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Eleusinian and Bacchic Mysteries

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Eleusinian and Bacchic Mysteries E L E U S I N I A N A N D B A H I ‘ M T C C C Y S E R I E S . A D I S S E R TA TI O N . B Y H A S A Y R T O M T L O , TR A NSL ATOR o p " “ ” “ ” ” ” ” “ N S PO R PH Y R Y mmn u cn s pn o A R I STOTL E r um, PL OTI U , , v , cws, , ma , ma. H E D IT I ON T IRD . I ED TED . W H NT ON N M N N A ND G O IT I RODUCTI , OTES , E E DATIO S , L SSARY , BY A E X A D E R D E R M D . L N WIL , ’ ' ‘ ‘ E V r a t s TE A E I A IE x a ea po e z s 7}y o v z/ r a z u m 7L' 8/l ‘ cw r 7 ) z oc fl o ur a v z o z may 8 1/ a 7f O 7 r o z s 6 m /3 7/ y du , a p/3 1 p u e z/ mzx K t r o v Oe z o v o v z v wré a r a - e z é w . , , a ms fl e t cf a s y u u Plato O [ Man u scr t Comme rz lar u on Z. PR CLUS ip y p , N E W Y O R K W B T 0 6 B R A D WA Y J . O U O N , 7 O . 1 8 75 . L O N D O N TRU BNEQ éL C Q b /xfi £3 9 L U DGAT E HIL L C O P GH I N 1 8 YRI TED , 75 , BY “ W B TON J. OU . PRO V0 , UTAH Tis n o t me re ly ’ Th e human b e in g s p ride that p e ople s sp ace Wi i e an d m s i a re omin an e th l f y t c l p d c , Sin ce like wise for th e stricke n h e art of Love is v isi e na re an d is ommo n wor d Th bl tu , th c l I s alltoo n arrow e a a e e e r im or ; y , d p p t Lu rks in th e l e ge n d to ld my in fan t ye ars a ie s o n a r we iv e to e arn Th t l up th t t uth , l l , ’ Fo r a le is ov e s wo r his o me his ir a e f b L ld , h , b thpl c ; ’ D e i e h e we s mon a s an d a ismans l ght dly d ll g f y t l , A n d s iri s an d e i e e ie v e s p t , d l ght dly b l Div in i ie s e in imse iv in e . t , b g h lf d Th e in e i i e o rms o f an ie n oe s t ll g bl f c t p t , T he air man i ie s o f Re i ion f hu t Old l g , The owe r the e a an d the a e s P , B uty, M j ty, a h ad e ir a n s in a e o r in mo n ain Th t th h u t d l p y u t , O r o re s s ow s re am or e s rin f t by, l t , p bbly p g , ’ O r asms o r wat r e s — all e se av a i ch y d pth th h e v n she d. e iv e n o o n e r in th e ai o f Re ason Th y l l g f th , Bu t still th e h e art do th n e e d a lan guage still Do th e old in s in rin a th e old n am th t ct b g b ck e s. ’ ’ CH E fie c lom : T Pi co z m A ct 11. S e ne S ILL R , c 4. I NTR ODU CTI ON THE H RD D TO T I E ITION. N ffe rin to h e u i a n e itio n f M o g t p bl c e w d o r. ’ Tho mas T ayl o r s admirabl e tre atise u po n th e E e u sin ian an d B acc ic ste rie s it is ro e r t o l h My , p p n s r a fe r o f e x an a i n T O r i e t wwo ds pl t o . he se bse v au c e s o n ce re re se n te th e s iritu a ife o f re e ce p d p l l G , an d e re c o n si e re fo r two t o u san e ars an d w d d h d y , mo re th e appo in te d me an s fo r re ge n e ratio n r an in te rio r u n io n it th e Div in e E s e n e th ou gh w h s c . H o e v e r a su r o r e v e n o ffe n siv e t e ma se e m w b d, h y y to u s we s o u t e re fo re e sitate o n e fo re we , h ld h h l g b v e n tu re to lay de se cratin g han ds o n wh at o th e rs a te e me We can arn a a u a h v e e s d h o ly. l e v l bl e l e sso n I n this re gard fro m the Gre cian an d R o man write rs wh o h ad e arn e to tre at the o u ar re , l d p p l li io u s rite s wit mirt bu t a wa s c o n si e re th e g h h , l y d d E e u sin ian ste rie s it th e e e t r v e r n ce l My w h e d p s e e . I t is i n o ran ce ic e a s to ro fan ati n M e n g wh h l d p o . ri icu e w at t e do n o t ro e r u n e rstan d d l h h y p p ly d . V I A lcibiade s was d ru n k whe n h e v e n tu re d to to u ch a hi n r me n me acre Th u n e r wh t s co u t y de e d s d . e d cu rre n t Of this wo rld is se t to ward o n e go al ; an d in side of hu man cre du lity— call it hu man we ak n e ss if o u e ase — is a o we r a mo st in n ite a , y pl p l fi , h o ly faith capabl e of appre he n din g th e su pre me st r o f allE xiste n ce Th ri s r am o f t u ths . e v e e t d e s “ ife e rtain in as t e do t o th e min o r m ste r l , p g h y y y ” o f e at av e in t e m mo re t an e xte rn a fact can d h , h h h l r ac o r e x ain an d t o we v e r mu c sh e is e h pl ; My h , h h ro v e to be a c i of E art is a so re ce iv e p d h ld h , l d m n me n as the c i o f H av n Th in r a o g h ld e e . e C de We n c h o f th e ash e s will b e co me th e Cin de re ll a o f ’ th e a ace an d be we e to th e Kin s S o n P l , dd d g . Th e in stan t t at we atte m t t o an a z e th e h p ly , se n si e a a e facts u o n ic so man tr to bl , p lp bl p wh h y y u i isa e ar e n e at th e su rface i e a fo u n da b ld, d pp b h , l k “ tio n ai u o n u ic san I n th e e e e st re fle c l d p q k d .
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