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Position Description
Position Description EXECUTIVE DIRECTOR ASIAN CULTURAL COUNCIL (New York, NY) ABOUT ASIAN CULTURAL COUNCIL: The Asian Cultural Council (ACC) advances international dialogue, understanding, and respect through cultural exchange activities in Asia and the United States to create a more harmonious and peaceful world. This mission is accomplished through fellowships, grants, and other programs that support individual artists, scholars, arts professionals, and cultural institutions. Established by John D. Rockefeller 3rd in 1963 as the Asian Cultural Program of the JDR 3rd Fund to support cultural exchange in Asia and the US through grants to individuals and organizations working in the visual and performing arts, ACC incorporated as a 501(c)3 nonprofit in 1980. Based in New York City, ACC established offices as well as partner foundations in Tokyo (1983), Hong Kong (1986), Taipei (1995), and Manila (2000). To date, ACC has supported over 6,000 exchanges across 26 countries and regions, and 16 artistic disciplines. As a grantmaking and grantseeking organization, ACC raises funds from individual, foundation, and corporate donors. ACC also convenes arts leaders, fostering dialogue around the importance of cultural exchange in developing understanding and respect across international and cultural borders. Fellowships to individuals include not only grant funds to cover the costs of international travel, per diem, and research activities, but also substantial program support in the form of professional guidance, introductions to artists and other cultural leaders, and extensive logistical assistance. In addition, ACC supports cultural institutions to further its mission. For more information please visit: www.asianculturalcouncil.org. THE OPPORTUNITY: ACC is seeking a visionary leader with a proven track record of professional success and a passion to build and lead a dynamic, innovative, and unique organization focused on advancing cultural exchange between Asia and the US. -
Thesis-1998D-C289h.Pdf (10.80Mb)
AN HISTORICAL ANALYSIS OF NATIVE AMERICAN HIGHER EDUCATION INSTITUTIONS IN THE UNITED ST ATES by CARY MICHAEL CARNEY Bachelor of Arts University of Tulsa Tulsa, Oklahoma 1969 Master of Business Administration Oklahoma State University Stillwater, Oklahoma 1992 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF EDUCATION May, 1998 COPYRIGHT By Cary Michael Carney May, 1998 AN HISTORICAL ANALYSIS OF NATIVE AMERICAN HIGHER EDUCATION INSTITUTIONS IN THE UNITED STATES Thesis Approved Thesis Advisor oer;(H~ ii PREFACE Many phases of Native American education have been given extensive and adequate historical treatment. Works are plentiful on the boarding school program, the mission school efforts, and other select aspects of Native American education. Higher education for Indians, however, has received little attention. Select articles, passages, and occasional chapters touch on it, but usually only regarding selected topics or as an adjunct to education in general. There is no thorough and comprehensive history of Native American higher education in the United States. It is hoped this study will satisfy such a need, and prompt others to strive to advance knowledge and analysis in this area and to improve on what is presented here. The scope of this study is higher education for the Indian community, specifically within the continental United States, from the age of discovery to the present. Although, strictly speaking, the colonial period predates the United States, the society and culture of the nation as well as several of its more prominent universities stem from that period. -
Asian Cultural Council 2018 Annual Report TABLE of CONTENTS
asian cultural council 2018 annual report TABLE OF CONTENTS 1. Message from Chairman & Executive Director 2. Board of Trustees 3. Partner Foundations 4. Messages from ACC’s Asia Directors 8. 2018 Program Overview 12. Public Programs & Partnerships 14. 2018 Grantee Highlights 20. 2018 Grants 22. JDR 3rd Award 24. BHR Award 26. Global Anniversary Celebrations 36. 2018 Events around the World 37. Donors 40. Financial Summary 42. Staff Cover: Ethnomusicologist Susie Ibarra The Wooster Group performing The recording a sound test on Easton Glacier, WA Town Hall Affair in Japan AT THE HEART OF ACC is a celebration of meaningful connection across borders. We believe that bringing people together from seemingly disparate backgrounds to discover commonality and appreciate differences is what creates a global consonance and commitment to a shared future. By empowering artists, scholars, and arts professionals to travel and pursue life- changing experiences in Asia and the U.S., we enact our core belief that cultural exchange is the most powerful WENDY O’NEILL MIHO WALSH tool we have to build a more harmonious world. Chairman Executive Director In 2018, ACC celebrated 55 years of work in cultural exchange, our investment to date of $100 million in direct grant-giving, and support for exchange opportunities to artists and scholars in Asia and the U.S. We showcased our brilliant alumni and gathered our ever-expanding global network of friends at our 55th Anniversary Gala in New York, where we honored John D. Rockefeller 3rd Award recipient Shen Wei (ACC 1995, 2017) alongside longtime ACC supporters and leading philanthropists David and Susan Rockefeller, who announced a $1 million endowment gift from the Estate of David Rockefeller, Sr. -
English in Subtitles
International Artist Residencies The following is a transcript of the International Artist Residencies panel, co-hosted by the Asian Cultural Council, Beijing Contemporary Art Foundation, and La MaMa Experimental Theatre Club on October 12, 2018 as part of Creative China Festival 2018. The hosting organizations share the belief that international cultural exchange is essential to fostering understanding and respect in the world. This immersive international exchange holds the potential for powerfully transformative experiences that benefit the individual artists involved, the communities in the exchange country, and the artists’ communities at home. Focusing primarily on residency programs committed to the exchange of artists between China and the United States, International Artist Residencies gathered arts professionals who design and run residencies alongside artists who have participated in such programs for a three-panel discussion: Artist Residencies and Community Engagement, The Experience of the Residency, and After the Residency. Representatives from programs in China and the United States presented a range of residency models that employ varying strategies to facilitate community engagement, maintain alumni networks, and provide artists access to global artistic communities. To build on the momentum of this panel, Beijing Contemporary Arts Foundation has compiled a list of artist residency programs and resources in the U.S. and China. Please refer to the link at: https://bcaf.org.cn/International-Artist-Residencies Please note -
Korean Arts Leader Duk-Hyung Yoo Receives John D
asian cultural council 2015 ANNUAL REPORT Installation of washi for the performance of Recycling: Washi Tales, directed by Elise Thoron (ACC 2008, 2010) at the Asia Society in New York City 2015 ANNUAL REPORT 2 3 Board Message from the of Trustees Executive Director 4 5 Message from Message from ACC Tokyo ACC Hong Kong 6 7 Message from Message from ACC Taipei ACC Manila 8 20 Program Overview John D. Rockefeller 3rd + 2015 Grants Award 22 26 Alumni News Events 33 34 Statement of Donors Activities 36 37 Cover: Leeroy New’s (ACC 2015) stage Partners Staff installation at a meeting of the Asia-Pacific Economic Cooperation (APEC) held in Boracay Island, Philippines BOARD OF TRUSTEES Ocers Wendy O’Neill Chairman Hans Michael Jebsen Vice Chairman Josie Cruz Natori Vice Chairman Jonathan Fanton Treasurer Hope Aldrich Secretary Trustees Jane DeBevoise Ernest de Leon Escaler John H. Foster David C. Halpert Douglas Tong Hsu J. Christopher Kojima Richard S. Lanier President Emeritus Erh-fei Liu Elizabeth J. McCormack Chairman Emeritus Carol Rattray Missie Rennie David Rockefeller, Jr. Lynne Rutkin Marissa Fung Shaw William G. Spears Yuji Tsutsumi Valerie Rockefeller Wayne Life Trustees Colin G. Campbell Kenneth H.C. Fung Stephen B. Heintz Abby M. O’Neill Russell A. Phillips, Jr. Isaac Shapiro Michael I. Sovern Akiko Kitamura in India during her 2015 ACC fellowship for research in Cambodia, Myanmar, As of June , and India MESSAGE FROM THE EXECUTIVE DIRECTOR Miho Walsh Asian Cultural Council Alumni: Our Future, Building on our Past “Most importantly, it is our individual grantees who embody our mission. -
1 Japan Virtual Exchange Program
Updated: 09/16/2020 Japan Virtual Exchange Program < Application Guideline > In 2020 and 2021, in response to the widespread human crisis caused by the COVID-19 pandemic, and the uncertainty of international travel until the pandemic is resolved, the Asian Cultural Council is calling for proposals from individuals and organizations in Japan and the U.S. with projects intended to strengthen and enhance impactful international connectivity and engagement between Japan and countries/regions of Asia, and Japan and the U.S., through activities and projects that can be enacted without international travel. This program will support creative, innovative responses to international engagement during this period of limited travel. In response to the economic impact of the pandemic, grant funds may be used to support artist honoraria and organizational costs of managing virtual programs. Applicant Eligibility • Individuals and organizations in Japan conducting virtual cultural exchange programs with the U.S. and the countries of Asia (eligible countries / regions*) • Individuals and organizations in the U.S. conducting virtual exchange projects with artists, scholars, and arts professionals in Japan • Applicants must be practicing artists, scholars of the arts, or arts professionals in an eligible field*, or nonprofit/NPO organizations administering programs for participants who fit this criteria • Individual applicants can apply with up to one collaborator. Programs involving more than two participants must apply through an NGO or NPO organization -
Asian Cultural Council Staff Directory
Asian Cultural Council Staff Directory New York Office: Staff Judy Kim Charlotte Fleming Executive Director Marketing and Communications Associate [email protected] I 212-843-0348 [email protected] I 212-843-0393 Liz Behrend MaryJo Kelly Program Officer [email protected] I Manager of Finance and Operations 212-843-0421 [email protected] I 212-843-0378 Dawn Byrnes Sarah Lamade Manager of Grants Administration Manager of Executive Administration and [email protected] I 212-843-0386 Board Relations [email protected] I 212-843-0401 Stephanie Chen Director of Marketing and Communications Charmaine Lee [email protected] 212-843-0367 I Manager of Development [email protected] I 212-843-0394 Yagna Nag Chowdhuri Manager of Strategic Research Riccardo Salmona [email protected] 212-843-0398 I Director of Advancement [email protected] I 212-843-0422 Eileen Connor Director of Finance & Operations Interns [email protected] I 212-843-0396 Chynna Lake Cecily D. Cook Social Media Intern Director of Grantee and Alumni Relations [email protected] [email protected] I 212-843-0389 Kevin Pham Chloe Eisen Development Intern Programs Administration Assistant [email protected] [email protected] Natalie Register Alumni Engagement Intern [email protected] Asian Cultural Council Staff Directory Hong Kong Office Taipei Office Josephine Wai Rita Chang Director Director [email protected] [email protected] Mary Zhang Joyce Chen Development & Administration Associate Program Manager [email protected] [email protected] Jocelyn Mui Julian Chu Program Associate Office Manager [email protected] [email protected] Manila Office Tokyo Office Teresa Rances Ritsu Yoshino Director Director [email protected] [email protected] Annaliza Villar Kurumi Kido Program Associate Program Associate [email protected] [email protected] Yasuko Kajita Administration Associate [email protected] . -
Asian Cultural Council ANNUAL REPORT 6 West 48Th Street, 12Th Floor New York, NY 10036-1802 212 843 0403 Tel 212 843 0343 Fax [email protected] New York
2011 asian cultural council ANNUAL REPORT 6 West 48th Street, 12th Floor New York, NY 10036-1802 212 843 0403 tel 212 843 0343 fax [email protected] new york Room 702, Hong Kong Arts Centre 2 Harbour Road, Wanchai Hong Kong +852 2895 0407 tel +852 2576 7206 fax hong kong [email protected] Suite 504 National Life Building 6762 Ayala Avenue, Makati City 1226 Philippines +632 757 3006 tel/fax [email protected] manila Unit 2, 10th Floor 303 Chung-Hsiao East Road Sec. 4 Taipei, Taiwan +866 2 8771 8836 tel taipei +866 2 8771 8844 fax [email protected] Toka Building, 8F 1-16-1 Ginza Chuo-ku, Tokyo 104-0061 Japan +81 3 3535 0287 tel tokyo +81 3 3535 5565 fax [email protected] asian cultural council 2011 ANNUAL REPORT Asian Cultural Council supports of each of its grant recipients and transformative cultural exchange fosters ongoing dialogue between by awarding grants to artists, and among its grantees and scholars, and arts and humanities artists, scholars, and specialists professionals, as well as through a robust network of organizations and educational contacts across disciplines and institutions from the United States across the globe. ACC supports and Asia for research, study, and its efforts by seeking funding creative work in the United States from individuals, foundations, and and Asia and within the countries corporations with an interest in of Asia. To achieve this goal, ACC and dedication to strengthening develops programs specifically ties between the United States tailored to the needs and interests and the countries of Asia. -
Indigenous Reactions to Religious Colonialism in Seventeenth-Century New England, New France, and New Mexico
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2020 Our Souls are Already Cared For: Indigenous Reactions to Religious Colonialism in Seventeenth-Century New England, New France, and New Mexico Gail Coughlin University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Canadian History Commons, European History Commons, History of Religion Commons, Indigenous Studies Commons, Latin American History Commons, Missions and World Christianity Commons, Other History Commons, and the Other Religion Commons Recommended Citation Coughlin, Gail, "Our Souls are Already Cared For: Indigenous Reactions to Religious Colonialism in Seventeenth-Century New England, New France, and New Mexico" (2020). Masters Theses. 898. https://doi.org/10.7275/17285938 https://scholarworks.umass.edu/masters_theses_2/898 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Our Souls Are Already Cared For: Indigenous Reactions to Religious Colonialism in Seventeenth-Century New England, New France, and New Mexico A Thesis Presented by GAIL M. COUGHLIN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree -
Bibliography for Swindler Sachem.Pdf
Bibliography Compiled by Jenny Hale Pulsipher for Swindler Sachem: The American Indian Who Sold His Birthright, Dropped Out of Harvard, and Conned the King of England (New Haven, Conn.: Yale University Press, 2018). Abbreviations AAS American Antiquarian Society, Worcester, Massachusetts. AWP Ann Wompas Inventory and Administration Records, 1676, #830, vol. 12:10, 95, Suffolk County Probate Records, MA. CCR J. Hammond Trumbull, ed., Public Records of the Colony of Connecticut, 3 vols. (Hartford: F.A. Brown, 1852). CLM William H. Whitmore, ed., The Colonial Laws of Massachusetts, reprinted from the edition of 1672, with the supplements through 1680 (Boston: 1887). CSL Connecticut State Library and Archives, Hartford, Connecticut. CSPC Sainsbury, W. Noel and J. W. Fortescue, eds., Calendar of State Papers, Colonial Series, America and West Indies, 16 vols. (Vaduz: Kraus Reprint, 1964). ECR Records and Files of the Quarterly Courts of Essex County, Massachusetts (Salem, Massachusetts: The Essex Institute, 1913). EHR Records of the Town of East-Hampton, 2 vols. (Sag Harbor, N.Y.: John H. Hunt, printer, 1887). ET Clark, Michael P., ed. The Eliot Tracts: With Letters from John Eliot to Thomas Thorowgood and Richard Baxter (Westport, Conn.: Praeger, 2003). FLR Fairfield Land Records, CSL, Hartford, Connecticut. HColl Daniel Gookin, Historical Collections of the Indians in New England. MHSC, 1st ser., 1:141–227. HAcc Daniel Gookin, An Historical Account of the Doings and Sufferings of the Christian Indians in New England, in the Years 1675, 1676, 1677, in Archaeologia Americana, Transactions and Collections of the American Antiquarian Society 2 (1836): 430–532. HIW William Hubbard, The History of the Indian Wars in New England from the First Settlement to the Termination of the War with King Philip, in 1677, ed. -
The Mashpee Woodlot Revolt of 1833
The Mashpee Woodlot Revolt of 1833 By David C. Churbuck Introduction In the annals of native/colonist relations, little can be objectively known about the true nature of the interactions between the English settlers of Eastern Massachusetts and the tribe that “welcomed” them, the Wampanoag. The record is one-sided and dominated by the English version of events and their system of deeds, genealogies, written records and literature. This has led to the perpetuation of the pleasant myth of the Wampanoag welcoming and cooperating with the Pilgrims; a myth created in the 19th century in a burst of American patriotism and nostalgia which lives on in the quaint concept of Pilgrims and Indians sharing a Thanksgiving feast. Today the Wampanoag regard Thanksgiving as a day of mourning, and, thanks to recent scrutiny of the actual historical record, it’s apparent the tribe are the forgotten first victims of the American “dream.” If, as Churchill said, “history is written by the victors,” the Wampanoags left little in the way of a written record of their relations and feelings towards the colonists. They had no written language, only their Algonquin dialect, and no historical tradition beyond the spoken word and creation myths. The discovery and re-publication in the 1990s of a unique account written by a member of the Connecticut Pequot tribe, William Apes (Apess), has revealed the earliest autobiography in American literature by a native, as well as cast some light on a little known incident that took place 180 years ago on the Wampanoag “reservation” or “praying town” of Mashpee, near its border with the village of Cotuit, in a wood lot near the Santuit River between a group of angry Wampanoag natives, two brothers from Cotuit, and an alcoholic activist Pequot preacher, William Apess. -
Creative China Festival 2018: International Artist Residencies Panel & Discussion Friday, October 12, 2018 | 1:00 – 8:00
Creative China Festival 2018: International Artist Residencies Panel & Discussion Friday, October 12, 2018 | 1:00 – 8:00 PM Keynote Speaker Ping Chong, Artistic Director, Ping Chong + Company http://www.pingchong.org/ Ping Chong is an internationally acclaimed artist and pioneer in the use of media in the theater. Since 1972, he has created over 100 productions including Throne of Blood, Cathay: Three Tales of China, Kwaidan, and Deshima. His ALAXSXA|ALASKA was presented at LaMaMa in Fall 2017 and continues to tour. In 1992, he created the first Undesirable Elements production, an ongoing series of community- based oral history projects. Representative works include BEYOND SACRED: Voices of Muslim Identity, CRY FOR PEACE: Voices from the Congo, and GAIJIN. UNDESIRABLE ELEMENTS/JAPAN premieres in January, 2019. TCG published two volumes of his plays “The East West Quartet” and “Undesirable Elements: Real People, Real Lives, Real Theatre.” Ping Chong is the recipient of a Guggenheim Fellowship, a USA Artist Fellowship, two BESSIE awards, two OBIE awards, a Doris Duke Performing Artist Award, a Ford Foundation Art of Change Fellowship and a 2014 National Medal of Arts. Panel 1: Artist Residencies and Community Engagement Moderator: Jamie Bennett, Executive Director, ArtPlace America www.artplaceamerica.org Jamie Bennett is the executive director of ArtPlace America, a partnership among private foundations, federal agencies, and financial institutions working to position arts and culture as a core sector of community planning and development, so that artists and arts organizations are regular collaborators in helping to build equitable, healthy, and sustainable futures. To date, ArtPlace has invested over $100 million, which has gone to support 279 projects in communities of all sizes; six place-based organizations that have committed to permanently working in this cross-sector way; and deep investigations into the intersections of arts and culture with energy and the environment, housing, immigration, public health, public safety, and transportation.