Cincinnati Opera Announces 100Th Anniversary Programming, 2020 Season Repertoire, and Casting Highlights
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01-25-2020 Boheme Eve.Indd
GIACOMO PUCCINI la bohème conductor Opera in four acts Marco Armiliato Libretto by Giuseppe Giacosa and production Franco Zeffirelli Luigi Illica, based on the novel Scènes de la Vie de Bohème by Henri Murger set designer Franco Zeffirelli Saturday, January 25, 2020 costume designer 8:00–11:05 PM Peter J. Hall lighting designer Gil Wechsler revival stage director Gregory Keller The production of La Bohème was made possible by a generous gift from Mrs. Donald D. Harrington Revival a gift of Rolex general manager Peter Gelb This season’s performances of La Bohème jeanette lerman-neubauer and Turandot are dedicated to the memory music director Yannick Nézet-Séguin of Franco Zeffirelli. 2019–20 SEASON The 1,344th Metropolitan Opera performance of GIACOMO PUCCINI’S la bohème conductor Marco Armiliato in order of vocal appearance marcello muset ta Artur Ruciński Susanna Phillips rodolfo a customhouse serge ant Roberto Alagna Joseph Turi colline a customhouse officer Christian Van Horn Edward Hanlon schaunard Elliot Madore* benoit Donald Maxwell mimì Maria Agresta Tonight’s performances of parpignol the roles of Mimì Gregory Warren and Rodolfo are underwritten by the alcindoro Jan Shrem and Donald Maxwell Maria Manetti Shrem Great Singers Fund. Saturday, January 25, 2020, 8:00–11:05PM MARTY SOHL / MET OPERA Roberto Alagna as Chorus Master Donald Palumbo Rodolfo and Maria Musical Preparation Caren Levine*, Joshua Greene, Agresta as Mimì in Jonathan C. Kelly, and Patrick Furrer Puccini’s La Bohème Assistant Stage Directors Mirabelle Ordinaire and J. Knighten Smit Met Titles Sonya Friedman Stage Band Conductor Joseph Lawson Children’s Chorus Director Anthony Piccolo Italian Coach Loretta Di Franco Prompter Joshua Greene Associate Designer David Reppa Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ladies millinery by Reggie G. -
American Spiritual Program Spring 2009
American Spiritual Ensemble Sunday, February 22, 2009 • 4 p.m. Asbury United Methodist Church Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music in the African-American tradition. The concert is sponsored by Asbury United Methodist Church; the Peter and Judy Jackson Music Performance Fund; Salisbury University’s Department of Music, Office of the Dean of the Charles R. and Martha N. Fulton School of Liberal Arts and Office of Multicultural Student Services; the SU Foundation, Inc.; and is made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and the National Endowment for the Arts. AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM Walk Together, Children ............................................................arr. William Henry Smith We Shall Walk Through the Valley in Peace ............................................arr. Moses Hogan Plenty Good Room ......................................................................arr. William Henry Smith Oh, What A Beautiful City! ........................................................................arr. Johnie Dean Mari-Yan Pringle, Jeryl Cunningham, Sopranos I Want Jesus to Walk With Me ....................arr. Eurydice Osterman/Tedrin Blair Lindsay Ricky Little, Baritone Fi-yer, Fi-yer Lord (from the operetta Fi-yer! )......................Hall -
Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25Th Season with Dayton Opera in June 2021
Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25th Season with Dayton Opera in June 2021 CONTACT: ANGELA WHITEHEAD Communications & Media Manager Dayton Performing Arts Alliance Phone 937-224-3521 x 1138 [email protected] DAYTON, OH (February 7, 2020) – The Dayton Performing Arts Alliance (DPAA) has announced today that Thomas Bankston, Artistic Director of Dayton Opera, will retire in June 2021, at the conclusion of the newly announced 2020–2021 Celebrate Season, Dayton Opera’s 60th anniversary season. “The coming together of three especially celebratory events in the 2020-21 season – Dayton Opera’s 60th anniversary, my 25th season, and the closing of that season with a world premiere opera production, Finding Wright – seemed like a fitting time at which to bring to a close my 41 year career in the professional opera business. Dayton Opera has been a huge part of my life and will always hold a special place in my heart. Especially all the wonderful friendships and associations I have made with artists, staff and volunteers that will make my retirement a truly bittersweet one,” said Tom Bankston. The 2020–2021 season will mark Bankston’s 25th season providing artistic leadership for Dayton Opera, the longest term of artistic leadership in the company’s history. In 1996, he began his work with the company, sharing his wide-ranging knowledge of the field of opera between Dayton Opera and Cincinnati Opera, the company where in 1982 he began his work as an opera administrator. At the start of the 2001–2002 season, he left Cincinnati Opera and assumed the position of Artistic Director for Dayton Opera on a full-time basis, and then was named General & Artistic Director of Dayton Opera in 2004. -
Rossini Propició El Futuro De La Ópera
www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Media Release
Media Release FOR IMMEDIATE RELEASE: Wednesday, March 10, 2021 Contact: Suzanne Calvin (cell) 817.995.1687 [email protected] The Dallas Opera returns to Winspear with new “Welcome Back” Song Series starting March 31, 2021, featuring four major stars in three unique events: bass Morris Robinson on March 31; soprano Leah Crocetto and mezzo-soprano Jamie Barton on April 3; and countertenor John Holiday on April 9. Socially distanced seating and other COVID precautions in place for all events. TDO 2020/2021 season subscribers are offered one recital free—no strings attached! DALLAS, TX, MARCH 10, 2021 – The Dallas Opera announced today that it will be launching a new, three- event “Welcome Back” Song Series in the Winspear Opera House commencing March 31, 2021. The company’s first event in the Winspear since it was forced to cease live performances in February, 2020, because of COVID-19, the new series will feature four celebrated opera stars in three unique events: bass Morris Robinson on Wednesday, March 31; soprano Leah Crocetto and mezzo-soprano Jamie Barton on Saturday, April 3; and countertenor John Holiday on Friday, April 9. 1 Sponsor for the “Welcome Back” Song Series is Ann Stuart, PhD, who is chairman of The Dallas Opera’s board of directors, and former chancellor and president of Texas Woman’s University. Tickets, priced at $15, $25, and $50 for each event, are available now for members of TDO’s subscriber and donor family, with general public sale commencing March 17. Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, also announced that all current subscribers (2020/2021 season) are being offered the opportunity to enjoy one of the recitals free. -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
Rigoletto Final
Media Contacts: David M. Paule [email protected] 404-881-9194 Verdi’s Rigoletto Returns To The Atlanta Opera A Vibrant New Production Originally Directed By Tomer Zvulun Marks The Atlanta Opera’s 35th Year of Mainstage Productions ATLANTA – (January 19, 2015) - The Atlanta Opera celebrates its 35th year of live productions with Giuseppe Verdi’s tragic masterpiece, Rigoletto. This new, visually stimulating production is a co- production of Boston Lyric Opera, The Atlanta Opera, and Opera Omaha and was originally directed by The Atlanta Opera’s General & Artistic Director Tomer Zvulun. Not seen on The Atlanta Opera stage since 2000, Rigoletto will be presented on February 28 and March 3, 6 and 8 at the Cobb Energy Performing Arts Centre. Single tickets, ranging from $26 to $137, plus convenience and venue fees, are on sale now and can be purchased online at atlantaopera.org or by calling 404-881-8885. Season tickets are still available as well, offering patrons the best seats at the best prices. The Boston Globe hailed the production as “delivering the kind of energetic performance … that had audiences rising swiftly to its feet.” Opera News, reviewing the Omaha mounting, said the production “let loose with vibrant, contrasting visual and musical colors.” A Verdi favorite, Rigoletto is set in a rich and decadent Renaissance Italy and features some of opera’s most famous arias including “La Donna e Mobile” and “Caro Nome.” Todd Thomas makes his Atlanta Opera debut as the hunchbacked jester Rigoletto, who turns his mind to revenge when he cannot protect the person he most loves, his innocent daughter Gilda, from the person he most loathes. -
A Mini-Guide
A MINI-GUIDE The Story . .2 Meet the Cast . .3 What is zarzuela? . .5 Meet the Creator of Little Red . .6 The Composers . .7 Activity: Make your own castanets! . .10 The Story: Bear Hug/Abrazo de oso! Bear Hug/Abrazo de oso! is a bilingual (in two different languages) youth opera and the cast sings in both English and Spanish. It is set in a zoo. The Zookeeper enters the stage while feeding some of his favorite animals including Marla, the koala bear, and Polly the panda bear. He admits that while he loves his job as zookeeper, he’s nervous about the grizzly exhibit next door. Grizzly bears are known to eat meat and he feels less than confident. Polly the panda greets the audience and mentions her love of reading and learning. She hears singing next to her exhibit and meets Bernardo, a very special Spanish brown bear and newest exhibit to the zoo. In fact, the entire zoo is decorated to welcome the newest bear! Bernardo, who has just arrived to the zoo and doesn’t speak much English, is nervous and feels lost. He misses his family. Polly distracts him from his loneliness by playing games like charades, trying to understand her new friend. They come across a locked gate. Polly has always wondered what was on the other side of the zoo and her adventur - ous personality starts the bears on a search for the key and out of their exhibit. The two meet Marla, the zoo’s koala bear. Koalas are actually marsupials—that means Marla isn’t really a bear at all! Koala bears are generally sleepy and like to eat plants such as eucalyptus. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were. -
H.M.S. Pinafore
H.M.S. PINAFORE or, The Lass that loved a Sailor An entirely Original Nautical Comic Opera Written by W.S. Gilbert Composed by Arthur Sullivan Rescued from Obscurity A Reprint series of Definitive Libretti of the „Savoy‟ and related operas. Edited by Ian C. Bond. Other Libretti in this Series AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. COX AND BOX - F.C. Burnand and Arthur Sullivan CREATURES OF IMPULSE - W.S. Gilbert and Alberto Randegger THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German FALLEN FAIRIES - W.S. Gilbert and Edward German THE GONDOLIERS - W.S. Gilbert and Arthur Sullivan “HASTE TO THE WEDDING” - W.S. Gilbert and George Grossmith JANE ANNIE - J.M. Barrie, Arthur Conan Doyle and Ernest Ford NO CARDS - W.S. Gilbert and Thomas German Reed THE PIRATES OF PENZANCE - W.S. Gilbert and Arthur Sullivan PRINCESS TOTO - W.S. Gilbert and Frederic Clay THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan RUDDYGORE - W.S. Gilbert and Arthur Sullivan UTOPIA (LIMITED) - W.S. Gilbert and Arthur Sullivan THE VICAR OF BRAY - Sydney Grundy and Edward Solomon THE ZOO - B.C. Stephenson and Arthur Sullivan Vocal Scores AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan (facsimile of a cued conductors score) In Preparation THE BEAUTY STONE - Arthur Wing Pinero, J. Comyns Carr and Arthur Sullivan THE BRIGANDS - H. -
Ruddigore Or, the Witch’S Curse
Ruddigore or, The Witch’s Curse Sir Ruthven Murgatroyd (disguised as Robin Oakapple, a Young Farmer) ..........Seth Tychon Šteidl Richard Dauntless (his Foster-Brother, a Man-o’-War’s Man) .......... Anthony Rohr Sir Despard Murgatroyd, of Ruddigore (A Wicked Baronet) ...................... Joe Allen Old Adam Goodheart (Robin’s Faithful Servant) .........................Waldyn Benbenek Sir Roderic Murgatroyd ........................................................................ Scott Benson Rose Maybud (a Village Maiden) ............................................. Sarah Wind Richens Mad Margaret ........................................................................................ Lara Trujillo Dame Hannah (Rose’s Aunt) ...................................................................... Deb Haas Zorah (Professional Bridesmaid) ........................................................... Sarah Mehle Ruth (Professional Bridesmaid) .................................................................Cassie Utt Chorus of Townswomen and Professional Bridesmaids: Mary Mescher Benbenek Danielle Long Charlotte Morrison Maggie Benham Anna Maher Sarah Shervey Kelly Ann Danger Wendy Matsutani Rhea Sullivan Mary Gregory Kali McMillan Lydia Wildes Shawn Holt Blanka Melbostad Holly Windle Chorus of Bucks & Blades, Townsmen, and Ancestors: James Brooks Gabe Heffernan John Orbison Jeff Erickson Rylan Hefner Eric Pasternack Doug Freeman Alvin Kim Richard Rames Clyde Gerber Dean Laurance Lowell Rice Stephen Hage Adam Lowe Thomas Sonneman ♥ ♥ ♥ ♥ ♥