Kathy Halbreich, Associate Director, The Museum of Modern Art. -
M Aritime History
Maritime history Antiquariaat Forum & Asher Rare Books 1 Exten- sive descriptions and images available on request. All offers are without engagement and sub- ject to prior sale. All items in this list are com- plete and in good condition unless stated otherwise. Any item not agreeing with the description may be re- turned within one week after receipt. Prices are in eur (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code. html> New customers are requested to pro- vide references when ordering. ANTIL UARIAAT FORUM Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com v 1.1 · 07 Jul 2021 front cover: no. 51 Dutch trade, whaling, herring fishery, etc., with magnificent views of the harbours of the Netherlands and the Dutch East Indies ca. 1772-ca. 1781, including a wide variety of boats and ships 1. -
Duizend Bommen En Torpedo's
STADS 2 km. Deze wandelroute leidt langs verschillende WANDELING 5 herinneringen aan het militaire verleden van Brielle... BRIELLE Geeft acht! Tot 1922 was Brielle een garnizoensstad. Daarna kwam het Korps Torpedisten, DUIZEND waardoor de militaire rol van de vestingstad nog niet was uitgespeeld. De strategische ligging van Brielle, dichtbij de Maasmonding, had daar BOMMEN EN natuurlijk alles mee te maken. TORPEDO’S J.F.G. van Houtum 1840-1907 Grondlegger Korps Torpedisten DUIZEND BOMMEN EN TORPEDO’S Maarland NZ. Voorstraat 2 Kerkstraat Franschestraat Lijnbaan Langestraat Asylplein Asylstraat 4 3 5 Commandeurstraat Kaatsbaan Rozemarijnstraat Wellerondom Koopmanstraat 1 Vischstraat 6 VESTINGGRACHT Markt Maarland NZ. Voorstraat 2 Kerkstraat Franschestraat Lijnbaan Langestraat Asylplein Asylstraat 4 3 5 Commandeurstraat Kaatsbaan Rozemarijnstraat Wellerondom Koopmanstraat 1 Vischstraat 6 VESTINGGRACHT Markt DUIZEND BOMMEN EN 1 DE PROVOOST TORPEDO’S De wandeling begint op de Markt, het hart van de vesting. Ga rechts van het stadhuis de Koopmanstraat in, steek het pleintje Wellerondom over en loop links of rechts om de Sint- Catharijnekerk heen. U bent nu op het Sint-Catharijnehof. Op nummer 12, enigszins verscholen achter een paar bomen, staat de provoost. Dit is de voormalige militaire gevangenis en de plaats Wellerondom waar de krijgsraad bijeenkwam. De provoost is gebouwd in 1668 en Koopmanstraat tot 1922 als cachot in gebruik geweest. Daarna raakte het gebouw in 1 verval, totdat de gemeente het begin jaren zeventig liet restaureren en er het stadsarchief in onderbracht. Tot het stadsarchief in 1998 opging in het streekarchief Voorne-Putten-Rozenburg. De provoost is nu een woonhuis. Markt VESTINGGRACHT Het kan zijn dat de Sint-Catharijnekerk zo’n indruk maakt, dat u meer zou willen weten over dit godshuis en het religieuze verleden van Brielle. -
Biography (PDF)
Danh Vo Biography Born in 1975, Vietnam. EDUCATION Städelschule, Frankfurt, Germany. Royal Academy of Fine Arts, Copenhagen, Denmark. GRANTS, RESIDENCIES & AWARDS 2012 Hugo Boss Prize, New York, U.S.A. 2009 Nominee, Nationalgalerie Prize for Young Art, Berlin, Germany. 2007 BlauOrange Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, Berlin, Germany. SOLO EXHIBITIONS 2021 Secession, Vienna, Austria. 2020 DANH VO PRESENTS, Nivaagaard Art Collection, Niva, Denmark. Danh Vo oV hnaD, NMAO, Osaka, Japan. Danh Vo, Wising Art Place, Taipei, Taiwan. 2019 Danh Vo, Kurimanzutto, Mexico City, Mexico. 10 RUE CHARLOT, 75003 PARIS +33 1 42 77 38 87 | CROUSEL.COM [email protected] Cathedral Block Prayer Stage Gun Stock, Marian Goodman Gallery, London, U.K.. Casa Luis Barragán, Mexico City, Mexico. Danh Võ, South London Gallery, London, U.K.. 2018 Noguchi for Danh Võ: Counterpoint, M+, West Kowloon, Hong Kong. Garden with pigeons in flight, Estancia FEMSA - Casa Luis Barragán, Mexico City, Mexico. Take My Breath Away, Statens Museum for Kunst, Copenhagen, Denmark. On-site installation in the Nave, CAPC, musée d'art contemporain de Bordeaux, France. Danh Vo: Take My Breath Away, Solomon R. Guggenheim Museum, New York, USA. 2017 Danh Võ, Ng Teng Fong Roof Garden Commission, National Gallery Singapore, Singapore. 2015 Take my breath away, Galerie Chantal Crousel, Paris, France. Destierra a los sin rostro / Premia tu gracia (Banish the Faceless / Reward your Grace), Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. mothertongue, Danish Pavilion, 56th Venice Biennale, Italy. Ydob eht ni mraw si ti, Museum Ludwig, Cologne, Germany. 2014 Metal, collaboration with Xiu Xiu, The Kitchen, New York, U.S.A. -
Wawrzyniec Tokarski
Biography JESPER JUST 1974 Born in Copenhagen, Denmark Lives and works in New York, USA Selected solo exhibitions 2020 - Galerie Perrotin, New York, USA 2019 - Servitudes, MAAT - Museum of Art Architecture & Technology, Lisbon, Portugal - Servitudes, Kunsthal Charlottenborg, Copenhagen, Denmark 2018 Circuits (Interpassivities), Galleri Nicolai Wallner, Copenhagen, Denmark Jesper Just: Continuous Monuments, WENTRUP, Berlin, Germany Jesper Just, Anahuaccali Museo, Coyoacán, DF, Mexico 2017 Jesper Just, Eye Filmmuseum, Amsterdam, The Netherlands Jesper Just: Continuous Monuments, West Den Haag, Pays-Bas Jesper Just: Continuous Monuments, Galerie Perrotin, Hong Kong 2015 Servitudes, Palais de Tokyo, Paris, France Jesper Just, Various Small Fires, Los Angeles, CA In the shadow/ of a spectacle/ is the view of the crowd, (with FOS), PERFORMA 15, New York, NY 2014 Jesper Just: This Is a Landscape of Desire, De Moines Art Center, De Moines, Iowa, USA This Is a Landscape of Desire, MMCA, The National Museum of Modern and Contemporary Art, South Korea Jesper Just, ARoS, Aarhus, Denmark Jesper Just, Portland Museum, Portland, U.S.A Jesper Just, Galleri Nicolai Wallner, Copenhagen, Denmark 2013 The Danish Pavilion, The 55th Venice Biennale, Venice, Italy This Is A Landscape of Desire, Herning Museum of Contemporary Art, Herning, Denmark Jesper Just, Galerie Perrotin, Paris, France 2012 This Nameless Spectacle, Galleri Nicolai Wallner, Copenhagen, Denmark This Nameless Spectacle, University of Michigan Museum of Art, Ann Arbor, MI, USA This Nameless -
129 Eerste Eskader Met De Commandovlag Aan De Voortop En De Onderscheidingswimpel Aan De Grote Top
129 eerste eskader met de commandovlag aan de voortop en de onderscheidingswimpel aan de grote top. In 1664 deed Tromp als zodanig dienst op de rede van Goeree en de tekening is volgens M. S. Robinson waarschijnlijk in 1664 gemaakt, toen Van de Velde de Oude langdurig op deze rede verbleef. In dezelfde reeks van 1664 vinden wij nog een andere tekening waarin Van de Velde uitstijgt boven zijn registrerende oogmerk. Dit laatste blad is op zee getekend, even- eens bij stil weer29. We zien het admiraalsschip de 'Eendracht', begroet door twee statenjachten; en rechts doet zich op de kim een duidelijk silhouet van een toren en een molen op. Nu is bekend dat Van de Velde op 6 september 1664 in de vloot kwam die toen op de Vlakte van Schooneveld lag, westelijk van Walcheren en dat de vloot vandaar naar Goeree is gezeild. Slechts gedurende deze tocht kan Van de Velde het admiraalsschip op zee gezien hebben en als hij dan een silhouet tekent met een vrij rijzige toren en links een molen, dan moet dit Westkapelle zijn; een prent in Smallegange geeft trouwens een overeenkomstige toren weer 3°. De tekening is een landverkenning van een zeldzame bekoring waarin zeeman en kunstenaar samengaan. 3° No. MB1866/28. M. Smallegange, Nieuwe Cronyk ian Zeeland. Middelburg, 1696. R. E. J. WEBER Willem van de Velde the Elder as Topographer of Dutch Narrows A grisaille by Willem van de helde the Elder in the Lakenhal in Leiden shows the Vlie entrances looking seaward with Vlieland on the lejt and Terschelling on the right. -
JESPER JUST Education the Royal Danish Academy of Fine Art
VARIOUS SMALL FIRES 812 NORTH HIGHLAND AVENUE LOS ANGELES 90038 VSF [email protected] / 310.426.8040 JESPER JUST Born 1974 Copenhagen, Denmark Lives and works in New York, NY Education 2003 The Royal Danish Academy of Fine Art, Copenhagen, Denmark Solo and Two-person Exhibitions 2015 Landscape for Living, Various Small Fires, Los Angeles, CA Servitudes, Palais de Tokyo, Paris, France 2014 Jesper Just: This Is a Landscape of Desire, De Moines Art Center, De Moines, Iowa This Is a Landscape of Desire, The National Museum of Modern and Contemporary Art (MMCA), South Korea Jesper Just, ARoS, Aarhus, Denmark Jesper Just, Portland Museum, Portland, Jesper Just, Galleri Nicolai Wallner, Copenhagen, Denmark 2013 Intercourses, Danish Pavilion, 55th Venice Biennale, Venice, Italy Jesper Just, Galerie Perrotin, Paris, France This is a Landscape of Desire, Herning Museum for Contemporary Art, Jutland, Denmark 2012 This Nameless Spectacle, James Cohan Gallery, New York, NY This Nameless Spectacle, University of Michigan Museum of Art, Ann Arbor, MI This Nameless Spectacle, Galleri Nicolai Wallner, Copenhagen, Denmark 2011 Jesper Just: Sirens of Chrome, University of California Riverside, Sweeney Art Gallery, Riverside, CA Jesper Just: This Unknown Spectacle, Musee d’Art Contemporain Du Val-de-Marne, Val-de-Marne, France A Vicious Undertow, Single-Chanel Series, Des Moines Art Center, Des Moines, IA John Curtin Gallery, Perth, Australia This Nameless Spectacle, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom Chambers Fine Arts, Beijing, China -
GERT OOSTINDIE Postcolonial Netherlands
amsterdam university press GERT OOSTINDIE Postcolonial Netherlands Sixty-five years of forgetting, commemorating, silencing Postcolonial Netherlands GERT OOSTINDIE Postcolonial Netherlands Sixty-five years of forgetting, commemorating, silencing amsterdam university press The publication of this book is made possible by a grant from Netherlands Organisation for Scientific Research nwo( ). Original title: Postkoloniaal Nederland. Vijfenzestig jaar vergeten, herdenken, verdringen, Uitgeverij Bert Bakker, 2010 Translation: Annabel Howland Cover illustration: Netherlands East Indies Memorial, Amstelveen; photograph Eveline Kooijman Design: Suzan Beijer, Amersfoort isbn 978 90 8964 353 7 e-isbn 978 90 4851 402 1 nur 697 Creative Commons License CC BY NC (http://creativecommons.org/licenses/by-nc/3.0) G.J. Oostindie / Amsterdam University Press, Amsterdam 2011 Some rights reversed. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. TABLE OF CONTENTS Introduction 7 1 Decolonization, migration and the postcolonial bonus 23 From the Indies/Indonesia 26 From Suriname 33 From the Antilles 36 Migration and integration in the Netherlands -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Sumptuous Memories, Studies in seventeenth-century Dutch tomb sculpture Scholten, F. Publication date 2003 Link to publication Citation for published version (APA): Scholten, F. (2003). Sumptuous Memories, Studies in seventeenth-century Dutch tomb sculpture. Waanders. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:04 Oct 2021 Thee apotheosis off an admiral: Bartholomeuss Eggers andd the tomb for Jacob van Wassenaerr Obdam Jacobb van Wassenaer Obdam (1610-1665) was a reluctant admiral of thee fleet. He was appointed in 1653 after the death of Maarten Tromp forr want of a more suitable candidate. He had no seafaring experience andd commanded -
Catalogue 187 Dutch Naval Heroes
GERT JAN BESTEBREURTJE Rare Books Langendijk 8, 4132 AK Vianen The Netherlands Telephone +31 - (0)347 - 322548 E-mail: [email protected] Visit our Web-page at http://www.gertjanbestebreurtje.com CATALOGUE 187 DUTCH NAVAL HEROES Illustration on cover no. 10 Jan EVERTSEN. Ca. 1675 Prices are quoted in euro, for clients within the European Community 6 % VAT will be added to the prices. PORTRAITS 1 ADELS, Wiert. Wiert Adels. Stuurman op het Hollandsch kofschip De Bloeijende Blom, die zig van dezen bodem, na dat dezelve door de Franschen genomen, met veel bravoure meester gemaakt en den 5 Augustus te Hellevoet opgebracht heeft. (Middelburg), W.A. Keel, (1796). Half-length mezzotint portrait by Charles Howard Hodges after Jacobus Perkois. Ca. 26,5 x 21,5 cm. (Margins trimmed). € 275,00 € 275,00 Wiert Adels was steersman for the ship De Bloeyende Blom which was bringing grain from the Baltic port of Libau. A Duinkerk privateer seized his ship but after a few days he managed to recapture his ship and to seize the chief of the privateers and to throw him overboard. Thus he succeeded to bring his ship into Hellevoetsluis in 1794. This fine engraved portrait of a brave sailor was done by the mezzotint master Hodges (1764- 1837) after a drawing by Perkois (1756-1804). Cf. Van Someren 227; Muller, Portetten, 17; Van der Feltz 626. 2 BANCKERT, Adriaen. E. manhafte zee- held Adriaan Bankert, L. Admiraal van Zeeland. (No pl., ca. 1650). Engraved halflength portrait with sea-battle in the background after H. Berckman by Jean du Bois (Johannes van Houten) with 12 line poem by W.