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Rlec 2017 4 1.Pdf vol 4, nº 1 | 2017 http://rlec.pt Título | Title: Fluxos e caminhos na cultura visual | Visual culture flows and paths Diretor | Journal Editor: Moisés de Lemos Martins Diretora Adjunta | Associate editor: Zara Pinto-Coelho Editores | Volume Editors vol. 4, nº 1 – junho 2017 | june 2017: Moisés de Lemos Martins & Zara Pinto-Coelho Conselho Editorial | Editorial Board Albertino Gonçalves (Universidade do Minho), Aline Ferreira (Universidade de Aveiro), Ana Margarida Ramos (Universidade de Aveiro), Ana Maria Correia (Universidade de S. José), Ana Maria Ramalheira (Universidade de Aveiro), Anabela Carvalho (Universidade do Minho), Anthony Barker (Universidade de Aveiro), Armando Jorge Lopes (Universidade Eduardo Mondlane), Cristina Carrington (Universidade de Aveiro), David Callahan (Universidade de Aveiro), Emília Araújo (Universidade do Minho), Felisbela Lopes (Universidade do Minho), Fernanda Cavacas (Universidade Politécnica de Maputo), Fernando Paulino (Universidade de Brasília), Gillian Moreira (Universidade de Aveiro), Helena Pires (Universidade do Minho), Helena Sousa (Universidade do Minho), Maria Immacolata Vassalo de Lopes (Universidade de São Paulo), Jean Duruz (Universidade de South Australia), Jean Martin Rabot (Universidade do Minho), José Carlos Venâncio (Universidade da Beira Interior), José Clerton Martins (Universidade de Fortaleza), Juremir Machado da Silva (Pontifícia Universidade Católica do Rio Grande do Sul), Larissa Latif (Universidade de Aveiro), Luís Machado de Abreu (Universidade de Aveiro), Madalena Oliveira (Universidade do Minho) Manuel Cuenca (Universidade de Deusto), Manuel Pinto (Universidade do Minho), Marek Wojtaszek (Universidade de Lodz), Margarita Ledo (Universidade de Santiago de Compostela), Maria Eugénia Pereira (Universidade de Aveiro), Maria Manuel Baptista (Universidade de Aveiro), Nelson Zagalo (Universidade do Minho), Neusa Bastos (Pontifícia Universidade Católica de São Paulo), Nuno Rosmaninho (Universidade de Aveiro), Olinda Charone (Universidade de Belém do Pará), Otília Martins (Universidade de Aveiro), Paulo Bernardo Vaz (Universidade Federal de Minas Gerais), Phillip Rothwell (Universidade de Rutgers), Regina Pires de Brito (Universidade Mackenzie de São Paulo), Rosa Cabecinhas (Universidade do Minho), Sara Pereira (Universidade do Minho), Sérgio Ferretti (Universidade Federal do Maranhão), Silvino Lopes Évora (Universidade de Cabo Verde), Teresa Cortez (Universidade de Aveiro), Wladilene Lima (Universidade de Belém do Pará). Diretor Gráfico e Edição Digital | Graphic Director and Digital Editing: Pedro Portela Assistente Editorial | Editorial Assistant: Isabel Macedo Assistente de Formatação Gráfica | Graphic Assistant: Ricardina Magalhães URL: http://rlec.pt Edição: Revista Lusófona de Estudos Culturais é editada semestralmente (2 números/ano ou 1 número duplo) pelo Centro de Estudos de Comunicação e Sociedade (CECS), Universidade do Minho, em formato bilingue (português e inglês). Os autores que desejem publicar artigos ou recensões devem consultar o URL da página indicado acima. The journal Lusophone Journal of Cultural Studies is published twice a year and is bilingual (Portuguese and English). Authors who wish to submit articles for publication should go to URL above. Redação e Administração | Address: CECS – Centro de Estudos de Comunicação e Sociedade Universidade do Minho, Campus de Gualtar 4710-057 Braga – Portugal Telefone | Phone: (+351) 253 604695 // Fax: (+351) 253 604697 // Email: [email protected] // Web: www.cecs.uminho.pt e-ISSN: 2183-0886 // ISSN: 2184-0458 Depósito legal | Legal deposit: 166740/01 Financiado pelo COMPETE: POCI-01-0145-FEDER-007560 e FCT - Fundação para a Ciência e Tecnologia, no âmbito do projeto: UID/CCI/00736/2013. Supported by COMPETE: POCI-01-0145-FEDER-007560 e FCT - Fundação para a Ciência e Tecnologia, no âmbito do projeto: UID/CCI/00736/2013. Revista Lusófona de Estudos Culturais, vol. 4, n. 1, 2017 Sumário | Table of contents Fluxos e caminhos na cultura visual 7 Moisés de Lemos Martins & Zara Pinto-Coelho Flows and paths in visual culture 15 Moisés de Lemos Martins & Zara Pinto-Coelho Artigos temáticos | Articles 23 A mutação visual do mundo social 25 Fabio La Rocca The visual mutation of the social world 33 Fabio La Rocca Sociologia da carne eletrónica. Cultura digital e o imaginário do obsceno 41 Vincenzo Susca Sociology of the electronic flesh. Digital culture and the imaginary of the obscene 57 Vincenzo Susca Maratonas de vídeo e a nova forma dominante de se consumir e produzir séries de televisão 73 Humberto de Campos Rezende & João Victor Boechat Gomide Binge watching and the new dominant way of consuming and producing tv series 89 Humberto de Campos Rezende & João Victor Boechat Gomide Selfies de vítimas: imagem e autenticidade em postagens de redes sociais 103 Angie Gomes Biondi Selfies of victims: image and authenticity in social networks posts 117 Angie Gomes Biondi Artefacto computacional: elemento central na prática artística em arte e cultura digital 129 Adérito Fernandes Marcos Computer artefact: the crucial element in artistic practice in digital art and culture 149 Adérito Fernandes Marcos Passeio, passante, passeante. Uma plataforma de arte e cultura urbana 167 Maria da Luz Correia, Helena Pires & Pedro Andrade Passeio, passing by, walking by. A platform of urban art and culture 185 Maria da Luz Correia, Helena Pires & Pedro Andrade O ludus midiático: adestramento, coação e reprodução como categorias da experiência da mídia 203 Norval Baitello Junior & Tiago da Mota e Silva The ludus of the media: taming, coercion and reproduction as categories of the media experience 219 Norval Baitello Junior & Tiago da Mota e Silva 4 Revista Lusófona de Estudos Culturais, vol. 4, n. 1, 2017 Museu da Pessoa: uma experiência virtual de valorização e resgate das histórias de vida 235 Anna Clara Marotti Magalhães & Leticia Maia Dias Museu da Pessoa: a virtual experience of valorization and rescue of life stories 253 Anna Clara Marotti Magalhães & Leticia Maia Dias Crianças e infâncias na cultura visual: concepções e narrativas fotoetnográficas 271 Fernanda Mendes Cabral Coelho & Adelaide Alves Dias Childhoods and children in visual culture: conceptions and photoetnographic narratives 293 Fernanda Mendes Cabral Coelho & Adelaide Alves Dias Testemunhos – percursos pessoais | Testimonies – personal histories 315 O eterno exercício experimental... 317 Jeanine Toledo The eternal experimental exercise… 321 Jeanine Toledo Revisão de arte | Art review 325 Jeanine Toledo 327 Ana Cármen Palhares Jeanine Toledo 331 Ana Cármen Palhares Leituras | Book reviews 335 Bredekamp, H. (2015). Teoria do acto icónico. Lisboa: KKYM 337 Isabel Macedo Bredekamp, H. (2015). Teoria do acto icónico. Lisbon: KKYM 343 Isabel Macedo Melot, M. (2015). Uma breve história da imagem. Vila Nova de Famalicão: Ed. CECS & Húmus 349 Zara Pinto-Coelho Melot, M. (2015). Uma breve história da imagem. Vila Nova de Famalicão: Ed. CECS & Húmus 355 Zara Pinto-Coelho Entrevista | Interview 361 Cada um caminha por onde pode, por onde lhe é possível caminhar: entrevista a João Ribeiro 363 Ana Cristina Pereira 5 Revista Lusófona de Estudos Culturais, vol. 4, n. 1, 2017 Each of us walks where we can, where we are able to walk: interview with João Ribeiro 373 Ana Cristina Pereira Varia | Varia 383 Entre a crise da dialética e a dialética da crise 385 Alexandre B. Weffort Between the crisis of dialectic and the dialectic of crisis 397 Alexandre B. Weffort Religião e economia como culturas universalistas 409 Joaquim Costa Religion and economy as universalist cultures 431 Joaquim Costa 6 Revista Lusófona de Estudos Culturais, vol. 4, n. 1, 2017, pp. 7 – 13 Fluxos e caminhos na cultura visual Moisés de Lemos Martins & Zara Pinto-Coelho Ao longo dos últimos anos, as práticas de produção de imagens (por exemplo, fotografar, filmar, editar, desenhar) têm sofrido múltiplas transformações relacionadas com o crescente diálogo entre tecnologias visuais digitais, plataformas de redes sociais, vídeos/sites e aplicativos de partilha de imagens. Este diálogo está a possibilitar o de- senvolvimento de novas formas de visualidade e, consequentemente, de novas práticas, dentro e através de uma variedade de campos, online e offline. Neste volume, interrogamos criticamente a amplitude e a riqueza dessas mudan- ças, como estão incorporadas na sociedade e na vida do quotidiano, as suas implicações sociais, políticas, culturais, estéticas e poéticas e o seu impacto na redefinição contínua do funcionamento do visual e do seu lugar nas sociedades contemporâneas. Na designação do tema deste número da revista, dedicado à cultura visual, in- cluímos a figura do fluxo, que é uma metáfora da vida. Fluxo e vida tendem ambos a desenvolver-se na tensão entre equilíbrio e desequilíbrio, entre harmonia e desarmonia. Vivências e experiências são fases da corrente que é a duração de uma vida. A experiência visual, hoje, na era tecnológica que é a nossa e onde se decide o hu- mano (Martins, 2007), é mais do que nunca fluxo de luz e de sensibilidade. Mas a conti- nuidade de um fluxo não pode garantir-nos nunca a estabilidade. Sempre que consegui- mos algum equilíbrio, logo espreita a ameaça de nova instabilidade. De facto, não existe o continuum de um fluxo. Assim como também não acontece o continuum de uma vida. Organizámos o número em cinco grandes secções. A primeira integra artigos que teorizam o visual, mas também o aplicam a formas culturais visuais tangíveis. A segun- da reúne testemunhos e relatos de percursos
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