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8 Literaturverzeichnis 8 Literaturverzeichnis Abercrombie, Nicholas: Television and Society, Polity Press, Cambridge, 1996. Altman, Rick: Film/Genre, British Film Institute, London, 2000. An, Jinsoo: The Killer: Cult Film and Transnational (Mis)Reading, in: Yau, Esther C. M. (ed.): At Full Speed: Hong Kong Cinema in a Border- less World, University of Minnesota Press, Minneapolis, 2001. Bather, Neil: “There is evil there that does not sleep…”: The Construction of Evil in American Popular Cinema from 1989 to 2002, Disserta- tion, University of Waikato, 2006. Barthes, Roland: Mythologies, Hill and Wang, New York, 1972. Barthes, Roland: Introduction to the Structural Analysis of Narratives, in: Barthes, Roland: Image Music Text, Fontana Press, London, 1977. Bennett, Tony; Woollacott, Janet: Bond and Beyond: The Political Career of a Popular Hero, Methuen, Inc., New York, 1987. Berger, Arthur A.: Popular Culture Genres: Theories and Texts, SAGE Publications, Thousand Oaks, 1992. Berger, Arthur A.: Cultural Criticism: A Primer of Key Concepts, SAGE Publications, Thousand Oaks, 1995. Berger, Arthur A.: Media Analysis Techniques: Second Edition, SAGE Publications, Thousand Oaks, 1998. Bian, Yanjie 边燕杰; Wu, Xiaogang 吴晓刚; Li, Lulu 李路路 (ed.): Social Stratification and Mobility: The Overseas Scholar’s Advanced Re- search on China (社会分层与流动：国外学者对中国研究的新进展), China Renmin University Press, Beijing, 2008. Bolelli, Daniele: On the Warrior’s Path: Philosophy, Fighting, and Martial Arts Mythology (second edition), Blue Snake Books, Berkeley, 2008. Bordwell, David: Aesthetics in Action: Kungfu, Gunplay, and Cinematic Expressivity, in Yau, Esther C. M. (eds.): At Full Speed: Hong Kong Cinema in a Borderless World, University of Minnesota Press, Minneapolis, 2001. Bordwell, David: Planet Hong Kong: Popular Cinema and the Art of En- tertainment (Second Edition), Irvington Way Institute Press, Madi- son, 2011. Botton, Alain de: Status Anxiety, Shanghai Translation Publishing House, Shanghai, 2007. © Springer Fachmedien Wiesbaden GmbH 2017 G. Song, Der Wuxia-Film und die aktuelle Gesellschaft Chinas, DOI 10.1007/978-3-658-17800-0 354 Literaturverzeichnis Bourdieu, Pierre: Ökonomische Kapital, kulturelles Kapital, soziales Kapi- tal, in: Kreckel, Reinhard (Hg.): Soziale Ungleichheiten (Soziale Welt Sonderband 2), Schwartz Verlag, Göttingen, 1983. Bowman, Paul: The Fantasy Corpus of Martial Arts, or, The “Communica- tion” of Bruce Lee, in Farrer, D. S.; Whalen-Bridge, John (eds.): Martial Arts as Embodied Knowledge – Asian Traditions in a Transnational World, State University of New York Press, Albany, 2011. Buscombe, Edward: The Idea of Genre in the American Cinema, in: Barry K. Grant (ed.): Film Genre Reader III, the University of Texas Press, Austin, 2003. Campbell, Joseph: The Hero with a Thousand Faces (2nd edition), Prince- ton University Press, Princeton, 1968 (reprints). Campbell, Joseph; Moyers, Bill: The Power of Myth (神话的力量), Vol- umes Publishing Co., Beijing, 2011. Cao, Tianyu 曹天予; Zhong, Xueping 钟雪萍; Liao, Kebin 廖克斌 (eds.): Culture and Social Transformation: Theoretical Framework and the Chinese Context (文化与社会转型：理论框架和中国语境), Guangxi Normal University Press, Guilin, 2012. Cao, Zhengwen 曹正文: Die Geschichte chinesischer Xia-Kultur (中国侠 文化史), Shanghai Literature & Art Publishing House, Shanghai, 1994. Cawelti, John G.: The Six-Gun Mystique, Bowling Green University Popu- lar Press, Bowling Green, 1971. Cawelti, John G.: Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture, the University of Chicago Press, Chicago, 1976. Cawelti, John G.: The Six-Gun Mystique Sequel, Bowling Green State University Popular Press, Bowling Green, 1999. Chang, Cheh 张彻: Chang Cheh: Memoirs and Criticism (张彻：回忆 录·影评集), Hong Kong Film Archive, Hongkong, 2002. Chen, Feibao 陈飞宝: The History of Taiwan Film (台湾电影史话), China Film Press, Beijing, 2008. Chen, Mo 陈墨: The Chinese Wuxia-Film Criticism (刀光侠影蒙太奇：中 国武侠电影论), China Film Press, Beijing, 1996. Chen, Mo 陈墨: A History of the Chinese Wuxia Film (中国武侠电影史), China Film Press, Beijing, 2005. Literaturverzeichnis 355 Chen, Pingyuan 陈平原: Chivalry of Intellectuals Dream: Genre Studies of Wuxia Literature (千年文人侠客梦：武侠小说类型研究), People’s Literature Publishing House, Beijing, 1992a. Chen, Shan 陈山: History of the Chinese Wuxia (中国武侠史), Shanghai Joint Publishing Co., Shanghai, 1992b. Chen, Xiaoyun 陈晓云: The Representation and Anxiety of Body in the Recent Chinese Films (中国电影的身体转向) in: Contemporary Chinese Film (Dangdai Dianying) No. 6: S. 94-98, 2006. Chen, Xiaoyun 陈晓云: Film-stars, Visual Politics and Consumer Culture: The Chinese Film-stars in the Context of Contemporary Urban Cul- ture (电影明星、视觉政治与消费文化), in: Literature and Art Stud- ies (Wenyi Yanjiu) No. 1: S. 12-18, 2007. Chute, David; Lim, Cheng-Sim (eds.): Heroic Grace: The Chinese Martial Arts Film, UCLA Film and Television Archive, Los Angeles, 2003. Connell, R. W.: Der gemachte Mann: Konstruktion und Krise von Männ- lichkeit, Opladen, Leske, 1999. Coogan, Peter: Superhero: The Secret Origin Of A Genre, MonkeyBrain Books, Austin, 2006. Coyne, Michael: The Crowded Prairie: American National Identity in the Hollywood Western, I.B.Tauris Publishers, London, 1997. Crane, Diana: The Production of Culture: Media and the Urban Arts, Sage Publication, Newbury Park, 1992. Cui, Weiping 崔卫平: The Narration of Our Times (我们时代的叙事), Flower City Publishing House, Guangzhou, 2008. Dahl, Robert: Modern Political Analysis, Shanghai Translation Publishing House, Shanghai, 1987. Dai, Jinhua 戴锦华: Film Criticism (电影批评), Peking University Press, Beijing, 2004. Danto, Arthur C.: Analytical Philosophy of History, Cambridge University Press, London, 1968. Derrida, Jacques: The Law of Genre, in: Critical Inquiry, Vol. 7, No. 1, On Narrative (autumn, 1980), The University of Chicago Press, Chica- go, 1980. Desser, David: The Martial Arts Film in the 1990s, in: Dixon, Wheeler Winston (eds.): Film Genre 2000: New Critical Essays, State Uni- versity of New York Press, Albany, 2000. Ditschke, Stephan; Anhut, Anjin: Menschliches, Übermenschliches. Zur narrativen Struktur von Superheldencomics, in: S. Ditschke / K. 356 Literaturverzeichnis Kroucheva / D. Stein (Hrsg.): Comics – Zur Geschichte und Theo- rie eines populärkulturellen Mediums, transcript, Bielefeld, 2009. Eco, Umberto: Die erzählerischen Strukturen in Flemings Werk, in: del Buono, Oreste; Eco, Umberto (Hg.): Der Fall James Bond: 007 – ein Phänomen unserer Zeit, dtv, München, 1966. Eco, Umberto: The Myth of Superman: The Amazing Adventures of Su- perman, in: Diacritics, Vol. 2, No. 1 (spring, 1972), Johns Hopkins University Press, 1972. Edwards, Louise: Twenty-first century women warriors: Variations on a traditional theme, in: Rawnsley, Gary; Rawnsley, Ming-Yeh (ed.): Global Chinese Cinema: The Culture and Politics of Hero, Routledge, New York, 2010a. Edwards, Louise: Military Celebrity in China: The Evolution of “Heroic and Model Servicemen”, in: Edwards, Louise; Jeffreys, Elaine (ed.): Celebrity in China, Hong Kong University Press, Hong Kong, 2010b. Eliade, Mircea: Myth and Reality, Harper Colophon Books, New York, 1975. Ellis, John: Visible Fictions, Routledge, London, 1982. Fan, C. Cindy 范芝芬: China on the Move: Migration, the State, and the Household (流动中国：迁移、国家和家庭), Social Sciences Aca- demic Press (SSAP, China), Beijing, 2013. Farrer, D. S.; Whalen-Bridge, John (eds.): Martial Arts as Embodied Knowledge – Asian Traditions in a Transnational World, State Uni- versity of New York Press, Albany, 2011. Feuer, Jane: Genre Study and Television, in: Allen, Robert C.: Channels of Discourse, Reassembled: Television and Contemporary Criti- cism (second edition), Routledge, London, 1995. Fiske, John: Television Culture, Routledge, London, 1997. Frye, Northrop: Anatomy of Criticism, Princeton University Press, Prince- ton, 1973. Gehrau, Volker: (Film-) Genres und die Reduktion von Unsicherheit, in: Hans-Bredow-Institut: Medien & Kommunikationswissenschaft 51. Jg. 2003/2, Nomos Verlagsgesellschaft, Baden-Baden, 2003. Geißler, Rainer: Sozialer Wandel in Deutschland, in: Informationen zur politischen Bildung, Vol. 324, No. 4 (2014), bpb, Bonn, 2014. Genette, Gérard: Narrative Discourse: An Essay in Method, Cornell Uni- versity Press, Ithaca, 1983. Gilmore, David D.: Mythos Mann: Wie Männer gemacht werden Rollen, Rituale, Leitbilder, dtv, München, 1993. Literaturverzeichnis 357 Grant, Barry Keith: Film Genre: From Iconography to Ideology, Wallflower, London, 2007. Guo, Yingjie: Recycled Heroes, Invented Tradition and Transformed Identity, in: Rawnsley, Gary; Rawnsley, Ming-Yeh (ed.): Global Chinese Cinema: The Culture and Politics of Hero, Routledge, New York, 2010. Hall, Stuart: Notes on Deconstructing ‘the Popular’, in: Storey, John (eds.): Cultural Theory and Popular Culture: A Reader, Prentice Hall, Pearson, 1997. Hall, Stuart (ed.): Representation: Cultural Representations and Signify- ing Practices, The Commercial Press, Beijing, 2013. Hamm, John Christopher: Paper Swordsmen: Jin Yong and the Modern Chinese Martial Arts Novel, University of Hawaii Press, Honolulu, 2006. Han, Leng 韩冷; Zhang, Min 张敏: A Study of the Evolvement of the Nar- rative and Historical Form in Chinese Martial Arts Novel: Based on V. Propp’s Tale Theory (武侠小说的叙事与历史形态之变迁：以普 洛普叙事理论为视角), in: Journal of Suzhou College of Education, Vol. 29, No. 1, 2012. Hartmann, Kathrin: Kontinuität und Wandel von Männerbildern in den 90er Jahren am Beispiel sowjetischer und postsowjetischer Filme, in: Working Paper No. 39, Osteuropa-Institut der Freien Universität Berlin, Berlin, 2002. He, Na 赫娜:
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