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Diorama, Vera Cortês Art Agency, 2012
Opening— Friday, June 1, 10 pm Diorama Alexandre Farto AKA Vhils Av. 24 de Julho, 54 -1ºE 1200-868 Lisboa, PT June 2 – September 8, 2012 The gallery will be closed from T/F +351 213 950 177 Tuesday to Saturday July 28 to September 4 for www.veracortes.com From 2pm to 7pm Summer holidays ALEXANDRE FARTO Na arquitectura actual habita um certo deslumbramento pelo tempo e pelo Como em quase todas as suas obras, o mais interessante da série Diorama DIORAMA espaço, em que tudo parece acontecer em todo o lado, quase em simultâ- encontra-se na habilidade manobrar os tempos de recepção do espectador. neo. O efémero e transitório ergue-se como protagonista do estado fluido de O primeiro momento, muito visível, mas vinculado à técnica, ao método. Texto por David Barro uma vida que muda constantemente de pele na ânsia pelo novo. Nada parece O seguinte, mais subtil, tem mais a ver com o processo e com o tempo, com vincular-se a um lugar concreto e há muito que as cidades deixaram de ser um a desconstrução destrutiva daquilo que flui como resto de um modo natural. lugar estável ou de ter uma forma claramente determinada. E muito menos um É, por isso, uma interrupção da realidade em si, do seu tempo e do seu espaço. movimento coerente. Crescemos mal e rápido demais. O suburbano transbor- Mas o jogo de ancas não é necessariamente uma ruptura da sua continuidade. dou e a cidade desapareceu enquanto unidade. Como na arte, uma realidade Seria mais uma elipse ou essa necessidade contemporânea de acidentar, de substitui outra, ocultando coisas, deixando de mostrar alguns fragmentos. -
Scb Fall 2008
SCB FALL 2008 SCB: TRULY INDEPENDENT SCB DISTRIBUTORS IS Dokument PROUD TO INTRODUCE Drago Inner Health Books Park It! Guides Tavin Press SCB: TRULY INDEPENDENT Cover photo of John Lee Hooker, Legendary American Bluesman Courtesy of Jay Blakesberg From his Traveling on a High Frequency, Rock Out Books, 2008 Further details on Page 8 of this SCB Catalogue Cover & Catalog Design by Rama Crouch-Wong Layout by Dan Nolte The Tarot of Perfection A Book of Tarot Tales By Rachel Pollack A collection of wildly imaginative tales of tarot, divination and desire from an award- winning author of fantasy and science fiction. Profound, touching and funny, these stories open fresh ways of seeing and meditating on tarot cards, providing provocative new insights and spiritual truths about the familiar archetypes of the tarot deck. These vivid, dreamlike fantasies invite readers to rearrange expectations while imagining the impossible. Rachel Pollack, considered one of the world's foremost authorities on modern tarot, was born in New York in 1945. She holds a BA, cum laude, in English from NYU, where she has taught, and an MA from Claremont Graduate School. She is also a poet, an award-winning novelist, and a tarot card and comic book artist. She has published 12 books on the tarot, including 78 Degrees of Wisdom (Thorsons, 1998). LIFETIME AUTHOR SALES: 200,000 COPIES She is a member of the ATA, the ITS, and the TGA. She has taught at the Institute for 15 years and has been conferred Tarot Grand Master by the Tarot Certification Board. She has also won the Arthur C. -
Communicative Semiotics in Everyday Life (Cultural Criticism – the Image in the 21St Century)
Communicative Semiotics in Everyday Life (Cultural Criticism – the image in the 21st century) A thesis submitted for the degree of Doctor of Philosophy in English School of Arts Brunel University June 2014 DALEL FIDOUH This thesis is dedicated with the deepest love and everlasting respect to my parents. ii Abstract What am I seeing? What does it mean? This thesis addresses the transformations in cultural life in the 21st century due to the cultural dominance of the image, which resulted from the radical change and enormous progress in the media, communication and the development of information systems in the world. All this has led to changes in the intellectual structure, and an increased tendency to drift in all areas, and the emergence of a society and a culture governed by the culture of shock. The fundamental issue concerning the image is an epistemological issue, as we cannot distinguish between the visual image and the semantic product. We live in a world surrounded with stunning and spectacular visual images. We are overloaded with images from all types in our everyday life. We probably see images more than we read words. This thesis provides an analytical framework for understanding how images produce meanings using the semiotic approach. Semiotics is the most important approach that can be used to analyze all types of images. Semiotic analysis addresses images as signs which communicate meaning. The symbols used in signs are often culturally specific. This thesis indicates the focus of the receiver to adapt to this visual cultural situation, to be able to grasp the content of the new cultural discourse as it is present in all the details of the receiver’s daily life. -
La Sicilia Un Museo a Cielo Aperto
Corso di laurea magistrale in storia delle arti e conservazione dei beni artistici Tesi di laurea La Sicilia un museo a cielo aperto Relatore Prof. Stringa Nico Correlatore Prof.ssa Prete Elisa Laureanda Fichera Emanuela Grazia Matricola 871592 Anno accademico 2018/2019 2 Ai miei genitori, Patrizia Vinciguerra e Salvatore Fichera, fonte di sostegno e di coraggio, che mi hanno trasmesso la passione per lo studio e la voglia di raggiungere questo traguardo più di qualsiasi altra cosa. Senza mia madre e mio padre, non avrei mai avuto la possibilità di studiare a Venezia e di scrivere questo elaborato. 3 4 Indice Introduzione 7 Capitolo primo IL MUSEO OLTRE I MARGINI DELL' EDIFICIO 1. Una nuova fruizione artistica: differenti realtà museali 10 1.1 Land Art la natura protagonista dell'arte 14 1.2 Arte all'aria aperta: i parchi dove la scultura è protagonista 20 1.3 I parchi d‟arte contemporanea in Italia: il Parco di Pinocchio, il Peggy Guggenheim Collection di Venezia, il Giardino dei Tarocchi, Arte Sella 23 Capitolo secondo RECUPERO ATTRAVERSO L’ARTE: TRE ESEMPI DI RIGENERAZIONE URBANA IN SICILIA 2 Rinnovamenti in Sicilia grazie all‟arte contemporanea 32 2.1 La vecchia Gibellina e la nuova Gibellina divenuta museo en plein air 33 2.2 Il Grande Cretto di Alberto Burri 51 2.3 La Fondazione Orestiadi e il Museo delle Trame del Mediterraneo 55 2.4 Intervista a Ludovico Corrao 62 2.5 Il parco di sculture: Fiumara D‟Arte di Antonio Presti 67 2.6 Il Seme d’Arancia di Emilio Isgrò 76 2.7 Fondazione Antonio Presti - Fiumara d‟Arte a Librino 77 2.8 -
A Uc Tion • P Aris • 2 5 Oc T 13
DIGARD ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - VENDREDI 25 OCTOBRE 2013 AUCTION • PARIS • 25 OCT 13 En couverture / Cover BANKSY (Britannique, né en 1975) Sid Vicious Peinture aérosol et pochoir sur toile, signée en bas à droite. Cette œuvre a été réalisée à deux exemplaires avec une variante. Spray paint and stencil on canvas from varied edition of 2 each one unique signed with artist tag lower right and verso in black ink 91,5 X 91,5 cm - 36 x 36 in Un certificat d’authenticité de « Pest Control Office » sera remis à l’acquéreur Accompanied by a certificate of authenticity from Pest Control Office En 2e de couverture / Second cover DRAN (Français, né en 1980) Detail Technique mixte sur carton marouflé sur panneau Mixed media on cardboard mounted on wood CONTACTS29 x 44 cm - 11,41 x 17,32 in Commissaire-priseurUn certificat d’authenticité signé par l’artiste Vincent PESTEL-DEBORDsera remis à l’acquéreur [email protected] by a certificat of authencity by the artist Départements Montres et Bijoux Cathy DECHEZELLEEn dos de couverture / Back cover 56, rue La Fayette - 75009 Paris [email protected] T. +33 (0)1 76 21 55 00 SHEPARD FAIREY (Américain, né en 1970) F. +33 (0)1 76 21 55 01 in collaboration with New York City Youth [email protected] Départements Tableaux, Mobilier & Objets d’art www.pestel-debord.com Canelle DEUSYou can’t deny us Our Rights – City Kids Foundation, 2010 O.V.V. déclaration 017-2012 [email protected] aérosol, technique mixte et collage sur bois, signé et daté en bas à droite Spray paint and mixed media collage on wood panel, signed and dated in black ink lower right 122 x 244 cm - 48 x 96 in DIGARD DIGARD PESTEL-DEBORDPESTEL-DEBORD COMMISSAIRES PRISEURS JUDICIAIRESCOMMISSAIRES PRISEURS JUDICIAIRES CONTACTS 1 place Boieldieu CONTACTS 75002 PARIS 1 place Boieldieu Tél. -
Pannello Didattico
“Rinascita”, rinnovamento e rigenerazione sono alcune delle parole insite nelle opere di Sten Lex, i pionieri italiani dello stencil poster nel mondo. Le loro enormi figure dai visi sconosciuti e le loro fitte trame astratte si trovano oggi sui muri di Parigi, New York, Londra, Shangai, Barcellona, Città del Messico, Madrid, Roma. Stencil e poster, pezzi di carta dipinti ed attaccati al muro, volti giganti che sorvegliano indisturbati la strada e i passanti, a volte apertamente, altre in angoli urbani nascosti e da scoprire: sono lavori dinamici che prendono vita nel tempo insieme alle pareti, rinascono cambiando pelle e liberandosi delle matrici, carte ritagliate con residui sospesi, in parte strappati, che invecchiano per strada, muoiono e si decompongono diventando parte dell’opera stessa. Uno stile innovativo, che è stato acclamato in tutto il mondo e che ha reso Sten e Lex gli urban artists italiani più celebri a livello internazionale. In occasione della mostra alla GAM, che presenta una selezione di opere di formato medio- grande, tra cui stencil poster e stampa su carta, i due artisti italiani hanno anche realizzato un’installazione stencil poster nel chiostro/giardino della Galleria, un luogo antico, rarefatto e riportato alla contemporaneità grazie al loro potente segno. Sten Lex sono gli pseudonimi di due Urban artists e i loro significati denotano già alcuni aspetti del loro lavoro: Sten deriva da “stencil” e Lex dal latino “legge”. Uno è romano, l’altra tarantina, classe 79-80. I loro nomi compaiono per la prima volta sui muri di Roma nel 2001 con opere contenenti forti richiami al cinema, all’arte sacra e alla cultura pop. -
VHILS: RUAS COM ROSTO Estudo De Caso Sobre O Percurso Artístico De Alexandre Farto Apêndice
UNIVERSIDADE DE LISBOA FACULDADE DE BELAS-ARTES VHILS: RUAS COM ROSTO Estudo de Caso sobre o percurso artístico de Alexandre Farto Apêndice Joana Isabel Gaudêncio Matos Orientador(es): Professora Doutora Maria Margarida Teixeira Barradas Calado Professora Doutora Maria Margarida da Silva Rocha Tese especialmente elaborada para a obtenção do grau de Doutor em Belas- Artes, na especialidade de Ciências da Arte 2020 0 UNIVERSIDADE DE LISBOA FACULDADE DE BELAS-ARTES VHILS: RUAS COM ROSTO Estudo de Caso sobre o percurso artístico de Alexandre Farto Joana Isabel Gaudêncio Matos Apêndice Orientador(es): Professora Doutora Maria Margarida Teixeira Barradas Calado Professora Doutora Maria Margarida da Silva Rocha Tese especialmente elaborada para a obtenção do grau de Doutor em Belas-Artes, na especialidade de Ciências da Arte Júri: Presidente: Doutor Eduardo Manuel Alves Duarte, Professor Auxiliar e vogal do Conselho Científico da Faculdade de Belas-Artes da Universidade de Lisboa, Presidente do júri por nomeação da Presidente do Conselho Científico desta Faculdade, Profª Doutora Maria João Pestana Noronha Gamito, nos termos do nª 2.1. do Despacho n.º5011/2019, do Diário da República, 2ª série, nº96, de 20 de maio. Vogais: - Doutora Teresa Isabel Matos Pereira, Professora Adjunta da Escola Superior de Educação do Instituto Politécnico de Lisboa (1ºarguente); Doutor José Pedro Rangel dos Santos Regatão, Professor Adjunto da - Escola Superior de Educação do Instituto Politécnico de Lisboa (2ºarguente); - Doutora Cristina de Sousa Azevedo Tavares, Professora Associada da Faculdade de Belas-Artes da Universidade de Lisboa; Doutora Maria Margarida Teixeira Barradas Calado, Professora Associada - Aposentada da Faculdade de Belas-Artes da Universidade de Lisboa (orientadora). -
Street Art : Entre Tunnels Et Galeries, Toujours Hors Les Murs
Bibliothèque nationale de France direction des collections département Littérature et art Juillet 2015 STREET ART ENTRE TUNNELS ET GALERIES TOUJOURS HORS LES MURS Bibliographie sélective JR à la BnF Tour Paris 13 Comme son nom l’indique, le street art, ou art urbain, se réalise dans la rue et est créé pour la rue. En interpellant le passant, il est relié à la vie quotidienne qu’il poétise. Par l’éclairage différent qu’il apporte, il amène le public à regarder d’un œil neuf le lieu qu’il fréquente. La rue devient ainsi une galerie en plein air, gratuite et accessible à tous. Ce lieu d’exposition privilégié n’offre pas à l’artiste simplement une visibilité, c’est aussi un espace d’autopromotion où il fait littéralement don de ses œuvres. Celles-ci, indissociables de l’emplacement que leur a choisi l’artiste, ne sont pas un simple divertissement. Le street art est aussi un art de l’interrogation : par son effet de surprise, il questionne la société en révélant quelque chose de la vie urbaine dans laquelle il prend naissance. C’est aussi un art de l’engagement, de la critique ou de la dénonciation, voire de la subversion : peindre dans la rue, c’est échapper aux institutions, à la censure, aux codes imposés. Renforcée par le phénomène actuel du Do It Yourself, la valeur de l’œuvre se mesure également à la performance réalisée, tel un support aux dimensions géantes ou un lieu d’accès difficile voire interdit. Les artistes s’inscrivent dans différents courants ou styles (tag, writing, fresque, calligraffiti, bubble, wildstyle, flop), utilisent des techniques diverses (graffiti, pochoir, affiche, sticker), manient des outils variés (marqueur, aérosol, pinceau, craie) et créent un langage qui leur est propre dans un ensemble qui fait sens (forme, couleur, message). -
A New Coral-Associated Decapod
[Palaeontology, Vol. 53, Part 6, 2010, pp. 1315–1348] A NEW CORAL-ASSOCIATED DECAPOD ASSEMBLAGE FROM THE UPPER MIOCENE (MESSINIAN) UPPER CORALLINE LIMESTONE OF MALTA (CENTRAL MEDITERRANEAN) by MICHAEL GATT* and ANTONIO DE ANGELI à *‘Cidaris’, 18 Hal-Bajjada Street, Rabat RBT2030, Malta; e-mail [email protected] Piazzetta Nostro Tetto, 9, 36100 Vicenza, Italy àMuseo Civico G. Zannato, Piazza Marconi, 15, 36075 Montecchio Maggiore, Vicenza, Italy; e-mail [email protected] Typescript received 13 May 2009; accepted in revised form 10 November 2009 Abstract: A rich coral-associated decapod assemblage is D’Oliveira, 1888, are also recorded for the first time from recorded from the ‘Depiru Beds’ of the upper part of the Malta. Other Neogene coral-associated decapod assemblages Upper Coralline Limestone (Messinian, Upper Miocene), are investigated and correlated with the new assemblage from from the island of Malta. Nineteen species within 17 genera Malta. The migration of taxa between the Mediterranean have been discovered, where 14 genera are new for Malta. region and the Paratethys, particularly during the Lower Four new species are described, namely Micippa annamariae Badenian (Langhian), is evidenced by the strong affinity of sp. nov., Pilumnus scaber sp. nov., Panopeus muelleri sp. nov. the Maltese decapod assemblage with that of the Middle and Herbstia melitense sp. nov. Herbstia melitense sp. nov. Miocene Badenian assemblages from Hungary, Poland and constitutes the first record of the genus from the fossil Ukraine. Upper Miocene, Messinian assemblages from Spain, record in the Mediterranean region. This discovery more Algeria and Morocco are also similar to that from Malta. -
A Uc Tion • P Aris • 1 Juin 15
DIGARD - 4 ART CONTEMPORAIN URBAIN - URBAN CONTEMPORARY ART DROUOT - LUNDI 1ER JUIN 2015 AUCTION • PARIS • 1er JUIN 15 En couverture / Cover n° 22 NICK WALKER (Britannique, né en 1969) Vandal V The Arc, 2015 Peinture aérosol et pochoir sur toile, signée au dos Spray paint and stencil on canvas Signed with black marker verso 50.8 x 50.8 cm – 20 x 20 in En 2e de couverture / Second cover n° 70 BANKSY (Britannique, né en 1975) Flying Copper, 2003 Peinture aérosol et acrylique sur carton double face, signé au pochoir au centre Double sided spray paint on cardboard Part stencil signature throughout center 205,8 x 122 cm - 81 x 48 in frame size 144 x 228 cm - 56.7 x 89.7 in Un certifi cat d’authenticité de Pest Control Offi ce sera remis à l’acquéreur Accompanied by a certifi cate of authenticity from Pest Control Offi ce En 3e de couverture / Third cover n° 35 SHEPARD FAIREY (Américain, né en 1970) Andre Hendrix, 2006, unique Peinture aérosol et pochoir sur papier, daté et signé en bas à droite Spray paint and stencil on wall paper Signed and dated in black ink lower right 58.5 x 50.8 cm – 23 x 20 in En dos de couverture / Back cover n°134 LEVALET (Français, né en 1988) Mise en boite, 2013 Encre sur bois découpé signé et daté vers la droite, contresigné daté au dos Ink on wood, signed en dated 105 x 75 cm – 41.3 x 29.5 in 61 x 46 cm – 24 x 18.1 in PARTENAIRES Traductrices Jocelyn Brainard + 33 (0) 6 74 56 35 36 Interprètes [email protected] Henriette Helleboid +33 (0) 6 84 49 93 70 [email protected] Le magazine de l’art contemporain urbain +33 (0) 5 34 56 35 60 Photographe (FR) : Jérôme Prebois + 33 (0) 6 86 55 90 12 - [email protected] Photographe (UK): Ewelina Karbowiak [email protected] Marin Beaux Arts 70, avenue Gabriel Péri - 94110 Arcueil - 01.47.40.04.20 Cadres anciens Cadres Lapoli - 45,Rue Vaneau - 75007 et mordernes Paris - 01 42 22 57 96 DIGARD AUCTION MAISON DE VENTES VOLONTAIRES 17, rue Drouot - 75009 Paris T. -
AUD Onboard and No Tipping a World Cruise with Princess® Is an Adventure Had by Few — but a Journey That Is, Simply Put, Incredible
2019 WORLD CRUISE Sailing from Sydney and Brisbane AUD onboard and no tipping A World Cruise with Princess® is an adventure had by few — but a journey that is, simply put, incredible. Visit five continents and experience countless only-seen-from-a-cruise moments. Along the way, you’ll discover corners of the globe you only dreamed of visiting... so that you can truly come back new®. Stockholm, Sweden special world cruise benefits, extra savings for our valued past guests see page 9. what’s inside LIMITED-TIME OFFER! Book before 30 April, 2018 Princessbrings the World to your Doorstep ..........2 ® • Enjoy these Captain’s Circle™ Launch Savings Come Back New ................................................4 Full World Cruise 106 nights $1,000pp~ 10 Good Reasons to book a World Cruise ..............6 World Cruise Segments 45-70 nights $500pp~ 2019 World Cruise Itinerary .................................8 World Cruise Segments 34-38 nights $200pp~ Day by Day Highlights ....................................... 10 World Cruise Segments 12-22 nights $100pp~ Explore the Destinations ................................... 14 ~ See page 8 for terms and conditions. The Princess Experience .................................... 16 Staterooms ....................................................... 18 On the cover: Church of the Saviour on Spilled Blood, St. Petersburg, Russia. Disclaimer: Use of any of the photography contained herein is prohibited by law. Deck Plan ..........................................................20 Copenhagen ICELAND Stockholm -
Banksy from Wikipedia, the Free Encyclopedia
Banksy From Wikipedia, the free encyclopedia Banksy The cover of Banksy's 2005 compilation, Wall and Piece. Birth name (unknown) Born Unknown Bristol Field Graffiti Street art Bristol underground scene Sculpture Satire Social commentary Awards Toronto Film Critics Association Awards – Best First Feature 2010 Independent Spirit Award for Best Documentary Feature Washington D.C. Area Film Critics Association – Best Documentary Film 2010 Banksy is a pseudonymous United Kingdom-based graffiti artist, political activist, film director, and painter. His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.[1] Banksy's work was made up of the Bristol underground scene which involved collaborations between artists and musicians.[2] According to author and graphic designer Tristan Manco and the book Home Sweet Home, Banksy "was born in 1974 and raised in Bristol, England.[3] The son of a photocopier technician, he trained as a butcher, but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[4] Observers have noted that his style is similar to Blek le Rat, who began to work with stencils in 1981 in Paris.[5][6] Banksy says that he was inspired by "3D", a graffiti artist who later became a founding member of Massive Attack.[7] Known for his contempt for the government in labelling graffiti as vandalism, Banksy displays his art on publicly visible surfaces such as walls, even going as far as to build physical prop pieces.