Defoe and Fielding: Studies in Thievery and Roguery. by Brian
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Volume 1, Issue 1 2017 ROBIN HOOD and the FOREST LAWS
Te Bulletin of the International Association for Robin Hood Studies Volume 1, Issue 1 2017 ROBIN HOOD AND THE FOREST LAWS Stephen Knight The University of Melbourne The routine opening for a Robin Hood film or novel shows a peasant being harassed for breaking the forest laws by the brutal, and usually Norman, authorities. Robin, noble in both social and behavioral senses, protects the peasant, and offends the authorities. So the hero takes to the forest with the faithful peasant for a life of manly companionship and liberal resistance, at least until King Richard returns and reinstates Robin for his loyalty to true values, social and royal, which are somehow congruent with his forest freedom. The story makes us moderns feel those values are age-old. But this is not the case. The modern default opening is not part of the early tradition. Its source appears to be the very well-known and influential Robin Hood and his Merry Men by Henry Gilbert (1912). The apparent lack of interest in the forest laws theme in the early ballads might simply be taken as reality: Barbara A. Hanawalt sees a strong fit between the early Robin Hood poems and contemporary outlaw actuality. Her detailed analysis of what outlaws actually did against the law indicates that robbery and assault were normal and that breach of the forest laws was never an issue.1 The forest laws themselves are certainly medieval.2 They were famously imposed by the Norman kings, they harassed ordinary people, stopping them using the forests for their animals and as a source for food and timber, and Sherwood was one of the most aggressively policed forests—but this did not cross into the early Robin Hood materials. -
Daniel Defoe Was Born Is Presumed to Have Been Born in the Fall of 1660
Chapter 1 London’s Birchin Lane is a short and narrow street, running north-south between the larger Cornhill and Lombard streets. Known in the Middle Ages for its collection of secondhand clothing shops, it eventually became home to several fine men’s clothiers, a destination where men of distinction could pick up something special: a whalebone doublet, perhaps, or a “captain’s suit . stuffed with points, and a pair of velvet slops scored thick with lace.” By the 18th century, it was also home to Old Tom’s Coffee House, which would gain fame by the end of the century for being a hangout of the famous Shakespearean actor, David Garrick. But in 1729, it hosted a no less interesting figure, the rather curious and shadowy Robert Drury. Across town, the famous author Daniel Defoe, widely considered the inventor of the realistic or historical novel, and working under the alias Andrew Moreton Esq., toils over what will be his final work, Second Thoughts Are Best: or, a Further Improvement of a Late Scheme to Prevent Street Robberies. Drury’s story was precisely of the type that most appealed to Defoe and, considering the proximity, there’s little doubt that the famous author had already paid Drury a visit well before his residency at Old Tom’s. * * * Now forty-two years old, Drury sits in Old Tom’s with a mug of coffee, a pile of books on the table in front of him. It’s a closed-in place, full of chatter, laughter, and barracking. Men sip coffee and read their expensive newspapers or listen for fresh news coming up from the boys sent to the docks for that purpose. -
REFORMATIVE SYMPATHY in NINETEENTH-CENTURY CRIME FICTION Erica Mccrystal
Erica McCrystal 35 REFORMATIVE SYMPATHY IN NINETEENTH-CENTURY CRIME FICTION Erica McCrystal (St. John’s University, New York) Abstract Nineteenth-century British crime novels whose heroes were criminals redefined criminality, alerting readers to the moral failures of the criminal justice system and arguing for institutional reform. My research on this topic begins with William Godwin’s novel Caleb Williams (1794) as a social reform project that exposes hypocrisy and inconsistency of governing institutions. I then assess how contemporary social criticism of crime novels contrasts with the authors’ reformative intentions. Critics argued the ‘Newgate novels’, like those of Edward Bulwer-Lytton and William Harrison Ainsworth, glorified criminality and were therefore a danger to readers. However, Bulwer-Lytton’s Paul Clifford (1830) and William Harrison Ainsworth’s Jack Sheppard (1839) serve, like Caleb Williams, as social reform efforts to alert readers to the moral failings of the criminal justice and penal institutions. They do so, I argue, through the use of sympathy. By making the criminal the victim of a contradictory society, Godwin, Bulwer-Lytton, and Ainsworth draw upon the sympathies of imagined readers. I apply contemporary and modern notions of sympathy to the texts to demonstrate how the authors use sympathy to humanise the title characters in societies that have subjected them to baseless mechanisation. The emergence of crime fiction in nineteenth-century Britain provided readers with imaginative access to a criminal’s perspective and history as they conflicted with the criminal justice system and its punitive power. Novelists working within the genre re- examined criminality, morality, and justice, often delivering powerful social critiques of extant institutions. -
Jack Sheppard. the Novel Was So Popular That the Authorities Became Concerned That It Would Incite People Into a Life of Crime
2 EDITORIAL So summer is finally here at last, and the unlocking of the lockdown is under way – slowly, cautiously, with stumbles and hiccups, but so far, so good. How the giants have been falling from amongst us lately! After Rosalie White, our first Committee Secretary, and Flo Waller before her, now we have lost Chris Macro. Most of us did not have any idea how much Chris used to do, and what a fireball of energy she was. At an age (already!) when most people are settling down with slippers, cat and cocoa, she was Group Leader for Tennis and Badminton (tennis in summer, badminton in winter), organising and setting them both up from scratch. Meanwhile, she used her talent for comedy as a member of the Entertainment Group, and learnt (also from scratch) to play recorder with the our ‘Recorder Consort’. Of her parallel work at Christ Church, and her previous life as an inspirational teacher and children’s author, we only have vague notions. There will be a proper obituary in next month’s issue, written by someone who knew Chris ‘in the round’. So what are you planning to do this summer? Revive your interest in fishing (or try fishing for the first time) with Gordon Taylor? Join the Walking Group, having walked (what else was there to do?) for most of the year as your ‘official’ exercise? Or travel, now it’s (sort of) allowed again? Marcus is offering Iceland – and it’s on the green list! Whatever you have planned, from Crown Green Bowls to Iceland and beyond, the u3a is here to back you up, help you out and push you on your way. -
English Legal Histories
English Legal Histories Ian Ward HART PUBLISHING Bloomsbury Publishing Plc Kemp House , Chawley Park, Cumnor Hill, Oxford , OX2 9PH , UK 1385 Broadway, New York, NY 10018, USA HART PUBLISHING, the Hart/Stag logo, BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Ian Ward , 2019 Ian Ward has asserted his right under the Copyright, Designs and Patents Act 1988 to be identifi ed as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. While every care has been taken to ensure the accuracy of this work, no responsibility for loss or damage occasioned to any person acting or refraining from action as a result of any statement in it can be accepted by the authors, editors or publishers. All UK Government legislation and other public sector information used in the work is Crown Copyright © . All House of Lords and House of Commons information used in the work is Parliamentary Copyright © . This information is reused under the terms of the Open Government Licence v3.0 ( http://www.nationalarchives.gov.uk/doc/ open-government-licence/version/3 ) except where otherwise stated. All Eur-lex material used in the work is © European Union, http://eur-lex.europa.eu/ , 1998–2019. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Ward, Ian, author. -
Desire, Villainy, and Capital in Eighteenth-Century Fiction
THE UNIVERSITY OF CHICAGO IMAGINARY WANTS: DESIRE, VILLAINY, AND CAPITAL IN EIGHTEENTH-CENTURY FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY SAMUEL TOMAN ROWE CHICAGO, ILLINOIS AUGUST 2017 Table of contents List of figures iii Acknowledgements iv Introduction 1 1. Consumptive production 6 2. The persecutory plot 21 3. Tragedy and the other Enlightenment 36 I. Moll’s bundles: desire, tragi-comedy, and criminality in Defoe 42 1. The picaresque, the providential, the tragi-comic 44 2. Fortune, mastery, and the picaresque 54 3. The projector’s fortune, the tradesman’s bait 65 4. Bundles and baits 72 II. “Strange Diligence”: Lovelace and the rake ethic 90 1. The persecutory plot in Richardson 93 2. Strange diligence 99 3. Hedonism without heart 107 4. Smith’s shop 117 5. “Visionary gratification” and tragedy 126 III. Beckford’s insatiable caliph: oriental despotism and consumer society 129 1. The Asiatic mode of consumption 136 2. Luxuriance, privation, and the market 143 3. Beyond the palace of the senses 149 4. Enameling the sensorium 159 5. Damnation, the gaze, and sociality 164 IV. Matthew Lewis and the gothic face 174 1. The persecutory plot in romantic fiction 179 2. Gothic faciality 187 3. Lewis: capital accumulation and the flaming eye 203 Bibliography 217 ii List of figures 1. Sketch of Vathek’s tower attributed to William Beckford, c. 1843-4. Page 151. 2. Bookplate from William Lane’s circulating library. Page 202. -
Godwin's Use of the Newgate Calendar As a Scource for Caleb
Godwin's use of The Newgate Calendar as a source for Caleb Williams by Karen Catherine Elder A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Signatures have been redacted for privacy iowa i>tate University Ames, Iowa 1976 11 TABLE OF CONTENTS Page INTRODUCTION 1 SUMMARY OF CALEB WILLIAMS 4 Review of Criticism Regarding Caleb Williams 6 Thesis Proposal 10 HISTORY AND ATTITUDE OF THE NEWGATE CALENDAR 12 GODWIN'S REACTION TO THE ATTITUDE OF THE NEWGATE CALENDAR 18 ALLUSIONS IN CALEB.WILLIAMS TO THREE NEWGATE CALENDAR CRIMINALS 30 Eugene Aram 30 Jonathan Wild 36 John (Jack) Sheppard 40 Conclusion 49 FOOTNOTES 51 LIST OF WORKS CONSULTED 55 INTRODUCTION The following study of Caleb Williams^ began as a project paper for a graduate class in "Romantic Writers: Shelley and His Circle." Although Godwin is not usually considered a figure in the romantic movement, there are at least two reasons for his inclusion in Shelley's "circle": first, his influence on his more famous son-in- law was profound; and, second, CW itself contains a romantic element, e.g., the isolated, alienated individual struggling against a threatening, menacing society. For the course work, CT was reviewed in conjunction with The Newgate 2 Calendar, a source which contains the biographies of some of England's most notorious criminals incarcerated at Newgate prison in London. Godwin, noting that he was "extremely conversant" with the had himself cited this work as bearing on the subject of the novel (CW, pp. -
Colonel Jack, Moll Flanders, Captain Singleton, the Fortunate Mistress
THE MORAL PDEPOSS OJ B3F0S'3 KOKJE HISTORIES: COLONEL JACK, MOLL FIANDHSS, CAFTAIE SINGLETON, THS FOETOTATE MISIREES (EOX^IIA) by CLAYTON LOUIS KAUPP B, A., Fort Kays Kansas Stats College, A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Deparfensnt of English KANSAS STATE UNIVERSITY Manhattan, Kansas 19S3 Approved by; ^ZZILk- Major Professor TABLE OF CONTESTS 1 I. THE NATURE OF GENTILITY A. Illustrated by Singleton's African gentleman B. Discovered by the rogues C. Differentiated from aristocracy D. Misrepresented by certain types 1, Tradesman-sportsman 2, Gentleman thief E. Embodied by various occupations 1. True-bred merchant 2. Gentleman soldier 3. Gentleman planter F. Defined primarily as economic security II. THE PREREQUISITES TO ATTAINMENT OF THE STATUS (THE NECESSARY "ECONOMIC VIRTUES") 10 A. Honesty B, Gratitude C. Utility D. Courage E, Meroy 1. Reform, the outgrowth of mercy 2. Gentility, the result of reform F, Consciousness and selflessness III. SECONDARY OBJECTIVES 26 A. Suitable appearance B. Genteel attainments C. Marital bliss IV. DANGERS OF SECONDARY OBJECTIVES 29 A.. Marital excess B. Dueling C. Tihoring D. "Fooling and toying" E. Luxury F. Private ventures on foreign soils G. Drinking V. THE IDEAL BEGINNING FOE VSOULD-BE GENTILITY 39 (Attainment of genteel status fe.g., Moll, Jack, and BobJ and °voidance of common errors fe.g., Bobj was possible without a suitable education. However, the rogues 1 lives were not a desirable pattern.) A, Practical education 1. For women also 2. About value of money 3. About one f s expectations 4. For self control B, Spiritual education (to develop awareness of Providential intervention) 1. -
Plimpton Collection of Dramas 1675-1920 (Bulk 1850-1900)
AMHERST COLLEGE ARCHIVES AND SPECIAL COLLECTIONS Plimpton Collection of Dramas 1675-1920 (bulk 1850-1900) Summary: A collection of 1429 plays, largely from nineteenth century American and Brisish popular theater. Quantity: 14 linear feet Listed by: Neha Wadia, AC 2013, Student Assistant Note: These plays are cataloged in the Amherst College online catalog. To find the complete listing in the catalog, do a basic keyword search for “Plimpton collection of dramas”. Individual plays can be searched by title and author. The call number for the collection is PN6111.P5 © 2013 Amherst College Archives and Special Collections Page 1 Plimpton Collection of Dramas INTRODUCTION THE PLIMPTON COLLECTION OF PLAYS by Curtis Canfield Originally published in the Amherst Graduates’ Quarterly, May 1932 Mr. George A. Plimpton, ’76, recently presented to the college a large collection of material relating to the English and American theatre of the nineteenth century. More than 1200 plays are represented in the collection in addition to numerous playbills, programs, libretti, histories, and after-pieces, as well as an autographed photograph of Edwin Booth as Richelieu. The collection seems to have been a part of the extensive theatrical library of Mr. Edward Boltwood of Pittsfield, whose father was born in Amherst in 1839 and moved to Pittsfield in 1870. Mr. Boltwood, although an active member of the Berkshire bar, made the theatre his avocation and found time to write a number of small pieces for the stage, one of which is included in the present collection. He was also instrumental in establishing the William Parke Stock Company in Pittsfield, and continued his connection with this company by writing reviews of its plays. -
Situational Crime Prevention Or Problem-Oriented Situational Interventions POPPOP Andand SCPSCP -- SIMILARITIESSIMILARITIES
Situational Crime Prevention Or Problem-Oriented Situational Interventions POPPOP andand SCPSCP -- SIMILARITIESSIMILARITIES Both are preventive approaches One is defined within policing while the other is not Both originated in the 1970s, SCP in the UK and POP in the USA Both focus on highly specific problems Both use action research models CrimeCrime PreventionPrevention Intervening in the causal chain of opportunity to prevent crime from occurring TheThe EnglishEnglish HeritageHeritage 1748, Judge Henry Fielding and the Bow Street runners Jonathan Wild story and Fieldings’ failures Modern Police created in London (1829) under Sir Robert Peel (1788-1850) (father of modern policing) SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 1) The basic mission for which the police exist is to prevent crime and disorder. 2) The ability of the police to perform their duties is dependent upon public approval of police actions. 3) Police must secure the willing cooperation of the public in voluntary observance of the law to be able to secure and maintain the respect of the law. SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 4) The degree of cooperation of the public that can be secured diminishes proportionally to the necessity of the use of force. 5) Police seek and preserve public favor not by catering public opinion, but by constantly demonstrating absolute impartial service to the law. SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 6) Police use physical force only to the extent necessary to secure observance of the law or to restore order only when exercise of persuasion, advice and warning is found to be insufficient. -
Una-Theses-0680.Pdf
THE UNIVERSITY OF MINNESOTA GRADUATE SCHOOL Report of Committee on Thesis The undersigned, acting as a Committee of the Graduate School, have read the accompanying thesis submitted by Sue M. Burton for the degree of Master of Arts. They approve it as a thesis meeting the require ments of the Graduate School of the University of iinnesota, and recommend that it be accepted in partial fulfillment of the requirements for the degree of L..aster of Arts. C. a.11?~512 Ch irman 10-20 SM THE UNIVERSITY OF ESOT GRADUATE SCHOOL Report • of Committee on Examination This is to certify that e the un ersigned, as a commit ee of he Graduate School, have given Sue B rton final oral exam·nat1on for the degree of ster of Arts e recommend that the d ree of ster of Arte be conferred upon the can idate. ~......... liilil ........ ._. __ iiiiiiiiiiiiiiii--- A COla'ARISO f OF THE PIC ARESQUE METHODS OF DEFOE AND LESAGE .. •.. .. .... ... ... .... ······ : ::~::·.::. :.·· .. :: ·.: : ::· ·... : ·: : ·.· : .. : ·.... : : : .... ~: :: : :·.: :~: ::· ::· :··::· ..... : ·.·: : : ·.: : ··: : .... : ....· : : .· . .... .... ... .... .. .. .. ..... .. .. .... .. .. ... Thesis submitted to the Faculty of the Graduat e School of the University of innesota by Sue . Burton ' In partial fulfillment of t he requi rements for the degree of aster of Arts J e 1 2 A Comparison of tbe Picaresque Methods of Defoe and Lesage. Tbe following comparison of the picaresque methods employed by Lesage and Defoe is limited to Le Diable Boiteux and Gil Blas of Lesage, Captain Singleton, Colonel Jack and Moll Flanders of Defoe. Sources are considered only as they relate to the methods of the two writers. The introductory chapter on the Spanish novela picaresca is included to make the later discussion more in telligible. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-67505-5 - The Cambridge Companion to Daniel Defoe Edited by John Richetti Index More information INDEX Act of Uniformity (1662), 163 Colonel Jack, 40, 58, 69, 71, 84–85, 86, 89, Addison, Joseph, and Richard Steele, The 94, 95, Spectator, 25, 26, 39, 42, 227 compared with Moll Flanders, 73–79 adventure fiction and global realities, 60–62 urban realism, 128–29, 173–74, 179 and the link between overseas and urban commerce, adventure, and imperial design, realities 60 and Christianity 47 Africa as negative pole of commercial world, Complete English Tradesman, The 19, 69, 92, 56–57 99, 108 Annesley, Arthur, 5th Earl of Anglesey, 37 instructions and advice to tradesmen, Annesley, Samuel, Foe family minister, 163 170–71 Ashmole, Elias, History of the Order of the moral optimism, 212 Garter, 113 politeness decoded in shop negotiation, 178 Aubrey, Miscellanies, 113 territory of trade in London, 169–70 Congreve, William, 232 Baker, Henry, Defoe’s son-in-law, 39 Cowley, Abraham, 233 Beattie, John, 66 Craftsman, The, and Tory ideology, 42 Behn, Aphra, 233 crime wave of 1720s, 39–40, 65–67 Bishop, Elizabeth, “Crusoe in England,” 182 Cromwell, Oliver, 11 Blackmore, Richard Sir, 11 Crouch, Nathaniel, The English Empire in A Satyr against Wit, 231 America, 49 Bolingbroke, Henry St. John, 1st Earl of, 36 Curll, Edmund, 1 Bunyan, John, 211 currency crises in Defoe’s time, 90–91 Butler, Samuel, 211, 227 Dampier, William, 55 Camden, William, Britannia, source for Davis, Lennard, 124 Defoe’s Tour, 112–13, defoe, daniel