WOW NEWS TOWE (Reg
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
John Pickard-Frank Provo Collection
Thousand Oaks Library American Radio Archives John Pickard-Frank Provo Collection Introduction The John Pickard-Frank Provo Collection of the American Radio Archives documents Pickard's career in the early days of Australian radio, as well as the collaboration between Pickard and Provo that lasted nearly 40 years, and resulted in radio programs such as Wendy Warren and the News and Young Doctor Malone, as well as television programs such as Concerning Miss Marlowe and From these Roots. Biographies John Pickard was born on April 6, 1910 in Sydney, Australia. He entered the University of Sydney to study law in 1927, yet also acted in plays as a member of the Sydney University Drama Society. It was during this time that Pickard, intrigued by the new medium of radio, tried his hand at writing a radio play titled The Tomb of Osiris. This work was performed on various stations throughout Australia, and is considered by some to be the first original Australian radio play. By 1931, acting in radio productions had become Pickard's main occupation, and he was considered one of the brightest young actors on Australian radio during his tenure with the ABC (Australian Broadcasting Company) Players, whose performances were broadcast on station 2FC in Sydney. He continued writing and directing plays as well, being promoted to the Head of Drama Productions at the Australian Broadcasting Company in 1933. Pickard wrote series such as Crime Club, and also adapted American programs like One Man's Family, in which he substituted Australian settings, situations, and colloquialisms. By 1935, however, Pickard wanted to try something new and left for the United States in August of that year. -
15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
Addonizio Aide Indicted
Hospital Needs, Costs Plague New STORY PAGE 11 Goudy, Cold THEDAILY FINAL Cloudy and cold today Red Bank, Freehold with snow developing tonight Long Branch Partial clearing tomorrow. I 7 EDITION (See Details, Pa8« 3% Monmouth County's Home Newspaper for 92 Years VOL. 93, NO. 125 RED BANK, N. J., TUESDAY, DECEMBER 23, 1969 20 PAGES 10 CENTS ••••Ilil liIlliiioiiiiuBi muni 'in inn mi 'nil HI1 ipiUiiiiiiiiiiiiiiuiiiii Addonizio Aide Indicted NEWARK (AP) - An aide of Newark's Puerto Rican The four-count indictment legally affect the outcome of civil disorder found "a per- in Mayor Hugh J. Addonizio's community. against the two relatively mi- a 1968 criminal case against vasive feeling of corruption" office and a Spanish-lan- Soto was a translator in the nor city employes charges: him. in Newark. guage municipal court inter- court of former chief muni- ' —That Nieves and Soto con- —That Nieves demanded The county grand jury's preter have been indicted on cipal judge James Del Mau- spired to violate a New Jer- and received $250 from De charges of shaking down per- only previous indictment was ro, who was suspended two sey statute that prohibits Leone in another case that of Newark's director of po- sons connected with criminal weeks ago by the State Su- public employes from de- came up in 1969. cases. r lice, Dominiek A. Spina, who preme Court after he took the manding or receiving a fee o The Morales case—since it was charged with "willfully The indictments, returned Fifth Amendment before a reward for the performance involved narcotics—came be- refusing" to crack down on yesterday by an Essex Coun- federal grand jury probing al- of any service in a criminal fore Essex County Judge gambling operations in the ty grand jury, named Hermi- leged corruption in the city. -
Indiana Historical Bureau, an Agency of the State of Indiana, Has Been Marking Indiana History
Indiana Historical NEWS Bureau For Immediate Release June 28, 2017 140 North Senate Avenue Contact: Indianapolis, Indiana 46204-2296 Casey Pfeiffer, 317-232-2537 TELEPHONE 317-232-2535 [email protected] FAX 317-232-1659 INTERNET www.IN.gov/history “Red Skelton” Indiana State Historical Marker Will Be Dedicated in Vincennes, Indiana A public dedication ceremony for an Indiana state historical marker commemorating comedian, actor, and humanitarian Red Skelton, is scheduled for Friday, July 14, 2017. The marker dedication will begin at 5:30 pm at 111 West Lyndale Ave., Vincennes. Parking for the event will be available along the adjacent streets. The text follows for the state marker entitled “One of America’s Clowns / Red Skelton”: Comedian Richard “Red” Skelton was born here in 1913. As a teenager, performed locally in minstrel shows and as a clown in circus. By 1930s he performed on vaudeville stages; became famous for skits such as “dunking donuts.” MGM signed Skelton to a film contract in 1940, advancing his comedy career. He solidified fame in 1941 with debut of his national NBC radio show. During WWII, Skelton served in the U.S. Army and performed numerous comedy shows for troops. In 1951, he helped popularize television with The Red Skelton Show, which aired for 20 years and won multiple Emmy Awards. Skelton was remembered for on-screen characters like Freddie the Freeloader and for his iconic interpretation of the Pledge of Allegiance. He died 1997. The public is invited to attend the dedication ceremony for this Indiana state historical marker that celebrates Skelton’s long career and contributions in entertainment. -
“TIME FLIES LIKE an EAGLE, FRUIT FLIES LIKE a BANANA: DOES YOUR SOUL EVER LAUGH?” Rev
“TIME FLIES LIKE AN EAGLE, FRUIT FLIES LIKE A BANANA: DOES YOUR SOUL EVER LAUGH?” Rev. Don Rollins January 13, 2008 INVITE RESPONSES: “WHAT WAS/IS YOUR FAVORITE TV COMEDY?” Fatty Arbuckle; “Roseanne Barr; “Friends”; Lewis and Martin; “Animal House”; Robin Williams; “Car 54”; Margaret Cho; “30 Rock”; “My Girl Friday”; Eddie Murphy He smoked unfiltered Camels, my (adoptive) dad, thus it was through a blue haze that I watched with him his favorite TV shows. There were the westerns: “Big Valley”; “Gunsmoke”; and “Bonanza”. There were the cop shows: “Dragnet”; “Hawaii Five-Oh”; “Cannon”; and “Ironside”. There were the spy shows: “Mission Impossible”; “I Spy”; and “Man From U.N.C.L.E.” There were the science fiction shows: “The Outer Limits”; “The Twilight Zone”; “Alfred Hitchcock Presents”; and “Star Trek”. And there were a handful of variety shows that my father generally tolerated as a passing nod to my (adoptive) mother’s tastes: “The Dean Martin Show”; “The Red Skelton Show”; “The Glen Campbell Goodtime Hour”; and “Hee Haw”. But the shows from the mid-sixties through the early-seventies that I remember best – the ones whose characters remain distinct and whose storylines I still recall – were the comedies: “McHale’s Navy”; “Hogan’s Heroes”; “Get Smart”; “Barney Miller”; and “F Troop”. My dad was generally loyal to these shows save for his weekly bowling night. But if down-home sitcoms had an attendance system, my old man would surely have gotten a gold star when the people who talked more like us came on our television screen: “The Beverly Hillbillies”; “The Andy Griffith Show”; “Petticoat Junction”; and “Green Acres”. -
Barbara Lowdon
Barbara Lowdon Barbara Romelfanger was born in 1926 in San Francisco, Ca. She is one of 8 children, 4 boys and 4 girls. Luckily they all got along as the 4 girls and 4 boys had to share double beds. All 10 in the household shared only one bathroom. As there were 10 people sharing a 20 gallon gas water heater, she said she never remembered having a hot bath! Dinner times were quite fun as Barbara had to peel potatoes every day for 10 people and the laundry, she said was a real chore! Before school Barbara's job was dusting and after school she was in charge of ironing, cleaning the bathroom and washing and drying the dishes. The family only had a car for a few years. With 10 people to cram into it, all the kids had to sit on stools on the floor in the back seat. Barbara's dad smoked cigars, so, the kids usually got car sick. During the Depression, the children were given a certificate for a free pair of shoes. The girls and boys always wore hand me down clothes. Barbara said she had a very happy childhood even though they weren't wealthy. She said there was always enough to eat. A family friend who owned a bakery used to call on them to come and get day old items. Barbara's school life was very structured as she attended Catholic schools all the way up to her graduation from St. Paul High School in 1944. Life was easy back then with no crime, no locked doors, no TV, phone or newspaper. -
Music Highlights Golden Age of '50S
Music highlights golden age of '50s Ranking the decades of the 20th century in order of importance is a task best left to future historians. But in terms of music, television and contributions to popular culture, the 1950s may well be the century's defining decade. Guest conductor Jack Everly offered impressive evidence of that notion with a recent Oklahoma City Philharmonic pops concert titled "The Fifties: The Golden Age of Black and White." Television was in its infancy when the 1950s began. And while many of the networks' early efforts proved unremarkable, shows such as "I Love Lucy," "The Red Skelton Show" and "Captain Kangaroo" were anything but. What's more, these programs gave us instantly recognizable theme music that will forever be etched in our memories. We didn't need any visuals to remind us of these shows; just a few measures of music triggered the expected response. Everly was the affable host for this nostalgic stroll, which featured a collection of musical medleys, vocal displays and humorous anecdotes. Chapter Six, an all-male vocal sextet, performed sterling renditions of "Constantinople" and "Mona Lisa," their close-harmony blend as captivating as the songs themselves. Along the way, they were joined by Sharon Wheatley and Sara Kramer, a pair of singers capable of delivering moments of poignance and brash humor with equal flair. The former displayed her considerable comic abilities in the recreation of a Swanson frozen TV dinner commercial and as a befuddled contestant on "Queen for a Day." Kramer, in turn, was spotlighted in Doris Day's "Que Sera, Sera" and, together with Chapter Six, offered a moving rendition of the Nat King Cole classic "Unforgettable." Whether a number called for a lush background accompaniment or driving rhythms for an instrumental feature, the Oklahoma City Philharmonic musicians handled their task with efficiency and finesse. -
The History of NBC New York Television Studios, 1935-1956"
`1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 (Revised) 5 Rare Interior Photos of The International Theater added on page 64 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room. -
Open Your Heart
Open Your Heart Again this year, you can Open Your Heart to 01(1 in the annual campaign to aid the needy of this area. Beginning December 8th and continuing through the 20th, KFYR will again lend its facilities to the furtherance of the cam- paign. At 10:30 p.m. each week night during this time, KFYR will begin its special Open Your Heart program, with KFYR and its staff donating their services during these broadcasts. Members of the staff - engineers, announcers and others - will be on hand to play your requests and to accept your telephoned offers of gifts, clothing, food, or cash. This is the seventh consecutive year in which KFYR has car- ried on its Open Your Heart broadcasts. Each year listeners throughout the area served by KFYR have been more generous in aiding in the Open Your Heart campaign. This year, let's all join hands to set a new mark - to show that we all want to Open Our Hearts. VOL. IV, No. 6 DECEMBER, 1952 www.americanradiohistory.com Brickbats, Bouquets & Viewpoints LOOK FOR STARS To the Editor: To the Editor: Dialites is a great help to us, be- cause it gives us so much informa- Hope I am not late renewing my tion on program times. We enjoy subscription to Dialites as I would- every minute we listen to KFYR, n't like to miss any. I like the and it's great to hear the announcers Dialites very much. My husband "act ". and I look for the stars from the T. F. -
Allbritton, Arm
158 INDEX Adcock, Heny H Adcock, Velma N. Sanders ...................... 129 Adkins, Alva Esther "An Evening With Fred Astaire" ................. 23 Adkins, Anice Elizabeth "Betty" ................. 84 "As the World Turns" Adkins, Bettie "Breakfast Club" Adkius, Clara Elizabeth "Califomia's Gold" Adkins, Eliza Jemima Caroline ................... 82 "Cemeteries West of the Ouachita River" ..... 140 Adkins, Gov. Homer "Farm and Ranch" Adkins, James "Jim" "G rit Newspaper" Adkins, John Francis, Jr ``Guadalacanal Diary" Adkins, John Francis, Sr "Heritage" Adkins, Katherine I,ouise "Kate" 82 "I Love Lucy" Adkins, Kay "Idaho Pioneer History" Adkins, Lillian Catherine .......................... 83 "Old" DeRoche Adkins, Lois Eleanor "Precious Memo Adkins, Margaret Edith "Sleepy Hollow" Adkins, Martha Isabel "Mat" 83 "Tamawa" Adkins, Martha Jane "The Colgate Comedy Hour ' ..................... 22 Adkins, Mary Janct "The Kate Smith Show" Adkins, Mrs. Homer "The President Taylof ' Adkins, Nancy ........ ".84 "The Times Jounal" Adkins, Ruth Guyer ................................ 83 4-H Forestry School Adkins, Thelma Frances ...... 83 A.B. Cook Mill Adkins, William Edward ....................... 81,83 Aaron, Raymond C Adkins, William Pulaski Abercromb ie, Dorothy Albey, Loren Acme Brick Company Alden, Jefliey Ross ............................... 1 I 8 Adans, Cbester Alden, Steve Leslie Massey ..................... I 18 Adanis, Claude Alden, Taylor Adans, Elmer Alderson-Coston House Adans, Ford H Aldrich, Clydie Winbury ......................... 129 -
Jack Benny to Howard Stern
An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.